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#because i just think they're so neat and cool okay
blackkatdraws2 · 1 month
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There are more things in the Parable than Stanley knows about. [Blank Scripts AU]
#hoh boy i was going to make a comic to introduce these monsters but#i couldnt help myself and made an animation instead#because i just think they're so neat and cool okay#listen i cant for the life of me just infofump about my AU and OCs#because i just think that making actual content about my lore and stuff will not only raise the chances of people being interested#but also it will also raise my motivation to actually produce more content other than the same old recycled front-facing-profile drawings#i need to get creative with my stuff or I'll also loose interest and I DONT want that#in order to be happy with what i have i cant just think about it and expect to be given something new NOOOO i need to MAKE it ughh#i cant believe in order to get more content out of my own au i would need to draw it and feed myself ugh ugh ugh unbelievable (kidding)#but also#i wanna make a little music video or animation again for youtube#its been a hot while since ive uploaded anything in there at all#maybe an animation reel will do for now?#i hope so :(#because ive been working on expanding the Black Scripts AU#and honestly i dont regret it#i had a lot of fun making up scenarios and comics for Stanley and the Narrator (Black)#but yeah!#apart from this little video#you wont be getting an explanation on what these things are supposed to be#and why theyre there#actually i was originally gonna make this into a full fledge animation with sound effect/music/frame-by-frame movement/etc.#but i got lazy HAHA#tsp blank scripts au#tsp au#the stanley parable#the stanley parable ultra deluxe#tsp
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keeps-ache · 3 months
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if i could be any little creature on the earth i'd be one of those little robot-dog toys that kind of suck
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dravidious · 6 months
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You're more amazing than sickness
Lost Caverns of Ixalan is coming out on Arena tomorrow and I've avoided looking up any spoilers, aside from a few individual cards I stumbled across that didn't have any reminder text, so I have no idea what the new mechanics are. I looked up a list of the NAMES of the mechanics on the mtg fandom wiki, and I decided to make mechanics based on those names to see how close I get and also because it's fun.
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Also I made this card for the descend mechanic at first but I didn't like the mechanic. How dare WotC make such a parasitic mechanic, they should really hire better designers smh. Also I realized that craft would probably be more interesting with artifacts that have tap abilities.
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#asks#custom cards#i picked up little bits and pieces about the mechanics#i know that maps are tokens and that discover comes with a number#and i also know that caves exist and transforming cards were listed as a mechanic so i made something with that#a neat inversion of the original ixalan block's nonlands that transform into lands#i also know that there's a graveyard theme so i built that into discover#but craft? all original baby#and i think i heard something about descend having variations? so my “ascend but graveyard” mechanic is definitely not accurate lol#also for context a “parasitic mechanic” is a mechanic that inherently works better the more of it you put in your deck#or that's really weak unless you have multiple of it#sometimes this is okay but my depth counter version of descend is just kinda really boring#it may as well say “this card is stronger the more cards with descend you have in your deck”#stuff like energy and dungeons are kinda parasitic but they're using that to do cool stuff not just to scale effects#also also putting craft on artifacts that have tap abilities IS weaker because now you have to choose what ability to use#but that also makes it fun because you have to choose so you can't just get everything#attachable lantern was actually the original craft card i made but i made Mortician's Toolkit because tap abilities were so bad with craft#little did i realize that having that anti-synergy makes the mechanic actually cool instead of just making your artifacts cheaper#craft+tap offers a tradeoff: you can get access to the effect for cheaper but you have to put it on another artifact#of course you can just use artifacts that don't need to tap. if you have one#the main reason why i don't think my craft mechanic is accurate is because “equipment that taps” is a terrible idea#even if the tap ability is being given by another card#when you tap an equipped creature it's easiest to just turn the whole pile of cards sideways#but if you have to track whether an equipment is tapped or untapped that becomes a pain#Reconfigure creatures are on thin ice#well actually there's cards Citanul Stalwart that tap artifacts as cost so maybe it's not that bad?#i'm most confident in the accuracy of my map tokens and transforming lands ideas#though idk whether the transforming lands and the cave lands would be the same thing#if they have transforming lands then probably because it'd be weird to have 2 separate land mechanics#spelled separate correctly first try fuck yeah
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emile-hides · 1 year
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Ayo me again
I can’t recommend the game Persona 4 highly ENOUGH ig, but as someone who also loves bears and silly little Guys, I know you would dig the game and a specific character a lot.
Unfortunately it’s kinda one of those games a la DR where you can’t look up absolutely ANYTHING because everything is a spoiler and every character has an arc, but in summary it follows the player character and his ragtag friend group over the course of a year in high school, and a bunch of bizarre supernatural murders start taking place in town, and you and your friends set about solving what’s going on and working towards putting an end to it, with the help of new friends and your own supernatural powers along the way.
There’s also multiple romance routes if you decide you wanna date, and the whole game is very very good and has a lot of heartfelt moments
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THIS THING'S A BEAR?????
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vaspider · 6 months
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Since I just turned off reblogs on another post that quickly went from "let's have fun" to "this is fucking awful, I'm taking away this toy," please read this BlueSky thread from rahaeli, who I don't think is on here.
Most of it I've c/p for ease of readability bc BSky's threading sucks.
Okay, it's time again to talk about what the experience of having a social media account with a bunch of followers (*) is like. (* "a bunch" of followers is platform dependent. I'm getting irritating shit at 2k on Bluesky I didn't get until 10k on Twitter.)
(Ugh, wait, nevermind, I hit 3k while I wasn't looking. Anyway.) Someone who has never had more than 100 followers literally cannot comprehend the sheer volume of the responses you get. Even if individual posts don't get a ton of replies, if you post with any frequency, it accumulates.
Once you hit the first degradation threshold, your experience gets a little bit shittier. It's overwhelming volume, but the people who are following you are mostly ideologically, socially, and culturally aligned to you. You have the same concept of social media manners.
You'll get a few duplicate comments, because nobody reads the comments before they reply, but they're mostly from cool people, so you just roll your eyes a little at the same joke five times. You still make friends. You still have fun and can wind up finding neat new people.
And then those neat new people retweet your stuff, and it starts reaching out to an audience of people who are less aligned with what you think of as social media manners. You start getting some replies you find obnoxious: they're in good faith, you can tell, but they just grate on you sometimes.
And then *those* people start reposting your more viral threads, and you get people following you who are three degrees of separation from the people you are most likely to vibe with. And three degrees of separation is the second degradation threshold.
The second degradation threshold is where you start getting the constant, low-grade sand-in-a-pearl annoyances. The person who wants to argue with everything. The 15 people making the identical shitty "joke" that's actually just doing the exact thing you're complaining about, "ironically".
The people who look at a post that contains no question marks and think "there is an implied question here and I will answer it!" and leap to offer the most basic advice that you already thought of because you have existed for more than three seconds and can, in fact, think of the obvious answers.
The people who are spoiling for a fight no matter what, because you used one word in the post that is their particular berserk button and they're going to scream at you for hating waffles because you said you like pancakes even though you never mentioned waffles.
It is constant. It is never-ending. You cannot escape it. Every time you post anything at all, opening the app means wading through twenty garbage replies for every reply from someone who is actually cool and you'd vibe with just fine if you chatted with them.
You want to bitch about a minor annoyance? There will be 40 people all giving you the same useless advice. You want to squee about something you're enjoying that's making you happy? There will be 40 people coming to scold you because that thing isn't morally pure enough.
Every post. Every day. About 75% of the time you compose a post, you will get halfway through writing it and think "I can't deal with the replies this will get today" and delete it. You stop talking about things you enjoy, because you're tired of people shitting on them.
You stop complaining about the tiny annoyances in your life that you want to bitch about, because weirdly enough you already HAVE tried the first fifteen obvious suggestions you're going to get, and you don't want to spend an hour explaining why they won't work to everyone who's "helping".
(But you can't just ignore the "helpful" posts and not engage with them, because then you start getting accusations of being "elitist" and "standoffish" and jesus, lady, we're just trying to help here, why do you have to be so fucking rude and stuck-up, you full of yourself bitch.)
If you are any less gracious to the 40th person than that person thinks they deserve, there is a very good chance they're going to call you a cunt and drag allot their friends in to dogpile you and make the site unusable for at least three days.
The third degradation threshold is when you start needing to regularly call your local police department and politely remind them there are people who get very mad at you online and will try very hard to have you murdered by armed agents of the state and you'd appreciate it if they didn't do that.
I first had that conversation with my local police department in 2003. It's gotten faster now, at least? You usually don't have to start by explaining what social media even is.
Bluesky has tighter thresholds than Twitter did. On Twitter it was nicely exponential: the breakpoints were around 1k, 10k, 100k. Bluesky is running faster. I'm getting Twitter 10k annoyances at a Bluesky 3k. I am trying very, very hard not to switch over into Twitter 10k defensive posting.
I want to leave the defensive posting back on Twitter. I really do. I want to be able to bitch about a thing without having to wade through 20 "go try [extremely obvious thing]". I want to post about a thing I enjoy without 20 people yelling at me I'm bad for enjoyjng it.
There's a difference between arguing about an idea (which I love) and the onslaught of constantly infuriating replies plucking at your last goddamn nerve. And the more "last goddamn nerve" replies you get, the crankier you are, and then people lose their shit at you because you snapped at them.
So maybe let's all start keeping a few principles in mind: 1) if there's more than one reply, check to see if your point has already been covered. If it has, you don't need to repeat it.
2) Even the funniest joke gets old after the 20th time you hear it in 3 hours.
3) "I'm going to jokingly do the exact thing you just were complaining about because ha ha the real joke is I would never do that asshole thing" is never funny, and it is indistinguishable from you actually doing the asshole thing.
4) If there is no question mark in the tweet, think twice about offering "helpful" advice unless you and the poster know each other *mutually*, not just parasocially, you know it's likely to be new info for them, and you ask "do you want to hear how I handle this?" first and get an affirmative.
5) If you are going to ignore 4, ask yourself "is this a suggestion that someone with a reasonable level of generalized adult knowledge would think of trying within the first 15 minutes of approaching the problem?" If so, do not suggest it.
6) Do you really need to nitpick that grammar, spelling, or word choice? Did you understand what they were trying to say before autocorrect mangled it or they blanked on the exact word they wanted and found a close one? If you understood the meaning, don't be their volunteer copyeditor.
7) Is someone excited about a thing you hate? Are they having fun with the thing? Is the thing a front for white supremacist recruiting or organizing the overthrow of the US government? If the answers are yes, yes, and no, respectively, shut the fuck up and let people enjoy things.
8) We are all occasionally That Commenter. If someone you have a pre-existing relationship with replies to you and lets you know you're being That Commenter, it's because they have a positive enough impression of you they don't want to go straight to block. Treat this like the warning sign it is.
9) It deserves repeating: remember the Law of Large Numbers. Even if you only commented once, you may be the hundredth irritating comment that person got that day. Bluesky's terrible threading makes this worse: people don't keep a single thread of mounting crankiness the way they did on Twitter.
9a) If someone's top tweet sounds really annoyed at something, maybe check their timeline or follow back their nested self-QTs to see what level of irritable they're at and over what so you don't step straight on the same rakes they've been dodging all day.
10) However, remember that BSky also doesn't show replies made by people the OP has blocked in a thread. If they post about a pattern that's making them cranky and you look and don't see anything, they probably already blocked the worst of it. They still saw it in their mentions in order to block.
I really cannot overstate how absolutely exhausting and soul-destroying the experience of having a large account can be. It's also somehow still rewarding, or we wouldn't do it. But especially if you're a woman or a person of color or a female POC, that balance is really, really close most days.
And of course, the ones who stay are the ones who do find it still rewarding enough to keep doing it despite the constant irritations.
From here, the thread moves into a conversation about stuff specific to BlueSky, but the majority of the thread is truly applicable to Tumblr as well.
You may be the first person to comment "op lives on a planet without music," or "op has never heard of [thing OP didn't mention for whatever reason]," but you're probably not, and at a certain point, it becomes like someone tapping a sunburn.
So yeah.
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dedalvs · 5 months
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Hello there! I was wondering if you could possibly translate this quote: (I know it's a different fandom, but I was wondering if you could translate it anyways. I think it would be neat to see it in High Valyrian.)... "Not all who wander are lost."
So listen… I know this wasn't the intent, and I know that you're kind of standing in for tons of people from my past, but like… When people ask to have something translated, do they really not give any thought to the grammatical complexity of what they're asking for? And 100% this is not just you, but like… Embedded clauses, relative clauses, counterfactuals…
Something I didn't realize till I started creating languages for a living is translation is my least favorite part of language creation—and it's what I spend the most time doing.
Okay, so, "Not all who wander are lost". Good lord. First, there's "lost", which has a literal and metaphorical meaning in English. Absolutely no idea if this would translate in High Valyrian, and I'm pretty sure I don't have a word for "lost", and I don't even know how to go about creating one. Spanish perdido essentially comes from "wasted" or "squandered". We know where English "lost" came from. There actually is a word for "to lose" in HV, but it's to lose a battle. Doesn't make sense to use it here. So I'm going with something that kind of evokes that mists that surround destroyed Valyria and use the locative of "fog", so to be sambrarra "in the fog" means "to be lost".
I also don't (or didn't) have a word for "wander", but I made a derivation based on one of my favorite words, elēnagon, which means to oscillate or swerve. Jorelēnagon now means "to wander". Seems to fit.
And that was the easy part. A relative clause is something like "The dragon that I saw is big". "Whoever I saw is big" also features a kind of relative clause—an indefinite relative clause. These things are absolute murder to create. But no. It's not just that. It's a modified indefinite relative, because it's not "Whoever wanders is lost", it's "All who wander are lost". BUT IT'S NOT JUST THAT. It's negated on top of that. NE. GA. TED. And not just in the usual way: It's the Mothra fumbling quantifier that's negated. It's not whoever wanders. It's not all who wander. It's NOT ALL who wander. This is like my nightmare—being asked to translate something like this. This is giving me flashbacks to season 1 of House of the Dragon when they asked me to translated "Would that it were", as if that was some reasonable thing for a human being to say in any language ever.
Anyway, if you type "indefinite relative clause" into my High Valyrian grammar, you come up with nothing, because I always forget to write down how the hell I decided to do them. I think because I have both relative adjectives and pronouns that I can just use the damn pronouns by themselves. God. "Not all…" Are you kidding me?! You know High Valyrian has a whole collective number to handle "all", right? What, do I just negate that? Will the meaning be the same as a negated quantifier?! Like it's [[not all] who wander], right? And you can bracket like that because they're all separate words. But what if "all who" is one word? What then?! BECAUSE THAT'S WHAT IT IS!
(By the way I just added a sentence to my grammar that includes the phrase "indefinite relative clause" so I can search for it. It's not like this wasn't written up, but I honestly probably forgot what the term was when I wrote the section the first time and I never revisited it.)
Okay. I'm calm and cool. So. Returning to the translation. There are two types of relative pronouns: One that refers to people or things, and another that refers to concepts or ideas or places. We're talking about people here, so we need the first one. And we need it in the collective. That's lȳr. Leaving the negation aside, this can be translated fairly easily:
Jorelēnus lȳr sambrarra ilza.
Okay, that's "All who wander are lost". I chose the aorist subjunctive for the relative because it's like "anyone who may wander"; I think it makes sense. Lȳr is grammatically singular, so it triggers third person singular agreement in both verbs. Since we're using ilagon as a locative copula here, I think (think) the present tense makes the most sense. So that is "All who wander are lost".
Now how the flarking frump do you say "not all" when "all who" is lȳr?!
So since lȳr is a pronoun it can be modified with an adjective, which would like like this:
Jorelēnus dōre lȳr sambrarra ilza.
But the problem with that is I don't think it gives us the intended meaning. I think that means "None who wander are lost", and that's not what the intended meaning is at all. It is basically "Some people who wander are indeed lost—perhaps many of them—but some of those who are wandering are not, in fact, lost". This is also why you can't negate the matrix verb. That would mean "Anyone that might be wandering is not lost"—again, not the intended meaning. This is the crux of the whole translation: Negating the quantifier and not what the quantifier is modifying.
For that reason, the only thing I can think to do is to go to a much more prolix, and, frankly, un-Valyrian-like expression. This would mean taking the relative pronoun out of the collective, putting it back in the singular, adding in a quantifier, and negating it. That would be this:
Jorelēnus dōre tolvie lȳ sambrarra ilza.
Is that it? I honestly don't know. It is a translation; I'm not sure if it's the best translation. Another possibility is to re-translate it and say "A few who may wander are not lost". That would look like this:
Jorelēnusy lȳn sambrarra ilosy daor.
The pronoun is now in the paucal, which triggers plural agreement on both verbs. (And, by the way, thank goodness sambrarra is a noun phrase; it doesn't have to agree with anything!) And this is, basically, "A few who may wander are not lost".
I feel like the second translation is better maybe…? It feels more Valyrianesque. But I'm not 100% sure it conveys the same sense.
Anyway, I started translating this a little over two hours ago. That's what this takes. That's how long something this complex takes. Granted, it didn't have my full attention at all times, because I was watching Booksmart, but this was my second time watching it, so I didn't have to give the movie my undivided attention (though it had been a few years; there were bits I didn't remember). But yeah. Translation. My god. Like…why. Creating languages is fun. Translation is work. (And if it's not work, you're doing it wrong. Mic drop; soap box kicked.)
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fairytale-poll · 5 months
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ROUND 1D, MATCH 1 OUT OF 16!
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Propaganda Under the Cut:
Dimension 20:
Knight in invisible glass armor who turned the heel of her slipper into a spear and impaled the Fairy Grandmother with it to escape her false happy ending. Part of a team of princesses who want to destroy the entire fairy tale world to spare themselves and everyone else from eternally suffering. Gives weirdly good life advice.
A badass warrior in glass armor who stabs her fairy godmother with the heel of her glass slipper
Neverafter sweep!!!! Also, she is cool. Wears glass armor, tried to kill her fairy godmother with a spear, also tried to kill her stepmother.
She wears armour of glass and fights against a prewritten destiny
This Cinderella's story takes place in a world where all the fairytale characters exist but their stories have all gone wrong. It's a horror Dnd campaign, and there's also a multivariate concept where if people die, they're basically just reborn in a worse version of the story. Cinderella here is an NPC and is part of a faction called the Daughters of the Crown, which is a group of rebel nialaistic princesses who want to destroy the Neverafter to be free. She stabbed her fairy godmother in the chest with a glass shard from her shoe and she's a crazy powerful fighter. She wears full plate armor made of reflective glass so that she's essentially invisible when standing still. She's super badass but still is caring and funny. In the final battle when the PCs are fighting the Daughters of the Crown and other bad guys, she turns to their side after the other princesses are defeated and other giant villains come in, including her step mother, who became an eldritch horror. She stabs her stepmother through the heart with a shard of glass after dismissing the stepmother statement that she hurt her because it was destiny, saying that it doesn't matter if it was free will or destiny, she didn't like it. TLDR: She's a badass black woman/princess/knight
This woman has been through so much Shit. She has to go through the usual suffering of Cinderella (dead parents, abusive step-family) and then find out her entire life is a lie, just a story where she has no agency over her life? Her suffering is for someone else's amusement? So she's doing bad. Her stepmother also tries to destroy the ENTIRE universe after snapping. And okay. Maybeeee Cinderella tried to kill some people (mainly the campaign's party) but after she lost everything I can't help but feel a little bad for her. Thank you for your time.
shes ANGRY shes a WARRIOR she has GLASS ARMOR THAT SHE NEVER TAKES OFF she’s trying to END THE WORLD AND KILL EVERYONE she’s EVERYTHING to me
Once Upon a Time (in Space):
She spent decades searching every moon and planet trying to find her wife (Rose), who was kidnapped on their wedding day. Eventually, she found Rose, and they embraced, only for Rose to die in Cinder's arms. And so Cinder killed the king who had kidnapped Rose by punching through his chest and into his heart.
And then Cinder got a somewhat happy ending, in which she met Rose's clone who had Rose's memories.
What if Cinderella was a Sci-Fi lesbian? Well here she is. She has a whole love song about searching the stars for her girlfriend after their wedding was interrupted and she was taken away. She spends years searching only to when she finally finds and embraces her watch her be shot. Cinders is so devastated by this that she plunges her wedding ring into the heart of the man who shot her love killing him.
Lesbian space princess who elopes with the terrifying soldier who was previously conquering her planet and spends decades searching for her when they're separated. Listen to her song https://m.youtube.com/watch?v=6w9V-gMgBF4
I think the way she punches the evil king through the heart as revenge for her wife is pretty neat.
She’s a revolutionary married to a woman, what’s not to love? From Cinders’ Song: “ When I was a little girl, my mother always told me / "Someday your prince will come, my love" / But as I grew, I knew it was a princess who would hold me”.
her girlfriend got cloned and most of said clones were brutally slaughtered in war and she searched for her girlfriend all throughout the galaxy and when they were finally reunited on the battlefield her girlfriend died. and a clone of her girlfriend who due to technical errors retained her memories, so does that count as the same girlfriend? theseus's girlfriend? anyway vote for cinders she's been through hell
Lesbian!! Has to search for her lost love Rose with her glass wedding ring that changes color when its near its partner!! Gets to embrace Rose once again for one final moment before the villain kills Rose right in front of her!! So Cinders kills him in return!! And she's left as (almost) the only surviving main character from her own album but!! She is eventually reunited with a clone of Rose, and while they cannot have a truly 'happy ever after' together they are the ones graced with the closest thing to it
SPACE LESBIANS (she's in love with Rose Red, who gets kidnapped on their wedding day and Cinders searches the galaxy to find her, waiting for her white ring to turn crimson, indicating that its twin was near) She took her name from the ashes of her burning planet <3 She also killed Old King Cole >:)
shes a tragic lesbian and killed a violent dictator shes literally the best
shes gay shes traumatized she dates both rose red and sleeping beauty. badass space wanderer looking for her wife
Her wife Rose gets kidnapped on their wedding day and Cinders spend the next thirty years looking for her. She finds her (:D) and then Rose dies (D:) and then Cinders kills the guy who killed Rose (girlboss).
shes a lesbian. she lost her wife, Rose (yes, as in sleeping beauty) the day they got married bc she was kidnapped. she spent 20 YEARS looking for her. as soon as she found her wife, Rose DIED IN HER ARMS. Cinders has gone through Too Much to lose this poll
(Her info from the wiki) the Princess of a planet burnt by King Cole's army, after it is ceded by her stepmother. She is imprisoned, meets Rose and plans to marry her. She is released by her godmother for the wedding, then flees when the attack happens, spending thirty years looking for Rose. Her half of the wedding ring will light up when she finds Rose.
"When I was a little girl, my mother always told me 'Someday your prince will come, my love' But as I grew, I knew it was a princess who would hold me I looked to the stars for you, my love" She's lesbian Cinderella IN SPACE. She fell in love with her wife in prison and they ran away to have a secret marriage but the empire kidnapped Rose on their wedding night and Cinders had to leave her behind. She searches for Rose for decades with the glass ring that guides her to its twin on her wife's finger. She finally reunites with her love after Rose rips three supersoldiers to pieces with her bare hands (hot) but then then the evil king kills Rose so Cinders fucking punches through his heart. And then a clone of Rose (who is also lesbian Sleeping Beauty IN SPACE) finds her cradling her wife's body and they have a happy reunion(?) and maybe they didn't have a happy ending BUT WHAT IF THEY HAD EACH OTHER? HUH? AAAAAH
she’s everything. she’s a princess from a long since conquered planet. she was imprisoned to make a statement of the brutal reign of old king cole. she met her wife while she was in prison, a beautiful brutal soldier covered in scars from battles. cinders and rose fell in love, so cinders’ godmother in white broke her out of jail so rose and cinders could be together. they were going to be married, except that OLD KING COLE intervened and kidnapped rose to make her the genetic base of his unholy army. so cinders spends THIRTY YEARS searching the galaxies for her love (and sings a really cool song about it called “Cinders’ Song”) until finally she arrives during the final battle just in time to see old king cole SHOOT ROSE DEAD. so cinders punches the king so hard (with her wedding ring) that he just Crumples Into Dust. the end! (no we do not talk about the fiction.)
lesbian, for one, and for two i don't really care i just think it'd be cool if she got in/if she made it past the first round
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hundredandsix · 11 months
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spiderman!ellie
I saw this TikTok and I'm having thoughts. I feel like I've had a revelation because Ellie and Andrew Garfield's Peter Parker give off the exact same energy. Dorky losers who are somehow simultaneously cool, especially when they're in their element. They even look similar. And they both have hot gfs. Oh, sorry. I should say they both had hot gfs.
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Just imagine Ellie being confident and goofy when she's in the suit, but then when she actually has to see you face-to-face, she gets all blushy and nervous. The angst! College!Ellie?? Joel as Aunt May?? And her doing the little spidey pose!
I'm actually disintegrating. Someone help.
I'll be posting what could potentially be the start of a spiderman!ellie series very soon. In the meantime, here's a sneak peek ;)
─── ・ 。゚☆: *.☽ .* :☆゚. ───
"Sorry, I didn't mean to intrude. It's just-I forgot my phone and I..."
You stop in your tracks after taking a better look at her. She's cute. Her face is covered in a constellation of freckles, and her eyes are the same shade of green as the Nirvana t-shirt beneath her flannel. From this side, you can see the piece of soft, auburn hair that's fallen from her up-do. Your hand twitches forward, as if to push it back where it belongs.
But that's not all you realize. You've seen her before. You're sure of it, but you can't seem to place where. Those green eyes. It would be hard to forget being under their scrutiny.
She's still gathering her notes, but there are so many papers that she's crumpling them all. Your hands reach over to pull hers away, and you begin to place the papers in a neat stack.
You don't miss the sharp inhale she takes when your hand grazes hers. She reaches over to begin storing the chemicals of whatever project she's working on. Her nervous energy is rubbing off on you, and you feel your heart start to race.
She's the first to break the silence.
"No, God, please don't apologize. I didn't mean to... never mind."
Her mind seems to be following your train of thought because she says, "You're in Huxley's Gen Chem, right? Are you..." she pauses, eyes turning up in thought, "Y/N?"
"Yeah, that's me! I knew you looked familiar. You're in there helping sometimes, right? What's your name again?"
She quirks an eyebrow. "You don't know my name?"
You think she's teasing, but you can't be sure. The apples of your cheeks heat up under her gaze. The room feels too hot, like a sweltering July afternoon.
"No, I know your name. I just wanna know if you know your name?" you say, the corner of your mouth turning up.
She lets out a shaky laugh and pulls her bag out from under the desk. Taking the stack of papers from your hands, she shoves them into the front pocket.
"Ellie," she says.
You motion for her to keep going. There are a million girls named Ellie in New York.
"Sorry," she says, rubbing the back of her neck with her free hand. "Williams. Ellie Williams."
"Okay, good. Just had to make sure."
She nods. In the split second you look away, she manages to clear the rest of her supplies from the table.
All that's left is a single sheet of paper on the floor that she missed. You reach down to grab it, and Ellie's eyes widen. She shoots down to the floor to grab it before you can, but you don't miss the comically large letters titling the page.
Web Fluid Version 3.01
"Web fluid?" you let out a laugh. "Are you Spiderman or something?"
─── ・ 。゚☆: *.☽ .* :☆゚. ───
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griefabyss69 · 14 days
Text
Inside The Fall
Written for @steddiemicrofic!
[ AO3 ]
'FOOL' wc: 1987 | rated: T | cw: Mention of weed
(This is the April Fool's version of the prompt, it includes all of the words needed)
Steve's used to stepping up in life or death situations, but otherwise he's directionless. He isn't expecting Eddie to be so good at helping him figure out the other parts of his future.
(Continues after the readmore)
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"Step into my office," Eddie says with a guiding sweep of his arm.
"You mean your bedroom?" Steve asks just to be annoying.
Eddie's smile doesn't dim but his eyes narrow, all sharp and shit.
"Yes, well, sometimes you have to mix business and pleasure when you're waiting around on the sweet cash that's supposed to be coming in any day now," he says, shutting the door behind them.
Eddie's bedroom isn't really like the last one, though Steve had only seen that in the height of insanity, when it'd been newly deserted and then torn through in search of anti-Vecna music.
This one is neater, though still pretty chaotic. Steve can't help but like it, even though he has to wait for Eddie to clear off his desk before he can conduct his business.
"Come, make yourself comfortable," he says, gesturing at his unmade bed.
Steve ignores the thrill in his gut as he carefully sits down at the edge of it. He doesn't make a joke about cum, or about making himself more comfortable, or about Eddie offering up his bed. He's on his best behavior because otherwise he's going to go too far and Eddie's going to think he's still just a stupid jock who has bad jokes, despite all of the shit they went through together; old habits and all of that.
Once Eddie's cleared his desk, he moves to the other end of it, leaning against the wall but resting his ass against the stack of milk crates he uses for shelving. He nods at the chair, his smile all menacing as if Steve was one of his players and he was going to give him a hard battle.
"I'm not gonna hurt you," he says when Steve hesitates, pulling a box out of his pocket.
Steve has to laugh a little bit, and moves over to the chair, settling in with his elbows on the desk. He has to look up to meet Eddie's eyes, and that puts another thrill in him, this one is harder to ignore.
"Don't let me win," Steve says, smirking. He knows that's not how tarot cards work, but Eddie's laugh is worth it, like he gets the joke and doesn't think he’s actually stupid.
"I'd never do that," Eddie gasps, bending to spread the cards out on the desk. They're all face down, so Steve can only admire the cool design on the back, but maybe after Eddie's finished reading into his future or whatever he'll let him look through all of them.
He explains some of what he's doing, and it seems simple enough. He asks Eddie a question, Eddie gets him to shuffle the cards, then there’s some kind of sorting thing, then he pulls a few of them.
"What would you like to ask?"
He's tempted to ask something… easy. Something that doesn't matter, and doesn't show Eddie the inside of his head. But Eddie had offered this in the first place because Steve had admitted that his thoughts have been all fucked up, he's been pretty lost these days.
"What should I do with myself this summer?"
Eddie nods, considering that as he gestures to the cards.
Steve carefully shuffles them around in a big mess, as instructed. It's kind of fun, and he takes his time before sitting back, relaxing.
"Okay, that should be all mixed up," he says, stretching his legs out and crossing them at the ankles. He's determined to try to be comfortable, even with Eddie looming over him, his arms crossed over his chest.
He looks really good from here.
"Good," Eddie says, bends to corral the cards back into order, tapping it into neatness before he sets it down. "Split the deck in half for me."
Steve leans forward, meaning to find the exact center, but he ends up going with his gut and splits it closer to the bottom. For whatever reason, he's more curious about what's buried deeper.
"Thank you."
Eddie chews on his lip as he thinks, eyes going from Steve to the cards and back against a few times before he smiles.
"Draw three cards from here," he says, tapping the shorter stack. "Place them face down in a row."
Steve follows his instructions.
While he doesn't really believe that the cards are magic or whatever, he does believe in Eddie's ability to create an atmosphere. He's not even being dramatic or loud or anything, but he's bringing such an earnest seriousness to it that makes Steve decide to take it seriously too.
"Okay. If this doesn't answer your question at all, we can do another run of it, with more cards," he says, leaning his palms on the table. "Though usually unless a question involves a lot of people or a lot of moving parts, three is perfectly fine to answer it."
Steve starts to feel nervous, so he just nods and watches Eddie’s hands, thinks about how clean Eddie's new rings look, wondering when they'll start to get worn in by life like the last ones.
Eddie turns over the first card.
"The Knight of Swords," he says, his dimples coming out even as he tries to suppress a smile. "Other cards in this suit can be a warning, but this one is generally good."
Steve swallows. He knows he doesn't want bad news, but Eddie told him this all wasn't like, his destiny anyway. It's more of a guidance thing, like he can choose to take it's message or not.
Eddie flips the next one.
"The Seven of Wands."
He doesn't say anything else about it yet, just thinks for a moment before moving on, flipping the last one.
"The Fool."
Steve's eyebrows raise, because that doesn't sound good.
"Okay," Eddie says, leaning back against the wall, playing with one of his shiny rings. "What I'm getting for this is that you're restless, and that instead of all of the freaky monster adventures you've had, you really need a good adventure. Something new, maybe something a little different than you're used to, but ultimately you need to relax and just do what you want."
Steve looks at The Fool, about to walk off a cliff, and feels skeptical.
"Won't I end up like that?" he asks, pointing at it.
"Don't take the pictures so literally," Eddie says, and Steve has to sigh at him. "Your energy is high, like a magnet for good things," he elaborates, pointing at the Knight of Swords.
Next he points at the Seven of Wands.
"You're probably doubting yourself, dealing with a lot of fear and uncertainty, but good things are in store if you just do what you're scared of anyway. You need to remember that you're in charge of your life now."
Steve gets a lump in his throat. He hasn't ever felt in charge of his life.
"And our Fool here, what he says is that you need to pick something and try it out, whether it works or not. Do it thoughtfully, but you don't have to think that hard about it."
"Oh," Steve says. He hadn't expected to feel so… encouraged. Taken care of. "That's nice of him."
Eddie laughs, his voice quieter when he leans back down against the desk.
"It sounds like it'll be a good summer for you," he says.
After Eddie had cleaned up the cards and Steve had successfully kept himself from crying, they went off on the first nice adventure of Steve's summer.
Eddie had put a couple joints in with his smokes, and then they wandered off on a late afternoon walk, right into the shady forest, where it's not too dark yet.
"You know," Eddie begins as they walk side by side even though the path is kinda narrow. "I think you'd make a good Knight."
Steve thinks it's so not fair how much that makes him blush. He has to duck his head and grin at the ground just so he doesn't like, tackle Eddie and kiss him on the mouth and plummet off of the cliff of his own foolish behavior.
"Yeah? Do you think there'd a Knight for a baseball bat with nails in it?" he asks, looking back up to keep up his eyes on the area. Mostly it’s tree branches and nothing tougher than a squirrel.
Eddie laughs, nudges up against him as he moves, and because it's like, June, it's warm enough that he's just in his new Hellfire t-shirt, the sleeves rolled up. That means the skin of their arms brush together and Steve's brain lights right up.
"A nailbat is kind of like a sword," Eddie muses, the warm look in his eye doing irreparable damage to Steve's self control. "I might be more interested in what kind of Fool you are, though."
Steve blushes harder, mourning how it'd started to go back down just a moment ago. There's no way Eddie could've known what he'd been thinking of doing, but he knows and so do the blood vessels in his face.
"Uh, I'm not sure," he lies, shrugging. "I guess we'll find out."
Eddie beams, slides an arm around his shoulders as he says something that gets totally lost – Steve's brain has honed in on Eddie's body and only that, his feet starting to trip over themselves as he takes in the solid way they fit together.
"Easy," Eddie murmurs as he makes sure he doesn't face plant. "Is it too hard to walk this way?"
It's a little awkward, but there's no way Steve's letting him go.
"Nah, just had two left feet for a second," he says, turning his face to smile at Eddie and – Christ – he's right there. He has to go cross eyed to get a good look at him.
His gut pulls hard but he breathes through it. If anything, he knows how to be a gentleman and not just do whatever the hell he wants. Maybe his instinct for self protection is pretty busted by now, but at least he's not about to go around kissing random men just because he wants to.
Eddie laughs, and his eyes must be going cross eyed too, because they dip down to stare at his mouth instead, his long eyelashes showing off their thick, sweet curve.
"Girls would kill to have your eyelashes," he says, pleased when Eddie opens his eyes wide, shocked.
"What?" he laughs, glancing at the path before looking back at Steve. He's glad that one of them is looking out for tree roots, because Steve can't bring himself to care about anything but the feeling of Eddie's breath on his face.
"Your eyelashes, they're really long and nice," he says, less afraid to compliment him than he'd thought. "Most girls wear mascara to get theirs to look like yours."
"Oh." Eddie grins, turning his head to duck it all bashfully, and Jesus, Steve recognizes himself in that. "Thank you."
Steve can see the stones crumble from the cliff under his foot, knocking their way down the side until they disappear. He's about to do something really stupid – foolish – but his composure falls away under the force of every side of Eddie he sees.
"Eddie?" he asks, waiting until their eyes meet. "Will you kiss me?"
Eddie stumbles, barely catches himself from landing flat on his face, pulling Steve half down with him.
"Uh," he says, a nervous laugh chilling the air. "Why?"
Steve swallows hard, planting his ass on the ground so he's not halfway between straddling him or getting up.
"Because even though I'm scared, I should ask about what I want, right?"
"Oh, okay," Eddie’s voice is thin and strangled. "Sure."
It's a yes despite how Eddie looks scared now, so Steve leans in and crushes their mouths together, falling freely among the stones of his trepidation. Eddie kisses him back like they’re standing on solid ground.
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Text
Sexiest Podcast Character — Unscripted Bracket — Round 5
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Propaganda
Gable (Campaign: Skyjacks):
7ft tall silver-haired thembo of a fallen angel. was the literal sword of god until they killed him! reasons slightly unclear but probably sure to forbidden queer love! super caring for their friends. has one friend they have known for hundreds of years who they HATE but are bound to by the red string of fate. their sword is a part of them, they can sheathe it into a tattoo. they start out indistinct at the edges but as they have continued on through the campaign they have become more and more distinct. they became a flaming engine of justice to kill their friends shitheaded older brother who was following him. they have learned enough necromancy to allow other fallen angels to die, even though they typically cannot. they fly giant birds in to battle.
7ft tall beefcake wielding a sword as tall as they are. vengeful sweetheart
Imagine now: a fallen angel with beautiful gray hair and very big muscles. Now imagine them with a 9 ft sword. Now imagine them as a helmsperson of a pirate ship in a flowy deep-v pirate shirt. Now imagine they're dumb as a fucking rock. And finally, imagine that they killed god. Here, you have made Gable Skyjacks: sexiest podcast character of all time.
7ft tall nonbinary/genderfluid thembo fallen angel sky pirate who wields a buster sword. silvergrey hair with black/gold streaks as they regain feathers/memories of before their fall. back is covered in tattoos that hide the scars of their shredded off wings. killed God. toxic exes with lucifer. they are the keeper of several giant war birds who occasionally crave human flesh. they enjoy getting rowdy/smoking rope with their boys. they collect rocks that they think are neat. When anyone admits they are attracted to them, Gable trips over their words and absolutely swaglessly ends up sounding stupider and sexier by the end of the conversation; the will they/won't they and teasing they dish out to these (un?)lucky few is palpable. Sometimes the buster sword is on fire. They are immortal, they are cringe, they are trying to atone because they believe they are the reason the world is ruined.
Okay so aside from all of the above (giant with a matching giant flaming sword, killed god, extreme dumbass), here's some more propaganda for Gable the Godkiller.
They've escaped death multiple times with their partner in... crime? Like literally they were about to be executed in the most brutal way possible and just. Escaped and killed all their captors in the snowy wastelands.
They are the helmsperson of the Uhuru and take this job very seriously and definitely haven't left it to Bowser (you know, like from Mario) multiple times. Can steer that flying ship in horrible weather and still make it to port safely.
Healed an entire fucking hospital by cutting their hair for someone they had the hots for who was also in the hospital. Imagine being on that level of myth making in some random port city because of a hair cut.
Giant bird caretaker and also took the giant birds out on their friend's bachelor party (this was like. his Xth polyamorous marriage at this point btw) and had a fucking blast getting high on some rope and fucking around. They've also flown these birds into combat and looked cool as hell doing it (see: killing their friend's shithead of an older brother in a joust).
Had a relationship with Lucifer the Morning Star before they fell as an angel and killed God. Literally the reason the stars fell was their love for each other. The world would not look the same without Gable and they are, at the very least indirectly responsible for the creation of the Church of the Slain God and everything it represents (fantasy Catholicism).
And also yeah they are regularly tripping over themself and saying very silly things. 10/10 character we love Liz Anderson and Gable in this house
I am seeing people say that this Nicky fellow is basically trans! That's very cool! Gable is actually trans. Pronouns they/them/any presentation whatever they feel like.
Gable held a bachelor party for a BFF where the attendees hunted from their sky birds, wore dresses, and still managed to keep their eyeliner on point!
Gable killed God because he wouldn't let them be queer. They should rightfully crush anyone in their path.
We are finally going up against a character I know. I can confidently say all sexy moments with Gable are much sexier than TAZ's largely off-screen romances. Mod Note: This was written during the poll versus Killian Fangbattle.
Nicky Close (Dungeons & Daddies):
One armed half-demon man with a sword (also a Dedicated, Involved, Loving Father). (Specifically campaign 2, where he is an adult)
Transmasc bisexual (or at least so widely accepted as such it's basically canon) dilf half-demon let's start with the basics
And by half-demon I mean the literal prince of Hell
But also simultaneously is Saint Nicolas get you a man who can do both specifically this man
Missing an arm cause his ex-friends tragically betrayed him and shot it off but he doesn't need two arms to show you a good time wink wink ;)
The betrayal in question forced him to be seperated from his also hot milf voice actress wife and their son which is sad but in like a way that makes him sexier
Uses his one hand to wield a flaming katana that he used to rescue his son from the FBI
Protects his family with his life very literally which is hot as hell
Big himbo energy couldn't come up with a good plan if he used 100% of his brain
When he does fail at things it's pretty cute honestly
Definitely played a variety of musical instruments before the whole arm thing happened! Maybe he still does idk he's a sexy mystery
2 in 1 deal! This man was born from the merging of two timelines! Kinda sick!!! Also two dads = twice the daddy issues
You'd think the whole being forcibly split from his family thing would mean he isn't very close with his son but nope! His son adores him! They get along great!!!
His mom is simultaneously alive and dead
His mom bagged fucking two different dudes (one of whom FOUND HER DEAD in a different timeline, both of which are demons)
HIS MOMS NAME IS MORGAN FREEMAN, HIS DAD’S NAME IS GLENN CLOSE, AND HIS OTHER DAD’S NAME IS JODIE FOSTER, AND HIS GREAT SOMETHING GRANDFATHER’S NAME IS MERYL STREEP
HIS SONS NAME IS TAYLOR SWIFT
Lifelong pot smoker 👍 (plus drug flower user!!)
CANONICALLY BOTH A POLO WEARER (and yes, has all the stereotypes of that attached with it — a nerd, which is hot) AND A LEATHER JACKET WEARER (which also has all the stereotypes attached with it — a rebel dude person, which is also hot) [<- all widely accepted as canon by the fandom even as he’s older]
A part of the SECOND BIGGEST ship of season two, (Nark) despite the two characters only having one-two canon interactions (one of which JUST happened last episode)
Man’s a himbo what’s hotter than that
So many fucking names. You try to tag him in anything and he takes up half the space. That’s probably hot. For someone out there
This was already mentioned but so very very trans. Like. It’s basically canon
Rock and roll(er)
Joined a group of thieves called the watermice when he was like 13
for a few minutes had a guitar called the Battle Axe of Hatred
definitely had an frienimies with benefits relationship with his childhood friend Lark (sorry ppl that don’t ship nark lol) (it’s canon after ep 44 hah)
I feel like the audio of the entire Nick-breaking-into-the-FBI scene should be propaganda, but I'm copying select bits from the transcript:
Anthony: Yeah, it kind of echoes up through the vent, like the beginning of Metal Gear Solid. You hear a voice that strikes you as ever so slightly familiar, Taylor. Saying—  ??: [a deep voice] [echoing in the vent] Where is he?  Anthony: You hear—  Will: Uh-oh, he’s hot.  Anthony: —a bunch of shouting voices.  [giggles]  Beth: Uh-oh! Anthony: You hear a bunch of shouting voices and people shouting for him to get down on the ground to turn off his flame. To fucking get his hands behind his back. You hear this rhythmic stepping forward— because his footsteps don't sound like anybody else's because it's almost like… y’know when you toss a little bit of water onto a really hot pan and it just sizzles like that? It's like every footstep he's taking, you can hear that— Freddie: Cool  Anthony: — and you can feel some of that heat coming up in this vent, even though you can't see him at this point. And he goes—  ??: [echoing] Where. Is. My. Boy? Anthony: You hear the FBI agent—the FBI in quotation marks agent—in the back going like—  Agent: [echoing] He's safe for now. If you want to go ahead and make sure that he stays that way, you feel free to go ahead and step inside the suite that we've prepared for you, my boy. Anthony: And you hear the hot guy voice saying—  [chuckles]  The Hot Guy: [echoing] I don't think that's going to happen.
...
[a powerful rush of air builds] Anthony: You hear—  [gunfire, and the air rush culminates in a burst of flame; from underneath the fire, metal music starts playing] Anthony: —plumes of flame exploding.  [a person’s pained shout, gunfire and bursts of flame continue]  Anthony: You can feel the heat radiating through this metal vent and it's actually beginning to hurt and burn your hands.
...
Anthony: And you hear blood—  [sizzling]  Anthony: —hitting the fucking ground and you hear sizzling and things boiling and burning. Taylor: That could just be coffee! That could just be coffee. Link, let's go. Anthony: And you are getting closer and closer to the elevator. And you hear that same hot voice say—  The Hot Guy: [echoing] Where the hell is Taylor?
Gable and Nicky Together:
We are on a joint ticket now! This is a truly unbeatable combo. Not even god can nerf it because Gable killed him. Vote for us. Nicky Close will watch your stuff and play with your cats while Gable gives you the night of your life.
Gable and Nicky can literally be yuor angle or ur bevil.
Kravitz (The Adventure Zone: Balance):
Grim Reaper. So hot he managed to date Taako from TV
gotta be krav
Art of Gable and Nicky from @slightlyhopefulromantic.
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genericpuff · 4 months
Note
What are your thoughts on LO Krokos and LO Ampelus (Psyche) ?
These two male mythological figures, who had a gay relationship with gods, turned into female characters ! If they weren't included (especially since Dionysus is still a baby here), I wouldn't mind. But just using those names like that TWICE is strange, right ?
It's also weird how LO turns two virgin goddesses into lesbians, but don't even implement the canon gay relationships.
Can you find an explanation?
I mean I can't really offer an explanation because obviously I have no way of really seeing into Rachel's head, but it's definitely a choice that she's taken so many gods and characters from Greek myth and turned them into something else entirely, it feels very random and, in the case of the gods who were canonically gay/queer/etc. ... it's hard to ignore and give benefit of the doubt.
Another example is Persephone's therapist, Chiron, who's not just gender bent, but also put into the role of being a therapist ?? Which is like, okay, fine, but like... what is this accomplishing besides vaguely referencing Chiron's affiliation with medicine LOL
(this wound up turning into a bit of an essay so I'm including a jump to make it easier for scrollers lol)
To me, it just feels like it really cements Rachel as not being as well-read in Greek myth as she claims to be, because so much of the actual Greek myth in this comic is either taken directly from first results on Google (see: Zeus' definition of xenia which is taken straight from a Princeton study guide from 2004) and slapped haphazardly into the comic where it's convenient, OR it's just vaguely referenced at even if it's not being properly utilized (like she saw 'Chiron, wise centaur' and went "yeah cool she can be the therapist character!"). I have zero explanation or even assumption as to why she'd turn Crocus, a male lover of Hermes, into Krokos the flower nymph, or why she'd choose to use Ampelus as the name Psyche adopts after being turned into a nymph (which also didn't happen in the original myth). These are "creative choices" that come across as less creative and more just random attempts to make her seem smart.
Like, to a surface level reader or someone who's new to the series, it might seem neat and subversive (it definitely did to me back when I started reading and fell in love with it), but then you actually get further in and peel back the layers and go, "wait, she's just grabbing Greek names that are affiliated with real Greek heroes and gods and characters at random-" and it gets especially ick when it commits queer erasure in the process.
Don't get me wrong, I think having fun with character designs and swapping them or changing them up is perfectly fine, that's the fun of re-interpreting old stories, it's not that on its own that's the issue. It's just that these re-interpreted characters have literally NOTHING to do with the characters that she's basing them on. At least in Punderworld where Charon is a woman, she's still a psychopomp who ferries souls to the Underworld, her being gender-bent doesn't change much because her character and role in the story is still largely the same. Or like in Hadestown how the Underworld is more of a coalmine with Hades running it as a business, instead of the River Styx being a literal river it's a brick wall that protects the Underworld from outsiders ("and they call it freedom"). In both of these examples, they're taking the source material and making it fun and new, while still respecting the source material they're taking it from and keeping it on theme with that source material.
By comparison, Rachel just creates these character references and that's where it ends, they're just references and they don't do anything new or interesting with them, they're not even adjacent to what they're referencing. So we wind up with Chiron being a therapist, Ampelus being the nymph version of Psyche, the Fates looking and acting the exact same as each other even though they had different roles to play between Past, Present, and Future, and Aphrodite's children who... are literally made up from scratch, instead of pulling from the actual real children that Aphrodite had loads of in the original myths.
So many of Rachel's writing choices feel like attempts to be "subversive" when they're not, they're just random. Nothing about the things she changes from the original source material does anything to further explore that source material, it's just yoinking things at random to try and seem more Greek while also further separating her work from legitimate Greek culture. Even when you THINK something is about to be retold in an interesting way, it's very promptly either swept under the rug or veered off in a whole other direction that makes zero sense for what it set up (ex. Echo, what the fuck happened to Echo-)
It's very "ideas first, structure never" writing, she comes up with standalone ideas that sound good in isolation, until she actually tries to execute them and connect them and you realize they have no through line or reason to exist the way they do. It's giving real hard "first draft" vibes, so much of what Rachel chose to do should have been left on the cutting room floor (meanwhile the things that supposedly did get left on the cutting room floor SHOULD HAVE BEEN KEPT IN THE COMIC, ex. Hera's coat prophecy, Hades and Persephone having a date in the Underworld where she decides she might want to go into law, etc.)
Ugh. This got longer than I intended it to. It's just frustrating. I have inspiration to write that essay about queer erasure in LO now, at least. So yeah, hold on tight for that one LMAO
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orange-artist · 10 months
Note
Saw your asks/doodles were open again! I had a couple thoughts/questions about your good Yonji AU
We all know that sabo is 100% a Luffy enabler—where does Yonji fall? How does he handle the batshit dynamic of the strawhats?
How do Luffy and Sanji feel about their brothers dating?
Is there a particular arc you would place the AU in/enjoy seeing Yonji participate in?
Love your art style and this Au it’s simply chefs kiss 💕💕💕
Omg yes okay lemme see
Where does Yonji fall in the Luffy enabling scale?
Well, his own ability to decern if an idea is good or not isn't particularly great so he would give Luffy an awkward thumbs up and a 'go for it'.
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He handles the Strawhats chaos like a champ tho. They're nice and funny so he just rolls with the punches.
How does Luffy and Sanji feel about Yonji and Sabo dating?
Hoo boy, Luffy is cool with it, in fact, he thinks it neat! Sanji? Sanji is traumatized on the basis of, his younger brother is dating his captain's older brother and managed get a date before Sanji is able to.
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Also Sanji crisis because he's in his glass closet.
When is this AU?
I'll place the Yonji and Sanji meeting anywhere after Fishman Island and before Whole Cake Island. I do, however, want Yonji to get involved during Whole Cake, where he hears about Sanji being taken from someone (Sabo?) and busts in to get Sanji out. (Where his first plan is to offer himself in place of Sanji. Which doesn't work.) Lots of things happen here: -There's a clone of Yonji in his place (its not particularly sentient) -Sanji verbally acknowledges Yonji as his brother to his face for the first time -Sanji and Yonji team up -Yonji finally snaps and gets to scream at Judge and its cathartic
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Hehehe thank you so much for the ask and liking this AU, make me very happy to hear!!!! <3 <3 <3
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luciusgerard · 2 years
Text
More incorrect Steddie because, once again, I am bored (all prompts from this website):
****
Steve: I like your new pants.
Eddie: Thanks, they were 50% off.
Steve: I'd like them better if they were 100% off. *winks*
Eddie: The store can't just give away clothes for free.
Steve: That's...that's not—
Eddie: That's a terrible way to run a business, Steve.
****
Eddie: I’ve been dropping them the most insanely obvious hints for like a year now. No response.
Steve: Wow. They sound stupid.
Eddie: But they’re not. They’re really smart actually. Just dense.
Steve: Maybe you need to be more obvious? Like, I don’t know… “Hey! I love you!”
Eddie: I guess you’re right. Hey Steve, I love you.
Steve: See? Just say that!
Eddie: Holy fucking shit.
Steve: If that flies over their head then, sorry Eddie, but they're too dumb for you.
Eddie: Steve.
****
Steve: Bro—
Eddie: Wait, no no, hold up, rewind—my tongue was down your throat a second ago and you're calling me "bro"?
****
Steve: Valentine's Day is a consumerist holiday that holds no real value other than driving people insane buying heart-shaped chocolates for their significant others and pos—
Eddie: I wrote you a poem.
Steve, already crying: You did?
****
Eddie: That was so hot, Steve.
Steve: I literally just called the person who flirted with you a degenerate dog and told them I hope they get dragged through the streets.
Eddie: I am so in love with you.
****
Eddie: There are twenty letters in the alphabet, right?
Steve: Nope, there's twenty-six.
Eddie: Ah, I must have forgotten U, R, A, Q, T.
Steve: Aww, that's cute, but you're still missing one.
Eddie: You'll get the D later.
****
Eddie: I'm in love with you.
Steve: We called off the prank war at midnight last night, dork.
Eddie: Yeah, I know.
Steve: Oh. Okay. Um...cool. Neat. Very cool.
****
Steve: Ugh, crushes are so dumb.
Eddie: I know. Whenever I'm near a person I like, I just start acting stupid.
Steve: But...you're always acting stupid?
Eddie: ...yeah, don't think about that too hard.
****
Steve: I still have no idea how I'm attracted to you.
Eddie: Yeah, well, you're stuck with me. No takebacks.
****
Steve, throwing his head onto Eddie's lap: Tell me I'm pretty!
Eddie, gently stroking Steve's hair: You're pretty fucking annoying, that's what you are.
****
Eddie: You have to apologize to her, Steve.
Steve: Fine! But just know that this might make me a better, nicer person, and that is NOT the person you fell in love with!
****
Eddie: As top in this relationship, I think we should—
Steve: I can't believe you're pulling rank on me.
****
Eddie: Are we fighting or flirting?
Steve: I have you pinned to the wall with my hand around your neck.
Eddie: Your point?
****
Steve: Hey, Eddie, what do you think it would be like if we had kids?
Eddie: What would it be like? Inconvenient, mostly.
Steve: No, I mean, what would they be like, the kids? You ever think about it?
Eddie: Can't really say I have.
Steve: You know, for someone as eccentric as yourself, you can be boring as fuck sometimes.
Eddie: Sorry, Steve. For what it's worth, I'm picturing them now. Three boys and three girls. Six perfect little freaks of nature raised by people who've clearly got no business bringin' up anybody.
****
Steve: Go fuck yourself.
Eddie: Sure, but only if you watch.
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feelingpure · 6 months
Text
Fellow Travelers | The Orange Elephant in the Room
Alright, let's talk about it.
For those who've watched the available episodes of FT so far; I'm sure we've all noticed the citrus haze they all seem to be living in.
Especially if you've attempted to edit/GIF any portion of it. The struggle is real and I'm sure has inspired many colouring dilemmas.
And we're all asking "WHY?!".
Now, I'm writing this having not looked up anything about it. So I dunno if anyone responsible has made a formal confession.
One of my initial thoughts around it was; okay... so is this just a 1950s thing? But after watching (and rewatching) episode 2, I feel like it's part of the story in a different way; It's clearly a stylistic choice, yes (I should hope that doesn't just happen by accident). But it also seems to double as a narrative choice.
Putting the rest, with image examples, under a cut because it's kinda long.
Warm vs Cool
The conclusion I've come to is pretty simply, one that we've seen used across media in a lot of movies and shows. Warm tones used to colour scenes that are meant to literally be 'warm'; a loving environment or somewhere where the character(s) feel like they can be themselves. Cool tones used for scenes where it's quite the opposite; a cold hostile environment where the character(s) does not feel welcome. Gradients in between for all the neutral/'greyarea' spaces.
Consider
Cool/neutral outdoor bench scene (with park spies around):
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Maybe it's an indoor/outdoor thing? No...
Indoors (even with the mandatory orange lamps nearby) they stay pretty neutral:
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Night time/day time thing? No...
Night time vs day time in Tim's apartment:
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Compare it to day time neutral alone Tim in the same room before. The difference is that he's with Hawk, out of sight of any would be naysayers.
So yeah, while I am mad about the colouring for giffing needs, I do think what they're doing is pretty neat, and the POC in the show look glorious in the warm tones.
The warm/cool motif is dialled up even more in episode 2, with the contrast of Mary's warm welcoming party and Hawk's cold af family gathering (even though they still have the orange lamps/sconces around, they add nothing to the warmth):
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🥺 Ugh, Tim at Mary's party. Might be my favourite part of the episode, alongside the kissing n spooning. Anyway...
The transition of Mary from the same living room where she hosted that party, to the kitchen they were just questioned in:
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That transition made me start paying more attention and go back to rewatch previous scenes just for colour themes.
Interestingly Hawk's apartment seems to live in this neutral/warmish space. It was more warm earlier in the episode, especially when they were in the bedroom the morning Tim left his glasses. But in general it's a lot less warm than Tim's apartment when compared; still their skin glows with a hint of tangerine:
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Of course, not only the lighting/colouring but their outfit choices say a lot. Tim is usually in the warm browns with his dress, while Hawk pretty much sticks to black, white, grey (hints of a cool toned blues and reds in his ties). This coupled with the differences in their own living space probably reflects a lot about the character and how 'welcoming' they are to others. Idk... or I could just be thinking too much about it.
This is another really interesting transition in episode 2. As Hawk hangs up the phone in that cool toned side room, opens the door to the main room of a gay bar, the warm tones literally seem to absorb him in. Which makes sense, this is obviously a gay friendly place in San Francisco. He doesn't have to try to hide any part of himself, like he probably was still trying to do on that voicemail to Lucy just before.
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Now, I could go through and screenshot a load more examples (some scenes with Lucy are interesting, and that lounge/club), but you probably get the gist, you see the pattern. If not before, on your next watch, you'll certainly see it.
This has got longer than intended; I'd be surprised if anyone got this far, I did NOT fully organise my thoughts before I started this, I just began rambling and I feel like it could've been more organised and laid out better. But if you have thoughts about the colouring, I'd really like to see those too. 🤗
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punkitt-is-here · 1 year
Note
Could I ask about dealing with anxiety when starting to make games? Also I hope your day is going well when you get this
Sure!
I think the most important thing to learn about, as with any new skill or tool or what have you, is that you have to get cool with sucking. I didn't get this far in being a fun gamedev internet person by caring immensely about the perfect quality of what i put out; i was just proud to do it! If I cared about getting everything right the first go around i'd never get ANYTHING done. Underneath all the neat stuff I show online is actually a mountain of things that I would call subpar or even failures, but I don't mind having those at all; they're important steps in the creative process! And I think being bad at something is better than not doing something at all. And I'll say this much: in gamedev, even the tiniest, most insignificant victories feel like GIGANTIC wins when you're dealing with something as fickle and intimidating as gamedev, and those victories are what motivate me. The second you get far enough to have your own lil guy walking around in your own little world is the moment when everything starts to click for me and i go "boy i fucking love gamedev so much". it's tough, but i think when you hold out long enough to start seeing even the tiniest little fruits of your labor you'll see why it's such a rewarding experience.
Secondly, recognize that you're doing this for fun!! If you're going into ANY medium with the goal just to earn money or make the next big hit, I think you're gonna hit a roadblock pretty quickly. Make things because YOU wanna make them, and you'll find the anxiety washes away pretty quickly. Don't make things because it's hot right now to make uhhhh i dunno Among Us Roguelikes with FPS elements or something, do it because you have an idea that sounds fuckin sick and you wanna make it real. It's 100% why i make ANYTHING i make at all.
Additionally, cheat!! Use shortcuts!!! All the gamedev stuff I've shown is actually made off of engines that require little-to-no programming experience (SMBX2 and RPGMaker 2003) and while I eventually want to move on to stuff like Godot, I think it's INCREDIBLY fun and rewarding to work with engines that do a lot of the initial ground work for you. I don't think there's anything wrong with using engines that'll get you quicker to where you wanna be as long as its something you feel like you can get behind. So have fun with it, be ready to be bad (and that's okay!) and take it easy on yourself.
Hope you have a wonderful day! I am :>
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biiiiig huntlow dump because i had a moment!!! i just!! think they're neat!!! that first photo is half a conversation bc i'm not very good at dialogue. the rest is just silly doodles to make up for the angst,,, of course captions are underneath!
Page 1
Willow: It was really hard to see you lie so still, I'll admit that. But your pain is what's most important here, Hunter. I want to be here for you, if you'll let me. Hunter: ... Willow: I know its not a consolation to you and I'm being so selfish right now, but I'm so glad you're alive, Hunter. I'm so so glad. Willow: I'm sorry. I'm so sorry. -Sob- Hunter: B-but I don't d-deserv- Willow: Don't. You do. You absolutely do.
Page 2
(Pointing to Hunter) Trying horned-rimmed glasses
Willow: You know, there's that Cosmic Frontier movie in theaters! You wanna go to a showing? Hunter: Yeah! Sounds great! <3
-- Cheese! -- Willow: C'mon! Let's go check it out! Hunter: It says no trespassing! Willow: A quick look won't hurt! -- (Pointing to Willow) Carrying him over puddles :)
Willow: You good? Hunter: Haha yeah! --
Willow: THANK YOU HUNTER! I missed aloe juice since we came back home! I really appreciate you going back to Camila's to get me some! Hunter: Ha ha it's no trouble! Willow: THANK YOU! (Squeaky toy noise) Hunter: Oh! Haha! Wow! Yippee!!
Page 3
(Pointing to Hunter) Addicted to sweets and treats (Pointing to Mote) Mote :) (Pointing to Willow) Holds said treats for him.
Willow: Oh! The Bonesborough Brawlers won 5 to 3! Amity: Why... why didn't she make him change... Gus: Let him live Amity. Luz: Look! Claire's is this way! Matt: I thought we were going to Hot Topic?! -- Willow: Oh! Hunter's here! Willow: (Loudly) HIIIII HUNTER!! Omg this is a library Willow
Willow Vision: Pointing to all of the hearts surrounding Willows view of Hunter; he is poked by an arrow labelled "Easily embarrassed"
Willow: (Whispering) Sorry! Hiiiii Hunter! Luz: omg You have it so bad. C'mon or we'll be late to class! Hee hee You can stare at him later!
Page 4
Oh how time flies...
Willow: Oh! Is that your fursona? Looks cool! Hunter: ... I have feelings for you. --
Very small doodles of Lumity, Gustholomule, and Huntlow
Willow: Wait for us!!
Page 5
A more canonical moment of stress
Hunter: And so Chief Engineer O'Bailey went to Captain Avery and demanded for him to beam him back to the planet to save the blah blah blah blah Wow! Sounds crazy! Hunter: Do you want to watch the episode with me after school? Willow: Sure! <3
--
Darius: You staying for dinner, Park? Willow: If that's okay! Hunter: Yeah! We can watch the latest episode after!
Willow: Thanks for having me! Hunter: ♡ O-Oh! No problem! ♡
SIIIIIIGH ♡♡♡
Darius: Time to do your homework, Romeo. You'll see her tomorrow.
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