'Emporio' shoe store* - unknown city, Australia (mid 1990s)
Designed by Design BITE (Liz Nicholson & Noel Pennington)
Scanned from the book, Design Down Under 4 (1996)
The 90s had a small trend of carnival-pomo baroque colorful interiors; may have evolved into the 'Modern Baroque' style of the 2000s
*Emporio was a brand under the Figgins Holding Pty Ltd, which went under in 2010
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Iris Barrel Apfel, Decorator and Fashion Stylist
(August 29, 1921 – March 1, 2024)
Ms. Apfel was one of the most vivacious personalities in the worlds of fashion, textiles, and interior design, she has cultivated a personal style that is both witty and exuberantly idiosyncratic.
Her originality was typically revealed in her mixing of high and low fashions—Dior haute couture with flea market finds, nineteenth-century ecclesiastical vestments with Dolce & Gabbana lizard trousers.
With remarkable panache and discernment, she combines colors, textures, and patterns without regard to period, provenance, and, ultimately, aesthetic conventions. Paradoxically, her richly layered combinations—even at their most extreme and baroque—project a boldly graphic modernity.
Iris Barrel was born on Aug. 29, 1921, in Astoria, Queens, the only child of Samuel Barrel, who owned a glass and mirror business, and his Russian-born wife, Sadye, who owned a fashion boutique.
She studied art history at New York University, then qualified to teach and did so briefly in Wisconsin before fleeing back to New York to work on Women's Wear Daily, and for interior designer Elinor Johnson, decorating apartments for resale and honing her talent for sourcing rare items before opening her own design firm. She was also an assistant to illustrator Robert Goodman.
As a distinguished collector and authority on antique fabrics, Iris Apfel has consulted on numerous restoration projects that include work at the White House that spanned nine presidencies from Harry Truman to Bill Clinton.
Along with her husband, Carl, she founded Old World Weavers, an international textile manufacturing company and ran it until they retired in 1992. The Apfels specialized in the reproduction of fabrics from the 17th, 18th, and 19th centuries, and traveled to Europe twice a year in search of textiles they could not source in the United States.
The Metropolitan Museum of Art’s Costume Institute assembled 82 ensembles and 300 accessories from her personal collection in 2005 in a show about her called “Rara Avis”.
Almost overnight, Ms. Apfel became an international celebrity of pop fashion.
Ms. Apfel was seen in a television commercial for the French car DS 3, became the face of the Australian fashion brand Blue Illusion, and began a collaboration with the start-up WiseWear. A year later, Mattel created a one-of-a-kind Barbie doll in her image. Last year, she appeared in a beauty campaign for makeup with Ciaté London.
Six years after the Met show she started her fashion line "Rara Avis" with the Home Shopping Network.
She was cover girl of Dazed and Confused, among many other publications, window display artist at Bergdorf Goodman, designer and design consultant, then signed to IMG in 2019 as a model at age 97.
Ms. Iris Apfel became a visiting professor at the University of Texas at Austin in its Division of Textiles and Apparel, teaching about imagination, craft and tangible pleasures in a world of images.
In 2018, she published “Iris Apfel: Accidental Icon,” an autobiographical collection of musings, anecdotes and observations on life and style.
Ms. Apfel’s apartments in New York and Palm Beach were full of furnishings and tchotchkes that might have come from a Luis Buñuel film: porcelain cats, plush toys, statuary, ornate vases, gilt mirrors, fake fruit, stuffed parrots, paintings by Velázquez and Jean-Baptiste Greuze, a mannequin on an ostrich.
The Museum of Lifestyle & Fashion History in Boynton Beach, Florida, is designing a building that will house a dedicated gallery of Ms. Apfel's clothes, accessories, and furnishings.
Ms. Apfel’s work had a universal quality, It’s was a trend.
Rest in Power !
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Elder Scrolls: Possible portrait of Akaviri Potentate.
The tradition of depicting tsaesci in a thoroughly anthropomorphic fashion, may actually predate the "damnatio memoriae" issued against this race (once proudly prolific in all the upper echelons of imperial society) in the aftermath of dissolution of Akaviri Empire. One, after all, understands the need to assuage the apprehension of the populace being governed by creatures the sources describe as towering, eel-like and vampiric. And given the texts (having gone through stringent censorship) have been allowed but a momentary candor to suggest decidedly serpentine features of Akaviri Potentates—we should deny ourselves the comfort of this "conventionally monstrous" interpretation. I for one am not prepared to dismiss the notion of them having four arms, especially in relation to a passage lauding Savirien Chorak's ambidextrous wielding of swords. Another remarkable feature of this painting (besides its faithful depiction of imperial scale-mail armour) is that the mask looks almost identical to another famous artifact—The Battle Mask of Almalexia—which itself perhaps been made in commemoration of sinking of Tsaesci fleet at Bal Foyen.
Digital painting. Made in Krita. Feel free to repost.
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