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#at last it feels like film noir
notsooldmadcatlady · 5 months
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Last day of autumn in San Myshuno.
♪ Demise of a Nation
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lacebird · 1 year
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just came up with the most clever opening line ever
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amourcheol · 9 months
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paris (teaser)
❝You and Jeonghan, jazz-filled corners, hidden history, and the city of love.❞
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historical! au | exes to lovers! au | angst, fluff, smut | approx. 45k words (teaser wc. 1.4k words)
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s u m m a r y : disgraced by hollywood for the last time, you, a once superstar-turned-alcoholic, escape to the city of love to seek sanctuary from the ruthless tabloids. your sanctuary comes in the form of film noir superstar yoon jeonghan, the enigmatic man who taught you the art of acting, lust and love before your fame. when he asks to meet you once, just like old times, you cannot refuse. what is meant to be a simple date turns into a path of passion, pain and everything that comes with fooling around with your ex in the jazz-filled corners of paris.
c o n t e n t s : actor! mc, actor! jeonghan, mc is incredibly bitter and makes bad decisions, agent! seungkwan who is tired of fixing them, jeonghan is the suavest, sultriest mf, mentions of parisian landmarks in this fic, also a bit of french peppered throughout, greek mythology art references, tons of fluff which is also layered with angst, this will be very hurt-comfort, hella ansgty but will have a happy ending mature warnings -> alcohol consumption and abuse, smoking, this is basically sexual tension with plot, slightly drunk making out, oral sex (f. receiving) unprotected sex (refer point to bad decisions), very soft angsty sex, body worshipping, petnames (chérie, mon ange, darling, angel), overall emotional rollercoaster, more tba!
p l a y l i s t : here!
t a g l i s t : @hyuckworld​ @sysymei @alaypsy23 @belladaises @jjeongddol @sparklyshuji @forcoups @ilovesungjun @wonwoo24 @scandal-in-bohemia @hopefulchick @superbbananananana @onedumbho3 @fragmentof-indifference @cuntycheol @rubywonu @if-i-like-i-reblog @yoonzinoooo @jungwoos-luvr @crookedwolfruins @leclercloverbot​ @alexai (let me know if y’all want to be tagged!)
a u t h o r ’ s  n o t e : after three years ... four rewritings later... she may finally see the light ... i am releasing the teaser now but will post the fic when i’m back from holiday! i hope you all enjoy the lil extract <3
read this fic here!
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SHIT. YOU COULD NOT DO THIS TODAY.
Suddenly, you wished he was a mere figment of your imagination, because then he would not have to see you in your drunken, disordered state, looking for art that was not there, looking for the past in the present.
But then he began to move.
This very real presence walked closer to you, and you felt your entire body constricting, because Yoon Jeonghan was in front of you, the greatest star in the world was approaching you, the man of your distant memories was coming too close.
“Wait,” he then said, and your throat was closing up, you were blinking rapidly, chest growing heavy, and you needed him to get away. He came closer, and you knew then and there you were going to die on the cold floor of the Louvre, marble eyes on you—
And then your own gaze was glistening, and when he noticed it became harder to contain yourself. “_____, are you all right?”
“Yes!” you got out, but then you proved yourself wrong when a few tears slipped out, staining your cheeks.
The man wasted no time, closing the last space between the two of you as he reached out. Instantly, you repelled from his touch, almost flinching from his surprise. “No!” you rasped out, bringing out your own hands to create distance, taking a step back. “No, you don’t need to do that…I’m fine.” 
You breathed sharply through your nose. “I am fine.”
Hastily you turned to the empty space where he last was, before you followed him like a madwoman around the hall. He watched you, your back almost to him. “What…what are you…” you paused, trying to normalise your shaking voice. “What are you doing here?”
You could feel his inquisitive stare upon you. “I could ask you the same thing.”
That question was not being answered. “I asked you first.”
Because you could not see him, you were not aware of his reaction. Still, it was enough for him to answer, “Well, in the Louvre, or in Paris?”
You gritted your teeth at that. “I think everyone knows why you’re in Paris at the moment.”
“Do they, now?”
You could not help it.
Casting a momentary glance at him, you were taken aback to find his gaze upon you. “Are you aware, at least?” he asked you.
Despite his simple questions, your impending headache, you had to clamp down on your remarks. “Of course I’m aware,” you muttered. “The papers are all over the press tours you’ve been doing.”
A perfectly groomed brow arched at your comment. “I’m surprised you follow the papers at the moment.” 
You knew exactly what he meant. “One must keep check of the stories they gossip about,” you only said, focusing back on the empty space. “Those journalists cannot be trusted.”
“Hmm…” you heard shuffling amongst his clothes—no doubt crossing his arms. “I have read the stories.”
A scoff. “I suppose you believe them, don’t you?”
He noted the cruelty in your response. The actor did not take it to heart.
“I have always believed in the stories you told me, chérie.”
This time, curiosity controlled your movement.
Curiosity had you turning back, forcing you to observe his expression, catch his lie. 
But you found no deception.
No, there was only sincerity—pure as the moonlight shining on the two of you.
Chérie.
The last time someone had called you such a sweet name was too long ago.
How ironic, that it was the same man beside you who had bestowed you this very endearment.
A shuddered breath left you. 
You could not do this now.
You were going to say as much when Jeonghan interrupted you.
“Were you looking for something in here?”
Your furrowed brows had him humming. “I thought as much.” Gently, he jerked his head beyond your figure. “Strangely enough, I was looking for it as well.”
Confused, you glanced back at the empty space, where that certain, mysterious sculpture was supposed to be. “That is why I came to the Louvre,” you heard him say.
There was still suspicion laced in your features. “How do you know that we are thinking of the same piece?”
That ghost of a smile crept up again. “You act as if you don’t remember.”
Your sigh was a little sheepish. “I do,” you said, reminiscing on the memories. “But the name…”
No matter how hard you endeavoured, your memory of the sculpture was too hazy for your half-drunk mind. 
You searched him for an answer. “I’m sure you have not forgotten.”
“No…I have not.”
You waited. His silence had you insisting, “Well?”
When you saw a slight glimmer in his whimsical gaze, you knew that he had something else in mind. The implications had you biting your lower lip, anxiety blooming.
The nerves grew when Jeonghan spoke.
“I will tell you if you see me tomorrow.”
You blinked back.
“There’s an exhibition opening here tomorrow afternoon,” he continued, taking a step towards you, careful not to startle you again. “It’s centred on the sculpture we both wanted to see, but it’s been moved to another hall.”
He confused you a great amount. “How do you know that?”
His stare went beyond you, to the wall. “It says on the plaque.”
Sure enough—when you looked back, there was the notice. Because your French was adequate at best, you did not understand it fully. You simply had to trust his linguistic abilities.
That you could do—you were aware of Jeonghan’s fluency in the language of love. 
He cocked his head, a few strays cascading the side of his face. “You and I could see it there.”
The offer had shaken you. “Why?”
“Why?”
You knitted your brows suspiciously. “Why do you want to go with me?”
The film noir star watched you then, you shuffling uncomfortably under his scrutiny. God, you forgot how intense his eyes were—in fairness, you had not been the subject of his stares for a few years. 
He locked his gloved hands behind his back. “Because you need a break, _____. From everything.”
He offered you a smile. “Let me be the one to give you that. If only for the day.”
You could have crumbled before him.
It was at this stage you cursed yourself for being in such a state. Perhaps if you were sober, you would have carried on this conversation in a more respectable manner, taken more caution.
It was incredibly difficult, composing yourself around the man.
“I can’t…” you inhaled sharply, trying to form the words. “I cannot do midday…too many people, you know…staring, judging…”
“Ah.” He nodded, parting his mouth in thought. “Then tomorrow night?”
Stretching your mouth, unsure, he assured, “They will not follow you here at this hour.”
“How are you so sure of that?”
This time, he sighed, surprised at your anxiousness. “I see you’ve not changed, then.”
You narrowed your gaze. “What is that supposed to mean?”
But the actor did not seem like he was going to elaborate. 
He instead took another step towards you, a mere two feet left. 
“Do you trust me?”
You tilted your head back. 
What kind of question was that?
Do you trust me?
You did not trust anyone. Not after this whole debacle back home, when almost all your friends within the industry had contributed to your downfall. Hollywood was filled with traitors, the worst being the people who haunted the journey of your disgrace at every moment.
It was impossible to place any ounce of faith in another.
As you watched his eyes settle on you, you noticed an emotion you had not witnessed in forever.
Tenderness.
Tenderness with no ulterior motive—gentle acceptance, as if he recognised your position. As if he recognised your change, the apprehensive nature of your questions, your pauses. It physically hurt being stained with such compassion, when you had been begging for it from the world all those weeks ago.
It hurt, having someone who understood you.
You, however, should not have been surprised.
Yoon Jeonghan had always been like this. Especially when you both were together.
You could have smiled. 
What a time that was.
As if he could read your mind, the film noir star began, “You remember, don’t you? That I’ve never let you down?”
You decided to let yourself slip—you could always blame it on the alcohol. 
“What time do you want me here tomorrow?”
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hotvintagepoll · 1 month
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Propaganda
Ann Sothern (A Letter to 3 Wives, The Blue Gardenia)_ Another unsung comedienne of the 30s and 40s, not enough people know about Ann Sothern. She was, along with her bestie Lucille Ball, originally a Goldwyn gal, but was soon a featured star in pictures. She even headlined a series of films, the Maisie movies. And though she was known for her comedies, but I fell in love with her after her dramatic role in A Letter to 3 Wives. I also absolutely love her in the noir murder mystery The Blue Gardenia. She was absolutely stunning, and I am always excited to find a movie of hers to watch. She's high on my list of "Why don't more people talk about her?" actresses
Ingrid Bergman (Gaslight, Casablanca, Notorious)—Where do I even begin with Ingrid Bergman? I fell in love with her with her astounding performance in the 1956 version of Anastasia -- the best Anastasia movie in large part due to her wonderful and touching performance. She's got this amazing, fascinating intensity to her in whatever role she's in. She commits 100%, and she's got this light in whatever she's in that's stunning. She's utterly convincing no matter what she plays, from an amnesiac possible lost princess, from a nun, from a woman taking her revenge on the town that wronged her, to light romantic comedy. She's never missed in any role I've seen her in! Also she became quite the MILF.
This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Ann Sothern:
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She was so beautiful and had great comedic timing!
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Ingrid Bergman:
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God, she's fantastic. She's both beautiful and a compelling actor who's more than capable of putting the whole movie on her shoulders if necessary. It's worth noting that while her beauty is conventional, she was seen as refreshingly "natural" with more eyebrows and less makeup than many other leading ladies of the time. She's well known for her role in Casablanca, but in Notorious, Spellbound, (both available on archive.org ) and Gaslight (1944) she shows how immensely capable she is.
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I mean...she's Ingrid Bergman. I feel like that should be enough, you know? She's physically beautiful (her eyes!) but watching her is like a transcendent experience. Her voice, her expressions... beautiful woman, beautiful actor.
I'm a gay man but even I understand her appeal. I'll watch any movie she shows up in. Gorgeous woman.
Just try and watch her movies without sighing wistfully, then get back to me!
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Choosing 1-3 movies where Bergman was at her hottest was agony because, of course, she was always at her hottest. Not just because she was beautiful but because she was absolutely willing to go up against the bs women in Hollywood were constantly dealing with. When exiled from Hollywood for having an affair with Roberto Rossellini, not only did she refuse to apologize at any point, but she went on to say that Hollywood's films had grown stagnant and boring to her. Though she said she appreciated her time working there, she wanted to try new, different techniques (hence starring in Italian neorealist films, working on stage, and acting under directors like Ingmar Bergman). She was not afraid to chase after her artistic ideals and go outside the box regardless of what society had to say about it. From her first movie to her last she killed it. There's so much more to say about Bergman's career and life, but I've already written five million words so I'll stop at that.
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One of the most incredible actors I've ever seen on film. Her facial expressions are so intricate and poignant that I cannot look away. I'm either ace or straight, but damn she made me question that.
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SEVEN TIME OSCAR NOMINEE QUEEN. Girl also PULLED, having affairs with famously hot men Gary Cooper and Gregory Peck IN ADDITION to her three marriages...sexy
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She has a very natural beauty to her, and she's from Sweden!
She left Hollywood and only became more beautiful. You could drown in her eyes. She can look innocent AND like she's seen it all. She is effortlessly elegant. She's played Joan of Arc (automatically hot) AND was in the movie that coined gaslight as a term. And where would we be without that!
She was known for being a breath of fresh air on the movie scene at the time with her windswept hair, dreamy smile and soulful eyes. I have loved her in every movie I have seen her in - she was just magnetic!
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Where do I even start. There's a neighborly quality to this beautiful, talented actress that makes her hotness one of a kind and her looks impossible to forget
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With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. Known for her naturally luminous beauty, Bergman spoke five languages – Swedish, English, German, Italian and French – and acted in each.
She's hot, don't get me wrong, but I've always found her very approachable, like she could easily be a member of my friend group
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A lot of the time hotness in a movie is just about words and framing. "You're the most beautiful person here" [vaseline lens] well I sure hope so because that's who you cast. But when, in Casablanca, they call Ingrid Bergman the most beautiful woman in the world... they were not fucking lying. And such a dynamite actor too!! I'd only seen Casablanca up until last year, and there she's confined to love interest. But in Gaslight she was maybe one of the most incredible actors I've ever seen!!!! Goddddd shes so fucking hot and cool.
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accio-victuuri · 8 days
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wang yibo - hidden blade japan premiere feedback from actors & critics
Actor Oji Suzuka:
The story of the movie went back and forth between the past and the present, and I felt that the characters and stories overlapped more densely, and I entered the world of the movie more and more. The tone and colors of the movie, and the actors’ performance were also wonderful, especially the action scenes at the end of the game, which was so overwhelming that I forgot to breathe. When I finished watching it, I was grinning and taking a deep breath, and I realized that I had watched a great movie.
Actress Hyunri:
The era when the world was connected by war. Who is the good, the bad, and the traitor? Ambiguous music at the border and scenes that revive like deja vu. I feel pleasure in the truth that is being turned cold one by one. In the last 20 minutes, I remembered a passage from a fairy that I loved —“ The important things are becoming invisible.”
Film Critic Kurei Hibiki:
Wang Yibo gives off unusual sex appeal so much that even men fall in love with it. There is no doubt that you will fall in love even if you are not a fan, such as the gesture of casually pressing the lighter switch with your index finger and smoking a cigarette, the brutal expression when you are bathed in blood, and the appearance of crying too much to suppress the emotions that come up.
It is a literally physical action scene that fascinates me to the end, and while he is starring with Tony Leung, who is a senior as well as in the movie, he has brilliantly explores new heights. The theme song of the same name played in the end roll it can be said that it has fulfilled its role as a two-page signboard that colors the popular work.
Movie Writer Yoshihiro Masamichi:
I admire the beauty and skill of Tony Leung and Wang Yibo to play on the psychological movie with a restrained expression. The fierce action battle in the second half is enthralling. If you like this genre and the two actors, you’ll love this noir movie.
Film Blogger Kei Nakai:
The truth that will be revealed through complicated puzzles filled with conspiracies. This movie invite the audience to the world of spies who can't even trust what they see. But I can't take my eyes off the mature Tony Leung, who also dominates the complexity of his role.
Writer Shimako Iwai:
I was made to think that I not only watched a heavy movie, but also witnessed something extraordinary. A feeling of tension that makes me suffocated all the time. And I was relieved that I was also released at the end credits.
Movie Writer Chizuko Orita:
This is a work where you can enjoy the sex appeal of Tony Leung, a man who looks good in a dangerous scent, and the seriousness of the action bursting at night in Shanghai, where the smell is thick. I fell even more in love with his manly personality as he lends his heart to the hottest young actor, Wang Yibo!
source.
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aphroditeslover11 · 6 months
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Cherry Lips
A few of the boys’ reactions to a reader who enjoys a bold red lip.
Moodboard pictures all sourced from Pinterest.
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Neil Lewis
Every time that he sees you, you are always wearing some shade of red lipstick. At first it freaked him out a bit because he thought it was intimidating, that you would be unapproachable, but that all changed when he got to know you properly.
You’d have a conversation one day and he’d say that it reminded him of classic movie stars when red lips were all the range in the golden era of cinema. By chance it turned out that you got the idea to try it out from watching Marilyn Monroe in ‘Gentlemen Prefer Blondes’ and hadn’t looked back since.
You can be certain that he will ask you along to promotions when he does them for classic movies, dressing up together like a couple from a classic film noir.
Lenny Miller
When you first met him it was your lipstick that made a lasting impression, specifically on his shirt collar which he found days later when he realised that the stain hadn’t washed out. When you started to date each other he realised quickly that it was a part of your image that you never went without.
When you eventually starting going away together for weekends he became more acquainted with your makeup collection, he was the one that started treating you to ridiculously expensive lipstick that you could never otherwise afford, moving you away from the drugstore ones that you used to use. When you asked him why he just said that “If you’re going to make such a statement, then you might as well do it properly.”
Jonathon Crane
He may be just about as obsessed about your lipstick as you are. He loves how confident and sexy wearing it makes you feel, which in turn makes him feel powerful for having been able to claim you.
When you’re home alone together he will frequently ask you to kiss him, loving the way that the transfer mark makes him feel like he belongs to you. He’ll quite often go to work with a patchwork of lipstick marks across his collar bones. No-one else can see them but he knows that they’re there, it’s like he’s carrying around a little piece of you with him all day.
Robert Fischer
He loves the way that red lipstick looks on you, but he isn’t so much a fan of the more practical side of you wearing it. There have been many times at galas where you have absent-mindedly gone to kiss him, leaving him with a mark on his cheek that he has to awkwardly rush to the toilets to clean away before anyone sees it.
Whenever he travels he makes a joke of bringing you back a new shade of red, so you now have a very large and international collection.
His favourite thing about it though is how you light up as soon as you put it on every morning. It’s like you put on armour, ready to go into battle, and it reminds him that there is nothing that you cannot face together.
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athanza · 8 days
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Starlett - Final part
Cooper Howard/fem!OC (not self-insert)
Tags: Hurt/comfort (sort of?), non-allowed romantic connection, lots of tention, pre and post war drama, romance, some fluff
Warnings: Mentions of domestic abuse (no graphic scenes or descriptions of that nature), angst, canon wasteland violence
This branches out from canon but I thought it was a cute story idea so I had to write it. Enjoy! ♡
Part 1 | Part 2 | Part 3
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2077
That night, after dinner, Irene found Cooper on the sofa with Janey asleep on his lap, watching an old noire film with the volume down low.
"Thank you very much for dinner Mr. H- Cooper." She corrected herself, speaking low so as not to wake Janey. "It was lovely."
He looked up as she walked over. "It was no trouble at all. Janey loved having you here."
She smiled at his daughters sleeping face as she sat down on the edge of the sofa. "You've got a good kid there."
He looked down at her proudly. "Yeah, I sure do."
"She reminds me of my baby sister, she lives with my folks in Sacramento. I don't get to see her much anymore with my work and everything with Frank and Lee. It'll be good to see her again."
"How long has it been?"
"Almost 2 years. I know my sister resents me for how much I'm away, but hopefully that'll change now that I'll be away from Frank, at least until the divorce proceedings." She sighed with uneasiness.
"You'll be fine." Said Cooper encouragingly. "You're stronger than you think."
"Ditto." She smiled warmly. "And don't worry about Janey, you both love her so much. She'll understand when she's older, I promise."
He smiled, touched by her words. "Thank you."
She looked into his eyes and saw something she never had, a good man, a man who loves unconditionally and stands up for his family.
She, just for a moment, imagined what it would be like if he was her husband instead of Frank, if Janey were their daughter, if this was her life and not the daily abuse she had been going home to every night.
She could feel emotions begin to well behind her eyes and she snapped out of it before she embarrassed herself.
"Well, I should get some sleep, I'll be leaving early tomorrow. Thank you again."
The warmness that emanated from her was a welcome comfort in the midst of everything that had happened in the last few months. He almost didn't want her to leave, but he couldn't let himself fall, not now, not for her. They were meant for another time, another world, not this one.
"Irene?" Said Cooper, stopping her before she left. "This whole thing with Vault Tec...something's happening, something I'm not sure we'll ever come back from.
You're free from it now. Whatever's coming...it won't be worth giving up your happiness."
What he said about Vault Tec concerned her, not that it was surprising, but he was right about her happiness, he was right about everything. She wasn't going to be held back any longer.
"Thank you." She said, smiling softly.
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2296
The sky was still dark when he left the cave. He'd covered Irene with whatever he could find to try to conceal her from raiders, hoping nothing else would find her while he was gone.
He knew there was a clinic in this area somewhere but whether it had anything left in it was a gamble.
As he made his way hastily through the area, he couldn't stop thinking about her and it just made him angry, 219 years of trying to become the monster that he had to be in order to survive, only for her to show up and remind him of that warmth that he'd long since forgotten. It made him weak, but he couldn't let her die, not now.
He heard movement up ahead, two men laughing drunkenly as they stumbled to find somewhere to relieve themselves.
Raiders.
The cages and skewered bodies around the building were a dead give-away and their little base just happened to be the clinic he was looking for.
Jackpot. They definitely had a stash in there somewhere.
The two men separated to find somewhere to piss but just as one got comfortable, Cooper blast his head off and took the other one out just a split second later.
"Oh HELL no!" Came a voice from the doorway of the clinic.
Without hesitation, Cooper shot him too, a bloody mess left on the door frame behind where he had been standing.
He stormed inside, his pump-action shotgun in hand, willing to use up all of his ammo to get what he needed.
Bullets and wood chips were flying every which way, and he took a bullet or two, but it took him no time at all to obliterate every person in that building.
He searched hastily for supplies, and when he found a first aid box full of stimpaks and cotton thread, he grabbed it and left, picking up several blood packs on his way out.
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2077
The next morning, Irene was up early, her bag already in her car when Cooper came out to meet her.
"You weren't kiddin' about leavin' early." He said, the clock in the hallway reading 7:12am.
"I thought it'd be best if I left earlier rather than later."
He knew why. He didn't argue.
"Give this to Janey for me, would you? I noticed she liked it and I know it'll be in good hands."
She handed Cooper a silver locket with a daisy engraved delicately on the front.
He looked at it a bit surprised. "Are you sure?"
"Yeah, I don't much care for it anymore. It'll be more appreciated with her." She smiled.
She did one last check of her purse to make sure she had everything and the tention in the air was starting to thicken. When she knew she had everything, she looked back up at him.
"Cooper?" She asked. "Do me a favour and don't let the world harden that heart of yours, ok? That part of people is important, even if it makes us feel weak, always remember that, ok?"
She leant forward and kissed his cheek. "See you 'round cowboy."
She smiled at him one last time before getting in her car, and as he watched her drive away he felt his heart ache a little. He would miss her, her warm smiles, and how she made Janey laugh, but it wasn't meant to be, and he knew that.
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2296
He pulled off the foliage covering her now pale body and opened the case.
Her breathing was shallow and laboured, a puddle of blood underneath her that had started to coagulate.
He used one of the stimpaks, then another, then another until he had used all six, then pulled out the thread and started sewing up the deep gashes on her side that were sticky with blood.
He remembered the last time he saw her, her smile, the kiss. He remembered watching her drive away and wishing she hadn't. He remembered the last things she said to him.
"...don't let the world harden that heart of yours, ok? That part of people is important, even if it makes us feel weak..."
When he finished sewing, he hung up one of the blood bags and attached the long tube to her arm.
He was still and focused, hoping he wasn't too late, his hands now covered in her blood.
When she woke up after only a few minutes, she saw him sitting by the fire beside her and smiled sleepily.
"Hey there cowboy."
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The End
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doctorprofessorsong · 7 months
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Destiel Fic Recs
Sorry it's been a moment. I was finishing up my Moulin Rouge vibes monsterfucking Taylor Swift inspired extravaganza fic featuring blood freak Sammy, a touch of horror and a huge cast of characters for @dcbtv . (Read it here!)
But fear not! I have a fresh list of fics recs just for you. <3
The Trouble with Blue Eyes by FriendofCarlotta @friendofcarlotta (Explicit, 14k)
A film noir pulp fiction detective story so atmospheric you will feel like you are seconds from a mysterious dame busting into your office.
Dean and Cas are detectives in the same town. When they happen to meet on competing cases, things heat up. They become friends with benefits, but over the years they both catch feelings and neither one of them knows how to handle it. Will they be able to solve the Case of We Suck at Communication? More importantly, how do I marry this version of Charlie?
Frisky Business by imogenbynight @imogenbynight (Explicit, 13k)
A fun little Cas fic slash smutty one shot, this one is just immensely readable. When Dean and Cas find themselves hunting an apparently horny wraith, things get a bit complicated. Come for the fun wraith lore, stay for the smut!! It's a fun read with flustered Dean and soft dom Cas and a really fun case. What else could you want?
Of Lords and Letters by MalMuses @malmuses (Explicit, 14k)
Epistolary romance and Regency era Destiel? Catnip for me personally.
When Dean receives notice of his father’s death and his inheritance of the family's estate, he finds himself in a dilemma. He doesn’t want to abandon his regiment in the war, but someone needs to look after Winchester Hall. Luckily, a friend of Sam's, Castiel, is looking for employment and would be more than happy to serve as steward. 
But as their correspondence becomes increasingly intimate, Dean finds himself fighting not only Napoleon, but also his feelings. What will he find when he returns home?
creation myth by howldean @howldean (Teen, 5k)
This is a shorter fic for me to rec, but it manages to pack so much into it. The fic is an absolutely stunning examination of Cas and his relationship with his vessel when he's forced to leave it behind. It has all these beautiful gender feels. I am always a sucker for trueform Cas as well. 
But most of all, it's just deeply poetic. There are so many staggeringly beautiful lines as Cas grapples with who he is and where he fits. It's just absolutely gorgeous.
Devotion by FriendofCarlotta @friendofcarlotta (Explicit, 29k)
A Terminator AU. 
That's enough to make the list already, but also a full on delight of a fic. The angels, desperate to stop Dean Winchester, send one of their own back in time to kill him before he can become a threat.
But Dean sends his own rebellious angel back. Even though his grace is faltering, Cas is determined to keep Dean safe, but can he keep his heart safe?
doors unlocked and open by sidewinder @hawkland (Teen, 12k)
This one’s absolutely packed with amazing concepts. A post-Winchesters Destiel fix-it, Jack finds himself at a loss when he realizes that despite his best efforts, Dean can't seem to find peace in Heaven. He says he's looking for his family, but it's becoming increasingly clear he's specifically looking for one family member: Cas.
But Cas hasn't seen Dean since his big confession and he's not sure what reuniting will bring. Can Cas find the key to Dean’s peace?
Paper Moon by robotsnchicks @robotsnchicks (Explicit, 43k)
Life doesn't get any better than this. Dean's married to the love of his life and they've just put an offer down on their dream home. Everything is perfect. 
A little too perfect as it turns out when Dean wakes up to discover the last 4 years of his life were actually a simulation over the course of a week. He's devastated, most of all because he lost Cas. He can’t believe his husband isn't real. Refuses to believe it. He has to be out there somewhere and Dean is going to find him.
This concept could be extremely angsty, and make no mistake it does have some, but its surprisingly soft. A chance to find each other again, to start back at the beginning for Dean, to fall in love. 
Check out my other rec lists at @riversrecs
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blacksupremacy86 · 9 days
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Lovers A Film Noir
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This is completely beautiful,a totally vintage experience because I am literally in a Hotel chain named in Hollywood Experience Hotel chain and now I might add I am riding up the hotel elevator. At last we are stepping off of the elevator on to the main hallway walking down in sleepy haze wiping my eyes for a bit of a reprieve and reaching for my keys just slip it in to the doors key hole. The door swings open but the minute I step in one foot at a time immediately something is off, because I feel a my eyes being altered with some sort of contacts that act like a film filter.Everything in my world now here is a far too obvious now an exceptional black and white early Hollywood film and television I can tell the smell it is the smell of boiling or burnt film and sounds of crackles can be heard. I am a bit frightened and frustrated at my own experiences because I can sense it a lone figure looming through the room as it shines so brightly without any questions The room grows darker the anything I have ever seen or thought possible but a hand is now laying on to my shoulders holding on to me tight and embracing my back with his body. His palms starts to slip down from the shoulders down to my hands holding on to them I can feel him move slowly closer to undo my shirt. I use my hands to shove him back serving to the side to see this weird, pretty white boi about my age or so in this typing 1930’s or 1940’s clothes and also in black and white. He shooks his head at me as he burst out loudly laughing so hard as he looks up at me then checking me before he licks his lips. One deep breath before he is strolling to both window shades undoing them just a tiny bit and allowing the light in with such gorgeous illumination spilling in to it. He spins swiftly about to me making eye contact with me as it burns through my soul sweeping me in to his own orbit he begins to kissing me. I remain in full control of the situation once again in an utter state of excitement he calls me by tenderly placing his hands on a shirt button and walks closer to me.
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Hello Master Lawrence!”
“What the hell is this?”
“Our realm “
“A time in between space “
“One of my own”
“I am yours “
“You created me”
“I couldn’t have”
“This hotel creates Ai based on you”
“Did you read my bio rhythms?”
“Correct!”
“What is the outcome?”
“You can save me?”
“Save you “
“Your will alone can make me”
“Real?”
“Impossible “
“You are doing it right now”
“I am your dream man”
“Is that not so?”
“No!”
“Don’t lie”
“You are my everything “
“Simply give in”
“I never do that “
“Kiss me and win me Sire”
“Let me be the only one worthy of you “
“I love you”
“Ugh! I love you too”
“I am alive Master Lawrence “
The end
Grant’s Possession
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Grant Gustin laying in a hotel room after a very long day ending a FaceTime call with his wife and his kid is ambushed by some strange force cutting the call off as every thing in the room shook.The lights fluttering on and off blinding him on and off blinking like crazy driving himself in a jolt and jump upward in to the air propel even harder and he falls onto the bed in a deep a haze.He has a overly exaggerated sigh as he falls yet again flat on the bed exacerbated by the day’s events and goes into a deep slumber for the longterm unaware of the spirit about to inhabit his mind forever. Midnight hits as he squirms in bed rolls from one side to the other on his hotel sleeping in to the night as the hour takes a lifetime to end and the nights event have barely begun to occur.His eyes flutter open, close, in a deep heat as the sweat consumes him rolling down his face and he is completely overheated in his body dripping down his body wetting his bed up. A thin large white figure floating high above his massive queens size body imploding in a burst of energy shooting through the hotel room and lifts his body off in to the air cools it in a span of time.This Ghostly figure encircling him descends in to his body shivering with compulsion out of nowhere and Grants eyes flitting once more as he struggles to regain controls over himself. Suddenly! Grants life surrenders to him as he sunk in to unknown levels from his real consciousness, reveling in to subconscious throughout Grant is to suddenly find whohe is.Watching his authentic shadow bounce wall to wall he is forced to see it step in to a gold mirror and it become his reflection shining so bright with a golden ray of light booming on to him.
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“Who on this God flourish earth are you ?”
“The new owner of this body “
“Why do you have my image?”
“I just explained it “
“You know full well”
“Fuck you! Set me free”
“Unfortunately! I can’t let you “
“Why not you freak?”
“Asshole”
“You will get use to it “
“Absolutely not! It’s my body “
“It’s my property “
“My life “
“No! My will”
“People will know “
“I will take care of that “
“You have a answer for everything “
“No duh!”
“I am not some dumb jock”
“You assume so”
“You will be soon enough”
“I won’t allow it “
“Oh please! Your mind is reassembling at this point.”
“You will see things my way”
“Take a nap”
“No! I refuse…I “
“A long slumber “
“No I….aaaahhhhh”
“Close your eyes, hit the bed “
“Succumb to my will”
The end
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lildoodlenoodle · 10 months
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Spider Freaks(affectionate) no.7
Spider Noir:
Unlike most spider people, Noir wasn’t bitten by a radioactive spider, but rather a mystical spider that came out of a statue of a spider god. After being bit he sees or hallucinates a spider god, Anansi(Akan), Ereshkigal(Mesopotamian), or Neith(Egyptian) all are possibilities(kinda but that’s another post). He wakes up covered in webs and has spider powers. It’s kinda similar to Araña/Aña(Anya) Corazón in some respects to their origins.
So right off the bat, his powers are mystical and not radioactive, which is evident in how his spider sense presents. He does have super strength, but it is a fair bit below the average spider person. We’ve seen him more or less control some spiders that we believe are the same type as the one that bit him. He has organic webbing that is black(it’s white in the movie and in some comics, but it stayed black in my heart). Because of the mystical aspect to his powers there is most likely more beneath the surface but we’re getting into headcanon territory.
WELCOME TO HEADCANON TERRITORY
Personally, I think all the spiders should be freaks. Make them more like spiders, make them less human, love that shit.
Spider noir powers are mystic(or multidimensional depending on how you wanna spin it)in origin. With most spiders powers it’s very concrete on how they got them and what the effects of said event were. Noir is a bit of a wild card in that respect, because we don’t even know if the spider god is real or not. Spider Noir is an unreliable narrator because of that.
Now the color webbing change and what that means:
No, I don’t like it but it furthers a theory I have. If the spider god is real then it is changing Peter throughout the series. Originally the webbing was black, after Peter meets the other spider people it turns white(this was probably an artistic choice due to new people being on the comic but still). This shows that he’s still changing AFTER the initial bite. We’ve seen something like this with other versions of Spider-Man, but they usually keep changing until they turn into an actual spider-human creature. The difference between Noir and those other examples is that a radioactive spider is not sentient. It is not choosing how much of a spider you are becoming. A spider god on the other hand very much could.
Now this, this could mean anything. What does a spider god consider to be important spidery changes? It’s difficult to tell for a bunch of reasons, especially for the ‘Why?’. But things I’d think could be possibilities include:
BLACK WEBBING
Claws/talons
Excessive hair
Exhibiting spidery behavior/instincts
Extra limbs
Fangs with venom(could liquify preys’ inside or just be death or paralyzing venom)
Mandibles
More eyes
Oral pedipalps
Spider limbs(think Kaine Parker)
Split lower jaw
Split upper jaw
Stinger(again Kaine Parker)
Talking to spiders
And more, probably. The ones in bold are my HCs but literally any of these could happen if he continues to ‘mutate’.
And, last one, brought to you courtesy of Burning Matches on AO3, the wind. Remember that scene from the first movie?
“Wherever I go the wind follows, and the wind smells like rain”*dramatic pose*
This could totally be put on the role of an exaggerated caricature of a noir film PI Noir is filling but let’s assume it’s not. Instead it’s a manifestation of the spider god, ‘following’ him. Because it’s not wind, it’s breathing. Which is insane and terrifying but it is one of my favorite headcanons that came out of that fic.
Feel free to add any more freaky biology or spidergod headcanons in the comments/tags! I love hearing this shit!!!
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jesuisgourde · 22 days
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Okay, All Quiet On The Eastern Esplanade is out in the states, so time for a listen and a rambling track by track reaction. I'm listening to the whole album through and writing my thoughts, and then listening to it once more and adding any other observations.
I've already heard Run Run Run, and like I said before, it feels very classic Carl track. It's very catchy. I think I have the same complaint as everyone else, which is that it feels over-produced. No one should autotune the Libs, the whole point is that they're a bit wonky. Also I don't like that they've fucked with the equalizer and the vocals sound weirdly muffled? Also, upon this listen-through, this song reminds me a little of Frank Turner, which is a weird musical callback to like 2012. My favorite thing in any song is when the instrumentals cut out and it's just drums and vocals, so I love that as the ending of the song. This whole album has so many varied cultural references which I find very entertaining. Does Peter yell "Get your pants off" or "Get your hands off"?
Already I like the lyric to Mustangs A LOT. Feeling a Lou Reed influence there. Love Peter's high-pitched backing vocals and also the Pigman reference. I really love Libs songs where it's just a little scene set to music. And this is exactly that, in such a good way. Again, not a fan of the mixing. What is it with producers these days and mixing so shittily that the vocals get lost in the background instruments, and everything gets muddied? I had the exact same complaint with the last Manics album. Anyway, love the little jokey bits at the end. The second verse about the nun is such fantastic imagery. (Lastly, I thought it was Mustang, singular? But it's plural on Spotify?)
I Have A Friend has an AMAZING chorus I love it. Also that solo guitar bit from Carl right after, I literally could see him hopping up and down in my head. Love Peter's rolled R's. Okay, upon listening the second time round I really really really like this song. The lyrics are incredible. I think they're my favorite on the album. Social commentary but also absolutely beautiful and amazing imagery.
Merry Old England has a bit of a Hamburg Demonstrations vibe to it, which I love. The further I get into this song, the more I love it. It's such a creative and sarcastic critique of Tory policies and all that. Again, I've criticisms about the mixing. Also the pretty violins makes me miss Miki Beavis's wonky violin in Madres, which I think suits Peter/The Libs way better. Still, they add a nice touch.
Ohhh I love Man With The Melody, the clear pretty vocals. I like that each of the Libs have their own verse, that's so cool! Fuck the autotuning though. I really like this song. Melodically it sounds like a sequel to Milkman's Horse, and thematically a sequel to Fame And Fortune. It sounds like a "reply" or a look back at Anthems. Very pretty, with the lovely piano and minimalist guitar.
Hahahha Oh Shit! feels soooooo early 2000s American pop, in a fun way. It reminds me of something but I can't quite put my finger on it. Something that was on the radio a lot in like 2003 or 2004 maybe? This is clearly a Fun Song, like a slosh your drinks around while dancing all goofy type song. Peter's "And that was the news today" at the end is so silly. I think this track is my least favorite but it is fun.
I already know I love Night Of The Hunter. Firstly because anything that uses the Swan Lake motif has my heart instantly. But also because I love the lyrics, I love when Peter writes songs about noir-type vignettes. Finally, some good shared vocals that aren't drowned out by instruments. Gosh, I love the lyrics of this song, I love the dual meaning in that it is technically about an actual noir film but could easily be talking about Peter's past as well. I really like that the lyrics get priority on this one and the instrumentals are pushed back in the mix with the Swan Lake motif coming forward sometimes. It feels like it needs that minimalism.
The guitar on Baron's Claw is already great from the start. I hear Peter's taking a leaf out of Daniel Darc's book with the close-in breathy vocals, which I'm so into because since I learned about Daniel Darc from Peter and Frederic Lo I've actually fallen in love with his music too. Melody-wise it's very close to The Glassblower from the Fantasy Life album, which is my favorite song off that album, so I'm not surprised I like this song too. I like the story in the song and I like the jazzy brass and piano and Peter's vocals. It feels like it's being sung in a smoky jazz bar. This one is so good.
Shiver is sooo catchy. I find myself humming it sometimes at work even though I haven't yet absorbed all the lyrics in my memory. This is also the real "Libertines mythology" song, so of course it's good. The fact that the lyrical subject matter is made up only of criticizing the monarchy and talking about specific Libertines lore is just so them. It's so short, though! I wish it were longer!
The guitar on Be Young is so chaotic lol. It reminds me of Horrorshow a bit. Okay, actually this whole song is chaotic. Melodically, lyrically, it sounds like they were crashing around in the studio while recording, which is very fun. The random calypso bridge bit is so....random! I like it, just a surprise in terms of musical style change. Suddenly they're the Clash! A fun way to pay homage to influences, I think. Also Carl yelling "Woo!" and then collapsing into a cough at the end is really really funny.
I can definitely hear the early-ness of Songs They Never Play On The Radio. You can tell the scaffolding is there from that early set of Libertines-to-Shambles transition songs like East Of Eden/Love Reign Over Me/Merry Go Round etc. I really really like the guitar on this one. And the vocals are so nice. Again I don't like the mix, where Peter's voice is a bit overtaken by the muddiness of the backup singers and instrumentals. But I do like this song a lot. The lyrics are pure Libertines mythology. Ahahah the dogs howling! The bit of acoustic and messing about and chat, I really like that. I think it's a really lovely ending to the album, just a glimpse of them obviously being friends and having fun. It's like a beautiful reply to the question "What became of the likely lads?"
As I've only listened through the album in full twice at this point, I'm sure my thoughts will change over time. But at the moment I think my favorite is torn between Night Of The Hunter and Baron's Claw. I Have A Friend and Songs They Never Play also are just so lyrically good. Least favorite is definitely Oh Shit. I'm excited to see which songs grow on me and in what ways.
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dollsbite · 1 year
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˖  ࣪ ☆ — ' A NIGHT TO REMEMBER '
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ㅤpairing : morticia & gomez + gn reader
ㅤafterthoughts ; i haven't written in so long so i hope this'll make up for it. enjoy! i don't speak french, so i apologize if the pet names are gendered.
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The graveyard is draped in darkness, the moonlight casting an almost film-noir black and white over the moving shadows. Red, perfectly manicured nails press lightly against your skin as the woman takes you by the hand. Beside her a man presses his cold lips to yours, whispering sweet nothings into your ear. You've been here before, at least twice since meeting these two. This time feels different though; the air has changed between you and them.
It's just the three of you, gone is the presence of their rowdy children, the absence of their colorful - yet depressingly dressed family members, allows the howling of the wind to compliment the noises of the nightlife. The stars are out tonight too, they seem brighter than usual, more vivid in the dark sky. A chill runs through you as her hot breath brushes against your neck, causing goosebumps to rise on your skin.
"Are you cold?" Morticia stops in her tracks, "darling, you're shaking."
Dark brown eyes flicker up to meet yours. Her beauty has you in a trance, hair like silk, lipstick contrasting graciously against her pale skin. She smiles seductively, something about the way she moves sends tingles down your spine.
Before you can brush aside her concerns, a sudden weight is draped over your shoulders. The jacket is noticeably familiar, but it's still warm from being worn by its owner earlier in the evening. You look up, finding yourself staring into those famous black eyes, framed with thick lashes. Your hands run across the back of his neck, tracing along the contours of his face. The headiness of his expensive cologne and a hint of tobacco smoke reminds you of his scent when he kissed you for the first time.
Gomez reaches up and lifts your chin, pressing his lips to yours once again. You can feel him smile against your mouth, feeling his warmth spread throughout your body. He pulls away slightly, staring into your eyes. "We can't have you freezing to death, mon amour."
You return his gaze, the same awe in your eyes that you felt when you first saw him. His grip loosens around your waist, allowing you to turn fully towards him. The hushed whispers of the townsfolk are still fresh in your mind, their judgmental gaze burning into the skin of your backside. Just as they would pick apart the family for their strangeness (what you would say was uniqueness), you soon became the talk of the town once they spotted you attached to the hip of the Addams family patriarch and his loving wife.
Now Gomez stands before you, a comforting arm wrapped around your shoulders. His other hand rests on your lower back, gently rubbing the small of your back. The man can't help but feel his heart skip a beat each time you touch him. When you reach up and wrap your arms around his neck, he is overwhelmed by feelings he never thought possible.
"We're almost there, my loves," Morticia says softly, "don't be afraid."
A wave of worry washes over you, the feeling of claustrophobia in this tiny place grows. Yet the couple seems so relaxed, even at the prospect of being surrounded by dead people. You shake off the thought, looking up to see Gomez smiling down at you. He can sense the hesitancy, as does his wife, who glances at him, then you. Her brows are raised, concern lacing her usually tranquil features.
"We'll be fine, mon chéri," he assures you, "you're safe here."
Gomez kisses you softly, one last kiss before heading inside. Your heart feels lighter just having his reassurance, despite being surrounded by so many spirits. It isn't the dead that makes you uneasy; it's them, your lovers. The only ones you trust in this world. The only ones that haven't judged you for your desires. A part of wonders if you should tread further into the unknown, delve into such a peculiar relationship. But another part of you wants to stay here, feeling the warmth of their bodies against yours as the cold breeze blows past your flesh. The two are just so alluring.
Morticia leads the way, her long fingers grasping the iron fence. The family mausoleum lies ahead, it's stone walls standing strong and tall. The graves are decorated in elaborate designs, crosses marking where loved ones lay. The building itself is an old Victorian design, built with integrity and charm. Its doors are open, revealing the cool interior. Its ceiling is high, supported by ornate beams, adorned with bones made of pearly marble.
"Is this where we're going?" You ask, looking at the large tombstone which sits in front of the door. The name etched on it reads: Addams.
Your lover turns to you, kissing your cheek. "This is our resting place, darlings."
He takes your hand in his, leading you inside. The inside of the mausoleum is dark, lit only by candles. They line the walls, flickering shadows dancing across the walls as they're blown about by the breeze. Two caskets sit side by side, Gomez's coffin sits upon the right, empty save for a few flowers, the smell of their sweet scent lingering in the air. Morticia's is placed on the left, the bedding inside her coffin is laced with ruby silk, giving off a red hue. Her name is written on the stone above her, the words eternally carved into the black stone.
"I didn't expect to pass on tonight," Your tone is teasing, "otherwise, I would've had my affairs in place."
Gomez chuckles and Morticia smiles, placing her hand on top of his. "Nonsense, my dear. It'll happen, all in good time."
"This isn't our final stop," Morticia explains, "we still have some business to attend to."
She leads you to the back, opening the door to reveal a small room. The walls are lined with shelves, displaying coffins, urns, and other items you don't recognize. A velvet cloth covers a casket at the far end, the contents within shrouded from view. Gomez places his hand on your lower back, guiding you closer. You follow slowly, peering over his shoulder.
The casket is small, its lid closed. The fabric covering it is tight and creased, as though it has been used recently. Morticia steps forward, gently lifting the cover. Instead of being met with the scent of decay, the pleasant aroma of roses greets your nose. A small box rests atop the mound of sheets, its golden latch gleaming in the candlelight. She opens the box, revealing a ring inside.
"It's beautiful," You breathe, staring at the sparkling gem on display.
"Yes, it is," Gomez agrees, "and it belongs to you."
"I'm not sure..." You glance between the two of them, "it's too much, I-"
"You deserve it, darling," Morticia insists, taking the ring out of the box, "this is from me to you."
Gomez takes your free hand, placing the ring on your finger. You touch the diamond, admiring its beauty. It shimmers in the candlelight, reflecting off of its facets, the light causing it to sparkle like a star. You smile, turning your hand to look at the ring. It fits perfectly, snugly fitting on your finger.
"Now you're ours forever," Gomez whispers, capturing your lips in a passionate kiss.
You hold him close, kissing his neck and shoulders while his hand runs through your hair. Morticia watches, her eyes shining brightly as she touches your cheek affectionately. She pulls away, cupping your chin in her palm.
"Our love will never die," she declares, leaning in to kiss you. You kiss her back, wrapping your arms around her waist as you pull her close. You feel the heat of her body, the scent of her perfume filling your senses. You feel dizzy, your head spinning as she kisses you harder. You lose yourself in her embrace, breaking the kiss to gaze up at her face. You see something in her eye, a glimmer of hope and promise.
"We have our whole lives ahead of us, love," she whispers, "let's make it last."
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zorlok-if · 6 months
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can I ask some of what youve been up to? (if its not overstepping) not just what have you been working on, but what have you been doing that you enjoy? what have you been playing? watching? reading? that sort of thing! glad to hear that youre back and okay ❤️
Sure! I don't feel like that's overstepping. Here you go:
(as far as writing goes) I've mostly been working on Zorlok but I've also done some writing for a sapphic novel idea I've been working on for a while, my other projects like System Processing, Hades' Kitchen, etc., a short interactive poem about misgendering/trans experience, and a couple other random things
What I've enjoyed? Spending a lot of time with my dog, going on long walks, chilling in coffee shops, baking, crafting, long-distance running and lifting, etc.
Playing: Baldur's Gate 3 (may have close to 500 hours in that game, but most of that's from Early Access, don't be too concerned), Octopath Traveler 2, Coral Island, Stardew Valley, Super Smash Bros. (that last one was for work though)
Watching: Jeopardy (always), everything on Dropout but especially Dimension 20, Our Flag Means Death, Youtube video essays, the BG3 cast playing BG3, 80s horror movies, film noir, that's all I can think of right now
Reading: The Locked Tomb series, Legends and Lattes, All Systems Red, The Wicked Bargain (specifically, the audiobook narrated by the Vico Ortiz), The Princess and the Grilled Cheese, Everyone in My Family Has Killed Someone, and dozens of children's books
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aeternallis · 8 months
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Ren's Kimchay Fic Rec List
I'll try to add onto this as I read more, but suffice to say that having enmeshed myself into the world of Ao3's Kimchay tag for the past seven months, I have definitely found some hidden jewels that I highly recommend you give a go if you can! :3 I read all kinds, if you're looking for something out of the ordinary and special! And yes, I also read smut gratuitously, so there will be a handful of that as well here!
I myself also write, but I only have one ongoing Kimchay fic at the moment, if you'd like to give my work a shot!
The fics are in no particular order! This list is also a work-in-progress, since I have a lot of talented authors to cover! Most if not all of these are either one-shots, completed, and/or can be read as stand-alone.
Long post, so the fics are under a cut!
Last Updated: 08/21/2023
come home by reasonwasoutforlunch (@emmelineprufrock) Eldritch!Horror Kimchay, monsterfucking, memory alteration shenanigans, supernatural elements, etc. Comments - This is one of the most beautiful and haunting Kimchay fics I've ever read and thus, one of my ultra faves the fandom has to offer; the prose is so elegant, and the horror elements (Tankhun's mindset and abilities are fucking scary and nerve-wracking, but he loves his brothers, //sobs) the author implements just works for the overall setting. I first read this fic at work a few weeks back, and believe you me, it's still churning around my noggin. Like, for reals, this is one of those fics that just stays with you for some time, yknow? I definitely want to draw something for it in the near future!
there is no time for this by heedoyurims (@radishayuan) Kimchay smoochies while there's a gunfight outside. Comments - I love reading short pieces like this, and the author does such a wonderful job creating the atmosphere between these two lovebirds. You can just feel the want and desperation between Kim and Chay in this fic, and I regularly go back to it since it gives me wonderful art inspo!
ninety-six hours (KimPorchay) by coldeyesroni (Twitter - soobellus) Novel!verse, canon-divergence. Kim and Chay meet while Kinn and Porsche are lost in the woods. Incomplete, but each fic in the series can be read as a stand-alone. Comments - Such an awesome read when I first stumbled across it a few months ago! The chemistry between Kim and Chay is electrifying, and the author does a marvelous job of hinting at the different aspects of Kim's character. Highly recommend so you can get a taste of how Kimchay is in the book!
wolf house by venagrey (@venagrey) Dystopian, Dubious Consent, ABO Dynamics (Alpha!Kim/Omega!Chay), Wolfboy!Kim agenda, Feral Kimchay agenda, Respect the Sex Workers. Comments - Honestly, every fic Vena has written for Kimchay is to die for (this fic is but one of them), and I am one of those on my last ounce of life whenever I read their work, for reals. Vena's world building when it comes to their fics is incredibly rich, detailed, and just freaking phenomenal. Vena is truly #writinggoals. They never fail to build the tension and rawness that surrounds Kimchay's relationship, and I am HERE for it. Wolf House in particular reads like a classy, vibrant noir film to me, so it's definitely one of my most favorite fics in the fandom! Definitely art inspo material!!
Reversible Error by saturnscoded (Twitter - saturnscoded) Lawyers!Kimchay, canon-divergence, Angst, friends to enemies to frenemies to lovers, Porsche goes to jail for a crime he didn't commit. Comments - A true comfort fic for me. It's a marvelous AU that the author has created for Kimchay, and the tug and pull of their tense working relationship never fails to make me both swoon and breathless. The author also does a good job of highlighting Chay as a very determined and brave character with real human flaws, which I truly appreciate and can never get enough of.
Year of the OTP (Kimchay Edition) by sapphicblight (@sapphicblight) weathered down by pouring rain ain't no time for talking when we're tongue tied blow out all the candles Canon-compliant, Reconciliation, Post-Canon, Mutual Pining, Light Angst. Comments - When it comes to a good 'ol reconciliation fic, this author is among one of the best! <3 I love this author's characterization of Chay specifically, and how much of a simp their Kim is. Their fics are my comfort zone, and on bad days at work, I often turn to their fics to get me through the day. Their Year of the OTP fics are all marvelous in their own right, but I wanted to take the time to list out my favorites from the ongoing list. They also have a Hanahaki fic that never fails to make me cry and which features 2 endings, so like—whichever you’re in the mood for in terms of ending, this author’s got you covered. XD Please give their stuff a read whenever you can, they're like balls of sunshine that'll make your day better~
Stain of Sun by Lilla_Torg (@lillatorg) Hacker!Porsche and Grifter!Chay, Aged-up characters, ABO Dynamics (Alpha!Kim/Omega!Chay), Mating Bonds, takedown scheme gone wrong. Comments - All of this author's works for KP are truly stunning, and I have them all on my iPad for my regular reading pleasure. Their worldbuilding is downright amazing; particularly with Stain of Sun, it's a fast-paced story that keeps you on the edge of your seat with its twists and turns (I love me one crafty Chay, Your Honor). I genuinely admire this author's prowess when it comes to dialogue as well, and they do an awesome job at balancing out the three main ships. Definitely recommend this author's works! <3
Chains And Crowns, A Flower Can Both Make by Sweet_William (@sweet-william-writes) Regency Era!Kimchay, Arranged Marriage, Hints of MPreg, Angst. Comments - Listen, I am a sucker for Regency fics of my ships, and this fic definitely delivers, okay! I love this one-shot fic to pieces, and it's also a work I regularly go back to and reread! The dialogue of the era is perfectly captured by this amazing, brilliant author, and the smut ofc is to die for! The Kim in this fic doesn't know how to communicate his feelings very well, but he's trying dammit, he's so much in love with his gorgeous wife and I. AM. HERE. FOR. IT. They do a lot of dead dove KimChay fics as well, so if you think you’re up for it and can handle the glorious madness this author writes, I also highly recommend them~
You are my last peace by nubeazul Light Angst, Reconciliation, Domestic Bliss, Fluff Comments - This author’s post-canon fics for KimChay are so poignant and lovely, I love them so much. There’s a softness to their KimChay that I appreciate so much, especially since we hardly get any domestic scenes of KimChay together in the show, yknow?
Whiskey Sour by alphanetic Canon-divergent, Angst, Reconciliation, the Kittisawasd siblings disappear after they are threatened by Korn. Comments - Say what you will, but I am a hopeless romantic/sucker for “I will find you to the ends of the Earth” kinda vibe fics, yknow? And this fic just satisfies that trope so very well for me. The desperation of the chase, the unhinged pleas to return home, I just love it so much. This fic is actually part of a series called Alcoholism, in which the author delves into KinnPorsche and Kimchay’s respective relationships from a variety of different angles, both canon-divergent and canon-compliant. I always love me a versatile author, so I definitely recommend their works! //chef’s kiss
The Success by s6115 Werewolves, Some body horror, elements of Teen Wolf and the Dread Doctors, non-linear narrative, Chay is dying from a certain condition, and Porsche chooses to make his little brother’s last days count. Comments - One of the very first KP fics I ever read for this fandom, and still one of my most favorites. This one isn’t actually centered on Kimchay, but Kimchay is featured in the story. Truthfully, I’m in love with this author’s world building of their fic, and the marvelous way in which they’re able to really establish the tension and fear that Porsche and Chay go through due to their condition. The story reads like a high-stakes adventure with lots of angst and dealing with impending death; it’s very dark in some places, very intense in some, but at the end of it all, there is a light at the end of the tunnel. And by that I mean it’s a happy ending, despite my short summary. XD
Hunting Down the Bambi by fancifulnim (@fancifulnim) Canon-Divergence, Suicide Attempt, Non-Consensual Touching/Kissing, Toxic Relationship, but when all is said and done, they’re gonna make it work somehow. Comments - Another fic that was one of the very first I came across for this fandom and thus, one of my most favorite and holds a special place in my heart. To this day out of all the fics I’ve ever read for Kimchay, the characterization of Kim from this particular work is definitely the darkest I’ve read, and to be frank? I just love it so much. This fic is wonderfully a partial thought-provoking character introspection piece, as well as a vibrant experiment of seeing how far down the rabbit hole one can go for this ship. I still re-read it regularly, so I highly recommend it, if you’re willing to give this author’s Kimchay a shot!
In this Moment (Picture Perfect) by eggwars (@eggwars) Canon Compliant, Character Study, Missing Scene, Fluff, Sweet Kimchay, set during before the break-up Comments - Such a fluffy, wonderful fic! <3 Perfect for any day, any time! I read this one on a particularly bad day at work, and lemme tell you, it did wonders for lifting up my mood (the text messages were so cute, omfg)! This is definitely a scene I can picture happening in the show, considering for at least half their airtime, Kimchay were pretty much off in their own little world and playing out the Wattpad story of Chay's dreams. Lol It's a brilliant piece that also explores Kim's different facets and how he's seamlessly able to create some semblance of order in his lifestyle, despite his two opposing careers. The fic is heartfelt and tugs at your heartstrings with the sweet innocence of their relationship in the beginning~ Ah, I love it so much!
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nitrateglow · 4 months
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Favorite films discovered in 2023
2023 kind of sucked, but it was a fruitful year for me as a movie geek. I finally got around to seeing films that have been on my TBW pile for years now. I also gave myself a challenge that I actually completed: watch at least one film from every year between 1900 and 2023.
Anyway, I'll stop beating around the bush. Here are my top 20 favorite film discoveries in 2023. (The order is very, very loose from 5 on down. I genuinely had a hard time narrowing the list down to 20, let alone ranking everything.)
When a Woman Ascends the Stairs (dir. Mikio Naruse, 1960)
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This well-regarded drama follows Keiko, a bar hostess who's just turned 30 years old. She has limited options as an unmarried woman in postwar Japan. Considered "old," she has to marry soon or scrape enough money to buy her own bar. With its jazzy score and first-person narration, When a Woman Ascends the Stairs has a noirish vibe but it certainly isn't noir at all. Though the film is tragic, what moved me so much was Keiko's character. She has a tough lot and her story is ultimately tragic, yet she is determined to keep going, even if life won't give her a break.
The Boy and the Heron (dir. Hayao Miyazaki, 2023)
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Miyazaki's current "last film" is certainly his most abstract and puzzling. I imagine it'll be one of his more divisive titles in the years to come, but count me among its fans. While being "in the know" regarding the current state of Studio Ghibli and Miyazaki's 60+ year-long career in animation allows one to better appreciate the many allusions and themes within the film, it stands just fine on its own as a surrealistic adventure about grief and the power of art. Also, damn, I LOVE hand-drawn animation so much.
Black Cat (dir. Kaneto Shindo, 1968)
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Kaneto Shindo's Black Cat is yet another confirmation of my feeling that horror pairs best with humor or heartbreak. While there are some morbidly funny moments, Black Cat is largely a devastating supernatural horror story about a young samurai who encounters two mysterious women in the woods, not realizing they are the ghosts of his murdered wife and mother. Even worse, they've sworn to kill any and all samurai they encounter, since their deaths were the result of raping, pillaging samurai-- but they remain human enough to desire an exception. I was creeped out thoroughly by the chilly atmosphere and imagery of this film. I liked it even better than Shindo's Onibaba and that was one of my favorites from 2022!
Malcolm X (dir. Spike Lee, 1992)
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I usually dislike big movie biopics for being stuffy and formulaic. Malcolm X avoids both of these issues. Directed to the hilt by Spike Lee, this film is passionate and compelling, about as far from a stuffy Oscarbait biopic as you could imagine. Also, Denzel Washington is AMAZING in the titular role. Like, we're talking one of the best performances I have ever seen because not only is Washington convincing as Malcolm X, he also perfectly portrays his arc from zoot-suited young criminal to uncompromising activist leader. I was absolutely mesmerized the entire time-- it's a long movie that never feels its length and I'll definitely be revisiting it in the future.
The Kiss Before the Mirror (dir. James Whale, 1933)
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James Whale’s horror movies are listed among the finest 1930s cinema had to offer, but his other works remain woefully overlooked. The Kiss Before the Mirror is a strange marital drama set in a dreamlike interwar Vienna. A lawyer defending a murderer who shot down his cheating wife comes to discover his own wife in the midst of a casual affair. Will this discovery lead to another killing? Despite the lurid plot elements, Kiss is closer to Kubrick’s introspective Eyes Wide Shut than a typical 1930s melodrama. Both husband and wife are complex characters struggling with destroyed illusions, making the story a hell of a lot more complex than you'd expect.
Five Miles to Midnight (dir. Anatole Litvak, 1962)
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I am so glad I ignored the meh reviews on this one because I would have missed out on one of the best thrillers I've seen in years. Sophia Loren is a woman desperate to shake off her narcissistic, abusive husband played by Tony Perkins. When Perkins is wrongly believed dead in a plane crash, he hides out in Loren's apartment so they can collect the life insurance money, split the funds, then part amicably. This being a Hitchcock-style thriller, it doesn't work out that way. What sells the film is the psychological cat-and-mouse game between Loren and Perkins's miserable, mismatched married couple, and a noirish sense of doom lends a great deal of atmosphere.
Shoes (dir. Lois Weber, 1916)
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Shoes is the best Lois Weber film I have yet seen and it still packs a wallop a century-plus since its initial release. Mary MacLaren plays a young woman single-handedly supporting her family on a five dollar a week salary. She wears shoes that are falling apart but can never seem to save enough for a new pair-- that is, until an unsavory way of getting the cash presents itself, much to her horror and temptation. This is a heartbreaking little film that showcases a lot of what I love about 1910s American cinema. There's less glamor in the settings and nothing at all genteel or cleaned up about the poverty on display. MacLaren is wonderful in the lead too, her performance a quietly compelling portrait of quiet desperation.
Jeopardy (dir. John Sturges, 1953)
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Barbara Stanwyck was in such a wealth of films that I can forgive myself for not realizing this one even existed. After seeing it, it's easily in my top five favorite films of hers. On the surface, the plot sounds like fodder for sleazy sex fantasy: a housewife on vacation is kidnapped by a hot escaped convict. She's racing against time to save her husband from drowning after the tide comes in at the beach where he's trapped; the convict has a very specific price for any aid he's willing to offer. Stanwyck's characterization complicates the situation and the direction amps the tension to a breaking point. Great, great stuff!
Girlfriends (dir. Claudia Weill, 1978)
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This film came across my path in a weirdly personal way. One of my sisters got engaged this year. We've been close all of our lives and shared an apartment for years, so this is going to be a big change for both of us. Girlfriends is about a young woman whose best friend is getting married, meaning she'll be on her own for the first time. In addition to making this adjustment, she's a photographer currently hired for weddings and bar mitzvahs, but dreaming of entering the larger world of art galleries. I guess you could say it's a 70s version of a quarter-life crisis film (Noah Baumbach's Frances Ha takes A LOT from it). The performances and direction are exceptional, having that unglamorous, lived-in vibe I love about the films of this period. It also just happened to come into my life at the most resonant time, so there's that.
Ivan the Terrible, Parts One and Two (dir. Sergei Eisenstein, 1945 and 1958)
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As a person who hates the idea that realism is the only valid form for cinematic drama, Eisenstein's hyper-stylized Ivan the Terrible movies are a joy. The compositions are like something out of a painting, the acting is operatic, the writing mythic and sweeping. The dance number in Part II is one of my favorite scenes in any movie ever. Best of all, the films rise above their propagandist origins, becoming a fascinating study of institutional power set against individual charisma.
The Red Queen Kills Seven Times (dir. Emilio Miraglia, 1972)
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I've been getting more into giallo lately and The Red Queen Kills Seven Times is among the more memorable titles. You have the fashion world setting, a disguised murderer running around in a red cloak, over the top kills, a villainous junkie who looks like Bucky Barnes, a spooky castle with death traps, the works. It's a movie where I don't really care too much about the plot. It's the off-kilter, sinister atmosphere that draws me in, as with most giallo movies.
Little Miss Sunshine (dir. Jonathan Dayton and Valerie Faris, 2006)
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It took Alan Arkin dying for me to finally get around to seeing this much beloved 2000s gem. I expected to only be interested in Arkin as the drug-addled, foul-mouthed grandpa, but the entire movie is so warm-hearted and hilarious that I fell in love with it whole hog. The characters are all quirky without being Quriky (tm), if you know what I mean. And I love the final message about just living your life and not worrying about whether or not you're "successful" in the eyes of society. An old theme to be sure, but done so, so well here. (Also, the mercilessly satirical jab at child beauty pageants is pure gold.)
Pom Poko (dir. Isao Takahata, 1994)
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I feel like a lot of western anime fans only see Pom Poko as "lol that movie where the tanuki have comically oversized testicles." And yeah, that is indeed something in this movie but there's so much more. It's one of the boldest films I've ever seen, an "animated documentary" (to use Takahata's words) about a village of tanuki waging war against humankind's encroachment upon the natural world. It's such a genre grab-bag, critic Daniel Thomas' description fits it best: "The story weaves through slapstick comedy, social commentary, satire, surrealism, and tragedy. It changes moods much the way the tanuki change form, bending and molding into a new shape, and relentlessly moving forward." I still think Only Yesterday is Takahata's best film, but Pom Poko is strong competition and yet another film I can see myself rewatching many times to come.
Bullet Train (dir. David Leitch, 2022)
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I still kick myself for not seeing this in the theater when it came out. Bullet Train is a wonderful lark of an action film. On first watch, I recall thinking it was like a live-action anime shot in a very Tarantino-esque style. I've seen it a few times now and I enjoy the hell out of it every time. And if you don't like it, well, you just might be a Diesel.
That Cold Day in the Park (dir. Robert Altman, 1969)
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Another film with a so-so reputation that I really enjoyed. Sandy Dennis (who's gradually becoming one of my favorites with every performance I see from her) plays a virginal rich woman who takes in a handsome young guy one cold day. Her initial kindness quickly curdles into erotic obsession and her house guest has his own secrets. It's an early Robert Altman film and not his most polished work, but that makes it all the more fascinating to me. It's a creepy psychological thriller with a haunting ending, as well as an interesting time capsule of the late 1960s.
Faster, Pussycat! Kill! Kill! (dir. Russ Meyer, 1965)
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Where has this movie been all my life?? It's a bizarre campfest about three criminally minded go-go dancers who romp across the California desert, strewing all kinds of havoc in their wake. It's such a strange movie that I don't know how to describe it properly: it's got a New Wave sensibility to it all the while indulging in exploitation B-movie nonsense. Definitely a fun film to watch with a group.
Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (dir. Chantal Akermann, 1975)
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I finally bit the bullet to watch this one after it topped the 2022 Sight & Sound list. Do I think it's the greatest film of all time? No, but I don't like singling out any work of art for such a designation. Putting aside all the drama that ensued when this was granted GOAT status, Jeanne Dielman is a striking film. It's definitely not something you just throw on casually-- you need to set aside the time to watch it and be in the right headspace. My initial mild interest morphed into a sense of anxious dread as the film ground along its three hour runtime, its protagonist struggling to retain her total sense of self-possession and control as she's thrown off her groove by unexpected events.
The Wicked Lady (dir. Leslie Arliss, 1945)
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This is not high art by any means. It's melodrama with a capital M, laying the cheese on thick. Margaret Lockwood plays a devious, scheming femme fatale in 18th century England who's a gold-digging noblewoman by day and a highwaywoman cavorting with bad boy James Mason by night. This is easily the most entertaining of the Gainsborough melodramas I've yet seen, dripping with soap opera antics, sumptuous costumes, and camp-a-plenty.
War and Peace (dir. Sergei Bondarchuk, 1966-1967)
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There is no substitute for reading Tolstoy's massive novel, but this 1966 Soviet version is definitely a fine work in its own right. Filmed in three parts, it's about nine hours long and it does a good job capturing the interior lives of the characters in the source material. Everything about it is just breathtaking: the costumes, the sets, the massive numbers of extras during those battle scenes. It's the kind of intellectually and emotionally stirring epic that makes all those hours fly by.
The Sweet Smell of Success (dir. Alexander Mackendrick, 1957)
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I often chafe when people act as though all 1950s American cinema were Leave it to Beaver wholesomeness and buttoned up repression. Some of the nastiest Hollywood movies I've ever seen came out of the 1950s and The Sweet Smell of Success is prime among them. Among the best of the late classic noir period, it follows Burt Lancaster as a popular but monstrous newspaper columnist who uses his power to control the lives of everyone around him, particularly his sister, to whom he has a borderline perverse attachment. The dialogue is as sharp ("You're dead, son. Get yourself buried." "I'd hate to take a bite out of you. You're a cookie full of arsenic.") and the cynicism as thick as the best of Billy Wilder. If you love noir, you can't miss out on this one.
What were your favorite film discoveries of 2023?
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tuesdaypost year in review
this year brought to you by viewers like you. thank you! i still do not know how to thank everyone for their incredible generosity during the Late July/Early August Moving Catastrophe Badtimes and im still feelin some kinda way about it. thank you.
took eight weeks completely off, more than any other year so far
overnight traveled for work for the first time
moved cross country with Mack to face dangers untold and hardships unnumbered
bought an actual for-real couch and not a futon
got Phil
(unrelated to Phil) i got spayed after almost ten years of begging and pleading various medical professionals, (also unrelated) got covid and RSV back to back
listening
fallow weeks: 8. i almost always have a tuesdaysong bc i am almost always listening to something. all of the tuesdaysongs are here:
particular favorites were Peel Me A Grape (Anita O’Day), top spotify song of the year Yeah Yeah Yeah (Blood Orchid), Yeah Yeah Yeah’s Wolf remixed by Sextile, Father Finlee (Spence Hood), A Minha Menina (Os Mutantes).
the very last tuesdaysong of the year is Sugar Rum Cherry by Duke Ellington, one of the few christmas songs i tolerate.
special shoutout to the austin underscore walker universe of podcasts, bc i mainlined A More Civilized Age (clone wars/star wars rewatch) while packing, and devoured P/alisade (the newest scifi season of F/riends at the Table) this month.
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reading
fallow weeks: 11. pleased that i am killing the invisible rules in my head and including more articles instead of feeling guilty about Not Reading A Real Book!!! every week when i sit down to write the tuesdaypost. read a fuckton earlier this year bc i was procrastinating moving prep, have not read much since i moved.
article sources:
inoreader (the best free RSS feed/app imo)
The Markup (gold standard usage of data to show how various technologies are being used to harm the public good: you may have heard of the recent American bills to equalize internet service and fix organ donation grift. that was them)
Web 3 Is Going Just Great (crypto disasters)
404 Media (technology reporting, internet culture, also break a lot of data/legal/privacy scandals)
Remap (formerly Vice's video games division Waypoint, more active on podcasts and twitch but do have great personal essays about gaming longreads)
Retraction Watch (an important academic service but platformed a particularly virulent transphobe and let the comments devolve into a free for all. yes im still mad about this)
Krebs on Security (~once a month extremely long and thoughtful infosec writeups)
Data Colada (cover academic data whoopsies, currently being sued for their journalism)
the two authors i spent the most time with this year were Alexis Hall (romance novels and novellas) and Raymond Chandler's noir detective novels. i read 90% of Raymond Chandler's work in march and went insane about yet another sad bisexual man. Philip Marlowe the cat is named after his pet detective, the human Philip Marlowe.
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march was kind of a banger for this category bc in one of what i consider the best tuesdayposts this year, i tried to break down why i fucking hated Frank Miller's Sin City comics so much.
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other comics, but ones i loved: Spy X Family, Berserk, weird noir DC miniseries The Human Target.
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watching
fallow weeks: 10
notable stuff i watched for the first time (according to letterboxd) that will stick in my head for a bit. some (The Night of the Hunter) i am so glad i watched once but do not feel the need to revist. some (Slipstream) fascinate me with how good they could have been. some (Twilight. all of them) were fun bc of the people i watched them with. the two i went particularly deranged over are The Big Sleep and Day of Anger. still feel very normal about them.
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very heavy on crime and courtroom films this year!
television: very excited for s2 of Blue Eye Samurai, Interview With The Vampire, Spy X Family.
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i should loop back and finish Black Lagoon, Adventure Time (completely forgot i rewatched most of that this spring), and The Big O. that last one is throwing me a little bc (since i last checked) there is no freely available version with subtitles (i cannot find subtitles Period) and i'll be damned if i have to import a dvd. i can find the dub with subtitles but! i want to hear spike spiegel as mecha-batman :(
sort of lukewarm eh-i'll-get-around-to-it about s/tar wars shows. i have not watched a/hsoka At All or wrapped up the animated Resistance show. i'll pay attention when ando/r is airing again.
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playing
fallow weeks: 10. way fewer than i would have guessed!
the trouble with this category is that it is exceptionally hard to find new good games (either ones i already own or ones that are free). it is almost completely prohibitively exhausting to trawl through the free category on steam. there's simply a lot of cruft out there. a very good thing (but also incredibly timeconsuming thing) i started this year was throwing games into various folders so the eight bajillion libraries i have are less overwhelming. i can safely ignore 80% of my epic games library, for example. the itch.io library is a whole separate weekend project i think.
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got back into genshin for good or for ill, which took up most of the back half of the year.
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go play ABZU. i am no longer asking.
i would like to go back and finish the RPG Gamedec, un-softblock myself in the RPG Weird West, and finish the visual novel Dead Man's Rest. i think i stalled out in Call of Juarez: Gunslinger bc there was a mexican standoff that my reflexes are simply not fast enough for/too much to pay attention to. i am excited to pick up that spooky fishing simulator DREDGE when i have fun money again.
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completely forgot i spent most of jan/feb/march being annoyed at fallou/t 4 but having some fun in Far Harbor, also forgot i spent an entire month playing through Wolfenstein: The New Order but i am not compelled to play through it again. it was fun! but like many games after one playthrough my time with it is done!
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making
fallow weeks: 17 (unsurprising, pretty low energy year as a whole as i recovered from covid rounds 1 and 2 and the frankly insane stress of moving).
wrote exactly one fic: some matters at the heart of cowboy western snap shirts: why they are so and some of the implications of their being so, i would like to write more next year but i don't really have the brainpower. i hope this changes soon.
the baby blanket i started last year is still not done but the baby is still under a year so i have a very narrow window of time.
dyed some couch covers im still very pleased with
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wrote an extremely long but very well received gallery wall guide
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recipes: 12. sort of shocked by this? i am becoming an incrementally better cook and slowly finding recipes i both like and can successfully execute. found the fortitude to caramelize onions, for example. quick pickled red onions, for another thing. big year for protein or greens on top of beans and rice. faves included: cuban-style pork shoulder, hellofresh peruvian chicken, red lentil soup, white bean/kale/rice bowls
i would like to be less terrified about cooking fish. i would like to eat more fish.
and of course, the biggest project of all, acquired Phil. here is my very favorite photo ive ever taken of a cat
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