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#as they're also victims in this
lgbtlunaverse · 8 months
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Obsessed with characters who portray themselves as worse than they are. Who are lying to everyone including themselves about it. People generally assume if someone's lying about themselves they're trying to look better but sometimes they're trying to look worse. They attribute agency to where they had none, add intend to accidents, try to convince everyone that this is something they did instead of something that happened to them.
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charlietheepicwriter7 · 2 months
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H̵̩͋o̸̹͒l̶̢̑ď̸͕ ̵͔͛T̴̲̄h̶͙͋e̶̤͘m̵͍̋ ̷͓̈D̵̯͛o̶̡̅w̵̖̃n̵͝ͅ
Get in the Water AU: Original Post Ruthlessness
Ghosts were physiologically different from humans.
It was something Tucker and Sam didn't understand. They saw Phantom as "Danny with superpowers," not as a fundamentally different being.
Sometimes, Danny didn't understand either.
But his parents did. Utter disregard for the scientific method aside, the Fentons were the ones who learned how inhuman ghosts were: "Just emotions and electricity imprinted on ectoplasm, Danno, nothing to be scared of!" Snapshots of people at the moments of their deaths. The past and the present, incapable of contemplating the future.
And with his duality, Danny struggled to understand either of his halves.
As a human, Danny could move past his nightmare of a childhood, compartmentalize and think to the future, when he was fully healed and his past couldn't hurt him anymore. So when Dora, first elected Queen of the Infinite Realms - long may she reign - asked him to collect all the resurrected humans for a health check and assessment... when he'd noticed Damian Al Ghul-Wanye on the list... He'd thought up a little prank to pull on his long-lost brother. A cruel one, perhaps, but nothing harmful.
As a ghost, Danny couldn't move on. He could never forget that Sam led him to his death, that his parents negligence allowed for the stage to be set, that the lab they loved so much held both his home and his grave. Just as Danny would always be that fourteen year old, caught in that moments, he was still the 7-year-old Danyal Al Ghul who trusted his brother not to hurt him... and ended up poisoned.
Phantom wanted his murderer to suffer.
And Danny, much to his shame, had allowed it.
For a few weeks, Danny managed to ignore it. He'd gone after Damian first, so there were tons of resurrected on his list. He started with the more extreme cases first, like Constantine, but soon enough the next on his list was Ra's Al Ghul.
He'd asked Queen Dora to send someone else, anyone else. That he wouldn't be able to control himself if he saw his grandfather again. Instead of relieving him, she'd given him a knowing look and told him to follow his core's desire.
She never mentions it, but Queen Dora had been a murder victim too.
There was no showmanship, no dramatic reveal. Just Danyal, his grandfather, and the Pit.
Despite all Ra's Al Ghul's power, he was no match for a spirit hellbent on drowning him.
That's what Danny did to his grandfather. He'd thrown up afterwards, once he was human before. But the ghost in him relished the act; he could still feel Grandfather's throat under his hands, pulse fluttering against his palm as Danyal held him down. He struggled and shook as the Lazarus waters filled his lungs, burning away healthy tissue. Fingernails morphed into claws that sliced through the tender skin, blood leaking into the water, and water leaking into the blood.
It took a long time for Grandfather to die. Deep within Danny, next to his core, he knew it was what was deserved. That the murdered finally had justice. He was content with never speaking of it again, a secret between him and the waters.
And now it was going to happen again as Phantom's impulsive mind overtook Fenton's tactical one.
He'd known Damian was looking into him. Knew another confrontation was inevitable, what with two more of his siblings needing their health checks. But as Danny was stalking their mother, searching for the best way to abduct her (she was still his mother after all, he didn't want her dead... yet), Damian and his family confronted her.
Relief washed over him as only a normal amount of rage bubbled up at the sight of Damian, instead of the overwhelming, all-consuming fury he'd felt. Danny laughed at their arguments, at Constantine thinking he could put a living ghost to rest, at his siblings-unmet and his father-unknown, until...
Damian confessed.
His murderer confessed, yet as he continued to speak, to explain, the fury rose in him again. Because it wasn't a betrayal. He'd always thought Damian betrayed him, but no.
Through his own ruthlessness, Damian gave him the only mercy he could manage. And there was only one thing Danyal wanted now.
""̸̲̈́T̶͘͜ä̵̢li̸a̶̬̓ ̴̬̐A̵̛̪l̸̲̚ G̸̛̫h̶̺̏u̸̢̚l!̴̳̈́ D̷̩̕o̸͛ͅ ̶̝̍y̴͙͘o̵̙͐u̵̬̓ ̴̤͂k̸̡̑n̵͓̈́o̷͈͝w̷͖͂ ̷͓͑w̴̧̄h̵̲͌o̴̮̔ ̵̼́Ị̷̂ ̷̣̽a̵̳̓m̷̩̓?̷̝͒"̷̧͠"
It was her fault. She was the reason why he was dead, nothing more than a coward who couldn't go against her father for the sake of her children. She abused them, she struck his brother, it was her fault-
"Danyal," she answered. And Danyal grinned, fanged and sharp.
He approached, the waters of his birthplace lovingly brushing against his legs, consoling him the only way they knew how. They whispered revenge into his ears, madness into his heart, just as they had when he'd confronted Damian, when he murdered Grandfather. "You have much to answer for, daughter of the Demon Head," he said, voice echoing around the room.
Unrestrained greed filled her gaze. "You've returned to me, my son."
Danyal laughed, brutal and rough. "I've returned for you, Mother," he corrected. "Don't think this reunion will end well for you."
"You mean to hurt me, Danyal?" she crooned, all false hurt and fake love.
"I mean to kill you."
Genuine anger flashed across her face. "My son would never-"
"Y̵̺̆o̴̩͂u̸͉̕r̷̰͝ ̴͔͝s̵̡̉o̶̡̎ň̵̞ ̶̗̈i̴̘̍s ̸̦̐d̴̯̚ê̶͚á̶̩d̷̻̈́," he snarled, and Damian flinched. He was too close to Talia. "You wanted me dead... for being weak. For having mercy." He stared up at his mother's shocked form. "I killed Grandfather. Tell me, is that ruthless enough for you, Umi?" Talia flinched with just her eyes. He hadn't been allowed to call her Umi since he was three.
Their father stepped forward, the naked distress on his face contrasting with his battle armor. "Danyal," he plead. "You don't have to do this-"
"Stay out of this, Baba." The man's breathing hitched. "This doesn't involve you."
Constantine tried to talk him down next. "It does, kid. A Siren on your level can't stay around for long. It's time for you to rest."
Danyal threw back his head and laughed. "As if you could stop me, exorcist." No more delays. It's time for action. "I will drown you all before you can."
Danyal lunged. And despite his mother's decades as an assassin, she couldn't kill what was already dead.
He held her down by the throat, the attacks from Damian's family bouncing off him. "This is mercy," he cooed as she desperately clawed at his hands. "For me. For Damian. For everyone you will try to hurt in the future. Ruthlessness is the only mercy I can give you now." Her face turned red as she gaped for air and Danyal-
Was thrown back into the water.
Reorienting himself, he found John Constantine standing over his mother, protecting her from him. "̷̪͂E̷̺͐x̷̝̑ŏ̶̺ȑ̴͉c̷̟͘i̸͔̋s̶̮̀t̶̯͝."
And the Pit's water began to rise.
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clowndensation · 1 year
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thinking about connor in prague saying "dad's theory was you got two fighting dogs, you send the weak one away, you punish the weak one." in relation to this episode, and the way the siblings view abuse inside their own family.
shiv and kendall and their belief that connor and roman are the weak dogs that got the brunt of logan's worst behavior, because abuse is reserved for the kids who can't behave - the ones who aren't smart and mature enough to make it in the world. abuse evokes pity, because abuse is what happens when you expect too much from people who obviously aren't capable of more.
and then they go forward in life, believing that they're just naturally more intelligent and more capable than connor and roman, as if being raised seeing what happens to you if you aren't a perfect child wasn't the entire point of the "punish the weak dog" mentality that logan instilled in them. the looming threat implied behind any praise they do receive that tacitly tells them "you're not like roman and connor" because everyone knows what happens to roman and connor.
the absolute height of the rich capitalist mindset. "we're succeeding because of our own merit, and other people fail because they don't have what it takes" when in reality they're succeeding because of arbitrary rules made up by someone who knows that infighting makes meaner dogs.
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a-heart-of-kyber · 4 months
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The way many in the bg3 fandom go:
Astarion: Abused/Traumatized
Shadowheart: Abused/Traumatized
Lae'zel: Abused/Traumatized
Karlach: Abused/Traumatized
Wyll: Abused/Traumatized
Gale:...is a wizard.
Will be part of my villain origin story, cuz y'all the point was apparently like 12ft above your heads.
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scintillyyy · 4 months
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the steph brown conundrum aka the problem with steph being a character with hugely divergent doylist and watsonian readings
okay, so like. there is always a part of me that feels that to this day, didio kind of won when it came to the destruction of steph's character. like she wasn't a toxic character like he thought before he got his hands on her, but since he did & there was fallout from it, it has completely destroyed dc's desire to do anything potentially interesting with her, even as they've brought her back. like. she will always just kind of be a shell of her former self, doomed to stay uncontroversial and in the background. because when it comes to steph, and the problem with utilizing steph as a character now, you have to acknowledge two things
steph from an editorial and out of universe perspective was treated horrifically. the nonsensical and terrible things they made her do to move along the plot of post-crisis are awful and excessively reckless to the point of intentional character assassination & it was all done to justify her fridging for bruce's (and tim's) manpain which is awful
but the things that steph did as a result of the above are extremely load-bearing and important on plot and character dynamics and motivations from war games all the way to reborn era & to try and remove or minimize things that happened as a result of those actions just because they were arguably out of character from her has the unfortunate result of completely and intentionally warping the characterization of everyone who interacts with her to the point where it negatively affects almost every single other character instead.
so in order to show this we need to start at war games, talk about what happened, & go into how this affects things & why her character assassination is not as easy to fix as cass's or leslie's
so war games. ah war games. you know, having recently reread it, war games is frustrating because it's arguably a semi good event for most everyone except steph and leslie (especially leslie--now that was character assassination.). so let's get into the bare bones of what exactly happens in war games (war games being the three main events of this time: war drums (the prequal), war games proper, & war crimes (the follow up & worst part of the event)) (and i'm not saying i necessarily agree with this, just. this is what we have to consider.)
war drums:
this event has two main stories - the bruce & leslie story and the steph becomes robin story
in the bruce & leslie story (which is definitely racist), we have a young teenage pregnant girl who shows up at leslie's clinic having been shot. leslie attempts to save the girl and baby, but is left in a precarious situation where only one can be saved. she reluctantly calls bruce for help finding the girl's family, who finds out that the girl in question is popstar l'shea's sister--the popstar and her entourage in question kidnap leslie & the girl & bruce finds them, where it's revealed the girl is actually l'shea's daughter (like i said. racist.). l'shea makes the decision to save the baby, which kills the girl. leslie tries to get bruce to see that he can't save everyone, and ultimately gets upset about the cycle of violence she feels he perpetuates when he goes to take mr. freeze back in. she later comes to talk to bruce & it ends on a positive note fairly consistent with the bruce & leslie relationship--one in which leslie wishes he could devote himself to saving lives nonviolently & hoping he could see her as an example. my only quibble is that bruce responds as "ha-ha" leslie when if you compare to the batman chronicles #18, bruce absolutely counts on her to challenge his worldview & be a shining example of what he cannot be.
we do start to see the seeds of character assassination for leslie here imo, though this part is the best understanding of her by far--she's always been a foil to bruce as far as her pacifism and her determination to try and show him that there are other ways than his crusade, but traditionally she's always been defined as well by her immense love for him & he for her. she fundamentally disagrees with his crusade, but she's going to be there for him because she knows there's good in him that's worth saving--because to leslie, every life, including bruce's, is worth saving. anyways, read the batman chronicles #18, where she's determined to use O- blood on zsasz because of her firm commitment to the belief that every life is precious & she and bruce talk about their differences in opinion but how she's determined to keep showing him there's another way & he wants her to do so. this leslie who has, up until this event, been troubled by his crusade--but has decided it's tireless, but worth it to show him the good in people, suddenly seems a lot more, hm. overtly hateful of how batman operates & the fact that he puts criminals back in prison just for them to break out and the cycle to continue & has a sudden desire to not work with him if at all possible because of her total disagreement with his methods. which is. hm. somewhat but not entirely consistent with leslie's motivation. leslie would have no problem asking bruce for help if it meant saving an innocent & the fact that he believes in the redemption of criminals is something she inherently believes in. anyways i digress-
the other main story is, as we all know, the steph becomes robin story. and while you do not have to agree with how it is written wrt stephanie, the barebones of what exactly transpires is thus: tim has quit robin for his dad. he is attempting to live a normal life--go to school, hang out with friends, & not do the vigilante thing even when he sees people in need. he meets up with steph, who tells him of her determination to return to spoiler now that her broken leg has healed & he tells her that it's very hard for him to leave the house on account of jack always being suspicious that he's going out to be robin & be involved in anything vigilante again (it is implied that this is the first time he had been able to get out in a while because of his dad, as he didn't know she got her cast off). one day, when tim is at school, darla aquista, who has a crush on him, kisses him out of the blue. this happens to be seen by steph, who is now officially active again & chooses to be active during the day as a result of wanting to avoid batman as she doesn't have his approval, has gone over to tim's school to check on him because she's suspicious he's hiding something from her other than he's basically under house arrest from his dad atm since it had been so long since she had seen him. it, of course, looks terrible to her and she flounces off--deciding that she's going to become robin. bruce agrees, which everyone--alfred, barbara, eventually tim, etc completely understands to be a scheme to lure tim back. steph proceeds to completely ghost tim for the next two months--he calls and leaves messages, and she never calls back or comes to see him at all--she is completely radio silent & avoiding him and he doesn't know why but he is worried. bruce tells stephanie that she will not be privy to any secrets & the minute she disobeys an order she's out (a double standard, yes, but completely consistent in that he, again, is using her basically only to lure tim back). meanwhile, scarab is hunting tim, killing boys in his age range with dark hair and their families in an attempt to kill robin as there is a contract out for his life. tim then finds out through the newspaper that the reason steph has been avoiding him is because she became robin & calls the batcave to finally talk to steph & ask her to meet so they can finally talk in perso. about what exactly happened and how on earth steph became robin. cassandra comes instead--steph doesn't show up because batman and robin are busy hunting scarab who is trying to kill tim/previous robin & tim needs to be put under protection. steph gets a tracking device on scarab. day 49, bruce and steph go to get scarab, bruce goes in while steph is let behind for support in the batplane, bruce gets blinded, steph disobeys bruce and comes in to help, steph gets caught by scarab, scarab gets away in the batplane because steph forgot to arm the security system. steph officially gets fired 3 weeks later for disobeying an order on day 71.
yea, it's something. but it is what it is.
war games:
so we get to war games proper. overnight, a gang war has erupted & set the city ablaze and into chaos after a letter was sent out calling all the crime bosses to the harbor where a firefight breaks out on account of the main player who was supposed to be there if those letters were sent out, matches malone, not showing up. since tensions are high, it's easy for then to start shooting and killing each other & in doing so creates an immediate and widespread vacuum of power in the criminal underworld of gotham that people leap to try to fill & wipe out their competition in the meantime. innocent people are caught in the crosshairs.
nightwing (who is already having a terrible time) shows up to help (with tarantula) & is personally dealing with the emotional fallout of letting tarantula kill blockbuster amongst other things.
barbara is doing her best to help out and triage people to help, but there's really only batman, batgirl, nightwing, tarantula, & orpheus against a whole city. and at this point, tarantula has taken over a gang under batman's command to try and control things and can't overtly help & orpheus was already in control of a gang under batman's command in an attempt to protect women & children and exert some control over the criminal underbelly of gotham and also cannot overtly help out.
stuff with hush is happening in gotham knights but i don't care aj lieberman, by god, i do not care.
tim is doing his best to go about his day and keep his promise to his dad and not go out to help despite the fact that the city is falling apart. this becomes harder when a rival gang comes to kill his friend darla aquista at their high school, on account of her father being a mob boss. the kids are panicked and run into the school for sanctuary and safety, but are followed in and darla is shot.
what happens next is that tim's school is taken over by gangsters--the ones who came to kill darla, and the ones who see the opportunity to kill the ones who are trying to kill darla--and the kids are trapped in there with them, doing their best to hide, but some are taken hostage & are at the mercy of their captives (kids are killed). tim shelters in the nurses's office & does his best to go out and help who he can bring to safety, alone with getting a lay of the school (which gang is where).
meanwhile, bruce, cass, & dick have been informed that tim's school is taken over and kids are dying. along with all their other current trauma, they have to go find tim in an active shooter zone where he could very well be dead. dick gets to be the one who finds him (such a traumatic time for dick btw), and he's thankfully okay. they get control back of the school and free the kids. batman comes out on live television holding darla's body--she's not dead yet, but she's close.
we find out where steph is. selina finds her and we finally find out why this happened: upset at getting fired and frustrated that she's never been able to truly land their approval, steph lashed out & stole a plan designed to unite the crime families in gotham under batman's control hoping that if she was able to set off a plan for batman & it worked he would take her back and she'd finally have his approval. however, the main man didn't show up and it fell to pieces--doomed to fail. and the reason that this all happened is because steph was never told that batman is matches malone. there's actually a ton of 'bruce what have you done' here. catwoman shelters steph & tells her to stay put. steph does not do so, she leaves so she can try to find orpheus & help get the situation under control because she knows he's key to the plan.
tim, unable to stand by any longer despite his promise to his dad after the thing at the school, returns to the manor where he is greeted by alfred & returns to being robin.
batman finally also realizes that what happened is his war game contigency plan/hypothetical/thought experiment just as a citywide blackout hits--a plan he never intended to implement, it was one of his hypotheticals. & they also start looking for orpheus, as he's the key because they need to keep him alive as the plan was for the criminal underworld to reform united under his, and therefore batman's, rule.. steph finds him first, just in time to see his throat slit--by black mask.
steph gets into a one v one altercation with black mask and is overpowered and at his mercy. he tortures her. it's gross, we all know.
tim tells his dad he's returned to being robin. we get what is probably some of the best jack drake charactetization. tim meets jack and dana so they can go help out at leslie's clinic to help the injured.
steph, eventually, after being tortured, finally tells black mask that the plan required orpheus and is now obsolete because orpheus is dead.
cass is looking for steph because she's probably the only one aware that steph is out as spoiler & she knows that the last time she saw steph steph was lying to her about something
leslie is currently acting extremely out of character. and she's kind of a jerk to cass when cass comes looking for steph & is downright hateful about his mission. (which. is ooc for leslie--while she's never agreed with bruce's mission she's always, always, loved and respected them all--consider her in NML vs here. she wants to end his crusade and him to do something better, but she's always looking to be a beacon of hope that there is another way. every disagreement should be steeped in her love for them).
hush is still here for some reason and will tell black mask where the batcave is
catwoman is concerned about steph--who has passed out from the torture--calling her "the kid you messed up so badly she started this whole mess"
batman takes over oracle's & the police's system by force. we're really in it now. steph wakes up, determined to get to batman to tell him about orpheus's death.
black mask, however, has taken over orpheus's identity and is contacting batman, ostensibly to continue the "plan". and darla officially dies, meaning her father is out for revenge and wants everyone killed.
batman meets up with black mask as orpheus & figures out spoiler was there, but he assumes she fought zeiss. he leaves, black mask is planning...something as orpheus.
batman has barbara take over the police waves once more. barbara is getting really sick if this shit.
gotham city is starting to rail against vigilantes as a result of the widespread chaos of war games, calling for them to turn themselves in.
batman has orpheus call a grand meeting. ostensibly to end things and ensure peace in gotham with everything unified under orpheus's commands. orpheus is, however, dead. black mask uses the meeting to set everything ablaze again & barbaba has to call off the vigilantes from helping to protect the gcpd to go help batman--this is the straw that breaks the camel's back of this causes an official break in the uneasy alliance between vigilante & gcpd and comissioner akins gives the order to shoot to kill vigilantes on sight (as also, as a result of the plan failing due to orpheus's murder it seems as if batman et al are on the side of the villains causing mayhem)
at this point the game it out of control & they have to focus on stopping it. cass finally has a chance to talk to batman and tell him her suspicions that steph was the one who set the entire thing into motion, which he has now figured out (on account of him finding traces of spoilers's at orpheus's)
dick gets shot in the leg by the police while fighting firefly
tim meanwhile is happy to return to robin, and actually has bunch of nice things to say about steph's time as robin--that she kept things light for bruce, that he's not too proud to learn from her--even if he did admittedly resent her a little bit for how it all went down. he's also currently in the middle of a breakdown over darla's death and is pretending everything's okay by just go go going.
steph has freed herself from her bonds and gets into it with black mask, finally overpowering him when she realizes "this isn't a game". she gets a gun to his head & wants to pull the trigger and end him for good, but can't--as that would mean betraying everything she's been taught. the hesitation costs her and black mask gets the gun and shoots her in the shoulder & kicks her down the stairs & leaves
she manages to get herself up despite her extensive injuries and escapes by rooftop, where she's finally found by batman, who brings her to leslie and begs her to save steph. he then tells her she did good & that she did everything she could & that the city owes her after everything she went through.
and black mask is still causing trouble--hush supposedly told him the location of the batcave & he plans to solidify his reign as the undisputed crime lord of gotham by sending everyone there--it's not the batcave, however--it's the clocktower. all the criminals are now converging on and headed for directly for barbara. they get in and make it past all her defenses and invade her safe space, black mask making it to her control room & taking her hostage. the gcpd also descend upon the clocktower.
batman goes ham and almost kills black mask, saying it'd be worth it to end everything that's transpired. tim creates a diversion by lying saying they'll turn themselves into the police. barbara blows up her clocktower so that bruce has to make the decision between saving her & killing black mask. bruce chooses to save her & it's over. bruce gets called to leslie's clinic, where it turns out steph had too much internal damage to save her. steph tells him that she started it all, and bruce says he knows but that they took care of it. he tells her that tim isn't mad at her and that the baby she had won't want for anything ever. he lies and says that taking her on as robin wasn't just to bring tim back, that she was really robin & that he'll be watching over her. she dies. black mask takes over as the new criminal overlord of gotham city.
as a result of all of the above, we get the following: gotham is no longer safe for vigilantes to operate. tim has been set in motion on the path of loss from darla to steph to his dad in another event that will eventually lead him to the mental space he needs to be in to become red robin and leaves for bludhaven. cass follows in her grief of all that transpired. dick is out of commission due to his gunshot wound & dealing with the fallout of working with bruce while feeling like he doesn't deserve to, but is also the only one left to work with bruce. barbara, whose safe haven was trampled upon and destroyed, feels gotham to go be with the birds of prey in another city. bruce is operating all but alone, save for a couple of other distant vigilantes.
we find out that bruce didn't--couldn't--tell tim steph had died until hours after the fact, and that's when tim was finally able to hear the whole story as to how steph became robin all the way to how the gang war got started. this is also when dick finds out the whole story as well.
and thus, war games ends
war crimes:
so we make our way to the epilogue of this storyline. the very aptly named war crimes
the public is still railing against vigilantes. it comes out publicly that stephanie brown was spoiler, then robin, and that her injuries were not thus that should have killed her. batman finds out and goes to leslie's to find out who leaked stephanie's information, only to find out leslie has resigned and her chief resident left with her. batman finds the resident, murdered in a clear attempt to set batman up. (it's black mask setting him up). a man named aaron black is railing against black mask, batman, & the gcpd for the gang war
we find out that treatment was deliberately withheld from stephanie and she was purposely left to die. we find out aaron black is the not so dead arthur brown. & we find out that crystal knows something and is prepared to spill it all. black mask comes dressed as batman to attack crystal brown on live tv. we find out the joker is after black mask for killing robin. the joker gets arrested, black mask gets arrested (and escapes), a tv reporter gets indicted, the leader of the odessa mob gets indicted, commissioner akins and athur brown don't get indicted, and batman has finally figured out who killed stephanie and goes to africa where she fled to.
in, quite possibly, the greatest moment of character assassination in this entire gd event we find out it was leslie who let stephanie die because she was tired of batman's crusade, destroying everything she once stood for just to prove a point to bruce about the senselessness of it all and to try and put an end to it. congrats to dc for this horrific epilogue.
so there it is--the entire event. it certainly is a thing that happened. and that's the problem--it happened. and it was very, very much intended as a personal fuck you and goodbye to the characters of stephanie brown and leslie thompkins. and that's terrible on so many levels. but unfortunately the fact of the matter is, despite that and regardless of any personal feelings about it, war games became a load-bearing event to batman canon.
because war games had so much influence on fundamentally upheaving and changing the status quo of the characters involved and storylines following this could not happen without war ganes existing. without war games, tim does not become the tim that will eventually become red robin. without war games, dick is not injured and out of commission and does not flee to new york and the mob, leaving bludhaven for tim and cass and on his passively suicidal mission that will eventually lead to infinite crisis and the one year boat ride. without war games, barbara does not leave gotham because she needs to leave it behind, only to return during the reborn era & all the tension that entails. without war games, bruce doesn't end up alone & isolated as needed for the red hood storyline. without war games, stephanie is not killed and thus can't be evolved into batgirl as an apology for the way she was treated. the dynamics caused by war games are essential to the stories that come after it. and then you're left with two very, very uncomfortable truths:
one, war games was a horrific fuck you and. fridging to a female character solely because of the evil sexism present at dc editorial at the time and of course you want to delete anything that had such awful intentions behind it
two, war games happening is essential to the trajectory of every single bat characters' story that comes after it including hers. and so it had to happen. and the thing with war games is that steph, while not completely to blame for it transpiring, was humongous part of it transpiring no matter what. because we end up with what it seems to me, the grand circle of blame. it goes as follows: war games never would have happened if bruce hadn't made his contingency plan to begin with -> yes, but. even if it is one of bruce's toxic traits to do that, he never intended for the contingency to go into effect and it was more of a hypothetical than anything and the only reason it ever saw the light of day was because steph stole it and put it into action -> yes, but. if bruce had been less of an asshole and told steph the basic information of matches malone is batman she wouldn't have made the mistake -> yes, but. to completely blame bruce is to remove any and all agency from steph, because nobody put a gun to her head and forced her to implement the plan, that was entirely her decision. and as much as we would have liked her to have decided she no longer needed batman's approval, the fact of the matter is she did want it and she did make the decision to send those letters -> yes but, if bruce hadn't had a contigency to begin with she wouldn't have had such an awful plan to steal -> yes, but having contigencies for plans that will never come to fruition is honestly a normal thing for them and bruce planning out a hypothetical is just another tuesday, and it was steph who set it into motion -> yes, but... and so on and so forth endlessly until the end of time. like, whether things were out of character or whatnot is a valid discussion (though all comics characters are doomed for stories where they're out of character), but putting that aside: the fact is, for every character's trajectory into the reborn era, war games had to happen. and for war games to have ever seen the light of day and happened, steph had to make the decision to send those letters.
and so we're left with this. steph made those decisions because of horrificly sexist behind the scenes decisions. if steph didn't make those decisions, then no other character trajectory makes sense. and that's how we end up with a steph conundrum that is so much harder to fix than any other character assasination of the time. because cass's was easy to retcon as brainwashing, it makes sense for slade being involved. leslie was easy to retcon as faking steph's death, that removes her intent to kill a child and restores her original characterization of every life is sacrosanct. but war games? war games does not and can not happen unless stephanie decides to send those letters. things with tim and barbara and cass and even through steph becoming batgirl don't happen unless steph sends those letters. and when she sends those letters, hundreds of innocent people die and even though bruce is largely to blame (and is blamed, by the narrative), there is a culpability of steph's active decision in the entire mess that exists.
and if that culpability exists, if she sent those letters and war games happened, and innocent people died and barbara had to blow up her home and tim had to do cpr with darla's blood pouring over his hands and dick got shot in the knee and had to find tim in an active massacre, and cass lost herself to grief, then from an in-universe perspective while it's easy to for them to blame bruce for the majority of it, it also is true that every single one of those people has the right to question whether she is capable of making good judgements because of the extremely bad one she made that had so many in-universe consequences & they were all victims of it. from an out of universe perspective, it is so, so, so hard to put that kind of culpability on her, though, because of the sexism involved in deciding to make her make those decisions.
(as an aside. you also get this same issue that occurs as a part of the last arc of the robin series--wherein in order to justify steph no longer being spoiler and graduate her to batgirl, they need her to make a mistake so bad it would justify the idea that spoiler is a tainted mantle & she can't go back to it--so they decide that she needs to hire assassins to try and kill tim under batman's orders. now this is stupid & nonsensical, and she makes a mistake like that due to writer sexism thinking that that was the way to go. but her making that mistake and hiring those assassins is essential to the overall self isolation of tim & him being unable to trust her amongst everyone else that he needs to be in the headspace to kick of red robin & steph needs to have made a mistake that taints the spoiler mantle & makes people not want her to be it otherwise why would she become batgirl... it's messy. very messy.)
but because of all the horrific sexism out of universe behind the decision to write her to do these things, you're left with. hm. it is hard to want to make her have any culpability because that would just be entrenching the sexist writing she's had & she was the biggest victim, but to just completely throw it out is to make every other character appear completely irrational and unreasonable when it comes to dealing with steph. and that's truly hard for dc--who, once they make her a headlining character in her own right as batgirl, now has to be a lot more careful when dealing with steph. because if any other character does have reasonable concerns about steph continuing to exist as a vigilante after the decisions she made that sparked off war games, or hire assassins for tim, or etc etc etc then you risk people being like "no, maybe these people have a point. maybe these people shouldn't have to work with her if they feel at all uncomfortable by decisions she made that resulted in truly terrible times for them."
so you end up. dc finally has to do something grand, something triumphant for stephanie's character to make up for the completely atrocious way she was treated before. and you get batgirl 2009, which is a triumph for her character, it's the approval she's always deserved but never given, she finally gets to show all her naysayers that she's worth it--that they were all wrong about her and she deserves to be there just as much as them. and she does deserve a big doylist apology--she was treated terribly & cruelly & it wasn't right for dc editorial to do so. but you run into. hm. this problem of in order to make this big doylist apology work, you need everything that came before it to have happened. because it's a big doylist apology you can't actually have it that those things to have happened because if steph has to prove herself to the naysayers, the naysayers have to be completely wrong about her.
and that's hard given we're in reborn era and bruce is "dead". because in that case, steph's naysayers have to be barbara, tim, & dick. and while steph shouldn't have to prostrate herself for forgiveness & they shouldn't blame her for everything ever (they've all had their own issues where they've made mistakes, some with tragic consequences, and therefore can't call the kettle black), the problem with having to make them her naysayers is that you have to make them unreasonable about her & that's hard to do when they were all victims of something that occurred in part due to a decision she made. you have barbara, who should be able to have reasonable concerns about whether steph is fit for the job because she had to blow up her own sace space because steph sent those letters. but you can't acknowledge that because that would be entrenching the sexism behind that decision. so you make it so barbara is the one in the wrong about her. you have dick, who should not be able to look at stephanie without remembering his little brother calling him, wanting to commit suicide over everything that's happened, without remembering the tim at the edge of the pit, without remembering getting the call-code 619-and realizing that tim's at the site of a massacre occurring at his school and could be dead, and he gets to realize he was completely wrong about her with no consideration to what complicated personal feelings he may have about her on account of his own most precious relationships. you have tim, who does have things to apologize to her about, to be sure, but has to be cast as completely in the wrong despite the things she did having to have happened such as hire assassins & everything he had to endure as a result of her sending those letters. and that's not to say that any of this means that she shouldn't be a vigilante of course, you can't have a double standard where male characters are allowed to make mistakes and continue on regardless of mistakes made and not afford that same grace to female characters. but at the same time, it's uncomfortable to cast barbaba, dick, and tim in the role of naysayers to be overcome because that erases their victimization by the events that had to have happened in order to make it to this point. and again, they don't have to blame her to feel like it's her fault to have reasonable discomfort because discomfort =/= blame, necessarily.
and you get into this entire mess solely because of the decisions didio made because he hated her character and was determined to destroy it. and it's gross! we hate didio! but like. way back to my original thought, in a way, he did succeed a little. because of the horrific things that happened to her due to cruel and gross out of universe editorial decisions, you do have to be extra delicate with the character. you've lost the ability to show steph making any sort of mistake that has significant ramifications because to do so is to go back to war games & all the baggage that that entails. you need to play it incredibly safe with her. she can't be shown to be in the wrong because of the horrific way she was treated. at the same time, you need things to have happened, but you need things to not have happened. it's just a lot of baggage for a character, and there's probably a reason why they still play it safe by sticking her with tim (until they broke up) and now cass. it's uncontroversial after everything she's been put through. idk. i think current continuity is the best chance to finally really do something interesting with her again given that the mistakes of the past are so softened and don't need to be forefront to the character anymore because we are in an era ripe for things happened but they didn't happen, but will they? i don't know.
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lordadmiralfarsight · 7 months
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Revolution fetishism is a horrible political view, especially in this context
Okay, rant incoming, partially related to recent events, but also to earlier thinking on my part.
There are, on the Left, a fair few people that romanticize or outright fetishize the concept of Revolution, of violent popular uprising to wrest power out of the hands of a corrupt elite and give it to the people. Very romantic, very righteous (self-righteous pretty often), very good and nice and sexy. And by the grace of revolutionary fervor and ideological purity, everything will be better after.
Except no.
See, a lot of this romanticization of Revolution comes, to my knowledge, from my own country of France. We have romanticized our Revolution a fair bit, and honestly, looking at the first part, fair. A serious go at giving women rights, a no-cause divorce, abolition of slavery, privileges thrown out, equality between people proclaimed loud, enfranchisement given to minorities ... in 1789. A LOT of good and progress, especially for the time.
But then it got fucky, VERY fucky. The Reign of Terror, under the caring leadership of Maximilien Robespierre, was a fucking nightmare on Earth, caracterized by mass executions on political basis, and by this I mean anyone that opposed Robespierre got beheaded. Political plurality? You mean anti-revolutionary sentiment ! Unacceptable, kill everyone.
A rumor of the time said the Place de Grève was covered in a layer of blood that was ankle deep. Is that an exageration ? Yes, certainly. But the fact it got to that point should tell you something about how intense the murdering was. And that was just one square in Paris, there was the rest of the country to consider too.
But surely, after Robespierre fell victim to his own system and was executed, something better emerged, right?
No. Sweet mother of fuck, NO.
What followed was roughly 70 years of political instability and violence, warfare and civil war, several dictatorships, including attempts to restore absolute monarchy, that undid most of the good brought by the first part of the Revolution. And finally, France stumbled onto political stability in 1870 when the temporary 3rd Republic, that was supposed to wait until the presumptive heir to the throne (who wanted an absolute monarchy) croacked did what temporary things do best and became the permanent system (until its fall).
This was not thanks to the Revolution. It was pure randomness.
Did the French Revolution bring good things? Yes, it did. In its first part. The second part brought chaos and misery for multiple decades. And it took a lot of work and efforts to bring back what the Revolution, the peaceful part, had brought in.
And far too many people on the Left fetishize and romanticize the whole thing, as if we couldn't have had the first part without the second, as if the progress and hope and betterment somehow needed the chaos and murder that came after.
Yes, there would have been a period of conflict, European monarchies would not have accepted quietly a realm the size of France doing away with monarchs. But did we REALLY need the political purges ? Did we REALLY need the paranoia ? Did we REALLY need the massacres ?
But you will find people that answer yes, and say the spilled blood somehow made it pure, or good. And those same people are looking at what Hamas is doing and are cheering. These people don't celebrate the first part, the progress and hope. They claim to be, but they aren't. They celebrate the Terror. They yearn for the unjust "popular tribunal" AKA mob "justice". They dream of executing political opponents or anyone they think is "bad" on light or even absent charges.
And That's why they cheer for Hamas rockets and massacres. That's why they sing when Israeli children are murdered. That's why they attack Jews that don't live in Israel. Because they hope to vicariously live this period of unchecked violence.
Know who was celebrating the RIGHT part of the Revolution ? The Israeli working with Gazan to build understanding. The Gazan protesting against Hamas. The Israeli Arabs risking their lives to save the lives of fellow Israeli and of foreigners, regardless of skin or creed. The Gazan trying to improve things in their homes against the wishes and efforts of Hamas.
Know who IS celebrating the RIGHY part of the Revolution ? The Israeli protesting the way the IDF is bombing Gaza. The people decrying the hypocrisy of blood-thirsty leftists. The people calling for Peace and working to make the political change to allow it.
But the Robespierres of the time, drunk on their own self-assurance, condemn and insult them, claiming that blood must be spilt. But it doesn't have to be. The French Revolution started relatively bloodlessly. It didn't need some great orgy of violence. Oh it wasn't clean, but it was far cleaner than the armchair Robespierres would like it to be. Because it didn't need to be.
And that's my point, really. The people fantasizing about and fetishizing the Revolution always dream of torrents of blood washing away the injustices, of seas of corpses forming a fertile ground upon which progress can grow. But that horseshit. All you get with that is, like the Place de Grève, a sinister place that stinks of rot and death, and flocks of scavengers gorging on your crimes.
All you get is a chance for a Napoleon to arrive. Or Stalin's USSR that so casually carried on with the crimes of the Tsars. Or Polpot who murdered 25% of his population.
If you look at the French Revolution, the right lesson to learn is that you need to know when to stop, and that's before you get to indiscriminate killing. Because once you get to that point ... people that thrive in those settings get in power and perpetuate them.
And to apply that to the situation in I/P ... knowing when to stop means realizing that Israeli are still humans, that Gazan are still humans, that their lives have worth and should be protected, that supporting child killings when it's done by "brown people" is not anymore alright than supporting child killings when done by the IDF. And you people should very well consider the possibility that people inside the IDF are doing all they can to reduce Bibi's ability to order war crimes.
And you should recognize that there are efforts on the part of the IDF, sometimes token efforts, sometimes more than just that, to limit the number of dead civilians. Point me to a case where Hamas did the same. Point me to a case where they tried to get Israeli civilians out of the way instead of targeting them.
Hamas is not a Revolution you want to succeed. It's not about being free. It's about killing. This isn't a "glorious revolutionary action", it's a prelude to the wholesale slaughter and ethnic massacre they dream of. It's a tiny window into their ideal, blood soaked world.
Violent revolution should be a last resort, when there is no other option available, when the system is so utterly broken and shattered that nothing can move, and it should be stopped as soon as the system is unfucked enough to negociate. The I/P situation is not at that stage. Look at how much efforts the fascists of both sides have to invest in maintaining this. Look at how much time and money and efforts they have to invest to keep each other in place. And despite this, people of both sides reach for peace, argue and protest for it, even at the risk of their very lives (especially true in Gaza).
And if you refuse to consider all this, if you insist on following Robespierre, remember this : La Veuve came for him too, in the end.
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galactic-rhea · 25 days
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[ID: Screenshot of a chat that says "just leave my queen alone, she's already suffered enough. She wanted a life with her malewife murder monk pilot mechanic racer and you should respect her for that!]
It's Padmé defending's hours for me
I have been seeing more negative (with very weird connotations, tbh) posts about Padmé on my dash lately, and while I'm a firm believer of the "scroll past it" rule, it really irks me a lot because MOST of these takes sound a bit mysoginistic to me and also (to me) shows a lack of trying to understand her as a character, not in a "you don't get her" way, but in a "you don't even try to understand the character and her context in the damn story just because you wanna sound holy than thou" way.
I'm all for accepting takes about Padmé's flaws or having a slightly more privileged/closed view (and that makes sense, she's aristocracy) but these people are SO WEIRD whenever they wanna talk about her 🤨
I'll forever mad that George eliminated SO MANY scenes with Padmé in the movies, but I feel like even if we had those scenes, people's complaints would be exactly the same.
But also i think half of the time people fail at understanding Padmé is because they're also failing to understand Anakin's as a character, idk
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baihujun · 2 years
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That’s enough boob windowfication for now 
(previous: 1, 2, 3)
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karmesean · 1 year
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i have an ibis paint file titled "STICKS" and here's the week's doodles i guess!
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first two angsty! third one is angsty in everything but presentation!
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bonefall · 26 days
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I personally like Thunder's prosthetic. Explained it to my friend (who does use a mobility device, a cane and wheelchair, and listens to me rant and infodump about BB) and they agreed, it's important to know that not every person needs what someone wants to give them. It's another example of "bad ableist person does a thing that hurts a disabled person because they are bad and ableist".
Clear Sky got Jagged Peak killed and would have killed Sunlit Frost! He would absolutely force his disabled son to be "normal" and present it like a privilege. "I wouldn't do this for anyone else, it's special, why don't you want to be helped?"
Thunder Storm should toss it in Clear Sky's face. (I would say toss it into the river but we do not pollute waterways in this house)
Thank you for telling me this, and tell your friend I'm thanking them too! If they have anything else to add please forward what they have to say
Since BB!DOTC tackles some of the heaviest topics in the entire series because its canon equivalent is so dark, I think very carefully about what I do here and how I show it. I take feedback on its sensitive aspects very seriously. If I'm understanding the criticism properly, it's that I should avoid stigmatizing prosthetics by making sure Thunder Storm's not the only one with it-- which he's not! And I'll add even more.
I don't want to avoid something only because it's uncomfortable if the topic is important, and my portrayal is respectful. Ableism IS uncomfortable! There are some situations where a prosthetic is not wanted! I think the rejection of this particular one is both a good opportunity to show a type of ableism and ALSO is very fitting for the characters.
In BB!Clear Sky's mind, the villain, he's fixing an old mistake. He can't admit that he got Jagged Peak killed or take REAL accountability for it (though he will, occasionally, apologize insincerely), but deep in his bones, he knows what he did was cruel. He'll never tell anyone this because he doesn't really cognate it himself, but Thunder Storm NEEDS to take his gift.
If Thunder doesn't take it, it blows a hole in his newest story. You see, throwing Jagged Peak out was All That Could Have Been Done back then. It was a Tragedy and he simply Made A Hard Choice. He regrets it very much, But You Have To Understand.
But now? Now? Well, behold. Look at what he's accomplished since the tragic death of his little brother. His cats are well-fed, cared for, and stable enough to make such incredible advancements. If only Jagged Peak had been able to hold on longer, if only he could be here now, I could fix him.
Just like I can (MAKE YOU JUST LIKE ME) fix you.
"Everything I've ever done is for Jagged Peak. For Fluttering Wing. For you." Thunder Sky is SPECIAL, but if he rejects any gift, tries to turn down the "privileges" offered to him, in an instant that becomes ungratefulness and arrogance. He both forces him to be special, and then leverages it against him if it's rejected. "Spoiled brat, doesn't appreciate what I've worked so hard to give him."
It all goes back to him and his own guilt. He can NEVER be wrong. He can't accept his family doesn't have to be "normal" or reflect his own ability. He won't see himself as a bully, let alone a murderer. It was never about his son's comfort or finding out what Thunder Storm wants or needs, it was about his own ego.
...All that said I'm still taking feedback if there's anything else I should keep in mind, or if anyone has a counter point, especially if you also have experience here.
(In the interest of having a link trail for posterity, here's the critique/call for feedback this is in response to)
#ALSO also I will take suggestions on other characters who should have prosthetics#Sunlit makes sense and it will make a really nice character moment later for him to have one built#There's also an amputee in RiverClan few people talk about called Stonestream#I can give him one and bump him up into a bigger character. In BB he is the sibling of Willowshine#BB!DOTC#better bones au#Also just as a side note... I love writing BB!Skystar. My ire for the character comes from his redemption arc so I feel like I get to--#--write the character I WANTED to see#Same with Bramble in other BB arcs#cw ableism#tw ableism#ableism#They're fascinating in that they always have to see themselves as the victim or the hero#They believe every lie they tell.#If you ever catch them in a contradiction they will still try to find some way to turn it on you and YOUR lack of understanding.#Interestingly both of them are ableist. Sky's is just more obvious because he's LOUDLY bigoted.#But BB!Bramble is *notably* less close to Jay for a very sad and very subtle reason.#Jay just doesn't serve his ego like the others do until much later in his life.#unfortunately most bigotry is like that.#the type you have a hard time calling out because it's a deniable bias. the constant gaslighting of being part of a marginalized group#Maybe I need to address the criticism by adding a character with a prosthetic to THIS arc even earlier#Problem is that like... Thunder's small merc group is already full of disabled characters and their THING is forming in response to ableism#OH maybe I'll put someone in the Forest Cat group which is lead by Slash?#I need to finish that last book and then gather up all the cats for sorting into allegiances
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bunnieswithknives · 1 year
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*kills you to death*
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lagosbratzdoll · 19 days
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This is a very very unfinished thought but I've been thinking a lot as I reread the books about how the women of House of the Dragon don't really get catharsis and how that'll likely be worse in S2. Say what you want about asoiaf but a number of named women there experience catharsis.
They kill their abusers (Lysa, Cersei, Dany). They regain some agency after a violation (Lysa, Cersei, Lady Stoneheart, Dany), and they refuse to forgive the people complicit in their subjugation (Lysa, Cersei, Dany, Lady Stoneheart, Jeyne Westerling).
Obviously, three or four isn't enough in such an expansive cast of characters but the point remains that they claw back their autonomy however they have to. They're allowed to be angry, bitter, unforgiving and cruel to their abusers in a way women in House of the Dragon just aren't allowed. They're allowed grief, grief that is violent and destructive.
The women of House of the Dragon don't get angry. They stand around and stare plaintively at the camera, they cry prettily, and they plead for peace and non-violence. They suffer and suffer and suffer and there's no relief.
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sexy-sapphic-sorcerer · 4 months
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if there is anyone who deserves a free pass on queerbait/clickbait it's these guys. it's only fair.
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robotpussy · 2 months
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I believe you will never have the courage to say there is any worst genre of music (not including subgenres in this context) if you actually seek out art. if you think EDM, jazz or country etc are bad it's probably because you have never actually heard music in these genres and have misconceptions due to a game of telephone or your only exposure to these genres was the boring, stripped down, whitewashed versions of what the genres have to offer.
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felucians · 2 months
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I've got men arguing that there's no power imbalance between Caiti's friend (a 20 year old intoxicated woman with a small platform) and Dream and George (26/7 year old men who were still fairly sober with huge platforms) in Dream's literal hotel room.
Because there's "no sexist power imbalance between adult women and adult men".
I am BEGGING for you to think critically about sexism here.
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gloriousmonsters · 2 months
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tbh the more setting details i notice the more i realize how the other Vees are signaled as complicit/participant in Angel's abuse.
It's not just Velvette's 'love potion' being used in an attempt to roofie him out in the world - it's a huge poster of her advertising the 'love potion' put up in Val's studio, notably paired with a Voxtech 'Trust Us' poster on another wall. When Vox is walking past posters in his first appearance, Angel Dust posters are noticeable, along with a Love Potion advertisement that features both Val and Velvette and a poster that just seems to be for the Vees in general. When Angel backs away from Val in his dressing room, a scene where he's been taken out of sight of Charlie and is alone with Val - up pops a Love Potion on his dressing table to one side of him, and a Voxtech camera trained on him on his other side. The other Vees are present, in spirit. When Vox and Val fuck off at the end of Poison (and there's YET MORE to be said about that moment) and Angel finally has his moment of genuine breakdown, there's a Voxtech camera in the foreground pointed at him. Even when he's 'off-camera' he's not safe from observation, and even when he and Val are 'alone', the other Vees are there.
also Velvette is wearing the same outfit she's wearing in the Love Potion poster as she is in the finale, I don't think that necessarily means anything but well. i noticed it
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