#as always. most things i write are up for interpretation simply because i like it that way. so you can take or leave this as you see fit | Explore Tumblr Posts and Blogs

changbunnies · 4 months

Text

Scent Of You, (18+)

♡ Pairing: Wolf Hybrid!Bang Chan x Fem Bunny Hybrid!Reader x Wolf Hybrid!Changbin

♡ Genre: little red riding hood au, fantasy/supernatural au, hybrid au, vague allusions to omegaverse dynamics, porn with plot, dubcon

♡ Word Count: 7.8k (oops)

♡ Summary: In which a sweet, naive bunny hybrid nicknamed 'little red' becomes lost in the forest at night, and finds herself face to face with the big, bad wolves her grandmother always warned her about.

♡ Warnings: uses the little red riding hood fairytale as a base for inspiration before it devolves into smut, words like "alpha" and other omegaverse terms aren't used but the vibes are There lol

♡ Smut Warnings (contains spoilers): dubcon (but the smut itself isn't very rough), pet names (though mostly as a title- such as bunny, little red, and sweetheart), the word slut is used a few times, gendered language such as "dirty girl", a lot of kissing, size difference, size kink (i'm sorry if you're tall just pretend ur small and they're huge because ur a rabbit and they're a wolf fsdgsdf), oral (m + f rec), some manhandling, some banter and mild rivalry between bin and chan, unprotected piv, dacryphilia, multiple orgasms and multiple creampies

♡ Notes: so i intended to take a small break from writing after finishing crave but inspo struck me as i was trying to fall asleep and i NEEDED to write it so i literally shot up and wrote all of this in one sitting in a cold sweat fsdgdsf so here we are, one last surprise upload before my break <3 it's easily the most self indulgent fic i've written to date dfdgh bunny is my fave petname and this is basically just my excuse to be called bunny in a wolf binchan sandwich lmao this is not as proofread as my other stuff given how quickly i wrote it, and it's my first time writing a threesome, but i hope you enjoy! edit: there is now a sequel you can read here !

♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.

"Please, take care sweetheart. Don't stay out too long," your grandmother warns with a tender kiss to your forehead as you prepare to head out for the day, pulling the hood of your long, red cape up over your head, tucking in your hair and covering your lopped ears. "I know, grandmother, I know! I'll be back before you know it, I promise," you assure her with a smile, hooking your twine basket into your arm, empty and ready to be filled with treats of the forest.

Your grandmother heaves a soft sigh, as she falls back against the bed, and you give her hand a reassuring squeeze and a soft goodbye before you make your way out of your quaint cottage, a long line of intimidating, tall standing trees before you. Grandmother always worries for your safety, as the woods aren't entirely safe for a rabbit like yourself, but so long as the sun hangs bright in the sky, you'd be perfectly fine.

As grandmother has warned you countless times, it's only at night that the woods near your home become truly dangerous, as all manner of nocturnal predators leave their dens in search of their next meal. For a rabbit such as yourself, lingering in the woods at night is assuredly a death sentence; your diminutive stature and weak limbs would cause you to easily fall victim to the beasts that stalk through the forest with the moon's aid.

The only thing on your side would be your speed, but even then it's no guarantee of safety once a predator has you in their sights; and so your grandmother always instilled a proper fear of the dark within you, in the hope that you'd never find yourself in a situation in which you'd have to flee in the first place. Entering the forest brings with it countless anxieties for your species, but it's not like you can simply not go- the gifts of nature are what sustains you, and you have to enter the woods, even live near them, if you want to have food in your tummy and herbal medicines on your shelves.

As such, you are always very conscious of the amount of time you spend in the forest, only ever entering when the sun is brightly illuminating your surroundings, always careful and alert as you gather what you need. You observe the sun's position in the sky, use it to determine how much time you have left before it begins to set, always heading back well before it starts to sink behind the trees. And you'd never stay longer than necessary, especially not when you have grandmother waiting at home praying for your safe return!

But well.. grandmother is quite ill these days, and you spent more time than you usually would gathering the berries and leaves you’ll need to make her sweet, healing brews of tea. Soon enough, winter's chill would cause all the greenery to frost and wither, and you wanted to stock up now to ensure you had enough to last 'til the end of the season. It was for grandmother's health! Surely she'd understand and forgive you if you stayed out just a little longer than usual.

But as dusk started to settle over the trees, and you realized how precious few moments of sunlight you had left to make it home with, panic began to accumulate in the pit of your stomach. You tried your best to take deep breaths, to not allow your heart to race- as long as you remained calm, you could get back before dark, you were sure of it.

The more the sun sank however, the more you lost your clarity; you found yourself stumbling in circles, the encroaching dark causing the forest to become unrecognizable, leading you blindly in circles. You'd long since lost sight of the path you always followed home, and the moon and stars, which were normally such a beautiful sight, now came with a sense of foreboding. It was dark, you were lost, and grandmother was now all alone, probably worrying herself half to death wondering where you could be and if you're even still alive.

You continue blindly weaving your way through the trees, just praying that you're moving in the direction of home; you can't afford to hide away and wait until morning, not when a beast could be around any corner. Using your speed to your advantage, you dart past a near endless sea of trees, praying, praying, and praying the clearing will come into view and you’ll see your cottage in the middle, with orange light from the fire peeking through the windows and smoke billowing from the chimney.

Suddenly you stop, entire body freezing as your hair stands on end, nose twitching as an unfamiliar scent fills your nostrils; someone is near- someone that you should avoid at all costs. It’s so heavy, overwhelming beyond comprehension- the scent of the forest itself is still identifiable, but mixed now with something akin to leather, black coffee, and hot iron. The scent is actually quite pleasant, so that's not what causes you to freeze; it’s the unfamiliarity that is the true root of the problem, evoking a deep rooted, innate fear response.

You know all the “safe” smells- that of other prey animals such as yourself, for instance, are recognizable, comforting, and bring about a sense of calm. To be met with the unfamiliar is to be met with danger; it means that whatever is near is something you’ve never encountered during your safe treks through the forest, it means that a predator likely has you in their sights, because as grandmother has told you, if you smell them it’s already too late- they’ve found you.

“Now, now, what do we have here?” A deep voice calls, hidden from your sight. Your heart erupts in an erratic rhythm, a chill running down your spine as your eyes desperately search the darkness for the source of the voice. And there, you finally see it- or rather, him. A man, standing much, much taller and bulkier than you, sharp fangs exposed with his smile, fangs that you are sure will be used to rip you apart.

You see pointed ears and dusky blue-silver fur, a long tail that swishes with intrigue and delight, a fur coat with the arms cut off, an exposed chest laden with scars both fresh and faded. He’s a wolf, you realize with dread, the thing you were taught to fear most of all. You unconsciously take a step back as he approaches, the moonlight illuminating him in a way that evokes both fear and reverence; as beautiful as he is dangerous. “What’s a little thing like you doing in the forest at night, hmm? Don’t you know it isn’t safe, little red?” he says with a sickeningly sweet smile, referencing the caped hood you’re wearing, a gift from your grandmother meant to keep you safe from men like him.

You clutch your basket tighter as your legs begin to tremble, lowering your head and pulling your hood down further, trying your best to ensure your ears and other features are completely covered. He probably knows by smell alone you’re a prey animal, but you vainly hope he’ll let you go if he doesn’t realize you’re a rabbit- a stupid hope, but it’s the only one you have. “Poor thing, don’t be scared. You got lost, didn’t you, little red?” With each step towards you he takes, you take another step back, until your back meets that of a thick tree, the erratic rhythm of your heart building to a speed you thought otherwise impossible.

“Tell me- where did you come from?” The wolf asks with an intimidating smile full of fang, “I recognize you from somewhere. Where was it I’ve smelled you before..?” With nowhere to go, caged against the tree as the wolf closes in, all you can do is tremble as you watch him sniff the air, licking his lips as if tasting your scent. Most prey animals are generally the same, but there’s only one place he’s gotten the scent of sugar and cream from..

“Ah, I know,” he says suddenly, smile growing wider as he speaks, “That little cottage in the clearing- that’s it, isn’t it? That’s your home?” You swallow as you timidly nod, your nerves much too frayed to attempt to lie- you’ve never been a good liar anyways, your grandmother having raised you to be honest and good. “You’re quite far from home, little red. But I can help you,” he offers, but you know better than to trust a wolf- they’re liars, all of them.

“N-No, I.. I can get there by myself,” you say, finally finding your voice (shaky and timid though it may be.) The man hums, seemingly amused by your brave display; he knows how scared you are, can quite literally taste it, but he has to commend you for trying, at least. “I’m not sure that’s true. Do you know which way home is?”

“W-Well, uhm, I.. I- I, I don’t-” you stutter and fumble, and he chuckles, a smug look of “thought-so” clear on his face as he grins at you. His hand finds your cheek, and you look up at him with glassy, teary eyes, heart thumping out of control as he strokes your skin with his thumb. He smiles sweetly, almost boyishly- a look that would be endearing if he wasn’t a wolf, and you weren’t afraid for your life.

His clawed hand travels from your cheek to the top of your hood, and you quickly reach your hands up to clutch the fabric, keeping it fully tugged down in a vain attempt to continue to hide your identity. The wolf laughs, clearly amused at your reaction. “Come now, little red, show me what sort of ears you’re hiding under there,” he coos and you shake your head, eyes squeezing shut and knuckles turning white as you desperately cling to your hood.

At this point it probably no longer matters what you are exactly- no matter the answer, it’s clear the wolf before your eyes has plans for you that won’t go unfulfilled. But still, your survival instincts are in overdrive, and you can’t help but try your best to protect yourself, even if the endeavor proves to be worthless. He tugs at your hood, not yet trying to fully pull it off, but rather playing with you- he could easily pull it off in one quick swipe, his claws could tear the fabric to ribbons, but he chooses to instead have his fun, watch you panic and struggle with the hood in your tiny hands.

You look at him, unfallen tears blurring your vision; you don’t know what else to do. Grandmother always said if you found yourself cornered by wolves, your only option would be to run and pray for the best, but is that really the best you can do? And while you’re fast, wolves are faster- you’re sure the man would be able to catch up with you easily, especially given that the moon is his ally and he is likely extremely familiar with the deep woods.

Further still, he clearly stated he knows your home; even if you escape, he knows exactly where to go to find you. It fills you with dread, knowing that even if you do make it home, your grandmother would be there too; and you’d never forgive yourself if something bad happened to her because of you. It’s an impossible choice you are being dealt- surrender to your fate now, or try your best to flee and risk dragging your precious grandmother down with you.

But as he finally tugs down your hood, your white, snow-like lopped ears are fully exposed, and the wolf’s fangs shine as he gleefully smiles, you find yourself unconsciously making a choice- you run, as fast as your legs will carry you. The cape gets caught and snags on stray branches from the myriad trees, tearing as you continue to run, adrenaline coursing through your veins, chest aching from the erratic, forcefully thumping of your heart, breath coming out quick and harsh.

You barely make it 10 feet ahead through the trees before you’re crashing into something, the sudden impact causing you to let out an involuntary shout as you stumble back and fall ungracefully on your backside. Looking up, tears fall from your eyes when you realize it’s another wolf- shorter than the one who’d cornered you previously, but bulkier, with fur as dark as obsidian and a scent that matches it. You suspect that he was there the entire time, and you just didn’t notice due to the panicked focus you held on getting away from the blue-silver wolf.

“Where do you think you're going, little red?” the new wolf speaks, affirming your fears; he was there for the entire exchange, witness to the moniker you’d been given and now using it for himself. “Oh Changbin, you caught her,” you hear the previous wolf say from somewhere behind you, leaves and twigs snapping beneath his feet as he approaches your spot on the ground. “Course,” the dark wolf evidently named Changbin speaks, kneeling down to look directly in your teary eyes, “I’d never let such a sweet little thing get away from us.”

He reaches to the side of your body, where your twine basket has fallen from your arms and spilled its contents, all the berries and leaves you gathered now decorating the dirt. “Hmm, most of these are herbal. What a sweet granddaughter you are, gathering until late into the night! Your grandmother must be proud of you, hmm?” Changbin smiles, looking up to the previous wolf once he stands again, your basket in his hands, “Don’t you think so, Chan-hyung?”

The blue-silver wolf, that the dark wolf calls Chan, hums in agreement, once again calling you a “sweet thing.” Chan offers you a hand to help you stand, and you hesitate, swallowing as your eyes dart nervously between them. Their eyes on you make you nervous beyond just the predator-prey relationship you share; they’re both so impossibly ethereal in the light of the moon, and it makes you wonder if all wolves are such divine creatures.

Maybe that’s why the rest of the forest view them reverently; beautiful, powerful, utterly intimidating in all aspects- they offer no choice from a rabbit such as yourself but submission simply from presence alone. “What’s your name, little red?” is Chan’s next question, and again, you find yourself unable to lie; against your own sense of self-preservation, you tell him your name. And he hums, repeating your name as if testing the way it falls from his tongue before diverting back to his nickname for you.

“Let’s make a deal, little red,” the wolf says, still holding out his hand, waiting for you to take it. You finally do so cautiously, letting Chan help you to your feet, your legs still trembling but not yet buckling in the face of fear. “W-What kind of deal?” you ask hesitantly, looking between the two wolves who smile and lick their lips, tongues ghosting over their fangs as they do. Beautiful, powerful, intimidating, your mind repeats.

“We want to play with you,” Chan says smoothly, the answer coming natural to him, “play with us for a little while, and then we’ll take you home. We promise.” You look at the other, younger wolf who nods, backing the sentiment of his superior. Here you are, confronted in the deepest reaches of the forest by two wolves, and instead of devouring you they just want to “play”..? What does playing entail with them?

You’re not sure how much you truly want to know, but the promise of home dangling in front of you makes you consider their offer despite how foolish it may be. “You’re not.. tricking me, are you?” you ask, voice small, full of naivety and hope. “Of course not, sweetheart, we would never,” Changbin affirms, even going so far as to pick up the spilled contents of your basket and nestle them carefully back inside- a promise that by the time you’re done “playing”, you’ll be reunited with your sickly grandmother and able to care for her again.

“You just smell so sweet,” Chan says, his clawed fingers once again tracing over your cheek, “and we’ve always wanted to play with a sweet little bunny like you.” You nervously exhale the breath you unconsciously held when his hand traced your skin, searching his eyes for any sort of deceit. If you’re being honest, you’re not entirely confident in your ability to tell if the wolves are lying to you- they’re masters of manipulation, after all; lying is second nature to them.

Still, you want to trust them- trust that after you play with them for a little while, they’ll keep their promise of taking you home with your basket in your arms and everything you need to get through the winter. “If you really promise, then.. I’ll play with you,” you answer, and the wolves both smile eagerly, with the elder wolf taking you in his arms, swiftly lifting you up off your feet. You squeak in surprise, instinctively clutching tightly to his fur coat, scared of being dropped.

“Let’s go have some fun then,” Chan grins at you, making sure his hold on you is secure before he starts to move, “but not here. The floor here’s too dirty for you, isn’t it?” It’s a rhetorical question in which he expects no answer; instead he starts winding through the trees quickly, a destination clearly in mind. You vaguely see the other wolf trailing behind before you squeeze your eyes shut, the blur of trees and wind whipping through your hair and past your ears making you dizzy as you’re carried further and further into the forest, likely towards its center.

It takes you a few moments to open your eyes once you’ve realized you’re no longer moving at high speeds; Chan, who still has you in his arms, is now walking at a leisurely place through what you assume is his den. The smell of other wolves is distinct but distant- evidently, the three of you are the only ones home for the night. It makes you breathe a small sigh of relief to know the rest of his pack is absent, attending to their own matters. It makes you feel safer, somehow; as if you’re not literally inside a wolf's den, at the mercy of whatever it is the two before you want with you.

Eventually you are carried into a bedroom- one that smells more of Chan than the other wolf, which leads you to believe this is his room specifically. Changbin doesn’t seem to mind that the “playing” will take place here, a smile still clear on his face as he shuts the door behind himself, locking the door behind him as Chan sets you on his rather large bed.

Your ears lie flat against your head, your nerves eating away at you as you fiddle with your hands. You watch them both carefully, taking note of where Changbin sets down your basket before he meets you and Chan at the bed. The two of them standing over you makes you feel impossibly small, affirms how much better they are than you in every evolutionary aspect; speed, strength, size- they have it all. And you, one measly little rabbit with no significant qualities in comparison to them, who has no choice but to put her life in their hands if she wants to survive. How unfair.

“Tell me, little red,” Chan starts as he sits next to you on his bed, one large hand enough to cup your entire face and direct your complete attention towards him, “are bunnies as slutty as they say?” Your eyes widen as you gulp in shock, having not expected such a forward, explicit question. “Yeah, I’m curious,” Changbin follows up, sitting firmly on your other side, caging you in between the both of them, “they don’t say ‘fucking like rabbits’ for no reason, right? So what are you? A slut?”

“I-I’m not!” you sputter out; it’s true that rabbits have a reputation for promiscuity but you live a rather sheltered life with your grandmother- you hardly even know other rabbits your age, much less male rabbits. That being said, you have been a little.. let's say intense during your heats- but you rode those out with toys, not with the help of men. And you don’t think there’s any shame in promiscuity, but that’s simply not the life you lead; you live modestly, simply taking care of your grandmother to the best of your ability. You barely even have time to masturbate these days- fucking is entirely out of the realm of possibility, as busy as you are.

“But you’ve taken cock before?” Changbin asks from behind you rather shamelessly, and Chan looks at you expectantly, waiting for your answer with a cocked brow. “W-Well, yes, but-” you start and Chan is smiling again, another happy hum leaving his lips. ..Does your virginity status really matter here..? Your eyes widen again when the reality of what you’ve agreed to clicks, and Chan chuckles at your delayed reaction. “You’re not very smart, are you, bunny? But that’s okay- you don’t need to be smart to have fun, isn’t that right?”

Changbin is the next to speak, his hot breath coming out against your ear, his hands tracing your hips, “Mhm, sweet, dumb bunnies are cute, don’t you think? I bet they have lots of fun,” It’s vaguely condescending, how they speak of you- sweet and dumb, as if your intelligence pales next to theirs, as if you are an object designed for their pleasure and no other. And somehow, it adds to the tremble in your legs, your breath hitching when Chan squeezes your cheeks between his fingers and thumb, forcing your mouth to open.

You overtly whine, the wolf’s obscenely long tongue sliding into your mouth, exploring with another eager hum, his fangs catching on your lip with each kiss. As he kisses you, his fingers tug at the knot of your caped hood, leaving the task of discarding it to the other wolf once the knot is undone. Goosebumps once again rise on your skin, with Changbin kissing and licking your neck after your cape has been tossed aside, deeply inhaling your scent as Chan continues to abuse your lips with his tongue and teeth.

“Chan-hyung wasn’t kidding when he said you smell so sweet,” he whispers against your skin as he continues to trail his kisses down towards your shoulder, “it’s intoxicating.” It’s shameless and almost embarrassing, the way arousal pools in your underwear despite all preconceived notions of how a rabbit should behave in the face of a predatory animal; but the more they kiss and lick, the more fear ebbs away, and becomes replaced by pleasure and yearning. It’s been so long since you last felt the touch of someone else, having been stricken to solitary heats since becoming your grandmother’s carer. It almost humiliates you to admit how good their touch feels on your burning skin.

They can quite literally feel your body release its tension, Changbin’s strong arms being the ones to hold you up as you melt, and the smell of your leaking arousal obviously doesn’t go undetected by either of their noses. Chan pulls away from your lips, a smirk visible on his features when you open your eyes to look at him. “What a dirty girl you are, excited already,” he says, another whine escaping you not only from his words, but from the feeling of Changbin’s teeth grazing your neck.

Chan, who could quite easily rip your dress from your body, instead opts to tug the fabric away much more carefully than you’d have anticipated- perhaps they really mean to return you home after this? Changbin, whose torso was substantially more covered than his elder’s, removes his top, leaving you to feel his bare, muscular chest against your now exposed back. He wastes no time in latching back to your neck, licking, sucking, teeth grazing the skin, but not biting down- whether to spare you the shame of returning home with the clear mark of a predator, or because he doesn’t have permission from lead of the pack however, is unclear.

Your breasts, which you’ve always considered quite full, despite your diminutive frame, easily fit within Chan’s large palms. Their ability to not only make you feel, but look small leaves you dizzy. You should be afraid of how they eclipse your frame with their size, but instead you find it exciting, your brain unraveling everything you’ve been taught about self-preservation in favor of experiencing utmost pleasure from two hulking wolves.

Shame, it seems, has entirely left you, as slick leaks from you easily, drenching your underwear with each touch from their rough hands. Chan’s fingers play with your sensitive nipples, pulling and tugging until you’re writhing against Changbin’s body, who has his own hands tracing your hips and thighs, pressing lingering kisses to any patch of skin he can reach. Chan lowers himself to take one of your hardened nipples into his mouth, tongue swirling around it as his hand continues to play with the other.

Meanwhile, Changbin’s hand slinks around, brushing over your stomach before his hand dips between your legs, rubbing your heat over your soaked underwear. “Fuck, this messy for us already? You have to feel her, hyung, touch her pussy,” Changbin speaking such filthy words right next to your ear makes you shudder, a whimper leaving from deep in your throat when Chan obliges, his hand quick to replace the younger wolf’s. Instead of touching you over your clothes however, he opts to completely tear them from your body, in stark contrast to how he treated your dress- you suppose the underwear is less important to remain intact, or maybe he just can’t help it after having gotten this far?

“Oh, look at that Binnie, you’re right,” Chan grins as his fingers rub along your folds, spreading the slick around to create even more of a mess between your legs, “You’re such a dirty bunny underneath, hmm?” Your face burns red, another whine escaping as shame finally returns to you, your hands reaching to cover your face. The pair of them coo, finding the display cute, whilst simultaneously making their cocks throb- what a treat, to have found a bunny that is both incredibly sweet and effortlessly sexy all at once.

Chan pushes Changbin’s hands away from your body, and quickly turns you around. Your back is now against Chan, and he hooks your legs over his knees, spreading you open for the younger wolf to see. “Let’s give Binnie a look at your dripping pussy, don’t you think he deserves it after being so sweet to you?” More slick dribbles its way out of you, soaking the mattress beneath, a treat for Changbin’s eager eyes.

Peeking between your fingers, you see his dark tail swishing behind him in delight, very clearly excited by the sight he’s met with. “Can I taste her, hyung? I want to so bad,” he asks, licking his lips, his eager, sparkling eyes not leaving you for even a second. “Mm, what do you think, little red? Should we let him have a taste?” Chan asks, and though you can’t see him anymore, you can practically hear the smile in his voice- playful and fun.

You nod quickly, though Chan doesn’t seem content with that response- he tsks, once again grabbing your face and twisting your neck to look at him. “You gotta use your words, sweetheart, you understand?” You start to nod again, but then quickly follow up with a small “yes”, to which the wolf smiles, and diverts your gaze back to Changbin, forcing you to hold the darker wolf’s gaze. “Good bunny, go ahead and tell him, then. Tell him you want him to eat you.”

He can feel your face burn beneath his fingers, and though you can’t see it you’re sure there’s a smug smile gracing his perfect face as he waits for you to properly address Changbin. “I-I.. I want you to eat me, please,” you force yourself to mumble out, not missing the way Changbin’s cock throbs in his torn shorts. With one last lick of his lips, he’s diving between your thighs, looking up at you with a grin, “I’ll devour you, sweetheart.”

You gasp when his tongue licks between your folds, a loud moan unintentionally falling from your lips as he eagerly laps away at you. You can’t help but squirm in Chan’s hold, his legs continuing to hold yours open and preventing them from closing around Changbin’s head. Changbin moans as he licks and sucks on your clit, as if the act is more pleasurable for him than you; and eventually he alternates between giving his undivided attention to your clit, to sliding his tongue as deep into your hole as it’ll go, letting his nose bump your clit instead.

Chan’s erection digs into your back, sometimes groaning when your squirming and twitching causes friction; but he’s not content to just sit behind you and watch- he wants to add to the fun. So his hands come up to the soft base of your ears, expecting it to be as erogenous of a zone for you as it is for them- and by your reaction, he can tell it is. Your head falls back against him, and he can just catch a glimpse of your eyes rolling to the back of your skull, mouth hanging open as more moans and desperate whimpers leave you.

“You getting close, sweet bunny? You wanna cum?” Chan asks, grinning when you once again quickly nod your head, a near endless stream of whimpery moans leaving you as your high approaches. “Answer properly,” he reminds you, though his tone isn’t as strict as before- it’s almost playful, amused; he’s having fun. “W-Wanna cum, please, please let- hah- please let me cum,” you beg between harsh breaths, your entire body feeling like a wire on the verge of snapping.

“You heard her Bin, make her cum,” you hear Chan say as he becomes harsher with your ears, his calloused fingers now rubbing in rough circles. Your entire body jolts and convulses as the wire finally snaps, cry after cry of white pleasure spilling from your lips as you release on Changbin’s waiting tongue. He hums as he licks up all you offer him, not separating himself from his spot between your legs until he’s sure he’s got it all and you’re shuddering from the overstimulation.

Changbin takes your face in his hands, pulling you just slightly away from Chan as he drags you into a kiss, his tongue shoving its way into your mouth. Your taste is all over his tongue, his mouth stealing away all the breath you’ve just barely managed to breathe into your lungs after the intensity of your orgasm. Your eyes are hazy when he pulls away, fogged over by lust and needs for the wolves you are sandwiched between.

You just barely register Changbin looking past you to Chan, as if asking what to do next; though the exchange is silent, it seems like Changbin knows exactly where to go from here after receiving a certain look- have they done this before, you wonder? Changbin scoots back just a bit before grabbing your legs, unhooking them from Chan’s knees before he’s pulling you down, closer to him. You gasp, your head falling straight onto Chan’s lap- well, more accurately, to one of his thighs, before he’s closing his legs to act as a pillow for you.

His cock, though still obscured by the fabric of his shorts, is right next to your face and impressive in its size, just as Changbin’s is. The two of them, in almost practiced unison, pull down their shorts, though the task is harder for Chan, who has your head resting on his lap. He still manages well enough, and you’re met with the sight of his hard, leaking cock right in front of your eyes, almost close enough to touch your cheek.

You look up at Chan, who looks down to meet your gaze with a grin. “Hope you’re ready, bunny,” is all the warning you get before you’re flipped around to your front, another squeak of surprise as you’re manhandled to your knees, bent to where Changbin wants you, with your face still squarely in Chan’s lap. One of Chan’s hands holds his cock at the base while the other reaches under your chin, lifting your face up to look directly at him. “Show me what you can do while you’re taking cock,” he instructs, your body trembling as you feel Changbin’s cock rub between your folds, slicking himself up.

You whine when his cock presses against your hole, Changbin’s hands holding your hips up while Chan’s guide you to take his leaking cock into your mouth. You never imagined you’d be in a scenario where you’re taking in the cocks of two wolves at once, but you welcome the challenge. Changbin enters you first, the stretch the most intense you’ve ever taken- you can’t help but gasp, the sting pricking up every inch of your body. Chan, thankfully, doesn’t force you to take him entirely into your mouth in this state- he lets you instead kiss and lick the tip, recognizing your need to adjust to a size you’re entirely unused to taking.

They both praise you, though Changbin’s voice is significantly more strained and breathy as he continues his slow push inside your tight heat. Your nails dig into Chan’s thighs for support, and he doesn’t scold you for taking pauses in giving him attention, instead just watching as you squeeze your eyes shut and do your best to control your heavy breathing. “Big stretch, isn’t it bun?” Chan ends up asking, which causes you to nod with teary eyes. “‘s so big,” you exhale, and Changbin whines from behind you- you wonder if he likes hearing how big he is?

You can also hear the loud swishing of his tail, almost like a whip with how quick it snaps from side to side; it’s an undeniable truth that Changbin has been very, very excited to play with you the entire night. Changbin hisses once he’s fully aside, while Chan takes this time to rub your back in a soothing gesture you wouldn’t typically expect from a wolf. You look up at him, eyes full of equal parts gratitude and lust, and he simply smiles, hunching his back down to meet your lips in a kiss.

“Not fair, I wanna kiss her too-” Changbin protests from behind you and Chan scoffs when he pulls away from your lips. “Your dick is literally inside her Bin, shut the fuck up,” he says and to your surprise, you giggle- Changbin is kind of cute, isn’t he? At least, in a weird, wolf sort of way. “Are you laughing at me?” he asks, and you can almost hear the playful sort of pout in his voice. “S-Sorry, didn’t mean to,” you mumble, hoping you didn’t offend him.

You take a cautious peek at him from over your shoulder, relieved to find that he’s actually smiling once he stops his dramatic pouting. Cute, you think again, but he doesn’t let you feel that way for long. He pulls out to the tip and presses back inside in one, swift motion, causing a moan to erupt from you as your nails once again dig into Chan’s skin. “Won’t be laughing by the time I’m done with you, bunny,” Changbin says as he repeats the motion, and it takes everything in you to not utterly collapse onto Chan’s lap.

He hits your spot every time, and you swear you can feel it all the way in your stomach- but Chan doesn’t let you stay idle in your pleasure for very long. “C’mon, sweet bunny, you know what to do,” he says, his hand under your chin directing you back to his own neglected length. Unable to control yourself much after Changbin starts picking up his pace, you simply open your mouth and stick out your tongue, allowing Chan to enter your mouth however much he wishes to, completely handing your control to him.

Changbin’s thrusts cause you to take more of Chan into your mouth than you’d initially take all at once, and it causes Chan to curse, his cock hitting the back of your throat within seconds of entering your mouth. It doesn’t take long for your eyes to well with tears, and then for those tears to cascade down your cheeks, trying your best not to choke and gag as Changbin, voluntarily or otherwise, forces you to take more and more of Chan’s cock down your throat.

You can hardly even breathe between the pleasure of Changbin drilling you from behind and Chan’s cock obstructing your primary airway, but it makes you dizzy in the best way possible. You feel floaty, every cell in your body knowing nothing but intense pleasure. Chan strokes your head, sometimes petting your ears for that extra burst of pleasure that makes you clench tighter and causes Changbin to curse from behind you each and every time.

Changbin, who is observing the way his cock looks sliding in and out of your tiny hole, gets a flash of inspiration when he looks at your cute, fluffy cottontail. Experimentally, he takes it into his hands, rubbing your tail between his fingers, and you keen, a shiver traveling throughout your entire body. “Oh, you like that?” he asks, a bit smug as he continues to rub and gently tug at your tail, a loud whine escaping you that is muffled only by the cock lodged in your mouth.

Chan can see your eyes rolling back, and decides to double the pleasure, not letting his hands leave your ears for even a second. Your noises tumble freely now, quick and constant, rising in volume despite how muffled they are. It’s overwhelming being played with like this, but it feels so fucking good you’d never think to complain- you may become addicted to this sensation when it’s all said and done.

You’re so wet and warm, and now squeezing impossibly tight- Changbin isn’t going to last, and you can feel him throbbing and twitching as his pace begins to stutter. “Shit- fuck, ‘m gonna cum,” he whines, letting go of your hip with his other hand to reach under you and find your clit with his fingers. “Cum with me, pretty bunny, c’mon, I know you’re close too,” he says, quickly rubbing your clit between two of his fingers.

Chan guides your head off of him, letting you suck in the breath you desperately need before he’s lifting you up just enough to meet his lips, capturing your moans with his mouth. You cum again with a succession of loud whimpers, your hands squeezing at Chan’s body desperately. “Oh my god, yes, ‘m cumming, c-cumming-” Changbin gasps, his cum shooting inside you in quick spurts, his bottom lip tucked between his teeth as he groans.

Chan lets you fall back to his lap, breathless and almost entirely spent, with Changbin breathing heavily behind you. He pulls out when he finally starts to soften, and you glance behind you the best you can to see him pouting at his elder again. “You did that to make me jealous!” he accuses Chan in reference to kissing you, and the other wolf simply shrugs with a smirk. “I can kiss you too, Binnie,” you mumble, just loud enough for the two of them to hear.

He whines again, and you realize it’s the first time you’re actually using one of their names. “You should’ve said my name while cumming, bunny,” he grunts as he scoops you up, pulling you back to his chest. “I don’t think she could’ve-” Chan starts to interject, laughing when Changbin glares at him, capturing your lips in a possessive kiss.

They’re not actually fighting over you, but you find the dynamic fun- maybe that’s why they like to share; and you don’t think you’ve ever felt this desired before. Changbin’s tail is swishing again as he kisses you, and you giggle when you hear it- he’s like a puppy, you think; eager, and easily excitable, with a hint of jealousy that makes him fun to tease. When he pulls away, he looks at Chan and then back at you, “Can you handle one more, sweetheart? Channie-hyung still needs a turn with you.”

“I can take it, I’m a good bunny,” you affirm and they both grin, Chan reaching out to you and pulling you away from Changbin’s arms, into his own. “Such a good girl,” he hums as he lays you down on the mattress, taking his place between your legs while Changbin lays down next to you, rubbing his hand over your soft tummy. Changbin’s cum is leaking steadily out of you, but Chan doesn’t seem to mind the mess it’s making on his mattress- you've made your own mess of his bed too, after all.

Chan instead uses his fingers to gather up what has leaked and spread it over his own length, using it as lubrication for his own push inside of you. Changbin presses kisses to your heated cheeks, licking away the tears that fall as Chan starts to push his cock inside you. Chan, who has been entirely composed up to this point, finally breaks just a bit- enough for his breath to start coming out harsher as you feel him twitch and throb inside you.

His tail doesn’t swish as fast and erratically as Changbin’s but it is nonetheless moving happily side to side, a clear indicator that you’re actually affecting him and he’s not all confidence and smug charisma. “Can I play with you while Channie-hyung fucks you, bunny?” Changbin asks, his hand creeping up to your chest, smiling when you quickly nod at him.

Chan should scold you for not answering properly, but he’s focusing on his own pleasure now- taking your legs into his hands and holding them open while he fucks in and out of you. Changbin plays with your nipples, his hand taking turns between them while the other is used to keep himself propped up to watch. “You’re making him feel good, can you tell?” he asks, and you look at Chan, who has sweat trailing down his brow and his plump bottom lip sucked between his teeth, face scrunched in pleasure.

It makes butterflies erupt in your stomach, and you turn back to Changbin, a small pout on your lips. “I-I wish I-” a deep breathy moan interrupts your dialogue as Chan hits your spot, but you continue, “I wish I could’ve s-seen you too.” You bet he looked absolutely divine, just as Chan does. Changbin groans, your sentiment evidently having an affect on him. “God, you’re the fucking sweetest, bunny,” he tells you, leaning forward to kiss you some more, his tongue once again shoving it’s way into your mouth. You tangle your fingers in Changbin’s curly hair as he kisses you, and he hisses when you unintentionally tug during a particularly harsh thrust from Chan.

Changbin simply watches your face in awe for a moment when you pull away to breathe and let yourself fall back against the mattress, finding you incredibly cute, beautiful even, even with your hair a mess and drenched in sweat. “B-Binnie, Channie, think ‘m gonna cum again-” you whine, eyes rolling back once more when it causes Chan’s thrusts to become harsher. “Yeah? Gonna cum again, slutty bunny?” Changbin smiles, egging you on with his voice.

You nod quickly, pleas starting to fall from your lips effortlessly, “I-I can, right? Been a good girl, a good bunny? Good bunnies can cum?” They both smile, endless encouragement leaving them such as “yes pretty, go ahead and cum for us,” and “good bunny, good girl, cum sweetheat.” Changbin pulls you back to his lips as you cum, wanting to kiss you as you cum since he missed the chance earlier, and he eagerly swallows your noises, his fingers finding your clit once more to drag out your orgasm.

Chan as well starts to become louder, his grunts becoming more successive with each thrust, not losing speed even as his hips start to lose their rhythm. He grabs your face and tears you away from Changbin, kissing you in a display that is either meant to make Changbin jealous again, or is simply for his own pleasure. Or maybe it serves both purposes at once, because as Changbin whines in protest, you can feel Chan smirk against your lips before he’s losing himself again, his groans muffled against you as his hips stutter once, twice more before he’s spilling inside you, ropes and ropes of cum filling you to the brim.

You reach out to Changbin’s hand, squeezing it in a gesture that is meant to stop his jealousy, and he smiles at you, calling you a “sweet little thing” once more, giving you a peck to your forehead. Your eyes close, not opening even as Chan softens and slips out of you, exhaustion having clearly seeped into every molecule of your body. “Poor thing’s tired,” you vaguely hear Changbin say as he wipes the sweat off your brow. Chan responds, though it’s hard to make out what he says as you unconsciously slip into sleep, unable to prevent it with how heavy your entire body has become, rest quickly claiming you.

The sound of birds loudly chirping wakes you, and you blink slowly awake, eyes straining as you realize you’re in the sunlight. You sit up quickly, looking down at yourself and then your surroundings; you’re out of the forest proper, in the clearing where your home sits quaintly in the middle, and dressed back in your prior clothing and with your hood over your ears- barring the underwear you lost.

You’d think last night was a dream if it wasn’t for the fact that you could feel yourself bare underneath your dress; so they really upheld their promise and brought you back home..? You see your basket, sitting neatly in arm’s reach, a small note resting atop the berries and leaves you gathered yesterday that simply reads, “Last night was fun, wasn’t it, little red? Come play with us again sometime,” with a cutely drawn heart at the end, signed ‘Binnie and Channie.’

#skz x reader #bang chan x reader #changbin x reader #skz smut #bang chan smut #changbin smut #werewolf au #skz scenarios #skz imagines #skz fanfic #mdni + divider graphic credit: @cafekitsune

878 notes · View notes

firein-thesky · 1 month

Note

Why is it that dc such as r@pe, sa, and incest is totally okay to write about and romanticize but y’all draw the line at racism, fat phobia, and homophobia *talking about the writings creators make, not personal beliefs*? Whats the difference between these things? All of them are hurtful and affect people in real life, so why is everybody on here choosing and picking one and not the other? Do writers on here think that they are not comparable or that one is okay to romanticize and the other is going way too far?

Im just genuinely curious as I have seen this topic be brought up again and again, which has made me realize this and Id like to see it from someone else's pov.

hi! there is a lot to answer and unpack here and i have every intention of doing so underneath the cut. forgive me if this gets long, but you’ve asked me 4 very massive questions that i think warrant detail, nuance, and thought. there is a lot i’d like to say here.

that being said, mind the content warnings and protect yourself.

cw: mentions of rape, incest, racism, homophobia, fat phobia, discourse in general

firstly, i am going to choose to give you the benefit of the doubt in assuming you are actually curious in hearing another side and you are not simply looking to stir a pot or pick a fight with beliefs you have no intention of changing or having an open discussion on. your accusatory tone in the first half indicates otherwise and kindly, i am not an idiot. but i want to earnestly talk to you about this and again, will think better of you than you perhaps have indicated you think of me.

secondly, you do not have to censor words like rape in my inbox. that sort of censorship has become wildly popular because of tik tok and other money-hungry social media that also desperately want to silence people. do you know why you have to censor words like that on tik tok? or words like genocide? suicide? racism? 1. so that they can make money and market and push their squeaky clean algorithms but 2. and perhaps worse, so they can silence victims. if social media platforms and capitalism and the systems of powers had it their way, you would never utter these words again—whether to call someone out for justice or to have an open discussion like this one. i encourage you greatly to think critically about this and how you choose to use censorship and why.

now, to your questions.

to preface, i am interpreting this ask as being anti-dark content in fiction as you state that ALL these subjects harm people in real life. or at least, you are being critical of all dark content in fiction and the way writers engage with them, effectively ‘picking and choosing’ which are deemed acceptable and which aren’t, when they are all hurtful. i apologize if that wasn’t your intention/what you believe, but regardless, i’ll endeavor to answer you.

i personally have drawn no lines about dark content nor spoken about any of these topics specifically really, which indicates to me you have a different narrative and/or are coming from more inflammatory arguments that are always circling fandom lately. in the post i most recently reblogged, i spoke mostly of violence. which, of course, all of those things can be. but i didn’t name one of those topics in particular.

regardless, i don’t believe in the censorship of any dark content in art, but rather advocate strongly for critical analysis on a case-by-case basis. in general, i encourage thinking critically about every aspect of the world around you.

i do not believe that rape, incest, and sa are okay to write about or create art about but racism, homophobia, and fat phobia are not. i believe all of those topics are ones that can, should, and will be explored in the safety of art. all to varying degrees of success, earnestness, impact, and intent. you’re right that these are real things, that can hurt people, and the fictional work about them can have impact on our society that is tangible but the actual art or fiction created is not real. and again, this is all to varying degrees on a case-by-case basis.

art and fiction also historically and massively do discuss these dark content topics and have actively swayed the public’s opinion on matters, whether for better or for worse. throwing away all dark content in art and fiction because it is ‘harmful’ is deeply, deeply dangerous and reductive. a lot of art that engages with dark content actually makes very succinct points about it—i think of vladimir nabokov’s lolita or octavia butler’s bloodchild or speak by laurie halse anderson.

this is where we must exorcise critical thinking. some pieces of work will handle dark content poorly—white saviors making art on racism. men making art about a woman’s experiences that (as you are so interested in) romanticize her pain. etc. etc. and some art will handle it’s dark content incredibly and be transformative, perhaps even revolutionary in how we talk, perceive, or acknowledge systems of oppression, violence, and dark content in this world. some dark content in fiction will have damaging beliefs and effects on society, some will not—we must also look at scope for this, at the writer perhaps, the historical moment, their audience etc.

(for example, there is a significant difference in a main stream male writer, writing of a woman’s experience with rape in a published book in a way that makes it sound romanticized, sold to thousands and thousands of general public vs. a woman using fanfic to explore rape, take control of it, or whatever in a fanfic for a small online community where there are warnings on it. indicating she is aware of its potential damage in a way her male counterpart is not…)

but i still believe in dark contents’ existence in art. of course there is differences between all of these topics you brought up, but i don’t think their differences matter in this answer. i believe in their right to be explored in art. i am talking broadly of media/art here, which i think is the more relevant conversation, but i think you are actually more interested in a much smaller scale of people. ie. fandom. ie. mostly marginalized people in small communities online writing and creating dark content.

people will choose and pick which ones they’d like to create art over and which ones they don’t, which ones they read and which ones they don’t. there’s no ‘hard line’ drawn anywhere. and i can’t control it and neither can you. perhaps you think violence is okay to be explored in fanfic, but racism isn’t. someone else will have different preferences. i do not believe in its censorship.

now, let’s move onto your interest in romanticization and what i think you are more pointing to, which is fandom. you are specifically referring to people in fandom who write about rape, incest, etc. and ‘romanticize’ it—ie. they write about it in a way that is a fantasy. it is perhaps supposed to be horny or sexy. so let’s talk about it.

i must remind you that these topics you’ve brought up (rape, incest, sa) being written are fiction and it is (most often) done by someone marginalized who has either experienced this or is in threat of experiencing this under a patriarchy. i assure you, they are aware of its harm. hence the copious warnings in fandom spaces.

if i can be candid, sometimes i think that people forget how systems of oppression work when discussing fandom and whether dark content being created should be allowed or not.

for example, i sometimes think people who are anti-dark content in fandom believe that a woman or afab person writing a fictional fanfic about rape or sexual violence then influences people to go out and rape people or that women actually like it. when the reality, in fandom spaces, is that rape and sexual violence happen frequently under the patriarchy and then these women in fandom write fictional fanfic in response to cope, explore, take control of, etc. etc.

to insinuate that women or afab people (which fandom mostly is) exploring dark content safely in fiction then causes their own oppression and harm or trauma is rather victim-blame-y to me. fandom exploring dark content does not cause these things to happen in our society….these actions (rape, incest, sa) happen in our society or systems of power and fandom reacts to them in their art by exploring it in dark content. do you understand what i’m trying to say?

it’s not a matter of what is ‘okay’ to romanticize and what isn’t. i do not think the romanticization that fandom does with dark content (ie. my kidnapper actually loves me! or this sexual act that i did not consent to…maybe feels good) is not actually romanticizing but coping because of the systems of power that i described above. and this can be coping with anything—shame of sexuality, shame of fantasies, trauma, fear, etc. etc.

as i said in my tags in that post i reblogged and as plato said, dark content in art is a safe place to explore what would otherwise be harmful and dangerous in real life. it is cathartic. potentially even, a purging.

and even if it isn’t all that—maybe it just is trashy fantasy. it is still playing pretend. it is still fiction and in fandom spaces, it is still most likely being created by a marginalized person. and again, even if it isn’t, we don’t get to censor it. we can be critical of it or wary or whatever, but to censor it, is a slippery, slippery slope. do deem some topics as “acceptable” and others as “unacceptable” is dangerous.

just like kids play pretend where they ‘fight’ or ‘kill’ or ‘kidnap’ or ‘shoot’ each other in games of cops and robbers or heroes and villains, they are safely exploring adventure, dark content, fantasy, tragedy, and higher emotions. adults can do the same in fiction and with adult topics like sex.

and at the end of the day, we don’t get to demand the credentials to do so either. we don’t get to censor them or control them and nor should we be allowed to. i cannot stress enough that i encourage you to be critical of censorship or the absolute disgust in dark content and at those (again—often marginalized people) who engage with it in fandom. i believe it is deeply puritanical, conservative, and dangerous.

you don’t have to like dark content or consume it at all and fandom makes it easy not to with all the warnings and tags, but you cannot control others or police them. nor should you want to.

and at the end of the day, i have some questions for you. you don’t have to respond to this, perhaps they’re just things to think about. what is the end goal here? what is the point in harassing, shaming, attacking, criticizing, or interrogating people in fandom spaces who create or support dark content? do you believe that if it is purged from fandom, it will be purged from our society? if you want it purged from society—shouldn’t you start there rather than in the inbox of marginalized writers in fandom? people in fandom did not create rape, incest, and sa nor do they in their exploration of fiction…they are merely reacting to a world that did create it.

i hope at no point i came off as rude to you, as was not my intention. i intended to stand up for myself and respectfully state my opinions and thoughts on this matter. i’m sorry it got long, but also i don’t believe in being brief on such complex matters. i am a writer who engages critically with the world around me and sometimes, things cannot be made into short, snappy answers. sometimes, we must unpack.

genuinely wishing you well.

#i cannot guarantee that i’ll have the time patience or energy to answer every ask like the one above in such detail #going forward #but i do support open discussions and i wanted to be kind to this anon #these are just my 2 cents on all of this #cw: rape #cw: incest #cw: racism #cw: fat phobia #cw: homophobia #discourse

385 notes · View notes

crystcrm · 1 year

Note

i share ur struggle.. i ACHE for gepard or welt content so hopefully i could request for something like that? im js gonna throw a bunch of ideas and you can choose whichever

relationship hcs (what he’d be like, how does he show his love etc)

sleeping together (take this whichever way you want)

cooking together in the kitchen (im a whore for this stuff idk why😭)

bedroom hcs (kinks, fav positions, literally anything i need it so bad)

KISSING IN THE SNOW W GEPARD😞

anon i hope you know this ask gave me like 5000 braincells. like suddenly i am THINKING. it's so insane how one little ask full of random blurbs gave me so much life to write even just the smallest things.

literally welt and gepard are my two faves rn, i'm fr just waiting for jing yuan to come out. jing yuan my beloved <3<3

but anyway, as for this little ask, i think we'll ease into the hsr content with some fluff ( i am all due for it anyway, i have Not been writing and i also need the fluff because my god does life hit hard ) so sit tight >:)

love and cherishing you ♡ ;; various x gn!reader headcanons

content;- sfw , fluff , headcanons list , how some hsr boys show their love for you ♡♡ , overall just really fluffy because i need toothrotting stomach ache inducing head swirling sweet fluff sometimes... , nothing about getting together but just general hcs on what they'd be like in a relationship , reader is nooooot...? the trailblazer but could possibly be interpreted as such if you squint

characters inc:- welt yang , gepard landau ( includes post-belobog arc content, not extremely spoilery but take note that i chose after the jarillo-vi conclusion to open up more opportunities >:3 )

together with welt yang . . .

welt has lived life longer than perhaps anyone on the express, being from another world and used to living as the first ( second generation ) herrscher of reason, a herrscher that sided with humanity. he didn't expect to get sucked into another adventure, one where he'll meet many companions, see unbelievable sights or even... fall in love.

he's an old soul, yet his heart still has a grand passion for what he does. the fire within him burns, and perhaps, you stoke the flames. a motivation unlike any other to show you the wonders of the galaxy— of every world.

his love is not the most openly shown, an old man can be embarrassed sometimes. especially in the face of his family of the astral express. his affections for you are for you two only. his touches, his words, the little things that make sparks fly are all special and meant for your ears and eyes only. be it in the privacy of his room, or late nights when everyone else is fast asleep, he'll always find a way to make his love for you known when nobody else is looking.

time together with you is always time well spent. he enjoys it perhaps just a little more than going on adventures with everyone. you could be doing anything, and he wouldn't mind simply sitting in silence together with you. it's comforting, relaxing. it's moments like these where he gets to unwind with you. it's essentially a recharge— he doesn't even have to hold you ( but if you'd like that, he'd be more than happy to ).

he used to be an artist— an animation storyboard artist. his skills on paper would definitely outmatch the rest of the crew. he already likes to have his experiences captured in little drawings in his notebook. well, you happen to be one big, long lasting experience. one that he can't wait to see what more comes while experiencing it. you swear that you can catch him gazing at you every other day, and you always see his pencil moving across the papers in his book. inside are sketches of you in all your beauty, how he adores you, even complete with little notes about the things you like.

he wishes to show you the world, all there is to be seen across the entire galaxy. he will be there, to guide you, to accompany you. it's not that he doesn't trust the rest of the crew, but really, this is the closest thing to a date you've ever gotten. taking in the sights of new worlds, creating new memories together, and maybe getting tossed in a bit of trouble along the way. sure, it may be tiring or troublesome, but he wouldn't want to face it with anyone else.

those that come across him know him as welt yang, but this is the name he has inherited. he doesn't tell it often, perhaps, but at least you know him. the real him. he's not just welt to you, but also joachim. it is something he entrusted to you, who he is, who he once was, who he shall become— everything about him.

he adores you, and all your entirety. you are like a burning star in the galaxy above, one that burns with him.

together with gepard landau . . .

gepard, captain of the silvermane guards is a busy, busy man. between his duties as captain and his daily life, he does his best to find time for you. his lack of charm is exactly what makes him charming, some may say. he's no nonsense, stubborn, "famously uncompromising" ( as his sister claims ) with an unmatched loyalty. it sounds horrendous, but perhaps that's exactly why you love him.

you tell him he should prioritise his duty first and foremost, he is an important figure in belobog, after all. and he does, he stubbornly commits to it. even if he can see in your eyes that you're hesitantly letting him go again. it's in these rare moments that he gives you a small, warming smile and a gentle embrace— he tells you that he'll do his best, for the preservation of belobog, for its people— and most importantly, you.

bothering him on patrol isn't one of your favourite activites, there are definitely more enriching things out there, but you still do it from time to time. usually, it's when the nights are a little colder and you can't seem to sleep. it's the same old thing, each and every time. he tells you you should get home, but not after a quick walk together with him. you'd chat about the little things, and he'd even shyly try to hold your hand in such a moment. after that, he personally escorts you back to your residence, and never forgetting to leave without a kiss goodnight. it may be a simple kiss on the back of your hand, or you might get up for a quick kiss on the cheek. you don't know what you do to him.

gepard doesn't strike me as a type that knows a lot in this area. he was born and raised as a noble child, and then went straight into becoming a protector of the city he grew up in. he'd feel a little flustered at a few things, the ideas and thoughts that come to him while together with you. he's even more embarrassed as he goes to his sister for advice on how to deal with such emotions. he reads books, fiction of romance that he does best to turn into your reality. it's not perfect— he's still clueless on what's a really good date— but he's always trying harder just for you.

it's not often that he gets free time, but once he does, he's quick to seek you out... after his sister of course. for many good reasons, actually. other than the usual check in with his sister he loves so dearly, she is more helpful than most others despite her teasing. serval is a big source of support in his relationship with you, not to say you two can't handle it yourselves. he's just rather clueless about love as a whole sometimes, and she's there to give him a little nudge in the right direction. thanks to her, gepard brought you flowers once, and he does it every so often.

never underestimate the lengths he'd go for you. he may be constantly out there in the front lines trying to combat the antimatter legion and the fragmentum, and he may be busy with training the guards or some other silvermane business, but he would always keep you in mind. you're part of his motivation, and you've grown to be the biggest part of it. you could tell him it's nothing important, if you ask for something, like a favour or likewise, but because it's you, he'll put it right at the top of his priorities. you are his priority.

dates are difficult, especially when you're captain of the guards. walking around with him attracts more attention than any other thing, but it doesn't stop him from inviting you out. the luxuries of belobog would be easy for him to indulge in, as a landau and as captain, but truly, simply spending time with him is enough. your favourite dates are ones where you freely walk aimlessly in the day, perhaps after a bite to eat. fresh snowfall is light upon the city streets, unlike the eternal freeze. you find it hard to resist temptation, letting yourself be swept off your feet for a sweet kiss in the everlasting winter snow.

gepard landau has an immense lack of charm. he's stubborn, he's uncompromising, and maybe even a little dense or a little blunt. but the brighter side of these qualities always show around you. he'll find a way to see you, and he won't rest until he has. his lack of knowledge in this department has him cutely flustered from time to time, but also has him doing unknowingly romantic things. he loves you, and he wants you to know that.

#crysts.corner #trailblazer.cryst #welt yang #hsr welt #welt x reader #hsr welt x reader #welt yang x reader #gepard #gepard landau #hsr gepard #gepard x reader #hsr gepard x reader #hsr x reader #honkai star rail x reader #honkai: star rail #honkai star rail

2K notes · View notes

katyusha454 · 1 month

Text

I think I've found the most tragic ship in BG3 and I need to rant about it

I've seen a decent number of people discuss and write about Dark Justiciar Shadowheart, but they always focus on what she's like post-game when she's fully committed to Shar. Which is a fine thing to focus on! Especially when you're writing smut where she's a mean domme. Post-game DJ Shadowheart is a fascinating character. But I feel like people neglect to consider what she's like during the transition phase of Act 3, where she's become Shar's Chosen but hasn't yet Done The Thing that caps off her personal questline. And there is SO MUCH potential for angst and drama during that time frame.

IMO the most important aspect of this stage of her development is that she is not evil yet. She simply made a single bad decision and now she feels like she's in too deep to do anything but double down on it. She's spent her whole life trying to "fake it 'till you make it" and she's only just now starting to transition out of that and into sincere belief. All the misgivings and insecurities she's shared with you are still there, just buried deeper. That desire to love others and do good hasn't yet been completely stamped out. In my Dark Justiciar Origin run, I try to do good things whenever possible as long as I can find a way to rationalize it as benefiting Shar. (but I still ended up saying enough evil-sounding things to make Minthara incredibly horny for me)

So where does Karlach fit in?

Well, turns out when you play as Origin Shadowheart, Shar doesn't make you break up with your partner. In fact, Shar says absolutely nothing to you about your romantic situation. This is really weird if you're romancing anyone other than Karlach, but I think it makes perfect sense for Shar to tolerate a relationship with Karlach for the time being. It's the ideal opportunity for Shar to prove a point. Karlach is dying, and no matter what Shadowheart does, this relationship is going to end in painful loss. Shar wants Shadowheart to fall in love with Karlach only to have that love abruptly ripped away from her. It perfectly demonstrates everything Shar believes about love: that it's fleeting and will always hurt you in the long run. Better to just avoid it entirely so you don't get hurt.

And Shadowheart knows all this. She's studied Sharran scripture extensively, after all. She knows that Shar is trying to teach her a lesson, she knows that the longer the relationship lasts and the more emotionally intimate it gets, the more the end is going to hurt. So why doesn't she break it off? Partly it's because she loves Karlach and doesn't want to end things; she's probably in denial at least a little bit. But I think it's also partly because she's a bit of a masochist. She thinks she deserves to suffer because she knows, at least subconsciously, that she's still not a very good Sharran. She can see the loss coming and she hopes the experience will bring her closer to Shar.

You'd think Karlach would be unwilling to put up with DJ Shadowheart's fanatical bullshit, but personally I think Karlach would stick it out for a whole mess of reasons. Number one, she can still see the good in Shadowheart and she refuses to give up on her partner. She's clinging tightly to the hope that Shadowheart can still be redeemed, even though she probably understands that it's a long shot at best.

Number two, she blames herself. When you play as Tav/Durge or another Origin, Shadowheart will have a conversation with you before deciding what to do in the Shadowfell. But if you play as Shadowheart, none of your companions says a word to you. In the context of this ship, I choose to interpret that as Karlach being too trusting. She's seen the good in Shadowheart, after all. She's so certain Shadowheart will do the right thing that she doesn't think she needs to speak up. It's not until too late that she realizes what Shadowheart needed was for someone to say "hey, are you sure about this?" So now she feels she needs to make up for that failure somehow by continuing to try and nudge Shadowheart in the right direction even though it seems impossible.

And number three, Karlach's just plain lonely. As fucked-up as this relationship is, she's still getting companionship and intimacy, and she doesn't think she has time to cultivate a new relationship if she breaks up with Shadowheart. She wants someone to be with her and hold her hand at the end, even if that someone is a brainwashed cultist.

In sum, both of them know that their relationship is extremely unhealthy; that it's hurting them now and will hurt them more in the future. But they both refuse to end it for their own reasons. And good gods, the ANGST. ARE YOU FEELING IT NOW, MISTER KRABS?

#baldur's gate 3 #baldur's gate iii #bg3 #shadowheart #karlach #shadowlach #dark justiciar shadowheart

234 notes · View notes

lord-squiggletits · 2 months

Text

I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.

I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.

The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...

Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.

I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.

And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?

It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.

To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.

In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.

Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.

So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.

What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.

Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?

#squiggposting #pharma apologism #i'm sure the doylist reason for the writing is just that pharma was a designated villain #so since he's a villain and 'crazy' it's fine for everyone even the good guys to treat him like complete trash #i just think from a watsonian perspective taking a sympathetic approach is way more interesting and logically consistent #what i mean is like. from a meta perspective one of the best ways to show that a character is super evil and not worth saving #is when even the good guy heroes. the ones who are supposed to be kind and compassionate and wise. see him as dirt #and this is also kind of a necessity in most plots bc TF is the kind of series that just needs action villains and long-term antagonists #so not every villain is written or has a plot to be made redeemable. and pharma is one of these bc he's not important or a legacy character #so from a doylist (meta) perspective you could read the autobots' disregard of pharma as a sign of #'this guy is not meant to have your sympathy as a reader. pay no attention to him'#but from a watsonian (in universe) perspective it paints a miserable picture of pharma being utterly forsaken by the ppl he served alongsid #and like yeah i'm super autistic about pharma so of course i view him with sympathy but like #the idea of being a loyal and good person for years only to be subjected to a Torment Nexus of #being blackmailed into breaking all of the oaths you held sacred. under threat of you and all your comrades dying horrible torturous deaths #then when your comrades find out about it they focus solely on the 'harvesting organs' and not on the 'blackmail' part #and then you get literally left for dead by your comrades and best friend hating your guts #and then you get rescued by a guy who uses you as a test subject for his evil machine #this is a fucking nightmare scenario like pharma could hardly be suffering more if the author TRIED to make him suffer #and for me it's like. the evil pharma did can't be decontextualized to what drove him to that. as well as the question of like #how easily ppl can write someone off as evil and turn a blind eye to (or even find satisfaction in) their suffering bc theyre evil #and either brought it on themselves or it's just karma paying a visit #like. i feel like if pharma WERE a shitty doctor and a terrible person his whole life then the delphi situation would feel like karma #but the way it's written and the lore retroactively put in makes it feel more pharma getting thrown in a torture carousel #and THEN becoming evil. but then being treated as if he was always evil or was some sort of bad apple #bc like i'm not opposed to LOLing when a villain gets a karmic torture/death related to the wrongs they committed #but in pharma's case it feels less like karma and more like endless torture + being abandoned by ppl who should have been more loyal

284 notes · View notes

jemmo · 4 months

Text

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

#wow look at me writing actual kinda thought out meta #also something something about how the pen being in his pocket wasnt a pen given to him by the author its a pen that was his the whole time #look even if this isnt the right interpretation as intended by the author i just kinda adore this headcanon ive come up with and i cant wai #to rewatch the show again through this lens and see if it holds up #i just adore the idea of this whole thing being this manifestation of a flawed doubtful person trying to navigate through their own messy #nonsensical thoughts to find their own happiness #bc yes thats what triggered me thinking of this whole thing. me seeing that post and thinking yeah that doesnt make sense7 #but then again when you tell yourself things an put your own mental blocks in the way they dont make sense either but you still have to fin #the ways to work around them in order to find happiness #like those things dont go away we just find the loopholes or the ways to overcome them that mean we can be happy #the game is your own mind - deal with your own existential crisis as you wish #anyway this is only part 1 in what i hope will be a very extensive meta analysis of this show - stay tuned #love for love's sake

197 notes · View notes

babyleostuff · 10 months

Note

hi! could u do minghao as ur bf?

sure thing! here is your mingaho request! hope you'll enjoy this one <3

MINGHAO AS YOUR BOYFRIEND

genre | a lot of fluff

author's note | if you want me to write this with any other member that I haven't done yet, let me know <3

𓆩♡𓆪 I believe in cuddly Minghao when he’s tired

𓆩♡𓆪 he is cuddly even when not tired

𓆩♡𓆪 but I just know that he hangs off of you like a koala after a tiring day

𓆩♡𓆪 he has his arms tightly wrapped around you from behind, while he rests his head on top of yours (or your shoulder if you’re taller)

𓆩♡𓆪 and just waddles behind you, not letting you go

𓆩♡𓆪 will coo at you at the most random times if you’re being extra cute to him

𓆩♡𓆪 you’re the definition of the aesthetic couple

𓆩♡𓆪 even if you’re not that into fashion, it’s just an excuse for Minghao to dress you up and complete different outfits for you (with some items from his own wardrobe)

𓆩♡𓆪 not because he thinks your fashion sense is bad, it’s just one of his passions and he genuinely enjoys putting together matching outfits and dressing you up

𓆩♡𓆪 and if you already have a specific type of aesthetic, he will try to look for such pieces of clothing to buy and match with you

𓆩♡𓆪 like Jun, is very glad that he can share his culture with you

𓆩♡𓆪 takes you on multiple trips around China whenever he has free time from schedules

𓆩♡𓆪 even though you were very nervous before meeting his family, he knew that they’d love you endlessly (just like he does)

𓆩♡𓆪 unlike Jun, he is not that good of a Chinese teacher

𓆩♡𓆪 teaches you cuss words and corny pick up lines

𓆩♡𓆪 so, in the end, you have to turn to Jun to get some proper teaching

𓆩♡𓆪 you are his muse and a number one source of inspiration

𓆩♡𓆪 another basic ass cliche, but he loves taking pictures of you and most of the time, you’re not even aware that he is taking them

𓆩♡𓆪 but those caught off guard photos are the best, as he always insists that they capture the “real you”

𓆩♡𓆪 has a whole album of your photos, both on his phone, as well as a physical album

𓆩♡𓆪 because he wants to make sure that one day when you’re older, you can sit down and open a physical album and look back at your youth through those photos

𓆩♡𓆪 loves to take you out on museum dates

𓆩♡𓆪 you stand side by side, holding hands and talk about the art

𓆩♡𓆪 sometimes you make the stupidest and most random interpretation of the art pieces, which make you both laugh out loud

𓆩♡𓆪 besides being the aesthetic couple, you’re also the sassy and judgy duo

𓆩♡𓆪 even if you didn’t consider to be such before meeting Minghao, YOU ARE NOW

𓆩♡𓆪 because what can be better than side eyeing people with your boyfriend

𓆩♡𓆪 like, your basic sunday afternoon consists of drinking tea and spilling the tea (you see what I did there)

𓆩♡𓆪 tries to teach you how to meditate

𓆩♡𓆪 shows you different ceremonies of making tea

𓆩♡𓆪 you even agree to attend some yoga classes

𓆩♡𓆪 (how it turns out is all up to you, personally I HATE meditating cuz I just keep laughing, SORRY HAO)

𓆩♡𓆪 he doesn’t really get jealous, not because he doesn’t care about you, but because he trusts you some damn much

𓆩♡𓆪 if he sees anyone trying to flirt with you, he simply comes up to you, puts his arm around your waist, kisses your shoulder or cheek and sends you a gentle smile

𓆩♡𓆪 he just knows that you’re endgame and no one has the power to change that

𓆩♡𓆪 likes to read with you (or to you) before sleep

𓆩♡𓆪 it helps him to relax and it always makes him feel more connected to you

𓆩♡𓆪 he tries to teach you their dances

𓆩♡𓆪 and if you’re not feeling confident or you think you look silly, he chooses other, easier dances

𓆩♡𓆪 because even if you’re not the best dancer in the world, he’ll make you feel like you are one

your messages <3

480 notes · View notes

mania-sama · 3 months

Text

A Look into Mental Health: Jujutsu Kaisen Analysis

"Being a child is not a sin." (Nanami Kento, Jujutsu Kaisen)

With the release of Chapter 251, I've seen many horrible takes from dudebros saying that Megumi has "sold" the team. This makes me unreasonably angry because of course it does, so obviously my next plan of action is to take all of my hour-long rants about the mental health of JJK characters and put it here, where said dudebros will never see my (correct) analysis in their entire life. Oh well.

One thing Gege is really, really good at is creating believable, undeniably human, and complex characters. Every character has a different set of motivations, beliefs, ideals, and especially mental states. The constant theme of Jujutsu Kiasen has been "Strength vs Weakness". While the clearest interpretation can be seen through the physical attributes of the characters (Gojo being the strongest sorcerer of his time due to his abilities, and Miwa being one of the weakest, again, due to her abilities), it is also directly applied to the mental strength of characters. No two characters are able to withstand the same trauma and come out the exact same, just as no two real people can process the same trauma. Not only is it a result of nature, as people are genetically different and therefore process information differently, but a product of nurture - in other words, character motivation and environment.

This is where we come to the current state of the manga, Chapter 251. The fated Yuuji vs Megumi debate. I keep seeing people wildly misunderstanding these two, and why it's so important that Megumi isn't standing up to fight, why he isn't able to handle his trauma, when Yuuji can.

Gege writes phenomenal characters. And I want to express just how well done they are, making Jujutsu Kaisen actually kind of deserve its popularity, because some people only care about power scaling. I'm going to touch on Megumi last, because understanding all of the other characters' makes his visible struggle that much more impactful.

1. Geto Suguru

I want to start this mental health analysis with Geto. He is the best representation of depression I've ever seen in Shonen. It doesn't take a hundred chapters to showcase a character's downfall. It doesn't take a hundred significant events to cause a character to break down. Gege shows the best, realistic mental breakdown using only a handful of chapters, and still makes it slow and painful.

Depression can start because of a big event, but it doesn't take more for it to worsen. Untreated, depression runs a vicious course that eats a person through slowly but effectively. It isn't one screaming session, hands clutched over the head and cursing God and the world. It's everything piled onto each other. It's coming to the end of that pile and realizing that nothing will ever change.

This is Geto Suguru's story. He has a big event: the fight with Toji and the failure to save Riko. But his mental health journey was fated to decline, even without the fight and failure. The root issue of his depression came from his ability: Cursed Spirit Manipulation. As long as he kept devouring the embodiment of every vile, human emotion, the more he would lose himself to that vileness. He wasn't changing anything; he couldn't help but continue to swim in negativity because that's all he could do.

Gege wasn't making a commentary on Geto's ability. He was talking about people, as they are, and how staying in a bad situation will not always make you stronger. It can, and most likely will, make you worse. A direct comparison to the sixteen-year-old Geto would be a sixteen-year-old at school, surrounded by people who bully and pick on them with harsh words. The kid will eventually consume all of that bullying, all of that negativity, into their being, because there is simply nowhere else to go. School is mandatory; they can't just leave. They eventually feel isolated, with all that vileness piled on. Even if they have friends, those people could never understand what it's like to put up with humiliation and cruelty day after day.

It's not rational to push away a support system, but who said human beings are always rational? People make mistakes. They don't make the right decisions. Geto didn't. He saw someone offer him a chance at change, a possible light at the top of his pile and twisted it to match his overwhelming negativity. He left and swore to destroy the world that made him the way he is, just as that bullied child may turn away from school and society in whatever form that may take.

I want to touch on the physical aspects of Geto's depression, too. I noted this in a previous analysis I did on him (his character is just that amazing, what can I say?), but Gege knew that the mind can't be affected alone. Geto was drawn with deep eyebags, a nod to an inability to sleep or needing to sleep all the time. Depression makes you tired all the time. Everything becomes difficult. He sits with his back hunched, resting his weight on his knees, like sitting upright is too hard. When someone speaks to him, he blinks and takes a second too long to look over or respond, like speaking takes too much energy. To me, it even looked like he was becoming thinner. It's extremely difficult to maintain a schedule of exercise and mealtimes when your mind is fighting an active war against itself.

Again, a beautiful representation of depression. Geto means a lot to me in this aspect.

2. Gojo Satoru

In comparison to Geto, Gojo's horrible mental health is a lot subtler. Depression isn't the correct term, but you don't have to be depressed to be sad. Sadness is his stagnant state; he has moments of bliss, goals to work towards, a reason to keep going, to continue living, to continue chasing the sun over the horizon, but he does return to the same place he is always at when the lights turn off and he's painfully reminded of this one fact: he is isolated.

All of Gojo's problems start and end with isolation. From the moment he was born, everyone knew he was different. He knew he was different. Through glimpses of his childhood and honestly reading between the lines, it's obvious he never played with kids his age. People don't just develop a superiority complex with their only drive to be better than literally everyone else for no other reason than to get better. It comes from somewhere, and in Gojo's case, it's from his young childhood. It seriously messed him up; even now, he can't shake the lesson that "Strength is the only way to success and happiness".

This is what made Geto so important. Geto was somebody who could share the burden of being the strongest. Geto was someone his age who understood him in a way Shoko could not, though they both were able to see Gojo beyond his capabilities as a Jujutsu sorcerer. Gojo then had somebody to base his moral principles on. Because he couldn't connect with anybody else, he had no basis other than strength. Geto taught him why it was important for the strong to protect the weak.

Then everything went wrong. Gojo became isolated again in his strength and lost the only person who could plausibly stand with him. "Are you the strongest because you're Gojo Satoru, or are you Gojo Satoru because you're the strongest?" Gojo was young, then, and fresh-faced into his newfound godhood. He didn't kill Geto in that moment because he wanted to deny the claim that he is nothing without his strength, that he isn't as shallow as he was raised to be.

But he knew better. He grew older, he killed his best friend, and he realized that he was nothing without his strength. He never got over Geto. In order to cope with the guilt of being unable to save him when he left, he adopted a whole kid, thinking that if he wasn't strong enough to save Geto, maybe he could save Megumi. But there it is all over again - he never broke from the cycle of strength defining his worth. Saving Megumi would define his strength, right? It would prove Geto wrong, right? He raised Megumi under the same logic (that the only way to save his sister is to be strong), only ridding the boy of the crushing isolation.

In this way, Gojo isn't mentally weak. He didn't abandon society and everyone who loved him, instead choosing to hone the trauma of his isolated childhood into a weapon and teach the next generation to be better than himself. He isn't depressed, but he isn't happy. You can't be happy if you're alone all of the time. He hoped Megumi could be someone to stand by him, but in the end, he failed to save Megumi. His strength couldn't save him, just as it couldn't save Geto.

He isn't mentally strong. He isn't weak, either. He is horribly, painfully average. He's not weak enough to be saved, but not strong enough to save others. His childhood plagues him, but not to the point where it prevents him from living. He killed Geto but was unable to bury the body. Gojo is everything he never wanted to be.

As it turns out, strength can't buy you happiness. Gojo may have understood that, but he couldn't abandon it, even to the bitter end. Just as a human struggles to shed their conditioning. Not everyone can break the cycle, but we are always trying our best to work with what we've been dealt.

3. Okkotsu Yuuta

I'm putting Yuuta in between Gojo & Geto and Itadori & Megumi because he is, in a way, a bridge between the two. Geto and Gojo have lived their lives; their stories are complete and ended in tragedy. Itadori and Megumi's are not. They are still actively struggling and fighting their physical and mental battles; their stories have yet to be completed.

Yuuta's story isn't technically completed (ignoring everything that happened in the recent chapter with him for the sake of MY mental health), he is still a success story. He is the average protagonist who started from the bottom and ended up at the top. Only he, as Gege has done time and time again, has a slightly stronger focus on mental health than most other Shonen. He is success where Gojo & Geto failed, and the success that Itadori & Megumi are narratively striving for.

At the beginning, Yuuta was depressed and suicidal. He was bullied at school and involuntarily hurting others. Instead of becoming resentful of the world, he pushed all of the vileness inward. His guilt caused him to try to take his life, presumably multiple times, but Rika stopped him before he could succeed. His life was effectively out of his hands; he felt powerless with all of the bodies stacking around him, and he couldn't atone for "his" actions.

His mental health, as it was, was in shambles. Gojo then offered him a way forward. Yuuta's mental health did not improve overnight. It was when he made friends at Jujutsu High, and developed a support system, that he was able to relieve his anxiety and realize that life is not so bad after all. That all of this pain and suffering and loss - it will pass.

The most important thing to acknowledge when it comes to Yuuta is the sheer fact that he was not alone, nor did he allow himself to be alone. Unlike Gojo, who still had Shoko and Nanami after Geto left but refused to connect with them, Yuuta allowed himself to get close to those around him. They didn't know the suffering he'd undergone for so many years. They didn't know what it was like to be him, but that was okay. He knew that they had empathy, that even though they could never experience his life, they could still be there for him now when he falls.

When given the opportunity to surrender, Yuuta stands in the face of one Geto Suguru and swears to protect his friends and fight with Rika. He's so far removed from the boy who tried to kill himself at the beginning of the manga, and that's because he let himself be changed. He did not succumb. He had friends, he knew. People that would miss him if he left, and people whom he would regret leaving.

This stays consistent with his character. He doesn't let himself become isolated in his strength or his experiences. He's much stronger than everyone else in the room, he's a special grade and he knows that, but he still treats everyone like they are equals. Like they are his friends, like they are people who could share this burden of existence with him. This is something that Gojo couldn't accomplish, which lends to the fact that Gojo had a very off-hand teaching method when it came to mentoring Yuuta. Instead of influencing him under this idea of strength conquers all, he let Yuuta develop far away from the ideals of the Japanese Jujutsu Society.

And, in the end, the fact of him being physically strong - a special-grade sorcerer from the get-go - never helped him in his mental health. In fact, it made him miserable until he learned to get a handle on Rika. His winning or losing that fight with Geto wasn't the point of his character, it was reckoning with the fact that he is okay now. That he can embrace the ugly part of him with dignity instead of guilt.

4. Itadori Yuuji

Itadori's entire character is that he has an unbreakable spirit. As the only one who can bear the soul of Sukuna, he started off like Yuuta, only on the opposite end of the mental health spectrum. When we first see him, he's happy, spending his afternoons with the Occult Club and watching movies.

... What happened?

Like Geto, everything piled on very slowly. So slow that I'm not even sure he felt the true effects of everything he experienced up until the fall of Shibuya. It starts with the death of grandfather, whose parting words "Just save as many people as you can" haunt him even now during the final fight with Sukuna. He was never given time to properly grieve his grandfather, just as he never had time to grieve the brother curses, Junpei, Nanami, Nobara, Gojo, Higurama. At the end of it all, when the fighting is over, I have to wonder what will become of the boy that realizes he's lost most of the people he loved.

The one time he did try to process it, when he realized that he couldn't control Sukuna, was when he broke down in Shibuya. Sukuna leveled an entire city. For the boy who never wanted to kill another human being for fear of devaluing life, the weight of his weakness killing thousands was crushing. Then Nanami died. Nobara died (still hanging onto that unknown status but I digress). Both are right in front of him, and powerless to prevent Mahito from disintegrating their bodies. So, obviously, Itadori broke down. The boy with the unshakeable spirit, the only person who could contain the King of Curses, has his psyche completely shattered.

He laid on the ground, and he wouldn't have gotten back up if there wasn't somebody to help him, to be there with him. Todo pulled him back together, stitched back up the broken into somebody who has allies and people to fight for. Itadori has the success that Yuuta had, only Itadori did not come out of it with better mental health.

After the breakdown, his unshakeable spirit was nothing more than the will to keep fighting. He cares little for himself, and he tries to distance himself from people to prevent them from dying from his cursed hands. He is jumping, quickly, down the same rabbit hole that Geto fell down. One big event, and they realize just how tall the pile already is, and that it will never stop growing. Unlike Geto, however, he continues to get overbearing support from those around him. Against his will. He can't push them away, for they refuse to leave his side. Yuuta, Choso, Megumi, even Higurama. They won't let him fall. This makes him better off than someone alone, in a sense. He can withstand his trauma when others may not.

Even so, even so, there is only so much support, the lack of self-isolation, can do when the traumas keep actively repeating. When he says that he will gladly die to defeat Sukuna, it is not said with the same tone that another Shonen protagonist would say it. Take Naruto for example. If he were to go into a battle to protect, say, Sasuke, he would scream, "I'll die to protect him." We understand that his willpower is stronger than his self-preservation, but we don't get the idea that he actively wants to die. He'll die if he has to. Now, Itadori says the same thing, but about saving Megumi. He says, "I'll gladly die." There is something different. His willpower is leaps and bounds stronger than his self-preservation, but that's not only it. There is an undercurrent of severe suicidal ideation prevalent in Itadori's tone. It's not that he will die to win, it's that a part of him wants for this to be his final fight. For it all to be over. To save Megumi, then atone for the sin of being too weak to save Shibuya, or being unable to stop the Culling Games, or letting Megumi get hurt when all he wanted was to keep him safe.

I'd call it more along the lines of passive suicidal ideation. He doesn't plan to kill himself, but what would it mean for him to go into dangerous situations without protection? What would it mean for him to succumb to his wounds after he wakes Megumi's soul and kills Sukuna? To not even try to seek medical attention? He's guilty. He believes everything that happened in Shibuya and after is his fault. When faced with the executioner's sword, he was ready to die for his sins, if not for the goal of ending the Games. There is a fine line between willing to die for those you love versus wanting to die for those you love.

Right now, Itadori is fighting to save one person, like his grandfather said. He is not fighting to survive. And that's what people fail to understand about Itadori when they compare him to the other members of the cast. These power-scaling dudebros don't understand that their favorite OP main character has fallen apart at the seams, that his unshakeable spirit to save people doesn't include himself.

5. Fushiguro Megumi

Here we finally come to the question: Why can Itadori take it when Megumi can't? There is a very similar quote that you probably think of whenever you hear this question asked. It's from The Outsiders: "Dally is tougher than I am. Why can I take it when Dally can't?" The answer to this question that Ponyboy gives is the same we can attribute to Megumi. "And then I knew. Johnny was the only thing Dally loved. And now Johnny was gone."

The entire reason Megumi became a Jujutsu sorcerer was to protect his sister. When he was five years old and probably too young to understand most of the words Gojo said, he accepted the offer of training to become a sorcerer in exchange for Tsumiki's happiness. Every day, he fought to protect her. He only had one goal in entering the Culling Games: to prevent Tsumiki from having to participate.

It's easy to attribute Megumi's constant attempts at summoning Mahoraga to a lack of will to live - suicidal ideation, the same that Itadori now experiences. On one hand, I do understand that he has a fundamental lack of care for his own life, but on the other, I don't think that he intends to throw it all away every single time. He just didn't know any better. Ignorance can lead to death as easily as intentionally seeking it out. That's why he changes his habit after Gojo gives him a lesson in risking death versus dying to win; Megumi still has someone to live for, after all.

Megumi's mental health was already rocky from the start. Not that it was in shambles like Yuuta, but he wasn't fully stable. Like a lot of teenagers, he's moody, somewhat reclusive, and only really likes one or two people maximum. Teenagers aren't known for their sunshine mental health anyway.

Megumi was given time to grieve Itadori after he first died. This trauma of losing him in front of his eyes stuck with him, but he was allowed a grace period of two months to grieve with Nobara. He experienced Shibuya, too, but he still had that one important person to protect. His mental health was alright at this point, all things considered. As long as his sister was alive, he would be fine.

Sukuna knew this. So Sukuna killed Tsumiki using only the Ten Shadows Teqchnique. The one person Megumi spent his whole life dedicated to, was killed by his own cursed technique, his own failure to suppress Sukuna.

In the void of his soul, Megumi was alone. Truly, utterly alone. The only person nearby was Sukuna, the murderer of his sister, the murderer of thousands upon thousands of people. He drowned in the ceremonial bath of crushed curses to hold his soul down in the depths of despair, literally drenched in all of the vileness the world has to offer. Sukuna killed Gojo using Mahoraga's adaption ability, and before that, Megumi was forced to take several of Gojo's mind-altering domain expansions.

Already, he had given up. He gave up when his sister died, but the rest ground a pointed spur into his neck. When Itadori shakes his soul, Megumi is repeating, "That's enough." He was at the end of his rope a long time ago. What more is there to keep living for? He doesn't want to live with the blood of his sister, the blood of the man who practically raised him, and the blood of countless others drenching his hands.

Sukuna killed all of these people, not Megumi. But then, Sukuna killed of those people in Shibuya, not Itadori. Why can Itadori take it? Why can he keep fighting when Megumi lays broken on the ground? Itadori wasn't alone. And Megumi has never been known for his unshakeable spirit. That is the one thing that Itadori can hold over everybody else, the one trait that everyone admires. He was born to shoulder the burden of the world. Megumi wasn't. Megumi wants to die. He is not passively suicidal, for he has no goals left to complete, a plan to die within the body no longer inhabited alone. He is suicidal. He would drive a stake through his heart if it meant relieving his pain. He doesn't want to do it anymore. He's had enough.

And Itadori was in this position once, too? Perhaps not as directly, but he was there. Here is the moment that the protagonist gives the motivating speech to will someone to keep fighting, that life is worth living. I realized today that this is not something Itadori has done yet. He hasn't had a grand speech that's not been about his own willpower. He's never encouraged someone else to keep living in the way that you would expect from the main character. This is his moment, I suppose. He needs to be the person for Megumi that Todo was for him. He has to show Megumi that he isn't alone.

He needs to save Megumi when, all those years ago, Gojo couldn't save Geto.

I don't think some of this fanbase understands how horrible Gege has to be at writing if he just. Let Megumi get up to fight in Chapter 251. All this time, he has shown how Megumi has been defeated. He showed him crumbled on the ground, unmoving. It shouldn't be a surprise that all of the measures Sukuna took to ensnare Megumi's soul worked. Megumi is suicidal after the people he loves have all died because of his technique. God forbid a sixteen-year-old is unable to cope with his trauma alone.

Honorable Mentions:

There are a lot more characters in this story that represent/show mental illness that I didn't go into depth on but are worth mentioning. It was easier to only talk about the major characters since we spend so much time with them and I can fully flesh out everything that should/can be said about them. Anyway, here are a few more that are notably well-written in their mental struggles:

Yoshino Junpei. His story arc follows very similarly to Geto, except he is the bullied student I was making a reference to. Depressed, alone with a mother whose habits he can't stand, he turned to someone he thought could provide him a better life. Interestingly, he is a good representation of the type of children that tend to be groomed. That's surely what happened to him. Mahito used him, then discarded him for his own gains.

Ieiri Shoko. Her main struggle can be seen through her smoking habits. She's been through a lot, lost so many people, and has to keep healing sorcerers only for them to die. Eventually, she was able to come to terms with this. She kicked her smoking habit at the same time she kicked the vicious mental cycle of caring too much about the patient on her table. It's no wonder she picked up a cigarette, for the first time in a while, when Geto led the phantom parade.

Zenin Maki. She works as a very good contrast to Megumi. They both lost their sisters, the people they loved the most, but she turned all of her grief to killing the Zenin clan and gaining Heavenly Restriction. But this, this is because she could do so. There is simply nothing Megumi can do as a soul trapped in his own body. Her grief made her stronger, while for most, it made them weaker.

Inumaki Toge. He isn't seen a lot, but his story is ultimately quite compelling. A boy who hurt many when he was young. He turned his guilt into kindness, a will to protect. He tends a garden to raise plants healthily, for God's sake. He's one of the examples that shows Yuuta that your past actions don't define you, but instead, what you choose to do going forward.

I am not proofreading any of this before I post it. Sorry if it is borderline unreadable with spelling / grammatical errors.

160 notes · View notes

cosmicisms · 9 months

Text

alhaitham being whipped for his lover

sfw

gn!reader

a/n: love you alhaitham but you’ve been temporarily benched for a twink magician. sorry! also idk what the format of this post is like, i just threw words together without much thought.

alhaitham who had no want or need for romance before meeting you.

panics upon getting to know you more because he can sense something is wrong.

he’s very in tune with his own emotions and thoughts, so right off the bat, he knows that you’re making him feel some type of way.

poor guy, you’ve made him doubt everything he ever knew about himself.

you’d never realise it, though.

even when you greeted him with your happy smile, placing the hot coffee on his desk, he simply nods and politely thanks you.

oh god, but if you could peek into his mind. panic.

he’d usher you out of his office, claiming that you’re distracting him from the files he must attend to, even though you’re pretty sure he’s asked you out to lunch many a time during his work hours. hm…

after a while he caves, tired of denying his own feelings.

as mentioned earlier, he’s very in tune with his own thoughts. he’s not going to hide from them forever.

having approached you with his confession laid out neatly in his mind, alhaitham is rendered speechless as he’s met with that same feeling of desire he always felt around you.

except now it was more intense, blooming within him and causing him to belt out his confession in a rather strange way.

you could’ve sworn he was lecturing you, judging by the way he spoke.

after you processed his words, you accepted and returned his confession with that same sweet smile he adored.

and here you two are now. a happy couple. all according to alhaitham’s strategic plan that he definitely did not spend hours upon hours perfecting and agonising over.

now, having alhaitham as your boyfriend comes with a lot of things.

first of all, his love languages are quality time and acts of service.

even you being in the room with him while he works is enough for him. bonus points if you sit on his lap while he reads.

speaking of work, do you need help with yours? alhaitham’s a scholar, well versed in many fields. have a report you’re dreading to write up? alhaitham will try his best to help, lending you resources and giving you pointers along the way.

also he’s a touchy guy. not in the sense that he’s emotional, i mean he’s a cuddlebug.

loves to touch you in any sort of way. interpret that however you like, but i’m talking about linked pinkies while walking through sumeru city, fingers gently caring through your hair while he reads, and throwing his leg over you while you both sleep.

“i’m clingy? not at all, i simply want to keep you in my sights lest you get into any trouble. what’s that? i’m in denial? hm… then i will refrain from touching you. no, no, you’ve lost your chances now, darling.”

pet names are another thing. he doesn’t really use em. maybe the occasional “darling” or “dear” now and then, but most of the time, he’ll address you by your name.

but the way he does it still has you blushing all the same.

he likes seeing you wearing his clothes. at first, he was confused, however.

“i don’t understand. you have your own clothes that are perfectly suitable, and yet you wear mine anyways? …alright, then.”

yep, he secretly loves it. will melt upon seeing you wrapped up in his cape, his cheeks tainted with pink.

not the biggest sappy romantic, if i’m being honest. how would’ve thought, right?

he’ll cook something for you both and have a nice dinner in the privacy of his home (having kicked kaveh out for the night).

doesn’t enjoy dates out and about, but will gladly take you to the quieter spots of the city. maybe the library for a nice reading date, the two of you cuddled together in a corner with a book each.

…though, his attention is definitely focused on you, rather than the text in his hand.

will literally do anything for you. yeah, he might tease you a little for it, but he won’t hesitate.

alhaitham’s always been sure of himself. whether people thought he was arrogant or just that self-confident, he didn’t really care either way.

but for you? oh, for you…

he loves you. he could never deny that.

“you are the only one who could ever make me feel this way. i love you, y/n. let’s stay together for a long time. dare i say forever?”

#✩°｡⋆⸜ ✮ genshin #alhaitham #alhaitham x reader #alhaitham x gn reader #alhaitham x you #genshin impact #genshin impact x reader #genshin scenarios #alhaitham headcanons #alhaitham genshin impact

276 notes · View notes

antianakin · 22 days

Text

@theneutralmime

I think canon, Lucas's canon at least, DOES portray him as wrong. I think MOST canon stories DO understand that Anakin is intended to be in the wrong, that Anakin becomes a villain and that's the whole point of his story. Even TCW, for all that they work to make Anakin more charming, plays the damn Imperial March every second they can and focused in a LOT more on his anger and violence than anything else. The only place within "canon" that arguably forgot Anakin was intended to be in the wrong was the Ahsoka show which went the route of "he was always meant to make the selfish choice because the wheel of darkness and light just keeps going no matter what" or something along those lines.

Where I find the refusal to recognize Anakin as in the wrong is actually in FANON more than canon. It's not that canon doesn't represent him as in the wrong and so fans aren't writing fics with that in mind because the source material just didn't portray him correctly. Fans are coming up with their own interpretations because of how they feel about Anakin as a character. They sympathize with Anakin, they're rooting for Anakin, they relate to Anakin, and they maybe do those things less for characters like the Jedi, so they write Anakin as a sad victim and the Jedi as oppressors because this happens to be how they relate to the story. That's not canon's fault, though.

I think that it's very EASY to relate to Anakin, perhaps more than it is to relate to the Jedi sometimes, and people often tend to reject things that they don't understand or relate to. It's easy to get caught up in Anakin's traumas and flaws and go "well his mom died, it's not his fault" or "he just wants to save his wife, it's not his fault" and miss that there's an extra step you're intended to take of "it's ok to be scared, but it's not ok to hurt other people because of it and if you do, then no matter how sympathetic the motivation is, it's still your fault." It's HARD to recognize that. It's HARD to do the work of seeing where you yourself have gone wrong and hurt others, it's hard to peel back the onion of what you're feeling and figure out where it's all coming from and accept responsibility for your own choices. It's hard. That's the point, too. It's always harder to put in that work than it is to simply let your fears consume you and push you into lashing out at others.

Canon sent that message just fine. It's not even that unique of a message, especially these days. Sympathetic villains are EVERYWHERE and those stories send the exact same message about how a relatable motivation doesn't mean you don't have to take responsibility for the pain you cause. It's just often easier to find excuses for the villains when you relate to them and easier to pin the blame on whoever opposes them, especially when those people might be less relatable to you.

#star wars #anakin skywalker #jedi #pro jedi #anakin critical #anakin skywalker critical

90 notes · View notes

justanotherfanartist · 2 months

Text

taps mic. ahem.

help a student write a dumb rvb research paper? pretty please?? for funsies???

This is exactly what it sounds like.

My current final of the year for my language composition class is a massive synthesis + argumentative research paper on any topic of our choosing, and Roosterteeth + RVB has too much messy junk going on that I’m knee-deep invested in mentally at this point to pass up the opportunity to write about it.

And yknow, I see a ton of media analysis posts coming out of the fandom all the time and I’ve always loved seeing it and reading into it and sharing ideas and whatnot and this feels like my way of doing that too.

Essentially what I’m reaching out for is for you guys to help me crowdsource resources and share your ideas with me to include in my term paper*.

things that would be wizard cool of you to send me are:

any interviews or behind the scenes with the cast and creators you happen to know of

your own analysis or hot takes of the characters or the show as a whole

what the show has meant to you

any clips of old Roosterteeth expos

for the older fans, a rough idea of what the release timeline looked like for the episodes and what the buildup and fan reaction was for each one

any commentary or hot takes on how the fandom has changed since you joined/that you know of

what Roosterteeth did wrong (writing wise and irl)

what Roosterteeth did right (writing wise and irl)

tropes within the show you noticed whether originated by the show or not

tropes within the fandom, things like similar portrayals or bad/good takes on characters or face canons that span artists

literally anything you can give me, media, commentary, or opinion wise

(not to say I can’t find things on my own, I already have, but this is also about varying opinions and the general outlook of the fandom as a whole and measuring the broader impact of a show like RvB and it would be incredibly cool of you to help me out even with just crumbs of character opinions)

The idea is to get evidence together from clips, personal anecdotes, and opinions so I can present an accurate read on the fandom, especially when it comes to fan interpretation of RVB vs Roosterteeth’s intentions for the show (and behavior as a company) and explore what the show was supposed to be, what it literally is, how people see it, what its impact has been, and a general overview of the it’s legacy and lifespan, that sort of thing.

My thesis is most likely going to end up something in the ballpark of “How Roosterteeth exemplifies the Franchisation of Indie Media” or “Why RvB is one of the most complicated/misunderstood/divisive shows in modern media” or “How Fandoms interpret and recontextualize media”

I’m going to guess that I likely won’t be able to post the finished paper up online without a solid buffer window to avoid the two mortifying scenarios that are (a) being accused of creative plagiarism and (b) having to tell my instructor that the tumblr account with a 100% match to my course final is, in fact, my tumblr account, are two things I desperately want to avoid.

However if I can, simply for the sake of contributing to the fandom and creating something for us to all contribute to and discuss and crediting various peoples’ help and input would be ideal and, if at all possible, that would be the end goal.

so yeah. if you’re up for it I’d love for you to dm me your thoughts or (more conveniently for the both of us) fill out this Google form down here!

*im not gonna, like, repost your detailed character analysis as my own or something. I’m just trying to find some good quotes, general opinions, and ideas from the fandom so that I can accurately represent them and do our little corner of the internet Justice. And also because the audience of a work is a massive factor in media analysis lmfao. and also to create a community sourced Fun Thing™️ we can all look at and bite the corners off of instead of watching Roosterteeth crash and burn in the backgroun

#rvb #red vs blue #roosterteeth #research #me and my dumb little projects #rvb paper

83 notes · View notes

ponett · 10 months

Note

with the fallout of bandai namco's idiotic "it's up to interpretation" bs, do you think that it's possible to enjoy queer media made in a corporate environment in addition to independent works? is it even worthwhile to attempt making queer media in a corporate environment? i find it special how well the g-witch production team managed to tell the story they wanted even with the challenges and pressures they faced, but i have to admit that independent works like slarpg are always going to more completely tell queer stories. as someone who has resonated with both slarpg and g-witch, i was curious to know your perspective.

i'm probably less cynical about this than a lot of my peers are - not that i can blame anyone for feeling cynical about queer rep from corporate-owned media. (we've been through so many First Ever Gay Disney Characters at this point, and lord knows blizzard loves to tease that another overwatch character might be gay every year or so as a PR move.) unfortunately it's just extremely hard to get something like a full season of an animated series funded and produced independently, so the artists looking to enter these fields and pour their hearts and souls into meaningful queer stories as a full-time job don't have many options

going indie gives you theoretically endless creative freedom to tell your stories without corporate censorship, but it's also a massive gamble. only an extreme minority of indie creatives in any medium are actually able to make a living. the fact that i came out the other side of slarpg's development with enough money that i can keep being a full-time indie instead of being in massive debt makes me one of the lucky ones. and even with my modest success, i sure as hell don't have the money to hire a whole team, which limits the scope of what i can make. so i can't turn my nose up at the queer people writing disney channel cartoons where they can't say the word "gay" out loud. they have health insurance, i don't. for most people, what i do is simply not an option

with the corporate-produced Queer Stories i enjoy, i'm often able to squint and see what the creatives were trying to do, wishing that they could have done more while understanding that they probably had to fight tooth and nail for what's there

in the realm of children's animation in particular, i'm thankful that the people working at these studios ARE fighting for more, because it means that kids today have so many more positive queer stories to relate with. i didn't have a single gay character i felt i could relate to until i read scott pilgrim at age 16 and saw wallace wells. before that, i felt so alone in the world. i denied who i was for years because it felt like there would be no place for me. i didn't know anyone openly gay in real life, growing up in the south, and in fiction gay people either existed as the butt of a joke or not at all. the fact that queer kids are now able to see people like themselves in so many shows means something, even if we still have a long way to go and the big studios continue to be a major obstacle

on the subject of g-witch, i'm honestly unfazed by the statement from bandai-namco. i guess i wish they could've let suletta and miorine kiss, but like... the text of the show is extremely blunt about them being a couple by the end. it's not up for debate. and it's not like a gundam series having a meaningful story in spite of the wishes of the toy-producing overlords is anything new, this is just our latest example

all that being said, i do think people should branch out more and explore more weird indie shit if they want more wholeheartedly, openly queer stories. people gotta suck it up and embrace more outsider art instead of only valuing things with studio-level production values. start looking at ren'py visual novels, rpg maker games, obscure webcomics, zines drawn in sharpie, artists on bandcamp who aren't signed to a label, all that jazz. maybe part of the reason why i'm not more fazed by the state of affairs with corporate-funded fiction is that i'm constantly surrounded by furry artists who are telling their own little gay stories

#tamamayfox #ask

282 notes · View notes

lu-is-not-ok · 11 months

Text

Lu's Guide to Sin Analysis

Welp, since my brain is too focused on having K Corp Hong Lu go full unga bunga in Mirror Dungeons to write full analyses, I decided I might as well give something else to all the people starving for Limbus Theory content.

So, here we are. A basic guide on how I approach the Sin Analysis portion of my analyses, covering my personal interpretations for each Sin, as well as how to use those when analysing both E.G.Os and Identities.

That way, ya'll can dabble in doing some of this on your own when I'm too busy grinding my way to 400 hours of play time on Limbus to write up full analyses.

Sounds good? Awesome. Under the cut we go, wheeeee!

Sin Interpretations

Let's start with the most important part - the Sins themselves.

I want you to take a moment and think about your own associations with those Sins. Perhaps your immediate thought is to take the words used literally. Maybe you immediately think back to the Biblical ideas of the Seven Deadly Sins. Mayhaps there's some other media you know that also uses Sins in some way, which you subconsciously default to when thinking about them.

Whatever those associations are, I want you to throw them away.

That's right. Whatever is telling you that Lust = Horny, Wrath = Angry, Envy = Jealous, etc, etc? Throw all of those preconcieved notions away.

This is the biggest mistake I see people make when trying to analyse Identities and E.G.O based on their Sins - they assume that those Sins have the same meanings in the context of Limbus as the popular, more common interpretations of them.

And while, sure, some of them can definitely overlap with what one would expect them to be, I think relying on those during analysis instead of trying to understand what the game itself is trying to tell us by using those Sins as symbols is doing its storytelling a massive disservice.

Do I think my personal interpretations of the Sins are a 100% accurate reading? No, of course not. I can't see into the mind of Kim Ji-Hoon or whoever else at Project Moon might have been the mastermind behind deciding what Sins connect to what. I have no way of knowing what exactly they intended here.

However, I do wish to believe that my interpretations not only strive to meet the game's storytelling on its own terms, but also hopefully make further analysis based on those interpretations a bit easier to wrap one's head around.

...God I really need to stop writing massive preambles and just get to the fucking point.

So let's actually get to The Fucking Point. Sin Interpretations, one by one. Let's fucking do it.

Wrath

The flames of revolution burn bright in the face of cold winds.

Wrath is the Sin of self-righteousness and defiance. To act with Wrath is to decide that one deserves better, that things around then should bend to their will, and then take matters into their own hands. It's the Sin of deciding one has the right to change something simply because they don't like the current state of things.

There are many ways one can act because of Wrath. It can show through trying to rebel against authority, to subvert one's fate, to escape one's unfavorable circumstances, or to even reject one's own true nature. To act with Wrath is to stand up for oneself and tell reality "No, I refuse!" loud and clear.

A common misconception of Wrath is the idea that anger is an inherent part of it. While it's true that those feelings often coincide with defiance, they're not required for one's acts to be fueled by Wrath. Some can be Wrathful while being completely calm and collected, as their acts of defiance could be more on the quiet and simmering side.

Likewise, being quick to anger isn't always a sign of Wrath. It's very possible for someone to have a short temper, while also being fully accepting of the reality they live in (Ryoshu, I am looking directly at you), thus lacking Wrath.

Lust

One's base insticts go all the way back to that genetic code.

Lust is the Sin of self-indulgence. It's the Sin of letting one's own desires and whims dictate one's actions. It's also the Sin of seeking personal fulfillment above all else. To act with Lust is to give up one's self-control and let one's instincts and wants guide them.

Unlike what the name and symbol might initially imply, Lust can include many different types of desires, not just the carnal.

Likewise, acts of Lust can be just as varied as one's desires. Satisfying one's most basic of needs, searching for a form of spiritual enlightenment, or even just saying the first thing that comes to mind because one feels like it are just a few examples.

Sloth

A stone will not care for what happens to it, nor the world around it.

Sloth is the Sin of apathy and resignation. Unlike other Sins, which mostly show through one's direct actions, Sloth can also show through inaction.

To act with Sloth is to ignore reality, to let oneself go along with whatever is happening with barely any complaints. As such, Sloth is commonly associated with blind obedience or unwillingness to act out.

Due to its nature as a Sin of resignation, Sloth can be seen as the direct opposite of Wrath, the Sin of defiance. This creates a unique situation where the inclusion of one can drastically shift the context of the other if both are a part of the same Identity or E.G.O.

Gluttony

Plants never stop waging wars, always wanting just a little bit more.

Gluttony is the Sin of hunger, and it's unique from the other Sins in that it equally represents two different ideas of that hunger, which can appear together just as often as they can be completely seperated.

The first type of Gluttony is one of the starving hunger of survival. In this context, to act with Gluttony is to do anything for the sake of scraping by and living to see another day.

The second type of Gluttony is the hunger for more, or in other words: greed. In this context, to act with Gluttony is to do everything for the sake of this idea of "more". To gain more wealth, to find more recognition, to make more progress.

Both of these types of Gluttony are unified in one main point - they are, by definition, endless. The struggle for survival never ends, unless one fails to survive. Likewise, there is no finite "more" that greed is reaching towards, it's a neverending process of one-upmanship.

Gloom

When a wave of emotion rises, many will be swept away in its wake.

Gloom is the Sin of dwelling on feelings. To act with Gloom is to be guided by one's negative emotions, to buckle under stress and let it control one's mind and actions.

While sadness, grief, and depression are the states of mind most commonly associated with Gloom, and are often a part of it, they're not inherent to it. The only "requirement" here is the experience of severe emotional duress, and acting out in direct response to it.

In a way, Gloom is the Sin of losing control over oneself, not dissimilar to Lust. However, the main difference here is the cause of losing that control. Gloom is the loss of self-control due to being overwhelmed by negative experiences, while Lust is the loss of self-control due to seeking out positive experiences.

Pride

Be careful, for that double-edged sword may cut you as well.

Pride is the Sin of ignoring consequences. Acts of Pride are all actions taken because of the belief that their benefits outweigh the cost in some way. While the most common way this can present is through actions that benefit oneself at the cost of others, it's not the only way Pride can manifest.

One can be Prideful when believing the benefit to many outweighs the consequences. Likewise, refusing to acknowledge the harm one brings to themself because their actions benefit them in some other way also counts as Pride.

The idea that Pride is inherently tied to selfishness or self-confidence is another common misconception. In fact, Prideful acts can manifest just as often from a lack of self-confidence or a misguided selflessness. Rather, one could interpret Pride as a form of willful ignorance, in a way.

Envy

Thorns don't go out of their way to harm, they merely react to your touch.

Envy is the Sin of reaction and retribution. It's the idea of doing something because of what someone else has done. By definition, one cannot act with Envy without some form of provocation.

Like is the case with many other Sins, acts of Envy can take many forms, from taking revenge to following orders. The main connecting idea here is letting oneself be influenced by another person, whether it's being coerced, provoked, ordered, or otherwise manipulated.

Out of all of the Sin misconceptions, seeing Envy as inherently tied to jealousy might be the worst one of all. While acts done out of jealousy would likely count as acts of Envy, they are but a miniscule part of the sheer scope that Envy represents.

...

Alright, so you know what each of those Sins means. Now it's time to figure out how to Actually Apply Them.

Sin Affinities in the context of Identities

The main way Sins play a role in a given Sinner's Identity is through their Sin Affinities. Mechanically, these are the Sins attributed to each of their skills, signifying both their type of Sin damage and what Sin resource they generate upon being used.

However, this is Project Moon we're talking about, and these fuckers can't keep their gameplay mechanics seperate from the story to save their lives.

So, this begs the question: what can we learn about a Sinner's given Identity through their Sin Affinities?

Here is the method that I believe works best in my experience:

The Sin affinities of each of an Identity's skills represent a different layer of their psyche and motivations. I'm going to try to show what I mean by using base Identities of the four Sinners who already had their own Canto.

Skill 1's Sin Affinity is the surface level motivation of the Sinner's actions. This is the most obvious and "shallow" reading of them and their actions, and also likely the one the Sinners themselves are most aware of.

Gregor's Skill 1 is Gloom due to him being constatly haunted by his trauma, with much of his cynicism and dark-ish sense of humor being shaped by his war experiences. Rodya's Skill 1 is Gluttony due to her tendency to value material goods and love for food, which are signs of her greed and will to survive respectively. Sinclair's Skill 1 is Pride due to him taking many actions (such as sharing his father's secrets or giving Kromer his basement key) for their immediate benefits, without considering the consequences. Yi Sang's Skill 1 is Gloom due to him falling into deep depression and letting the trauma of the past shape his current actions.

Skill 2's Sin Affinity is a deeper motivation of the Sinner's actions. It's delving deeper into their psyche to see what guides them in less obvious ways. This Sin Affinity can also have noticeably closer ties to the Sinner's background in one way or another.

Gregor's Skill 2 is Gluttony due to him being driven by the will to survive, most notably expressed by him leaving the rest of the veterans to escape the war and try to live after it ended. Rodya's Skill 2 is Pride due to her fully believing in what she does working out in her favor, completely ignoring consequences on the way. Her killing the pawnbroker is the biggest example of an act of Pride, as she fully believed that it would help her neighbourhood despite the consequences that murder would bring. Sinclair's Skill 2 is Wrath due to him not accepting his circumstances. His want to defy his future prosthetics procedure is what eventually led him to agreeing with Kromer, and his will to defy her is what drove him through the events of his chapter. Yi Sang's Skill 2 is Envy due to his passive nature and how easily he lets other people dictate his actions. It's especially notable in how after the League fell apart, he would have been willing to do anything Gubo told him at that moment.

Skill 3's Sin Affinity is what I would like to call a Sinner's Core Sin. It's the true main reason behind their actions, and has a much closer and direct tie into their past than the other Sin Affinities. In a way, this is the deepest layer of their psyche.

Gregor's Skill 3 is Sloth as his resignation to his circumstances is what colors much of his past. He learned that resistance is futile early in life, and it shows. Though he didn't want to fight in the war, he felt like he had no choice but to. All of his life, he simply listened to orders without complaint, unable to see a way to change his situation. Rodya's Skill 3 is Wrath as her self-righteousness and defiance is what drove her actions at the deepest level. She first joined the Yurodiviye because she wanted to bring change the state of her neighbourhood, and likewise left them when she no longer agreed with how they did things. Her murder of the pawnbroker was her biggest act of defiance, of taking matters into her own hands and trying to bring change to her reality at all cost. Sinclair's Skill 3 is Envy as much of his actions were dictated by other people. Social pressure was what led to him first breaching the trust of his family, and Kromer's coercion and manipulation is what then led to his family's death. In a way, you could also interpret Sinclair's arc in Canto III as one big act of Envy, as he finally tries to take revenge on Kromer for what she has done. Yi Sang's Skill 3 is Sloth as his apathy to the reality around him is what led to him ignoring the warnings signs of the League falling apart, and the resignation that followed could have resulted in him helping Gubo and the New League out with their horrible plans had there not been an intervention. It's only by the end of Canto IV that he finally manages to break out of this state for long enough to stand up for himself and decide to keep on living.

So, that's the basics of Sin Affinities when it comes to Identities! Now, some of you might be asking, "Hey Lu, what about Sin resources needed for Passives?", and my answer to that is...

Honestly, I don't entirely know! I do think there probably is some reason beyond pure gameplay mechanics... Buuuuut I don't think their importance is as major as the main Sin Affinities of a given Identity, especially since there isn't a single Passive that is activated by a Sin that the given Identity doesn't have any Affinity to.

Sin Affinities in the context of E.G.Os

Alright, so, when it comes to E.G.O, we run into some additional complexities. Unlike Identities, which can usually have their Sins Analysed with minimal additional context, E.G.O Sin Analysis has to be done under a specific angle.

This is because while Identities represent the Sinner as a whole person, E.G.Os represent a specific singular part of that Sinner.

Base E.G.Os usually seem to tie back to a specific event or action or some other thing in that Sinner's past. Likewise, E.G.Os derived from Abnormalities represent the ways that Sinner connects to that Abnormality's own themes.

In a way, the game's worldbuilding even acknowledges the fact that a Sinner can only use the E.G.O of an Abnormality they relate to in some way, as Dante's Notes describe the process of the Sinners using E.G.O as trying to make the Abnormality's emotions and identity their own.

That little tangent aside, there are two main things to analyze sin-wise when it comes to E.G.O - the Sin Affinity, and the Sin Resources necessary to use that E.G.O.

An E.G.O Sin Affinity works similarly to an Identity's Sin Affinities - for a Base E.G.O, it's the main Sin that action manifests as. For an Abno-derived E.G.O, it's the Sin that contextulizes the way the Abno's themes connect to the Sinner in question.

The Sin Resources an E.G.O needs is where things get fun. These are what a Sinner needs to be able to use the E.G.O, both mechanically AND story-wise. The Sins here represent what a Sinner has as their motivation and drive to fully reflect what that E.G.O represents. For Base E.G.Os, it's why they took the actions they did. For Abno E.G.Os, it's why they connect to that Abno's themes and why they're able to relate to it.

Now... There is one more thing about E.G.Os that I don't really talk about.

Sin Resistances.

The reason why I don't talk about them... Is because I have No Fucking Clue how to interpret them. There has to be some importance to them (Hong Lu being weak to Wrath in all of his E.G.O thus far, I am looking at you), I just don't know what it is. In fact, I doubt we even have enough information available to us right now to be able to say for sure.

I don't know how to end these posts dear fucking lord-

So uh. Yeah. That's. Everything that I think is important to mention on the topic of Sin Analysis and how I do it. If I ever change my mind on something or have an epiphany regarding one of the things I currently have no idea about, I'll probably reblog this post with an addendum or something, but until then...

Uh. Yeah. Hope this helps the people who wanna get into analyzing Limbus stuff but don't know where to begin. Or just people who wanna understand the method to my madness a little bit better.

I'm gonna go to sleep now, cause it's 4 AM already and I spent like the whole fucking night writing this post.

#limbus company #limbus company project moon #lcb analysis #lcb canto iv #lcb spoilers #lu speaketh #god help me

385 notes · View notes

misc-obeyme · 8 months

Note

Oh damn if I'm not too late, maybe "I just wanted to make sure you're okay." with Levi?

Hello, anon!

Okay, this one ended up being hurt/comfort. I almost wrote the whole thing without including the dialogue prompt, too. But I realized I hadn't used it yet while I was writing the part where I did end up using it lol. So it was easy enough to fix that.

As always, Levi's anxiety and low self esteem hits close to home for me and that always makes him a liiiittle hard to write for. BUT I feel like I'm getting the hang of it maybe. I had less of an issue with this one than I did with his daily chat scene, anyway.

Thanks for participating!

1,000 Followers Event!

GN!MC x Leviathan with prompt "I just wanted to make sure you're okay."

Warnings: hurt/comfort, the usual Levi anxiety and such, brief appearances and mentions of the other brothers

Everybody knew that you were close with Leviathan. The other brothers never said it, but it was clear from the way they looked at the two of you, always together, always talking animatedly about your shared interests. Everyone noticed the amount of time you spent in Levi's room, watching anime and playing video games. Even Lotan seemed fond of you.

Levi was the only one who didn't quite realize the special bond you had. Not because he didn't notice how often you were with him, but because he simply couldn't believe that you would be interested in someone like him. There must be some other reason why you were always hanging around him. It was probably because video games and anime reminded you of the human world where you had enjoyed such interests before you were brought to the Devildom.

Levi easily explained away the things you did that didn't fit this narrative. He told himself he was imagining things when you smiled brightly any time he entered the room. He convinced himself that he was just the closest person any time you turned to him when you needed something.

Every day, he talked himself out of the idea that you might just like him for himself. Levi just couldn't wrap his head around that at all.

A few of his brothers tried to clue him in, but Levi came up with excuses for everything they said, too. Most of them gave up, but they were all equally annoyed at the way he seemed determined not to see your true feelings.

The truth was that Levi was too scared to confront you about it. It was just so much easier to pretend it wasn't happening. Especially since you hadn't actually told anyone that you felt anything for him beyond the casual friendship he kept believing your relationship was. What if everybody was wrong, like he suspected they were? He couldn't handle your rejection. It was too much to even think about it.

And yet things couldn't continue this way and everything changed one lazy afternoon. Everyone was at the House of Lamentation since it was the weekend. Lucifer was holed up in his office doing paperwork and Beel was no doubt in the kitchen, but everyone else was in the common room, doing various activities.

Even Levi was out of his room, though he was still playing a handheld video game. You were sitting beside him, watching over his shoulder. This was a fairly normal activity for the two of you. You both enjoyed watching the other person play and after a while, Levi would hand the game over to you so he could watch for a bit.

Asmo was sitting at the table bedazzling a new bag he had bought recently and Mammon was on the other side of you, scrolling through his D.D.D.

Across from where you and Levi sat, Satan and Belphie were in discussion about their latest idea for pranking Lucifer.

Satan was holding open a book of spells. "If I'm interpreting this correctly, it will cause the person it hits to state their deepest secret out loud."

"LMAO," Levi said from where he was listening in. "Do you really think a curse like that would work on Lucifer?"

"If we're sneaky enough and he doesn't see it coming, it might," Belphie said.

Levi handed you the video game so you could start playing. "You guys aren't sneaky enough to pull that off."

"We should probably test it," Satan said, still looking at the book. "I wouldn't want to successfully hit Lucifer with a curse only to find out it doesn't work as we thought."

Before anyone could do or say anything else, Satan recited the spell. It hit Levi squarely in the chest.

Levi fell back into the couch with a thud. "Even though everybody thinks MC likes me, I know they only hang out with me because my interests remind them of home!"

The silence that filled the room was broken only by the slap of Levi clapping his hands over his mouth and the cutesy music coming from the handheld device that had gone limp in your hands.

"Well, now we know it works," Belphie said mildly.

You looked at Levi, but he couldn't bring himself to meet your gaze. "Do you really think that?" you asked, the pain evident in your voice.

Levi wasn't sure what to say. If he denied it, you would know he was lying, but if he said yes…

He couldn't look at you and he couldn't say anything and he couldn't move. All he could do was sit there with his hands covering his mouth, his eyes squeezed shut.

Levi heard the sound of you putting the video game down on the table. He could hear you getting up from the sofa, heard the hitch in your breath as though you were trying to hold back your tears. Levi heard when you left the room, closing the door behind you.

"They're gone," Mammon said.

Levi opened his eyes and slowly lowered his hands.

"You're not really going to just let them go like that, are you?" Asmo asked.

Levi glared at him for a moment, then glared at Satan. "Why would you do that?"

Satan blinked. "I had no idea you would say that. I thought for certain you would say something about your favorite anime character. It seemed safe enough."

"Ya better go after 'em, Levi," Mammon said.

Levi considered this. They were right, of course. He couldn't just let you go. He had to go after you. He had to tell you why he continued to force himself to believe something that deep down he knew wasn't true. It was going to be the most terrifying thing he had ever done, but he had to do it. Not for himself. For you. The pain he had heard in your voice was more than enough motivation to help him overcome the fear of facing you.

Levi didn't say anything to his brothers. He simply stood up from the couch and went to look for you.

The first place Levi went was your room, but you weren't there. He poked his head into Lucifer's office only to receive a glare from Lucifer himself. You weren't there, either. He found Beel in the kitchen, but you were still nowhere to be seen. He checked the music room, the planetarium, the living room, the attic, even his brothers' rooms. Where else could you have gone? Did you leave the house all together? He checked the garden, but you weren't there, either. Perhaps you went to Purgatory Hall? Or the Demon Lord's Castle? Or somewhere else entirely?

Levi sighed. If he was going to leave the house to look for you, he wanted to be prepared. So he went to his room to grab a few things.

Levi opened the door to his bedroom and stopped dead in his tracks.

There you were, sitting in his bathtub, hugging yourself and looking miserable.

"MC?" he asked, too surprised to see you to do anything else.

You looked up at him and frowned. "What are you doing here?"

Levi blinked. "This is my room."

You looked around the room as though you were surprised to find yourself there. "Oh. Right."

"I was looking for you everywhere," Levi said. "I searched the whole house. Were you here the whole time?"

You didn't answer him, only ducked your head down and hugged yourself harder, your knees pulled up as you slumped down in his tub.

Levi closed the door to his room. He sat down on the floor next to the tub and looked down at his hands. "I just wanted to make sure you're okay."

When you didn't say anything, Levi began to ramble. "It's just that you're so cool and I'm so lame and I couldn't believe that you would actually like me just because I'm me and I knew it wasn't like that really, but it was too scary to think-"

"Levi."

Levi stopped talking and looked up at you. Your gaze was on the far wall.

"I came to your room instead of going to mine because this is where I feel safe," you said. "I feel safe when I'm here with you. And it isn't because of the anime or the video games or any of that. It's because of you. I thought you knew that."

"I did!" Levi insisted, then corrected himself. "I do. I do know it, MC."

You looked at him then, reaching a hand over the top of the tub, offering it to him. "Just get in here and hug me, won't you?"

Levi stood up immediately, grabbing your hand and climbing into the tub with you. You didn't even hesitate, collapsing forward into him, wrapping your arms around his torso, resting your head on his chest.

Levi felt himself blush profusely, but he didn't say anything or try to pull away. Instead he just returned your embrace, holding you close in his arms.

"I like you, Levi," you said, your face pressed into his chest.

Levi's blush deepened, but he powered through it. "I… I-I like you, too, MC."

Even though Levi's anxiety was sky high, even though he was still nervous to be this close to you, he was also the happiest he had ever been in his life. Holding you close like that, hearing you say that you liked him, being able to say it back, everything about these moments filled him with a joy he'd never known. He vowed to never hurt you again, to only ever tell you how he really felt, what he really meant. He vowed not to let his own insecurity get in the way of the truth of your heart.

1,000 Followers Event | masterlist | Thank you for reading!

#obey me #obey me shall we date #obey me nightbringer #obey me fanfiction #obey me fanfic #obey me leviathan #obey me levi #obey me leviathan x reader #obey me leviathan x mc #obey me levi x reader #obey me levi x mc #leviathan x reader #leviathan x mc #misc 1k event #misc writes

138 notes · View notes