to me, the funniest thing about “that’s rough buddy” isn’t the fact that sokka says something patently insane with zero context seemingly out of nowhere, or the fact that zuko clearly doesn’t know how to respond. it’s the completely incorrect use of the word “buddy.” zuko would obviously like to be friends with sokka, but sokka is not, in fact, his friend. this is the most time they’ve ever spent together, and it’s because zuko invited himself to tag along on sokka’s suicide mission. at this point in the episode, sokka still hates this guy, perhaps less than he did a week ago, but he still hates him enough that he didn’t bother forcing zuko to stay home, which means he still didn’t really care whether or not zuko lives or dies. which, considering that he had tried to kill zuko multiple times in the past, is not all that surprising. this entire episode is essentially just zuko forcing his friendship onto sokka while sokka is legitimately too depressed to care. so when zuko calls sokka “buddy,” there’s a spirit of dogged optimism characterizing that epithet, because in no possible realm would sokka consider zuko his buddy at this point in the episode. and that’s something we miss when noting the iconicness of this exchange, simply because, by the end of this episode, they are buddies, so in our minds looking back on these lines, the implication of friendship doesn’t feel out of place at all. and really, it isn’t out of place, but only because zuko’s tenacity and determination (in this instance, his determination to befriend sokka) has always hugely outweighed his ability to read the room.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Damian Wayne was like a duckling. A violent, stab-happy, danger-prone duckling, yes, but a duckling all the same. Which means when Danny almost got stabbed by a sleepy, instinct driven Damian, he was able to wave it off with a laugh. Damian, on the other hand, stared in horror at the butter knife firmly lodged in Danny’s arm.
“PENNYWORTH!” Danny jerked back at Damian’s scream. “RICHARD! FATHER!”
God damn, the kid had a pair of lungs on him. Danny’s wince was interpreted as pain to Damian, who gently grabbed his injured arm and started to pull him towards the kitchen’s marble island.
Danny blinked, non plussed as his hearing picked up a thundering of feet as the present family members scrambled towards Damian’s distress call.
“Wait, Damian, I’m fine. It’s-”
“You have been impaled, you imbecile! Had it been any of the other simpletons, they would have-!”
“Ouch.” Danny put his other hand in mock hurt over his slow-beating heart. He literally doesn’t care about the butter knife. He’s just impressed there was enough force in there to impale him. “Are you calling me names now? After- gasp- stabbing me?”
Before Damian could reply, the beginnings of regret, remorse, and guilt on his face, Alfred, Dick, and Bruce burst into the kitchen.
“What happened?!”
“My word, master Danny!”
“What is it?!”
“I’m fine. It’s like a small stab. Not even a big stab. I’m good.”
Dick paled, seeing Danny’s arm clutched in Damian’s hand.
“That’s- that’s a knife. In your arm. How is that ‘fine’?!”
“What happened.” Bruce asked Damian, gently removing Danny’s arm from Damian’s death clutch.
“I- I did not mean to,” Damian starts, guilt coloring his voice.
“He didn’t,” Danny cuts in. “I startled him and got stabbed for being dumb. I won’t fault him for having a defense mechanism like that, ancient knows what I might do if you guys startled me.”
The awkward silence that settled at his words made Danny twitch awkwardly.
“Uh, so, can I add this knife to my collection? Even if I didn’t get mugged?”
“Danny.”
“Bruce.” Danny stared stubbornly back. With his uninsured hand, he patted Damian on the head. He was going to enjoy the fluffiness before Damian’s guilt was no longer enough to hold him back from snapping at Danny’s hand like a grumpy alligator. Bruce loses, obviously. He’s a teenager who was also an ex-vigilante. Batman’s got nothing on a determined halfa.
“Master Danny, I must insist you refrain from getting stabbed. There is only so much gauze and antiseptic cream in the house.” Alfred returned- huh, when did he leave?- with a med kit.
Danny called bullshit because he knows there’s a whole ass medical bay beneath the manor.
“Sorry.”
“No need to apologize.” Alfred said, promptly beginning the extraction of the butter knife.
“Are you okay?” Dick asked, hovering worriedly. “He- are you…?”
Damian was allowing Danny to ruffle his hair, so…
“Yep, I’m good. This isn’t even on my top thirty most painful stabbings,” and it really wasn’t. That honor was given to the GIW and that one time Jazz accidentally stabbed him with her earrings. “That was pretty impressive, actually. It’s like, a butter knife. The other ones had pointy ends.”
“Do not clump me with those pathetic wastes of spaces. I am naturally superior and would… would never harm you on purpose.” Damian said, getting quiet at the end like he was trying to plead to Danny to believe him.
“Of course not. But- if you want help me keep the knife, you can hit me with a mug, it would technically be a mugging.”
The pun got the desired effect. Damian leaned away with a disgruntled look and Dick stopped hovering as close in order to let out a small cackle.
“Done.”
“You should go get changed, kiddo. We’re going to see Tim’s photography at the Gotham Gallery today.”
“Oh, for real?” Danny patted Damian’s fluffy hair one last time, pushing away from the counter. “Oh, I’ll clean up here first and-”
“That will not be necessary,” Alfred scolded, a mop somehow already in his hands. “Please see to it you are prepared for the day.”
“Thanks, Alfred. Can I keep the knife.”
“Very well.”
“Sweet. See you guys later?” Danny pranced off after seeing the nods.
——
“He’s… he got stabbed a lot. Before us, I mean.” Dick tapped a furious rhythm onto the counter. “Not that we’ve stabbed him until now but even once is concerning for a civilian.”
“He was used to it.” Bruce replied.
“Perhaps we should join Todd in his endeavor and ensure that his worthless tormentors are permanently out of the picture.”
“God, he said top thirty. He was counting.”
Damian silently withdrew a kitchen knife.
“No murder with my quality chef’s knives, Master Damian.”
“Tt.”
“Master Jason follows the same rules. Now, out of the kitchen. I may be old, but I remember the last time master Bruce and master Dick stepped foot in here and I will not have a repeat.”
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People seem to think this is fake because it's written in English. Apart from the racism in believing that Arab doctors and nurses aren't fluent in English (a second or official language for half of Asia), Palestinians have deliberately been addressing their audience in English on every social media, from journalists to children, because they know speaking English to Westerners immediately makes people more human in their eyes. Because language is one of the ways the imperial cultural hegemony conditions us (yes, everyone in the world) to see who qualifies as "people" and who are simply a mass of bodies who were always made to suffer and die. Gazans know this deeply, which is why they have been using English to beg and plead through social media, "We're not numbers! We're not numbers! We're people like you, we speak your language, we deserve to live!" all the while they're systematically slaughtered.
Israeli forces also encircled Al Shifa Hospital yesterday and bombed it for several hours while shooting dead anyone trying to flee including medical staff moving between buildings. Not sure whether it's still continuing because WHO lost all communications with its staff there a few hours after. The last new report said that thirty-nine babies had been removed from the incubators before the power went out. It's extremely unlikely they will survive.
Please understand that these atrocities depend on the war of attrition between governments and public attention. The momentum of public outcry is difficult to sustain through repeated stonewalling and bureaucratic intractability. When we're flooded with these reports and a sense of futility and despair replaces the anger, it allows compassion fatigue to set in and the violence to become normalized. Massacring hospitals, killing sick children and openly targeting humanitarian aid workers (Netanyahu just declared the UNRWA is in league with Hamas) will become simply more news articles that fade into the background, and open genocides will soon become part of the "lesser evil".
Take care of yourselves how you can, take distance where needed, but please never tune out and give up on the two million people for whom we are the only witness and hope. Never stop boosting and sharing the news and posts you find, never stop getting out there and joining every protest you can, however small. Anger burns out, which is why activism must depend on an immovable sense of justice and uncompromising value for human life. It's not just about Gaza, it's about the kind of evil our generation will be coerced into accepting as unchangeable and inevitable hereafter.
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