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#anyway i feel like this is a concept that would only really be done justice over the course of like 50k words
msmargaretmurry · 2 months
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18 matthew/leon
18 - things you said when you were scared
(cw for being outed)
In the video, Matthew is instantly recognizable: his curls, wild and golden in the sunshine; his dimpled grin; that stupid Elbo Room t-shirt. His companion is less recognizable, all swim trunks and thick muscle, dark wet hair slicked back from the pool. Over the course of the nine-second clip, Matthew, in the video, tugs this man in and kisses him briefly, then pulls back to say something, then laughs as he’s kissed by the man, longer and more thoroughly. The man has a great ass, and Matthew’s hands find it eagerly as they shift out of view. The cameraperson tries for a moment to find a new angle that works through the foliage and fencing, then gives up. That’s it.
Apparently the Bahamas aren’t far enough to go for some privacy.
While Matthew paces in the bedroom of their rented condo with what seems like his entire family including his uncle-agent on speakerphone, Leon sinks as deep into the couch as is humanly possible, watching the video on repeat in the Tweet that gave it to the world. Leon knows the exact moment it was taken, because it was only yesterday. It would be a hot video if it weren’t so horrifying. They look good together. Matthew looks so happy.
It should be more of a relief that the video doesn’t include a good shot of his face. Instead Leon just feels guilty that Matthew’s the only one getting blown up about it. Feels anxious, waiting for someone to figure it out. Feels nauseous, waiting for what Matthew will say when he emerges from his conference call. Most of what Leon gets through the door is Matthew’s side of the conversation — “I don’t know, I don’t know,” he keeps saying, his voice pitched high, tight with stress. “I’m sorry, I’m sorry,” he keeps saying. “That part doesn’t matter,” a bunch of times in a row, then in an exasperated burst: “That’s none of your business. That’s nobody’s business.”
Leon has no idea who Matthew told his family he was going on vacation with. He just knows it wasn’t him. That’s fine. That’s how it’s supposed to be. 
After an eternity, the bedroom door flies open and Matthew stomps into the main room to start furiously gathering his things.
“I’m going home,” he bites out. 
Leon sits up so quickly his head spins a little. “Sorry, what?”
Matthew doesn’t even pause. He grabs his hoodie from the back of the sofa, his flip-flops from by the door. “There’s a flight tonight, I can make it if I pack fast.”
“”You’re leaving.”
“Um, obviously. My mom’s upset, my dad’s confused, we need to figure out what to do next—”
“Okay, yeah, but what about me?”
Matthew finally whirls to look at him. “What about you?”
It’s like a slap in the face.
“Wow,” says Leon. “Fuck you, too, I guess.”
Matthew deflates. “I didn’t mean it like that,” he says, and rubs a hand over his face, through his hair. “Fuck.”
“No, it’s fine, I get it.” And he does get it, really. Matthew’s life just got rocked, not Leon’s. And it’s not like this is serious, between them. If it was serious, Matthew’s parents wouldn’t be asking who the guy in the video is. Leon’s parents would know where he is right now. When they’d made the plans, Matthew had laughed and said, a lot of effort just to fuck. Leon had grinned and said, yeah, but I’ll make it worth your while.
Leon rocks to his feet and heads for the bedroom. He might as well start packing.
“Leon—” Matthew says, following after him. “I’m sorry, okay? I don’t have time to have this fight right now.”
“We’re not fighting,” Leon says. “You’re leaving, so there’s no point in me staying, so I’m leaving, too.”
“Fuck you,” says Matthew. “You don’t get to be pissed at me right now.”
He’s right. And Leon’s not pissed, not really. Not at Matthew. At whoever did this. A couple of barely-famous hockey players aren’t the kind of people this shit is supposed to happen to. Barely even barely famous. Matthew was right on the phone with his family — it’s not anyone’s business.
“You’re right,” Leon says with a sigh. “I’m sorry. You’re right. Come here.”
Matthew is tense all over, but he lets Leon fold him into a hug. Leon rubs his back, kisses the side of his head, tries not to wonder if this is the last time they’ll ever do this.
“Sorry,” Leon says again.
Matthew exhales wetly against his neck. “I have to leave. I can’t be here. You know I hate people getting in my business. I can’t—”
“I know, I know, I know,” Leon says. He hugs Matthew tighter as his stomach ties itself in knots. 
“I’ll figure out what to tell people,” Matthew mumbles, his fingers curling into Leon’s shirt. “I can just say it was some guy I met here — maybe I wanted a vacation alone or something, I don’t know— I mean, my parents will hate that, they want me to have a secret nice boyfriend or something so we can trot him out and be like, look, still totally wholesome, nothing to see here—”
“Okay,” Leon says.
There’s a beat, and then Matthew pulls back to look at him with a frown. “Okay what?”
“I just mean, if it’s easier that way.” Leon’s brain catches up with what’s coming out of his mouth, and his cheeks are suddenly hot. “I mean. If you need me to be a boyfriend. If that would help. I can do that.”
Matthew stares. “I don’t— I can’t ask you to do that.”
“Did you ask?” Leon says. “No. I’m just saying. If you want.”
It’s probably a very stupid offer. The kind of offer that could blow up Leon’s life in ways he’s only ever thought about as vague, distant what-ifs. The kind of offer you’re supposed to offer only if it’s serious. Definitely the kind of offer he should think about for more than five seconds, but none of that seems particularly important right now.
Matthew sags into the hug again, holding on even tighter than before. Leon squeezes him, kisses his hair, breathes in the smell of the ocean.
“At the very least let me help you pack,” he murmurs. Matthew lets out a long, shaky breath, his fingers digging into Leon’s back.
“Maybe I can fly out in the morning instead.”
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slocumjoe · 11 months
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hey uhhh i went thru ur oc post history and u said gus set himself on fire?? pls context
I love this character because whenever someone asks about him I always have to take a deep breath and get comfortable and suck a breath in through my teeth. I treat him so poorly
More Gus lore, because that specific event is actually tied to the very first event that would fuck him up forever, so I can't really talk about it without going in depth.
This is explaining the core tenent of Augustijn's story, which is guilt and its dangers. Basically, where that constant guilt came from, and how it...turned out for him...
It turns out okay. Just...takes 200+ years, an apocalypse, a divorce, and his son dying! 🥳Yay🥳
Tw; Religious trauma, child abuse, suicide, drug use, cannibalism, mental illnesses, and yet another suicide attempt.
So, some background, Gus's mom, Emma, was a fanatic catholic and generally Bat Shit about religion. As you might imagine, this is the Direct Source of both Gus' questionable worldviews, traumas, and his biological inclination to uuuhhh bad Head Times.
Emma was raised mildly religious, but she...took to it too hard? Her family was not the cause of her obsession, Gus's grandparents and uncles/aunts over there actually cut her off at one point, because she was starting to worry them but reaching out led to her lashing out. So, they just...backed off. Emma herself was a simple, homebody woman, who wanted to be at home raising her kids, and tending her garden. She would have been this way even without the religious thing.
But Emma and her side of the family were prone to addiction, see? And religion became her point of fixation and obsession. This could have still been okay, if not for the church she went into. A catholic church in the Hague that was known by all for being kind of fucking out there, even by other hardcore Catholics. This was one she went into, and even her grandchild 240+ years later would feel the ripple of this decision.
Emma goes into church and gets gnarly ideas about how life works. Its a woman's duty to have kids and raise them, to be good to her husband and her house, to listen and obey her men. Sin is inevitable and everyone does it, only those that admit and accept punishment can get another chance at Paradise. God knows every action you take and he does not care for the context, he only cares about the action. There is no "well, but" under the Lord.
Emma has mental illness, some kind of depression and anxiety, so this Big Brother Watching And Judging fucked her up. Especially since her church, in particular, was physically abusive if you did not confess to anything during confession. They thought if you had nothing to confess, you were lying.
At this point, she's met and engaged to Theodore Reinier, a rich heir to a European manufacturing company. He's pretty, a gentleman, and best of all, rich, so she can have as big and luxurious a garden as she wants. She likes him. She does not love him. She's in her twenties and unmarried with no kids, and her poor family needs to be taken care of. So she marries him. Theodore is smart enough to see this for what it is, and kind enough to allow it. He lets his wife do her own thing and treats her as a friend, rather than a lover. She hates this, she wants to be a wife (she doesnt). She wants kids, he gives her one. Augustijn. This birth goes rough, and she's told no more children.
Theodore makes one rule; August goes to a different church, or he does not go at all. Theo really didn't like Emma's church and he certainly wasn't exposing his kid to that shit.
Emma pretends to agree and takes Gus to That Church. Theo doesn't attend, so he doesn't know this is happening until much later. Gus gets all the same nasty shit Emma does. Theo learns of this when he sees Gus covered in bruises from confession beatings. This puts a huge rift between him and Emma, and he pulls all the strings he can to have her church shut down.
Emma grows to resent and hate Theo and Augustijn for not being the perfect husband and child she deserves as a good, God fearing house wife. Augustijn is left to his nannies, Emma hides away in her private garden, fuming. Theodore tries to bond with his son, but Emma's poisoned that well.
Emma tells Augustijn about demons, to fear them. She specifically tells him about church grims, demons that hunt around churches in the form of a dog to drag sinners to hell. She says this as she's admiring her new obsidian dog statues for her garden.
Eventually, Emma goes yellow wallpaper and loses her mind, and is sent to therapy and put on medications. Augustijn loathes his father for his mother's state. Theodore just wants his friend and son okay. But Emma, as she's out in town, coming back from therapy, she stops at a friend's house while the friend isn't there, and hooks up with the woman's husband. Friend's husband was stern, strict with his wife, God fearing, and generally an obnoxious 50s ideal shithead husband. Everything Emma wanted. This wasn't out of nowhere, it was brewing in the background. She knew both of them from her old church.
Emma goes home, and finally having a reason for the guilt that's always plagued her, elects to acknowledge her sin. She drowns herself in the pond of her garden, stared down by three dark, ruby-eyed dogs, overseeing her passage into the afterlife. Her young son comes into the garden to meet his mother, after she's been gone all day, only to find her in a red pool. He looks up into the eyes of the dogs. He remembers nothing of this incident, blocking it out and having been too young to understand.
Years pass, and Augustijn turns to drugs as well, though his come from the darkest parts of the Hague, rather than a doctor. He turns to sex, to crime, to anything he thinks will either corrupt him so much he doesn't care, or will finally make his guilt feel justified. He wears his mother's cross necklace through it all, and sees her beloved dog with every sin.
Augustijn goes to America for college, to Harvard, studying to become a pastor himself. (This is maybe the most terrifying part of him, the fact that he almost got it). But he doesn't feel satisfied with it, has a moment of clarity and realizes he isn't fit to preach anything. The grim certainly doesn't think so. He instead follows his only friend, Isadora, into the military. The US government allowing their soldiers to do chems means his failed drug tests don't matter.
Augustijn becomes a sniper. He has always hurt people, excelled in it, but taking life frightens him, because he knows he has no right to decide who lives or dies, not like this. But he's in China, and he's told to kill. He does, and he's very good at it. His teammates marvel at just how scrappy and determined he is, like a weed, a mold.
The Biandukou Pass Incident occurs. He eats his entire team, trapped in a Chinese mountain range during a blizzard.
Delirious from almost two months of surviving on nothing but psycho and human flesh, Augustijn is let loose back into Boston, honorably discharged. His lingering hallucinations from his Daytripper addiction, mixed with psycho withdrawal, trauma, guilt, shame, the fear of God—everything culminates. He looks up and sees the figure that has haunted him since that one, awful day; the church grim, staring expectantly.
His mother drowned herself, so he thought it fitting if he set himself ablaze.
#ss; alter#I hate to put a word to his specific illness because you always get people like 'this isnt what i think this is like so pls die'#but i imagine he'd be diagnosed with hppd#hallucinogen persisting perception disorder. basically lingering effects of hallucinogenics after use#the point of emma is that she did not ever see past the shit#Augustijn gradually learns how to reject his guilt and view himself objectively#and comes to see how he was hurt and how he hurt others. and accepts that he has a right to feel hurt but an obligation to be better#emma doesnt. she never would have even if she survived her attempt#its like. you only feel guilt because its a concept put into you#and emma taught him guilt. always feel dirty and shameful.#but. she didnt feel guilty. not really. she was confident in all of her actions and never once hesistated#she thought it was guilt just because she knew how it would look to other people. thats not guilt thats awareness.#she wasnt guilty she feared repercussions.#meanwhile her son grew up always ashamed and horrified at himself and was desperate for any kind of comeuppance#not to make it okay because he knew it wouldn't. but because he deserved it#accountability and justice are also big concepts in gus' character. the idea that someone becoming better and earnestly doing it#is better and more worthwhile than them suffering for their actions. this comes up with the Institute and Isadora#anyway if any of you come at me bitching about portaying a woman as abusive im biting#'joe no one does fhat' they literally do. its happened to me before. yall say you support womens wrongs until theyre abusive moms#anyway. fun fact; being beaten during confessions is why gus cant admit when hes done wrong for like 30 years. its a trauma/trigger#gus really is just. 'how do i process what happened to me without losing my mind'#and he lost his mind. but he does everything he can to find it again. because he doesnt want to feel this way anymore
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heyyyy i’m not sure if ur doing requests right now, if not - completely disregard this besides the fact that i wanna say i love ur work 💖💖
ok but steve x reader kinda based on call it what u want by taylor??? like steve’s just graduated and readers a transfer maybe? or a senior who’s just recently started dating him and everyone’s like … king steve king steve … and readers like no i know him and maybe reader would rather be w steve then go to a party and someone’s like what does steve own u?? (hence the line “not because he owns me, but cause he rlly knows me”) obvi change however you see fit - just an idea 🥰🥰
thank you so much for requesting!! i love this concept sm i hope this does it justice.
this is not proofread so please be gentle on me lol, also im not 100% how i feel about this but i'm putting it out anyways.
my baby fits like a daydream
steve harrington. king steve to be exact.
it was never really said why "king steve" became king steve. but its more than likely that it was a mix of his general attractiveness and charm. that and being generally kind, always the one to stop his friends from going too far, but never the one to stop them completely. and that haunts him. not to mention that he got allll the ladies. but they never lasted, because steve craved something real, something valuable. he needed to be loved. but he was nothing more than a hookup for most of the women he saw at the time. a truly hopeless romantic.
but then there was steve.
an embodiment of sunshine. kind, above all. selfless, extremely selfless. accepting, caring, and nurturing. making sure that the kids never experience the loneliness that he had endured for his entire adolescence. always ready to be a martyr. always dancing on that line between life and death whenever applicable. never genuinely believing that he was meant to be loved, more so just meant to be admired and used.
until he met you. it wasn't that you "gave him something to live for", but more that you made him realize how much he has to live for. it's like his life was in black and white, and when he met you it erupted into beautiful colors.
and while most people admired how secure and loving your relationship with each other was, some were jealous, prying.
for the most part, it flies past you both, too immersed in each other to care.
but one friday afternoon, as you were heading outside to where steve was waiting for you outside of his car; to drive you both to the diner where you're meeting robin and dustin; your one-time lab partner from biology class blocked your path.
you bit back a scowl, having already endured his strangely aggressive flirting enough for today.
"so you're coming to the party tonight right?" it sounded more like a demand than a suggestion.
"no", your composure faltered, "I already told you that I'm staying with my boyfriend tonight."
you pushed past him, having nothing more to discuss with him. the warm air hitting your cheeks, and the thought of the evening you're going to spend at the diner diluting your annoyance.
that is until you hear him behind you again.
"what? does 'king steve' own you now?"
steve can see you from the car, and jumps into action the second he sees the absolutely appalled look on your face before you swiftly turn around.
he doesn't make it in time though. you had already reached him and delivered a swift slap across his face. not only had he insulted your boyfriend, but he had also insinuated that you were an object to be owned by a man. this and the blatant disregard for your rejections of him sent you over the edge.
you muttered some profane insult toward him before steve's voice reached you.
the signature "woah, woah, hey, hey" -that steve uses every time there's an inconvenience.
the biology perpetrator had already speed-walked away as casually as he could. steves arm wrapped around your waist as he guided you back to the car and strapped you in, an astonished expression on his face. you had never done anything like this before, in fact, you're usually shy.
“what was that about baby?” he asked softly, closing the drivers side door behind him and grabbing one of your hands and stroking his thumb across your cheek.
“he’s so annoying! he keeps saying weird shit to me and he wont leave me alone. and he knows im dating you because i told him. and then he said some shit about his stupid party that i already told him i didnt want to go to. so i told him again that im going to be with my boyfriend. and then,” you inhale, trying to catch your breath, “he ran up behind me and asked me if “king steve” owned me.” you finished. putting his former title in quotation marks.
by the time you looked back up, his face was red. it was a look you knew all too well, that meant he was about to do something dumb. right now you assumed it involved tracking down your former lab partner.
youd be right.
his hand shoots to the door handle, but is quickly moved back by your own.
“no steve, i already dealt with him. i can handle myself. i just want to be with you right now, okay?” your voice is gentle, knowing he’s on edge.
“i know you can handle yourself, you shouldn’t have to.” he says through gritted teeth. you can tell he’s trying to keep himself together, but his knuckles are turning white, he’s shaking, and looking away from you. which he never does, unless he’s about to cry.
the parking lot is empty by now. you grab steve’s hand and pull yourself closer to him.
“whats wrong stevie? talk to me, love.” you bring his hand to your lips, pressing a soft kiss to the skin there.
“i don’t like that he was talking to you like that,” his voice trembles, “and i don’t like that it was because of me. you shouldn’t have to deal with that stuff.”
logically, it made no sense. but he was blaming himself anyways. thinking maybe his high school reputation made people believe that your relationship could be tainted easily. that he could never actually make someone happy.
"steve," you climb over to sit in his lap, "that's not true, you know that. it's not your fault at all, it's nobody's fault except for that weird guy." steve's face returned to its original sunshine state. "and we both know you don't own me. if you owned me I wouldn't be allowed to drive a car." you giggled, referring to the time you casually told him that you ran over a curb on the way home. he laughed with you, resting his head on yours and holding you.
"i know, it just makes me mad that people say that shit to you."
you look up at him. "well, i guess you're just going to have to take me to your house to keep me safe, harrington."
"i think you might be right, lovey."
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Decaying Godhood (Persona AU)
I've been rambling and throwing ideas for this AU for a good bit now, here's a much more cohesive post about it!
Shoutout to @the-squeege and @artekai for discussing ideas with me, it was super helpful o(*°▽°*)o
Spoiler warning for P3, P4, P5/P5R, P5S, and P5T!
So let’s meet the main characters and their arcana!
Nyx (Tower)
Ryoji (Death)
Izanami (Empress)
Izanagi (Emperor)
Yaldabaoth (Devil)
Satanael (Justice)
Emma (High Priestess)
Salmael (Lovers)
Azathoth (Hermit)
Adam (Strength)
I’m omitting Pandora, Nyarlathotep, Clockwork God, and Enlil since I haven’t played the games they’re from… I don’t know enough about them to include them properly.
I’m scrapping the usual typings and giving (almost) everyone new typings… mostly because I have no idea who I’d apply fire, wind, etc to, none of these guys scream any particular element. I’m still working out the typings but what I know for sure so far are the “typeless” ones:
Adam: Strictly physical attacks
Azathoth: He is strictly a healer in this, and has no offensive attacks
EMMA: Navigator, can occasionally use almighty attacks
I’m leaning toward making their typings relating to humans, somehow.
As for the plot, at least a quick summary of what I’m thinking so far… all of humanity has come to a standstill. As in, time has stopped progressing for them. However, effects of leaving a living thing out to the elements are still occurring. In other words, humans are kind of just rotting away. It’s a very slow, magic mixed with organic decay kind of process that’s going on here. The appearance of this rot becomes more and more obvious as our group of unlikely heroes progress.
The gods, with the exceptions of Nyx, Thanatos, and Izanagi are dead, so how does this work? For this AU, none of the final bosses really die… their physical forms are abolished and their concepts are left to wander a nothingness, endlessly reflecting on what they’ve done. For Adam’s case, he stuck with Maruki until he died, then he took on a human form and lived among people for many years. Now would be a good time to mention that this takes place years after the events of P5S, so any human characters are long gone.
Let’s start from the beginning of the AU. It focuses on Nyx, Ryoji, and both P3 protagonists. These four are kind of just in a white void. Ryoji is able to move freely, he can see, he could leave too, but doesn’t want to leave Minato and Minako. They’re depicted as statue-ish figures, with a few features a deity would have. Their positions after the events of P3 caused them to go from humans to some sort of gods themselves. They are still mostly human though, this is important for the start of the plot.
Nyx’s sealing is visualized here as having been chained to these two. Until now, she couldn’t move, she was paralyzed along with having actual restraints. Therefore she couldn’t see, her eyes were forced shut. She couldn’t speak either. She could hear though, and the only thing she could do was listen to Ryoji speak to Minato and Minako. Some days, he’d talk to them as if they were still around. Other times, she could hear him mourn. Initially, she didn’t understand it at all. Sure, that’s her kid, and she cared about him somewhat, but she didn’t understand why he’d cry about them so much. There’d be times too, where Ryoji would talk to her, usually it would be him saying he wishes she could understand humans like he did, or sometimes he’d yell at her. Over the course of years and years, Nyx comes to understand Ryoji’s feelings… somewhat, anyway.
This brings me back to the chains she has. Now, all of the sudden, she can see and move again. And these chains, which were once really short, are now much longer, allowing Nyx to walk pretty far from them. This happening is meant to show Minato and Minako’s humanity being affected by the Rot, which is causing them to lose their grip on Nyx.
Upon hearing some movement, Ryoji is quick to become aggressive, but Nyx is still disoriented from suddenly being able to see and speak again, so she doesn’t return any hostility. You can imagine the arguing taking place as they try to figure out what’s happening. After a while, they realize they are able to see into the human realm. That’s when they notice the state of humanity.
Of course, they don’t notice the Rot yet. These two are the first to venture into the human realm to investigate what is going on. It’s mostly Ryoji that wants to figure things out, he takes Nyx with him to keep an eye on her.
This brings me to the motivations of each of the characters… Ryoji going out of his way to help humans makes sense. He did live as one, and made a lot of friends who he cared a lot for. For others, they hate humanity (cough Yaldabaoth), so why’re they here? Simply put, after humans rot away, the realm of gods is next. Also worth mentioning, everyone now has a humanoid form (if they didn’t have one already), so this is something of a second chance for these guys too.
I’ll go through each character:
Nyx: After spending years only listening to Ryoji talk to the twins and voice his affections for humanity, she gains a better understanding of them and obtains a sense of self (much like how Thanatos/Death became Ryoji during P3). She feels like she owes it to Ryoji to help him now.
Izanami and Izanagi: After the events of P4, these two really didn’t feel like doing anything else… Izanami was unable to do much anyway. They are later dragged out of the realm of nothingness they were hanging out in. Izanagi’s time with Yu makes him far more inclined to help out, Izanami is a little heartbroken that after the Investigation Team proved humanity’s worth, they fell into this state.
Satanael: He ditches the Phantom Thieves after Yaldabaoth is taken care of, and left to go cause minor bouts of chaos, nothing too drastic. He doesn’t outright try to end humanity, he just likes “poking fun”, so when everything comes to a standstill, he’s alarmed. Satanael is more neutral compared to everyone else, he does care about mankind, not to the extent that Ryoji and Azathoth do, though. He doesn’t hate them either, so he (probably) helps them for a selfless reason.
Yaldabaoth: For sure is only saving humanity so he also doesn’t rot away. Perhaps by the end, he’s changed a bit, but now that he’s given a physical form again, who knows what he’ll get up to.
EMMA: Upon being defeated, she spent her time watching over Sophia and Ichinose. She chooses to help humanity because of how well the PTs treated Sophia.
Salmael: Toshiro’s anxiousness rubbed off on him a bit… As the god of stagnation, this halt in humanity seems like it’s his doing, but it isn’t. He ventures out thinking that he somehow accidentally did it, and is horrified by the Rot..
Azathoth and Adam: These two genuinely care for humanity, their motivations are completely selfless. While Azathoth can suspend his emotions, Adam spent more time with Maruki, living as a human for years, so he’s much more emotional over the whole situation.
None of these guys are able to have Personas, but are able to “summon” their deity forms as an extension of themselves (so there’s a split-consciousness situation happening). Awakenings are still required for them to be able to do this, though, similar to Persona awakenings.
This ability requires one to first of all realize that their status and power as a god is due to humanity’s perception of them, but then they also must accept that. Only then they can “break free” of their restricted humanoid forms to use their more powerful forms. These forms look similar to their in-game designs, but there’ll be some differences, as I want to give them fun new(ish) designs…
Acquiring this ability is much easier for some than others… Ryoji and Adam as an example, are really quick to accept this once they understand the idea initially, but then a few others refuse to accept that humans are responsible for their power.
As for enemies, Shadows are present due to humans being unable to pass properly. For major bosses, the Rot left some human bodies as empty husks that became aggressive. These husks are attracted to the power the gods have.
Some side characters I also want to include… Jose and Sophia run the shop that provides weapons and other equipment! There’s also the Velvet Room that has specifics I’m trying to figure out… I might make Yu and Ren the attendants.
I think that’s all I have for now! I’d still like to figure out the order in which each god joins the team… It starts with Ryoji and Nyx, Salmael probably second since he’s already out investigating (he can be the navigator before Emma joins), then it’s either Adam since he’s also around, or Emma. This is still a wip! So if anyone has any comments or anything, feel free to send an ask! I'm already doing some doodles for this so hopefully I'll have some art for it soon (❁´◡`❁)
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adobe-outdesign · 10 months
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May I request a Xerneas/Yveltal review ? Those two are among my favourite "game mascot" legendaries (too bad that X and Y weren't really interested in building a plot that would have done them justice)... Alternatively, I was thinking about the Talonflame line. (I've also been in quite a Spheal mood as of late, yet I couldn't find a review of the line on your blog, which feels a little odd, I must say...)
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Xerneas is pretty neat looking, and my personal preference between these two. Conceptually, it represents life itself—kind of an abstract theme, but they did a good job getting the point across. It also arguably takes some influence from the deer that fed on Yggdrasil, what with it up and turning into a tree now and again (with the antlers becoming branches, which is a nice touch).
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I like how it's kind of a deer, but also has a lot of uncharacteristic elements, like a canine-ish tail, pointed feet that remind me of Arceus a bit, and antlers that bleed right into the head without a clear division between the two. It gives it a very powerful, somewhat unearthly look that's befitting of a creature representing life itself.
Visually, the multi-colored antlers are the focus point of the design and stand out nicely. The light yellow accents on the body also create a sense of upward flow that's also reflected in its blue collar, antler shape, and tail. While the antlers are somewhat complicated, they're not hard to read; beyond that, the design is pleasantly simple and clean.
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My only nitpick is that it has these random colored speckles on its back that don't add anything and kind of take away from the antlers. They're not even present in its neutral mode either, making them feel all the more like an afterthought.
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Speaking of which, it also has a neutral mode. I like it when legendaries don't have a bunch of different forms, so it's nice that it's the exact same design, just with slightly simplified antlers and a different accent color. The active form looks better—the yellow compliments the blue much better than this more monotone look does—but it does get across a "inactive" feeling well enough.
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There's also Yveltal, which integrates its letter considerably better than Xerneas does. The tail-hand thing it has is pretty cool, and the intense red-and-black color scheme certainly makes it look ominous and like a creature that Literally Kills Everything when it dies.
My only issue with its design, and the reason I like Xerneas a bit more, is that it feels a bit too busy and visually messy—it takes a while to figure out what's actually going on with it. This is because its vein-like markings don't really break the body apart, and actually make the design more busy instead.
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This is especially apparent in the head, as while the chest line suggests it should go straight up under the chin, it suddenly reappears past the mane in a different spot, and then gets lost among four (4) pairs of black horns. It's not too bad, especially when it's posed more like the above screenshot, but it does cause the details to get a bit lost. Other than that, however, it's pretty solid.
(Actually, come to think of it, Yveltal looks better in like literally any other pose that isn't the one in the official art. I think it's both of a combo of it looking more bird-like and its head reading clearer when it's not right against the wings).
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Anyway, overall, these two are good legendaries—they're not too overly complex in concept, they don't have 200 forms, they're not overworked and overly busy, etc. They're just powerful, cool looking creatures that convey their themes nicely.
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bogos-bint3d · 3 months
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Considering Yellow just came out, I'm curious how you interpret Justice!
YEAH IM FINALLY GONNA ANSWER THIS ASK FROM ALMOST TWO MONTHS AGO BECAUSE IM FEELING GOOD
Ok so I don't really know how to start so to get things going I'll begin with some pictures of them
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I have to say, they give me SO many feelings. I originally started work on them long before I even knew what undertale yellow was. My first attempts at drawing them (which you can see in the top left that were used for reference) were done back in June, but I was planning things for them several months before.
I remember them actually being pretty much the very first fallen human who I felt motivated to make something with, because I saw a comic of someone's own interpretation of them. I noticed how in that comic, they went to Mount Ebott intentionally, for the other humans or something, and that was sort of the beginning of my inspiration, but I felt like I could do more with it. So, starting off with that I kinda built on it. I wanted to do something different from what I'd seen before, where they wanted to get justice on the monsters FOR hurting the humans. I remember someone saying something along the lines of them thinking justice was a little bitch, which of course was a valid interpretation, and that's what made me sorta go in a different direction.
For me, I saw justice as someone who would've wanted justice for the MONSTERS, from the very start. They were the kind of person who didn't really believe the legend of humans and monsters, but of course knew Mount Ebott was a very dangerous place. And, yknow, believed monsters were just a legend, they loved to think about the fact that if monsters WERE real, they were probably trapped unfairly. Think about Chara for example. Though they were human themself, they still hated humanity, and felt connected to the monsters. They wanted the monsters to be free and to go against the humans. I imagine justice to have been something like that. Not as much hatred for humans as Chara maybe, but still knowing of all the bad that humans had done, and, being an edgy teen, felt genius for the concept that this ""old """"silly"""" legend"" would probably have been biased in favour of the humans. (which they were actually right about. Good for them 👍🏾)
Am I explaining this correctly? I'm not sure if I am lol
So anyways, yes my justice interpretation very much did not want justice on the monsters once they discovered the legend was true, but rather was very much on the side of monsters getting justice on the humans.
Let's see, what else is there... Ah so as I was explaining before, seeing that comic also sparked the idea for me that they went there looking for someone. They'd usually never even get near to Ebott, however, they end up having to. Ok this part is like it's own separate infodump so like take a breath. So this all ties in to one of my other fallen soul interpretations, integrity. I won't get too into them right now because that is like a WHOLE OTHER CONVERSATION, so for now I am going with the BARE ESSENTIALS. Justice went there specifically to go look for integrity, because in my little interpretation thing, they're siblings. I'll show some quick things about them then straight back to Justice I prommy
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Their name is Leo (I don't have a name for justice yet I'm so sorry Leo is like the only human I've named so far), and ended up on Ebott after a stupid dare by the rest of their ballet class. So anyways after justice finds Leo is like. No where at all. They have to go on over to Leo's dance class cause that's the last place they'd been and ask around the other kids to find out where their 10 year old sibling was because they'd been FUCKING MISSING FOR LIKE SEVERAL HOURS only to find out the other kids left them on MOUNT FUCKING EBOTT, where multiple other children have all DISAPPEARED upon going there. So now justice gotta go to death mountain to find their lost sibling no big deal
I feel much more nervous about talking about my fallen soul interpretations now than I would've, like, four months ago, simply because the presence of uty has had such a grip on the fandom that people have kind of accepted it as canon. I think it's actually a really stupid and petty thing to mad/sad about, because a lot of effort was out into it, and I'm sure it's very very good, but I just, well I guess we all just whish we were the best, right? I'm scared yellow will completely overshadow any other existing interpretations, and people love it so much, they won't care about my own. I REALLY hate myself for this, and I just want to say I think you should all keep loving yellow! It seems really good! This is just my own dumb fear shining through haha
But anyways, enough of that! I'll explain more about the souls another time because if I keep going on right now I might become physically incomprehensible. There is so much more about justice that I'll dump on you all another time, trust me, I just hope you all like what I've got so far ❤️ thanks :)
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hatsunevitu · 11 months
Text
SO i’ve been thinking about this plot when cartman dies. or rather, particularly about kyle’s reaction to cartman’s death ‘cause yk. kyman is rotting my brain.
first of all i strongly believe that everyone who thinks kyle would be happy or indifferent about cartman’s death are mischaracterising him so badly. like. come on. you don’t have to ship kyman to understand this would be a major shock for him and he would possibly even blame himself. think whatever you want, but they’re still best friends no matter what.
then, um, i think that only three people would actually react to cartman’s death properly, and it’s stan, butters and kyle. but stan’s reaction would be something similar to s5e13 “kenny dies”, because he would freak out about one of his friends dying, not because it’s exactly cartman. then goes butters who doesn’t really understand the concept of dying but is still pretty confused and scared. they’re very close so it would hurt butters. kenny doesn’t show any strong emotions, but that is because he’s used to death and anyway he’ll definitely meet cartman in hell.
what about kyle, though, i’m pretty sure that he won’t believe this news for a single second for, like, several days. he would convince everyone it’s “One of these stupid pranks, come on, dude, don’t tell me he managed to fool you”. and although most of the people didn’t believe cartman’s death the first second, kyle would be stubborn enough to deny reality for almost a week. he would look at cartman’s dead body and be like “Wow, that’s almost convincing, you really outdid yourself, Fatass. This fake corpse must’ve really cost you a fortune” and everyone else around him has no idea how to tell him it’s true.
he would stand at cartman’s funeral with the most bored and irritated face saying loudly: “Okay, Fatass, we get it, you tricked us all, bravo, now cut this shit off already, it’s not even funny anymore”, making liane cry even more desperately.
but then there went five days, then a week, and kyle finally started to realise the truth because cartman is too hyperactive to do this kind of prank for so long, he would definitely get bored and show up after, like, two days of disappearance.
and kyle really understood that while everyone else was mourning he was being a dick not even letting himself think for a single minute that this all might be real. like. he couldn’t even imagine a thought of the world without cartman, it just seemed so wrong so he really preferred acting like it’s all fake. and it made him feel so, so guilty. i’m pretty sure at that moment he almost forgot every horrible thing cartman had done to kyle, he just kept thinking about positive moments and he started missing cartman so badly. he wouldn’t admit it to anyone, even to himself, probably, but his life without cartman was somehow incomplete.
and then the rage came. we know how kyle tends to overreact and do something massive when he feels negative emotions, right? like, he tried to burn down the school because of the girls’ list, he freaking nuked canada after seeing cartman and heidi dating and being left behind, and i’m pretty sure there are plenty of examples.
so no matter how cartman died he would try to compensate it somehow. he didn’t know how to deal with this grief and shock so he tried to fight with the reason. did cartman die ‘cause of doctors incompetence? then kyle will sue the goddamn hospital cartman died at. car accident? he will organise a picket about drivers’ carelessness and send the person who hit cartman to jail. and so on, so on.
and everyone would be surprised and he would make excuses like “I’m not doing it because of Cartman, it’s just… it’s a big problem in our country, I want justice, that’s all”.
but he would blame himself. for his constant fights with cartman, for his disbelief the first days, for letting cartman die like this and not being around. and he started to think about their friendship when cartman was alive and–
kyle: It’s been two weeks, and I still can’t believe it, Stan. In my mind he’s still here and I expect to see him at the bus stop every morning. Is it normal?..
stan: I know how you feel. It’s hard for all of us, dude.
kyle: I mean, why did it take me so long to understand he wasn’t joking?
stan: Well, you guys were sort of archrivals, so I guess it’s not surprising...
kyle: Huh… we were, weren’t we?…
and it’s so heartbreaking.
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Since the Oda and Adam duo post seems to have gone over well here are a couple other duos with potential that get rotated around in my brain after midnight:
Akutagawa and Aya - I've posted about this before. Continues the trend of unwilling and tired young adult begrudgingly looking out for a loud child who consistently runs headfirst into trouble. Bonus if he becomes so done with the situation that he just wraps her up in Rashoumon and carries her like that while Aya screams in outrage. (Bonus bonus: I think they could bond over the respective treatment they have endured at the hands of those who should've been proud of them.)
Lucy and Kyouka - No one thinks they'll get along and it looks like maybe they don't...? The energy is really awkward? But they still choose to spend time together? Actually, they like each other, and any awkwardness or harsh comments are only out of blunt factual observation (Kyouka) or obliviousness (Lucy). One day, they show up to work with matching accessories in their hair. (Also I think they'd be a great balancing act, personality wise. Lucy's very imaginative and Kyouka's quite grounded but both could really help each other regain some of their lost childhoods in that Lucy has lots of cool ideas she never got to do and Kyouka is bold enough to get both of them to try.)
Kyouka and Dazai - ENTIRELY self-indulgent. I want them to get into mischief together. I want Kyouka to show Dazai pictures of all the bunnies she pet. I want Dazai to encourage her into believing she can be good and supporting her no killing philosophy (with a sharp pang in his chest every time he sees her dedication and the serious look in her eyes) but then like. Show her how to commit minor crimes with no trace. He decides one day to take her to a festival and guilt trips Kunikida into letting them both go and Kunikida is forced to relent because aw, that's really sweet and then he turns around and his wallet is gone.
Fukuzawa and young Yosano - It's sad time. I really want to know how she adjusted. And yes, I like the idea of seeing how she was with Ranpo too but I really want to see her with Fukuzawa. He must've shown her the ropes. Helped her get her degree? Made her feel comfortable again and confident that she could heal and not just wound? It's just interesting to me because it would have to be a completely different approach to the one he took with Ranpo and he's not exactly a natural at parenting, much as he tries. I think there's nothing sweeter and more tragic than this man, a master swordsman and former assassin, who has decided fairly recently to open his heart to others, looking at this small, damaged child and thinking "I don't know how to help you." And then helping her anyways. As best he can.
Kunikida and Higuchi - The true "I am so exasperated with everyone in my workplace" duo. An omake introduced the concept that they vent to each other online and I think that's hilarious. They find out each other's real identities and panic for a moment and get hostile and then remember that this is the only other reasonably sane person they have spoken to in months and go get coffee and complain about their jobs.
Teruko and Atsushi - Okay, this one is actually possible. Not much to it other than I think they'd work really well together. They'd kick ass. They could kick my ass. I'd thank them for it. (Actually it's also got something to do with Teruko seeming jaded and older and Atsushi being the offset in that he's younger and naive but also something something she couldn't torture him because he went to go check on a child and something something they both made bodily sacrifices - Atsushi's many injuries and Teruko's surgical modifications - and repeatedly get hurt using their power to protect civilians... I want to know where her character is going because I don't think she's convinced by the DoA's mission and I think a part of her still wants justice... remains to be seen I guess.)
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buttercupbuck · 2 years
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when it's fire fam + athena/cops it feels more light hearted and fun like in 4.04 with the locked yard mystery or in treasure hunt or even with the detective buckley in this ep, even tho the police presence is very much there, y'know? but when it's straight up cop business it always gives me athena begins vibes or it turns into copaganda and it just feels like a whole other show. and every time they try to portray the cop stuff as good and valid (like even the police brutality against michael was sort of handwaved with the one bad apple shit) and everyone they arrest is bad despite intentions or circumstances and it just leaves such a bad taste in my mouth
yeah for sure - while i'd love for there to really not be any major cop presence on the show, if they have to meet their cop quota or w/e i would definitely prefer episodes like 4.04 and 4.12 over episodes like this one or desperate measures or athena begins
but yeah 100%. the thing i usually love about this show is that it is so nuanced and treats its characters and plots with a world view that isn't black and white in the least. the concepts of forgiveness and redemption are written into its very core, and both the audience and the characters themselves are constantly asked to practice empathy and understanding, even in the hardest of circumstances. we (and the 118) are asked to forgive bobby for the apartment fire, eddie is asked to forgive his father, hen is asked to forgive her mother, chim is asked to forgive maddie, karen is asked to forgive hen, and so on. even on calls with characters we will never see again we are asked to see them and their circumstances in a way that isn't so black and white.
so the police procedural episodes are always just such a failure of the show, every single time. the concept of policing and the justice system as it exists today is completely incompatible with the themes at the core of 9-1-1, and as a result it's always So jarring to watch these episodes and their "resolutions." because while episodes like 5.06 end with everyone working to find some way for mitch to give his heart to his son despite everything he'd done, episodes like this one end with the punishment and humiliation of people who were, at the end of the day, truly just trying their best. and in a way, we are still asked to have empathy for these characters, but it's ultimately thrown in our faces as we're told that none of it matters and there is no room for it here. it feels so evil every single time, and yet it is constantly framed as the right and only resolution.
anyway. it's always been really disappointing, and it continues to be really disappointing. it's a moral failure on the part of the writers and truly just such such a disservice to the show (which - is truly on the bottom tier of consequences of media like this, but still)
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queenofcats17 · 1 year
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hiii, uh, I guess if you're still up for taking requests, could you maybe do something with the 'Ink Demon Henry' au? it's a concept that I always found interesting (I think Henry should get to be a little fucked up and evil, as a treat) but there's hardly anything for it. The story would probably take place sometime in the cycle but that's all I've got
thank you if you do this :)
I've never heard of that AU, so I apologize if I don't do it justice. I also couldn't find, like, a base AU so I ended up kind of creating one of my own.
This'll take place in BATDR
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"You and I are the same..."
Audrey flinched as the Ink Demon's voice rumbled through her mind.
"We're not the same," she said, gripping her pipe tighter as she wove through the strange labyrinthine office space.
"Oh, but we are," the Ink Demon purred, and Audrey could practically feel his breath on the back of her neck, his hands on her shoulders. "We were both made by him. Created only to serve his own selfish desires. Me, a vessel he could enact his pain and anger on. You...created to make him feel he wasn't as much of a monster as he knew he was."
"I don't know what that means!" Audrey tried to ignore the panic rising in her chest. She didn't understand why the Ink Demon's words were making her so upset. She didn't know either of her parents. This couldn't apply to her. There was no way.
"Oh, but you do." She could hear the smug smile in the Ink Demon's voice. "You know exactly what I mean. You've simply chosen to forget. Because you know what he is."
"Shut up! You don't know anything about me!"
Was yelling at something that could kill her a bad idea? Yes, absolutely. Was she going to do it anyway? Also yes. But she needed him to stop talking. He had to stop talking. He was wrong. He had to be.
"Oh, Audrey...." The Ink Demon almost sounded paternal. "You cause yourself so much pain for him, but is it really worth it? What has he done for you?"
"Shut up!" Audrey covered her ears. She could already feel tears welling up in her eyes. Why was she crying?
Suddenly she heard her heart beating in her ears. And before she could hide, the Ink Demon was there before her. He towered over her, so tall his horns would have scraped the ceiling if it hadn't been elevated above the cubicles.
He stood there, seemingly regarding her, his arms folded behind his back. Audrey wanted to run. She needed to run. But she couldn't force herself to move.
"We could conquer this place together, you know," he said, his voice becoming softer. "This world should be ours, not ruled by men who see us only as playthings."
"I don't...I don't want to rule anything," Audrey managed to force out. "I want to go home. I don't want to be here! And I don't want to work with you!"
The Ink Demon tilted his head to the side. "I suppose you wouldn't, would you? Not when I look like this." He gestured to himself. "This form is a manifestation of what he made me into, but I suppose it can be...offputting. Let me make myself more presentable."
As the Ink Demon spoke, his form slowly began to shrink. Ink sloughed off of him, revealing a much more...human form. And as he shrank, the strange guttural tone in his voice faded away until he sounded...normal.
And when it was finished, a man stood before Audrey. He looked utterly ordinary, save for the black sclera in his eyes and the ink tears running down his cheeks.
Audrey couldn't believe what she was seeing. This couldn't be real. The Ink Demon couldn't just be...a man. He looked so normal. Like someone's dad.
"I guess I should reintroduce myself," he said, smiling warmly at Audrey. "My name is Henry Stein."
"Henry...Stein? The...co-founder of Joey Drew Studios?" That couldn't be right. It couldn't be.
"Well, not the real Henry," Henry clarified, his smile becoming more of a snarl. "But a facsimile of him, created for Joey to take all his anger out on."
Audrey stared at him, eyes wide and mouth hanging open.
"You see, this place was originally created as Joey's little torture story," Henry explained, beginning to walk around Audrey. "A story where he could take out all his frustrations on all the people who wronged him. A story where he could make his best friend suffer for leaving him. Again. And again. And again." For a brief moment, horns rose from his hair and his voice dipped back into the Ink Demon register. He quickly reverted to "normal" though, continuing to pace and speak.
"I was forced to go through the same story so many times I lost count," Henry continued, his genial smile returning. "Just because Joey was angry the real Henry left him. And I'm sure you won't be surprised to hear that I got tired of it pretty quickly."
"Were you...always the Ink Demon?" Audrey asked. She had so many more questions she wanted to ask, but that was the only one she could ask at the moment.
"Oh, no." Henry shook his head. "The Ink Demon used to be the force Joey used to torment me. There was a way things went. The Ink Demon chased me, and I ran. We were both shackled to our roles, forced to act out Joey's story until he got tired of it. But when Wilson took over..." He paused in front of Audrey, meeting her gaze. "Both the Ink Demon and I had a vested interest in standing against him. And since our roles didn't apply anymore, we decided it would be better to work together."
"But why are you fighting Wilson?"
"Because he's a tyrant," Henry growled, the horns and Ink Demon voice returning. "He's no better than Joey, trying to force his will onto everything and everyone."
"He's not a tyrant!" Audrey insisted.
"How do you know that for sure?" Henry asked, once more looking normal. "How well do you even know him?"
"I..." Audrey faltered. "I just...He can't be bad!"
She didn't even know why she was defending him. Maybe because he was the only person she knew here? He was the only person she could think of who might be able to send her home. He...He had to be good. If he was good, she'd be able to go home. She needed to be able to go home.
"And why's that?" Henry gave a cruel little smile. "He brought you here, didn't he?"
Audrey's mouth abruptly snapped shut. Wilson...had brought her here, hadn't he? He'd been the one to drag her into the ink.
"I don't know why he brought you here," Henry said. "But I guarantee, it isn't for anything good."
"He...He can't be bad." Audrey's voice was small. "He's my only way home..."
Henry's expression softened and he walked forward to cup Audrey's face in his hands.
"What's waiting for you out there?" He asked gently. "What do you have to go back to? There's so much more for you waiting here. We can rule this place together. No one will be able to hurt us ever again!"
Audrey's tears, which had mostly dried by this point, started up again. She was so tired. She hadn't even been here all that long and she was already so tired. She just wanted to go home.
"I don't want to be here," she whimpered.
"I know it seems scary now, but it could be wonderful!" Henry looked so hopeful and earnest. "No one would be able to hurt us again! We could make things better for everyone too!"
"I just want to go home!" Audrey pushed Henry away from her. "I don't want to be here! And stop talking like you know me! You don't know anything about me!"
Henry stumbled back, his back hitting a support beam. He didn't look angry, as Audrey had expected he might. Instead, he looked sad and disappointed.
"I understand," he said, hanging his head. "You're not ready to confront the truth yet."
"There is no truth!" Audrey yelled. "You don't know what you're talking about!"
"Whenever you're ready, I'll be here." Henry stepped back, the ink reforming around him until he was the Ink Demon once more. "We don't have to be enemies."
"Of course we do! You're a monster!"
But the Ink Demon, no, Henry, was already gone, leaving Audrey alone in the office to collect the drawings for the Lost One.
"He doesn't know what he's talking about," Audrey muttered to herself, snatching up a piece of paper.
But deep in her heart...A seed of doubt had been planted. Henry had spoken with such certainty. He'd said that they had both been created by Joey. That they'd both been hurt by Joey. But that couldn't be right.
Could it?
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marshmallowprotection · 6 months
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Hello! I believe this is my first time sending you an ask! I've been following you for a long time, but was always afraid of coming on a little too strong...everyone I've tried talking to about this subject is either hyper-defensive or just ignores it? I can't really find anyone to give me an actual analysis.
I apologize if this comes on strong! Please feel free to ignore it if so. Thanks for taking the time to read it, at the very least.
I genuinely have a difficult time grasping the concept of people genuinely liking and defending characters like V and Rika, who both harmed children. Especially when those same people swear to care about Saeran and/or Saeyoung in a deep way. I think I would better understand it if they didn't claim to love Saeyoung or Saeran so much.
"How can someone who cares about either of them as much as they claim to also fight tooth and nail to defend the actions of people who repeatedly traumatized them?"
I can tell by your writing, analysis, art, and OCs that you put a lot of effort to share your love for Saeran! And Saeyoung, by extension. But, recently, I noticed a few posts where you seemed to be defending both V and Rika, or talking down on people who are too triggered by them to interact with their characters (maybe this is my autistic inability to read tone accurately).
I very genuinely have a difficult time understanding how someone can love either twin so much, but also love the people who were so cruel to them. I want to understand, and I'm frustrated that I can't.
Anyways thank you for creating the content that you do! I really enjoy your SE OC stuff especially, it always brings a smile to my face to see content with them when they pop up! Mine/others' lack of ability to separate feelings for the characters from the way they interact with other people isn't on anyone else, but having some guidance is always appreciated.
Again, thank you for your time.
Let me start off by saying right off the bat that you do not have to like Rika Kim and Jihyun Kim. You do not have to engage with anything in the fandom or the game if you do not like them. If they trigger you or make you uncomfortable in any way, please, do not engage with any content about them for your comfort and safety. Your experience in a fandom is about having fun and you should not put yourself into any position when your comfort is compromised.
I will never defend Rika and Jihyun's actions nor will I excuse any of those actions. I do not believe I have ever done so in the past, but if something I've written seemed to read that way, allow me to clear it up for you in a proper way here. I want them to face judgement and justice for their shared actions because that is what they deserve in every way, shape, and form. Hurting others the way they've done is not okay. It will NEVER be okay.
When I'm talking about the two of them, and I talk about how I wish I could discuss them in a deeper way with others, I'm not talking about telling everybody around me to excuse their actions or to learn more about them when those characters make them uncomfortable. Rika and V are polarizing characters. If you don't like them, that means the game has done its job.
It means the game has made you feel something and you felt that something so strong that it resonated with you. That's what makes great video games.
The only time I lament the fact that not a lot of people talk about the nuances that go into polarizing characters like Rika and V is when I'm unable to discuss the layers behind who they are as people since not a lot of people want to learn more about them.
Like, questions like: Why did their relationship dissolve? Why do they think the way they do? What taught them this? What showed them to live this way? Why do they do these things? Why do they think this is okay? Why do they think isn't okay? Why, anything?
Does me wishing I could talk to more about what I find interesting about them mean that I want everybody to go out of their way to learn about them? No! Heavens no. That is not what I am trying to imply. If you don't like them and you want nothing to do with them, then I support you and I respect you. You do what makes you feel comfortable and you stay away from characters that make you feel awful.
Just because I want to understand why doesn't mean you have to do that to yourself.
You do not have to learn more about them, Anon. You do not have to engage more with them than face value. That goes for any character, ever. Engage with what you like because you should be having fun playing games instead of feeling uncomfortable! If you don't like the two of them, you are valid. You are justified. Your opinion is yours to hold and I commend you for feeling strongly.
Because, Rika and V are not people I would like if I were in MC's shoes.
They hurt not just Saeran and Saeyoung Choi, but Yoosung Kim, Jaehee Kang, ZEN, Jumin Han, and countless others, too. I want the two of them to face the consequences of their actions and I want them to do so understanding that they need to take ownership of their choices.
They need to hold themselves accountable for their actions. Which, in Saeran's Route, by the end, they do that.
Do you want to know my ideal ending after that? The two of them face the prison time they need to appropriately face for everything they've done, get the therapy they so rightfully need, and then never engage with anybody in the RFA ever again.
Not just because it would serve no healthy purpose for any of them, but because that chapter has closed and there is no way to get back what has been lost. They need to move on. Rika and V need to never see each other ever again after they part ways. Nobody involved is going to heal unless this is closed for good and everyone's got their closure to move forward.
This is similar to my talk on forgiveness. Forgiveness is a personal choice. Saeran forgives and Saeyoung never does. They're both so rightfully justified and deserve their choice respected. Everybody needs to do what they need to do to truly make peace with what happened, and you need to decide what works for you personally, and that choice will be respected by the RFA.
Rika and Jihyun, actively and passively, created the experience we go through in Mystic Messenger. For us to explore the narrative of this game to the exact root source where it started, we end up looking at their relationship, actions, and the consequences that follow them. It is important to understand V and Rika, even in the smallest capacity, to know how we ended up where we are today.
For me, I like to study characters. I like to know why they are the way they are, and that involves learning as much as I can about them. I spend my free time thinking about these characters in every way you can think about a person because I really do like to understand how people end up where they do after something happens to them in life. Rika and V have a very codependent toxic relationship.
For someone who was trapped in a relationship like that for years, when I look at those two, I start to understand more about myself, and unfortunately, I see myself in Jihyun sometimes. I like Jihyun, he's actually my third favorite character, but understanding him as strongly as I do doesn't mean I approve of what he's done. It really just means he's a character that he's interesting to me, but I don't approve of his choices.
In fact, I'm shaking him every time I start a new route because he needs to talk to his friends instead of balling everything up inside. I'm shaking him because I know he can be a better person after having played his route and having had the experience to get to know who he can be. But, he's human, then that means he's not infallible. We're all capable of mistakes.
I like to understand what brought them to where they are today. That is something that is interesting to me and finds the way I like to enjoy media.
Understanding a character does not equate to justifying or even defending their actions.
Liking evil, morally gray, or downright wicked characters does not mean that you defend any of the things that they do. You just like a character and it's as simple as that.
I struggle with tone all the time when it comes to content online, so I understand where you're coming from. I use tone indicators a lot on Discord but I can and should begin utilizing them over here. Everyone deserves to enjoy the game in their own way, and everyone has their likes, dislikes, squicks, icks, triggers, etc. Make your enjoyment of the game what feels right for you. Block character tags and content that make you feel bad and focus on what you love! Life is too short to be uncomfortable when you don't have to be.
I hope this makes sense, Anon! Thank you for taking the time to ask this question in a considerate way.
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bmodiwrites · 2 years
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If you are still accepting prompts I have the cutest idea I saw in a Tiktok - Eddie kisses Steve in the upside down before they part ways and Eddie says make him pay - Eddie and Dustin go to distract the demobats etc
But with like love confessions and pinning and Eddie surving
absolutely loved Voulez-Vous so much like I don’t have enough words to describe it!!!
Always, pal! I'll admit that I hadn't seen the Tik Tok until it came across my dash the other day, so I've been sitting on this one. I'm stoked to finally have an idea for it! & thank you - it's one of my favorites, too! This got a little long, hope you don't mind!!
Locked in the back of a stolen RV parked in an ammo store parking lot, Eddie contemplated the idea of being trapped. In the last forty hours, Eddie came to understand the concept of an animal cornered better than anyone else. And truthfully, only some of that feeling of confinement came from being wanted by the police.
Which was his own fault - there wasn't a single doubt about that. Eddie knew enough about the workings of reality to be aware of the dangers of falling for the wrong person, for the person that, until a day or two ago, Eddie was trained to despise. In a world where Eddie was the freak and a fine line existed between hate and love, there was a smidgen of poetic justice exhibiting itself in the fact that Eddie Munson was falling for Steve Harrington.
It hadn't been all that gradual, either.
To be fair, Eddie had always found Steve's particular aesthetic to be visually pleasing. Who walked around with that much hairspray in their hair without looking for a certain kind of attention, anyway? He had heard all of the rumors started by many of the prettier girls of Hawkins's student body, even bought into them as much as they did. As a young male of a certain age, many of those whispers fueled shame filled fires in moments of weakness - but that was just the idea of him.
Luck, the bastard of an ideal, was flighty in the sense that it brought good fortune right around the time the world was going to shit - especially in Eddie's case. He never thought that a moment of shared eye contact in a state of paranoia would cascade into something that was a long distance from lustful thoughts and stolen personal moments in private.
Steve, despite Eddie's sincere surprise, was like a beating heart. He filled himself up with care and appreciation for the people he chose to have around and pumped out protection like blood through a valve. Though his wit was much more subtle, Eddie appreciated the strength and bravery in the actions he took to offer that protection. Steve even extended that gift to Eddie, which was entirely unexpected from the imago he created of 'the hair' throughout his years in high school.
Never mind the fact that, when all was said and done, Steve was genuine and funny - really goddamn funny. When the kids first started coming to Hellfire Club meetings, Eddie didn't want to believe anything that came out of Dustin's mouth - he truly meant that when he told Steve so. It was impossible to think that Steve Harrington was both good looking and halfway decent. More than halfway, even.
That meant the feelings Eddie always tried to lock away inside of himself were for someone genuinely worth the brain bytes.
Shifting his position on the uncomfortable seat, Eddie reached up to run a shaky hand through the fringe of bangs already in disarray. Now was the absolute worst time to contemplate the inner workings of the most disastrous crush to ever happen, yet he couldn't keep his mind from worrying at it incessantly, like a tongue against a sore tooth.
Mostly because Eddie wasn't far away from being convinced that Steve felt the same.
It was crazy, Eddie already knew that. His thoughts were outreaching all portions of reality that were rational and sensical in any way. Putting that aside, Eddie's brain stuck to the close proximity and probing questions that felt akin to trying to get to know someone. In a moment of weakness, Eddie allowed himself to get carried away, but the consequences weren't what he figured. Steve looked taken aback and somewhat entertained without a sign or symptom of anger or outrage. Eddie wondered what Steve might've done if Robin wasn't standing right there, mediating the interaction.
Of course, Eddie never forgot that Steve was a perpetual flirt that had no conscious recollection of the fact that he was doing such a thing. That kept up a permanent residence in his mind - which was clearly battling with those small periods in time that Eddie was sure Steve was treating him that way for real. There were some looks that just couldn't be faked without at least a little genuine feeling.
Regardless, Eddie was stuck between a giant rock and a very hard place. It looked like there was no end in sight for him, either.
Thankfully, the door of the RV opened and Ericka Sinclair came running in to break up all his wayward thoughts - her eyes were hardened with a determination that shouldn't exist in someone that young. Though, that didn't matter when they were crammed into a stolen vehicle with all of their lives on the line. In the moment, age and class and HP and prior experience in the field didn't matter. They were all equal players on the board.
Things were a whirlwind for a while where Eddie had little time to do anything but hammer nails into a trash can lid and cling to the little moments with Dustin - his friendship with the kid was real, tangible, something he could touch. Worth more of his time than thoughts that cost too much. He would've hated himself if Steve Harrington took up the entirety of his mental capacity while a bit of peace still existed. Especially when Dustin Henderson was so goddamn cute and worthy of the attention.
And while he was strong enough to stick to that resolve all the way through the journey into the Upside Down, Eddie couldn't keep it together long enough to watch Steve walk away - not when he turned in their direction for one last look, last quip, last second of time sharing the same breath. Eddie didn't have it in him to let Steve go without doing something.
Not waiting for rationality to win over control, Eddie let go and gave in - "Steve, wait."
All of the sudden, wide brown eyes were on him and every thought, every thing Eddie knew, every everything vanished. His feet carried him forward like the path was pulling him there on its own accord. The glint of his rings were bright in the haze of the Upside Down, drawing his eye just seconds before they were stuck in the hem of Steve's jacket. It took but a small yank to have Steve close to him, and another moment of drawing breath for their lips to be against each other kissing, sharing something so real and visceral.
It was only seconds, that Earth moving kiss, but it ensnarled Eddie in a grip so tight that it was hard to pull away. There were so many things to say, truths to utter, yet he settled on "make him pay" - it was no wonder that he only got a breathless nod in return. He kept Steve in his grasp until it was too much; forcing his fingers to work under his command was difficult but he let go, he had to. Eddie nodded back, gulping in a large gasp of air to deal with the empty space the sight of Steve walking away brought about.
He took another second to slap a lid on the well in his heart, then turned to Dustin with a grin - "now for the fun part!"
Dustin followed him silently into the trailer with a contemplative look on his face. Once they were inside, he yanked on Eddie's vest. "What the heck was that?" The squint of his eye made him look a little funny and Eddie had to work hard not to laugh. His nerves for what was to come were starting to creep back in, so the distraction of Dustin's exasperation was surprisingly welcome.
"Something to be dealt with later, Henderson. There's a concert to put on." Eddie kept his expression hard, though he was grateful for this brief moment of normalcy before the shit hit the fan. It was almost like they weren't walking straight into a raging fire.
Despite the circumstance behind his impromptu performance, Eddie was loathe to admit that it was epic all the same. With Dustin on his knee rocking out beside him, the task of distraction took on a shiner texture. Fun was an odd word to apply to a life or death situation, yet nothing else fit. Feeling his fingers fly over the strings in a flawless rendition of a song he'd been working on tirelessly was exemplary - Eddie was certain he'd never had a prouder moment.
The glitz and shine of it was unsurprisingly overshadowed by the arrival of a large swarm of bats circling them that suddenly made Eddie feel like a sitting duck. For all intents and purposes, their portion of the plan was over. As the noises started to get louder against the outside of the trailer, Eddie worried they weren't quite as prepared as they originally realized.
When the squeals of the demobats started to make his eardrums ache, Eddie was certain they were done for. It would make no sense to go through the gate while completely overran by beasts that could do major damage back in their reality. His gut was churning with the rapid pitch of thoughts and ideas whipping through his brain, never mind the adrenaline coursing through his veins. All of the sudden, what sounded like a large storm overtook the trailer.
Eddie closed his eyes, certain they were seconds away from battling for their life when utter silence followed. He was frozen in place, his ears peeled in wait for the other shoe to drop. As the quiet persisted, Eddie got some of the feeling back in his limbs, allowing him to turn around. He and Dustin shared a confused look before the ground beneath them started to shake.
"Get through the gate, Dustin," Eddie said, grabbing onto Dustin's shoulders. "I'll follow you." And while it was the truth, Eddie wasn't stupid enough to think Dustin wouldn't realize he had other plans before that would happen. He tightened his grip, silently trying to drive his point home. There was a tense second before Dustin nodded.
They were seconds away from splitting up when the trailer door banged open and Robin ran through it. She was carrying what looked to be a thick stick with an alcohol soaked rag wrapped around it that was caught on fire; like an old fashioned torch. Nancy and Steve were hot on her tail, running in with panted breaths and scared but triumphant looks in their eyes.
"We need to get the hell out of here," Steve shouted - his point was further driven home by the ground shaking again, this time with more intensity. No one hesitated to run down the hall into Eddie's room to quickly climb up the sheet ladder back where they all belonged. Thankfully, they were all through before his ceiling sealed up with only the slightest scar left behind.
No one spoke for many moments. It took a while for adrenaline to settle and breaths to be caught, for reality to sink in. Everyone was looking everywhere, like none of them could believe that some small part of the madness was over and done with.
It took a surprising amount of time for words to finally break the silence. Dustin was eager to know what exactly happened and once the shock wore off, Nancy was happy to explain. It came down to El being a badass with her jedi mind tricks; she subdued Vecna just long enough for Nancy to further prove her awesomeness with well aimed shoots. And fire - they used lots of fire.
When all was said and done, the resolution left something to be desired, but Eddie was not one to look a gift horse in the mouth. There were still many obstacles to overcome that any amount of success was a win. He made it out with his life after playing the most epic metal concert of his life - how much more could Eddie really ask for?
Except, the threat of dying wasn't keeping the thoughts of that kiss and what it could mean at bay anymore. While it'd been only a little easier to hold them back when life wasn't guaranteed, those persistent wants and ideas existed in the back of Eddie's mind, festering away. His performance, the stellar playing, that was fueled by the desire to contribute and help and maybe, at the end of it all, come out on the other side of things well enough to see something through with Steve. That's probably why Eddie was able to give himself into the music the way he did.
Still, the question of whether Steve reciprocated his feelings remained. Was hours after saving the world the best time to step up and ask something so life changing? Eddie knew the answer was no but the thought of waiting around just to see what happened next didn't seem all that good, either. That sort of unanswered question was nefarious, easily bringing stronger people to their knees. Maybe the small taste of death made him braver than before, or maybe, Eddie was just tired of hesitating, of turning his back when things he wanted were right there before him - reaching out suddenly wasn't the scariest thing in Eddie's world, anymore.
After collecting Dustin, Max, and Ericka from the Creel house, the party sunk into the warmth of Steve's empty place, happy to be home. When the celebrating was done, everyone split up to nurse wounds and get some well needed rest. Eddie waited until all the kids were taken care of before starting his hunt for Steve. It didn't take long for him to literally stumble into the younger boy - Eddie missed the top step leading upstairs and sent himself flying, right into the arms of Steve Harrington.
As he straightened himself up, Eddie tried to formulate the right thing to say that showed gratitude and made him look cool all at once. Though, a soft "thanks" slipped out, instead. His voice was pitched low, like anything louder than a whisper would break up the moment.
Steve's arms tightened around Eddie's middle where they settled in his attempt to keep Eddie upright. He looked contemplative for a second, then the tiniest of smiles overtook his lips. "I think this is becoming a habit, us saving each other."
Eddie was struck by the truth of that simple statement. It'd been so easy, sucking up all the fear in his heart and stepping out onto a thin limb. He didn't hesitate to jump headfirst into the water after Steve got dragged down. It was like second nature to grab the nearest weapon to swing away demobats with. Eddie didn't even bat an eye at the idea of being a distraction. When bigger, more important things were on the line, Steve's life and that of the rest of his friends too, Eddie could do nothing but make a habit out of doing anything to keep them safe.
In the end, Eddie settled with "yeah, maybe" as his answer, because anything else would've opened up the floodgate of emotions that were too big for the space in time they were currently occupying. Eddie's brain only had room for so much and he already felt a little overrun.
Of course, Steve's answering grin and the close proximity of their chests made it difficult to think about anything other than the pulsing need to lean forward and kiss him again. Maybe, after keeping it all in for so long, the feelings couldn't be held back any longer.
"I think I might love you," Eddie said in one long breath, blurting the words out into the open. Since they were already out there, he barreled on. "I think that's why it's so easy to be selfless and heroic when you're around. I'd do anything, Steve, to see you safe."
There was a heavy breath and the shift of feet on the hardwood below them, elongated the small silence following Eddie's confession. Though Steve hadn't dropped his hold or moved away, he hadn't said anything, either. Eddie wanted to stuff his head into the nearest wall - now that the world wasn't ending, maybe the previous bravery guiding his actions was too much for the return of a slower reality.
"So that's what that kiss was about," Steve finally said. His voice was laced with realization, like a light bulb had lit up brightly above his head. When their eyes met then, Eddie saw clarity and what might've been the beginnings of happiness in Steve's gaze. He looked at Eddie like one would a finished puzzle - triumphant and battle worn and glad to see all of the pieces finally fitting together.
"Would it be okay if I might love you back?" Steve asked, voicing his question as their faces drifted closer and closer. By the time the last word settled into the air between them, their lips were brushing, ghosting together in the smallest semblance of a kiss. It was too much and not enough and all Eddie wanted.
With one small shift forward, Eddie closed that final gap, kissing Steve softly in answer. Their lips lingered and fused, combining in a way that spoke of a new start and the possibility of forever that wasn't there before. This time, when Eddie drew away, he wasn't afraid to let Steve go. He knew, after fighting together and protecting each other that Steve, as long as he could, would always come back to him.
No matter the cost.
Steddie Prompts
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ofallthingsnasty · 5 months
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I know I haven't been following you for that long, but I have gotten invested in your fanfics and ocs so FAST. Not even kidding when I say that I spend tons of time just daydreaming about your fics lol They just scratch that itch I have for dark stories, it's amazing😭😭😭 And damn all these character lore drops are just watering my crops😫 Especially the bits about Evan and Micah.
I knew I was right to be scared of Evan since the beginning but yikes on bikes, I didn't expect him to straight up resort to maiming you if you act out ⊙▂⊙ I imagine that if the reader did ever manage to escape while Evan was out, it wouldn't be at all out of character for him to go "well reader, looks like you're losing the 'having both of your legs privilege'🙂" And he would feel super bad about it, but he would still do it. Probably while crying and saying something along the lines of this is going to hurt me more then it's going to hurt you, while the reader is begging and crying for him to not do it. Ughhh I got chills just typing this out💀Yeah Evan scares me quite a bit, anyways amazing character cant wait to see more of him lol🥰
And our favorite resident jerk Micah Bell, I do hate his guts but I have always found his character really morbidly fascinating and fun to witness in game. I sit there and go 'wow this guy is such an asshole.....why isn't he in more scenes and missions?(look if you hate him then that means that Peter Blomquist did his job perfectly👌) Micah is definitely one of my favorite villains ever and my goodness you have done this awful and nasty man justice in 'through the briar' 😖 And that bit of lore you posted just adds to it. Micah already doesn't like the reader in the slightest, in the beginning he saw her as an annoyance, an easy target to bully, and a opportunity to one up Arthur. But from what you posted, if the reader ends up pregnant he seems to genuinely resent you for the situation "you" put him in. To Micah you just had to have the utter AUDACITY to get pregnant, when he just wanted to have a little fun. And now he has to do all this work to look after the reader and their children (by work it means he probably shows up once a month, twice if he's feeling extra generous. And hands you a single can of beans that prob expired three years ago, 15 dollars and a quarter, don't forget the quarter💀all that to feed maybe 2-4 kids? Gee thanks for the help🙃)
I imagine whenever he does come home its like walking on eggshells for the reader and the kids, cause Micah is looking for any reason to get verbally and physically abusive towards them, especially the reader. (btw do you think Micah has even a hint of affection for his children? I know he doesn't love you in the slightest💀 but maybe the kids got a fraction of his cold, dead heart😭😭) In the little escape attempt from Micah scenario you have planned, I can honestly see him calling the reader an 'ungrateful bitch' for running from him after all he's done for you🙃🙄 That he didn't have to do "right" by you after you got pregnant, but he did. And this is how you repay him? And after that little speech....yeah it won't be pretty for the reader🫥
Anyways enough of my rambling😅As you can see your fics are just feeding my brain hahaha (holy crap this is a long ass post I'm sorry lmao💀)
Oh my god, this is so sweet!! I am amazed that my writing could have such an influence on anyone 😭💕 You don't know how much internal back-and-forth I did before I finally was able to publish 'through the briar' - because I thought the concept was so silly and had big, big self-doubts but that fic really showed me that there is always someone who wants to read whatever idea it is one has 💕💕 So, thank you, really!!
I knew I was right to be scared of Evan since the beginning but yikes on bikes, I didn't expect him to straight up resort to maiming you if you act out ⊙▂⊙
Yes, yes you definitely should!! I only scratched the surface of his true nature in 'capture kill' but I was trying to leave some hints for the readers - I see him as a very 'classic' yandere, like the ones I used to read about when I was younger. Desperate, lovesick, willing to go to hell and back to have you - the only thing that holds him back is his little wolf pack because following their code is intrinsical to him. He's easy to underestimate, especially for a defiant darling.
I imagine that if the reader did ever manage to escape while Evan was out, it wouldn't be at all out of character for him to go "well reader, looks like you're losing the 'having both of your legs privilege'🙂" And he would feel super bad about it, but he would still do it. Probably while crying and saying something along the lines of this is going to hurt me more then it's going to hurt you, while the reader is begging and crying for him to not do it.
Yup, exactly! Like I said, it's all for the "greater good" - he already fucking hates what happens to you in 'capture kill' but again, he'll surely be the one to impregnate you and then you two can forget all about this, right? Then he will have earned you fair and square - and no one can take you away from him.
I sit there and go 'wow this guy is such an asshole…..why isn't he in more scenes and missions?
gdfdsgh same!! I would KILL for more lines like "No need to keep your face covered now. It's just you and me, sweetheart." during An American Pastoral Scene (link with timestamp for your viewing pleasure ehe) - I soaked all these missions up like a fucking sponge, both absolutely disgusted and captivated.
I imagine whenever he does come home its like walking on eggshells for the reader and the kids, cause Micah is looking for any reason to get verbally and physically abusive towards them, especially the reader. (btw do you think Micah has even a hint of affection for his children? I know he doesn't love you in the slightest💀 but maybe the kids got a fraction of his cold, dead heart😭😭)
Absolutely. You look at him a little funny and he'll be going off in an instant, laying into you as though you're his personal punching bag. For his kids? I think it's complicated. Again, he did write to Amos - whether it's to stake a claim on his kin or because of some brotherly love, we can't know - but I do think that even that man can't help but melt a little (like on a molecular level) when a little horde of Bell children vies for his attention. That lasts for three exact seconds, then he's back to cussing them out. What I'm trying to say is that he has his moments, as many abusive parents tend to have.
And I agree SO MUCH with everything you've said about Micah and the reader-character. Really, the only good thing about him is that he's gonna die in a couple of years. Although that would leave you in even rougher shape, financially. Maybe we can both hold hands and dream about John magically coming into money and helping her out or something 😭 She is so fucked. I feel so fucking bad for my own creation, especially because she's a really shy, nice little lady. She really doesn't deserve it.
(Don't apologize omg!! I really enjoyed reading your thoughts!! It's the highest form of praise that my writing makes you think™, it means I did something right 😭💕)
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spartanlocke · 1 year
Text
Lightfall spoilers below
I am once again wishing everyone who complained that the Traveler “stole our kill” during the Red War a very stubbed toe.
Thanks to all the bitching and moaning for what was a very fitting and impactful moment in Destiny’s story, Bungie has become convinced that the Guardian must always be the one to kill the bad guy, otherwise players might feel that they were “robbed.” And we can’t have that, now can we?
Ever since Caiatl was introduced as a character she was driven by her desire to kill her father, she said over and over again that she would be the one to kill Calus, so we all thought she would, because Bungie seemed to be building up to it and it’s fitting for her.
Instead she stays behind and we just shoot Calus to death.
Calus was defined by his desire for power. His endless hunger for everything. Something that the Witness nurtured into a imperishable need to be the end. He is hedonistic, yes, but he was cunning and powerful and had the killcount to prove it. He didn’t just laze around and let everyone else do the work for him, even though his subjects did help, he conceived the plan, moved the pieces, and got his hands dirty. Not only does lore not from his biased PoV confirm this, but see it ourselves when he was introduced as literal raid boss, fighting the Guardians to see if they can prove their strength. He fights Ca’our in Spire of Stars, he uses his run-down robots to kill intruders, he murders hundreds of his own subjects to feed the Egregore; he’s literally a one-man army fueled by megalomania.
But he doubts the Witness, doubts that it will fulfill his desire to be the very last at the end, so what does that say about his motives, his desires, which come to conflict with the Witness’s?
...Apparently it says he just sleeps through the whole campaign until the Witness yells at him to get back to work, then we just shoot him to death.
All those years of buildup and carefully constructed characterization, thrown away because players told Bungie that our Guardian needs to always land the final blow.
Anyway, hope y’all are happy, Bungie gave you want you wanted!
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.
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UPDATE: OKKKK got all that out of my system, feel better now.
Despite that I will say that all in all, I like Lightfall! There were a lot of things it could’ve done better but overall I really enjoyed the experience! Strand is tricky to master but I am really enjoying it, the environment and music are 11/10 as always, and the Cloudstriders (Nimbus my beloved) continue to be a very intriguing addition to the story and I love the entire concept of the CloudArk and allowing the citizens to be part of the patrol zones without actually being there. I’m a bit disappointed we still don’t know what the Veil is but it’s normal for Bungie to reveal things in bits and pieces rather than all at once. Also like the foreshadowing Nezarec is getting, feels a bit on-the-nose but I find it preferable compared to how Rhulk just appeared out of nowhere (no shade though VotD definitely made up for that)
Some people are saying the campaign felt like a filler and while I can kinda see it, I can also see why Bungie would’ve done that. The whole reason we're getting The Final Shape is because Bungie realized three expansions was not enough to conclude all the plot threads they were building, so they had to include another expansion to make room. Lightfall‘s conclusion allows them to temporarily Vault the Witness allow the Witness to exit the stage so they can focus on concluding the stories of Xivu Arath, Mara Sov and Clovis Bray before finally taking on the Witness in The Finale Shape.
...I just hope Bungie does them more justice than they did Calus and Caiatl.
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hollowsart · 1 year
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Again me. X3
Why you're choose sloth for your spidersona? I can guess they're cute but maybe you have other reasons x3
One more thing.
Can you write your opinion on The Spectacular Spider-Man's Mysterio nd Jake Gyllenhaal's Mysterio? I'm alright if this will be different from what I'm thinking.
Hello hello again!
This will be a long response:
===
1) I tried to make a spidersona before that was like a Spider Crab/Japanese Spider Crab because "spider" and also those are my favorite crabs ever, as well as just to be silly, however nothing was working, so I gave up and forgot about it until this year. I really love sloths, they're my favorite animal ever and so I had the brilliant idea to make mine a sloth instead of a spider! Really makes mine stand out from the rest, plus it wasn't too hard to design it in a similar way to spiderman! Lots of similar design elements, like the black around the eyes and all!
I am also archnophobic and think sloths would be more friendly. It also makes people underestimate me in a fight with their preconceived notions of how sloths are vs how I actually am because of my enhanced abilities from being bit by the genetically modified spider!
Also makes my spidersona more unique and personal to me 💕 and you're not wrong about sloths being cute!! They're adorable 🙏💕🦥
..I did recently draw up a quick concept of an alternate spidersona for myself that is actually based on a spider like everyone else, the spider I chose was a Bunny Harvestman:
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They're the only spider I can withstand looking at surprisingly (they're kind of cool?), plus.. cute bunny.. and a nice color palette!
----
2) I never saw Far From Home, but I am disappointed that the character isn't a rejected melodramatic theater kid with a background in the movie making business. That's all I've really gathered about him. I like my Mysterio/Beck to be a goofy funny silly guy who can be a real big threat and very serious when he wants or needs to be. I just feel his character wasn't done the justice he deserves, I guess. I don't have any desire to watch FFH to gain a more thorough opinion on Jake's take on the character tho, unfortunately.
I hope that's not disappointing?
TSSM's Beck/Mysterio, however, is by far my absolute favorite version of him and I've grown so fond of the one from the Amazing Mary Jane mini comic series where he works with MJ to create a biopic of himself. (Learned it's a part of a bigger more complex story and all but ehh, I'm gonna ignore everything before and after that little series. It's better that way. More enjoyable to imagine Beck just really wanted to make his own biopic movie with no real bad intentions or ulterior motives for making it. Genuinely his character was so cute and charming in that comic, oh my gosh 😩💖)
I haven't read really hardly any comics tho, but I just wanted to mention that!
Anyways TSSM's is absolutely my favorite above all others. He's everything I like about the character and then some! A shame the cartoon was canceled because I would have LOVED to see more of him. That's the version of the character that got me into him, got me to like him (also I mean, Mysterio's design in general from almost anything he's been in has been really eye catching and appealing, so..) and is also the main base of inspiration to my own version of Mysterio/Beck and his personality and overall design.
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Smoochable blorbo 💖 would hold hands with him if I could..
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browzerhistory · 5 months
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anyways Personally i don't think it's possible to meaningfully separate the self from the body/world and thinking of them as independent entities can create serious issues in later lines of thinking.
i say this as someone who has several 'selves' (system) but all of us have been undeniably changed by our body and the environment it's in. we wouldn't be who we are now without the very specific conditions and events that shaped our bodies and personalities.
it can be argued whether someone is more predisposed towards certain traits and activities from birth, but even then, the way you're raised and how much access you're given to those activities, as well as how much you're allowed to express those traits, matter deeply in shaping the person you are.
it's why i struggle with "what if you were born a different sex/richer or poorer/in a different country/etc.?" type questions bc the answer you'll get from me is inevitably "the person in those circumstances would be so fundamentally different and unrecognizable when compared to me that i don't think it'd be fair to say they would still be me." you know?
take a relatively small example, like if my parents decided to enroll me in a different kindergarten than the one they did. i would never have swapped schools in elementary, which kicked off my anxiety disorder hardcore but also made me gain wonderful friends who i wouldn't trade for the world, and unique experiences that shape the way i adapt to situations today.
or say i went to physical (heavily masked) school during the 2020 school year instead of taking online courses. i probably wouldn't have fully split into a system and i wouldn't have missed my best friend's last year of attending the same school as me before moving away. but i also wouldn't have rediscovered one of my oldest, most beloved special interests, nor would i have met the short lived but wonderful community online that helped me realize i was trans.
what i'm trying to get at is that the popular concept of the Self or the Soul as this immutable, eternal force that drives a person's actions and is predetermined before they're born really doesn't line up with reality. not only in the context of how much your environment changes you, but how much you can change you. humans are creatures of habit, sure, but you can make and break habits with relative ease most of the time.
(i started crossing my z's in third grade because i thought it looked cool. i stopped listening to an artist i used to adore because he said some shit things and i've barely missed his music. lately i've been making an effort not to step on certain floor tiles in the hall just because. i know most things aren't this minor or easy to change, but it's just an example.)
as far as theories on the self go, mine is a pretty easy one to spiral on. especially since, before i started thinking harder about it, i thought there was this Special Thing that made me Me and no one could take it away, so when i considered the possibility of my me-ness not being inherent to my existence, it freaked me out.
but as i thought about it more, i found the thought really... comforting, somehow? maybe it's because i'm trans and a system but the idea that there's the True You you have to want to be (and if you're not then something is wrong with you) feels really restricting. people are always changing, even moment to moment. it's not a bad thing to be constantly changing, that's just what being alive is like.
which brings me to another point (that i probably should've made earlier but whatevs) that also lines up pretty well with my political views: nobody is doomed to be a bad person forever, even if they've done bad things in the past. (i could make a whole other essay on the ways punitive justice just Doesn't work and how annoying it is to see in leftist spaces all the time, but i'll breeze past it for the sake of this post not becoming a novella.) my point here is that while yes, vengeance and punishment for harmful actions does feel great and can very occasionally help, the sustainable and humane way to approach harm is through restorative justice and rehabilitation (for lack of a better word).
nobody is born evil and nobody is doomed to be evil and hurt everyone forever. this is true both in the sense of restorative justice, where the person who did the harmful action(s) can be trusted and expected to change their behavior, and in the more personal "you are not bound to suffering for all your life" sense. if you break your arm, do you set the bone or cut the whole limb off?
the concept of the self, when wielded as a tell-all unchanging revelation of a person's "true nature of violence/harm" can be and is used against already marginalized and oppressed groups to justify that oppression. this is a more political gripe, sure, but it's one of the reasons i think my theory holds up better. saying "people can't change if they've done bad things..." is a very good way to get people to accept "...so anyone who does a bad thing should be locked up forever/socially isolated/killed/etc."
idk. it's probably a Capitalism thing - something something making a product of yourself and products have to be consistent - but the attachment to a One True Self really grinds my gears in a way that i haven't been able to put into words until recently.
i understand the desire to have something that makes you fundamentally You no matter what, but the way i see it, it'd take one tiny change in your past to turn you into a completely different person. that doesn't mean you're not real or that nothing you do matters, it just means the world is as much a part of you as you are of it. it's worth thinking about sometimes.
(also please talk to me about this more i could go on for hours about the idea of the self and our relationships to our bodyminds and etc)
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