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#anti zeus
sarafangirlart · 3 months
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It’s odd how Athena is Zeus’s favorite but she doesn’t seem to like him back, not only did she participate in Hera’s coup against him but even in the Iliad she was upset with him.
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Enough with that “Hades and Persephone forbidden romance UwU” BS, how about a story about a mother that goes all John Wick in order to get her kidnapped daughter back, a la Luc Besson’s Taken.
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mask131 · 10 months
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This post is for all the anti-Zeus people. All those that consider Zeus is the biggest jerk and worst prick of all the Olympian gods, that he is an iredeemable asshole, that he doesn’t deserve anything and no one in their right mind should worship him.
Could you please explain to me why? 
I see everywhere people lash out at Zeus or crowning him “the worst god ever”. When I try to explain that the books of Riordan darkened a lot his image and are much more of a caricature than an actual mythological depiction, people do not believe me and say Riordan is not that far from the actual mythological portrait. This perception of Zeus is so strong and so lasting I want to know the why and hows.
What are your grievances towards Zeus? What are your accusations? What in his myths, legends or cult made you go “This is the real bad guy of Greek mythology”? I truly want to - desire to - understand your position. Please give me your arguments, your reasoning, your basis. Because everywhere people say “Zeus is bad”, but they never expand on WHY he is bad, as if everybody was supposed to know that. 
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smolandweirdwriter · 1 year
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gotta say i think my favorite part of the iliad was when zeus is like “you know how horny i was when I made out with this woman and this woman and this woman and this woman and this woman? yeah i’m even lustier for you right now hera!” and she’s like “damn ok, but what if someone sees us fucking?” that is TOP TIER comedy my friends
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blinday · 2 years
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I hate him. That's it, that's the post.
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clown-cult · 7 months
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Minthe in her reparations arc for the ULO discord.
Pls observe the specific hand colours and how she gets happier as she recovers.
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genericpuff · 7 months
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In which Persephone is told she can't game the system- (TEXT EDIT)
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no art was edited here, just text to make this more realistic to how this scene WOULD have gone if it was an actual courtroom with real rules LOL I find it a little weird that Rachel wrote a courtroom drama arc like this and then twisted it this much to benefit Persephone because like... clearly she was inspired by courtroom drama shows, and I can't help but wonder if she got all of her basic courtroom knowledge from like, Spongebob or some shit LOL
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beauty-and-passion · 3 months
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Lore Olympus: a golden mine of bad writing
As I said, one post wasn’t enough.
There is still a lot to say about this webcomic and in this post I would like to talk about how Zeus, Apollo and Kronos have been treated. Here I will focus on the first two acts only, because the third act is not over, as well as the story. And yes, that means I will write another post when this whole thing is over.
I wanted to focus on these three gods in particular because are treated in a way that baffles me and makes me question what did they ever do to Mrs. Smythe. Tell me, Rachel: was it something personal? Did they do something to your family? What happened?
But maybe you don’t understand my point, especially if you haven’t read the Greek myths at all and you think that these three are just “Unfaithful Guy”, “Rapist” and “Evil Villain Har Har Who Also Wants To Rape”. Seriously, what’s with this weird obsession with raping everyone and with sex? Did Mrs. Smythe ever see anything else in myths, besides sex?
So please, allow me to explain why their characterizations are wrong and boring - and no, not just from a mythological point of view. 
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Zeus: the walking clichè
Making Zeus an asshole is understandable, even if utterly boring and clichè. Oh wow, he's an unfaithful husband and he's vain. Very original. Groundbreaking, I'd say. I’ve never read about him being unfaithful to his wife, not even once in all the 200 million retellings made during the history of mankind.
It's a shame because Zeus is much more than that. He's a mighty ruler with a strong sense of justice: in several myths, he punished the assholes for their wrongdoings. He's very clever and strong. He's also associated with xenia, the custom of offering protection to strangers, which means Zeus is also a protector of foreigners.
I mean, this information alone offers so many new perspectives about him! Just imagine if, instead of hanging around and doing nothing useful aside from being everyone’s favorite punching bag, Zeus fought against every corrupt system of the mortal realm, in order to protect the foreigners and the innocents. It would’ve been so cool to see a different side of him, instead of the same thing over and over again!
But nope, Zeus = unfaithful husband only. Let’s ignore all the other aspects of him, to focus on the one everyone focuses on. Let’s make him the umpteenth version of the same guy, instead of offering a new vision. This will surely make the story worth everyone’s time!
Rachel, this could’ve worked if I was 12 and had never read a retelling in my entire life. But since I’m more than twice that age, seeing Zeus as an unfaithful husband again doesn’t get my interest. And I’m sure this doesn’t only apply to me, but to everyone who already saw at least two retellings of him. Isn’t this story supposed to be new and original? Then why are we still picking from the same old clichè visions of these gods? Where is the writer’s personality and ability?
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Apollo: king of wasted potentials
I am absolutely, completely, 100% baffled at how Apollo has been treated in this story.
It's insulting to see the most beloved Greek god treated as a bidimensional piece of shit. Not only because he doesn't make any sense in the story (why is he here in the first place? Did Persephone and Apollo even interact in any myth?), but also because there are so many different possibilities for him, that seeing him being this is the biggest waste of potential I’ve ever seen.
A brief recap of who Apollo really is: Apollo is the embodiment of the sun. He is the god of arts and crafts. He's the most beautiful god, he embodies the concept of perfect Greek beauty. And he is associated with a lot of cool stuff, like medicine, truth and oracles. Also, like most of the other Greek gods, Apollo had many male and female lovers.
Now, look me in the eye and tell me that, with all of this, your first idea about him is "yeah, let's make him a stupid rapist, so stupid to not realize that hey, maybe forcing a girl to sleep with you will not make her fall in love with you". Oh and let's not forget he randomly decided he wanted Zeus' throne just after the fertility plot point had been introduced Because Yes. And he’s running for president of Whatever-Land Because Yes. Also, he’s currently involved again in another evil plot Because… yeah, you got it.
It’s just so frustrating to see him being the biggest loser of all time, considering how much cooler he could’ve been. Just think about it: we could've had a bisexual musician, who does concerts with his band (the Muses) and has a shit ton of lovers. We could’ve had a heartbroken doctor, who does his best to save everyone because he has not been able to save his own son from death (Asclepius). We could've had a mysterious advisor who can see the future because of his foresight powers.
What did we get instead? A fucking rapist.
Apollo is nothing but wasted potential. He’s an insult to himself, the story, common sense, and the Greek culture. Of all the incredible things he could've been, he became the most insulting of them all. I really cannot bear to see this fucking idiot and his punching-bag face, pretending to be Apollo. He’s not Apollo.
But if there is a guy I can see less than him, then let me introduce you to…
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Kronos: Supreme Master of Wasted Potential
First of all: why is Kronos here? Why does this love story need Persephone to defeat a big bad guy? Just to show how cool and badass she is? Considering that their fight was a joke, it didn't work very well.
But okay, let's say we need a villain Because Yes. Kronos is still a huge waste of potential, probably the biggest waste of potential of the whole series until now. He could’ve been an interesting, multifaceted character, but he became a cartoonish supervillain har-har I want power.
Sigh.
But let’s take a step back and talk about the real, mythological Kronos. His story starts with his parents, Uranus and Gaia. The two had a lot of sons, including Titans (like Kronos) and Hecatonchires (monsters with fifty heads and one hundred arms). Disgusted by their monstrous nature or maybe just out of fear of being overthrown, Uranus chained his sons away into Gaia's womb (aka the Tartarus) so that they could never come out again.
Gaia suffered from this decision, so she devised a plan: she made a stone sickle, gathered her sons and tried to persuade them to castrate Uranus.
All of her sons were afraid of Uranus, Kronos was the only one brave enough to do it. And he was successful: he overthrew his father and became the new ruler of the universe, along with his wife/sister Rhea.
However, after becoming king, he didn't free all of his brothers as his mother wanted, but locked Hecatonchires and Cyclopes away once again. And so, Gaia told him that, one day, he would meet his father’s same fate and be overthrown by one of his own children.
Scared by these words, Kronos devised a plan: every time he had a new child, he took the baby from Rhea and swallowed them. Rhea was desperate and, in order to save her last son Zeus, she sought Gaia's help.
So Rhea gave birth to Zeus in a secret place, then handed Kronos a stone wrapped in clothes: he swallowed it, thinking that it was his son. This way, Zeus managed to escape the same fate as his siblings and was raised in secret, away from his father, until he was old enough to come back and fulfill his destiny.
And now, you may think Zeus overthrew his father with a sword and killed him and nah nah nah, myths are not that stupid and predictable. Zeus didn’t use violence to overthrow his father, but intelligence. He disguised himself to reach Kronos' court and, at the right time, he gave him a drink. That drink was an emetic (given by Gaia), that forced Kronos to throw up everything he swallowed, in reverse order: first the stone he thought was his last son, then Zeus' brothers and sisters.
After freeing his siblings, Zeus did what his father would've never done: he released the Hecatoncheires and the Cyclops to help him in the following battle against Kronos and the other Titans, a battle known as Titanomachy.
The war ended with the victory of the Olympians (i.e. Zeus and his siblings). Many Titans were confined in Tartarus, under the Hecatonchires' control, others were not imprisoned and kept appearing in other myths.
And Kronos? His fate differs depending on the myths. In some versions, he was imprisoned in Tartarus. But according to other, more interesting versions, Zeus forgave him after years, freed him and Kronos became king of the Elysian Fields: the famous earthly paradise reserved for the greatest Greek heroes.
Now. Just look at all of this beautiful, beautiful potential.
We have Gaia, a powerful goddess who overthrew two rulers of the universe, without moving a finger. A goddess strong and clever, but also a mother who wanted all of her children to be free - even the most hideous ones. She could’ve been a tragic figure, a master manipulator, or an evil schemer. Or all these things!
We have the Hecatonchires: fighters so powerful, to turn the tide of any battle. They could’ve been scary and intimidating, but also tragic monsters who just wanted to be accepted. They could’ve taught a beautiful lesson about the importance of accepting the ugly and giving everyone a chance to prove themselves.
Then we have Kronos. And Kronos had everything to be the greatest character.
Think about this concept: Kronos has always been afraid of Uranus, just like his brothers. He was just better at hiding his feelings. And that visceral fear is still inside him, it still haunts him after centuries, just like the memory of how he overthrew his father. And that fear takes the shape of paranoid thoughts about his father coming back to take the throne.
Kronos could’ve seen his father haunting him, but he could’ve also dissociated and seen himself as his father. In his altered state of mind, he could’ve been both the king and the one who overthrows him.
That could’ve made him a truly dangerous, unhinged character. A god who can’t see what’s real anymore, obsessed with the ghosts of his past. A god with nothing to lose and everything to gain. After all, if he kills his children again, the throne would be his once more. And, since he sees himself as himself and as his father at the same time, he would think that he is the "true king" coming back to take his throne.
That could’ve been awesome. Kronos could've been complex, desperate and multifaceted, a villain to pity and to be afraid of. A truly new, interesting version to know and love.
And do you have any idea how incredible Zeus could’ve been in this version? We could see him facing Kronos again, still as strong and determined as when he was young. And while everyone would expect him to kill Kronos, he would use his intelligence once again. He would prove to Kronos (and to everyone else) how intelligence is always superior to violence and how he's a good leader, despite his thousands of flaws.
Also, we could've seen Zeus talking to the defeated Kronos and making him the ruler of the Elysian Fields. We could've had a meaningful ending, in which Zeus understands Kronos' fears and shares his own.
I would’ve adored this, because according to the myth, Zeus was also supposed to be overthrown by a son! Hence why he swallowed Metis (his first wife) while she was pregnant.
The myth never truly clarifies who this supposed "son" is, but according to the different versions, Metis was pregnant not with a son, but with a daughter. A daughter who, one day, would be born, full grown, from Zeus' head. A daughter who would become Zeus' favorite child: Athena.
Honestly? I ADORE the idea that there was never a son to overthrow Zeus, but a daughter. And she would not overthrow his father by violence like her grandfather or by intelligence like her father, but by love. Athena doesn't need to take the throne from her father physically, she doesn't even need to sit on that throne: not when her father loves her more than anything else.
And I love the idea that Zeus is aware of that. He knows his daughter is his weakness. He knows that, if she asks, he will willingly give her that throne, because he loves her too much. And I would've loved to see him sharing these thoughts with the defeated Kronos. It could've been a beautiful moment, to see Zeus talking with the fatherly figure he always missed from his life. It could've led to a beautiful, meaningful ending for a dramatic story.
But can you see the problem here? This concept works for a story about Zeus, not about Hades and Persephone! These two have nothing to do with Kronos! Heck, even Rachel Smythe knows it, considering she had to pull a stupid plot point out of thin air, to explain why Kronos would give a damn about Persephone!
In case you were wondering: yes, the fertility-magical-power-battery-thing is bullshit. Gods don’t need a magical battery to be powerful. And no, fertility goddesses are not rare either: Aphrodite, Demeter, Hera, even Artemis are just a few of the fertility goddesses in Greek mythology. Kronos could’ve picked his favorite from a large pool, instead of becoming an absolute creep with Persephone in the stupidest fight of all time.
And speaking of that, two words on the supposed “fight”. First of all, apologies to all fights for being associated with this thing, because this was anything but a fight: it was a cartoonish conversation accompanied by the umpteenth sexualization of Persephone, who first appeared fully naked, then with a dress so stupid to defy the laws of physics and perspective.
And if you don’t believe me, please see it by yourself: this is how the dress was supposed to be, according to episode 75
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This is how it ended up. Apparently, the Fates didn’t predict how huge Persephone’s boobs would be and the neckline didn’t grow accordingly: I feared to see one of them slipping out from it anytime during the “fight”
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Also, please appreciate how Persephone is turned to the side, but the dress’ stupidly huge neckline is shown from the front, otherwise we would’ve seen her full naked boobs.
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And that stupid neckline kept bothering me throughout the whole “fight”, because it kept changing size. Check the episodes and see it by yourself: sometimes it’s smaller, other times it’s wider and it keeps moving in impossible ways. It drove me insane.
But since we’re talking about drawings, please allow me a very brief parenthesis about them too.
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The drawings are a joke
I am not an artist. I can barely draw a straight line by hand. But I studied art history, perspective, proportions and colors, so I’m not completely clueless.
But you don’t need to be clueless, to notice how bad the drawings became. If you have two eyes and saw another human being in your life before, then you can notice by yourself how bad they are.
It’s not a secret that Lore Olympus’ art style changed over time. In the beginning, this comic was characterized by a lot of straight lines and geometric shapes, alternating and mixing with gentle curves. There were blur effects, colored outlines, a lot of details that gave an overall dreamy, ethereal vibe to every chapter (like the soft glow that accompanied the gods).
But as the story progressed, these elements disappeared. The geometric shapes gave way to an overall “softness” and roundness. The dreamy vibes and blur effects were replaced by sharper, clearer drawings. A distinct black outline now marks every character.
And speaking of characters, they were the ones who changed more. Lore Olympus always had funny, silly faces but the characters were also able to be serious and look natural. Now all we have are grotesque faces: the characters are a collection of caricatures and no one has a normal expression anymore. Check by yourself, by confronting a random episode of the third act with the first one: they’re two different worlds.
The disproportions were common too, since episode one. But at least they were somehow plausible, while now they’re completely absurd. It’s as if Mrs Smythe completely forgot what a human being looks like.
And this is pretty evident in how all characters became a rough draft of the two protagonists: all women got Persephone’s face, all men become buff and huge, with wide-ass shoulders and teeny tiny heads. This is particularly obvious at the end of season 2 / start of season 3, when we see some of the funniest images ever, like Hades with a tiny head and shoulders as wide as the entire USA
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Or this hilariously bad image of Zeus with clown shoes and a head as big as his deformed hand.
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No excuse can justify these drawings: no one is running after Mrs Smythe, nor forcing her to draw, and people are paying her real money to work on this webcomic. The least she can do is draw something that doesn’t look like a bad distortion of a human being.
Unless this isn’t her drawing, but her staff’s work. In that case, they are still paid to do their job, right? Or do they think this story is a joke and decide to show how much of a joke it is, by turning everyone into a grotesque caricature?
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In conclusion
Lore Olympus is hilarious because of how bad the writing is. It’s a manual example of how not to write a climax for your story. It’s a perfect demonstration of how you can still fail, even with great characters with endless possibilities. It’s a list of all the mistakes you can make as an artist.
If you’re a writer or an artist in general, please check Lore Olympus and study it. Here you will find everything you should never do and all the mistakes you should never make.
As a writer myself, I appreciate Lore Olympus, because I need works that teach me what I shouldn’t do. Good teachers are useful, but bad ones are even more useful, because it’s thanks to them that I can learn and grow and make better stories. Lore Olympus might be a failure from an artistic and writing point of view, but it might also serve as a foundation, from which other people can develop better ideas.
Actually, it already did it! Do you want to read a better story, rose from the disappointing ashes of Lore Olympus? Then check Lore Rekindled and @genericpuff: you will find their work here on Tumblr. They planned everything ahead and it’s pretty clear by reading it. The characters make more sense, the events have a more logical explanation. And the art style is much, much better than the last Lore Olympus.
We will meet again for the third and (for now) final post about this series, a much-needed post about the protagonists of this story: Hades, Persephone and Demeter.
<- Previous post - Next post ->
(How about a coffee? ☕)
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demeterdefence · 3 months
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i have a lot of bones to pick this chapter and i will get to that but i'm still really pressed by how rachel depicts kronos apparently grieving having to kill hera in her vision
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rachel does this really gross thing where at some point in the narrative, she'll have the male abuser depict some kind of sadness in regards to his female victim, but it is not remorse. it really reads like whitewashing the abuse itself because "can't you see how upset the abuser is that he has to do this :("
apollo got that really disgusting pov chapter talking about his perspective on persephone after raping her and that was bad enough, but then you also see kronos and his relationship with hera being sanitized or even shipped, when hera said verbatim that he abused her and she did not want to sleep with him, she had hoped she could just charm him. the narrative explicitly points out that kronos is a chronic abuser - he kills or severely injures rhea in a fit of rage after using all her powers, he frequently drives away any nymph or consort who approaches him, and he spends who knows how long mentally torturing hera.
there's another essay tucked into that but i just find it so fucking egregious that rachel wants to portray kronos as being upset he has to kill hera because of his own feelings for her, when the fact of the matter is he is choosing to kill her, just like he chose to kill rhea, and swallow his sons, and tear hera in half. depicting an abuser (a serial abuser, in this case) as being upset over an action he's choosing to do for his own benefit is ... a choice, and a disturbing one. why are we centering the abuser in a sympathetic light when he is still ultimately abusing someone???
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perseas-wellyboots · 1 month
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People are like Rick Riordan is such a great author who's not afraid to change status quo and ignore major flaws in his stories like JK Rowling and I'm like are you sure?
That sentiment might have worked if PJO was the only series in Riordanverse but with the addition of HOO and ToA it rings entirely false.
In PJO the major problem that needed to be tackled storytelling wise was Gods not claiming their children and their neglectful nature along with rise of Kronos.
Both those issues were ignored by Zeus and then in the end when they swore an oath on Styx, we assumed that it will be better.
However straight into HOO series from The Lost Hero, we see that Zeus did not change at all and instead made a bigger mess of events by closing Olympus and forbidding Gods from leaving Olympus. So we learn that not only does he ignores a problem that could potentially end the Gods twice???? but he's actively part of the problem.
The Gods could be better as a whole if they had someone competent in charge.
The Trials of Apollo series however changes the status quo entirely, the previous both series were from POV of demigods, so they and along with them we could only assume how Gods work and that the Gods neglecting demigods is a choice by them. But in ToA, Zeus goes from zero to hundred, not only is he a incompetent paranoid leader but he's also a tyrant and abuser. He abuses all his children and any disrespect results in huge punishment.
The Gods like a human family are stuck in a cycle of abuse but unlike in human family their abuser would not just die naturally one day. He is with them forever.
Apollo even identifies himself with Meg and thinks Zeus as a Beast for himself and yet no resolution is found at the end of the series and we just go on.
The Sun and the Star and The Chalice of Gods only continues the status quo.
True change of status quo and revolution would be Zeus being overthrown. In the root of both wars the major issue that causes high casualties is Zeus's carelessness.
I would love a book from Apollo's POV where he recruits his siblings and plans a revolution to overthrow Zeus because the immortal and mortal world and demigods, all of them would benefit being free of him.
TL;DR: Most of RR's writing has very similar problems as JKR's writing and even though I enjoy the PJO series more than HP series, I think RR fans should stop preaching holier than thou attitude.
JKR is problematic outside of her poor writing in HP (racism transphobia) and so is rick (with his neutral stance on genocide in palestine and playing both sides card, using this to promote his book, his islamophobic writing and not to forget how badly piper was wrote in TLH and she did not get much better until ToA)
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lovl3igh · 3 months
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I'm sorry but after meeting ares, zeus, hades, hermes, hephaestus, poseidon and dionysus of all gods and after what athena did, percy really did say "they're trying"?? no baby boy, they don't give a fck
ares literally said he hates his kids and grover probably told this percy and annabeth (besides you don't have to be a genius to know that)
percy already commented on thalia's fate, so zeus isn't father of the year either
hermes is an ass who at most can say it's hard for him to stay away from his kid
hades doesn't even have kids that percy knows of but he clearly didn't care about percy losing his mother
hephaestus got one little point for saving percy but that doesn't really speak about him as a father
poseidon saved percy's life twice but he was neglecting him for 12 years and knowing why doesn't make it much better
there's dionysus, no need to say more
athena was ready to get her daughter killed bc she doesn't have a sense of humor (not mention she let 7yo annabeth live on streets)
hermes' cabin is full of unclaimed kids
WHERE are they trying??
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sarafangirlart · 3 months
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The Dionysiaca being the wild ride it is, tells of an alternate myth where not only was Ares alive during the Titanomachy but also fought in it
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Which is confusing bc every source talking about his birth/early life most likely happened way after the Titanomachy and considering the war lasted for 10 years I couldn’t help but imagine Hera and Zeus carrying Ares around like this:
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Presenting Kassander, a shepherd, the son of Hermes and an oread. He was Persephone's lover and almost husband before she got snatched.
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Cyclops Are Valuable and Highly Skilled Workers in PJO, Not Mistakes.
Something I find really interesting (read: annoying) is how Annabeth says that "Cyclops are mistakes," and then nearly everything we hear of cyclops in every book/series says differently?
Of course there's outliers like Polyphemus and the cyclops Annabeth stabbed as a 6-7 year old but those are the exceptions. The majority of cyclops that are mentioned/seen aren't like that.
In tlt, Chiron says that Zeus thinks Poseidon stole his lightning bolt so Poseidon could have his cyclops study and make copies of it. Which means that his cyclops are highly competent weaponsmiths.
In SoM, Tyson works with Beckendorf and the Hephaestus kids and learns how to make magical objects. By the end of the book, Tyson makes a magical shield for Percy, which reveals so many of his talents: 1. Tyson is an artist (the shield was covered in scenes of their adventures from that summer), 2. Tyson went from fumbling with small objects to making an intricate shield in the space of 2 months. Which means that Tyson (and possibly all cyclops) have the ability to learn/pick up on skills very quickly with high degrees of proficiency. 3. Not to mention all the work that went into the mechanics of making the watch and the shield.
In SoM, Tyson was able to tell that Clarisse's warship's engine was failing, and was able to fix it, long enough for it to hold together for a few more minutes. And this was with little to no education in ship engines. So just as Percy has instinctive power over old fashioned wooden ships, Tyson has power over modern engineered ship engines.
In tlo, Poseidon's army of cyclops fought alongside him and the other Olympians against Typhon, demonstrating that not only are they decent warriors/soldiers but they are literally the best. They're good enough to fight alongside Olympian gods, including Zeus.
In tlo, Zeus makes Tyson a general of Olympus's armies. So 1. Cyclops can hold positions of authority not only in Poseidon's kingdom but also Zeus's. And 2. Olympus also has an army of cyclops (I'm assuming that Tyson is a general over an army of cyclops and not an army of lesser immortals/nymphs/satyrs/minor gods).
In tlo, Tyson and his cyclops friends are the ones building most of the minor gods cabins. Which shows that they're construction workers and civil engineers. Possibly architects too - aside from Nico's cabin it's unclear who designed the other cabins.
In HoO, Gaea has an army of cyclops, one that marched towards camp jupiter. Idk if they're Poseidon's cyclops - and I highly doubt they are because the gods including Poseidon were against Gaea, and most of Poseidon's cyclops live with him in Atlantis - and also because according to Greek myths Gaea and Ouranus also had a few cyclops kids. Gaea was using her own cyclops kids here. Either way, the fact that they're part of an army, one that responded to their mother/grand-mother etc. call shows that they're competent soldiers, at the very least.
In Cotg, Percy sees many cyclops building Poseidon's summer villa. So their abilities include construction and civil engineering as well.
So in conclusion, cyclops are hella talented. They're highly proficient in weapon making, magical weapons making, they have unnaturally good ability to pick up on new skills, they're elite fighters, hold positions of authority in multiple kingdoms, construction workers and civil engineers.
They're literally trades people? And in our society, tradesmen (and women) literally hold our houses together? They're essential workers. You wouldn't have a house, or plumbing or electrical systems or a furnace or AC without tradesmen. Idk if it's the same in PJO because Rick doesn't get into that level of worldbuilding. Anyways.
You wanna call them "mistakes" again, Annabeth? Or say "eww" when Tyson tries to say hi to you?
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smolandweirdwriter · 1 year
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Eros &
Psyche &
Hephaestus &
Aglaea &
Hades &
Persephone &
Hypnos &
Pasithea
What can I say? I have very simple standards for godly relationships: few myths surrounding their relationship, and minimal to no affairs. The bar is on the ground. (And yet somehow Zeus is down in the underworld, limbo dancing with someone who is definitely not Hera)
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baalzebubuu · 3 months
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A fuckass criticism i have lol
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