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#anne st. marie
chicinsilk · 7 months
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US Vogue September 15, 1956
Anne St. Marie in a large festive dress in brown silk marquisette, decorated with a small matching vine vest edged with sable. From Sophie's made-to-order collection at Saks Fifth Avenue.
Anne St. Marie dans une grande robe de fête en marquisette de soie brune, agrémentée d'un petit gilet assorti en vignogne bordé de martre. De la collection sur commande de Sophie chez Saks Fifth Avenue.
Photo Frances McLaughlin vogue archive
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kitsunetsuki · 9 months
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Karen Radkai - Anne St. Marie Wearing a Dress by David Levine (Vogue 1956)
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voguefashion · 10 months
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Anne St. Marie photographed by Tom Palumbo, 1959.
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robertocustodioart · 6 months
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Anne St. Marie by Henry Clarke 1955
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mote-historie · 9 months
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Lillian Bassman, Anne Saint-Marie, New York, Chanel Advertising Campaign, 1958.
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joeinct · 1 year
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Anne St. Marie, Photo Henry Clarke, 1955
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metamorphesque · 9 months
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🌼 poems (and a love letter) that helped me live through july 🌼
One Or Two Things, Mary Oliver
Kitchen Song, Laura Kasischke
The Breathing, Denise Levertov
Trapped, Charles Bukowski
Precognition, Margaret Atwood
Rain, John Burnside
Looking, Walking, Being, Denise Levertov
At Joan's, Frank O'Hara
You, Carol Ann Duffy
Time, Louise Gluck
Effort at Speech Between Two People, Muriel Rukeyser
Still, A. R. Ammons
Sonnet XL, Edna St. Vincent Millay
Sonnet XLIII, Edna St. Vincent Millay
Listen, W. S. Merwin
A Thin Line, Ryuichi Tamura (translated by Samuel Grolmes and Yumiko Tsumura)
Driveway, Richard Siken
The Sentence, Anna Akhmatova
Wanting to Die, Anne Sexton
Eating Together, Kim Addonizio
The Look, Sara Teasdale
The Starry Night, Anne Sexton
Hammond B3 Organ Cistern, Gabrielle Calvocoressi
Richard Feynman's love letter to his deceased wife, 1946
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asoftepiloguemylove · 2 months
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I WILL LOVE YOU IF I NEVER SEE YOU AGAIN, AND I WILL LOVE YOU IF I SEE YOU EVERY TUESDAY // ON LOVE IN BETTER DAYS
Mary Haskell // 少年的你 Better Days (2019) dir. Derek Tsang // Anne Sexton A Self-Portrait in Letters (via @flowerytale) // 少年的你 Better Days (2019) dir. Derek Tsang // Sylvain Reynard Gabriel's Inferno // Sue Zhao // Edna St. Vincent Millay Iterim Poem // 少年的你 Better Days (2019) dir. Derek Tsang // 엔하이픈 ENHYPEN Fate // Sam Sax // 少年的你 Better Days (2019) dir. Derek Tsang // Taylor Swift Say Don't Go (Taylor's Version) [From the Vault]
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jomiddlemarch · 15 days
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and is there honey still 
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Kissing Mary Vance was nothing like kissing Faith.
This realization, occurring a moment after the kiss ended, Jem’s hand still at Mary’s slender waist, her normally pale cheeks as pink as a rare mayflower, was followed immediately by the understanding that he’d never be able to tell anyone. There was no confidant he could trust with such a secret, even if he could bring himself to so violate the rules of gentlemanly behavior. It just wasn’t done and that was before he considered speaking of kissing Mary Vance, who was accepted as Miss Cornelia’s adopted daughter, but whose personal history was never quite forgotten.
Susan, should she ever hear of it, would be scandalized beyond comprehension. 
Jem would never eat another slice of her strawberry pie.
His friends and siblings would be confused, Faith put out, her pique covering any feelings of betrayal, for all that there was nothing binding between them.
Mother would be disappointed and Dad would shake his head.
The expression in Mary’s eyes, those queer eyes he now saw were the color of moonstones, told him she understood it all. 
“It’s nothing to make a fuss about,” she said. Faith would have tossed her head making such a remark, her golden-brown curls shown to advantage, but Mary only looked at him steadily and let the hand that had been on his shoulder drop to her lap.
“You hold yourself too cheap, Mary,” Jem said. 
“That ain’t—that isn’t possible,” she replied. “Anyway, what’s a kiss amount to?”
It was a good question, one Jem had thought he’d known the answer to, just as he thought he’d known the answer to the question she was laboring over at her desk in the empty classroom, a piece of paper scribbled over and crossed-out, grey smudges on the foolscap, on Mary’s white cuffs. She would’ve laundered them herself, being Miss Cornelia’s daughter not relieving her of her housekeeping duties, chores she’d call them though Jem knew none of his sisters had ever helped even pinning clean clothes to the line.
He supposed a kiss could be an ordinary thing, a peck on the cheek or the lips, a greeting, friendly and inconsequential as a wave, a forgettable gesture of a mild affection.
Kissing Mary Vance was nothing like that.
He could say, in all honesty, that he hadn’t planned it. He’d been pointing out something in her writing, a tricky bit she’d gotten tangled up in, and she’d been peering down at the page, trying to make it out. When she’d perceived her mistake, she’d looked up at him, her expression one he’d never seen before, victory and pride and delight all swirled together, altering her face from one he’d recognized without being aware of it into one he’d been startled to discover. Without a word, without a thought, he’d leaned in and kissed her parted lips before she crowed over her achievement or thanked him, the caress impetuous, a whim, irresistible.
She was irresistible. He’d grazed her lips with his own and in the space before the next heartbeat, he’d cupped her jaw with one hand and let the other drop to her waist to draw her close. He felt the most tremendous desire for her possess him, everything else dropped away. She tasted, quite impossibly, of honey, though that was perhaps because he had always liked honey best, and she was warm in his embrace, coming closer when his hand at her waist reached around her back, sighing a little when he stroked her cheek and angled her head to be able to kiss her more deeply. Every second, his desire for her ratcheted sharply upwards and she met him, her hand clutching his shoulder, her sharp tongue sweet in his mouth. She kissed the way a fast girl kissed but there was a terrible innocence to her response that made him know she’d never kissed anyone else, whatever she might have intimated to his sisters and her friends.
He couldn’t say why he’d broken away. 
A sound in the hallway or her sudden stillness when his hand grazed her breast, the need to breathe, the pounding of his heart felt throughout his whole body. 
“It doesn’t have to mean anything,” Mary went on when he was stayed silent.
“Are you sorry?” he blurted out, and hearing the words he became suddenly terrified that he’d transgressed, become that monster Reverend Meredith always warned of in his gentle way, a man consumed by his appetites, greed and lust. “Oh, God, Mary, have I made you do something you didn’t want—”
“As if you could!” she said, wry again, Mary Vance again as he’d ever known her. If she’d wanted to, she would have slapped him, he was sure of that. “There’s no person living who could make me do what I didn’t want and certainly not you, Jem Blythe.”
“That’s good, I suppose,” he said, chastened, still too close to her. Still tasting the honey-sweetness of her lips, feeling the sound of the quiet moan of hers he’d swallowed in his throat.
“We don’t have to talk about it anymore,” she offered. “Or ever again. It could be just something that happened once, like as if you’d knocked over my inkwell, and we can forget about it. If that’s what you’d like. To be easy about it.”
“We don’t have to talk about it anymore,” he repeated, agreeing. An inkwell knocked over would leave a stain, one endless scrubbing would never entirely remove. “But I won’t forget. I shan’t.”
“That’s good, I suppose,” she said, her old tone mixed in with a new softness. He’d mussed her hair and some of the loose strands caught the light, a far cry from the usual trig appearance Miss Cornelia insisted upon. He wasn’t sure he’d ever see this Mary again, but it might be enough, to have seen it this one time. It was more Walter’s way to say he’d carry it as a talisman, but Jem felt it without saying it, that to have this moment might serve him well in the future.
“Mind you turn that paper in,” he said. 
“Mind yourself, then,” she said and turned away.
He wouldn’t see Mary alone for another ten years. 
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“Thought I’d find you here,” Mary said, sitting down beside him, facing the water. She tucked her skirt around her and made no effort to conceal her sturdy, scuffed boots. It was a cool evening, cooler by the shore, but she didn’t have a coat or even the old wool shawl she’d refused to give up before he’d left for France. He shrugged off his own coat and offered it to her. He’d be warm enough in his heavy jersey, one the fisherman down at the harbor wore when the wind picked up.
“Not Rainbow Valley?” he said.
“Why would you go there? You’re not a child anymore. Haven’t been for a long time, unless I miss my mark,” she said. 
“No, you’re right,” he said. “Not for a long time.”
“You don’t have to talk to me about anything. Not about the War or Walter or being a prisoner,” she said. She said it without any particular tenderness, which was the most consoling part. He recalled, very dimly, that before she had come to Miss Cornelia, she’d lived through her own horrors, yet spoke of them rarely if at all.
“Don’t have to tell me about any French girls either,” she added and he laughed. 
It was the first time he’d laughed since he came home. Since he came back to the Glen, anyway, and called it home without being able to fully mean it.
“Not much to tell there. I mostly saw nuns and the Red Cross nurses are awfully brisk, whatever their nationality,” he said.
“I’ve always thought Cornelia would make a good nun, for all that she’s married,” Mary said.
“Perhaps,” Jem replied. The waves kept breaking on the sand and it was dusk, romantic if you wanted it to be. Mary had his coat wrapped around her shoulders. Jem felt scoured, raw and empty.
“Why’d you come, if you don’t expect me to talk?” he asked after several minutes of silence.
“I guess because you need someone who doesn’t expect you to talk but who’s willing to sit nearby, without fussing over anything,” she said. “I’ve plenty of handwork and housework to deal with at home. I’m perfectly content to sit and be idle and there’s nothing you can say or not say that can hurt me. I’m not hurt the way you are, I can bear whatever you need—”
“They can’t at home,” he said. Mother, with grief in her grey eyes and grey in her auburn hair, and Rilla, grown into a mother before she was a wife, Dad with something more broken inside him than any of the rest. Susan and Dog Monday and the letters from Di and Nan, blotted and halting. Una, who might as well be one of the French nuns who tended him, all of them mourning Walter and trying to rejoice at his return. Jem, trying to keep them from hearing any of his nightmares, biting his tongue when they spoke at a meal of the future or the past.
“I know,” she said. “Faith Meredith’s married a Brit. Officer, Lord Something Hoity-Toity of Fancy Abbey-on-High.”
“I’m happy for her,” Jem said tiredly. “We were childhood sweethearts, that’s all.”
“I know. Just wanted it said so you’d know I know,” Mary replied.
“If she’d waited, I wouldn’t have wanted her. I wouldn’t want her to have me now, as I am,” he said. “Befouled, diminished—”
“Walter’s dead, Jem. You don’t have to speak in his voice,” Mary said. 
“I wasn’t—”
“Yes, you were. If you don’t think I’d remember, after all those afternoons, those walks and rambles, listening to him, well then. You’d be wrong. I remember,” she said.
“I want Faith to stay as she is. Beautiful, golden, untouched, a lovely memory from my splendid childhood,” Jem said.
“Good Lord, she’d far better off than I thought, even without taking a castle into account,” Mary exclaimed. “Maybe her Lord Gawain-Excalibur-Avalon actually treats her like a women. A person.”
“I didn’t know you liked the Arthurian legends,” Jem replied, taken aback by Mary’s remark, choosing to deflect.
“I liked the sword. And the Lady of the Lake with her own place,” Mary said.
“I thought it would be like that, the War, knights going out,” he said. “I knew there’d be wounds and death, but I thought there’d be honor—"
“You always were a bit of a fool,” Mary said. “Stands to reason though, the way you were raised.”
“We had a—you’re right,” he said, realizing he did not have to defend his parents or Ingleside. “Mother was so careful for us to be well-loved. To live in a world where we might imagine ourselves heroes or able to speak with the fairies—you would have done better than I at the Front, Mary.”
“No one would do better,” she said. He braced himself for her to talk about his medals, his valiant efforts in the prison camp, how he tended those around him with what little he had. How many men had died in his hands, their blood the scent in his nose as terrifying as gas. “You lived.”
“It doesn’t seem like enough.”
“Come here, then,” she said, shifting to kneel facing him. The moon had risen and it suited her, her eyes gleaming like opals, her hair silver, the shadow soft around her bare throat. She reached a hand to touch his cheek, rough with the whiskers he hadn’t shaved for the past few days. “Come here, James,” she said and the sound of his name startled him enough to move closer. To let her draw his face to hers for a kiss.
For a moment, he was seventeen again and Walter was alive, the fields of France green, the chestnut trees in leaf. Then he heard a wave break and felt Mary’s hand move to the nape of his neck, her fingers callused, and he tasted salt mixed with honey. She beckoned him and he put his arms around her, holding her tightly, trying to lose himself in her embrace. Letting her find him.
They were alone with the moon and the sea. There was no hallway and Mary kissed him well enough there were no memories, not of France or Germany or Holland, not of the ship or the train or the graveyard with the stone too white, the wilting mayflowers at its base. There was nothing Mary would not do, no end to the comfort she would offer. His hands were at her waist and her breast, eased beneath her skirts, and she coaxed him on. When he brought both back to cup her face, she’d smiled under his lips. When he lay back against the sand and brought her to lie next to him, her head resting upon his chest, she’d come with him.
“I should have asked, Miller Douglas?”
“He married Ada Parker six months ago. I didn’t shed a tear, except that they should be happy,” she said. “To be honest, I didn’t fancy being a shopkeeper’s wife, but I would have made the best of it.”
“I’m alive, but I don’t know what I have to offer,” Jem said. Mary thumped him on the chest, hard enough to notice, soft enough to be nothing more than a scolding.
“You’ve yourself and I’m myself. You don’t have to offer me anything,” she said.
“That’s the first lie you’ve told,” he said.
“Then remember me. This. How it was, how it might be,” she said. “Grieve and suffer and if you want, I’ll be there for it. Or you can come round in a while, when you’re sorted out. I’m in no hurry. I’ve an idea of how to run a doctor’s house, no offense to your mother or Susan, and I’d like to try it out some time.”
“Will there be much pie?” Jem asked.
“There will be honey-cake, pots and pots of clover honey ready to drizzle. That’s your favorite.”
“Call me James again,” he said.
She propped herself up on his chest so he could see her face, the curve of her lips, her silvery hair hanging loose around her cheeks.
“I believe you meant to say, please, James. Mind yourself, then.”
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Tagging @gogandmagog who posted this:
DIANA, teasingly: “You, anyhow. I saw you kissing Faith Meredith in school last week ... and Mary Vance, too.”
JEM:- “For mercy’s sake, don’t let Susan hear you say that. She might forgive it with Faith but never with Mary Vance.” From The Blythes Are Quoted
And @freyafrida who wrote "also want to write jem/mary fic now although i have zero ideas for anything apart from the ship"
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chicinsilk · 5 months
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"Bon Voyage " 1
Jeanne Lanvin-Castillo Autumn/Winter 1955-56. Anne St. Marie wears "Bon Voyage" a suit and coat ensemble.
The car: A Mercedes-Benz 300 SL model 1955.
Jeanne Lanvin-Castillo Automne/Hiver 1955-56. Anne St. Marie porte "Bon Voyage " un ensemble tailleur et manteau.
La voiture : Une Mercedes-Benz 300 SL modèle 1955.
Photo Henry Clarke
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gogandmagog · 8 months
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Someone perfectly lovely, called Paul Hendricks, put together this thoughtful map of the Four Winds community. His website, where this map was obtained, is HERE. What follows below the cut are Paul’s own words, detailing how he went about putting this together this map, complete with thorough book citations and explanations of inconsistencies!
“This is the rough map I've put together, based in the clues mentioned below, which are taken from various of the Anne books. (See note on the format of the references.)
The map uses a 'browser-safe' palette, so you should see roughly the same colours that I do. The orange/brown lines are roads. The dark-green areas are woods. The light blue is, of course, the sea.
Reconstructing the setting for the four books based on Four Winds and Ingleside has proved much more difficult than for Avonlea. Beginning with the premise that Four Winds is about 60 miles from Avonlea (AHoD, ch 1, 10th page), I tried a layout based on the area around Sturgeon, Gaspereaux and Georgetown, in the south-east part of the Island. Eventually it proved impossible to put together a consistent map on this basis. What is more, I realised that there was no evidence in LMM's diaries that she had ever been to that part of the Island.
I then tried a construction based on the area around New London, as there were many similarities of detail, and the area was well known to LMM. This fits in reasonably well with the descriptions of Four Winds in AHoD. There are some difficulties and inconsistencies noted below, but alternatives (such as putting the House of Dreams and the Lighthouse on the East side of the bay) have turned out to be unworkable. I have also managed to reconstruct the area around Ingleside, on the assumption that it is in the position occupied by Clifton/New London. Given the basic framework of roads that results, the result is more convincing than I had hoped, and seems to fit in quite well with the text of AoI, RV and RoI.
House of Dreams 'looks to the sunset and has harbour before it'. Dining room looks out on the harbour (AHoD, ch 2, 4th page). Living room windows and front door look towards the lighthouse (AHoD, ch 2, 5th page). There is a brook going through the corner of the garden.
The entrance of the harbour is between a bar of sand dunes and a sandstone cliff. The fishing village is where the sand bar meets the harbour shore (AHoD, ch 5, 1st page).
It is dusk, but there is no mention of seeing the setting sun. This suggests that going from Glen St Mary towards the house they are facing north or east. This is consistent if Glen St Mary is south, and the house is on the west side of the harbour (AHoD, ch 5, 1st page).
There is a chapel on the far side of the bay. The lighthouse is to the north, as they approach the house from the Glen. The house is 2 miles from the Glen, and 1 mile from the lighthouse. Miss Cornelia's house is between the House of Dreams and the Glen (AHoD, ch 5, 2nd page).
Poplars line the lane from road to house; fir trees between house and sea (confirms that the sea is to the 'back' of the house (AHoD, ch 5, 4th page).
Leslie's house is further up the brook, 'among the willows' (AHoD, ch 6, 4th page). The lane of Leslie's house opens onto the 'upper road' (AHoD, ch 9, 2nd page). Miss Cornelia's house is half a mile from the house of dreams (AHoD, ch 6, 5th page).
'From the deceit of the McAllisters...' (AHoD, ch 6, 5th page) is a paraphrase of an actual saying referring to LMM's relations, the Simpsons, the McNeils and the Clarkes, see also page xv of introduction to volume one of selected journals. Confirms the view that the families referred to in the 'over-harbour' area are modelled on LMM's own family in Clifton, Cavendish, etc.
As Anne and Gilbert are walking towards the lighthouse, the house 'up the brook' is to their right (AHoD, ch 9, 2nd page). There is some difficulty in fitting this in with my map. We might perhaps conceive an arrangement where the house by the brook was to the right hand side of the road to the lighthouse, though the road would have to be not so close to the shore as the modern road.
The distinction (AHoD, ch 10, 1st page) between the 'harbour shore', the 'sand shore' and the 'rock shore' is consistent with New London Bay - corresponding respectively to the shore inside the bay, the shore on the north side of the bar, and the shore to the north of the lighthouse.
'North shore' presumably means 'North shore of PEI' (AHoD, ch 14, 1st page). It was this which first alerted me to the possible inconsistency with my original presumption about the location of Four Winds.
'North-western sky' (AHoD, ch 18, 1st page), implies that the lighthouse is north-west of the house of dreams.
The Fishing Cove (AHoD, ch 27, 1st page) must be on the shore by the sand bar (therefore the same place as the fishing village). Anne and Gilbert go there via the lighthouse because intending to row over to avoid the long drive round by road which would otherwise be necessary.”
— Paul Hendricks
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voguefashion · 7 months
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Anne St. Marie photographed by Tom Palumbo for American Vogue, January 1st 1959.
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truedevotiondesign · 2 years
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Roses for St. Anne
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mote-historie · 1 year
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1958 Jerry Schatzberg, Anne St. Marie and Bob Smith, Fulton Fish Market, New York
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ocean-not-found · 4 months
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The Mother, Anne. Mother Mary. And Baby Jesus.
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Ave, Magna Mater Anne
Ave, Mater Maria
Salve, (to the) Benidictus fructus ventris tui; Iesu.
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dramoor · 9 months
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youtube
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