when your really into an anime and keep seeing this anime portal trend thing so… did it! Idk if it’s good or bad tho… and it kinda looks like he is looking at my finger <3
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one thing i love about portal 2 is the distinct difference in physicality between wheatley and glados. in the core transfer scene, glados, as she does, moves fluently, smoothly; seductively is a good word to describe it. you know how she is. then after wheatley takes over, despite using the same body, noticeably shifts from "I suggest you take a deep breath. And hold it." to "HARR HARR HARR I'M BLOODY FOCKEN MASSIVE INNIT" and i just love that so much. glados smoothly rotates around like a serpent and wheatley starts spinning circles and bouncing up and down it's just great
additionally:
[ID: Reply from user clareironbrook that reads: "Credit where it's due to Karen Prell - best known for her work with the Muppets, lead animator for Wheatley. /End ID]
i had NO idea! credit where it is ABSOLUTELY due, i didn't even mention Wheatley's facial animation as well but it is beautifully done. all he has is a rotating eye, eyelids, a pupil that can expand or contract and some little handles at the top and bottom of his face, but his animation is still impressively emotive. it's really half of the charm of his dialogue honestly, puppeteering is already such a cool skill and it's even more impressive to do it digitally on this little fuck
ADDITIONAL addition: @meow-moment you're a PART of this post now you are FUCKING Correct
[ID: Reblog from @meow-moment that reads "i love in the scene where he tells you you have "a very minor case of serious brain damage" when his eye pops out a little and his handles flare out and it somehow looks like he's adjusting his glasses nervously]
there are a good few additions to this post I'd love to add to it but this one is like. NECESSARY. that is PRECISELY what that conveys and it's fucking magic how well it works. hats OFF karen prell
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Prompt 47
Hear me out. Amity Park gets shifted in universes slightly- maybe it’s from Pariah, maybe it was a wish, maybe they did so on purpose to escape something- and they end up in the DC-verse. The thing is, thanks to the media blackout and the shields, no one in the new universe notices.
The Amityville Paekers know about outside, can go on the internet and leave whenever they want, but they’ve all become more than a little liminal. More than a little off.
Movements too graceful, eyes too sharp, ears too pointed and teeth more akin to predatory fangs. Skin with a soft glow, hair moving as though underwater or being tussled by the wind- bodies seemingly unaging after a certain point.
They’re so ecto-contaminated that they’re unsure they can even be counted as human anymore, and it wasn’t like the city wasn’t already practically self sufficient. Add in a portal or two through the Infinite Realms to get supplies to start a few fields or some fish farms and well, they’re pretty good. Sure it’s resulted in them using a mixture of modern and older money and having several extinct plants and animals running around but that’s fine.
There’s magic in this world! Actual magic, that they can learn! And use? Oh this makes rebuilding after a sparring incident go so much faster!
This results in the hero who stumbles across this place to believe they’ve stumbled across some sort of city of fae or elves.
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I love the implication that this in fact the same guy just arbitrarily choosing to look different because he can.
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Ourgh it’s so green here, BUT!! UPDATE ON THAT ANIMATIC!! I’m drawing each frame by hand, no repeats, and while that allows for smoother and more fluid animation FUCK IT TAKES SO LONGGG UGHHHHHHHH!! And I’ll have to keep an eye on the sizing of everything too, so much work :’)
But I’m enjoying the process, as long form animation is a very interesting concept to me (you can animate things…. For long periods of time? …Inchresting…..)
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