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#and well. everyone knows what the other drawing is about
catmask · 3 days
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do you ever find it hard to just....Keep Drawing? what keeps you motivated? what keeps you inspired? i've been finding it hard to pick up a pen lately despite loving drawing and wanting to do it more than anything, how do you do it? also, i hope you have a nice day!!
oh i absolutely do. i think like.. last night i was having a bit of a rough one. and talking to my boyfriend about it.
sometimes motivation for anything (not just art) feels like if i stop moving, ill fall flat on my face. its difficult for me to get going, especially if i get interrupted or get suddenly thrown into a social situation.
on one hand, drawing has always been my stim/self soothing activity of choice (as im autistic). but 'work drawing' can sometimes be difficult when im scared i might be interrupted in the middle of the day, or if someone might need me to like 'be a person' suddenly.
all this to say, i try my best to stay motivated by taking care of my body and my brain, because if those things go out of whack then i know for sure i wont be able to draw well. and then, in terms of artistic motivation... i look at other people's art, and i go on walks a lot.. and i spend a lot of time alone with my brain/feelings.
art sort of is just like... an engine through which i am taking the outside world, processing it and pulling it through to show everyone how i feel about it. sometimes its as simple as 'this thing was beautiful, i want to show you' 'this thing was cute, i want to show you' but sometimes its also 'this is something i learned, let me teach you' 'this is something that hurt me, let me heal it with you'
... in a lot of ways if i dont keep drawing, i dont know how id communicate with other people, really. so i guess, i have to keep drawing because id get very lonely otherwise.
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fraugwinska · 17 hours
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I'm dying to see you write Alastor opening up to Reader about his mom, maybe a little angst and lots of fluff? (- v -)''
WE NEED THAT MOMMAS BOY GETTING SOME COMFORT!
Finally Anon, I found the strengh to write this. Sorry it took so long - I hope it was worth the wait! Next story will be less sad, I promise! :'< But I think we can all find some love for our Mommas Boy today, right? (Prepare your handkerchiefs, fellas...)
❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️
Mother O'Mine
Not the kitchen. Not the lobby. Not the bar. Not the radio tower. Not his room.
You sighed and stilled for a moment, thinking of a place where he could've gone.
If Angel had just shut his damn mouth. Mother's day was a shit day for everyone in the hotel. You, who never knew a mother, raising yourself in the farce that had been the foster care system, rued the day. Charlie was still in denial about her mothers blatant absence and ignorance, Husk melancholic and tense at the memory of seeing his mother being exterminated shortly after reuniting with her in hell, and Vaggie bitterly wanted to ignore the holiday all together, feeling as though she would be betraying the mother she could no longer reach in heaven as a fallen angel.
Angel had been pissing them all off by breakfast, obnoxiously mocking their various reasons of why this day felt even heavier than others in hell. You knew it was his own way of coping with his mommy issues - something he didn't even talk about with Husk, as far as you knew, but he bordered on being not only menacing, but outright cruel.
Alastor had listened to his rambling stoically, flipping eggs while drinking his coffee with not much more than an annoyed twitch in his brow, but then the spider made the gruesome mistake to mention her.
Alastor's mom.
"What, 'ya think any of 'ya mothers could even look at 'ya without punchin' themselves? Come on, look me in the eyes and tell me Bambi's mommy wouldn't be fuckin' disappointed by what her little fawn has become... Can ya really see a sweet southern lady all happy, lovin', and coddling ol' murder-clown Alas..."
The green explosion came faster than you could blink. You were frozen in place, only staring in fear and worry when Angel landed unceremoniously into the table with the rest of the breakfast, the other residents as shocked and dazed as you were, while the radio static and greenish-black shadows seeped away from Alastor who then swiftly made his way out without a word, holding his staff while his tendrils bristled dangerously.
Alastor had vanished and the only thought coming to your mind - after giving a cursing, groaning Angel a righteous 'You fucking deserved that'-speech - was that you needed to find him before the princess did to make sure the demon had calmed enough not to finally lose it and maul her to pieces. Charlie meant well, but she didn't know. No one did know, except for you, and even you only knew so much.
It's not like it had been an elaborate talk. It just happened, after a nightmare that made him tear up in a mixture of rage and sorrow, a bad memory that had made his shadow basically drag you, half asleep still, from your bed to his in the middle of the night. Why you? You weren't so sure. Alastor usually preferred your company more than the others just because you were the most neutral, sane person in the hotel. Some would even say impassive. An introvert who didn't draw attention, silent and observing. But not once had his shadow ever acted up around you, and while it wasn't overly friendly with anyone, it seemed to watch mostly you with curious glances and interested hisses. When you had finally woken up enough to comprehend your situation, you were sprawled across Alastors stomach with his arms wound so tightly around you you struggled to breathe, strained mumbled words pressed through gritted teeth into your nightgown.
"Mother... I'm sorry... Oh mother..."
He had been sobbing into your shoulders and and shaking against your chest while he let go of a strange anger and grief he never seemed to get rid of while you had, confused but worried, whispered words of comfort in a hushed, soothing voice until you both dozed back to sleep. Morning broke, and when you opened your eyes again, he was sitting on the edge of his bed, not able to look you in the eyes. He had thanked you, gruffly and with an unsteady voice that made your heart ache, before offering his hand to teleport you back to your room. As far as you were concerned, the weirdest of it was that you felt him caress the palm of your hand with his thumb, barely audible as he mumbled that "that should have never have happened, and we shall never speak of it again." - he was usually a gentleman, and he never touched you this intimately before - but, to him, it was obviously a humiliating and horrible thing that you had witnessed him like that.
And you didn't speak of it. No one knew, and you intended to keep it that way. It was a moment you shared and fragile trust was on the table. You would take it to your second grave, along with all those feelings that had come with it, to prevent it from breaking.
Back to the present, you sighed and massaged the bridge of your nose. You had checked all the obvious places that crossed your mind, so maybe, you should start to look at the not-so-obvious ones... Maybe some place you knew was connected to... His mom...
A sudden pang hit you as you got an idea of where he might be hiding.
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"Is this seat taken?"
The roof of the hotel was usually restricted from access, due to the general instability and collapse-prone architecture it presented, but you and (after an admittedly awkward encounter on a hot day that had involved you in a two-pieced swimsuit sunbathing and a very flustered Alastor with a book in one and a severed hand on a plate in the other hand) the radio demon knew about a small nook between the roof's overhead window frames and the hotel's ventilation system, hidden by the growing shadow of the radio tower where no one else ever came looking. A hideout, a place to go when you wanted undisturbed solitude. You had quickly left the place, apologizing for intruding a space that Alastor had apparently already claimed for himself (explaining the existence of the lounge chair you've so rudely used), but soon enough he discreetly invited you back, second chair added, to sit in silence together every once in a while, as long as you swore secrecy. It became a place of comfort for both of you, a retreat when life in the hotel got too stressful.
Alastor's reaction to seeing you was a quickly stifled hum before going back to staring stubbornly at the horizon. He looked dejected, and if you would not have known him so well, you wouldn't have noticed the trembling twitch of his ears nor the way his claw tapped impatiently against his knee, his shadow balled in on itself while hovering at the edge of the small roof.
It looked like he was staring straight through the distant buildings of the pentagram to the faintly illuminated orb that was heaven next to hells own sun, while also refusing to acknowledge you or the world around him at all. His smile had slipped into an emotionless line of pursed lips.
"That depends" he mused quietly. "Are you here to make me return to that insolent arachnid and attempt a 'healing' conversation?"
"I think you know I know that I couldn't even if i wanted to." You tried a weak smile.
Alastor briefly met your eyes at that, giving away that, despite his aloof act, your comment got his attention and he considered it before turning back to the horizon, the tense posture relaxing somewhat. A brief silence passed until he hummed an affirmative noise. "Then you may sit, darling."
After sitting down, minutes passed without a word said. The distant roar of the bustling traffic carried the muffled sounds of hell with the usual maelstrom of catcalling, profanities and general noises of mayhem to you, while you fought to keep a certain twitch in your hands as you counted the beats of his heels clicking on the tiles.
"You must know... my mother was a rare light in a world of filth." he declared suddenly into the silence. "An honest, virtuous soul of beauty and strength." He said it slowly and, surprisingly, completely unamused, the clacking of his shoes ceasing at once. He stared at the city in contempt, hands clasped together and resting on his legs to hold back a tremble that you caught anyway.
"She, unlike me, had not a spec of corruption in her bones. Wherever she found the warmth and love she shared with me, I cannot fathom. But she did. I may have been mocked and shunned by the world, the bastard child of a black woman and a white man, but I always had her as my home to return to.” The knuckles on his hands turned white. “But the cruelty of life and the disgusting human that was my father, the unbearable excuse of a man, killed her before I was grown enough to help. Before I was old enough to kill that monster myself." He spat the words, claws digging deeper until a faint trickle of blood could be seen. "I remedied that circumstance, twice to be exact, although it couldn't make up for what was lost. Nothing I did to him could make up for it..." his smile widened bitterly as his face twitched, recalling a fond, yet regretful memory. "… and believe me, I tried. But it was cathartic nonetheless, and quite educational... for my further career."
You stayed quiet and studied his profile, patiently waiting for him to continue talking. It was painfully obvious how hard it was for him to speak about actual feelings, with his tense grin and his white knuckles dripping with crimson blood.
"I knew, of course, where I would end up after my demise, and that I would never be able to see her again. Because I was sure she'd end up in heaven, like the saint she was. Is." He cleared his throat, attempting to appear dismissive, but you saw it. The sadness, the longing, the resignation, and it shattered your heart.
"Alastor...", you knew he hated physical touch, but your hand reached out on its own, to stop his hands from ripping themselves apart. He stiffened at the contact, but said nothing.
"Don't tell me you took what Angel said to heart..."
"How could my mother love me after what I've become after her death?"
His tone was monotonous, but his hands trembled under your fingers. He refused to look at you, but you saw his eyes, glazed with wetness that threatened to turn into actual tears. How he could still smile was beyond you, you had your theories on that, but that wasn't important right now. What mattered was that he was hurting, and that fact broke your heart. You never knew motherly love, how could you really miss something you never really knew? But Alastor did, and it had been ripped from him in the must cruel way, the impact of it so hard it made him even question the very foundation it was built upon.
You moved your hand from his to cup his cheek and turn his face to yours. His expression was blank, and if it weren't for the tight grin and the eyes filled with an unspeakable anguish, it would have been an emotionless stare.
"Alastor, do you know the poem Mother O'Mine?"
"I'm afraid the memory of it fails me, darling."
"Then, I'll recite it for you."
"Why?"
You gave him a sad smile.
"Because I want to."
He eyed you with stunned curiosity as you reached into your pocket, glad for once for your mostly useless power. You've only told Husk about it, in one of your late nights where everyone else was asleep aside him and your insomnia got the better of you, drunk and as a bargaining chip for one last gin tonic.
The blank piece of paper was a bit crumpled, but it would do. You started to fold it while you spoke, your voice sounded soft and almost like a spell.
"If I were hanged on the highest hill, Mother o' mine, O mother o' mine! I know whose love would follow me still, Mother o' mine, O mother o' mine!"
Your fingers moved with a solemn purpose as you folded the paper this way and that, a skill you perfected out of boredom over the years, the edges turning into an elegant shape, the poem coming from your mouth like a song. Alastor watched your hands move in a trance, not sure what you were doing, but too focused on the faint glow of purple around them to ask.
"If I were drowned in the deepest sea, Mother o' mine, O mother o' mine! I know whose tears would come down to me, Mother o' mine, O mother o' mine!"
There in your hand, sat a little origami bird. It wasn't anything special, maybe a traditional crane would have been better, more elegant, but you were out of practice and for what you intended to do it would work either way. Carefully you reached out, silently demanding for one of Alastor's hands that were still digging into each other. He didn't protest, and slowly raised it to give his hand to you. The tips of his claws were covered in a thin, fresh layer of his own blood, and his skin was warm and slightly clammy. You put the little paper bird on his palm, a speck of his blood staining the bottom of the pristine white paper, and closed his fingers around it, holding it in both of yours.
"If I were damned of body and soul, I know whose prayers would make me whole, Mother o' mine, O mother o' mine."
His enclosed hand in your own was encased in purple light, with wide eyes he followed the soft tugs of your fingers and opened his hand. The little paper bird flapped it's wings on his flat palm, looking at him for a heartbeat before taking off and flew in a singular circle around his head before it headed into hells deep red sky, towards the bright heavenly sphere. You watched it until it vanished completely from view, hoping there was a possibility that maybe, with a bit of luck, it would find it's way to her.
"This, Alastor, is what a real mother is. She loves you, I'm sure of it. Always has and always will."
Tears fell silently on his lap, a strangled, coarse breath escaping him. Without warning, he pulled you from your chair into him, holding you pressed close to him. Just like in the night of his nightmare, his face was buried in your chest, arms wound tightly around you in a hurting embrace and shoulders trembling with suppressed grief. His grip was bordering on painful, but you wrapped your arms around his neck, burying one of your hands in his hair, stroking gently while you let him quietly cry into your shoulder, not caring that the wetness of his tears was soaking through the fabric of your shirt. You felt his heart beating rapidly, his pulse erratic and his breathing fast.
"I miss her. Oh, how I miss her."
You held him tighter.
"I know, Al... I know."
You didn't know how long you two stayed like this, him in your arms and crying silently while you tried your best to comfort him, but you didn't care. As far as you were concerned, you would stay here forever if it only meant to lift this weight for a little while from his shoulders.
It took him some time, but eventually his breathing evened out, and he calmed down, his hold becoming less desperate and more... affectionate. You didn't realize it at first, but he had moved, his head resting under your chin and his forehead leaning against the hollow of your throat, his antlers slightly poking the thin skin. It felt strangely intimate, and you wondered if he was aware of what he was doing, but the moment he moved to get up and leave, you knew the spell was broken. He didn't let go of you entirely, but instead helped you to stand up and held your hand, his gaze firmly planted to the ground, avoiding your eyes.
"Darling, I..."
"Don't worry, Alastor. Although I'm glad I was able to be here when it happened... we shall never speak of this again."
You could feel his hesitation, a strange nervousness radiating from him. His shadow hovered next to him, a hand reaching out towards your face. You smiled at it, and, just for a brief moment, allowed yourself to lean into it's warm, buzzing touch as it caressed your cheek, before you turned and made your way back inside without a glance back to the sudden sound of a longing hum.
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Historically Accurate
"I'm telling you, Hollywood is going down with all the woke crap! You know what they say: Go woke go broke!"
Julian and Wallace were on their way back from the lunch room and the former was listening to the latter complaining. Julian had tried to avoid any topic like this, but, really, it was a mine field with Wallace. Just about *every* topic had the potential to turn out political.
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"I don't see what's wrong with a little inclusion in pop culture." Julian said, not wanting to argue but also not wanting to leave that opinion unopposed.
"Everything! It's just plain wrong, and it's brainwash, too. I mean, it's like a mind virus, poisoning everything! There's a western coming out next week. But it's all bullshit woke agenda again. The cowboy is black and gay! Literal brainwash and historical rewrite."
Julian frowned. How could an intelligent person like Wallace be so stupid at the same time?
"Why does that even bother you? I thought you hated westerns."
"Yes, that's not the point. Fact is, it's historically inaccurate and just pushing the woke agenda."
"Actually, I think it's not even historically incorrect." Julian pondered as they entered the lab using Julian's keycard and an iris scan of both scientists.
Wallace was borderline angry now.
"What are you talking about? Everyone knows that cowboys were the whitest and the straightest people there were."
"I'm not quite sure", Julian said. "Weren't there freed slaves and so on? And I would guess if you were underway with another guy for prolonged periods of time, not everything staid straight, too."
"Bullshit! Everyone knows cowboys weren't fags, and they were white."
Wallace seemed agitated now, and his usual stiff demeanor became even more pronounced.
Wallace was in his mid-forties, but the way he was talking, he seemed way older to Julian.
Julian on the other hand was awfully young for the position he had. Being 25, he still didn't look like he had finished college, even though he had his doctorate already.
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It was really a bit sad, he thought. Two of the brightest minds and they were bickering over basic, meaningless distinctions like ethnicity or sexual orientation.
"We could just ask the computer." he proposed, but Wallace frowned.
"We are not supposed to use the equipment for private research." he said.
'The computer' was part of the highly secretive project they worked on. When finished, it was supposed to be a time machine, simple as that. The actual time travel device didn't work properly yet, but a part of it, a chronoton boosted quantum computer that was able to access history itself to answer questions about the part, was already functioning quite well.
"But we are supposed to test it from time to time. Are you afraid of the answer it might give?"
"Of course not." Wallace grumbled. "Fine. Computer! Is there any historical evidence of gay black cowboys?"
The voice activated system acknowledged the request with a beep. While waiting for the answer, Julian checked the parameters of the system and found them in near-perfect condition.
Finally, the system answered, with the neutral male voice it was programmed with.
"A significant portion of cowboys consisted of people with African heritage, especially after the freeing of slaves after the civil war. Homosexual acts and attraction were common among cowboys, especially during the trail drives. Demonstrating..."
"Hrmpf." Wallace said, clearly not happy.
Julian, who was still checking the readings, scratched his head.
"Did you remember to disconnect the capsule before making the query? It seems to be drawing power."
"Ah, crap. That's just because of all the bullshit talk. Computer, stop!"
"Unable to comply. Demonstrating... Target: Montana Frontier Area, June 1865..."
The white walls of the chamber started to glow in an ever brighter white that was beginning to hurt the eyes.
"Crap. Julian, cut the power!" Wallace said, now with a clear notion of fear in his voice. The younger scientist didn't answer but tried to do as he was told - but did not succeed in time.
Suddenly, with a flash, their surroundings changed and the two of them found themselves in the middle of a rugged mountain range, on the border of a pine forest. It was late afternoon and the scientists found themselves in a just set-up camp. Two horses were standing nearby, and a small herd of cows was grazing at a meadow.
Wallace sighed and shook his head angrily. "Just great. Look at the mess you just put us in. Now we have to wait until we're rescued. And, apparently, we have to meet some black homo cowboys."
Julian looked around but couldn't see anyone around.
"I would have also guessed so, but there doesn't seem to be anyone there."
His heart sank as he had a terrible suspicion. He had been experimenting lately with a normalization circuit that would embed the time travelers into history instead of superimposing them onto it. That was - according to his theories - a rather elegant way to resolve the repelling effect the historical structure had, but it wasn't finished by any means. It had never been tested and even theoretically, it wouldn't be able to achieve a partial embedding, only a full one at best. And the more he thought about it, the more he was convinced that it had still been connected to the system.
As Julian thought about how to break it to Wallace, he noticed something strange about the other scientist. It could be a trick of the light, but he looked way more tanned than before.
"Uhm... It might actually be somewhat worse than that. I think my normalization circuit was still active when you activated the machine."
"What? What does that mean?" Wallace looked at him, furiously now.
"Well, I would guess..." Julian struggled and gave up. "Look at your hands, I think it's pretty self-explanatory."
Wallace looked down at his darkening hands and paled. Even now, he still had a considerably darker skin tone than before, darkening with every passing second.
"Shit." he said. "That's what you get for fucking around with a half-finished experiment."
Julian didn't even dare to mention his suspicion. If his normalization circuit was really active, that would make Wallace an actual, black cowboy, and not just him. Julian was also a time traveler, so he, too, would be affected.
Meanwhile, the changes in Wallace seemed to have proceeded. His facial structure looked like it was in motion before finally settling on a generally broader, manlier shape: The jawline became more pronounced, and his cheekbones raised.
"Is there... anything going on with me as well?" Julian asked.
Wallace looked over at him.
"Yeah, your hair color is changing, and I think your eye color. Blonde and blue-eyed, how cliché. But most importantly, you're not becoming fucking a fucking Black man."
Wallace didn't say Black man.
For some reason, this didn't bother Julian half as much as it should have. He felt rather at ease, and the untamed wilderness around him awakened a sense of adventure inside of him that he didn't know was in him.
Meanwhile Wallace was also feeling a change within. A surge of confidence emerged from within him that was entirely alien to the deeply insecure man at first, but quickly became more and more part of his personality. It was like his core was solidifying into a confident and assertive nature, a boldness and quiet he secretly always wished he had. At the same time, his body structure changed considerably.
Where before, Wallace had been a physically unimpressive mid-forties man, it now seemed like the years melted off of him, and for every year that he lost, he gained three pounds of muscle mass and beef. His shoulders widened, his height increased, and his frame expanded in order to accommodate the new body mass.
"It's not that bad, ain't it?" While Julian's body had not changed much besides the hair and eye color, his voice sounded entirely different now. It had a southern lilt to it, but it was charismatic and charming. It was the kind of voice you could listen to for hours without end, perfect for reading an audiobook - or telling campfire stories.
"Well now, I ain't too sure 'bout that." Wallace's voice had changed even more considerably when he answered. He had gained a thick southern accent, and his voice had dropped to a low and smooth voice that sounded commanding even if he didn't intend to.
"Ha, look at that, your skin's startin' to change now, too!"
And really, Julian's skin had started to adapt as well, but it was quickly becoming apparent that it went a different route than Wallace's. Instead of darkening to the almost black tone that he was sporting, Julian's skin became rougher and got a sun-kissed tan instead. His facial features sharpened, as his cheekbones looked chiseled all of a sudden and a rugged beard texture was adorning his chin. Julian seemed to notice it, too, since he started touching his new face immediately.
"Cool! Always wondered what I'd look like sportin' a beard." he said, apparently not too unhappy with the changes.
There was no denying Julian looked good, which made Wallace feel a touch of jealousy. In his opinion, it wasn't fair that he was the only one having to deal with the black skin. That feeling quickly faded, though, as his changes continued. His hair became very short, curly and dark. At the same time, a short beard formed on his chin and upper lip, giving him an even manlier appeal. At the same time, chest hair sprouted, sparsely of course, as it was normal for a man of his heritage. A strange feeling overcame Wallace. He wasn't necessarily *proud* to be Black now, but he also didn't mind it anymore. He was proud of a lot of secondary assets, though, like his bulging muscles or his handsome face. As his eyes became a dark brown, he had to smirk as he sat down by the fire, readjusting himself in the process. And, of course, his big cock, which might also have been positively influenced by his new ancestry.
Wallace watched as Julian turned around and tended to the horses. His body was now, finally, also changing. It didn't become nearly as bulky as his own, but instead lean and agile, with narrow hips and a well-distributed surprising strength, as Wallace knew. While Julian was busy with the horses, Wallace had a good view of his ass. It filled out the jeans just so well, and Vallace only noticed now that the other man's attire had changed. He was clad in a pair of blue jeans, a vest and, of course a Stetson now, and Vance always thought that this outfit accentuated the best parts of his partner quite well. He preferred black leather, himself, since the material was sturdier and felt better on the skin.
Vince felt his cock hardening in his leather pants and readjusted himself again while also leaning back and spreading his legs to make more room for the erection. He wasn't afraid of anyone seeing his rude behavior. The only other man within a wide range was Jesse, the owner of that juicy ass. And he was allowed to see... well, everything.
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Vince waited patiently until Jesse returned to the campfire, with a big smile on his face.
"How them horses holdin' up, partner?" Vince asked.
"They're good. Just a tad worn out from today's ride." Jesse answered.
"Well, there's somethin' else needs tendin' to, if you're free to lend a hand. Or an ass." Vince grinned and made his cock throb in the confines of his tight leather pants.
Jesse grinned at the display of masculinity and massaged his own cock.
"Hell yes!"
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As Jesse moved over in his usual graceful movements, Vince leaned back. There really wasn't anything better than being a big, black cowboy. Especially not with a partner like Jesse, who was always happy to make the nights in the wilderness a little less lonely.
Certainly not poor and lonesome! Also check out this awesome writer!
There are a few more versions of Jesse and Vince, over at my tip jar.
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66sharkteeth · 3 days
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Weekly thoughts!
Hooboy, the big episode! First off, I think everyone knows by now that you probably shouldn't read these if you haven't read the latest episode, but I ESPECIALLY mean that this week! Talking about some way bigger than usual spoilers.
Phew, this was a big one, both from a writing and drawing perspective. I actually spent a full day on that last panel alone, but writing it took way longer than usual too. Going back and forth between Bell's speech and Jericho's backstory played perfectly like a movie in my head, but it was really hard to portray it as a comic and it was one of the few times I was struggling with the limitations of the format. I think I pulled it off though, since everyone seemed to follow along fine! So while it was probably just a neat scene to everyone else, I'm rather proud of that haha.
As for the actual contents of the episode, I'm also glad everything hit w/ the majority of the audience for the most part. I know a handful were confused about if that was Bell or Jericho who did that, but to those people, I remind you it's been loooong established Jericho can control his extensions (Bell, Charlie, and Claude. Remember, they all took injections of Jericho's blank space?). Also on that note, Bell does not have her own scion... Only Rex and Jericho do. Bell, Charlie and Claude all took injections of Jericho's blank space, thus get to borrow some of his power. I recommend re-reading ep 80 if you need a refresher.
I do consider this ep kind of a big reveal of Jericho's true colors. I mean, you guys have known he's the main villain for ages now, but this is the ep that reveals his "better world for blanks" act is kind of a façade and what he's really seeking is a worse world for humans. The fall of humans benefitting blanks is just kind of a bonus. I'm glad a few people caught onto this with the fact that one of the worst horrors he experienced was having his autonomy taken away from him, then he proceeds to do just that to Bell.
And speaking of Jericho's horrors- Before this season launched, I dropped a bunch of hints about upcoming things. One of them was that the most disturbing scene (in my opinion) was coming up. I was actually referring to what happened to Kallie. I'm not sure if it was as disturbing to everyone else (I totally get like if Claude's leg thing fucked people up more), but being evaporated into nothingness but not dying was an existential dread that really fucks me up haha. If it fucked even a couple of other people up, then I did my job.
I don't have too much else to say about the contents of the episode. It was so hard to bite my tongue for weeks as everyone predicted pretty much every character but Desmond was gonna get it. I'm sorry I don't have too much else to say about him right now given what happened, but I definitely will in the upcoming weeks.
I guess the only other note I have is I might as well address something that bugs me slightly- It's definitely a minority but there's a handful of people who seem done with the series because "too many things go wrong." To which... I'm not sure what to tell ya. I'm fine with critique and criticism to be clear, but honestly, this is one thing I'm actually really confident I'm good at balancing. I'm not sure where people are coming from with "nothing good ever happens in this series" when this season alone has had probably the cutest and fluffiest scenes. Rex has a canon girlfriend, he had his first kiss with her, Desmond was reunited with his sister and learned to accept himself, Lyss learned to move past her trauma and accept blanks, Rex was reunited with Shnee, Rex's scion turns out to be a puppy dog w/ a crush. I'm aware a lot of these got kind of crushed with this latest ep...but that's.. kind of. the. point??? That's how you write tragedy and impactful scenes??
I dunno, maybe this is personal to me because it's ALWAYS bugged me when someone tells me they think a show is bad because it's "too dark." Like no... It's not *bad* because it's too dark, you just don't like dark themes, and that's okay. I TOTALLY get if CoB has gotten too dark for some people- it's definitely hit some hard themes and subjects, but I don't like to accept that as a critique. It just means it's not for you and that's okay. There's a ton of other great comics that are more light-hearted! I think the TLDR of this is it will always annoy me when people say something is bad just because it's not their taste.
Now. That said... everyone is completely valid in their hate of Jericho. I, however, still love him.
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zhoufeis · 23 hours
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What just bothers me simply about the discussion of TTPD being all so great is neither the fact that some reviewers literally ignore some of the very gruesome lyrics this album has to offer nor the fact that the whole album has the same tune and I could not tell apart these tracks even if I wanted to, no. After all, we can always argue that tastes are different... arguably. It's something utterly different that's bothering me.
It's three things entirely different.
1) The fact we pretend 31 break-up tracks, written entirely out of the perspective of victimhood, of some love stories are worth calling "The Tortured Poets Department". Mind you, Swift, I like love songs, I like break-up songs, I like them poetically, I like when they touch me. But writing 31 break-up songs (not entirely, right, more like 25 or so) for one album makes me wonder if there is anything deeper... more touching to write about. You stay on the surface describing relationships (romantic as well as parasocial) in which you come out as a victim. But the self-reflection is missing entirely. And if I learned one thing in language classes it's that it's poetically dull if we only ever stay on the surface. We gotta dig deeper. And I'm not referring to some poetic lines to make a song sound more beautiful. I'm talking about true depth, true self-reflection, something that makes you defenseless. Cause all this woman does is writing songs out of the perspective of defense - and victimhood. Never does she actually draw herself as defenseless or vulnerable, always knowing how to use the right words to make her fans defend her.
2) Which leads me to that other thing that really bothers me. Her PR team was more involved in this album than the persona of Taylor Swift could ever be. Or maybe Taylor Swift is only PR at this point. Maybe there is no actual person behind all of this. Cause if there's one thing that's utterly apparent, it is that this album hinges SOLELY on any media drama she was involved in. Everyone out there trying to decipher which song is about whom - is this storytelling? Is this poetry? If I only care about songs and judge them by who they are about? The beauty of music is that it binds people together, makes people feel heard or seen through the text and voice of another person. What she's doing isn't that. She is not binding people together by selling her songs as something that could happen to anyone, no, all of it is always only about one person's story - her own. She also doesn't create fictional stories to write about, things to further the limits of our imagination and tell a story that doesn't even exist, and never will. She doesn't use imagination, she doesn't try to connect to other people, she's trying only to connect people to HER. Can this album even be judged neutrally if everyone just knows about her relationships and is guessing who the songs are about? Is there one person out there like "I have never seen any of the TS relationship drama and the like, and I only like to review this album lyrically and sonically by the lyrics and tune within"? Because she is SO present in everyday media press, it is impossible to miss her relationship drama. So are we actually still reviewing Swift's album as a standalone media for its sound and lyrics? Or are we actually just reviewing TS's terrible love life which she apparently has no responsibility for? And mind you all - she knows exactly what she's doing. Don't even think for a second she doesn't know that you all are following her every footstep. Don't think she doesn't use it to her advantage. (Aside from that, she has been considered a storyteller for so long, but she seems to have a lack of stories she can come up with if the only ones she writes about are her own...)
3) Which leads to the entire capitalist thinking behind the release of this album. Not only did she publish 19 different versions of this album to be acquired, no, she also literally had millions of fans pre-ordering her (normal-length) album, only to drop an extended version right after its release. Which means that all these fans had to buy yet another album. And don't think she meant this as a surprise for her fans - she did that cause that's how you make money. Cause that's how capitalism works. And she's part of the problem.
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The Vees are Overlords but also a business, therefore they hold meeting and work with clients right and workers? Well what if a Business client or worker unknowingly said something about Retro!Reader in a meeting?
If its before Vox it come be commenting on Retro's cooking, as I see Retro would always ensure Vox had home made snacks for while hes working. Something like "That House Wife of yours is decent in the Kitchen, I see why you keep them there"
If its before Valentino I assume its after Retro brings him something between shoots, some fool would comment on Retro's looks or ask why Retro isn't one of Val's 'Stars' kinda a "Bod like that should be in those sheets"
Velvette would most likely be dealing with jealous models who don't know fully who Retro is but Retro gets to walk in, get the nice personal design treatment from Velvette and not have to talk the cat walk? Bitch fight would incoming.
Hope you don't mind my ramblings and if this sparks something Hooray!
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He would destroy the person in question if it’s an insult^
Vox is always boasting about Retros cooking, how skilled and talented they are. He literally never shuts up about it. Now, the demon who said ‘I can see why you keep them there’ might have meant it as a sort of joke or some shit, but Vox would not be pleased. He does not take kindly to people who insult or degrade their partners (ironic, considering Valentino), so someone who’s making that sort of implication about his wife? Death.
He’d sort of chuckle and go ‘excuse me?’, daring the demon to repeat themselves. It’s over for them either way. If the demon backtracks, Vox will very pointedly dedicate the rest of the meeting to bragging about all of Retros other skills, too. He’d try to start by mentioning it off hand, but he’d get so invested in proving a point to the low life that insulted his wife that he’d get carried away. He’d go on and on about how creative and thoughtful Retro is, how nice they are to everyone, including those who work at the company. He would not-so-politely remind everyone that Retro knits sweaters for people at the company picnics, how they always cook at least half the food at the company get together and parties, stuff like that. It’s a stupid move to insult Vox’s wife, but insulting the person who everyone loves just because of how nice and kind they are? That’s ten times dumber.
Valentino would shoot a bitch on sight if they made a comment about Retro in bed. Yes it’s hell, insults and comments like that are to be expected, but he has standards when it comes to Retro. Val is so unbelievably protective of them when they come by the studio, it’s startling. He knows what Vox would do if anything happened, and Val doesn’t want to see Retro in any sort of compromising situation to begin with. He’d do his best to keep everyone in line.
He’d shoot glares and insults at anyone who looks at them the wrong way, anyone who looks at them for too long. Keep in mind, Val is in a wonderful mood whenever Retro visits him at work. They help him with scripting, and he’s always admiring them and gushing over them. He draws little hearts in the margins of his papers and sometimes lets them on set. He’s always nervous about it, but it works out nicely. They usually only help adjust someone’s clothes (with how few they’re wearing, it’s very important), the perspective of cameras, sometimes the hair or makeup (only a little). They know exactly what Val is looking for, and how to get the scene how he wants it. They’re calm and polite and everyone is just so relieved about it. Retro even does their best to make sure the actors are comfortable, the clothes aren’t too tight, the clasps work correctly, things like that. So yeah, if someone makes a comment about them, they’d be lucky to only receive extra hours of work as a punishment.
Velvette? Okay, if Retro was the type to confront people, Vel would record the entire thing. Unfortunately, Retro usually pretends they don’t hear a thing. They’d rather ignore it and keep up the nice and polite house wife routine. They’re probably busy admiring their lovers, anyway. So, instead, Velvette would shoot a model a glare and walk right up to them, demanding they tell her what makes them think they can say such a thing.
Retro gets treated special because Velvette respects them, thinks they’re awesome and adorable and can’t do anything wrong. Mostly. So, the fact that one of her models (people she sees as frequent fuck ups) would try to put themselves on Retros level? The fact that someone would even think they’re anywhere near as good as them, anywhere near as deserving of Velvettes attention and affection as Retro? A ridiculous notion. The model is lucky not to be torn apart by Val. Velvette would go off on the model, listing every single mistake they’ve made in the past hour alone.
The workers at Vee Tower learn not to fuck around when it comes to Retro pretty quick.
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nardo-headcanons · 3 days
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Hey my dear mutual! Another super stupid and weird request coming, so, please, feel totally free to ignore completely if you want, really. So, let's say instead of a criminal organization, the Akatsuki are actually a lab team. Which would be their roles, their work focus or their research topics? How would they behave at work with each other or, I don't know, whatever you can think of. Inspired by your agar plates post, by the way, hahahaha
Hello Sasuke, my dear. Don't call your asks weird, I love how creative they are! If anyone wants to write a fic about this please TAG me!
Big thanks to @the-real-sasuke-uchiha for requesting!
The Akatsuki in a modern research lab AU
Akatsuki Labs, Inc. No one knows what they're actually researching, and how they get their funding, however everyone hires them, they're incredibly popular with institutions and businesses alike...
Deidara is a lab rookie who is still at the beginning of his study. He went to a scientific high school and an absolute ace at chemistry. Besides studying chemistry, his other major is pyrotechnical engineering. He blows shit up on the regular and even adds copper sulphate to fires when he is the one supposed to put them out. He frequently steals minerals from the lab to use them for his pottery projects. And yes, he knows how to make meth.
Hidan is on his way to become a neurologist. He is fascinated by the way the nervous system works (especially while processing pain) and has the ego of a neurosurgeon twice his age. However he is regularly asked for a second opinion because he knows his shit. He's pretty popular with the ladies due to his confidence, however many of them are freaked out when they find out what a huge masochist he is.
I've never seen Itachi as a huge stem guy, but I've actually had a discussion about this with my dear moots @pet-plasma-bubble and @suki91 and came to the conclusion that he's either a plant biologist or studies medicine because he's one of these kids with a chronic and/or underdiagnosed illness going into medicine to make a change. Plant biologist!Itachi regularly talks to his plants when no one is looking and he gives them names as well. He doesn't really care much for the actual lab work and prefers to take care of the plants in the different lab greenhouses. Med student!Itachi is one of these anatomy girlies who draw their stuff in fancy colors and actually enjoy studying human anatomy.
Kakuzu is a senior scientist/professor who initially studied pharmacology/pharmacy to save many lives and prolong the lives of millions, but eventually got disillusioned and sold his soul to the pharma industry. He should technically be retired now, but he joined the Akatsuki labs inc to make some money on the side.
Kisame started out as a marine biologist specializing in shark research, however, seeing these beautiful, innocent creatures get bastardized by Hollywood and pollution made him apply to Akatsuki labs inc to help find solutions to the current crises caused by humanity. During his free time, he volunteers in a dolphin rehabilitation center.
Konan is the cofounder of Akatsuki labs inc, everyone respects her and even looks up to her. Once a brilliant scientist in the field of engineering, she got tired of how male dominated it was and how her male colleagues kept getting the credit for her ideas. She frequently holds lab courses for young girls interested going into the scientific field.
Nagato is the Akatsuki labs founder, and rarely seen in the lab. He has made himself a name in the field of robotics by inventing the Shurado robotics system which helps millions of automated machines run to this day. Rarely seen in the lab, he communicated with his employees via his Pain Alias Email. though to be fair, Konan writes most of these emails for him; she's the only one regularly talking to him face-to-face.
Orochimaru is a geneticist and biochemist, his focus being finding ways to avoid cellular decay, as well as the human genome and anti aging research. His parents are academics as well and he lived up to their expectations to the fullest. He has his own skincare formula which keeps him looking snatched at all times. Given the rumors about several scientific ethical code violations, everyone is kinda scared of him except for his personal lab tech, Kabuto.
Sasori is a renowed mortician who's also very interested in histology. His preparation techniques are unmatched and he even invented new preparation- and histological staining methods, which are called "Red Sand" and "Red Technique", respectively. He often gets into fights with Kakuzu about his microtome collection being unnecessarily expensive.
Tobi is the Akatsuki labs CEO cosplaying as a clueless intern that always steals from the candy bowl in the waiting room. In reality, he has a PHD in physics, his thesis being about rifts in space time and interdimensional interactions, however all of his papers are published under an alias. He has a soft spot for Deidara and refuses to fire him despite the latter's frequent "accidents".
Zetsu is a biological anthropologist fascinated by human evolution and human behavior. Some think even his colleagues are subjects of his studies. Some people say he's two-faced, but he is very chatty and inquisitive most of the time. He volunteered to have Itachi's venus fly traps in his office and can sometimes be seen feeding them dead flies or mosquitoes.
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Harry was never really Dumbledore's man
So, in HBP Harry says himself:
“Well, it is clear to me that he has done a very good job on you,” said Scrimgeour, his eyes cold and hard behind his wire-rimmed glasses. “Dumbledore’s man through and through, aren’t you, Potter?” “Yeah, I am,” said Harry.
(HBP, 348)
But, I'm here to argue Harry actually has many many doubts and reservations about Dumbledore throughout all books (even HBP), and I find it interesting how Harry convinced the Wizarding world (and the readers) that he's Dumbledore's man when he isn't. Not really.
(Just makes me all the more annoyed at him calling his son Albus...)
I'm going to go through some examples of Harry showing his doubts about Dumbledore way before book 7. Because Harry is an abused, distrusting boy, and Dumbledore isn't actually an exception to that until very late into the books. And even when Harry chooses to trust Dumbledore's intentions, he never fully trusts his judgment.
“D’you think he meant you to do it?” said Ron. “Sending you your father’s cloak and everything?” “Well, ” Hermione exploded, “if he did — I mean to say that’s terrible — you could have been killed.” “No, it isn’t,” said Harry thoughtfully. “He’s a funny man, Dumbledore. I think he sort of wanted to give me a chance. I think he knows more or less everything that goes on here, you know. I reckon he had a pretty good idea we were going to try, and instead of stopping us, he just taught us enough to help. I don’t think it was an accident he let me find out how the mirror worked. It’s almost like he thought I had the right to face Voldemort if I could….”
(PS, 217)
This quote above is from the ending of Philosopher's Stone and the outlook Harry, Ron, and Hermione have on Dumbledore and his behavior is the same as seen in the later books. So I wanted to talk about each of them and how they see Dumbledore because this quote really sets the tone for the rest of the series.
Ron is doubtful and distrustful. The situation is odd, and he's clever, he analyzed the situation and came to a frightening conclusion — the whole ordeal seemed planned by Dumbledore. And Ron isn't scared of voicing this question.
Hermione, while not always a rule-follower, respects Dumbledore and his authority. A lot. So, she doesn't believe Dumbledore could've planned it as it would reflect badly on his character and authority. Hermione is a very loyal person, and once she decides she respects someone she is willfully blind to their flaws (we see it with her later in the series).
Harry, while he's clever enough to notice the same things Ron did and come to the same conclusion — that Dumbledore planned for an 11-year-old to face Voldemort — he attributes good intentions to Dumbledore. Harry sees the situation and draws his conclusions, but chooses to hope/believe Dumbledore's intentions were good ones.
Harry’s brain seemed to have jammed. He stared numbly at Riddle, at the orphaned boy who had grown up to murder Harry’s own parents, and so many others. . . . At last he forced himself to speak. “You’re not,” he said, his quiet voice full of hatred. “Not what?” snapped Riddle. “Not the greatest sorcerer in the world,” said Harry, breathing fast. “Sorry to disappoint you and all that, but the greatest wizard in the world is Albus Dumbledore. Everyone says so. Even when you were strong, you didn’t dare try and take over at Hogwarts. Dumbledore saw through you when you were at school and he still frightens you now, wherever you’re hiding these days —” The smile had gone from Riddle’s face, to be replaced by a very ugly look. “Dumbledore’s been driven out of this castle by the mere memory of me!” he hissed. “He’s not as gone as you might think!” Harry retorted. He was speaking at random, wanting to scare Riddle, wishing rather than believing it to be true —
(CoS, 282)
This is one of the scenes people call to to show how much faith Harry has in Dumbledore (even Dumbledore himself), the thing is, Harry says (in his mind) he's just saying things to try and scare Tom. To try and buy time, or unbalance Tom so he may have a chance at escape.
The important note is that Harry doesn't actually believe what he's saying to Tom. He's just saying what he thinks would bother Tom the most.
Harry had never shared this piece of information with anybody. He was very fond of his wand, and as far as he was concerned its relation to Voldemort’s wand was something it couldn’t help — rather as he couldn’t help being related to Aunt Petunia. However, he really hoped that Mr. Ollivander wasn’t about to tell the room about it. He had a funny feeling Rita Skeeter’s Quick-Quotes Quill might just explode with excitement if he did.
(GoF, 310)
This part about telling no one about his wand's connection to Voldemort is true. He never told anyone by that point in GoF. Not Ron, not Hermione, not Dumbledore, not even Sirius.
As I mentioned above, Harry is abused and distrustful. He's not at all Dumbledore's perfect soldier who trusts him with everything. In GoF, Harry decides against telling Dumbledore about his dreams and the pain in his scar:
“Your scar hurt? Harry, that’s really serious. . . . Write to Professor Dumbledore! And I’ll go and check Common Magical Ailments and Afflictions. . . . Maybe there’s something in there about curse scars. . . .” Yes, that would be Hermione’s advice: Go straight to the headmaster of Hogwarts, and in the meantime, consult a book. [...] As for informing the headmaster, Harry had no idea where Dumbledore went during the summer holidays. He amused himself for a moment, picturing Dumbledore, with his long silver beard, fulllength wizard’s robes, and pointed hat, stretched out on a beach somewhere, rubbing suntan lotion onto his long crooked nose. Wherever Dumbledore was, though, Harry was sure that Hedwig would be able to find him; Harry’s owl had never yet failed to deliver a letter to anyone, even without an address. But what would he write? Dear Professor Dumbledore, Sorry to bother you, but my scar hurt this morning. Yours sincerely, Harry Potter. Even inside his head the words sounded stupid.
(GoF, 21)
Harry doesn't wish to share secrets with Dumbledore, nor does he feel comfortable to go to him with his troubles (his go-to adult while Sirius was around was always Sirius). Again, Hermione is mentioned as the one who trusts Dumbledore's authority, in Harry's head, but he's right, he knows her well.
Harry actually spends a good portion of the series purposefully trying to hide information from Dumbledore. (I'm saying 'trying ' because Dumbledore always found out, but not because Harry told him).
“He seemed to think it was best,” said Hermione rather breathlessly. “Dumbledore, I mean.” “Right,” said Harry. He noticed that her hands too bore the marks of Hedwig’s beak and found that he was not at all sorry. “I think he thought you were safest with the Muggles —” Ron began. “Yeah?” said Harry, raising his eyebrows. “Have either of you been attacked by dementors this summer?” “Well, no — but that’s why he’s had people from the Order of the Phoenix tailing you all the time -” Harry felt a great jolt in his guts as though he had just missed a step going downstairs. So everyone had known he was being followed except him. “Didn’t work that well, though, did it?” said Harry, doing his utmost to keep his voice even. “Had to look after myself after all, didn’t I?” “He was so angry,” said Hermione in an almost awestruck voice. “Dumbledore. We saw him. When he found out Mundungus had left before his shift had ended. He was scary.” “Well, I’m glad he left,” Harry said coldly. “If he hadn’t, I wouldn’t have done magic and Dumbledore would probably have left me at Privet Drive all summer.”
(OotP, 63)
Harry is angry here, true, but he doubts Dumbledore's idea of what's "safe" for him. He's actually glad for the dementors because he doubts Dumbledore would've brought him over if it wasn't an emergency.
And Harry is right to be doubtful and suspicious. He's right that he's less safe at the Dursleys than at Grimmauld Place. He's right to feel angry and betrayed at literally everyone knowing he's being followed except for him. He's right Dumbledore probably wouldn't have brought him if it wasn't for the dementor attack. Harry is correct in each and every one of his assessments of Dumbledore's character and decisions here.
“No,” said Harry, shaking his head. “It’s more like . . . his mood, I suppose. I’m just getting flashes of what mood he’s in. . . . Dumbledore said something like this was happening last year. . . . He said that when Voldemort was near me, or when he was feeling hatred, I could tell. Well, now I’m feeling it when he’s pleased too. . . .” There was a pause. The wind and rain lashed at the building. “You’ve got to tell someone,” said Ron. “I told Sirius last time.” “Well, tell him about this time!” “Can’t, can I?” said Harry grimly. “Umbridge is watching the owls and the fires, remember?” “Well then, Dumbledore —” “I’ve just told you, he already knows,” said Harry shortly, getting to his feet, taking his cloak off his peg, and swinging it around himself. “There’s no point telling him again.” Ron did up the fastening of his own cloak, watching Harry thoughtfully. “Dumbledore’d want to know,” he said. Harry shrugged. “C’mon . . . we’ve still got Silencing Charms to practice . . .”
(OotP, 382)
Remember I mentioned Harry hiding things from Dumbledore? This is one of such occasions. There are more in GoF that I didn't copy, but this is an example of Voldemort-related, dangerous information Harry is hiding from Dumbledore because he doesn't trust him and doesn't feel comfortable telling him things.
“It’s lessons with Snape that are making it worse,” said Harry flatly. “I’m getting sick of my scar hurting, and I’m getting bored walking down that corridor every night.” He rubbed his forehead angrily. “I just wish the door would open, I’m sick of standing staring at it —” “That’s not funny,” said Hermione sharply. “Dumbledore doesn’t want you to have dreams about that corridor at all, or he wouldn’t have asked Snape to teach you Occlumency. You’re just going to have to work a bit harder in your lessons.” “I am working!” said Harry, nettled. “You try it sometime, Snape trying to get inside your head, it’s not a bundle of laughs, you know!” “Maybe . . .” said Ron slowly. “Maybe what?” said Hermione rather snappishly. “Maybe it’s not Harry’s fault he can’t close his mind,” said Ron darkly. “What do you mean?” said Hermione. “Well, maybe Snape isn’t really trying to help Harry. . . .” Harry and Hermione stared at him. Ron looked darkly and meaningfully from one to the other. “Maybe,” he said again in a lower voice, “he’s actually trying to open Harry’s mind a bit wider . . . make it easier for You-Know —” “Shut up, Ron,” said Hermione angrily. “How many times have you suspected Snape, and when have you ever been right? Dumbledore trusts him, he works for the Order, that ought to be enough.” “He used to be a Death Eater,” said Ron stubbornly. “And we’ve never seen proof that he really swapped sides. . . .” “Dumbledore trusts him,” Hermione repeated. “And if we can’t trust Dumbledore, we can’t trust anyone.”
(OotP, 554)
Again we see the same exact dynamic from first year. Hermione is loyal to Dumbledore, not even considering he might be wrong about something, or not have their best interests at heart. Ron and Harry on the other hand, are both open to the possibility that things aren't so simple. They don't think Dumbledore is intentionally harming Harry, but they think he's wrong about Snape. Something Hermione, Arthur and Molly would never consider.
(This is actually the most annoying thing in Hermione's character for me, her unshakable faith in Dumbledore, who doesn't deserve her trust)
“. . . so you see what this means?” Harry finished at a gallop. “Dumbledore won’t be here tonight, so Malfoy’s going to have another clear shot at whatever he’s up to. No, listen to me!” he hissed angrily, as both Ron and Hermione showed every sign of interrupting. “I know it was Malfoy celebrating in the Room of Requirement. Here —” He shoved the Marauder’s Map into Hermione’s hands. “You’ve got to watch him and you’ve got to watch Snape too. Use anyone else who you can rustle up from the D.A., Hermione, those contact Galleons will still work, right? Dumbledore says he’s put extra protection in the school, but if Snape’s involved, he’ll know what Dumbledore’s protection is, and how to avoid it — but he won’t be expecting you lot to be on the watch, will he?” “Harry —” began Hermione, her eyes huge with fear.
(HBP, 552)
Even in book 6, the book Harry grows the most comfortable and trusting towards Dumbledore, even then, he doesn't trust Dumbledore. He thinks (and somewhat rightly so because he doesn't know of Snape and Dumbledore's plan) that Dumbledore is wrong about Snape. that Dumbledore is wrong about Malfoy. Harry doesn't trust that whatever protections Dumbledore would leave would be enough (and they weren't).
Even at the end of HBP, the point in the series where Harry has the most faith in Dumbledore, Harry still doesn't trust Dumbledore's judgment or his ability to protect the school. Even after Dumbledore calls Harry out on it, telling him the safety of the students is important to him, Harry still tells Ron and Hermione to get the DA to protect the school without notifying Dumbledore.
And Dumbledore raised Harry to feel responsible for the school's safety, Harry is doing what he was "bred" to do. But he does it behind Dumbledore's back, because like every adult, Harry deep down expects to be let down. After all, he's used to saving the school himself.
So, no, Harry never really trusted Dumbledore fully. At least, not Dumbledore's judgment. Harry does believe Dumbledore's intentions are good for the most part, even if ineffective.
“He never told me his sister was a Squib,” said Harry, without thinking, still cold inside. “And why on earth would he tell you?” screeched Muriel, swaying a little in her seat as she attempted to focus upon Harry [...] Where was saintly Albus while Ariana was locked in the cellar? Off being brilliant at Hogwarts, and never mind what was going on in his own house!” “What d’you mean, locked in the cellar?” asked Harry. “What is this?” Doge looked wretched. Auntie Muriel cackled again and answered Harry. [...] Numbly Harry thought of how the Dursleys had once shut him up, locked him away, kept him out of sight, all for the crime of being a wizard. Had Dumbledore’s sister suffered the same fate in reverse: imprisoned for her lack of magic? Had Dumbledore truly left her to her fate while he went off to Hogwarts to prove himself brilliant and talented?
(DH, 135-137)
And in Deathley Hollows, Harry is very quick to start questioning and doubting Dumbledore. Especially when compared to Hermione:
“Harry—” But he shook his head. Some inner certainty had crashed down inside him; it was exactly as he had felt after Ron left. He had trusted Dumbledore, believed him the embodiment of goodness and wisdom. All was ashes: How much more could he lose? Ron, Dumbledore, the phoenix wand . . . “Harry.” She seemed to have heard his thoughts. “Listen to me. It—it doesn’t make very nice reading—” “Yeah, you could say that—” “—but don’t forget, Harry this is Rita Skeeter writing.” “You did read that letter to Grindelwald, didn’t you?” “Yes, I—I did.” She hesitated, looking upset, cradling her tea in her cold hands.
(DH, 311)
Harry is hurt, he feels betrayed, because while he never 100% trusted Dumbledore's judgment, he trusted his intentions. He trusted Dumbledore was good and cared for him. He feels cold and betrayed, showing trust in his intentions. But his readiness to accept Skeeter's and Muriel's accusations so quickly shows he always had his doubts about Dumbledore and they never really left, even if he wanted to trust him, he never did, not fully.
Hermione, on the other hand, who was always loyal and trusted Dumbledore (both his intentions and judgment) 100%, tries to rationalize Dumbledore's actions and convince herself everyone who says bad things about him is lying.
Harry doesn't. Because out of the Golden Trio, Hermione was always Dumbledore's woman, Ron and Harry... not really. Not as much.
“That old berk,” muttered Aberforth, taking another swig of mead. “Thought the sun shone out of my brother’s every office, he did. Well, so did plenty of people, you three included, by the looks of it.” Harry kept quiet. He did not want to express the doubts and uncertainties about Dumbledore that had riddled him for months now. He had made his choice while he dug Dobby’s grave, he had decided to continue along the winding, dangerous path indicated for him by Albus Dumbledore, to accept that he had not been told everything that he wanted to know, but simply to trust. He had no desire to doubt again; he did not want to hear anything that would deflect him from his purpose. He met Aberforth’s gaze, which was so strikingly like his brothers’: The bright blue eyes gave the same impression that they were X-raying the object of their scrutiny, and Harry thought that Aberforth knew what he was thinking and despised him for it. “Professor Dumbledore cared about Harry, very much,” said Hermione in a low voice. “Did he now?” said Aberforth. “Funny thing how many of the people my brother cared about very much ended up in a worse state than if he’d left ’em well alone.”
(DH, 478)
More of how Harry thinks about Dumbledore, showing, again, how he always had his doubts and reservations but he chooses to trust Dumbledore's intentions because otherwise, he doesn't think he has any hope to defeat Voldemort. He chooses to keep following Dumbledore's path because he has no real choice but to trust what he sees as the only path that'll lead to Voldemort's destruction. But Harry has plenty of doubts about Dumbledore.
Hermione, on the other hand, has little to no doubts. She doesn't allow herself to doubt.
And this pattern, of Harry doubting Dumbledore again and again, never truly trusting him, just trusting his plan will kill Voldemort... like, how does that lead Harry to want to name his kid 'Albus'? I just don't get it...
TL;DR
Harry likes to say he's Dumbledore's man, but he always had his reservations, even when he choose to ignore them since trusting Dumbledore's plan felt like his only chance at survival. Hermione is much more trusting of Dumbledore than Harry is.
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entroart · 1 day
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Hi there, just a few things
Hi, I'm an artist, and I'm plural too :3. Or at least, I think I am? It's complicated. There's a lot of denial all the time.
You don't have to say anything that you don't want to of course, and answer in as much or as little detail as you'd like to.
So my questions are like.
1) How has being plural affected your art journey?
Im asking this because I have really bad executive dysfunction, and find it extremely hard to actually do what I want to do, meaning not much art practise, but I know that my other alters don't have it as badly.
2) How is your system communication? How did you make it better if its good.
Our communication is very.... poor. There's 3 definite alters, including me, and maybe a couple more, but I never hear about them so idk. Either way, even between just the three of us, I almost never hear anything from the other two. Apparently they have better communication between each other, but idk how true that is cus I can't really ask them.
3) Can you visualise things? I have aphantasia, and it makes me need a lot more references for when I am occasionally able to bring myself to draw. I'm interested to know how it works without that inhibition.
Thank you very much for reading, I love your art and wish all of you the best. <3
Question Barrage!! 1. Well to be fair is mostly everyone doing their thing. Bridget is trying to learn how to art to help me so thats nice (lemme show her progress)
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Other alters also draw, for example Abyss that tends to do fruits
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Or one of our littles Chain that did art yesterday
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So each alter different art and stuff, I think thats how I can answer that question. 2. Our communication is alright, we can talk to each other easily and dont need to write for that, so in that regards fine 3. Yes, we can see a 3D image and rotate it (shit is frustrating cuz then not being able to properly draw makes me feel horrible)
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I've got one: an Adam that can SEE soulmates. He grins nastily as he takes a GOOD LONG look at Alastor and SMIRKS "Vox, huh? You love him, hmm? I can see it written right on your disgusting soul Al-ass-tor. Annnnd even better he's your soulmate. I kill him, I cause you unimaginable pain and suffering for eternity without touching you." And then he takes off, leaving Lute and his army to take care of the hotel--who HEARD HIM to search for Vox.
The Vees are in full out panic mode, of course. They have no idea what to do. Vox say he can carry both Val and Vel through the electricity but they need a location to go too--abd the vacation home is too far, he doesn't have the juice.
Valentino is pissed at Vox for being Alastor's soulmate, and panicking about the certain death heading their way.
Velvette doesn't care: "Take us as far as you can to the vacation home and we can steal a car!"
Alastor is RAGING. How DARE that pompous f-wit threaten what is HIS?!? (Although he is pleased Adam did announce Vox was his too all of Hell. Now no one would dare try to date Vox after he killed the moth.)
(Feel free to use :3)
Thank you anon because I definitely WILL be taking this.
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No really this is good, honestly you anons are helping write the best voxal fanfic with me as well speak. I think after I finish my current writing coms today then I'll start on this story. It honestly sounds really fun and I'm a bit of a slow burn kinda gal with a passion for angst so this is definitely up my alley.
The idea of Adam coming in? Mwah!
Like imagine the way Alastor freezes the moment Adam says that stuff about going after Vox and especially before Vox finds himself having to defend the vees. Bro doesn't even know what's going on at first and that he's basically one of the reasons it's happening. Imagine his shock if Alastor does hunt him down before the angels get there, both confusion AND relief showing on his face just to see Alastor. Though there's also annoyance.
"ugh! I could have handle a few angels Alastor!" He growls after Alastor grabs them after fighting and imagine something like after Alastor saves them he and Vox are having this argument just for Vox to stop when it seems Alastor did in fact take some damage.
"a few isn't tons Vox." Alastor would most like his back while cradling a wound and Vox might as well be the one to help him clean it up, matter of fact he has too because everyone is rather fearful of the pair. Alastor doesn't want anyone to deal with the wound like a stubborn dog unless it's Vox and this could leave them a lot of time just to sit with each other. It's silent as Vox carefully cleans his wounds, gentle and careful not to do anything that would hurt even more and then as he's looking over Alastor's body he'll glare at nothing halfheartedly, brows burrowed in confusion and annoyance.
"why'd you do something so stupid?" He'll ask and I can see Alastor's ear twitching. Vox basically asks him what's his problem. Why'd he go out there to fight so many angels and over HIM of all people? He's both flattered and a bit unnerved.
If Alastor really did all that to help him then maybe he SHOULD go back to the hotel just to keep an eye on Alastor's healing though maybe it's just a way to get closer because though Vox being Alastor's soul mate is life changing on his own, knowing and seeing Alastor after such a fight and touching his wounds really manages to draw Vox in. Like he wants to be with Alastor in the same bed and everything as he heals.
I wanna say Alastor will heal with no issue but imagine a case where he doesn't. Where the angel blades hold off his healing for just long enough to where Vox is actually worried over the other man.
This could be an interesting part to rebuild their connection. Seeing Alastor almost die while showing Hell that Vox BELONGS TO HIM really makes the TV demon flustered and more than he's ever been before. (Vox likes knowing Alastor is possessive enough to literally have a battle of his own with heaven. It makes him feel special and more than he ever has before)
I'd like to say this situation really convinces Vox but with their history he's worried about getting too close even though he wants to.
He's scared of falling in love with Alastor because what it its 'not the right time' again?
Vox is definitely an over thinker in this case, will sit through the healing process for Alastor but maybe he finds Alastor's words to be a fluke? Did he really mean it? Yeah he almost DIED but he couldn't possibly- he definitely means it.
They've had their history but Vox is a runner now and Alastor wants to chase him. After all, who could know him better than his old friend and whether Vox likes it or not no one would DARE (especially after the shocking announcement that they are soulmates) take Alastor's destined spot in his life.
I honestly love these ideas and I have many myself, keep em coming y'all!
- A
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fantomette22 · 2 days
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Ok, let’s hear about your favorite Gehrman and Maria happy AU!!
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With pleasure!!!! :D
Ok so for context yesterday I refound this post :
And I was like "hey guys in my happy AU Gehrman could totally get or make something like this for Maria!" And then it spiralled into "oh I completely forgot to explain my bloodborne "happy ending AU" so there it is finally I guess. I think I only share to a couple of persons so far XD (I have a few others many different AU and darker but it isn't for today).
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I already did a few drawings in link with it : here, here, here and there. Yeah with the gehrmaria ship involve so pass your way if that isn't your thing.
I did end up making the cottage house of the AU in Minecraft since a few months ago by the way XD I even have a tanner, hunter and a freaking cleric villager who now took possession of the house 😂😭 even Laurence decided to live here now I can't. I would need to redo it I kinda screw up proportions I think. Sadly Minecraft bedrock doesn't offer to put many details. I guess it would be better in the sims? If someone knows a good game to built house (and 19th century one) I'm taking it!
So now about the AU it's kinda an AU of my fic verse who can be consider like an AU as well I suppose (even if I tried to stay as canon complaint as possible in this one). Like you can guess from the name Yharnam doesn't became hell on earth and most people don't end up dying horribly. I will copy paste below the summary so you I can explain it better.
Bloodborne happy/good ending AU Summary :
Basically after bloodborne game event (in my fic verse interpretation) our dear baby squid good hunter decided it was rewind time and give everyone a 2nd chance. Don't ask me how
Then it's not clear but either the souls of everyone were taken and yet back in their old self, decades earlier of if people from the past dreamed of the future or a weird mixt of both. But it's what happened. Decades before the game invent (Byrgenwerth era) people started wake up and remember events that haven't happen yet + message from the new great one that they were giving a 2nd chance to make things right etc. It feels like a very strange dream but they knew it was real. Some people remember more than other and they especially remember their own future and they lived/are gonna live+ a couple of other things in game event for exemple.
Now it's up to them to not make the same mistakes and make things right.
So imagine it’s like 2-3am at Byrgenwerth, everyone wake up from well this dream/ nightmare and they basically remember everything that happened to them. So you haven hundreds of people outside in their pyjama. Crying, hugging, and some almost throwing hands with others 💀 quite emotional. I know it’s pretty crazy (i don’t have everything settle yet)
*Yeah you have people who were basically bestie at the time almost punching each other because one betrayed the other years later lol and people who didn’t like each other at Byrgen but become friends way later are hugging and crying. Some people were really confused xD like the one who die earlier on the timeline or weren't very important or just leave this mess early.
So of course you have Laurence & Gehrman crying and holding each other in pyjama in the middle of the dark campus. Then Maria show up in the distance 👁️👁️  it’s even more of an emotional reunion.
So you have this 2 idiots then Maria show up in the distance, they’re stunned and then Laurence tells him « what the hell you’re waiting for just go!!!» so he runs extremely fast (maria too) and they stop a few meters away from each other just staring. Then he tried to apologize says he’s sorry for everything. « YOU’RE SORRY?! » she’s kinda mad and sad about everything that happened she kinda hit him but he is surprise it’s not that hard then she hugs him and they hug each other and cry. (Yeah the Doll is discuss a bit later it's all good)
At some point Laurence try to eclipse himself and Maria’s like « you fucking stay here! » because she have things to say to this dumbass too.
So everyone reunite and all. With Caryll/ Rom/ Ludwig etc.They are hugging and all and then you have like Damian trying to kick Mico’s ass and nobody stopping him XD
Also Charles and Laurence threw hands 💀it’s a mess.
*People who’re not suppose to be very friends at this era are in each other arms and some bff are like throwing hands.
Then Willem show up and tell everyone to shut up and calm down 😂
Charles and Maria later go to Cainhurst to hug all their family who slightly remember all the shit too. And so it don’t cause a war again as well 😂 because they're kinda salty about their nightmares were the church + executioners killed them.
Anyway they all kinda calm down and some times later they’re all reuniting by Willem & Laurence because we need to talk about what the hell happened. « Yep that was real » now time to change it. 
After this mess and discussing what the hell happened and « we need to changed things! » they need to make a big plan how to avoid the fishing hamlet pb and save the orphan. they also can't just not use blood because it does save lives so it's quite complex.
So years later (because the beginning of it during like Maria, Ludwig, Caryll & Rom's hm 3rd of 4th years of university) they manage to make sure the hamlet don't became fishmen, and help Kos give birth (she isn't dead yet but her physical body do die afterwards). And baby orphan is fine and taking care off 👍
Then it's party time 😎 Well they still have things to take care of but I didn't thought of all the details yet. So Maria & Gehrman officially get together 🎉 (never really happened in my main interpret, it's complicated) and some times later travel between Yharnam and other places to help people around (to put it shortly).
THEN they buy a house next to a forest and a small village and live there for some time, maybe start a family etc (see the drawing with the baby!! I won't get into all the family detail today through). So they got the cottage/country house ✨
How they found it? Well funny story one day old hunters were on the mission (not the happy au but fic verse) and the mayor leave the house to them so they could sleep for a few nights and Gehrman really liked the house and even made a deposit for it for a few years if one day he wanted to buy it XD
Then after some time they accidentally adopt a lil dog too (before the huge white wolfhound years later) XD
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Something like this. Need to find a name for this lil guy.
And recently I've been thinking a cat could be cool too. A really fluffy one
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I made those 2 other sketches last year in link with the AU as well. I never share those so there it is.
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And I have a fic planned (1-2 chap max for now), an entire summary, a chapter plan and even a few sentences written for this AU in particular. But idk when I could write it. And I could even have 2 versions depending the rating @_@ so maybe one day...
So yeah it's a bit messy but it's all the fluff & some other things I need. And that's it for now!
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cvntyworld · 3 days
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OUR FALLOUT MASTERLIST
below here you will find all our fics relating to fallout and their respective links, we take turns in writing or editing to come up with good ideas we'll think other readers may like. requests are also allowed so do not be shy in asking anything, anonymous is on if you're feeling shy or don't want people to see your account, we've all been there.
what we do write: we will write literally anything that we put our minds to, whether it be something cute or something a little more extravagant, ask away and we will do our best with what we are given. we don't just post requests as we also have ideas of our own that's just as fun to share with those interested.
what we don't write: everyone has their comfort zone in writing and we often like to step out of it and take a chance but some things we just won't write for, when it comes to our account we want everyone to feel like they can be comfortable with what they're reading so we draw the line at things such as r*pe, sexual assault, abusive relationships, in the past we have had the odd request for those type of things but they're never ever written and won't be accepted if requested.
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LUCY MACLEAN
WAR OF THE WORLDS
summary: in which a friendly yet naive to the wastelands vault dweller, offers some useful advice to a survivor that doesn't trust easy and thought vault dwellers were some myth that died out long ago. for once they decide to put their lack of trust on hold and give lucy maclean a single chance at accompanying them cross the wastelands, an offer of safe travel, because anyone who's anyone knows that vault dwellers don't survive for long up here and the small part of kindness left feels the need to help.
SUGAR AND SPICE
summary: you didn't know what it was about the vaultie that had you keeping a closer eye on her, maybe it was a protective instinct, how naive she was up on the surface compared to how she is in her vault. you'd known about peoples hatred towards the vaults and she stuck out like a sore thumb, and usually you would ignore it, let them be eaten alive by the harsh truth of the surface, so why you were protective of her was a mystery even to lucy maclean herself.
THE GHOUL / COOPER HOWARD
KLEPTO
summary: you had a rule to being a thief, do not ever get caught and you were doing well until you decided to be a little more bold and steal from a ghoul, snatching away a ring he was carrying in his pocket and lets just say that he wanted it back, too bad you'd already sold it.
NO REFUNDS ↑ PART TWO TO KLEPTO
summary: after finding the culprit behind his stolen ring, the ghoul decides to take you with him for a visit to your local pawn shop to get it back, to hell with the no refund policy, there's always option two.
MAXIMUS
WASTELAND SURVIVAL GUIDE
summary: you didn't trust easy, but the unconscious man on your porch was way too pretty to let die, and you were way too curious as to why someone from that cult known as the brotherhood would have collapsed on your door in need of help and expecting you to help was an even more insane point of view.
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nourtarts · 11 months
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ends justifying the means, or something like that
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skunkes · 3 months
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another thing i love about dungeon meshi along with how theres adequate time given to every character that matters! Is that like. Along with no "every single character in supporting cast gets put on the backburner in favor of MC / other character development" is that theres also no "god these characters are all so boring except that one guy who is tragic and compelling" bc they all have the same capacity for compelling tragedy (and such).
And it also doesn't feel like when ppl tack on as much Bad Things onto a characters life just to emphasize tragedy or hardship... Theres a good balance in each of em. The recent leaked izutsumi dark lore implication drop wasn't even in the main story and it doesnt feel like that quirky "i love torturing my ocs! 🤪🤪🤪🤪 (Literally just throwing everything into one pot)" sentiment i see here often if that makes sense. It doesn't feel Edgy ykwim
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sysig · 7 months
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Hello! I feel like rereading Vargas these days so, I'd like to request some Edgar, Scriabin interaction (maybe one of them being vulnerable), if that's okay?
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Day 14 - Stop making your lack of imagination my problem ò///q
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seagull-scribbles · 8 months
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ʟᴇᴛ'ꜱ ɢᴏ ᴘᴀɪɴᴛ ᴛʜᴇ ᴛᴏᴡɴ ᴏɴ ᴏᴜʀ ᴡᴀʏ ʜᴏᴍᴇ,
ᴛʜᴇ ʙʟɪɴᴋɪɴɢ ʟɪɢʜᴛꜱ ᴀʀᴇ ʙʀᴇᴀᴋɪɴɢ ʙᴏɴᴇꜱ
#tmnt 2007#casey jones#raphael hamato#rasey#thank you to everyone who voted the lyrics for the caption#I love doing little things like that it makes posting feel more like a community#also using this to try out an art signature for the first time…it’s took just over 3 years but#the turts day posts are doing very well and someone mentioned making a video so it seemed time to sign stuff#I watched 2007 last week and I bought the dvd from my friend#I really love this movie and it’s concepts and idk if it’s because they’re 20+ and I’m in my teweties#or because the Rasey content in this movie is the best canon rasey rep we have BUT I had to draw them#April definitely knows what’s up with these two but she’s not going to tell anyone#and I love what they have lmao#this was a play with lighting exorcise and I found some great music to listen to while I did it and i I#I just wish I had the energy and time to draw more of these guys fully rendered#this is meant to be when they first meet up for the night#you can decide who’s saying what and weather ralhs lifting the mask up or about to pull it down#oh oh also shout out to Helen who is a lovely catholic lady who saw me do this in public and was very supportive and understanding#also listen I know this is like the other 2007 one I did back in March but idc#there just isn’t enough of these guys I want them to f*ck on roof tops and fire escapes#and ride motorcycles obnoxiously out in public and beat people up in the most sadistic way possible#I want them to drink on Aprils couch together#I want them to offload their mental health issues to eachother in supportive healthy ways#I want them to do it in unhealthy ways where Casey shouts at ralh for making him think he was bedridden for 2 years#I want the#to talk about boring adult things and rediscover silly things they did as teens#idk i hate how aprils main role in the film is trying tk change whk casey is thats not a healthy relationship dont romanticise it
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