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starlithumanity · 6 months

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I'm having a fascinating time rewatching Our Flag Means Death with the knowledge that Ed sees Izzy as a "safe" mentor/family figure ("safe" because Izzy is Ed's subordinate aboard the ship, which creates a more balanced power dynamic) upon whom Ed projects his many unresolved daddy issues. That stated interpretation from David Jenkins does work, even in season one!

Most of the fandom conceptualized season one Izzy as a power-hungry subordinate to Ed and a "co-parent" to the crew (paralleled with the Stede/Mary marriage) who has an understated masochist lust for the Blackbeard legend. All of that is true too, because Ed and Izzy's relationship is incredibly complex and fucked-up. I know from personal experience that this kind of layered toxic relationship is completely possible, though it might seem contradictory on the surface.

In season one, Ed considering Izzy as a mentor/family explains more why Ed let his first mate be so insulting to and controlling of him and still kept wanting Izzy to stay beside him. It adds more meaning to how Ed veers super hard into the violent Blackbeard role after feeling cornered and threatened by Izzy at the end of the season. (This also has further weight for those of us with family members who have disapproved quite loudly of our queer relationships.)

There is a strong parallel that I noticed previously between young Ed's reaction to his father abusing his mother and season one Ed's reaction to Izzy dueling Stede. Stede is linked to Ed's mother through the red silk and through the fact that Stede and Ed's mother--and Lucius--are the only people we see treating Ed with compassion/softness in season one. It thus makes sense for Izzy to be mirroring Ed's father.

Then there's another parallel in how Ed responded to Izzy mentioning Stede in a mocking way ("pining for his boyfriend") by choking Izzy, like how Ed had once responded to his father threatening his mother by strangling his father. In this moment, Izzy touched Ed's face with an intimate kind of familiarity and said, "There he is." Ed clearly found this unnerving, which some people read as sexually harassment, but it makes just as much sense for it to be his daddy issues getting triggered.

(GIF Sources: captain-flint and divineandmajesticinone)

I think part of why this dynamic was unclear in season one is because the writers wanted us to see that, even though Izzy is a mentor figure who taught Ed certain skills, Ed is a grown man who is fully competent on his own. He had likely started building the Blackbeard legend by the time Izzy met him, he has a clever mind that's constantly coming up with new plans, and when Izzy himself was left as captain, Izzy proved to not have the necessary charisma and compassion to lead the crew. Ed is the star power; Izzy is the manager, so to speak.

However, Izzy overestimates his importance and often talks about himself like he's a martyr to the Blackbeard legend, working so hard to keep both Ed and the crew in line. He claims that he's been "clean[ing] up [Ed's] messes... my whole life," which feels like a very parental complaint to me.

Ed fuels this martyr complex some in season two by physically harming Izzy, but notably, Ed doesn't threaten this kind of harm to the rest of the crew (though he isn't very careful with them either) until he's in the suicidal spiral of driving the ship into a storm. Before that, Ed threatens Izzy specifically, both because Izzy threatened him and Stede in season one and because Ed's trying, in his own fucked-up way, to prove to Izzy that he's following Izzy's guidance and "being Blackbeard." The toe-cutting also has some metaphorical weight: Izzy demanded that Ed "cut off" the gentler pieces of himself to be Blackbeard, so Ed starts cutting off literal pieces of Izzy in return. When it becomes clear that this isn't satisfying Izzy either, that's when Ed really goes off the deep end. ("I loved you the best I could," but I never could be enough to fit your expectations.)

(GIF Source: livelovecaliforniadreams)

Meanwhile, we see Izzy starting to question things specifically in response to Ed saying that Izzy could be replaced as first mate. Izzy thought his place, as a mentor/family and self-professed "martyr", was more secure than that, and it challenges his whole identity.

Throughout season two, the mentor/family dynamic is further emphasized via the parallel between Izzy/Ed/Stede and Auntie/Zheng Yi Sao/Oluwande. Others have discussed this more, but there's so much meaning in the similar ways these characters carry themselves, in the tension of Auntie disapproving of Zheng Yi Sao's feelings for "soft" Oluwande, and in the way Oluwande finally teaches Auntie to soften herself some for Zheng Yi Sao.

(GIF Source: bizarrelittlemew)

Additionally, in episode five of season two, we see Stede turning to Izzy for mentorship, proclaiming that Ed himself had recommended Izzy as someone who "made him into the captain he is today." People have questioned that as being a false manipulation from Stede, but I think there's a good chance that it was true! (Ed probably said this to Stede sometime during season one, when the two of them got to know each other so well.) "Taught him everything he knows" is definitely a flattering exaggeration, but hey.

(GIF Source: ofmdaily)

Throughout this and other episodes, we see Izzy continuing to take on a mentor-like role with Stede and the crew (and eventually Ed) as he tries to recenter himself after the darkness of the first three episodes. It's clear that Izzy is most comfortable playing the gruff and politically incorrect old fighter who offers guidance, but now he's letting himself branch out more and connect to the crew in new gentler ways. He even metaphorically "gives his blessing" to Ed and Stede's first time having sex by providing the musical accompaniment, which is the perfect amount of weird for this show, haha.

(GIF Source: izzyfag)

Izzy's transformative arc in season two also involves a steady pattern of reversals, corrected new versions of his treatment of Ed in season one, as Izzy start coming to terms with the harm he did to Ed. Other people have discussed this in more detail, but I think the pace of this change is realistic to what you would see in such a situation. Ed's responses to this, too, are consistent with him seeing Izzy as a mentor/family.

(GIF Source: edwards-teach)

I should further note that Izzy and Benjamin Hornigold (another abusive father figure from Ed's past) are two characters mirrored by the fact that they call Ed "Eddie" in season two. I can imagine that being the nickname Ed used when he was younger, before growing out of it. Izzy seems to start feeling the echo of that memory of younger Ed when Ed comes to him scared, asking for Izzy to "fix [his] mess" by shooting Ed like Ed "dreamed" about.

(GIF Source: blairpfaff)

Right before Izzy's death, there's a scene where Ed is triggered super hard in his daddy issues by the fisherman "Pop-Pop." I think the writers wanted to remind us of the parental trauma Ed has been through before giving us some catharsis through Izzy's deathbed confession and apology. In that moment, Izzy takes full accountability for what he did, while Ed cries and says, "You're my only family." Izzy redirects him in a final bit of mentorly guidance, telling Ed that the crew is there to be his family if Ed will let himself be loved, truly, in the way Ed has often rejected and distanced himself from being loved.

(GIF Source: izzyfag)

Now, I do think Izzy's death was the right choice for this show. I like that DJenkins went with the classic mentor death trope, and he did a similar thing with Buttons, the other old-timer first mate! I agree likewise with those who have discussed Izzy's loss as being a necessary step for the narrative to move forward both from Ed's darker self/parental trauma and from the older age of piracy that Izzy represents. Izzy was always meant to be a dark reflection of and a narrative support/conflict for Ed, and this is the natural culmination of that. His complicated legacy will continue to be something Ed has to reckon with, however, although Ed is trying to compartmentalize that right now.

I very much hope to see, in season three (🤞🏻), how Ed continues to process his past, especially now that he's trying for a domestic life that will likely lead into marriage. Marriage, from what I've seen, often acts as a staging ground for whatever parental trauma you had growing up, because you look to your parental figures as an example of how to do "adult" things. This is going to be a huge conflict for both Ed and Stede, who has his own personal negative marriage experience. I suspect Izzy will continue to represent this problem in some form or another.

(GIF Sources: kiwistede and yenvengerberg)

#our flag means death #ofmd spoilers #izzy hands #edward teach #stede bonnet #gentlebeard #benjamin hornigold #nathaniel buttons #zheng yi sao #auntie #oluwande boodhari #my stuff

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battlekidx2 · 2 months

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I'm making this post purely to shout out some incredibly talented fanfic writers from the Hazbin Hotel fandom and my favorite works of theirs.

Did anyone ask me for this? No. Will I post it anyway? Absolutely. The writers in this fandom are too good.

The first fanfic writer I want to shout out is @prince-liest (ao3 link)

I absolutely love their get cared for idiot (Alastor) series (not the official name but they called it that in one of their asks jokingly so it's now the default in my head).

Knock, Knock! It's Your Worst Fucking Nightmare! (this fic gets it!!!! This is what I meant when I said Alastor is growing a heart and part of him is raging against it. He still has ulterior motives and a massive amount of pride and part of him feels like that growing fondness is getting in the way, but he can't stop it. I need to stop before this becomes a long ramble. I've written a couple thousand words on this idea, but this fic is just a better use of your time than any meta I could ever write and way more entertaining :D )

Happily Ever After, and Other Shit Nepotism Can't Buy

The Last Bus Stop in Hell, Now Boarding (Please look at the tags for content warning. Angel and Alastor body swap story.)

They're amazing at balancing on that razor's edge with Alastor where there's a heart in there (really deep) and he's unintentionally growing attached to the hazbin crew, but he doesn't lose his edge. He's still manipulative and an asshole and can easily be the scariest guy in any room. He's in hell for a reason. A+ characterization at all times.

They're so good at writing the complicated dynamics he has with the residents, especially Charlie, and I enjoy how they expand on Alastor's potential dynamic with Angel Dust.

Anything they write from Lucifer's POV is gold too! My favorites are:

Take Two and Leave a Voicemail!

The Care and Keeping of Homo Angelus

I am also 100% here for their Aro!Alastor agenda and I'm enjoying their fic I Love Her, I Love Her Not so far!

The second person I want to shout out is @grayintogreen (ao3 link)

Their series Red Roses and Dead Things consistently gut punches me.

Just like Princeliest, they are also fantastic at balancing on that razor's edge with Alastor. A+ characterization for everyone and I love how they write HuskerDust. It's so soft, especially in the aftermath fic for Learn that Even Death May Die called If My Love Is Tomorrow, I've Forgotten Yesterday (that fic hurt in the best way).

The way they explore the aftermath of Learn that Even Death May Die is incredibly impactful. They capture the unique grief that comes from the reality that there are some things you won't get closure for so well that it's painful.

I can't say enough good things about their series. Genuinely go read it.

I found @lediz-watches (ao3 link) before the first season of Hazbin Hotel dropped (I've been a fan of the hellaverse for a few years now and have been enthralled with the Hazbin Hotel pilot since I first watched it in 2020) and I really enjoy their fics.

My favorite is Suffering Kindness. I love the Charlie and Alastor dynamic they explore in this story. I think I'm just a sucker for the Charlie and Alastor dynamic in general, but this fic hits all the right notes for me. (written pre-season 1 but man is it good. 100% recommend)

LeDiz also has a lot of one-shots/collections of one-shots that are very fun.

The Cure for Inexorable Boredom

Dollface (one-shots about Alastor theories. My favorite is the 3rd one. So fascinating!)

Choice Words (one of the few explorations of Alastor and Vaggie's dynamic that I've found in the fandom)

Don't Say It

I have to shout out @ckret2 (ao3 link) and their phenomenal fic You’ve Got a Face for Radio. This is such an amazing aroace!Alastor fic. (Embarrassingly it was this fic that made me realize I was most likely aroace myself. I’d had fleeting moments of suspecting it but it wasn’t until I saw my experiences laid out in a character explicitly written to be aroace that I put the puzzle pieces together. -_- some of these passages were too relatable.) I cannot express how much I love this fic.

I also like their fics Dumpster Baby and Bitter Grapes.

I have one last writer I want to mention because this is getting really long (whoops). The last one is tiredoflofteranditsshit and their Assume He Has a Heart series (because my favorite character and how I interpret them was not obvious enough already with the fics/authors I've recommended. I had to make it more obvious).

These fics are massive (17k and 26k words) and so much fun. Definitely worth the read. Yet another series that follows up season 1 and explores Alastor’s growing connections and how he lies to himself and pushes against it. Love this series and there’s a lot to sink your teeth into :D

#hazbin hotel #Hazbin hotel fics #alastor #hazbin hotel alastor #the radio demon #angel dust #husk #huskerdust #charlie morningstar #I love all of these fics #these writers are all so talented

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illusioninfnty · 6 months

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day 31 ; sex pollen

↠ buggy the clown x reader

fandom: one piece word count: 1.6k warnings: nsfw 18+, dubcon, semi-public sex, fuck or die-ish, fingering, banter, unprotected sex, squirting, creampie

kinktober m.list || read on ao3

You know Buggy’s going to leave as soon as he gets his body back.

You’re not going to let that happen. When he finally reattaches himself, and runs off with a see ya!, you run after him.

“Stop!” you call out to him. “You need to stay and fight. We saved your ass, didn’t we?”

He turns around and sighs dramatically seeing you. “You again? Seriously sweetcheeks, would ya let me leave?”

You cross your arms, and give him the most intimidating glare you can muster. You only recently joined the crew, and you wanted to prove that you were tough enough to fight with the rest of them. Making sure that Buggy helped you guys fight Arlong and his fishmen while Luffy went to go save Nami was a way to prove yourself to them.

“I can’t let you—” you're interrupted by a fishman coming out from behind Buggy and approaching you. You whip out a dagger to prepare for his attack, but before you can get a move in he sprays some sort of powdery mist in your face, completely taking over your vision.

“Good luck trying to fight me now when you gotta deal with that,” he snickers as he runs away.

You cough and bend over, hands on your knees, as the mist lands in your nostrils and mouth. You try to swat it away in the air surrounding you, but it feels as though the mist has already gotten inside of you, and there’s no way to escape it now.

“Well, anyways, I’m going to go then,” Buggy starts, slowly backing away as he gets ready to escape.

You’re too weak to try and distracted now to try and stop him, but then your body starts to feel different. Your internal temperature skyrockets, causing beads of sweat to start dripping down your face despite the fairly average temperature outside. You can feel your body not getting hot because of that, but also the sudden arousal that threatens your core.

Your legs begin to tremble as your body aches with need, a deep feeling in your gut that you never felt before. It’s like a hunger that needs to be sated immediately, as though it were a life or death situation. It has you wanting to just stick your fingers inside of your pussy and just fuck yourself silly until you can rid yourself of this itch you can’t seem to scratch.

“W-wait!” You call out to him. You must sound extremely desperate, because Buggy actually stops and turns towards you instead of ignoring your pleas.

You swallow hard and continue. “I need…help.” Your tongue feels heavy in your mouth as you grit out your words, embarrassed by just how much you want the stupid clown to fuck you. You can already feel how wet you are through your bottoms, and as the seconds tick by it feels as though your arousal is going to start spilling out onto the floor. “Need you to fuck me. Please.”

You’re too ashamed of your desperation to look Buggy in the face to see his reaction to your words. You only know of his answer when you fall to your knees, legs too weak to hold yourself up, and you feel his palm on your back.

“Well when you look like that, how can I say no?” Sarcasm drips in his voice, and you can tell he’s not really taking you seriously.

“I’m serious!” You try to sound as adamant as you can given how weak you feel at the moment.

“So am—” You interrupt him, finally having enough, by grabbing him by the back of his neck and smashing your lips against his own in a kiss.

His own hands move to cup your face, and you open your mouth up to let his tongue in. As the kiss becomes sloppy, you start to rid yourself of your clothes, needing your body to cool down.

He pulls away as he sees you baring yourself to him, eyes widening and a smirk overtaking his face. “Woah, didn’t realize you wanted to fuck me so badly. I would’ve happily done it if you were nice and asked.”

You don’t have it in you to protest him now. Instead you move your fingers inside of you, your juices gushing out of you despite the lack of attention your pussy had been receiving.

“The shit he sprayed me with,” you start. You lay yourself on the ground, arching your back as you piston your fingers in and out of you, praying that you find your release soon.

Buggy hums in thought. “I should be thanking him, then. Got myself a nice view.”

“You can do that after you fuck me.” The next thing you know his cock is inside of you, and he’s thrusting with the vigor of a man starved. You moan and arch yourself into him, your hands scrambling as they claw at his back. You wrap your legs around him, wanting to keep him close as his thick cock ruts into you.

You don’t think sex had ever felt this good before. Your juices are squirting out of you, proving to be a great replacement for lube, and your walls clench down hard on Buggy’s cock, like a vice. He groans above you as you tighten your grip around him, walls fluttering as they refuse to let him leave you.

The pleasure is too much for you to bear, and you can hardly talk. Your eyes roll back into your head and your tongue lolls out of your mouth, drool escaping the corners of your lips.

All that comes out of your mouth and pathetic whimpers and breaths of yes, yes, yes as Buggy fucks you with reckless abandon.

“Fuck, you’re so tight,” he grits out as his muscles bulge from holding you down with so much force. His hips collide with your own, the sounds of your skin slapping loud enough to draw the attention of anyone who would’ve been in the vicinity of the two of you. “Shoulda fucked you when I first saw you. Lookin’ all cute in slutty in your little pirate getup.”

You know you should feel insulted by the way he technically insinuated you were “playing” pirate, but the horny, afflicted side of you only chooses to focus on the yearning in his voice of wanting to fuck you, and how his cock is hitting parts of you that make you see stars.

It comes to no surprise to you that your orgasm is already closely approaching within minutes of having Buggy’s cock fucking into you. Your nails dig into his skin, and your whines increase in pitch and speed.

“I’m cumming, I’m cumming!” Buggy groans as you clench down even harder around his cock, as impossible as it may seem, and your orgasm crashes into you like a wave. You can only gasp out curses as you squirt all over his cock, your juices rushing out of you wildly.

Your release soaks yourself and him, both inside and out. Buggy’s orgasm isn’t too far behind as his hips begin to stutter in their rhythm and soon he’s moaning lowly in your ear and filling you to the brim.

A sudden rush of calmness washes over you as Buggy’s cum fills you up. It’s like all of the horniness and desperation for sex escapes your body as soon as it comes into contact with his cum. Your body temperature returns to normal, and the shaking of your body is solely in response to your orgasm instead of the deep aching within your core that seemed as though it could never be satiated.

You hold onto him for a couple of moments longer, catching your breath and coming down from your high as Buggy’s arms also remain wrapped around you and his cock stays nestled inside your entrance.

It’s then that you hear your name being called out in the distance. It seems as though while you were affected by the mist powder, your crew had completed all they set out to do.

Not wanting them to see you in the precarious situation you’re in, covered in juices and Buggy on top of you, still inside your entrance, you scramble away from him. Stumbling as you put your pants back on, ignoring the way his cum pools out of you, you give him a kick to his side.

“Ow!” He whines, rubbing the area you made contact with.

“Get out of here!” you whisper to him, despite no one being around you for probably miles out. “If they see us like this I’m totally screwed!”

He rolls his eyes, but still goes to stand up and get dressed again. “Oh, what? Embarrassed to be seen with me? Real original.”

Your eyes narrow and you cross your arms. “I am trying to make a good impression with my crew, and this—” your hands gesture to yourself and Buggy—“is not going to help that.”

Buggy holds his hands up in surrender. “Fine, fine. But you owe me one.” He begrudgingly begins to leave by walking backwards, his eyes on yours the entire time. “Next time we meet, I'll have you help me out with something.” He wiggles his eyebrows in a way that makes you want to cringe, yet you can’t find it in yourself to dismiss him completely.

You shoo him away, ignoring the way heat rises to your cheeks. “Maybe. Now scram.”

You see your crew approach just as Buggy is out of sight. Thinking about your encounter with him more, technically, your mission was a success. You’d call it a win in your books.

#kinktober #kinktober 2023 #buggy the clown x reader #buggy the clown #buggy the clown smut #one piece x reader #one piece smut #opla x reader #opla smut #one piece live action x reader #opla buggy #opla buggy the clown

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jesncin · 4 months

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A Failure of Asian Lois Lane: Pt 2: My Adventures with Superman, an honest discussion

If I had to pinpoint the fundamental problem with My Adventures with Superman's depiction of Asian Lois Lane it's in their attempt to subvert the classic two person love triangle: Lois loves Superman but is indifferent to Clark Kent. In MAWS, Lois insta-crushes on Clark Kent and hates Superman. In the show's attempt to make sense of this dynamic, Lois' Asian identity becomes at odds with a story meant to touch on xenophobia and immigrant themes.

Let's have an honest discussion about a show that made fandom cheer as an Asian character removed the one thing that made her most visibly Asian.

Disclaimer: While I am of East Asian descent, I am not Korean. I'll be discussing general Asian diasporic experiences but the specifics of Korean culture are outside of my knowledge (as usual I can't and don't speak for every Asian person ever, I am 1 opinion). Secondly, I'll be pulling from my personal experiences every now and then particularly pertaining to being a butch Asian person watching this show. It'll be a mix of formal analysis and personal anecdotes. Thirdly, this isn't an exhaustive analysis of MAWS Lois' character. We'll be sticking to what I consider is relevant to themes of Asian identity and immigration. Lastly once more, I do not believe the MAWS crew had malicious intent in any (of what I consider) poor writing decisions. We're here to analyze and challenge these writing decisions.

Please read Pt 1 of Asian Lois analysis that covers the comics, as it provides the groundwork for the ideas expanded on in this essay.

We need to talk about Lois' design. In the follow up to MAWS' release, people have been speculating on Lois' ethnicity. CBR writes that the show has "some fans believing that she's at least part Asian" and other articles have the show crew confirm Lois Korean heritage via her hanbok outfit in episode 4. The existence of these articles, my own anecdotal experience of streaming MAWS with Asian friends, and comments I receive from people asserting Lois' Asian identity was never explored in the show ("you'd only know she was Asian if you searched up articles about it"), tells me we have a case of an ambiguously designed Asian woman. Tangentially many people had no idea Livewire, the white haired and blue eyed woman, was meant to be South Asian.

There's a lot to be said about art styles that don't properly stylize ethnic features, but for the purposes of our analysis that means the writing has to deliver the heavy lifting where the design fails. This is the opposite case of American Alien: a comic that relied on the art to portray Asian Lois.

Let's start at episode 3. In it, Lois finally manages to conduct a private interview with the elusive Superman. When she asks where Superman comes from, how his powers work, etc- Superman comes up empty. In this version, Superman can't talk to his Kryptonian father (Jor-El)'s hologram because of a language barrier, so he knows very little about his alien heritage. He leaves Lois, assuring her he's here to help the people of Metropolis. When Clark Kent congratulates her for interviewing Superman, Lois rebuffs him. "Oh, he's [Superman's] a liar." smirking as she says it. This is the start of the Lois Hates Superman For Being a Liar arc.

I'd like you to consider the optics of an Asian American woman interviewing an alien immigrant who honestly told her he doesn't know where he comes from and is still figuring out who he is, only for her to think he's lying. Because she didn't get the answers she wanted. I can't help but think about my own experiences, where I was asked "but where do you really come from?" or "okay but what's your real name?" I think of my Asian American peers who would honestly say they're from Texas or Atlanta and get a vindictive "you're lying" as a response. People want to hear you're from China. They want their biases confirmed. I think about how I honestly can't tell you where my elders hailed from, because of cultural genocide and language barriers. This scene makes me uncomfortable, but let's press on.

Episode 4 is where Lois is most visibly Korean. In this episode the trio of Lois, Clark, and Jimmy are tasked with interviewing rich techbro Prof. Ivo of Amazo tech at an investor event. It's a prom episode. Lois wears a "hanbok inspired gala outfit" designed by Dou Hong and Jane Bak in a deliberate move to showcase Lois' Korean heritage. Bak comments "I remember feeling strongly about wanting to inject some aspect of her Korean heritage without disrupting her characteristic as a spunky and resourceful intern/reporter." while the wording poorly implies that Korean heritage is at odds with Lois' spunky personality- I do want to challenge a couple of the decisions that went into this design.

I want to acknowledge as an Asian butch that there are many ways to sport traditional garments and it's okay to mix and match to figure out what reclaiming culture (and your comfort) mean to you. However we're talking about the opportunity to showcase culture in an episode of a fictional animated show. I also encourage cultural gender expression that thinks outside of western white people's idea of gender (in both fiction and real life).

Whenever artists try to do a non-conforming spin on a cultural outfit, I always have to ask: "what standard of masculinity are we basing this on?" It's clear that MAWS is pushing for a "tomboy" Lois, and this gala outfit is an extension of that. But what's the standards of masculinity in a Korean lens? Men wear hanbok too, so why can't Lois imitate how Korean men wear hanbok, by traditionally accompanying her look with baji (baggy and loose pants)? This design notably has tight pants that hug the form, instead. I know the hanbok look has been modernized in and out of Korea in many ways, but in a show where you have the opportunity to showcase cultural non-conformity, I feel more thought should be put into the outfit outside of a potentially western lens- or the idea that cultural heritage of any sort "disrupts" a character's personality.

Now that we've discussed the design of the outfit, let's look into the narrative role it plays in episode 4. While we can celebrate cultural representation in media, I consider it important to ask "what is this media's relationship with the cultures it represents?" and the answer for Lois' hanbok in this episode is: nothing! It's an aesthetic acknowledgement of culture. "Hanbok" or "Korea" are not terms explicitly mentioned in the show. When Prof Ivo offers beautiful women as compensation for Clark to keep quiet about his company's corruption, Ivo looks over to Lois- who spills food on her clothes, and remarks that she's unclassy. She's not judged for wearing othering cultural clothes- which would have tied nicely into Clark choosing to be silent on issues of Ivo displacing a neighborhood, making Clark realize his complacency actively hurts marginalized people. Despite wearing cultural outfits being a political statement in America, nobody reacts to it. It's clear what the actual goal of this scene is: Clark looks cool for defending his "tomboy" crush.

In a scene blatantly made for fanservice, Lois offers to sew up Clark's ripped tuxedo by undressing her hanbok so she can reach her little sewing kit. Lois never wears her hanbok again afterwards. This scene haunts me. It's a scene that tells you that fanservice is more important than cultural representation. It's a scene meant to set up that Clark gives his tuxedo to Lois later on for warmth. Lois removing her hanbok is meant for not one, but two fanservice scenes.

Lois talks to Clark at the stairwell. She opens up about her estranged relationship with her father, how her mom has passed away, and how she's been an intern at the Daily Planet for a year with no sign of being hired. This makes the narrative decision for Lois to lose her hanbok far more tragic. Lois being a diasporic child with so few familial ties to her culture would mean garments like her hanbok would hold a lot of sentimental value! It's hard enough finding a cultural outfit that fits with your butchess (many of my cultural outfits are hand made to fit my form and gender expression), and yet Lois unceremoniously loses her hanbok. You would think in Lois opening up about being distant from her parents that Clark would be able to culturally relate with the distance he has with his Kryptonian parents. But the narrative opportunity to link their immigrant experiences is not taken, because the show simply doesn't recognize the parallel between the two.

Instead MAWS pushes for the Lois Thinks Superman is A Liar thing again. A far less narratively substantial and fundamentally flawed arc. This episode starts with Lois calling Superman a liar and has Lois ranting about him "dodging her questions" (remember, he was honest with her about not knowing his heritage) thereby rendering her interview unpublishable. She resorts to conspiracy tabloids giddily provided by Jimmy for information. She rather cruelly says "nobody normal believes in aliens". We are uncomfortably seeing the build up of Lois being allegorically xenophobic towards alien immigrants- a Lois on a quest to out an alien before he's ready. This is their justification for flipping the love triangle. Lois loves cuteboy Clark from work, and hates Superman for not confirming her biases that would help her publish an interview that would promote her at work. What a love story.

To wrap this episode up: Prof Ivo ends up challenging Superman to a fight so he can flex his Parasite suit to investors, only for it to backfire, destroy his reputation, and greatly damage the Amazo building (remember this it'll come back later). The episode ends with Lois discovering Superman is Clark Kent. Anecdotally, I was so frustrated with the treatment of Lois' hanbok in this episode, that I went online to search if anyone else felt similarly. All I was met with was fandom thirsting over the stairwell scene where Clark and Lois were undressing. Consider the optics of an Asian character who removed the most visible signifier of her heritage (the outfit far more culturally specific where her character design was racially ambiguous) and how people cheered because that meant they could see her in her undergarments. They can happily thirst over the body they desired now that the othering cultural garment was out of the way. It's just clothes after all. Diversity clothes. This show continues to be very uncomfortable, and a little too real.

In episode 5 Lois is passive aggressive to Clark and Superman, trying to get Clark to admit he's Superman and vice versa. She eventually confronts Clark by jumping off the roof of the Daily Planet, causing Clark to fly down and save her. She proclaims she doesn't want to be friends with him anymore for "lying" to her. This episode caused a huge ruckus online as people were divisive over Lois' actions. Some defended Lois, saying that "women should be messy" and "it's not Lois Lane if she doesn't do something crazy for journalism!". Ignoring that opinion's very flandarized view of Lois' character for a second, let's thoroughly discuss how this relates to themes of immigration and Asian identity.

By this episode, Lois had known Clark for 5 days. In that time she's entitled and angry to the point of friend-breaking-up with him because he wouldn't disclose his marginalized identity to her within less than a week. "A secret is another type of lie!" Lois says, regardless of her lying on sight to both Jimmy and Clark upon meeting them at work, and continued to lie in episode 3 (after promising not to in ep 1) about her intentions to interview Superman. Only Lois gets to lie in this relationship. The hypocrisy of her character is never recognized. Clark calls out Lois for having previously admitted to him that she wanted to dox Superman and "publish all his secrets. MY secrets!". Keep in mind that when Clark brings up Superman feeling uncomfortable about his secrets being published by Lois in episode 3, Lois' response was "yeah, but HE doesn't know that's my plan!". She explicitly admits that she would publish private information about Superman without his permission. But when she's confronted by Clark in episode 5 about that, her response is "I would never do that to you, I didn't know it was you until after the gala. How could you think that?" It's only through conflict of interest that Lois spares Superman of being doxed. He's supposed to magically know this. Extremely cool of Asian American Lois to be entitled to an alien immigrant's identity within four business days.

Episode 6 wraps up the Lois Hates Superman For Being A Liar arc, so let's quickly summarize what happens. Lois and Clark set aside their fight to find Jimmy in an abandoned scientific facility (he's being cared for by Mallah and the Brain). Jimmy admits (very smugly) to having known Clark was Superman all along because he kept breaking stuff. As the trio are chased by killer robots, they emotionally confront Clark for not trusting them with his alien secret- despite neither Lois or Jimmy creating a safe environment for Clark to come out to either of them (Jimmy outed Superman as an alien on his video channel). The moral of the story is Clark should have trusted his friends anyway, because lying is bad. Not once does the narrative hold Jimmy or Lois accountable.

We have Black Jimmy Olsen and Asian American Lois Lane being entitled to their white passing friend Clark Kent's marginalized alien identity. A joke is made at Jimmy's expense that he doesn't understand bigotry, and Lois clearly doesn't understand why an immigrant wouldn't be forthcoming about his identity to his hostile friends at work. This is how that arc ends.

I'd like to quickly compare this Lois Hates Superman For Being A Liar arc to my favorite scene in Superman Smashes the Klan. In this story, Superman debuts as a strongman superhero instead of an alien, suppressing his more othering powers to pass as human. He jumps instead of flying. Roberta, the Chinese American girl targeted by the Klan, calls Superman out for not using his full abilities to save people who could've gotten hurt. Yet, as she's calling him out, Roberta understands Superman's fear of not wanting to be othered. She sees the way her father dresses up to pass as an accomplished scientist, how he tells her mom to speak in English, how her brother makes racist jokes at their family's expense to fit in. She's not mad at Superman, she's mad at the world that would be scared of Superman if he flew.

"I wish it were okay for you to fly!" Roberta yells. This is a beautifully empathetic scene that shows a marginalized person frustrated at a systemic problem, instead of blaming the marginalized for being marginalized. It's the empathy and perspective we're missing from MAWS.

Episode 7 is a metatextual episode where MAWS addresses how their Lois isn't like the other Loises you've seen before. Lois and Jimmy are brought on to a team of alternate dimension Loises to find interdimensional troublemaker Mxy. In seeing the other more accomplished Loises in the multiverses, Lois ends up feeling inadequate about her self worth...in connection to being Superman's girlfriend, of course. Because Superman only loves Lois Lane after she wins a couple of Pulitzers, right?

I'm open to a version of Lois Lane that isn't as accomplished as she's historically known to be. I can like a Lois that's young and idealistic, like in Girl Taking Over. It's hard not to compare this episode to 2022's Everything Everywhere All At Once, another multiverse story about an Asian American woman who is the "greatest failure" version of all the parallel iterations of herself. But while that movie talks in depth about themes of generational trauma, expectations, and self potential within Asian immigrant families, MAWS uses the multiverse to say that while their Lois is less accomplished, she's still a good girlfriend to Superman! Why should I bother giving grace to a different take on Lois only to get such a superficial story out of it. This is metatextual-ly frustrating.

Why is it, the minute we get an adaptation of an Asian Lois in something as prominent as an animated show, we get "the worst Lois in the multiverse"? Lois is historically depicted as excelling in her field. She's an award winning journalist, jaded and mean from having to work her way to the top. She owns her sexuality, she's the experienced city girl. Instead of taking the opportunity to inform Lois' jadedness and excellence with her Asian American identity like in Girl Taking Over, instead we have an Asian Lois that's simply incompetent at her job. Why are we now adapting historically accomplished women into adorkable quirky screw ups? She went from being sexually confident to being insecure over sending a text to Clark. Is it more relateable to see an Asian woman that way? Is it too intimidating to see a butch Asian woman who excels at her job? Who's romantically confident? This is what MAWS would rather do than humanize her excellence or her failures.

Are you tired of an ambiguously designed Asian American woman reporter being xenophobic to Superman in MAWS? Well too bad because episode 8 introduces us to Vicki Vale, voiced by Andromeda Dunker (an Asian actress), with explicit notes in leaked concept art to design this character as "Indian American or Asian American" (as if those are mutually exclusive...) inspired off of real Asian reporter Connie Chung. Vicki wants to write a hit piece on Superman and interviews Prof Ivo's assistant, Alex, for a negative biased opinion on Superman (to Lois and Jimmy's dismay).

This episode is where it's abundantly clear the writers don't know how to talk about xenophobia. They'll make nods to xenophobic rhetoric, but they don't know what the rhetoric means. In response to Alex's derisive opinion on Superman destroying Amazo tower thereby bankrupting the company and putting "thousands out of work", Vicki responds "Superman wiped out good American jobs". This is a misplaced nod to Replacement Theory: the fear white people have over people of color, but particularly immigrants, coming to "their" country to "steal" jobs they're entitled to, ultimately becoming demographically replaced by non-white cultures and people. This rhetoric is also commonly applied to Jewish people.

The problem is, that's not what Superman did in the show. Amazo tech was going to go bankrupt because of Prof Ivo's poor business decisions. Prof Ivo made the mistake of antagonizing Superman and ruining his own image. Superman damaging the building came from his fight with Prof Ivo, not a deliberate attempt to get hired (if anything don't the building repair people have new jobs now?). No one's job is tangibly being taken by Superman. None of this is called out by Lois or Jimmy, who know the full story and were even the ones to attack Alex for helping Prof Ivo (let's be real the writers forgot this happened). In fact, Lois and Jimmy don't react to Vicki's Replacement Theory remark at all! It's like they don't even recognize she said something with racist implications!

Jimmy and Lois meet up with Superman who learns the people of Metropolis are becoming scared of him (from causing some recent property damage in an attempt to hunt a criminal down) and writing mean comments on social media. A user writes "he should go back to where he came from." This is a transparently xenophobic comment. It doesn't work in the context of the show because of a huge plot hole: Superman never publicly came out as an alien to Metropolis. No verified newspaper has explicitly made this fact known. The only source that mentions this is Jimmy's conspiracy channel, which the citizens of Metropolis are apparently treating as fact- therefore (if we're to believe this is how people knew) this means Jimmy absolutely outed Superman as an alien without Clark's consent.

So how does Asian American Lois respond to seeing her alien boyfriend go through xenophobia? She says "Take a break from being Superman and just try being normal." To be fair, the narrative does portray Lois saying the word "normal" as charged (only here at least, not in episode 4), and when she tells Superman to "take a break" it's because he had been overworking himself after suddenly unlocking the ability to hear when someone's in trouble. But was this really the response Asian American Lois thought to say? To her boyfriend going through such explicit xenophobia? At this point it's abundantly clear that racism doesn't exist in the world of MAWS. Being "normal" is to be human. And to be marginalized- or as the show likes to call it "different" is only reserved for white passing alien man Clark (along with gorilla and robot that was once a white man). Any hope of an immigrant parallel between Asian American Lois and Superman should be fully discarded at this point.

After the events of the previous episode where Superman is kidnapped by Task Force X, in episode 9 Lois regrets being allegorically xenophobic to Clark. At least I think that's what's happening. I often describe MAWS as a show that's extremely squeamish with getting political- and I believe the vagueness of Lois' Dark Night of the Soul moment reflects that. "I said awful things to Clark. I doubted him when he needed us most. I was wrong and now he's gone..." Lois says as she cries to Jimmy. Is this dialogue implying she shouldn't have told a sleep deprived Superman to take a break? What did she doubt about him? This dialogue is purposefully vague about Lois being xenophobic. They've universalized Clark's immigrant identity to such a point that they can't keep their argument consistent. Was Lois in the wrong for telling her overworked superhero boyfriend to take a break? Or was she being xenophobic for telling him to lay low for a while? Or is she regretful for hating Superman for Being A Liar? How is that possible when the narrative sided with her and Jimmy in episode 6? It's woefully non-committal. Regardless, the intent of this scene is to pay off in the climax of the episode.

In the end Superman has a showdown with Prof Ivo Parasite, who has grown into a large godzilla-esque kaiju creature. In typical MAWS fashion, the show is more interested in a surface level nod to Asian media instead of engaging with the specific themes of nature and post-war trauma kaijus and godzilla serve in Japanese culture. I digress. Using Jimmy's massive social media platform, Lois delivers a hope speech that instantly heals Metropolis of its xenophobia towards Superman.

Lois says to the people of Metropolis.: "People have told you to fear Superman because he's different from us. But we humans are capable of causing hurt and pain too. [...] Because we want to punish those who don't look or act like us." I mean this in the most polite way possible, but who on Earth thought this line was a good idea for Asian American Lois Lane to deliver when talking about white passing man Superman?? Why did the writers feel the need to specify Superman not looking like us. I simply don't understand how nobody considered the terrible optics of this.

After Superman defeats Parasite, episode 10 is about Clark, Lois, and Jimmy celebrating Thanksgiving at the Kents' house. At the Daily Planet, the trio of interns are promoted to finally being reporters. It only took Clark and Jimmy a few weeks while it took Lois a whole year! Now feels like a good time to remind you that Lois as a character was historically frustrated at sexism in the industry and despised how men were treated better than her (including Clark Kent). Well in MAWS episode 4, Lois has no idea why she isn't getting picked up to be a reporter. According to the narrative, and Perry White's dialogue ("you're terrible interns, so the only thing to do was to make you reporters")- she simply didn't break enough rules yet! Thank goodness she had the help of two men to show her how it's done! This is a pretty clear case of character regression. Keep in mind that in American Alien, at the very least that Asian Lois still underwent sexism, and I gave it the grace that the story could eventually expand to talking about both sexism and racism if it were to continue. But in MAWS? I don't think even sexism exists, let alone racism. Somehow Thanksgiving does, though.

Half the final episode is spent on Thanksgiving shenanigans where everyone's trying to be polite but they dislike Lois' stoic dad (Sam Lane)- who Clark recognizes as the Asian American xenophobic man who tortured him in Task Force X's government bunkers. A parallel is pulled between Sam and Jor-El, two fathers with different ideals when it comes to protecting their kids. There's a huge missed opportunity to have Lois and Sam speak in Korean with each other, to create a parallel in the language barrier between Clark and Jor-El. Maybe Lois isn't as fluent in Korean as Sam is depending on how culturally connected she is. Oh, but the existence of non-English human languages would imply some sort of minority, who would be marginalized, and we can't have anyone outside of aliens and a gorilla be marginalized in MAWS. Non-English languages in America are political, after all. Oh, but they also got a Filipino actor to voice Sam. Generously Lois could be Filipino-Korean but if we're being truly honest it's clear the MAWS crew think Asians are interchangeable.

Let's talk about Sam. In terms of optics, it's already not great that the main villains who represent the face of America's secret government xenophobia are Amanda Waller and Sam Lane- a Black woman and an Asian man. What's doubly notable is that of the antagonistic villains, Sam and Vicki are the most xenophobic. When Sam tortures Superman, he shouts "When is the invasion? How many of your kind will come through this time?" without a hint of irony. Reminder that historically, Asian immigrants were (and still are) considered invaders in America. They are the perpetual foreigner. MAWS loves making nods to Superman being an immigrant allegory, and yet they can't fathom the human beings that allegory is inspired by.

It's not impossible to portray people of color or even Asian American characters specifically being xenophobic. In Superman Smashes the Klan, Dr. Lee is initially antagonistic towards Superman but we understand why. We see him trying desperately to assimilate into whiteness, to the point he rejects assistance from his Black neighbors who help put out a fire in their backyard (that the Klan started as a threat). We understand why he's a character who would turn on fellow people of color, or fellow immigrants, in order to fit in. For MAWS, if we had a flashback scene where Sam was serving in the military and fought against Asian soldiers, showcasing his loyalty to America over his own people- that would narratively explain why an Asian American character would be xenophobic. Writing bigotry from within marginalized communities requires specificity. Otherwise, you've just got a diverse villain. In the end, Lois defends her immigrant alien boyfriend from her xenophobic Asian American dad.

Whenever I bring up how MAWS fails its characters of color but especially Asian Lois, I'm met with people telling me that "hopefully they'll make Lois more Asian in S2" or "they'll just retcon the bad writing in S1" and I hope this thorough analysis on the treatment of Lois' Asian American identity can help enlighten why I personally think that's impossible. The entire concept is flawed from the very beginning. The story MAWS wants to tell is at odds with Lois' Asian identity. In trying to justify an Asian Lois that loves Clark but hates Superman, they never considered what it means to hate Superman. To hate the alien immigrant. The alien other. What it means for an Asian American character to do all that. MAWS is a show that wants to have its cake and eat it too, they want a diverse world without racism or sexism but still want to reap the clout of lightly portraying Superman as "different".

They'll make the most surface level nods to Lois' Korean heritage- but remove all of the cultural context from them. They can't be bothered to acknowledge the inherit political identity being a person of color means in America, they're too busy doing that with Clark. I'm told "MAWS didn't have the time to go over Lois' Asian identity, it's a 10-episode series that focuses on Clark's alienation", and to that I say the potential of an immigrant love story and time frame was there, they simply chose to go another direction.

When I bring up things like Superman Smashes the Klan, Girl Taking Over, and Everything Everywhere All At Once, it's not to say MAWS should have used those stories as reference when crafting their allegory. All of those specific media were released while MAWS was deep in production already. Girl Taking Over was released the same year MAWS premiered. What I am saying is that we, as the audience, should have higher standards. Because better media portraying Asian American characters already exist. Better media portraying Asian characters relating to Superman mythos already exists. What we're doing when we celebrate the breadcrumbs of representation that is MAWS, is allowing mediocrity to exist uncritically.

Shows like Wednesday are known in the discourse for their portrayal of Black characters as being functionally white, yet that kind of scrutiny doesn't seem known for MAWS. The diverse reimagining of Lois and Jimmy is so poorly handled in MAWS that it would honestly make more sense if Jimmy and Lois were white here. The joke made at Jimmy's expense that he doesn't understand bigotry would be actually funny if it was calling out his white privilege. If, for whatever reason, the writers are compelled to write a xenophobic Lois that unlearns her bigotry and falls for Superman, I'd rather she be white for that kind of story. I wouldn't personally root for that kind of couple, but at least it'd make sense. It's a common joke among DCAU fans of color that we like to headcanon Lex Luthor as Black, or Lois Lane and Terry Mcginnis as Asian. It's a cruel irony that the one time we finally have a canonized Asian Lois in an animated show, she honestly feels and acts whiter than actual white Lois ever was.

I mentioned in Pt 1 of my essay that Asian Lois and Superman has the potential to be a definitive love story. One that considers both their backgrounds as immigrants, othered in different ways by American society. The story of a jaded but accomplished Asian city girl who finds hope to be herself again in an alien immigrant superhero. One where she gets the courage to wear traditional clothes again, to practice languages she once suppressed. The story of Superman, an alien immigrant, finding hope in someone with a painfully similar experience.

As of writing, we have yet to see this dynamic in any canon DC media. A second season of MAWS will not give us that story.

#ramblings #media criticism #jesncin talks maws #lois lane #warning LONG LONG POST #this is a 30 minute read for reference. read it in chunks if u like but this is a big lad fellas #as always please be kind!#jesncin dc meta

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lxvvie · 4 months

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y'all, I made the mistake of revealing that I write fanfiction as a hobby, and when asked about the fandoms I write for, I broke it down as I know best: into cliques. I realize I might be shaking the table but it is what it is.

This is what I said for CoD (I've since add some more stuff):

You got the forever war between Gaz Nation and Gaz Deniers. May or may not be rooted in his attractiveness as a person of color, opinions vary (read: it most definitely is). Bonus points if the racism comes out in full force. DOUBLE/TRIPLE those points if it's expressed using butchered ass AAVE. 🥴

You got the Masked Men Lovers Brigade of which König, Ghost, and Keegan are the patron saints and arguably the holy trinity.

You got the Peepaw Price Lovers who absolutely adore his chonky cheeks, peepaw mannerisms, lumberjack body complete with the slutty waist, and relative long-suffering thanks to the shenanigans of the rest of the crew.

You got the Soap Suds who, I think, have found that relative balance between Johnny being a destructive-as-all-hell force to be reckoned with and the quintessential golden retriever boyfriend. His VA doesn't make it any better apparently lmao.

You got the Ghost lovers who've pretty much diversified him so he can run the gamut of Daddy Dom Extraordinaire™, Babygurl™, Sassy Simon™, and the list is endless. What IS consistent is that someone parked a dump truck on that ass and he has some big ole titties. There's also the subset of people who REALLY, REALLY love Ghost but also think his VA is ugly (which he isn't) while simultaneously thinking that he (Ghost) is supposed to be David Gandy levels of immaculate despite being in active combat. Make it make sense.

There's the Gravediggers who, for the most part, acknowledge their love-hate relationship with Graves and I think that is both hilarious and endearing.

You have the Kult of Köthulhu, König's devoted followers who have allowed him to transcend his gremlin nature to become the long-lost progeny of Cthulhu. Move the fuck over, Cthylla. I kid but he, like Ghost, has also been diversified in terms of his portrayal. And no, he's not a part of 141. Some followers of His Gremliness are also embroiled in a forever war with Gaz Nation so please be safe out there, y'all.

You got the Valeria girlies who want her to sit on their faces. I don't blame them. Please do.

You have the Los Vaqueros crew who need more love shown to them and Pony by Ginuwine is their official theme song thanks to Alejandro Thee Stallion. The less said about the butchered Spanish I've read in some fics, the better.

There's also the Farah Fanatics who rightfully adore her and deserve their flowers just like the rest of the cliques.

There's the Keller Kollective who, I think, tends to intersect with the Farah Fanatics. This lot also deserves their flowers because Keller is a sub absolutely underrated as a character. You'd also be forgiven for thinking he and Price are elated.

You also got the Horangi Horde who, just like Gaz Nation, will RISE TF UP. I think. Hopefully. lmao

And then there's the self-righteous crew who, for whatever reason, seem to think they're above it all and love to police writers on what they write and how they write the characters (we're talking in terms of rather innocuous subjects in the grand scheme of things; the sus shit absolutely needs to be and should be called out). Interestingly enough, this group also seems to forget that they're in the same damn boat by being in the fandom, consuming, and writing about the same characters. The ones who have all the energy but none of the courage even if they say or think they do. Bonus points if they also move like fans. Double/Triple those points if they, too, also use butchered-ass AAVE to make their points. 🥴

The girlies who can't separate fiction from reality and insist on harassing the VAs and their significant others and families because how DARE they have a regular degular life outside of *checks notes* their job. Baby, it was never gonna be you. It will never. be. you.

did I get them all? lmao

#2queued4u.#cod fandom #call of duty #call of duty modern warfare #call of duty modern warfare 3 #call of duty ghosts #call of duty modern warfare 2 #cod modern warfare #cod mw2 #cod mw3 #task force 141 #los vaqueros #kortac #it reads much better as a post because I sounded a hot mess and was flustered as I was explaining it but this was the gist of it lmao.

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therapy-ghost · 8 months

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hello! im new to the one piece fandom cus of the live action and i absolutely loved it!

I'd like to request headcannons for strawhat crew (romantic or platonic) with a new female crewmate that is very creative and crafty, but also likes to collect things like a crow for her crafts, like the reader decorates the ship and tries to make clothes or useful things for the crew members ><

have a good day/ night ^^

….I don’t know where or not you want it live action or not… but there are a lot of members in the anime compared to the live action so I’m doing live action!!!!

warning; spoilers, swearing and cuteness(straight fluff)

The straw hats(opla) x fem!crewmate that is like a crow!

Luffy

bro will help her; he will notice her finding shiny things in the streets or just randomly in the sand, and he will do the same and gift them to her

finds it really cute because she will become extremely excited over the tiniest of things

if she ever gifts him something, like a pin, or an extremely shiny rock, he will put it somewhere on his clothes

If she makes something for the ship; like some kinda decor for merry, he is putting it on(no questions ask)

Zoro

bros confused as hell; will ask her a shit tone of questions and be like “the hell are you doing?”

secret is; he finds it interesting that she does this… reminds him of Nami and her berry

if he finds something shiny; he will put it in a place where she can find it and leave it for her.

Nami

sis wants it all; Nami isn’t a fan that she just collects the shiny and very expensive stuff and keeps it to herself… so let’s just say she has stollen a few thousand berry from her

its not like she’ll notice? She’s to busy making a really pretty necklace… for Nami?

Nami eventful finds it the most adored thing ever and will bo staff anyone to death that thinks other wise.

she has suggested making a business tho….

Usopp

he accidentally lonched a pretty rock in his sling shot after thinking it was more amo and then go really said

he always tries to make her happy with finding other shiny things and tells her stories(lies) about them.

helps her clean things off and make little crafts with them

Sanji

head over heels as soon as she gifts him with anything, no matter how dirty it is.

bro will do the same for her and give her really pretty things he has found in hopes to make her happy and hug him

he is extremely touch starved and wants it all the time so…. Once he joins, her stach grows by 100 times

I hope you enjoyed it!!!!

#Opla x reader #One piece x reader #One piece Live action x reader

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jennaimmortal · 6 months

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Musings on OFMD Season 2

I’m feeling a bit sad today for the OFMD writers. After rewatching S1 & 2 a couple times, it’s become blatantly clear to me that Izzy’s arc this season was a very obvious love letter to both Izzy fans & the great Con O’Neil. Izzy was very clearly written to be an obstacle to Ed’s healing & personal growth, a snare that Ed needed to be freed from, albeit with plenty of nuance hiding under the surface. It would have been much easier for them to kill Izzy off while he was still the toxic, abusive, sadomasochistic terror of S1E10.

Instead of taking the easy route, though, the writers flipped the trope on its head! They utilized every bit of the potential buried beneath Izzy’s super fucked up shell. This season Izzy got

• a fully fleshed out redemption complete with terrible consequences of his 1x10 actions

• a realization of the possibility of another way of thinking & existing that he’d spent all of S1 running from & trying to destroy,

• genuine love & support from his crew mates which he was actually able to accept,

• exploration of the long abandoned softer side of his nature,

• an apology from Ed w/o first offering one of his own,

• a powerful, devastatingly poignant speech that mentally demolished a new nemesis, and finally

• a beautiful, meaningful death in the arms of the man he’d dedicated so much of his life to, known that he was truly loved by him & completely accepting of the fact that Ed’s love was not in the form he’d always hoped for.

It was so much more than we could have hoped for, and was very obviously done in service to the MANY fans that had fallen in love with Izzy even after S1, as well as to give Con a storyline worthy of his immense talent. Considering the face that Izzy was never going to end up becoming the show’s third protagonist, it was more than we could have hoped for!

OFMD has two protagonists, Stede & Ed. All the secondary character narratives that haven’t directly involved Ed and/or Stede have been icing on the cake, but the cake has always been the Gentlebeard love story. I feel like some people forget this, expecting them to treat the secondary characters as if it were an ensemble show instead of a show with leads.

Izzy’s arc really was an amazing gift! The writers gave us this incredible journey for Izzy this season, and what did a disgraceful number of people do? They attacked David directly, insulted the entire show, the writers, & other characters, even wishing actual harm & misery to other characters or even to David himself!

While I know that comparatively speaking, the percentage of show fans who reacted this way was relatively small, it was still an astounding amount of hatred & vitriol thrown at the people who had obviously worked very hard to give Izzy fans something beautiful to hold on to after his inevitable death. Much of the discourse honestly shocked me, considering the fact that OFMD isn’t even an adaptation of another work.

When fans get angry at shows written as adaptations of books, it’s a bit more understandable for them to have extreme reactions. They’ve had certain ideas and headcanons about characters they’ve felt very strongly about for a long time. It can be really jarring & painful when expectations like that aren’t met, the characters or plots are taken in totally different directions, or even excluded entirely.

OFMD, however, is an original creation. This is David Jenkins’s story. These are David Jenkins’s characters. He knows his story, his plotlines, his characters far better than anyone else does because they came from HIS brain! So while we as fans can have our own interpretations & head canons, they are always going to be at risk of being proven totally wrong by the ACTUAL canon.

One of the worst aspects of fandoms, in my opinion, is the way people become so proprietary over the story & characters, insisting that their own interpretations & theories are the only correct ones, which is exactly what happened with Izzy. Fans’ individual & collective interpretations, theories, hopes, & other head canons became concrete & true in their minds. So much so that when the actual story didn’t meet those expectations, so many of them lashed out in some truly unpleasant, sometimes hateful ways.

My only hope is that the rest of the fandom’s love, appreciation, constructive criticism, heartbreak, pain, joy, & excitement has been enough to drown out the deluge of vitriolic comments directed at David & the other writers.

If you stuck with me through this unintentionally long diatribe, thank you! Maybe take a moment to give the writers some comments or replies on social media, showing your love! I know I will!

#our flag means death #ofmd #ed teach #ofmd s2 spoilers #ofmd season 2 #ofmd s2 #ofmd izzy #izzy hands

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vanvelding · 6 months

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I'm going to say one of the nicest things I can about a show about Star Trek: Lower Decks

They played us like a string quartet.

(Spoilers for 4x09: "The Inner Fight")

Lower Decks was sold a Star Trek/Rick & Morty mashup from the start. The first scene is a drunken Mariner literally harming her sidekick, Boimler. It practically screamed, "Mariner & Boimler a hundred tours! Double-u, double-u, double-u dot Mariner and boimler dot com!"

But of course, it also had Star Trek references. One of the earliest is "Who would win in a fight? Khan or Roga Danar?" Why would anyone else in The Federation know or care who Roga Danar is? And there's no imagination on display for the oldest referential paradigm, "Who would win in a fight?" Lazy. Bullshit.

Of course before the end of season one, Lower Decks showed us it was more than that. Boimler was gaining the kind of experience he needed. The story hinted very strongly that Mariner had been in Starfleet a LONG time. She wasn't a omnicompotent mary sue; she was a Commander with her own philosophy/trauma that compelled her to remain an Ensign.

It was a good show and it stood on its own. The references were used well to create interesting stories ("Twovix"), as part of the setting ("Hear All, Trust Nothing"), or just as a gag here and there ("Kayshon, His Eyes Open" and, like a dozen others). The references to the setting become the background radiation, remarkable in how deep a cut they really are (Vendorians?). I've described it to many people as "Star Trek, but everyone has watched Star Trek."

What it wasn't, was related to its namesake. "Lower Decks" was a surprisingly heavy episode about the younger members of the Enterprise crew and their perspective on the missions of galactic import that the viewer usually enjoys an omnisicent view of.

Lower Decks mentions our main cast don't have that omniscient view, but Mariner is a stone-cold badass, Rutherford was part of a secret effort to develop artificial intelligence, Tendi is the Mistress of the Winter Constellations, and Boimler--actually Biomler is no more exceptional than any other Starfleet officer.

So when we get our main cast and the senior officers into a room and they mention Nick Locarno, our thought is, "LOL, another reference. This one from TNG. Not particularly deep. LOL, Boimler is a Beverly Crusher fanboy. I guess it makes sense, they have the character model from the episode with Tom Paris. Clearly, Robert Duncan McNeil is happy to do some voice work. We'll probably make a reference to how much he looks like Tom Paris.

"lol"

Look, if you figured it out then pat yourself on the back. Me? I filed away another reference. I didn't realize that Nick Locarno was connected to the episode of TNG that was this entire series' namesake. The characters even say, "Who?" which is one of the first times they don't get a Star Trek reference. Because Nick Locarno isn't a part of the Star Trek universe they view with an enthusiastic fandomness; it's part of their dramatic history, whether they know it or not.

"ha-ha, I guess Nick Locarno is too deep a cut for the show that called back to Morgan fucking Bateson."

But whatever, A-plot/B-plot. Gags about Starfleet habitually rolling up to seedy establishments in uniforms while looking for information, which is subverted by Captain Freeman being fucking genre savvy (also, wasn't she going to be promoted before getting arrested at the end of season two? I guess getting framed for a crime was deemed to be not very 'admiral-able'). Mariner ends up in a cave with a Klingon taking shelter from a crystal rain.

The pieces are there. Mariner was an ensign during The Dominion War. Two to three years before The Dominion War, Wesley Crusher left Starfleet, our Nick Locarno expy Tom Paris was recruited to Voyager, and Sito Jaxa was an ensign.

And Nick Locarno is in play.

We could have figured it out! We're in the narrative and emotional third act of this series (Tendi gave us the "We'll always be friends" speech last week)! Everyone regular just sat in a room trying to figure out how to help Mariner; we were one fruit salad analogy away from an intervention with Dr. Migleemoo!

Mariner escapes from Cardassian interrogation chambers for fun!

But Locarno is just another TNG reference, like Beverly Crusher. Background radiation. The season's story arc is something original to Lower Decks, which it's proven it's unafraid to do at this point. The series has no relation to "Lower Decks"

And then they fucking hit us with it; Beckett Mariner knew Sito Jaxa. They were friends. Then Jaxa died.

That's Mariner's trauma (that and The Dominion War).

And I didn't see it because I came to see Lower Decks as a series that stood on its own merits as a show while calling back to earlier Treks in a light, non-committal way. And I credit that solely to the writing of the show which leveraged both of those qualities to make an entertaining show that I like before, but now respect.

Just amazing stuff.

#star trek #star trek lower decks #star trek lwd #lower decks #lower decks spoilers #star trek lwd spoilers

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jeremywhitley · 1 year

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Here we are, six weeks later...

HEY!

So, in case you haven’t heard, our six week run on Love Unlimited following Gwenpool wrapped up today and...

and as much as I did write all of this and it is extremely important to me, I feel I really need to make sure you all know that this didn’t start with me.

To be completely accurate, it started with Chris Hastings and crew for creating such an amazing and nuanced character out of what could have only ever been a high concept and a cover gag. Not that the cover gag wasn’t good, but the statue that is revealed from that piece of marble over the course of The Unbelievable Gwenpool is truly astonishing.

Then, of course, there’s you. An audience of fans with an incredible love and passion for a character who also saw a lot of the quirks and experiences that we as people on the asexual spectrum experience and talked about it online.

Which is where the incredible @alannawrites, my editor, comes in. Alanna had been looking for an opportunity to tell a story about being ace in Marvel comics. We had kind of skimmed around the edges during Unstoppable Wasp, but ultimately being a character who owed so much to a movie franchise, there were a lot of nerves there. Gwen was not only a great opportunity to tell a story of a person hyper aware that they are in a story struggling with the tropes that affect their actual life, it was a chance to bring about this story for a character a lot of the fandom already saw as ace. Obviously, not everybody, but still a lot.

So when editorial game to okay to tell this story, Alanna reached out to me - somebody she’d worked with but also specifically had just had their own little coming out as demisexual a little while back. I was thrilled by the idea and before long we brought on @bailiesartblog and Kelly and had a full creative team of people on the ace spectrum. This is easily the first time that’s ever been a thought.

For me it was important that it not just be a story of coming out, but that it be a Gwenpool story. A story of knowing how stories work, what tropes you can play with, trying to direct the story where you think it should go, and ultimately finding that the story just won’t comply. And for people who have experienced being on the ace spectrum or a lot of other marginalized genders and sexualities - that’s a very familiar problem.

Ultimately, it’s different from a lot of other Gwenpool stories because it’s not the world around her. She has 2-3 real working possibilities for romantic relationships in this story and one that is about to become a fully adult sexual relationship with a woman whom she really loves before it skips the tracks. Ultimately, it’s not a thing from the 616 that’s holding her back, it’s a thing she brought with her from the real world - her sexuality - and no matter how worthy you are, you can’t beat that with a hammer.

There’ll be lots of time to talk about this later, but along with her actually saying the words and waving the flags above, one of the sequences that’s most important to me is the opening sequence of issue 6

This is the problem sometimes with being story tellers. When you think you know the story, realizing you’re not who you thought you are can feel like maybe you’re a villain. Maybe you’re a monster. Maybe you don’t belong here.

Some people on the internet seem to have decided to misinterpret this sequence as us comparing being asexual to being a monster, when very clearly that’s Gwen doing it. I’m just going to assume they’ve never had the experience of struggling to understand themselves and where they fit. Sounds fake, but whatever.

I love this FF story. I love Ben Grimm. I love this cover and that was why I gave my art team the truly unenviable task of recreating it. Like, I don’t know if you’ve been there, but I certainly have and I’d wager that most of us have at some point.

But perhaps the most important image in this scene is the next one:

Julie sees her friend, her girlfriend, the person that she cares about spiraling and literally yoinks her right out of the frame.

And sits her down and talks to her about it. And listens to her about it. And when she starts asking questions that Julie can’t answer, she finds Gwen somebody who can.

And that is an incredible gift to give to someone. And yeah, maybe we should all do that for each other, but man is it hard. Julie for one is in a multi-month relationship with this girl that just told her that not only was she lying about being ready to have sex with her, but that she didn’t actually like kissing her and has been faking enjoying some aspects of their relationship. You wanna think you would still be there for this person, but that’s a lot to handle and it takes a lot to be the person Julie is in this moment. But, personally, I love Julie Power and I think she’s the kinda person to stick with it.

And ultimately I think this scene is so important to me because I hope this book is our opportunity to be Julie Power to somebody reading this story. I hope someone who is going through a hard time or struggling with how to define themselves will find this story and it can be the hands that pull them out of the cover of Fantastic Four 51 when they need it. Maybe that’s a lot to hope for a comic, but it’s really the ambition I think the team went into this comic with. We want to tell a story about an aroace character coming to terms with who they are and learning to accept and be comfortable with it, but ultimately we hope this story gets to someone out there when they need it and makes the difference.

Well, this has gone really long and I’m sure there will be other things I wanna say about it later, but until then take care of yourselves and hopefully you’ll get the chance to be someone’s Julie Power.

P.S. - Julie, you’re amazing and I’m sure we will find a romance for you that works out eventually. Sorry that we’ve collectively now put you through three breakups.

#gwenpool #julie power #comics #marvel #power pack #deadpool #lgbtqia comics #asexuality #lgbtqia+#love unlimited #jeremy whitley

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lostyesterday · 5 months

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There’s an ethical question in Star Trek I’ve seen several people here talk about that I’ve thought about a lot. Basically, what are the ethics of having a romantic or sexual relationship with a non-sentient holographic version of a real person? This issue is brought up several times in canon, but never dealt with well, in my opinion. The main canon discussions of this topic that I remember (and it’s possible I forgot something) are in Booby Trap (TNG) where Geordi has a very brief romantic relationship with a holographic version of a real woman he’s never met, in Hollow Pursuits (TNG) where Barclay presumably has romantic/sexual relationships with extremely out of character holographic versions of Deanna and Beverly, in Meridian (DS9) where a guy wants Quark to sell him a holographic version of Kira to have sex with, and in Human Error (VOY) where Seven has a semi-long-term romantic and sexual relationship with a holographic version of Chakotay.

So, first of all, I don’t think that any of those instances mentioned are morally okay. Booby Trap is the most complicated case morally speaking since, to my memory, Geordi didn’t intentionally initiate anything romantic, though he didn’t stop it once it started either. I don’t want to imply that what Geordi did is morally as bad as the other examples I’m discussing, especially since Geordi is the only character of color being discussed here and his actions are not really equivalent in intention or impact to the other characters’. As an episode, Booby Trap doesn’t seem to have a clear idea of whether or not what Geordi is doing is unethical. In fact, it felt to me as if that question wasn’t something that occurred to the writers at all (until Galaxy’s Child, but that’s a whole other thing and the hologram portion of it is arguably the least messed up thing there, so I’m ignoring it in relation to this topic). Hollow Pursuits does portray what Barclay does negatively, but I feel like the episode is much more concerned with the negative emotional effects this has for Barclay rather than for Deanna and Beverly. Meridian, from what I remember, is the only episode to portray this situation as definitively bad, and Kira is portrayed as justified in being angry. However, the episode is a mess in other ways and does not explore the topic with nuance, making light of it with humor when I think it needed to be taken more seriously. Human Error is in some ways the most baffling case here because what Seven does is portrayed almost positively, as something that is a potentially good step in Seven’s “social development”. Apparently, there is no thought given to what Chakotay would think of the situation. I’ve seen people suggest that the narrative and fandom treatment of Seven versus the other characters is a gendered double standard, which I do think makes sense.

But the problem here isn’t having a sexual/romantic relationship with a hologram, the problem is that the person didn’t consent to having their holographic image used this way. There’s obviously nothing wrong with having sex or a relationship with a hologram not based on anyone’s image, or based on the image of someone who gave clear consent to have their image used in that way. But using someone’s image this way without their consent is pretty obviously analogous to making nonconsensual porn of someone. Do the ethics of this situation change if the hologram is of a historical figure? What about a famous person who is still alive? I don’t necessarily have answers here, but I do think the situation can become more complicated.

And then there’s another factor to consider – is the sexual/romantic relationship the biggest issue here? In the cases of Hollow Pursuits and Human Error, Barclay and Seven’s simulations of the crew are much more extensive than just the romantic/sexual portions. Would it have been all right for Barclay to create potentially offensive and demeaning holographic versions of his crewmates if there was no romantic/sexual component? Would it be okay for Seven to recreate a version of every Voyager crew member and live out an intricate alternate life with them without any of their consent if she never had romantic/sexual relationships with any of them? Is it any less a violation of someone’s rights to use their image without consent for, say, a propaganda campaign for an issue they disagree with, or a story that portrays their holographic version as a horrible person? That second scenario is the plot of the Voyager episode Author Author. This episode seems to take the moral stance that it’s bad for the Doctor to use the images of his fellow Voyager crew members to portray horrible characters, but there are other questions it doesn’t raise. Would it have been okay for the Doctor to use their images without consent if he had portrayed their holographic versions positively? What is the line between an acceptable and unacceptable usage of another person’s image without their consent? Is it ever okay to use a person’s holographic image without their consent? Is such consent implied when a person agrees to holographic scans of their body? What exactly is one consenting to when they consent to have a holographic version of themself created? I don’t necessarily have answers to these questions, I just wish any of these episodes had explored these issues with more nuance. And I do think that it’s important to consider extending the question of consent here beyond sex and romance.

#star trek tng #star trek ds9 #star trek voy #i do not mean any of this to be an attack on geordi seven barclay or the doctor as characters #i think all of this is more reflective of biases on the part of the writers than anything else #and it’s hard to place complete blame on particular characters when the moral stances of the episodes are so murky #lane posts

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celluloidbroomcloset · 4 months

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I think part of the point with Izzy’s arc in season 2 is not really about him, but about how Stede’s ethos does have the capacity to help heal damaged people. But those people have to be willing and able to embrace it - they have to accept the grace offered to them. Look at Low’s crew - Stede speaks to them for thirty seconds and they see that there’s an alternative to the way they’ve lived. Same thing with Archie and Jim, and really the entire crew at the start of season 1. And Ed.

Izzy starts as the least redeemable, and any of the crew would be justified in abandoning him. But they don’t - they offer him a better life. But he HAS TO TAKE IT. No one is going to save him or force him to be better. He has to do it himself.

Ignoring that element of Izzy’s arc seems to me to ignore the underlying message of the show as a whole. Stede is not some naive little man saying that love will save the world; he is showing that there’s an alternative to the violence and toxicity and abuse that people live in, and we can all embrace that. But we have to make that choice, and even making that choice does not suddenly erase the hurt we’ve caused others. Izzy doesn’t stop being abusive in the past because he tries to be better, but at least trying to better is preferable to getting worse.

A small portion of this fandom has obviously missed that, because they want to say that the man most representative of the capacity to change through Stede’s ethos, isn’t ever toxic to begin with. They are denying Izzy’s right to try to be better by claiming that all his violence and anger and self-loathing (and a lot of his horror at Ed becoming Ed instead of Blackbeard is a deeply internalized hatred of his own queerness) are perfectly fine and normal, or don’t exist at all. Izzy finds something to live and die for and they don’t want to grant him that grace.

Weird.

#ofmd #our flag means death #ofmd season 2 #Izzy hands #it’s a beautiful show and some folks don’t want that beauty #kinda sad really #stede bonnet #OFMD meta #revenge crew

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anistarrose · 9 days

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taz balance one-shot recs!

I've been meaning to make this post for a while now, so here we are! The majority of these are from the past three years or so, because I love a fandom classic as much as anyone, but I particularly want to shine a light on some gems from after the peak of traffic in the fandom tags! There are of course also exceptions that are older, though.

Also, April 19th-21st are Just Leave a Comment Fest, so please show these authors some love!! They're all so deserving!

a recipe for home by @journalofimprobablethings: Taako tries to cook for the first time since Glamour Springs. When things go awry, Lucretia is there to lend a hand.

Gen (Taako & Lucretia), 3.5k. Early B.O.B. era hurt/comfort centered around cooking, with a delicious dollop of sentimentality and dramatic irony on top.

Seven Times Magnus Burnsides Gave Someone A Hug + One Time He Received One by @barry-j-blupjeans: Magnus wasn't really any good at— at words. He was more of an action man. Or, y'know, a "I'll take this hit so you don't have to" man. Talking to someone about their feelings was all kinds of weird, so usually he just left the space for someone else to talk. And, well... Magnus wasn't good at words. But there's a few different ways to get his support across.

Mostly gen with some Magnulia, 8.6k. You've all heard of the classic 5 Plus 1, but obviously Magnus deserves a 7 Plus 1! I don't know how to describe it without spoilers other than being full of incredibly sweet, gentle takes on so many fraught or bittersweet moments. Super underrated, do give it a read.

Embrace the Dark by @ceilingfan5: Bookstore coworkers Kravitz and Taako get more than they bargained for when Taako tries to use his powers to fix Kravitz's migraine. But it's okay--it's an excuse for them to spend time together until one of them can nut up and ask the other out.

Taakitz, 8.9k. Modern with Superpowers AU! Super sweet interactions between Kravitz and Taako, paired with lots of fun background worldbuilding. And, of course, a very special grilled cheese sandwich.

Break This Heavy Chain by Punka_Writes: In the immediate aftermath of Story and Song, Barry Bluejeans could really use a hug.

Blupjeans and misc. platonic interactions, 2.3k. The absolute epitome of comfort food in written form, with excellent Barry characterization (and of course, he does get that hug)!

birds of a feather steal sweaters together by @holdmecloser-gandydancer: When you're a big, burly guy it seems that your clothes just become free reign for all your friends. Normally Magnus is a reasonable guy, but everyone has their limits.

Gen (IPRE crew), 1.9k. Starblaster era fluff! Everyone is written absolutely delightfully, and every time I read it I snort out loud at least twice.

Security by @ceilingfan5: Barry has finally made it--his incredible scientific discovery has landed him a huge fortune...and a lot of problems. The only good thing that's come of it, honestly, has been his bodyguard, Lup. (And the science. That's good also.) He's just gotta stay normal about how nice it is to have someone like Lup around, and also not perish by way of press circuit, and everything will be fine.

Blupjeans, 6k. Modern with magic AU from Barry's POV, featuring equal parts anxiety and pining. Also, it's straight-up extremely funny.

Lonesome Dreams by @jerreeeeeee: Taako wakes up one morning from a nightmare, fast fading. There was a guy in glasses, and they were… somewhere high up? Something terrible happened, but he doesn’t remember. He wakes up in a wagon he’s never seen before, but it has his name on it. There’s tons of food inside, more than he’d be able to afford. And he’s alone. Thinking back to the last thing he remembers is difficult. College? No, he’d graduated. Top of his class, obviously, he remembers that. But what- what happened after? Where is Lup?

Gen (Taako & Lup), 10.2k. Everything starts out the same, except Taako remembers Lup, even if not how she went missing, and it's incredibly underrated and full of phenomenal characterization. I won't spoil how things shake out, but it's a great emotional ride and I genuinely reread it all the time.

it's my party and I'll mope if I want to by @holdmecloser-gandydancer: Taako's birthday is just another Thursday. A detective and an old friend have a different idea.

Gen (Taako & Lucretia & Angus), 2.1k. Short and so sweet! Fics about voidfished!Taako's birthday never get old, and this is one of my absolute favorites. Nailing the angst-to-wholesome ratio.

Tedious Familiarity by @barry-j-blupjeans: Déjà vu. Noun. A feeling of having already experienced the present situation. A tedious familiarity. Barry Bluejeans woke up in a cave, fresh out of a pod filled with green goop, and saddled with an unsettling feeling that he had been here before. If you had asked forty-year-old Barry if he would follow instructions left by a talking coin, he probably would have asked you what type of drugs you were on. But, y’know, fifty… two? Fifty-one? How old was he? Fifty-two sounded right. But, y’know, fifty-two years old Barry didn’t really have that many other places to turn, so this couldn't be all that bad.

Gen, 4.1k. Missing scenes based off Barry's decade alone, written in such an effective style, where all the little details truly make it. Mandatory reading for fellow Barry angst enjoyers.

Angus McDonald and the Wonderland Escape Rooms by coppersunshine: When Angus gets grounded from detecting, to keep his skills sharp he becomes a patron of the Wonderland Escape rooms, run by Edward and Lydia, who quickly decide he's their new nemesis. To their surprise, Angus and the collection of weird adults he's accompanied by decide otherwise.

Gen (Angus & Edward & Lydia), 7k. Modern with magic AU, putting Edward and Lydia in the absolute funniest possible job, at which a little boy detective torments... and maybe, even gives them a chance to turn over a new leaf. I am of the opinion that Angus and the Wonderland twins have a criminally underexplored dynamic, and this fic gave me everything I wanted.

If the Sun and Moon Should Doubt by Punka_Writes: Merle Highchurch, on the brink of a bad decision.

Gen, 1.6k. Merle character study immediately before running out on his marriage. Truly the incredible characterization that Merle deserves; this was a fic that really ignited my love for him.

Greensleeves by @sgrumby: Kravitz has never seen a lich like this before, and he's seen a lot of liches. Merle is just trying to save the universe, thanks very much.

Gen (Kravitz & Merle), 2.2k. A unique and also absolutely genius Lich!Merle AU where Kravitz inevitably comes after him, and Merle is... well, the Peacemaker, of course!

#taz #taz balance #taz balance spoilers #fic rec #long post

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