Lemon Demon fans gotta talk about this more. it's almost, like, a creepypasta, dude. weird as fuck spoken-word. listen to it.

I'll find you. Wait for me.

hee hee hoo hoo AUUUUGHHHHHHHHHHHHHHHH PAIN PAIN SUFFERING PAIN IN ALL DIRECTIONS!!!! TO HELL WITH IT (LITERALLY)!!!!!!!!!

i totally get not shipping jonerys but i think there's too much potential for george not to explore. i do think jon is going to be critical of dany’s methods and they’re doomed, but they have a lot in common too? like wanting to impose their beliefs and world view on others, and they can bond over having really bad pr too! i just hope that it’s more interesting than the show, for my own sanity.

I do think there's potential to explore but I just do not see the romantic potential. Their commonalities are not the sort that would make them get along. Jon's bad PR is he's a reclusive dick running off bad advice (from another Targaryen to boot) who won't explain his long term plans to people he doesnt like, sends every single one of his allies away, and is trying to break down long held prejudices in the span of a few months. Dany's bad PR seems similar except on top of "breaking down long held prejudices" she trusts violent, shady ass men at every turn (while Jon just straight up executes Slynt! Do you see Jon misstep wrt Alliser and Bowen? Yes, but he is not sitting here justifying their violence the way Dany justifies men like Daario), compromises in ways that completely undermine the prejudices she's trying to break down, and has now simply accepted that her dragons killing innocent people is an acceptable loss. Dany takes a profit off the selling of slaves and I simply do not believe Jon would react so cavalierly to Dany telling him about how she burned her slave alive to hatch her dragons, especially after whatever shenanigans Melisandre and Stannis are going to be getting up to in TWOW. Not for nothing here, but Jon does not use Ghost as a killing machine; anyone or anything Ghost has killed has been in defense of Jon while Drogon is very much a weapon of war.

Beyond that, Dany's identity is very tied up in the being the last dragon. She's going to be ten times worse in the books about finding a dragonseed in Westeros, especially if Rhaegar found out Elia was killed and married Lyanna, thereby legitimizing Jon above Dany's own claim. She's going to kill Aegon VI and destroy KL, maybe even Casterly Rock and parts of Dorne as well! The thing I think everyone overlooks here though is that she is not getting to Westeros until the very end of TWOW at the earliest! She's going to have wracked up a kill count higher than every other character on page, probably a kill count higher than the Conquerors or the Dance or the Redgrass Field. Regardless of any similarities they have in their backgrounds, what Jon is likely to feel when she lands is horror, and a fair amount of nerves. Do I think he will feel guilt for having a hand in his aunt's death, in ending the line of Targaryens? Yes, absolutely! It doesn't mean his guilt will drive him to side with a woman who lands with a slave army and then sets fire to half the continent.

And to be completely honest, if they do hook up, if she lands and she's lauded as a hero after destroying the city states of Slaver's Bay, after slaughtering the khals of the dothraki, after taking a profit off slavery and engaging in collective and cruel & unusual punishment, if murdering Aegon VI for *checks notes* being lied to about who he is and having a better claim than her but not "earning" his ending, and finds some sort of happiness with Jon, I'm saying that's 100x more misogynistic than what the show did, not to mention nauseatingly imperialist and classist. The reason I am very firm in saying Dany will go dark is because it is my opinion anything less is a betrayal of the themes of non violence, the costs of war, and the punishing of the poor. Like, Robb's murder is a tragedy but the book does not shy away from the harm he does! Dany will not (should not!) be treated any different just because she's a woman; that's like the basis of feminist theory!

I find it so funny that both steddie and ronance are Eddie and Robin looking at KiNg Steve Harrington and Nancy "suCh a PRisS" Wheeler and realizing that they're actually really badass and kind and sweet and having a lot of gay feelings about that as they should

I am. Quaking over Crowley and Hanna cause AUGH they're so adorable. Getting up into antics! What do you think some of their adventures would be? Chaos at the nursery garden stores? Lurking in woods to find creatures? Sorry I just really wanna know.

"Can we get a 'wahoo'?"

First off thank you for the perfect reason to post this sketch!

I cannot even begin to imagine the terrors they rain on the general public tbh. Between Crowley still feeling jilted and Hanna feeling free for the first time, the limit is really their imaginations (of which they both posses quite a fair bit).

In fairness since this little au I'm simmering takes place pretty soon after the end of s2, they probably don't do a lot of REALLY outlandish stuff for a while. They'll stay local, probably spend time with Nina and Maggie and probably end up meeting the Them at some point. Crowley would also probably want to try and keep inconspicuous (hah) with heaven and hell looming over their heads and now with a squishy thing to protect. I LOVE the garden center chaos idea btw, shoutout anon, and Crowley's little pseudo Eden is definitely going to rapidly expand into a vibrant and terrified indoor oasis (skylights included). Shops in general are going to have to watch their backs (Crowley has a reason to go into many of them quite frequently now, and without his celestial counterpart to keep him from goofing off too much). Hanna is a big fan of the classic "run down the aisles of a toy store and rapidly push every single button you find" method of spreading foment.

Since Hanna hasn't had an opportunity to see/experience most of the world, I imagine they spend a LOT of time popping through museums/zoos/aquariums/etc. Crowley pointing out things he caused, things an... old friend caused, things that actually happened way differently but got recorded wrong. Hanna dragging her dad around and both of them getting WAY too into reading the information plaques for all the animals. Then seeing which animals freak tf out if her dad flashes his eyes. (The giftshops get terrorized if there arent enough fungus-themed objects, although there is always miraculously at least one). They probably break into a lot/if not most of the exhibits after hours to take selfies for Crowley's rapidly growing photo album. Hanna sits at the shark touch tank and loudly proclaims how smooth they are. And since im a sucker for I-Want-To-Share-The-Stars Crowley, they probably pop over to an observatory or break into idk, where they keep the telescope on the Canary Islands or something. And he'll tell her what he remembers about the Creation and what it feels like to hold a new star in your hand. Hanna will curl up against Crowley's chest and get lost in his voice and the distant glitter of a world her dad designed. They probably also commit crimes. Not major crimes, mind you, although that's due more to Crowley's occasional sense of "as a parent i probably shouldn't let you" than any unwillingness on Hanna's part. But she'll definitely help him move signs or infiltrate office buildings and other assorted sabotages. She 100% gets her own little version of the Fuck Shit Up Jacket, and whether he likes it or not the Bentley has decided Hanna gets to pick the getaway music.

It doesn't really count as demonic but Crowley DOES keep a bag of spare change and googly eyes for Hanna to glue to things at will while they're out.

But tbh i imagine the most trouble she gets into is if she's left alone with Muriel. Evidently Hanna has her father's talent for tempting angels into misbehaving or at least into not noticing that they are, in fact, misbehaving in the human sense. Crowley usually feels almost bad for the baby angel but, needs must. and sometimes he needs a babysitter. The rule is SUPPOSED to be that if Hanna is with Muriel, they DO. NOT. LEAVE. the bookshop (they always leave the bookshop).

At one point she meets a boy named Kian at a pub called the New Inn. Crowley very desperately wants her to not want to spend time with Kian for reasons he refuses to explain 💕

At any rate if anyone ever wants to write or draw anything with Hanna they're more than welcome to and also I'll probably cry a lot so Cheers! Thank you for the ask (apologies for my signature long-winded answer)!

Aquabats is so good because at their concerts you have a lot of parents who know them from their Ska music in the 90's and 2000's and their kids who know them from Yo Gabba Gabba (2007 to 2015)

Also the lead will actively shame parents who push their scared kids when they're called up on stage and don't want to. Like, "Oh yeah, you don't feel like crowd surfing on the giant inflatable pizza? Okay, no problem." At the kid, then "don't push them, they said no" at their parents when they try to talk them into it.

I could count the amount of original stories of mine that don't have horror elements on one hand and idk what that says about me

thinking abt 10 and 14

more female villains?

god forbid women commit manslaughter?

you can't even handle Makima's existence what do you mean 'be gay do crime' huh??

"Your Dudes are normal, they're teens... but mine, she's--she's just a kid."

Hero Oak's Dude takes the form of an eldritch younger form of her no I will not elaborate

this sketch page is so rough ;-; I'll start caring about composition someday,,,, wistful sigh,,,,

more and more it's feeling like we just...don't have room for people trying anymore. it's all or nothing; get it right the first time, or be crucified by a jury you can never fully see or convince. and this isn't new, isn't born of current events. it's become more and more prevalent over the last ten years thanks to social media putting every little thought on blast, but i'd put money on the idea that it's actually been brewing much longer than that. and, for me, it goes beyond being tiring or upsetting. it feels bleak. it feels downright fucking broken that we're all so busy trying not to condone anything remotely problematic that we don't leave room for good faith learning. watching people trying to suss out their own identity--something literally ONLY they can fully understand or explain--be vilified for trying to fit words around their own experience sucks. watching people misunderstand something and try to apologize for it later, only to be told they should have known all along, sucks. seeing people who once held truly toxic beliefs actually grow and learn and apologize and still be told to fuck themselves as if they're a lost cause--it sucks. just. does that not fill you with despair for the state of things? does that not break something in you, to think that if you one day don't understand something, or misuse a word, or grapple with complicated feelings, it will forever stain you in the eyes of perfect strangers?

dude the world is fucked, and we all see it, but like. it doesn't feel like it helps to be so goddamn reactive. it doesn't feel like it helps anyone to demand perfection out the gate. it's exhausting. there are enough people out there who don't want to learn, who aren't trying, who actively revel in cruelty. looking for malice in every little fuck-up from people who seem to be genuinely striving to live their lives with kindness strikes me as lending strength to an army that already glories in suffering. and makes the world look more fucked than ever. and i really don't know that that energy is what we need when there's already so much to set right.

maybe it's just me. maybe this last decade just shattered something in me. but i really, really hate the idea--reject the idea, frankly--that people can't learn and change and grow. that people can't be better than a bad day or a failure of understanding. i reject the idea that people are something to be thrown out because they fucked up. it just seems...yeah. bleak. really fuckin' bleak.

"it sure did get weirder when they designed the ducks official pride merch!" WHAT

okay so you know that thing of like. one day you pull up ao3 and someone new has decided to start writing trevor/jamie and it (subjectively) is not very good and mostly porn but you kinda just ignore it and then they get even more annoying (and sexual) on their tumblr that has absolutely no respect for the fourth wall and also they're saying really weird shit about a then 19 year old jd when they're two decades older than him and calling him their husband because he looked at them during warmups and shit like that and you kinda just ignore them because ao3 lets you block people now so they're not clogging the tag anymore and you have them blocked on tumblr so they can't interact with you so you're kinda just seeing their posts every once in a while and being like ew but its not really anything more than that and THEN they come out with the ugliest merch shop ever like it is so bad and it's borderline sexual harassment of players with shirts talking about their "pussies" and oh the creator also wore their fucking shirt that's made to look like a jd shirsey except it says "drysdussy" in place of the name on the back and they wore it to angels games where it was recognized by fans and posted on twitter which could have ended much worse but after they get called out they remove those from their shop but don't worry they're still profiting off of other people's intellectual property by selling ugly ripoffs of barbara kruger's (and other artists) work for their own gain and then when travis dermott stands up to the pride tape ban they make more shitty shirts profiting off that situation and his bravery and when they're talking about the brand they make it this whole thing of how this is just for "us" and they don't have other social media for the brand because it's ONLY for "us" and turns out they did make other social media for the brand and now the brand is partnering with the anaheim fucking ducks because the ducks are terrible at keeping a divide between normal fandom and fandom that goes too far for an actual organization to interact with

so you know it's that thing

tldr theyve been a weirdo and now theyre tearing down the fourth wall to make a quick buck

What's interesting about House of Usher is that Flannigan usually has likeable protagonists, at least in my experience. Granted I haven't seen all of his works, but I've seen several (Bly Manor, Hill House, Midnight Mass, and I've heard summaries of others) and most of them are generally pretty sympathetic from my understanding, even the ones with more blood on their hands, so to speak.

In House of Usher however, almost none of the main characters are good or likeable people to much, if any, degree. Their spouses/partners are decent people, for the most part (dunno how the siblings landed such nice SOs despite being so nasty), and the granddaughter seems alright (I'm only on episode 5 btw so idk if anything happens regarding her or the other non-siblings, no spoilers pls), and Auguste seems like a decent person (maybe not the best family man, but he at has his heart in the right place especially compared to the Ushers), but all the siblings, and Roderick and Madeline themselves, are pretty horrible people.

But like, they're not one dimensional bad people, they're complex, they feel emotions, they care about people in their lives even if they don't tend to treat those people well, they have fears and insecurities and passions and hangups just like regular people do. So while usually I dislike when the protagonists of a show like this are unlikable, in this show it's actually quite fascinating because like I can't say I hate them either, they feel like they could be good people if they really wanted to be. Especially if they had better influences and were taught better lessons by their father and aunt. They feel human, not evil, but I'm also not rooting for them either. I don't know who to root for tbh, except maybe people like Julius, Tammy's husband, and the granddaughter, who are all side characters lol. Idk who the weird supernatural lady is (death? The devil? God? A witch? No idea) so I don't know her motivations or what kinda person she is, she seems to be collecting on some sort of debt but that's the best I've got on her. I do think it's interesting how she tried to spare Morrie from the acid by telling her to go like she did with the wait staff, but she didn't do anything to help Ali later when she was killed, so was it strategic or does this lady have some sort of code of morals? Does she care about whether people are innocent or not? Why spare the wait staff from death by acid shower but not the other party goers? Is sparing Morrie more about the potential role she'll play in Freddy's death? I guess I'll find out.

But I do think it's interesting that we start off the show knowing who's going to die already, since usually stakes in this genre come from wanting characters to survive (hence why I usually prefer likable protags in horror/suspense media), but it makes sense that since none of these people are very likable, the suspense needs to mostly come from something else on that front, such as wondering how they're going to die or which innocent people they might take with them in the process, as well as wanting to know what caused all this.

Roderick, ironically, is probably the most sympathetic member of the family aside from his granddaughter, which doesn't mean much but I mean, I wouldn't begrudge anyone going through what he witnessed in episode 5. Like gaddamn that's fucked up. He seems like someone who deep down has the potential and even the buried desire or instinct to be a good person, but was too much of a coward to put in the work it would take to be good and stay good in a harsh world when he wants so badly to be someone big and successful and important just like, well, his father. But ultimately he does obviously love his children so I do sympathize with him in that regard.

But the show is making the unlikable protagonists thing work for it, somehow. I don't like most of these people, but I am fascinated by them and what's going down and how they got here. It's like watching a car crash in slow motion.

Play 13 Sentinels I am no longer asking

Uninstalled Twitter and Tumblr off my phone and have been trying to disengage but the harder I try, the more the images rise up and refuse to leave. Yesterday I had a couple of hours of distraction and then my brain decided to throw up the video I saw weeks ago, of a toddler covered in ash, her little mouth a moue of surprise, conscious and blinking up at the ceiling while the medic cradled the back of her blown out skull. She died afterwards.

And it comes back to me again and again that there is no end to this, no respite, no help. And I feel half mad with pain.

I know it's entirely my fault that I engaged with Gaza at all knowing I was far too mentally ill to handle it, and then never once being able to disengage for over a month. Nobody with hyperempathy should go near something like this. But I kept thinking it would stop, it had to stop, they can't just systematically slaughter two million people with the entire world watching and protesting. But they're going to. They don't need bombs anymore because there's no food or water or medicine or place to escape the toxic smog of a month's worth of bombs and rotting corpses under rubble. They're just continuing to empty out all of Uncle Sam's toys on the heads of dying people because they're sadistic murderers who like to see their food writhing. And it's not going to end.

I feel unhinged with pain. If it hadn't been for my three little rescue kittens climbing on my lap and headbutting me for petting, I would have gone back to the hospital and demanded they fry my brain again. Six weeks of gaving my memory ripped up like lettuce leaves and tossed like a salad earlier this year was such a terrifying experience that I swore I would never get that desperate again. But I'd take my memory being wiped clean to just never have to remember any of this again.