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vaspider · 5 months

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In defense of retellings & reimaginings

I'm not going to respond to the post that sparked this, because honestly, I don't really feel like getting in an argument, and because it's only vaguely even about the particular story that the other post discussed. The post in question objected to retellings of the Rape of Persephone which changed important elements of the story -- specifically, Persephone's level of agency, whether she was kidnapped, whether she ate seeds out of hunger, and so on. It is permissible, according to this thesis, to 'fill in empty spaces,' but not to change story elements, because 'those were important to the original tellers.' (These are acknowledged paraphrases, and I will launch you into the sun if you nitpick this paragraph.)

I understand why to the person writing that, that perspective is important, and why they -- especially as a self-described devotee of Persephone -- feel like they should proscribe boundaries around the myth. It's a perfectly valid perspective to use when sorting -- for example -- which things you choose to read. If you choose not to read anything which changes the elements which you feel are important, I applaud you.

However, the idea that one should only 'color in missing pieces,' especially when dealing with stories as old, multi-sourced, and fractional as ancient myths, and doing so with the argument that you shouldn't change things because those base elements were important to the people who originally crafted the stories, misses -- in my opinion -- the fundamental reason we tell stories and create myths in the first place.

Forgive me as I get super fucking nerdy about this. I've spent the last several years of my life wrestling with the concept of myths as storytelling devices, universality of myths, and why myths are even important at all as part of writing on something like a dozen books (a bunch of which aren't out yet) for a game centered around mythology. A lot of the stuff I've written has had to wrestle with exactly this concept -- that there is a Sacred Canon which cannot be disrupted, and that any disregard of [specific story elements] is an inexcusable betrayal.

Myths are stories we tell ourselves to understand who we are and what's important to us as individuals, as social groups, and as a society. The elements we utilize or change, those things we choose to include and exclude when telling and retelling a story, tell us what's important to us.

I could sit down and argue over the specific details which change over the -- at minimum -- 1700 years where Persephone/Kore/Proserpina was actively worshiped in Greek and Roman mystery cults, but I actually don't think those variations in specific are very important. What I think is important, however, is both the duration of her cults -- at minimum from 1500 BCE to 200CE -- and the concept that myths are stories we tell ourselves to understand who we are and what's important to us.

The idea that there was one, or even a small handful, of things that were most important to even a large swath of the people who 'originally' told the store of the Rape of Persephone or any other 'foundational' myth of what is broadly considered 'Western Culture,' when those myths were told and retold in active cultic worship for 1700 years... that seems kind of absurd to me on its face. Do we have the same broad cultural values as the original tellers of Beowulf, which is only (heh) between 1k-1.3k years old? How different are our marital traditions, our family traditions, and even our language? We can, at best, make broad statements, and of inclusive necessity, those statements must be broad enough as to lose incredible amounts of specificity. In order to make definitive, specific statements, we must leave out large swaths of the people to whom this story, or any like it, was important.

To move away from the specific story brought up by the poster whose words spun this off, because it really isn't about that story in particular, let's use The Matter of Britain/Arthuriana as our framing for the rest of this discussion. If you ask a random nerd on Tumblr, they'd probably cite a handful of story elements as essential -- though of course which ones they find most essential undoubtedly vary from nerd to nerd -- from the concept that Camelot Always Falls to Gawain and the Green Knight, Percival and the grail, Lancelot and Guinevere...

... but Lancelot/Guinevere and Percival are from Chrétien de Troyes in the 12th century, some ~500 years after Taliesin's first verses. Lancelot doesn't appear as a main character at all before de Troyes, and we can only potentially link him to characters from an 11th century story (Culhwch and Olwen) for which we don't have any extant manuscripts before the 15th century. Gawain's various roles in his numerous appearances are... conflicting characterizations at best.

The point here is not just that 'the things you think are essential parts of the story are not necessarily original,' or that 'there are a lot of different versions of this story over the centuries,' but also 'what you think of as essential is going to come back to that first thesis statement above.' What you find important about The Matter of Britain, and which story elements you think can be altered, filed off or filled in, will depend on what that story needs to tell you about yourself and what's important to you.

Does creating a new incarnation of Arthur in which she is a diasporic lesbian in outer space ruin a story originally about Welsh national identity and chivalric love? Does that disrespect the original stories? How about if Arthur is a 13th century Italian Jew? Does it disrespect the original stories if the author draws deliberate parallels between the seduction of Igerne and the story of David and Bathsheba?

Well. That depends on what's important to you.

Insisting that the core elements of a myth -- whichever elements you believe those to be -- must remain static essentially means 'I want this myth to stagnate and die.' Maybe it's because I am Jewish, and we constantly re-evaluate every word in Torah, over and over again, every single year, or maybe it's because I spend way, way too much time thinking about what's valuable in stories specifically because I write words about these concepts for money, but I don't find these arguments compelling at all, especially not when it comes to core, 'mainstream' mythologies. These are tools in the common toolbox, and everybody has access to them.

More important to me than the idea that these core elements of any given story must remain constant is, to paraphrase Dolly Parton, that a story knows what it is and does it on purpose. Should authors present retellings or reimaginings of the Rape of Persephone or The Matter of Britain which significantly alter historically-known story elements as 'uncovered' myths or present them as 'the real and original' story? Absolutely not. If someone handed me a book in which the new Grail was a limited edition Macklemore Taco Bell Baja Blast cup and told me this comes directly from recently-discovered 6th century writings of Taliesin, I would bonk them on the head with my hardcover The Once & Future King. Of course that's not the case, right?

But the concept of canon, historically, in these foundational myths has not been anything like our concept of canon today. Canon should function like a properly-fitted corset, in that it should support, not constrict, the breath in the story's lungs. If it does otherwise, authors should feel free to discard it in part or in whole.

Concepts of familial duty and the obligation of marriage don't necessarily resonate with modern audiences the way that the concept of self-determination, subversion of unreasonable and unjustified authority, and consent do. That is not what we, as a general society, value now. If the latter values are the values important to the author -- the story that the author needs to tell in order to express who they are individually and culturally and what values are important to them* -- then of course they should retell the story with those changed values. That is the point of myths, and always has been.

Common threads remain -- many of us move away from family support regardless of the consent involved in our relationships, and life can be terrifying when you're suddenly out of the immediate reach and support of your family -- because no matter how different some values are, essential human elements remain in every story. It's scary to be away from your mother for the first time. It's scary to live with someone new, in a new place. It's intimidating to find out that other people think you have a Purpose in life that you need to fulfill. It's hard to negotiate between the needs of your birth family and your chosen family.

None of this, to be clear, is to say that any particular person should feel that they need to read, enjoy, or appreciate any particular retelling, or that it's cool, hip and groovy to misrepresent your reworking of a myth as a 'new secret truth which has always been there.' If you're reworking a myth, be truthful about it, and if somebody told you 'hey did you know that it really -- ' and you ran with that and find out later you were wrong, well, correct the record. It's okay to not want to read or to not enjoy a retelling in which Arthur, Lancelot and Guinevere negotiate a triad and live happily ever after; it's not really okay to say 'you can't do that because you changed a story element which I feel is non-negotiable.' It's okay to say 'I don't think this works because -- ' because part of writing a story is that people are going to have opinions on it. It's kind of weird to say 'you're only allowed to color inside these lines.'

That's not true, and it never has been. Greek myths are not from a closed culture. Roman myths are not sacrosanct. There are plenty of stories which outsiders should leave the hell alone, but Greek and Roman myths are simply not on that list. There is just no world in which you can make an argument that the stories of the Greek and Roman Empires are somehow not open season to the entire English-speaking world. They are the public-est of domain.

You don't have to like what people do with it, but that doesn't make people wrong for writing it, and they certainly don't have to color within the lines you or anyone else draws. Critique how they tell the story, but they haven't committed some sort of cultural treachery by telling the stories which are important to them rather than the stories important to someone 2500 years dead.

****

*These are not the only reasons to tell a story and I am not in any way saying that an author is only permitted to retell a story to express their own values. There are as many reasons to tell a story as there are stories, and I don't really think any reason to create fiction is more or less valid than any other. I am discussing, specifically, the concept of myths as conveyors of essential cultural truths.

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unearthly-doting · 27 days

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finding their soulmate: genshin edition.

a/n: i haven't made a post here in a hot second and i honestly apologize about that lol. the motivation to write just hasn't been there but!! here's a small lil genshin post for now. i just spun a wheel to pick who i write but if u want me to write for some of the others then just lmk!!

includes: xiao, kaeya, kujou sara, albedo, tartaglia, and ayato.

warnings: mdni, yandere content, not edited, gn reader, kidnapping, forced relationships, arranged marriage, manipulation, reader injury in both kujou sara's, albedo's and tartaglia's parts, childe stabs you :peace sign:, canon is a very vague concept in my writing more often than not btw, this is kinda cringey </3, the yandere content in albedo's part is actually very mild bc i was restraining myself bc there was a lot i wanted to do w it.

XIAO — never really cared much about finding his soulmate. His entire existence was dedicated to protecting Liyue, even if the nation no longer needed his protection. Besides, with how long he's been around, he just assumed his soulmate was long dead and that he'd never meet them. Though, a small part of him wondered... what was his soulmate like?

And, almost as if the universe had been listening, he ends up meeting you. His soulmate. It wasn't a classic, romantic meeting. He didn't save your life or anything like that. You were just a traveler who decided to stay at the inn.

He didn't think much of you until his eyes met yours and suddenly color was flooding into his world. It made him dizzy, and it stunned him into absolute silence because all he could so was stare at you with wide eyes.

You were clearly going through it as well, because obviously. You just met your fucking soulmate on a damn business trip. What the hell were you supposed to do now? It would be awkward to just... ignore what had happened, right? I mean, he's staring right at you and this was all just very overwhelming.

It was an awkward first meeting, that's for sure.

But during your time at the inn, whenever you were free from work, you spent it with Xiao. He was closed off, clearly keeping his guard up and not letting you get too close. You didn't know the reasons, but you didn't expect him to tell you his entire life story just because you two were apparently bound by the universe.

Honestly, you just assumed he didn't want to be with his soulmate. This didn't upset you. It wouldn't work out, anyway. You're only staying for a few weeks before heading home.

But archons, did Xiao want you. Behind his typical, distant behavior, Xiao was taking note of everything about you. Your interests, your habits, your sleep schedule, your favorite foods and desserts... everything you told him or subconsciously revealed, Xiao was tucking it away in his mind.

He wanted you. He wanted you to stay here, in Liyue, with him. Where you belong. But he didn't know how to express that. He's never been in love before, and it's not like he'll just suddenly become an expert at romance after meeting you.

When it was time for you to leave, he was crushed. He needed you to stay. He needed you by his side. Letters wouldn't be enough to fill the emptiness in your wake if you left. You had to stay.

You will stay.

And when you wake up to find yourself no longer in the inn, and instead in some small home deep within the mountains of Liyue, you're distraught.

Xiao looks genuinely guilty, robbing you of your freedom but... you understand, don't you? You have to understand. He just couldn't let you go. You're his soulmate, you were destined to be with him! You'll love it here, he'll make sure of it.

Just stay.

KAEYA — had always wondered what his soulmate was like ever since he was a child. He would spend hours just staring at the small crescent moon forever stained on his wrist, wondering if and when he'll meet the person with a matching mark.

Of course, as he got older he spent less time thinking about such things, though he did always hold out hope that he might be able to one day meet his soulmate. Little did he know, he's met his soulmate already. Multiple times.

You took over Sara's shifts at the Good Hunter whenever she had other things she needed to focus on, so Kaeya has spoken with you on numerous occasions, he's just never realized you were his soulmate because you keep your wrists covered. He's not one to judge, his wrists aren't visible either.

Him finding out was an accident. You had been handing him his order when your sleeves rolled up a bit, and his gaze just so happened to look at your wrists and he saw the very same crescent moon that was on his.

And for a moment, he froze. He just stared. Long enough that you were starting to feel a little uncomfortable. But before you could awkwardly send him on his way, he was showing you the crescent moon on his wrist as well and thus began your love story.

Or... well... it's what Kaeya had hoped for, but you didn't seem interested in soulmates at all. You didn't want the universe to decide who you were meant to be with, you wanted to make that decision yourself, so you had, to put it simply, bluntly rejected him.

And he gets it! It hurts, sure. He spent his entire life dreaming of this day, and it's not turning out the way he had hoped, but... you guys can be friends, at least, right? No strings attached?

For a while, Kaeya was fine with that. You and he had a really strong friendship. He cared about you, and you cared about him. Though your feelings were platonic, he was holding on to the hope that maybe one day, you'll realize you two were meant to be together.

But it was starting to seem as though that day might never come, because almost a year into your friendship with him, you had told Kaeya that you were thinking about entering the dating scene. He was... not too pleased about that, honestly. It was pretty obvious too, the way his entire mood soured the moment you brought the topic up.

He didn't stand by idly while this happened. Any person he saw you chatting up with romantic intentions would suddenly avoid you like the plague the next time you saw them. Any blind dates would end with you being ghosted. Hell, even some of your friends, the ones who were helping you get dates, were starting to avoid you too. It was so confusing.

But not Kaeya. No, Kaeya was always by your side.

Whenever you needed him, he was there. He always seemed to be able to make time for you. He listened to you vent your frustrations out, never once judging you or telling you that you were being dramatic. He was the only constant in your life these days.

Of course, you were completely oblivious to the fact that he was the cause of all of this. It's not that hard to blackmail people, he's learned. But they didn't deserve you anyway, seeing how easily they gave up on you the moment he approached them.

Maybe... maybe dating Kaeya wouldn't be so bad... I mean, you're the one deciding this, right? The universe isn't having any play in it. This is your decision. Isn't it?

KUJOU SARA — never cared about her soulmate. She knew she had one, you were in every dream she had. She found it to be more of a nuisance than anything else.

Her entire life was dedicated to her training, and to the Raiden Shogun. She neither had the time, nor the interest in searching for her soulmate. Besides, it didn't seem as if you resided in Inazuma. Your clothing was similar what people in Fontaine wear, and Fontaine was far away from Inazuma.

She was confident that she wouldn't be meeting you any time soon, so she never gave you any thought when she was awake. She never made any plans on what she would do if she did, by any chance, meet you. It didn't matter.

And she can't help but regret that, now that you're standing in front of her. If she had known that meeting her soulmate would make her feel like this, as if everything in the world suddenly made sense, then... well... she doesn't know what she would've done, to be honest.

No matter, Sara had no time to entertain you. Your stay in Inazuma was only temporary, so she saw no point in trying to form a bond with you. You, however, seemed to have different plans. She was used to seeing you in her dreams every night, but she was not used to seeing you in her waking moments.

Whenever she wasn't preoccupied with something, you were there to offer her company. It was annoying, and she's sent you away more than once, but that didn't seem to deter you. If anything, you seemed to become more determined each time she brushed you off.

At some point, she had given up on avoiding you. It was easier to just let you stick around. And, the more time she spent with you, the more attached she was becoming. It wasn't smart, she knew that, but could you blame her? You're so... irrevocably you.

Her fondness for you didn't go unnoticed.

Many people in Inazuma treated you with the same respect they treated Sara. You were her soulmate, after all. Should someone insult you, they would in turn be insulting her. Nobody wanted to get on her bad side.

There were, however, a few bad apples.

It should come as no surprise that a target was placed on your back the moment people took notice of Sara's attachment to you. She didn't think she'd have to worry much, because no one would be idiotic enough to actually try and harm you under her watch, but she should've known better.

It happened a few days before you were set to leave Inazuma to return home. A disturbance was going on within the city so Sara wasn't with you when you went on your daily walk just outside of it. It was supposed to be safe, but it wasn't.

Some vagrants had got the jump on you, and you nearly lost your life. You were lucky enough to have been found by some bystanders, but Sara was less than pleased when she heard about this. She had never taken pleasure in killing anyone before, but there was a deep-rooted sense of satisfaction deep within her chest when she watched the lives of those who hurt you fade away.

And as she sat by your side, waiting for you to wake up, she came to a decision. You can't be alone. If you are, you'll get hurt, and she won't be able to protect you. She can't let you leave Inazuma. She knows you'll more than likely hate her for making this decision for you, but if it means she can keep you safe, keep you alive and by her side, then... that hatred is something she'll be willing to bear.

ALBEDO — doesn't have a soulmate. At least, he's not supposed to. He's an artificial being, so it wouldn't make sense for him to have a soulmate. Of course, he does find the concept of soulmates to be intriguing. Who, or what, decides who people are destined to be with? It's a question he hopes to find an answer to.

So he wasn't surprised when he found you passed out in the snow, deep within Dragonspine. He's seen this countless times before, travelers who don't take precautions before trying to brave the deadly cold that comes with being here. He assumed he would just nurse you back to health and you would go on your merry way.

That changed, however, when he was cleaning your wounds and he saw his name inked on your skin, right on your collarbone. In his handwriting, at that. It confused him, because... that would mean that he's your soulmate. But he can't be. And yet, it didn't come off when he tried wiping it off. It was a part of your skin.

This left him with many questions, though none of them got answered when you woke up. You couldn't remember much about yourself, other than your name and a few other details. You didn't even know why you were in Dragonspine, or where you were from. You did hit your head pretty badly, judging from the headwound, so that would explain the amnesia, though he's not sure if it was going to be something temporary or not.

You both decided it would be best to just have you stay here until you were able to recover some of your memories and although Albedo wasn't eager to make friends with you, he was grateful for the company. He was incredibly patient with you too, answering any questions you may have had ranging from a multitude of different topics.

And in return, you helped out as much as you could without overexerting yourself and making your injuries worse. You'd make sure to keep his little lab tidy when he was away. You'd help out with some of his experiments too, if he knew you wouldn't get hurt doing so.

All while trying to figure out how he could possibly be your soulmate. He checked over himself. Four times. Your name was nowhere on his body. So why? Why was his name on yours? As much as he hates to admit it, he thinks he may never get an answer to this mystery.

Though... that's not such a bad thing, he thinks. He finds himself enjoying your company more and more with each passing day, the whole soulmate thing rarely even crossed his mind. At least, until you had asked him why his name was permanently etched into your skin. It was fairly easy to explain everything to you, though he was unable to answer a few of your questions, sadly. Soulmates were still a mystery, after all.

And when you asked if you could write your name on him so you two could match, he found himself unable to say no. He found himself unable to speak at all, actually, as you wrote your name on his shoulder. You even added a little heart next to it.

But no, Albedo was too busy coming to terms with the feelings he has for you. They weren't new. He's been aware of them for a week or so now, he just never gave it much thought until now. Now, with you so close to him, it was simply impossible to ignore.

And once you pull away, you smile at him and say, "There! Now I'm your soulmate too, right?" And oh.

Oh.

There was no way Albedo was going to let you leave Dragonspine now.

TARTAGLIA — feels a little bad for his soulmate, whoever they are. They can feel his pain, and he can feel theirs. So... they probably hate his guts, considering he's not the most careful person in the world. He pushes himself to his limits and beyond, and his soulmate has no doubt felt every single second of it.

Don't get him wrong, he would love to meet his soulmate. It's been a dream of his since he was a child, always eager to hear the story of how his mom and dad found out they were soulmates. Even as he grew older, the desire never went away. It was just... buried.

And his soulmate just so happened to be you, the significant other of a man who owed the Northland Bank a lot of money. He doesn't normally partake in debt collections, but he didn't have anything better to do so he decided to take this one on. He was going to use you as an example to your husband, though the moment his blade stabbed you, he froze.

He felt the pain. He stabbed you, and he could feel it. Oh fuck, he just stabbed his soulmate. That's definitely not the picturesque first meeting he was hoping for. Probably wouldn't be a good idea to tell his family this either...

Stabbing aside, he was utterly delighted. You, on the other hand, were terrified. Not only did this man just fucking stab you, his expression went from bored to something akin to crazed glee. He stared at you with a hunger that made you want to shy away from his gaze.

He doesn't care that you're already in a relationship with someone else. Not anymore, you're not. You're his, destined by the stars or however the story goes. And if your lover tries to get you back, he'll just kill them. Easy as that. Absolutely nothing will get in the way of him having you.

And he likes that you fight back against him. He especially loves it when you manage to escape. Hell, sometimes he'll even let you go just so he can chase you down again. It sends a thrill through him like no other when he catches you, and you stare at him teary-eyed and out of breath.

You're always so scared that he'll hurt you, but he would never do such a thing. He treats you like you're royalty, spoiling you with a seemingly endless amount of gifts. You're not quite sure how he knows what you like, and you're too hesitant to ask.

Honestly... he'd probably let you stab him. Y'know, he stabbed you, so it's only fair that you get to stab him in turn, right?

You think not. You're very hesitant, staring at him as though he were insane for even proposing such an idea. A part of him was disappointed. He wanted one of the many scars on his body to be from you. But a much larger part can't help but go soft at the sight of you shaking your head, sternly refusing to hurt him.

If he wasn't obsessed with you before, he certainly was now. You're too good. Too kind. He's holding you captive (lovingly, of course) and you refuse to hurt him? You don't even want to pinch him? How adorable.

Why, if he didn't know any better, he'd think that you might care about him.

He was nothing if not stubborn, of course. You might not care about him now, but you will in the future. He'll make sure of it.

After all, he's spent his whole life waiting for you.

AYATO — never had the time to think of his soulmate. He was blessed (or cursed, depending on who you ask) with the ability to see the red strings that tied people together. When he was younger, before having to take on the duties of the Kamisato name, he would always stare at the one tied to his pinkie.

He even has the habit of twirling the red string around his finger whenever he gets stressed. Only behind closed doors, of course. It would probably appear strange to others if they saw.

Meeting his soulmate was something he had always planned out in his head as a child, and when he finally did meet you, it was so... simple. There was nothing magical about it, you had just bumped into him one day when he was out in the city and that's what started all of this.

For you, it was a forgettable encounter, one that would never cross your mind again. For him, it was everything he had been waiting for. Thoma thought it was a bit strange, but he dutifully gathered information about you when Ayato asked it of him. He needed to know everything there was to know about you.

He already knew what he was going to do when he met his soulmate, the only thing left was to actually do it. And you were definitely shocked when Kamisato Ayato himself showed up at your home and asked you to marry him.

You said no, obviously, because why the hell would you agree to marry someone you didn't know? Ayato had planned for this, of course. That's why he had Thoma learn everything about you, so the moment you declined his offer, he just smiled and made a comment about your family. It was very obvious what he was implying.

And even if you aren't close with your family, you can't live with blood on your hands. You were pretty much forced into accepting Ayato's marriage proposal. He was pleased with this outcome, promising to take care of everything himself.

Marrying him meant that you would, unfortunately, have to leave your home and instead live at the Kamisato Estate. Everyone was under the impression that this marriage was one of love and not coercion. You highly doubt that anyone would believe you if you told them the truth, and you were too concerned about what the consequences would be if you did.

Everyone at the estate was nice to you, at least, though the only people allowed to actually get close to you were Ayaka and Thoma.

And when the wedding was over, it was time for your honeymoon. You were not excited about that, but it seemed Celestia itself was on your side during that time because he was too busy to spend time with you.

If he wasn't threatening the lives of your family, you would have made numerous escape attempts by now. Still, you've made it very clear that you hate his guts.

Your hatred is something he detests, though he can't fault you for it. He understands that what he's forced you into is wrong, but in his mind, it was something that had to be done. He's sure that given enough time and space, you'll grow to understand why he did what he did.

And even though you scorn his existence, Ayato looks at you as if you've placed the stars in the sky.

Your strings are forever tied together, so there's no getting out of this. He doesn't plan on ever letting you go. He'd be a terrible husband if he didn't keep you close, wouldn't he?

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ao3commentoftheday · 6 months

Note

Hello!

How do you leave a good comment on a work when you notice a large error? Or a small error,m I get so nervous to leave a comment nowadays because not many people have clear statements regarding criticism. So, I'm hesitant to point out anything out/ leave a comment that's anything but positive.

I remember a few months ago, on a BNHA work, I corrected the timeline of canon events that author got wrong (because the WIP seemed to be going down that route of "canon adjacent" work that spawn from a canonical event). The author had a message beneath the chapters that "all comments were welcomed," so I thought it was okay to leave the type of comment I did. But I dealt with several aggressive messages from the author and the author's friends about needless critique and how rude I came off as afterwards (I apologized,but I still got messages for a while).

The whole thing freaked me out a bit because I hate any semblance of confrontation ,so now I'm nervous about commenting any work- even those with explicit statements on criticism (welcome ,not welcomed,etc). I leave kudos and such ,but sometimes I debate over whether or not the author needs my comment about their typos. I try to sandwich a critique between two compliments like everyone says,but then I end up with a paragraph-length comment, and I worry about coming off too strongly.

I'm rambling,sorry.

Is there a guide to good comments for criticism in fanworks? Besides not giving criticism when criticism would not be welcomed??

Thank you for your time.

First of all, I'm sorry that you had such a bad experience. I'm sure that was awful for you, and I totally understand why it would freak you out.

When it comes to correcting things in fanfic, there are a lot of things to take into account.

Why does correcting the error matter to you?

How well do you know the author?

How long would it take to make the correction?

There are others, but these are the bigger "buckets" I see most of them fitting into.

If the error matters to you because you get annoyed when you see typos, for example, then that's more of a "you" problem. You can download the fic and edit out the typos and then when you reread it, you won't have to worry about them.

If the error matters to you because you'd be embarrassed if you had posted a fic and there were typos in it, that's also kind of a "you" problem. If the author feels the same way, they'll likely have an author's note indicating that they want to be notified. Otherwise, they're likely resigned to the idea that typos will happen, and if they reread their work themselves, they'll edit them out if and when they catch them.

If the error matters to you because it's non-canonical, this one is more of a wait and see. Maybe the author made the error by accident, but it very well could be on purpose. Perhaps that small change is relevant to the overall plot they're developing. Maybe it's just a thing that they personally hate in canon and have decided that they don't want to include for that reason. Maybe it's a genuine error that they'd be horrified to notice later. There's no way to know.

And that last one is where we come to the second item above. If you know the author well, you can message them and have a chat and bring it up there. I'd recommend just starting out by talking about the story as a whole and what their plan is for it. As I said, maybe what you see as an error is actually a conscious choice that they've made for the story that they want to tell. During that conversation, you'll be able to figure out whether it's actually an error and whether they'd want it pointed out or not.

If you don't know the author well, you could point an error like that out in a comment but then you need to think about the third factor.

Typos take seconds to change. Plot points take hours, days, weeks, or longer. Asking someone to put in a lot of time to make a change to something they've already been working hard on can be really demotivating - even crushing.

For a lot of authors (possibly even most?) they put a lot of work into their fics before they ever get to the point of posting them. They've read, revised, planned, and plotted. They might even have additional chapters already written that are in the revision process and just haven't been posted yet.

Especially in long works, authors look to the comments as a cheering section to urge them on towards completion, so posting corrections or pointing out errors can feel like someone standing up and booing. I think that's what happened in that BNHA situation you referenced in your ask.

That's why the general suggestion when it comes to commenting with corrections is just to not do so. If you want, you can comment about all of the things you like in the fic and then ask if the author wants a beta. That would allow you to have those conversations about their vision for the fic, and it would also allow you to offer feedback before the work is posted and while it's still being edited and worked on.

Otherwise, if it really does bother you, I'm afraid you might just need to dip out and find a different fic.

#asks and answers #long post

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yamujiburo · 4 months

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Some of this might sound intentionally hostile in text and I apologize.

I'm saying this as an abuse survivor mind you - don't throw "abusive ships" under the bus so easily - at least, so long as they're not actually glamorizing the abuse. I lived that irl and I personally find someone overcoming it, slowly having enough of that bullshit and getting out over time, and the other person having to wipe their own butt for once after they've made the damn mess, very refreshing. Maybe that's not a ship in the traditional sense. It's no happily ever after bc it shouldn't be, but I find stories like mine shyed away from so often because even the portrayal gets considered a "canon ship". ... that's just how media works now, I guess? I very rarely See a fictional relationship not called a ship in literally any context now so that's the definition I'm running on.

I wish more people were willing to portray the hardships of finding acceptance outside of "whoever you can find will accept you" very much, and finding the better things after. I wish people weren't terrified out of portrayimg situations like mine.

Jessie.. is not a good person in canon. You expect me to believe she moved into to hanamusa seamlessly, without falling on her ass? I never see you talk about Jessie's abusive tendencies in canon. You never talk about the inherent meanness she needed to get over to get there. She's quite aml lot like my ex in canon, actually.

What do you mean you're going to just remove from the character that she is abusive to those around her. Jessie hits people. She takes her own junk out on others all the time. Do you even like the character then, are you actually invested in her growing, or are you just making an OC at this point?

Idk. Do you, boo. But you are posting about a character who, whether you like it or not, is canonically abusive. I just don't buy that dating Ash's mom alone fixed her. That isn't... How that works. It would be excellent if it did. Part of my love of hanamusa is that it signals Jessie's change - but she could have changed for anyone before now.

What makes Delia different? How is she specifically a turning point for Jessie? Because Jessie's flaws go well beyond just bossing people around.

I would love if my abuser had the same outcome as your Jessie. I adore your portayals of hanamusa, where she's still flawed but still strives to do better. That's all I ever wanted from my ex.

What the fuck got her there tho.

Anyways I've been watching a lot of Bojack Horseman lately -

I agree with you! I don't think abusive relationships (or any tough subject matter in general) should be shied away from in media. It can be powerful when executed well and written by folks who are equipped to tell those kinds of stories. I do think it's sad when people treat it as off limits. But the ask I got was definitely more about which ships I have where I actually like the relationship between the characters. I think the semantics of the word "ship" are kind of vague or rather, over time, got so specific to only mean "absolutely love together and want them as endgame" (for most people anyways). So that's usually what I take the word to mean when people ask me about it.

I can 100% appreciate how an abusive relationship is written and handled, but that doesn't mean I'm gonna ship an abuser with their victim (that falls into the glorifying you're talking about). Love Bojack Horseman! Big fan! I think the way they handled Bojack and Sarah Lynn was beautifully and tragically well written. But does that mean I ship Bojack and Sarah Lynn? Absolutely fucking not.

I've talked about Jessie's character plenty on this blog and the way she's handled in earlier seasons specifically. This is kind of a summary: If we look at it on surface level, yes we can say she was abusive. But I think it's important to acknowledge and take into account the medium, time period and culture. Slapstick and cartoon violence was HUGE in anime and animation in the 90s (and prior to that too). Characters were always cartoonishly slapping each other around with giant mallets, folding fans, etc. Looney Tunes style. These slapstick bits were always distinct from real abuse and hurt (for Pokémon, Jessiebelle comes to mind). Mean slapstick wasn't a character trait exclusive to Jessie either. We saw it in Misty, James, Meowth, characters of the day and pretty much any character who got mad. It was a visual shortcut to show anger.

This type of slapstick has since (thankfully) died out and it hasn't really been a part of the Pokémon franchise since the early 2000s. However, Jessie was a notably special case. One of my favorite fun facts about the Pokémon anime is that there was a point in the series where Megumi Hayashibara (Jessie/Musashi's seiyuu) told the writers that moving forward, she no longer wanted Jessie to be violent or to be shown hitting James or Meowth (source: her memoir "The Characters Taught Me Everything"). She thought it directly went against the vision Takeshi Shudo had for Jessie, James and Meowth, when he created them, which was that they are good natured villains. If you watch from DP and on, Jessie never lays a hand on either of them. I think it was a such a good move on Pokémon's part to change her character like that and I'm forever grateful that Hayashibara said something! Whenever I write Jessie now, I always keep that in mind. She's mean, shouty and stupid but would never genuinely hurt those she cares about.

From then, her character becomes much more bearable. She's still bossy, mean and vain (typical cartoon villainess attributes) but I'd hesitate to say abusive. She'll still yell at James and Meowth, they all yell at each other, but in more of a sibling way (imo) rather than a "i'm actively trying to hurt your feelings way". The show makes a point especially in later seasons to show that Jessie, James and Meowth are not beyond being redeemed. From conception the whole POINT of the Team Rocket trio was that they are redeemable but their persistence and obsession keeps getting in the way of them seeing that there's a better life for them out there.

I won't deny that Jessie was unsavory in earlier seasons, but when I write her, I choose to write the version that Takeshi Shudo and Megumi Hayashibara had envisioned from the get go. She's still incredibly flawed and makes plenty missteps but wants to be better as you stated! My favorite part about Jessie is that she's a piece of shit LOL and I enjoy writing the changes she goes through to be better (but then still showing her default so some of her evil tendencies). In this AU, Delia doesn't fix Jessie. Jessie fixes Jessie because she is with someone makes her want to be a better person. She's already in the middle of turning over a new leaf before even meeting Delia, after leaving Team Rocket. Writing Jessie as legitimately abusive I think could work, but that's not my story to tell and if someone who were more equipped to tell that story did, I'd be very interested to take a listen!

I hope this doesn't come off as trying to deny or invalidate your experience. If you see that in Jessie, I hear you! This is just how I've interpreted her character over the years, having watched every episode of Pokémon and reading Japanese interviews from the cast and crew. She's such a compelling character and I love how messy she is

#ask yam #long post #tw abuse

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tcfactory · 3 months

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I've been thinking about QiJiu and how they could be post-reconciliation and I'm like. I love most flavors of these tragic idiots, but I like them as either romantic or full on disaster siblings the most, probably.

Because them becoming close platonic friends feels like sort of... an extension? Of the state they are in canonically, where they are devoted to each other, but in a lot of ways have grown apart. They just fix up the holes in it - and I don't think that works all that well for them on the long run, because it would be all too easy to be reminded of the bad times. I think for them to be happy and stable long term, they need a shift in their dynamic either to something new (romantic relationship, with the courting period acting as a sort of soft reset) or back to the (codependent, but not necessarily in a bad way) sibling-relationship they had before.

Like. Honest to god I want a story where the two of them make up and Liu Qingge is the first one to look at them and go:

"What the fuck?! WHAT THE FUCK?! So this was just a sibling tantrum?? Like the time Mingyan refused to talk to me for three weeks because I got monster guts on her new dress, except you idiots dragged it out for thirty years?! I'm ashamed to be your shidi! Shame on you!"

"It was a bit more serious than-"

"Zhangmen-shixiong, what could you have possibly done that's worse than monster guts?"

Just Liu Qingge shaking Yue Qingyuan until dumbass failbrother explains what happened - perfect grounds for Liu-Jiu reconciliation too, because in LQG's mind 'making your little brother think you willingly abandoned him to slavery' is a perfectly valid reason to become the angriest, bitchiest bitch to ever peak lord. It doesn't matter that it doesn't make sense, his big brother instincts tell him that if he did something like that to Liu Mingyan then blood would flow. He doesn't know what a Joker even is, but in his mind that would be Mingyan's Joker moment for sure.

#svsss #yue qingyuan #shen jiu #liu qingge #listen qijiu with a very clingy sibling dynamic is also good grounds for other ships #because it still gives both of them emotional stability #but whoever they are getting together with doesn't have to be jealous #like. would it be weird that their sense of propriety and personal space just disappears when they are in private? sure at the start #but I think someone like LQG would Get It and wouldn't really be jealous over that #good grounds for LiuJiu or LiuQi I think #or any ship with TLJ who doesn't know human customs and thinks that it's perfectly normal that SQQ sometimes takes a nap on YQY #I feel like heavenly demons would be the kind where the siblings would do sleepy piles even as adults tbh #tactile motherfuckers

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chenya-my-love · 21 days

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Fictional Yuu

I see a lot of people basing Yuu off of characters on TV and in games. They'll have characters (usually Idia) make refrence to this fact but usually in just a throw away line. But nobody really leans into the idea of Yuu actually coming from some fictional media in Twisted Wonderland.

Like imagine some character like Cater, or maybe Vil while advertising the VDC, posting a photo with Yuu in it. Only for some random account to comment "That's an amazing cosplay, it looks so much like the character". And of course they're confused, they keep looking for who in the photo is cosplaying but nobody is there. Eventually just asking the commentor who was being cosplayed. The comment is simple.

"Right next to you. That's Yuu from (insert anime/game name here)". They don't believe it until they look up the listed media and sees the character they think Yuu is cosplaying and are shocked. They look identical to Yuu (except animated). Their name, looks, and personality are all identical to Yuu. It is Yuu.

I see two (techincally three) routes this could go. A RomCom route and an angst route.

The romcom route revolves around Yuu having a canon love interest making the boys jealous (regardless on whether they entered a relationship yet or the plot was still building it up) and trying to imulate them.

Like all the wikis say that Yuu's feelings blossomed after the love interest nursed them back to health when they were sick, so the moment Yuu gets sick the boy is just rushing to Ramshackle to take care of them. Or if Yuu caught feelings first and it was some romantic moment, the boys try to emulate that scene so Yuu will fall for them too.

But than we have the angst routes.

A scenerio where all the boys decide to watch the anime/play the game that Yuu is from. Only for Yuu to catch them, quickly learning that they're fictional.

Yuu realizing that all their memories were made up, and if their a playable character all their actions were being controlled. That all their suffering was pointless, that it was done simply to make them more interesting or to entertain a bunch of other worldly beings that Yuu didn't know existed.

Yuu having an breakdown over everything. Their life isn't even their own.

While learning about Yuu's world and story, they learn Yuu dies. And not just a shock value death that could be removed from the plot without care, their death is important. Their death leads to the ending whether that be Yuu sacrificing themself for the greater good or Yuu's death motivating the protag to take down the villain.

All that matters is that Yuu dies and Yuu needs to die. The story can't progress without Yuu there.

The boys realizing that if they send Yuu back to their world, their pretty much signing Yuu's Death Certificate. And Yuu doesn't know. The boys now know that Yuu is doomed by the narrative and is destined to die in the end, but Yuu doesn't. They can't even tell Yuu cause Seven only knows how Yuu will take the news that not only are they fictional but they're also destined to die.

#twst #twisted wonderland #twst yuu #twisted wonderland yuu #yuu au #au yuu #twst angst #twisted wonderland x reader #twst x reader

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spaloonbabooguuscooties · 8 months

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You could drink your whole life away and still never get that taste out of your mouth.

half commission for @salempie half completely self indulgent dreck pieced together from our insane conversations abt franke and elka. told myself id finally write a big explanation for all of the dum shit between these two for context so Thats Under The Cut.

so I already wrote some stuff about elka and franke's relationship back in whispering rock so feel free to look at that too . it goes over elkas blindness/‘seeing’ with clairvoyance and how her and franke started talking & all that good stuff

SO FOR STARTERS. a lot of thsi wont make sense without a big breakdown of elka herself. because elkas potential as a character is like insane to me. like just the idea of her in the long run of her life reads as something so potentially tragic; a young girl whos plagued with visions of doom and destined to be an outcast even in her own home for things she cant control and clings to the One vision of her wedding that she thinks is 'happy' even despite the fact she doesnt really love the person in it. im choosing to take the li-po doc as canon here because its funny shes the only one with backstory-

but my fucking god even the smallest look into what her parents are like is soo fucked up to me. and i do think elka especially gets a lot of influence from her mother; its funny how easily you can fit mabel doom into a box just from what elka says about her. knees deep in an avon-esque pyramid scheme and leaning into her daughters depressing ass visions & taking her to therapy at age 11 (which would be good if not for the kind of person you can already assume she is & so i doubt the therapist she has really does her any good. i think they share one). she reads as a very I Am My Daughters Best Friend type of mom to me and i can see elka being a centerpiece of the conversation when she has her Amway Girls over for drinks. wine-mom that lets her kid sip from the glass so she can feel like a big girl type deal.

and you can tell that elka is trying to hard to be too mature for her age even in her campster posts. how she writes letters to nils' mom and exchanges baking recipes with her and that feels like she really only interacts with middle aged women and not really many people her own age outside of camp (like her moms friends). which makes sense shed feel the need to ‘grow up’ early when shes probably had to process so many hard things at a young age bc of her visions.

theres a lot of filling the blanks here of course.

elka obsesses over nils to an overbearing degree even despite the fact he treats her like shit ('you promised no talking' and so on) and she treats him bad right back. she leans onto stereotypical heterosexual ideals like taking care of him and overblowing how Manly and Protective JT is and she admires romance stories like pride and prejudice and it feels like she Projects Soooooooo much of what she wants onto boys she barely feels anything for without knowing what its actually supposed to feel like. and clearly she WANTS that ideal future, a happy marriage, an actual romance- but according to nils even when they were dating she ignored him most of the time, which just seems Very Telling

like shes filling a role, overcompensating for emotions and lacktherof she cant digest quite yet, and it only makes more sense when you know shes had visions of their future together. how could that be bad for her? shouldnt it be like the books and movies? but she doesnt really connect the fact that her visions are only for Doomed futures, and if she does she certainly doesnt show it. Doomed relationships. it's been a part of her family for generations and she isn't turning out much different, is she? i dont think she even realizes thats all she ever sees yet, just that its Going to happen. that it's Her future, and it always will be

and like, her only reference for a real marriage so far has been her own parents, and she already Knows they have an affair, and theyre doomed to split, (and i actually like to think they were in rough waters anyway and elka was a child meant to mend a crumbling marriage but thats a whole other thing) and so without a framework for what an actual healthy relationship is supposed to be like she cant really grasp that her relationship with nils Isnt that and isnt ever going to be. she can only cling to this one happy idea of the future, and thats why she keeps chasing him, self fulfilling the actuality of her situation and creating and fostering the unhappy life they will inevitably live together.

and that bleeds into everything else in her life, of course, because as the years go on, as the visions grow in number it just makes sense for her to fall into the predictability of her life. she always knows whats going to happen, her visions are Never wrong- so why try to change things? shes had time to process tragedies days, weeks, months, years before they happen, shes had time to settle into every crack of her life. her parents divorce, her various break ups, her future with the psychonauts.

“and she's already seen so much of a future with [nils] she feels trapped almost. Like she has to be happy in it or else it just means her life is miserable. And it's a mixture of pride and fear of the unknown that keeps her clinging to the One thing she knows. BUT LIKE!!! She knows what's gonna happen! It's easier to grieve when she's been grieving for years... She wants so badly to be happy, But to do that she has to step into the unfamiliar. And that's more terrifying than staying the same miserable person she's always been.”

and thats where franke comes in— and yeah you Do have to take a lot of liberties for frankes character since it’s basically, like, all the info for her is just that shes a Supreme Baby Dyke but thats enough for me. i think she has protective butch itch in her . on campster shes defensive over other women evidenced in the way she keeps watch over the girls cabins for lili when elton is pursuing her . but shes also eager to please and constantly trying to make kitty laugh and also Very naive. but she tries! and i think it only solidifies more as she gets Older and really gets a hold of her feelings & her powers. this is incredibly franke to me

and i think as they grow older together— because i think franke and elka Do stay friends, both because elka is just pathetic and needs that positive connection even if she doesnt realize it and because i think franke is a very Loyal person & annoyingly persistent if you let her be . and i am also a kitty/franke truther. because kittys also important in this web we weave

because i think franke and kitty stay together after camp, to a point— theres a falling out facilitated on kittys end and they break up, but reconnect, and franke kind of... saves kitty from herself a little, from her strict military father whos love only extends thru finances , from her own stifling future , she drives all the way to bakersville in her shitty van handmedowned from her dad and they move in together eventually . they get jobs at the motherlobe , because it’s a pipeline to a decent job, because it’s whats easy, because franke doesn’t really have a future, because she’s never really been good at much, because shes never had much sense, because franke doesnt really care as long as she can live and help, sometimes, if she can, and because kitty’s there, and because elka’s there, and shes so used to being elkas eyes now and shes good at it. shes good at being the muscle of the missions when her colleagues lack it, when hypnosis and predictions arent enough. she likes it that way.

and elka appreciates frankes company. she listens, shes sweet, she does little things for her that no ones ever really put the effort for before; she likes her. franke is strong and bold and makes her laugh and shes always there but god elka cant let go of that future, of that box shes put herself in, that her mothers put her in, of being a Good Wife to a Loving Husband, of getting married normally and falling into unfailing familiarity. thats all shes ever wanted and shes not going to jeopardize that . not for franke, who may not be a boy but is handsome like one, whos always held her after every break up with nils and the men that filled empty days inbetween.

and elka is too stubborn to recognize those feelings anyway. too prideful to accept a way out. too set in her cycle no matter how much she hates it, her little self fulfilling tragedy of her own making, wallowing in her own doom. she struggles for control of her own life when she feels like every choice has been made for her anyway, she puts up her walls and carefully constructs what people see. but franke was always harder to trick, because while empathy isnt a particularly useful psychic power it’s certainly an inconvenient one. all franke has to do is get too close and all those carefully crafted walls fall apart, and elkas control is gone, and thats all she really has. and she tries to distance herself, really she does, but franke is also too persistent. and elka wears gloves, keeps contact that would make her walls crumble from happening as best as she can, but she cant really keep herself from the brief moments where she feels like someone actually fucking cares about her.

and that slightest lack of control, the need to wrestle it back is why she proposes to nils the next time theres a falling out— she knows how it happens, she plans every detail. and he accepts, despite everything. gets her a cheap ring and it feels like lead on her finger and its nothing at all like how shed thought it to be when she was a kid, theres no feather light feeling in her chest, only that dreadful reality that she cant turn this back. BUT WHAT CAN U DO LMAO

elka doesnt tell franke about this engagement until later, on their way back from a mission. late at night when neither of them can sleep, and franke invites elka to smoke in her van, because its been so long since theyve been alone like that, because elkas been so strangely absent lately. and because of everything, because frankes always so damn nice, because elka hates the feel of the ring on her finger, because she let herself get high alone with franke fucking athens whos always been so good at pulling her apart— the truth of it all spills out and its messy and emotional and she hates it, she hates the life shes made for herself, but franke makes it easier to bare and now shes here and shes so close and god she wishes she could see her smile again, she wishes she could see franke, thats all she needs right now and she cant but she can touch her and she can hold her and for tonight, she can be known, she can let those walls crumble, she can be something else just for once here with franke . she can kiss her here in this van, touch that happiness for just a moment, and forget the future that waits for her outside of it. franke begs her to forget the wedding, to just let herself be happy— and god, she wants to, but it means turning her back on everything shes known and everything shes saw to be inevitable, and franke has never been in her future, so if it were supposed to work out why hadnt she seen it and she cant, she cant take that risk but she can have this, even if its temporary, she can have it.

and just as soon as she gets a taste of it, its gone. after that night, after the missions over and theyre back at the motherlobe and have to pretend like nothing happened (franke doesnt, of course she tells kitty about it, she tells kitty about everything.) but that brief moment together haunts elka every time she sees franke, sees herself through frankes eyes, sees herself in her wedding dress because god its all franke can think about! of course it is! she knows how much elkas destroying herself she knows how much misery shes wallowing in that kiss in the van felt like an emotional punch to the teeth and she hasnt ever forgotten it and all she can do is sit and watch while elka throws herself into a loveless marriage. she can come to her wedding and see the way the bride and groom kiss with the emotional weight of a wet towel no matter how hard elka tries to hide it under a pretty dress and bouquets of flowers and meticulous planning.

and elka resents nils but she cant really hate him, its not his fault, not really. he feels trapped just like she does and his feelings of misery only cycle back into hers . they fight and gnash and wear away at each other and its a relationship thats crashed and burned a million times before elka even said i do. and its inevitable that she falls into her mothers habits, a sip of wine here and there to loosen up, until it turns to a glass, until it falls into a bottle on nights when whatever work nils does runs late.

but franke’s still there. shes always been there, hasn’t she? always trying to play knight, always trying to save her, dragging her home when shes stumbling over herself because god who else is going to do it but her? who else is left to care? certainly not nils. never nils. because franke knows her. because franke pities her. shes always pitied her. shes always known. and elka hates it, she resents it, but god in the same breath she’s desperate for it, she envies it to her very bones. elka is a mess but after frankes done with her she has someone to go back to that loves her. and god what elka wouldnt do to have that. to take it and keep it for herself because shes never ever got to have that movie romance shes always wanted.

so now comes this.

because elkas particularly miserable and particularly spiteful and she needs to get franke to understand, just for a moment, drink with her and get on her level and she needs her there with her no matter how her pity makes her feel. no matter how much it makes her shake with anger and envy and desperation, but god the way franke looks at her, the way she still tries to salvage what they have, the soft, slurred way she tells her that it’s okay but its not okay, none of this is okay, it never has been and she just wants franke to shut up and see that, and if she cant then she’ll show her, she’ll show her all the raw angry desperation, with too much teeth and hands that claw and grab and she’ll know why everyones always said she’s too much.

and she knows this puts her on nils’ level too. that this makes her a cheater, that shes no better than he is now. no better than her father and his affair. but god, she wants to be selfish. she wants to be in control. just for once. she wants to feel right and she wants to feel happy and she wants to feel loved. thats all shes ever wanted. and franke will let her have that, just for a little while, at the very least.

anyway. sorry. sorry for being crazy . this isnt even getting into the shit after the comic takes place . elkas stupid brainworld thag she has to overcome in order to finally be allowed in the polycule and live happily ever as worlds first lesbian divorceman

sorry for all the shit i make up instead of caring about actual characters with screentime . bye !

#ive spent months on thsi stupid lesbian toxic yuri slow burn relationship so you all better clap or im blowing this building up #psychonauts #elka doom #franke athens #ill paint the town red

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discordantwritings · 2 months

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Captain’s Orders (Buggy x Reader)

Warnings: NSFW 18+ MDNI, gn afab! Reader, angst, Buggy is bad at feelings, canon typical violence, oral, PiV sex, creampie

WC: 8.4k

Summary: Getting a job as the chronicler of the Buggy pirates was the best, then worst, then best thing that ever happened to you.

Notes: The second I realized I hadn’t done a solo buggy fic I wrote this I’m so sorry buggy

No one tells you how hard it is to keep a job on a pirate ship. Unless you manage to land with a big name captain the chances your job sinks to the bottom of the sea is pretty high. Which is what happened to your last three jobs- you were so tired of ending up on a dingy paddling away from a lost battle that you had no say in. You were a chronicler after all- not exactly a fighting pirate.

Despite being a non-essential crew member a chronicler was a sought after person. Every pirate thinks they are going to be the one to find the One Piece so, naturally, every pirate needs to have someone to log their journey to becoming king of the pirates. It was a little tiring, hearing the same story over and over again, writing the same few chapters only to end up waterlogged and searching for a new ship at the end.

But you needed to eat and you could only afford to live at this tavern for so long. You’d posted your services on the local board, listing your name and where you were staying in hopes of drawing in a pirate captain. One that hopefully won’t be going under in less than a month. And if you were really lucky- one that wasn’t so painfully textbook.

Really you should have known the gods were going to get you for wishing that.

When the clowns first walk into the tavern you wonder if you missed some signage that a carnival was coming into town. But when a distinctly dressed blue haired pirate captain walks in behind them- you put it all together. The Buggy Pirates were docked here. Their chronicler probably had their hands full but at least it wasn’t the same boring-

You notice when the barkeep points Buggy the Clown in your direction. The two of you make eye contact across the room and you quickly run through your memory to try and figure out what you could have possibly done to be hunted down by a big name pirate. As his heavy boots thud against the wooden floors you can’t think of a single time you’ve even brushed shoulders with any clowns let alone pirate ones. As Buggy looms over your table you frantically try and think of a way out of whatever sorry situation you’ve accidentally gotten yourself into only for that hurried train of thought to be abruptly derailed.

“You the chronicler who has that ad posted?”

It takes you probably too long to respond with a squeaky- “Yes?”

“Great!” The clown takes the chair next to you and sits down, quickly putting his feet up on the table. “Do you have examples of a resume or whatever?”

“You don’t already have a chronicler?” The question is out of your mouth before you can stop it and you bite the inside of your cheek to stop yourself from saying more stupid things.

“Nope.” He shrugs and you see the rest of his crew settle in around the tavern.

“Oh. Well-“ You reach off to your side and take out a leather bound journal that has some of your work plastered in it. “Here’s some snippets.”

As you hand it over to Buggy you feel as his sea green eyes rake over you for a few moments before he finally takes the book. He flips to the first page, looks at it for maybe all of two seconds before snapping it shut. “How would you write about me?”

Then why did he even- “Well I think- see people sometimes assume a chronicler only writes down the basic facts are events but I think a real chronicler tells a story that the average person didn’t get to see or hear about. For example a lot of people heard about the Straw Hats taking you out at Orange Town-“

He sits up a bit, gaze hardening but you quickly continue. “But- I think there’s a different story there! They fought the fishmen so soon after your encounter with them and it’s no secret that the Arlong Crew was pushing their luck in the East Blue. So the story there should really be about how you used your genius to let the Straw Hats go and sent the Arlong Crew after them- letting your opponents fight it out and weaken each other.”

There’s a long pause where you feel the clown practically searing holes into your skin with his gaze until he finally breaks into a smile that rivals the one painted on his face. “That’s exactly it! You get it! People just need to hear the right side of the story! Start writing that down. That'll be your first entry as our chronicler.”

That is probably the most presumptuous way you’ve ever been offered a job but you certainly were not about to look a gift horse in the mouth. “Great!”

It’s only after Buggy then orders a round of drinks in celebration and the cheering begins that you realize something.

“I don’t have to wear a clown costume do I?”

You didn’t have to wear a clown costume but already in the few weeks you’ve been a member of the Buggy Pirates your wardrobe had gotten more colorful. A sequin scarf here- a bright blue shirt there- these things just landed in your bunk and it did help you fit in. You minded it less than you thought you would, being in a crew that actually put thought into how they looked was a pleasant change.

You tied a striped sash around your waist over your pants as you prepared to have your nightly debriefing with your new captain. During the day you flitted about the ship, taking notes on everything that happens. Every night though Buggy always wanted a check in. From letting him know what happened while he was doing other duties, to telling you some previous journeys that he and his crew had been, to embellishing the stories of the day.

It was nice having a captain who actually cared about what you were writing. Most had just left you to your own devices and didn’t much care for your craft beyond the fact it made them look good. But Buggy actually wants to listen to your words and he provides some actual good feedback (admittedly in a sea of crazy unbelievable ideas, but the point still stands).

Journals and pens tucked under your arms you navigate to the captain’s quarters, finally feeling comfortable navigating the large ship after walking this route twice a day. It’s not that long before you’re knocking on the large door and hear Buggy’s voice, muffled through the wood.

“C’mon in.”

You push through the door and see Buggy behind his desk, face laying sideways on a pile of paper. You take a seat across from him.

“You alright?” You ask, eyebrow raised.

“Being a captain is not all fun and games my dearest chronicler.” He pushes back on the desk, flopping back in his large seat and swinging his feet up on the desk, knocking over the papers in the process. “Responsibility is a heavy burden to bear.”

You look over the mounds of untouched paper work that have been sitting there since you first arrived. “Seems like it.”

“But now you are here to save me. Tell me my story weaver- what is the tale of the day.” When he looks at you you know you have his undivided attention. There was something so fulfilling about capturing his attention, something you’ve learned is so finicky and flighty. But for you? He’s never been distracted.

“Well, it’s been a pretty standard day.” You go into every detail that matters- what acts were practiced, who's flirting with who, what crew member Richie managed to bite a finger off of- that kind of stuff.

“You know- we should have a whole section where we track body parts Richie has eaten and see how many full people can be put together with the parts.” Buggy adds as you finish up your recap and you huff a laugh as you write that down.

“I think we’ll have a lot of spare fingers.” You point out.

“Good point. Full bodies and hands.” Slightly more sensible… kind of.

“Got it. I’ll start logging and asking around for people who have lost limbs to Richie.” You make the note and you see out of the edges of your vision as Buggy’s legs come off the desk and he leans over, getting a bit closer to you.

“Y’know I’ve told you many stories already- what about you?” His head settles in his hands, perched up by his elbows.

“What do you mean what about me?” You tilt your head, genuinely confused.

“Your stories! You said you were the chronicler for a few ships before mine, you must have had some adventures out on the great wide East Blue.”

“Ah, well… no.” You admit a bit awkwardly.

“No?” Buggy raises his eyebrows, clearly looking for more.

“I was just a chronicler. I didn't really do anything on the previous ships I worked on. Hell, you’re the first captain who actually wants to hear about what I’m writing. For everyone else it was just an ego trip to have someone writing for them…” Your pen slips into your journal as a placeholder as you close it and pull it close to your lap.

“That’s…” Buggy frowns. “What losers! Most pirates won’t know talent if it slaps them in the face.”

You try to bite back your smile but it’s pretty ineffective. “You’re very kind captain.”

“You’re going to have to learn to take some compliments because with my crew? We are going all the way to the top and your stories of our journeys are going to be known across all four seas!” As he talked he stood up, wildly gesturing as he talked about his grand plan.

When other captains of yours had talked about getting the One Piece it had always annoyed you for some reason. The hunt for fame and money was… well it was cliche. But there was something about the earnestness that Buggy talked with- the grand scale he always thought on that made you believe it.

“Well, I guess I will have to work on that.” You say as you look up at him.

“Yes. Captain’s orders.” He hops up to sit on his desk just adjacent to you. His right foot lightly knocks against the side of your left calf.

“Then I’ll have to do it.” You smile wide, his energy was infectious.

“But seriously, not a single story? There has to be one fun thing you can tell me.”

“I guess… there was this one time-“

You break into a small, stupid story but Buggy hangs on your every word. The second you’re done he shares a similar experience and you go back and forth like this for hours, journal where you were supposed to write these things down long forgotten. Somewhere along the way you both ended up sitting on the floor, leaned up against the desk and legs side by side as you both gesture wildly through your stories. You don’t know how long this goes on, but when you feel yourself fighting to open your eyes after you blink you think it might be way late.

“I should get to bed.” You nudge Buggy’s shoulder with your own, working up the strength to stand up.

“Oh yeah it’s like-“ His hand detaches and he grabs something off his desk before bringing it down to his face. “Oh shit- 3 already?”

“Wow-“ You look at the clock he grabbed and sure enough, 3:21 am. “Yeah I really need to get to bed. You too, captain.”

You get up with a grunt of effort and once you’re standing you turn around and offer up your hand to help Buggy up. There’s an awkward pause as he looks up at you and he must be just as tired as you are with how long it takes for him to clasp his hand in yours and pull himself up.

“See you tomorrow night captain.” You squeeze his hand before letting go and walking out the door.

You’re not sure why you feel a low buzz in your body, nerves up from some unknown source. It’s not a gnawing anxiety… something else you can’t place. No matter what the second your head hits the pillow you’re out like a light, body getting ready for another long day.

The Buggy Clowns were weirdly affectionate. Not all of them, mind you, you don’t think you’ll ever get Cabaji to even smile at you, but the camaraderie they have is intimate. Most of the time not in a sexual way (though you’d be remiss to ignore the raunchier performers in the circus), but in friendliness and touchiness. Never before have you been on such an affectionate crew.

Every time you put more than 10 seconds into your appearance you got hoots and hollers from most of the crew members. When you grab lunch in the mess people fight over who gets to sit with you and be documented. Even Richie has a soft side- you’ve managed to pet him without adding a body part to the now running list.

It’s been a few months now and they still fight over you at meals- a quirk you would have thought would die out long ago. Everyone is eager to tell you about their day and try and loop you into spending the rest of the day with them. Today the tightrope walkers win out- or at least they think so. Secretly you’ve made a schedule for when you follow each group and no one has caught onto your pattern yet. But it makes it easy for you and makes it so no one is favored.

But when they cheer and lean into you, arms wrapped around your shoulders you still feel like shrinking away in embarrassment. It’s not bad- you can’t deny the little ego boost it gives you- but there’s something that always makes your face burn. But all that is nothing compared to Buggy.

You quickly figure out that, like all crew attitudes, it trickles down from the top.

Of course Buggy isn’t going around hugging crew members (when he’s sober) and he does lose his temper often, but there’s also a softness to him. He’s got nicknames for everyone, and everyone gets their time in the spotlight. He personally reviews all the circus acts and when someone wants to do something new it’s rare he says no.

Everyone in the crew is a misfit, but because of that, no one is. A group of people who have never felt respected or wanted before suddenly find themselves belonging- it makes sense why everyone was surprisingly warm. But you still have a hard time handling it, especially when it comes to Buggy.

It’s the damn nicknames.

Story weaver, dearest chronicler, writing star. And the worst part? It’s always his.

My story weaver.

My star.

Never in a tone that makes you feel owned or degraded- quite the opposite really. You’re treasured, respected, seen. It’s been too long since you felt that way and the reblooming of those emotions was… uncomfortable.

But you don’t think you’d ever want it to stop.

“My lovely chronicler-“ It’s Buggy who suddenly throws you out of your thoughts with affection and a hand on your shoulder. “I have to cancel our meeting tonight.”

“What? Why?” You want to kick yourself for sounding even slightly hurt.

“Not your fault- turns out I’m a few days behind on planning out supply orders for when we dock tomorrow.” By a few days you know he means he hasn’t thought about supplies since they last docked.

“Oh, well, do you need help?” The second you finish your sentence you feel a light elbow in your side from one of the tightrope walkers but before you can turn to look at him your attention is grabbed by a clap from Buggy.

“Great! See you tonight!” He says, already walking away.

You turn to the source of the elbow. “What was that for?”

“I’m sorry, you totally just got suckered into doing all his paper work.” He says apologetically.

“Yeah, he’s done this with just about every crew member. You’re the only one who doesn’t know his trick.” Another one explains.

“Well, he is the captain, he could just make one of us do it.” You say, still very confused about this whole situation.

“Yeah, but then he has to admit that he messed up and needs someone else to do his work. This way he is just, I don’t know, reveling in his crew’s generosity.” Yeah, that sounds like him.

“I’m not going to get any sleep tonight am I.”

“Nope.” You get a few reassuring pats on the back as you slump onto the table.

“Captain?” Later in the day you knock on his door and come in at his usual ‘come in’.

You walk in and see papers everywhere. There’s no organization, no sense that he’s actually began to work on anything, just papers on almost every flat surface you can see. You don’t think half of these are relevant to what needs to be done.

“My darling most beloved star.” Buggy calls from behind his desk. He’s laying it on thick so you don’t run away.

“Did one of your bombs explode in here?” You carefully walk over to his desk, hopping over random papers on your way.

“Yes?” It’s obvious he’s lying.

“Well… I guess we have our work cut out for us.” You make it across from him and start looking at papers, trying to find some sense.

“Yes. I trust you implicitly- now I’m just going to go-“ He stands up and you glare at him.

“You’re not going anywhere.” You’re a little annoyed, but there’s no real malice in your words. Despite that, Buggy still shrinks back.

“But you’ve got this.” He says, confidence quickly draining from his voice.

“It would go a lot faster if we work together. Come on. We will start by organizing. Figure out what actually needs to be done for tomorrow and go from there.” You gesture to the mess on his desk before you get to work on the papers discarded on the floor.

“But-“

“No.” You cut him off without even looking at him- you know he’s using his puppy dog eyes.

“Fine.” He grumbles and you hear the shift of papers that tells you he’s at least pretending to do something.

It takes you hours to get everything sorted but after that the actual work doesn’t take that long. You have a pretty good knowledge of what supplies everyone needs and the average use of those supplies in a day- you write it all down typically. All in all you’re done and dusted just before midnight, an accomplishment really.

Buggy is moping at his desk, the reward of a job well done isn’t really enough for him after he actually had to put in some effort. You’ve set up a schedule for him too- something he’ll probably ignore but you’re pretty hopeful.

“That’s it right?” His voice is partially muffled by his face being smooshed down into the wood of his desk.

“Yes, we are all done for the night.” You reply, straightening out the last stack of files on his desk.

“Yay.” His voice is flat and devoid of all joy.

“You’re pretty childish for a captain, you know that?” You take a seat across the desk, not quite ready to leave.

“That’s part of my charm darling.” He lifts his face so his chin is resting on the desk.

Darling.

That was a new one.

“It’s not your best feature but I guess it is a part of your whole deal.” You admit, still trying to shake off the weird stirring of emotions from the new pet name.

He perks up instantly, sitting up in his chair. “What’s my best feature?”

“Hm?”

“You said it’s not my best feature, which implies you know my best feature. What is it?” His smile is wide, matching his face paint.

“Ah-“ Well. You know exactly what his best feature is but you hesitate to say. It’s not what a pirate captain typically wants to hear but… well he’s anything but typical.

“I think your best feature is that you care. Genuinely. You yell and stomp around at the crew but you always make sure all of our needs are met. To some people finding the One Piece is just the thing pirates do but you care with every fiber of your being. When you want to do something, really want to do it, you throw yourself into it for better or for worse. Your risks end up paying off more often than not and I don’t think that’s a coincidence.”

There’s an awkward pause where Buggy’s smile drops a bit and he stares at you and you think that you’ve fucked up. He is still a pirate captain with an ego and not telling him that his strength or intellect was his best feature was a dumb mistake. But then he coughs, a fake awkward cough and you’re not sure what’s going on.

“Oh that’s- yeah- I mean what am I if not the best captain to work for in all of the seas.” The smile returns to his face but there’s something you can’t place and you feel like you’ve misstepped.

“It’s late- I should go-“ You stand up and quickly head to the door but Buggy’s voice stops you right before you exit.

“Hey-“ You turn and look at him. “Thank you.”

“You’re welcome.” There’s more hovering in the space between you but none of it can be put into words.

You leave.

Even if the Buggy pirates were worlds different from any other crew you had worked with they still party like every other pirate crew after a victory. Just a little more explosive. Literally.

You had never seen fireworks before so you were laying down on an upper deck while the loud party raged a few decks down, reveling in the bright and colorful explosions that shattered across the sky. You know Buggy made them all himself, he was surprisingly talented in pyrotechnics. It was overwhelming to your senses in the way that Buggy often was-

You’ve found yourself thinking more and more about him recently. You don’t want to think about what that means so you just shove those things down and focus on the shimmering colors dancing around the sky.

Until, of course, your captain finds you.

“My star! We are all missing our chronicler at the party!” His head peaks up over the ladder as he calls to you but you wave a dismissive hand.

“I’m just enjoying the fireworks, I’ll be down later.” You say, perched up on your elbows.

Buggy pulls himself all the way up the ladder before walking over and taking a seat next to you. “I’m glad someone is enjoying all my hard work.”

“I’d never seen fireworks before tonight.” You admit, laying back down fully.

“Really? Well I’m glad I could introduce you.” He lays down as well, only a few inches separating you two as you both lay flat on your backs.

“It’s- I mean I have no idea how you do it. It’s seriously magic.” You turn your head to look at him, admiring the profile of his face under the multicolored lights of the fireworks.

“It’s all chemicals and patience. I know, surprising that I have that.” He looks at you, a sly smile on his face.

“There really is nothing our fearless captain can’t do when he puts his mind to it.” You half joke, nudging his arm with your elbow. “But really- how do you get all those different colors?”

“Well-“

As the different fireworks explode in the sky he tells you the different chemicals he used to get the respective colors and effects. Somewhere in the explanations and pointing he’s right next to you, arms and thighs pressed together. You can’t help but lean into his warmth against the cool wind of the sea.

“I guess there will have to be a chapter on fireworks in your chronicle.” You say after the fireworks slowly die out, all of them used up by now.

“You can just slide that chapter in when things get too boring. Wake readers up with an explosion!” His hand gestures over both of your bodies.

“I’m not sure there will be any time where your story will be too boring. I’m pretty sure just by being a clown pirate you’re always interesting.”

Out of the corner of your eye you see Buggy turn his face towards yours. In turn you move your face as well, and you can feel his warm breath fan over your face.

He’s really quite beautiful in the moonlight.

“Do you really think that?” He asks, so quiet you almost don’t hear him over the low drone of the party below.

“Of course.” You answer automatically.

“I uh-“ You see a panic set over his face and you wonder if you’ve done something wrong. He sits up and you sit up in turn, confusion on your face.

“I should get back down to the party. It’s been-“ He stands up and practically trips over his own feet. “Nice.”

You watch him quickly descend the ladder and you’re suddenly very aware of how cold it is out on the deck at night.

You’re not sure what you did, but you messed something up.

You stop having your nightly meetings. It’s once a week now and he blames it on the recent partnership with Alvida and her crew but you know there’s something else. You got too comfortable with your captain and distance had to be created. You were disrespectful and you needed to learn your place.

You weren’t his anymore.

Chronicler, sure. Star, sometimes. You almost despised when he used your actual name. The burning feeling of being discarded weighs in your chest every time you see him.

It was only after how painful and hard you took the slightest bit of rejection that you realized you might have feelings for your captain. Stupid inappropriate feelings. You hadn’t put the label on it before, pushing any feelings down into the pit of your gut but with how quickly they turned sour you couldn’t help but feel them rise up and burn your throat.

Stupid how you realize these things too late.

Because now there’s a new crew, a new partnership, and plenty of shiny new objects for Buggy to be enamored with. None of them you.

You still did your job through- dutifully chronicling each day. Your emotions will pass and this job is still far and away the best you’ve ever landed. You won’t throw it away over a stupid unrequited crush.

It’ll pass.

Someday.

But today isn’t that day as a pang rings through your chest as you see Buggy loop an arm around Alvida’s shoulder and pull her in close. You know there’s nothing going on between the two of them (you’re fairly confident Alvida doesn’t swing that way) but seeing him pay attention to someone else the way he paid attention to you-

You sounded like a child didn’t you.

You were just about to excuse yourself from the area when Buggy spots you and calls you over with a quick shout of your title. Taking a deep breath you steel yourself and put on a smile before walking over.

“Yes captain?” You say, overly formal as you hold your journal close.

“I was thinking maybe you could do a few weeks with the Alvida pirates, you know, get a better look at their side of things! Wrap them into the story of the Genius Jester!” He gestured grandly with his free hand.

“Oh, well, if that’s okay with captain Alvida…” You look towards the dark haired woman who shrugs.

“I’ve never had a chronicler before so I guess I wouldn’t mind seeing what it’s all about.”

“Great! Our perfect partnership continues!” Buggy looks at you. “How’s a month sound?”

A month. He wants to get rid of you for a whole month. You swallow down your emotions. “When have I ever not followed my captain’s orders?”

“You are a loyal crew member. And it’s not like you aren’t going to see all of your crew mates! It’s just shifting focus for a bit.” It’s true, both crews frequently overlap ships but you know you’re going to be glued to that gaudy pink ship (not that the ship you were currently on wasn’t gaudy, just a different kind).

“Fine by me captain.” You say, making your voice as cheerful as possible.

“Great.”

“Good.”

There’s a long pause where the two of you are just standing there, Alvida casting glances to both of you.

“Well if that’s all I’ll go pack some of my things for my stay.” You say, already taking a step backwards.

“Yes, good idea! Always taking initiative!” He waves goodbye and you turn around as fast as possible, walking at a brisk pace when you really want to run.

Working with Alvida wasn’t bad at all. You checked in with her once a week and she was pretty receptive to your work, provided you added in a lot of extra pages about how beautiful she was. At first it was annoying, but once you got used to it she was surprisingly nice to you.

You were two weeks into your month with her and she was already asking you about how to hire her own chronicler. It was rewarding to know that you’ve done a good enough job so far that she would seek out someone like you. You were working hard, trying to shift your focus from your emotions into something more productive.

It didn’t work.

Every day you found yourself looking around the decks hoping to catch a glimpse of your captain visiting. He was never there.

You saw plenty of your other crew mates- both crews frequented both ships as you sailed together. It was nice having that familiarity, but the reminder that you were specifically sent away while they got to go back to their ship every night stung.

“Ah, chronicler.” Alvida’s voice shook you out of your thoughts, having zoned out while recording what the meals were for the day in the kitchen.

“Hello Alvida, was there something you needed?” Your finger slipped into your journal as a placeholder as you turned your attention to her.

“Yes. I just finished discussing some business with Buggy and your good work came up.” You couldn’t help but puff up a bit- You did want him to know you were still exceeding at your job. “And then he made me an offer that I’d like to extend to you. He said if I wanted you full time I had his permission, so. Would you like to be my chronicler?”

There’s a full 30 seconds that you have to take to process the words that were said to you and come up with a response that doesn’t sound like your heart just got shattered into a million pieces.

“Oh wow, that’s quite the offer I- uh-“ Your mind is struggling to work under the weight of your emotions and Alvida catches on that you’re overwhelmed.

“It’s a big change so you can take some time to think about it. Just come to me when you have your answer.” She gives you a curt nod before heading off, leaving you with your spiraling thoughts.

You manage to hold back your tears until you’re at you bunk, burying your face in your pillow to catch your flow of tears. There was something so painful about being shipped off to someone else, being so unwanted he couldn’t stand to work with you anymore. You’re not even sure what you did wrong which might be the most frustrating part.

If you could lead this all back to one action you took maybe you could make it better- maybe you could go back.

But you didn’t.

You know when you’re not wanted.

Later that day you knock on Alvida’s door and accept her offer. All your stuff is already on her ship so you don’t ever have to step foot on Buggy’s ship ever again.

It’s easier that way.

A month has gone by of officially being the chronicler of the Alvida pirates. It’s… fine. Painfully fine. Perfectly average.

You stop wearing bright colors, swapped out for the pinks and reds that cover the ship. You still keep your old clothes, tucked away in a box that also has the journal you used to chronicle your time the the Buggy pirates. The sequins and stripes keep it safe and far away from you, letting you pull back at the last second before you obsessively repour over the pages to find where you went wrong.

You were getting better.

You stopped crying every night, you stopped longing looking over the bow at Buggy’s ship, you stopped searching for him whenever your old crew came over.

The lingering feelings will pass soon, and you eagerly count down the days until your heart patches itself up and moves on.

It was easy to ignore your emotions during a storm. All your energy focused on locking up your stuff and going where you were needed- you were a chronicler but all hands on deck meant all hands.

It was a nasty storm- lighting and high waves bashing against the hull repeatedly and ruthlessly. You were down below deck, sent on your own to grab emergency medical supplies from deep storage, two crew members had already broken bones and there were probably going to be countless other injuries before the storm let up. Boxes shoved in your arms you were making your way back up to the medical bay when you heard it- the sound you never want to hear below deck.

The sound of wood breaking.

You hear the hit of a strong wave before the groaning of wood and then that dreaded sound. You only have a second to process it before you hear the flood of seawater rushing in. Dropping the boxes you quickly jump to the ladder, scrambling up as you hear water flooding in behind you.

You make it up the ladder and halfway to the next one before the next wave hits. Your world jolts under you and you’re flung to the floor and the back of your head hits the deck- hard.

Your vision swims as you feel sea water rushing over your body and you push yourself up, ignoring the nausea overwhelming your senses. You crawl to the ladder, water threatening to grab and pull you under. Grasping the rung of the ladder you try to pull yourself up before your realize just how hurt you must be.

The pain, the blurry vision, you barely have control over your body. There’s no way you can pull yourself up the ladder. The sea was going to take you and you didn’t have the senses about you to swim. It was over.

You hang your head, watching the water swell up around your body as you wonder if all your works will go missing to the sea. Maybe there will be nothing left of you. Or maybe someone will find your journal- just dry enough that the words haven’t dissolved and run together. Maybe someone will remember you.

Somewhere in the distance someone shouts your name.

You’re confident it’s your addled mind playing tricks on you until it’s louder and right above you- loud and frantic. You look upwards and see Buggy, rain soaked and panicked.

Now you’re really confident you’re seeing things.

“Grab my hand!” He lays down on the deck above you and extends his hand and everything becomes real painfully fast.

“Get out of here! The water- You can’t-“ You yell out, head throbbing.

“I said grab my hand! Captain’s orders!” He shouts and you don’t think you’ve ever heard him so serious.

Gathering up all the strength in your body you pull yourself up a few rungs until you can reach out and grab his hand, quickly being violently pulled up the rest of the way.

“Can you walk?” He asks, yanking you up to your feet. You fall into his body, answering his question for him. “Alright.”

Suddenly one of his arms is under your knees and the other is around your shoulders and you’re being carried, your vision obscured by Buggy’s clothes. It’s better that way, you think hazily, to see him and not your death waiting to swallow you up. Maybe it’s a trick your mind is playing and you’re down in that lower deck, knocked out and drowning. But as you curl up against him and your thoughts fade to nothingness it’s a trick you’re willing to accept.

If your last thoughts are of him it’s not a bad way to go.

You wake up with a start- jolting up in bed before realizing how much that sudden action hurts. Your hand flies to the back of your head and you realize it’s been bandaged up.

“Hey- take it easy.” Eyes flicking up you see Buggy standing up from a chair in the corner of your room.

Your room- back on Buggy’s ship.

“You really should lay back down.” He’s a few steps closer now and in the dimmed light of the room you can finally get a good look at him.

He looks like shit. Dark circles under his eyes, he probably hasn’t shaved in a few days, and his normal face paint is missing. He’s down to just his vest and pants, normal bright accessories missing.

The memories of the ship sinking come rushing back to you and a panic sets into your chest. “Wait what happened- the ship- the crew-“

“Hey, hey, it’s alright calm down.” He sits down on the bed and takes one of your hands in his. “Alvida’s ship sank, but we managed to get everyone out and on here before she went down.”

Your breathing evens out and you relax a bit. “Good.”

“We were calling everyone to get on board here right when you had left to go grab supplies- you were missing so I came and got you.” He explains, putting the remaining pieces together for you.

“You-“

“Just wanted to make sure you woke up alright so now I-“ He drops your hand and stands up. “Will go.”

He gets to the door before your words stop him.

“You shouldn’t have done that. It was- you could have easily died. You can’t swim and you didn’t even-“ You screw your eyes shut, brain still putting itself back together from the hard hit.

“Captain’s duties.” He explains shortly, hand still on the doorknob and not looking at you.

“Yeah but, you’re not my captain. You made it painfully clear you did not want to be my captain.” You swing your feet off the bed, glaring holes into his back as weeks of repressed emotions come leaking out the broken and battered seams.

“It’s not like that-“ He says, forehead meeting the wood of your door.

“Then what is it like then? Because I’m just confused and hurt! I don’t understand!” Your hands fist in the sheets of your bed as tears well up in your eyes.

“Please don’t-“ He turns around and you see the hurt in his eyes. “Don’t cry.”

“Then tell me what I did wrong!” You shout, hot tears spilling down your cheeks.

“Nothing. You did nothing wrong.” He wrings his hands and looks down at the floor. “You’re too- you’re too good for me.”

The words ring in the dim space and confusion comes over your already frazzled mind. “What?”

“You- okay.” He takes a deep breath and shift from foot to foot. “You have this grand idea of who I am. You think I’m smart and caring and a good captain and that’s just not true. I’m not any of those things. I’m just a huge faker. I was never meant to be a captain- I just keep doing it because I have to.”

You look over his anxious form and finally see what he’s been hiding under all those flashy clothes and bright face paint. He was truly and painfully insecure.

You go to stand up, slipping off the bed to try and land on your feet but your vision blurs and you slip and you’re sure you’re going to crack your head on the floor again. But before you can land your being held, Buggy’s hands having quickly detached and grabbed you. The rest of his body runs over only seconds later, connecting his hands back and placing you delicately back on your bed.

You’re sitting up again, Buggy anxiously standing next to the bed as he looks over your body, checking to make sure you’re okay. This time you reach out, taking Buggy’s hand despite the fact you can see him wanting to run away again.

“Buggy, you’re really stupid sometimes.” You see his face shift into pure confusion and you elaborate. “I don’t think those things because of all the acts you put on- I think those things because that’s what I really think after spending so much time with you. I know who you are, don’t think I don’t.”

Buggy practically collapses, sitting next to you on the bed. “Don’t say that.”

“Why not?” You grip harder on his hand, pulling yourself closer to him.

“Because I don’t want to disappoint you.” He admits, his voice cracking under his emotions.

“You- all this time- Buggy, look at me.” You pull at his hand, urging him to follow your directive.

He does and you see all the emotions you’ve been feeling swirling in his eyes. “I care about you. And I don’t care if you think you’ll disappoint me! I just want you.”

You feel something break as you stare into each others eyes and in a flash he’s on you- lips pressing harshly against yours. He’s messy and harsh and frantic as he overwhelms you and you let him. Your freehand tangles in his hair and holds his head close. Neither of you break the kiss until you absolutely need to, pulling away gasping for air as spit still connects the two of you.

“Do you mean it?” He whispers, forehead pressed against yours.

“Did it feel like I meant it?” You grin, pressing a chaste kiss to the corner of his mouth.

“I don’t know… I might have to check again.” You see a smile creep back onto his face and you pull him in again.

He kisses you like a man starved, eagerly throwing himself into you. He nips at your lips, pulling playfully as he slides on top of you, your body sliding down into the bed in turn. You can’t tell if his hands are attached to his body or not as you feel them wandering your skin, pushing up under the hem of your shirt and grabbing onto your waist. You whine into his mouth and he pulls away quickly.

“Did I- sorry is this too fast we can-“ You shut him up by pulling him in for a quick kiss.

“I want more.” You say against his lips and he nods so furiously you think his head might fall off.

His lips trail down, kissing where your jaw and throat meet. As he does so you feel a deft hand undo the fastenings on your pants and sliding into them, plunging past the hem of your underwear and to your folds. Your hips buck up as his fingers ghost over you and you hear him chuckle.

“Don’t laugh at me!” You lightly hit his back, unable to stop smiling.

“I’m not, I’m not.” He claims, but you know otherwise. It’s hard to be mad at him though when his fingers pry open your folds and he sucks in a breath when he finally dips in. “Fuck you’re wet.”

“All for-“ You’re cut off by your own moan as two fingers press into you. “All for you.”

His motions still for a second before he’s biting into your neck as his fingers sink all the way into you. “Can’t just say that stuff. Fuck you don’t know what you do to me.”

You feel him grind up against your leg and that sends a thrill through you and you push further. “Missed you so much- thought about you every day-“

“My lovely star-“ He breathes into your skin, fingers pumping in and out of you.

“That- I missed that. Missed you calling me yours.” You admit through moans as his fingers stretched you out.

All of a sudden his fingers are pulling out and you whine as he sits up. In a flash hands are tugging your shirt up and off your body while he shimmies down your bed. Once your shirt is discarded he can pull down your pants, hands smoothing over your thighs. He takes a few moments to just look at you and your face heats up.

“See you still need to learn how to take a compliment.” He jokes as he lays back down, pushing apart your thighs so he can settle between them.

“This is not the same.” You try and argue, your hand drifting to his bright blue hair as he kisses up the inside of your thighs.

“Whatever you say.” You want to argue further but all coherent thoughts leave your brain when you feel his breath on your folds.

You feel his fingers spread you apart before he dives in, tongue eagerly lapping up your slick. Your hand fists in his hair as he pushes his tongue into you, the thick muscle a welcome sensation. When his tongue leaves you, you whine but it quickly dissolves into a moan as he wraps his lips around your clit.

“Fuck- Buggy- Just like that!” You buck your hips up into his mouth and you feel his fingers slip back into you.

He listens, repeating the motion and adding a third finger inside you. His other hand comes around to the back of your leg, hiking it up over his shoulder so he can have better access. His tongue swirls between your clit and thrusting in with his fingers. As your orgasm builds up you pull tighter at his hair in warning and you feel him groan into your folds. The vibration against your clit edges you ever closer so you pull again, not missing the way his hips jerk up against the bed as you do.

He sucks on your clit as his fingers curl inside you and the dam breaks, orgasm washing over you. Buggy slowly pulls his fingers out of you but you still feel his tongue on you, lapping up your slick as you come down.

You gently pull on his hair, urging him to come closer to you. He gets the message, sliding up your body until he’s face to face with you, his lips and chin glistening with your juices.

“Can I repay the favor?” You ask, your hands sliding down his body until he shakes his head.

“Baby- if I even see you on your knees in front of me I’m going to blow my load before I can get inside you.” His confession makes your skin run hot as you surge up to him, kissing him deeply.

“Then get inside me.” You say when you finally pull away, your own taste lingering in your mouth.

“Oh, who’s the captain now?” He grins as he slides off the bed to quickly take off his vest and pants.

You can’t help but stare at his cock, long and curved and you need it inside you now. He sees you staring at it’s the ego boost he needs as he crawls back in bed, slotting his hips between your thighs. His hand guides his tip to rub against your clit and you whine impatiently. He chuckles but lines himself up with your entrance before slowly pushing in.

“You’re so- warm- tight- fuck-“ Buggy thrusts into you despite himself, every inch of him inside you all at once and you practically scream his name.

“Can’t help myself baby you feel-“ His body covers yours as he mouths at your collarbone and throat and whatever skin he can find. “So much better than I thought.”

“You thought about me?” You manage out, breathless.

“Every damn day and night I-“ His thrusts are erratic but you can’t bring yourself to care when he’s still making you feel so good. “Sometimes, after you left our meetings I’d- I’d touch myself the second you left I couldn’t stop imagining you on my desk I- fuck-“

Knowing he thought about you like that did things to you and you drag your nails down his back and hook your legs around his waist, unable to verbalize through your moans. You can tell he’s close already, the throb of his cock and the way his filthy words are getting increasingly slurred. You’re close too, and you reach up and grab Buggy’s hand, urging it down to your sensitive bud. He takes the direction well, his thumb rubbing right circles that make you see stars.

“Where- I’m so close-“ He chokes out and as he goes to pull out you clench your legs tighter, trapping him inside you.

“Fill me up, please Buggy.” You whine and that’s it for him.

You feel hot ropes of cum fill you up as he groans into your neck. He manages to still work your clit so it’s only a few moments after him that you’re orgasming again, milking every drop of cum out of him. Breathless, he collapses on top of you, softening cock still in you.

You wrap your arms around him, holding him tight as though letting him go means he’d drift away from you again. He nuzzled into your neck and must sense that somethings up.

“‘m not gonna be that stupid again.” He says, pressing a kiss to your neck. “Not gonna let you go.”

“I’m your chronicler again?” You ask, voice weak with emotions.

“Until the end of time.” He promises, and you trust him completely.

#one piece x reader #one piece x you #x reader #buggy x reader #buggy x you #buggy the clown x reader

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ghostflowerhotpotch · 8 months

Text

The hidden story behind these few seconds.

(Originally, this post was going to be about "Meet the Parents Part 3," But I feel that since I was focusing so much in Jeff and Rio's reaction, so I decided to make a little post about her.)

I had been looking at this and thinking about it a lot, and hearing the dialogue and reflecting about the story. This moment means A LOT.

I see a lot of videos about Spider-verse, which I imagine makes sense considering how much I love this movie.

And in videos, in tiktoks and online as well, I had seen a lot of people been confused as to why Gwen tried to talk to Miles's parents instead of dipping out.

And you know what? I think the answer is in these few seconds, and what she does after.

Let's give context at this scene.

Gwen had realized that the Spider-society is bullshit, and not just because the system is corrupt, but also that canon can be defied, which means she can also help Miles defy canon if necessary. She knows she owes him that much, and she wants to make it up to him.

So she goes to 1610, wanting to talk to him to tell him the news, probably apologize and say that she is on his side.

Except, that there is no one.

But that's not the only thing, she also listens to his parents talk about the situation.

She hears them talk about Rio trusting Miles, and being her idea to let him go (something Gwen of course didn't know.) Jeff may be angry, but you can hear that he is scared.

But funnily enough, what else he says?

Look, is Jeff over his head and thinking the worst of Gwen? Yeah, and I will talk about it on the other post.

However, let's see this from Gwen's perspective.

Because she went to see Miles, she didn't look after the Spot, which went to Pavitr's dimension, and Miles followed her, then the joke villain became extremely powerful and threatened Miles. Now Miles is in who knows where, with Miguel and Spot hunting him down and his family.

Now, do I blame Gwen? No, she couldn't have predicted this, and she is a teen that is hurting and afraid. While I think she needs to apologize to Miles, I can't be mad at her (especially when she is doing all of this to MAKE IT UP TO HIM!)

But do I think the girl who couldn't had known debris was going to fall on top of the lizard, and that would be enough to make them human (because Gwen didn't know this was a human mind you,) and still feels like she failed him; would feel this is her fault?

Oh what do you think?

And let me tell you, NONE of this is helping.

Gwen knows that Miles has a crush on her. She has seen the drawings, how he acts around her, what other people say. And now his mom, who saw them together for just a few minutes, can tell that Miles was shining around her.

That has to be a gut punch.

She knows Miles did what he did to help her, as well as because he is amazing. And she wants to be with him obviously, even if she before felt she couldn't.

And to top it all of, she is being confronted with the fact that Miles was right about his parents.

Let's remember that while Rio and Jeff assumed the worst of Gwen, she did something similar.

So she is confronted with the fact that Miles is in the right about trying to save his dad, and that his parents are probably worth telling the secret (not to mention that now she knows there was still hope with her dad), and that if she hasn't interfered, none of this would had happened.

And she says so herself.

And this, is why she is doing it.

Remember how I mentioned earlier about people tho didn't understand why Gwen did this? This is why.

She feels guilty, she feels horrible that she put Miles in this mess, and that Miles's parents are feeling this torn about this ordeal.

Sure, you could argue it may be better to not mention anything to his parents, to dip out and find a way to fix this mess before they know.

But I think she feels she owes Miles and his parents this much; she knows how much Miles loves his parents, and would probably appreciate a head-ups to them if it is necessary.

You know how I mention this was the scene where Gwen probably realized how right was Miles about his parents, and probably gained a new appreciation for them? I wonder if we would have the inverse scenario next movie.

Of Miles's parents realizing Gwen means well and adores their son, and would do the impossible and more for him.

If you like my work, please share and support me in ko-fi if you can, if not, please share this post!

#gwen stacy #ghostflower #miles morales #rio morales #jeff morales #atsv #across the spiderverse

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sparklecarehospital · 4 months

Text

been reflecting on my year a bit, and i was thinking about something. i think i know what the best thing i did for myself this year was.

making cometcare public. making the ask blog.

ive had this AU stirring in my brain since 2019, ever since i got really attached to doomi during the haunted arc. one reason i went so long without revealing pollarrydoomi as a ship to readers was because doom's crush wasn't public information until late 2021.

i had kept his crush a mystery for 3 years, but revealed it after a fun experience where people figured out who it was through guessing. i'm pretty sure i did a poll about it? asking people to guess who they thought it was, and uni won the vote, meaning everyone had already figured it out.

after pollarrydoomi was revealed and i started drawing art for it and people made fanart for it, i still couldn't post any of my AU art because ally wasn't public and she and howie were in the AU. in july 2022, for the comic's birthday, i revealed ally as a character to the readers. others around the time had started to notice characters i had in pfps and i ended up telling everyone i did have pollarrydoomi ship kids, but i didn't make them public.

in november 2022, i revealed eve on toyhouse. after her reveal, i would soon reveal sly as well in december 2022 on my birthday (revealing sly as a birthday present to myself is such a funny gesture now that you guys know how important he is to me). over the next few weeks i revealed cream, frosty, and marco as well. all of the main cometkids except chem.

then one day someone out there suggested that i make an ask blog for the cometcare AU. it was such a spontaneous decision, and i didn't even really know what i was gonna do with it at first. i was just kinda messing around. but when i made the blog i realized that if i wanted this AU to be experienced in complete authenticity, i couldn't make uni cis.

so i revealed uni being trans through the blog, despite the fact i'd gone so many years without ever revealing her identity. why did i do it? there's a lot of reasons. not wanting to make her a "dad" in the AU contributed, but also i felt like it wouldn't be detrimental to the story to confirm a character being trans. it also made me (and the crew in general) a lot more comfortable being able to properly refer to uni with her actual pronouns.

making the ask blog really changed me, because finally i could share this little family and comfort story i'd built in my brain with the world and make it real and make content for it and let people consume it.

but what stopped me most of all?

i've said it many times before... but i felt like it was cringey.

i felt like making an AU with 93985893844 fankids in a ridiculous complicated polycule wasn't something a Serious content creator should do, and i was really worried the reception would be negative or people would think it was stupid or something. i did NOT expect it to become as popular as it is. the blog actually has more followers than the MAIN ASK BLOG for the canon comic. it was received SO POSITIVELY and the fact it was just kind of blows me away.

it means so much to me. being able to share the most special thing in my life with people and for people to actually like it and have fun with me and want to see it, and for me to be able to not have to follow strict professionalism about spoilers and chronological storytelling, and being able to change and add in things whenever i felt like it. it's such a freeing experience.

when i was a kid, i used to make stories and OCs and i didn't take them as seriously as i do the sparklecare reboot. this kind of turned into my entire life and career kinda, so i had to take it more seriously. but making this AU honestly just makes me feel like i'm a kid again, it makes me feel like i can have fun and literally do whatever the fuck i want without worrying what people think or if it's realistic or if it makes any sense.

i know though, that some people don't like pollarrydoomi. and i know why. whether it's because of being attached to barruni (of course, they're the canon ship and main characters, i get it) or just having discomfort with the idea of shipping doom with anyone when canonically he hasn't experienced a redemption arc... i get it. i know not everyone likes it.

and that's okay! people are entitled to having their own feelings about content. i understand it. and i've come to accept that's always going to be the case with anything i do with these characters.

but i'm still going to do this for myself. i do this because it makes me happy to just have fun and not worry about being serious all the time. it feels good, especially when it's with characters that are really really important to me.

cometcare is genuinely the most special and important thing i've ever made for myself, it's such a huge piece of my identity and it makes me who i am. and being able to make this story public and share it with people and share these things that have been in my brain for so long with others means so much to me.

that's why i think it was the best thing i've done this year. it's kind of literally changed my life to be able to talk about them. it's made me happier than i've ever been making content. i'm not just making it to entertain myself alone anymore, i'm making it to entertain others like i do with other stuff. and the fact people actually like it still is unbelievable to me.

so, i guess my outlook for next year as it comes is to continue to stop taking everything so seriously. i can tell my stories however i want to. i hope others can realize they can do this too.

please make whatever you want, whenever you what, as much as you want, even if it doesn't make sense or if it's "cringe". you will be so much happier when you realize as a creator you DON'T have to take all of this so seriously. the comic still exists and people read it even if i'm doing this. You Can Do Whatever You Want And Nobody Can Ever Stop You. the only person who can stop you is yourself when you let your inhibitions get in the way of your ability to create things for yourself.

have fun! life is too short to take everything you do seriously

#text #cometcare au #pollarrydoomi #long post

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helly-watermelonsmellinfellon · 5 days

Text

There's something I don't see talked about enough in the SVSSS fandom.

The System.

I just received a comment on one of my fics - which has post-canon SQQ and SQH able to still use social media - suggesting that it would be very easy for people in the real world to point out that these characters using fake accounts to post on real life social media sites would easily be doxxed and the System would have no ability to do anything about that.

Something I have noticed among a lot of people who read this particular book is that not a lot of consideration is given to the very thing orchestrating everything. We often think of the system as a ridiculous guide or rule book that exists solely to give the protagonist what he wants/deserves. We don't really approach it for what it is.

This was my reply to that comment:

Doubt it. The System is able to kidnap people from their worlds and place them in other worlds and bodies in those worlds as punishment. And if you don't do as it wants, to the specification it doesn't directly detail, it can send your soul to an alternate version of the present world to be tortured in another body. I sincerely doubt an abstract, otherworldly being like that, which never receives consequences for anything it does because there is apparently nothing that can canonically challenge it, is going to be threatened by doxxing. If it can create things, link universes together, steal souls, and can be anywhere at any time, I wouldn't expect it to be incapable of manipulating people's perception. I even mentioned how in this fic, it WILL erase SQQ's sister's memories if he chooses to reveal his identity to her, but it becomes too much for her to handle. This suggests it has power anywhere and can do whatever it wants. So, in my mind, if someone actually tried to doxx their accounts, it's either going to lead nowhere, lead to somewhere fake, or the info will be stripped from their lives entirely the moment they find anything/nothing.

It was a very nitpicky kind of comment in my opinion, which warranted this response, but my response just made me realize that the System is effectively an amortal, omnipresent, and omnipotent Entity. It literally doesn't go away. We even think it's over and the Extras tell us, via SQH, that it's still there and still in control.

Think about it.

Think about every single thing that happened because of the System's actions or demands. It literally never faces consequences because there is nothing that could hope to punish it. I've only read 1 fic where higher beings step in to punish the System for kidnapping, coercing, and torturing innocent people for its amusement.

Because that IS something it can do. With ease. And seems all too happy to do.

The System is very dangerous and it's weird how this is something people forget when reading fanfics. SVSSS is the kind of book where crack ideas can work in the frame of the canon story because a character like SQH exists. Because he wrote PIDW with every single plothole and contrived story beat for the sake of money and survival, we can have the weirdest shit happen and blame it on his lack of imagination when writing PIDW. It doesn't need in-depth nitpicking to make it make sense. MXTX gave us a very large and generous sandbox to play in.

You don't need to rationalize a crack plot. And you should always keep in mind that canonically, the System is a terrifying Entity capable of outrageous things. It shouldn't be the deal-breaker that the Entity that kidnaps, gaslights, coerces, tortures, and manipulates people is capable of fantastical feats in a fanfic.

#svsss #bingqiu #shen qingqiu #shang qinghua

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beskarandblasters · 6 months

Text

Me and My Husband

Chapter Two: Drunk Walk Home

Married!Din Djarin x F!Reader

Series Masterlist | Series Playlist

Main Masterlist | Din Djarin Masterlist

Synopsis: Din Djarin is doing what any typical Mandalorian would be doing after reclaiming Mandalore, finding a riduur and settling down. He’s still a member of the Guild on Nevarro, taking bounties here and there to support his new family. But when he meets you while you’re working the front desk at an inn on Naboo, he finds himself hooked, feeling like he’s found something new and exciting in his now mundane life. How long can he keep up appearances with his riduur? And how long can he keep his little secret with you?

Series warnings: reader is able-bodied, set post season 3, canon divergent (long live the Razor Crest), some liberties taken with Mandalorian culture/weddings/marriages, infidelity, eventual smut (chapter two!), switches between Reader and Din's POV, no use of y/n

Chapter summary: Your friend, Lumya, sets you up on a blind date that goes terribly. When you excuse yourself for some fresh air outside you run into Mando.

Word count: 3k

Chapter warnings: rotations = days, Reader does not know Din's name yet, your date is an asshole, drinking, fingering, semi public sex, vaginal sex, unprotected sex, cream pie, small squabble between Din and your date, use of Mando’a words/phrases (translations included after)

You

It’s been seven rotations since your encounter with the Mandalorian at the Star-Lux. And you haven’t been able to stop thinking about him, of course. During your employment at the inn you’ve met so many interesting characters, travelers from all over the galaxy. But you’ve never met a Mandalorian and he’s been the most intriguing person you’ve met so far. And he wasn’t even a guest.

The way he snatched that bounty up in no time was impressive. Surely there had to have been some sort of scuffle; an unfair fight for the bounty of course considering not only how strong Mando is but also considering his armor and plethora of weapons he has. He’s a walking force to reckoned with… who’s also a bad flirt. His flirting was poor, downright pitiful, but there was also something endearing about it. There’s something sort of sweet about an intimidating Mandalorian who’s also bad with women.

Nevertheless, that’s been the only excitement in your life as of late and it was only for a fleeting moment. Work has been sort of slow lately. The tourist season on Naboo is wrapping up and a lot of the interesting guests at the inn have left. You’ve never left Naboo and listening to the guest’s stories has been your way of “traveling”, living vicariously through the stories they tell.

When you’re not working you’re usually at the library, reading books or downloading information on your holo pad about far off places that don’t even seem real. One day, you tell yourself, you’re going to have enough credits saved up to take a commercial flight to one of the planets you’ve read about, most likely Coruscant since the activities there are endless. But you’ve also had your sights set on Aldhani, but that planet is off the beaten path and really no commercial ships go there. You wouldn’t mind checking out Corellia, Morlana One, Ferrix, or even Glavis Ringworld, a ring shaped space station orbiting a star. The list goes on and on. Basically, you would go anywhere if it meant leaving Naboo for once.

Today is another part of your monotonous routine; waking up, eating breakfast, getting ready and heading to the library, reading about places you’ll never go and feeling sick about it, head to the inn and go to work, go home and go to bed, and repeat. You’re leaving the library and heading to the inn when you bump into your friend, Lumya. A pit forms in your stomach.

“Hey! Don’t forget you’re meeting Davin for drinks tonight!” she says cheerfully.

“How could I forget,” you say with gritted teeth.

“Don’t get too excited,” she responds, rolling her eyes, “Come on! You’ll like this guy. I’m sure of it. When have I ever been wrong?”

“Uhh, with all of the other guys you’ve tried to set me up with.”

“Shh, forget about that. This guy is the one, I’m telling you.”

“Whatever,” you laugh, “I’ll tell you all about it tomorrow,” you finish, waving goodbye before leaving to go to work.

“Can’t wait!” she laughs, walking the opposite direction.

It’s true, her track record with setting up on dates has not been the best to put it kindly. This is the fifth blind date she’s sent you on and you’d rather do literally anything else. She better be right; this guy better be somewhat appealing because you’re getting off of work early for this stupid date.

Work is… work. It’s been a slow night. You’re glad to be getting out early but you wish it was for a better reason. A date is better than being stuck at a boring shift you suppose.

You change out of your work clothes in one of the inn’s refreshers, out of the clothes Mando last saw you in. This specific uniform is one of your favorites in your rotation; a dress with a revealing, square neckline that he most definitely checked you out in. You don’t blame him.

You put on another dress, this one being a bit more modest; long sleeves, deep blue, and stopping at your mid thigh. You put your work uniform in your locker and head out, leaving the inn just as Maree, your relief for tonight arrives, You mouth a “thank you” to her as you pass by. It’s starting to get dark out and the streetlamps of Naboo are just about to be lit. It’s a beautiful place and part of you feels guilty for wanting to leave it so bad. But you know there’s more out there for you.

You’re meeting this guy at Triton’s Tavern, closer to the center of Theed. That means it’ll be more expensive. Why did you let him pick the location again? Whatever, maybe he’ll pay. You arrive at Triton’s and wait outside for him. Kriff, what was his name again? …Oh, right. It’s Davin.

“Hey there,” a voice calls from behind you, followed by a hand on your shoulder. You jump in surprise and the voice chuckles. You turn around and you’re met with a face you don’t recognize. It’s gotta be Davin. But what kind of person lays a hand on someone they’ve never met before? Oh great, this is gonna go swimmingly.

“Didn’t mean to startle you. I’m Davin and you must be Lumya’s friend.”

“That’s me,” you say, voice stiff and irritated.

“Shall we head inside?”

“Sure,” the uneasiness evident in your voice. Gotta turn it off if you want this date to work out.

You head inside and make your way over to a booth in the back corner of the tavern. He orders your first round of drinks; revnog, and asks you all sorts of probing questions about you.

“So, Lumya tells me you work at the Star-Lux.”

“I do.”

“Isn’t that place kinda… seedy?”

“Excuse me?”

“You know… run down, some unsavory characters hanging around there.”

“What do you mean by “unsavory characters”?” you ask, head tilting to the side.

“You know… like prostitutes, drug lords, petty criminals.”

I mean Mando did apprehend a criminal there but that’s besides the point.

“First of all, none of that is true. And second of all, what if it was? Are you trying to tell me I’m a bad person because of that?”

“No! No! That’s not it at all. I’ve just heard the reputation and I thought I’d ask you.”

You sigh and lean back against the back of the booth.

“Can you get us another round? I’m just going to go to the refresher,” you say, sliding out of the booth and not even waiting for a response.

You lean over the sink in the refresher, staring at yourself in the mirror and trying to psych yourself up for this disaster of a date. Davin’s not… horrible looking, by any means. But from the brief conversation you just had with him, you’re not interested, not in the slightest. The only solution you can think of is to drink your way through it.

You head back into the tavern and take your place in the booth. The second round of drinks has arrived and you waste no time downing yours. You let him do all the talking, having no interest in getting to know him.

“So do you plan on working forever?”

“…Define forever.”

“Like when you get married and have kids.”

“Who said I wanted to get married and have kids?”

“Well, do you?”

“I mean I’d like to get married but I don’t think I want kids.”

“So what do you want to do with your life?”

“I’d like to travel,” you say, reading your elbow on the table and your head in your hand.

“That’s not realistic.”

“What do you mean “it’s not realistic”?” you ask, head tilting to the side again.

“I mean based on what you make at the inn I doubt you make enough to travel.”

“Well what do you do? Since you’re suddenly the expert on what is realistic and what’s not.”

“I’m a professor at Naboo University.”

“Oh really?” you snort.

“What’s so funny about that?”

“Didn’t think education was a… prosperous field,” you reply, choosing your words carefully.

“It is, actually,” he says, folding his arms, “And if you’ll excuse me, I need to use the refresher as well.”

“Yeah I’m actually just gonna get a bit of fresh air outside for a moment. Kinda hot in here…” you say, once again getting up and not waiting for a response.

The sun has completely set now, the sky an inky black and the streetlamps lit with an amber glow. Pacing up and down along the street you think of a million reasons to get yourself out of this. This is by far the worst date you’ve been on. You can’t even think of any redeeming qualities for this guy. And what’s pathetic is you wish Mando was here right now. At least he tried to flirt with you regardless of how bad it was… if you could even call that flirting.

You turn to pace the opposite direction and right before your eyes is none other than… Mando? This is weird. You can’t be hallucinating, revnog doesn’t do that to you.

Yes, it’s really him. He calls out your name confusedly and you make your way over to him, both of you stopping in front of an alley.

“Hey,” you smile at him, closing the gap between you two and placing your hand on his beskar breastplate. You swear you can hear him gulp when you do that.

“Here for another bounty? Or did you come all the way here just to see me?” you flirt, glancing up into the T-shaped visor.

Din

You can’t know the truth. He made the several rotations long journey just to try and find you. He stopped at the Star-Lux earlier in the evening but you were already gone. So he resigned to aimlessly wandering the streets in hopes of looking for you. And to his delight here you are, pacing in the street.

You palm the growing bulge in his flight suit and he has to fight the urge to let out a strained kriff.

“I want you, Mando,” you say, your eyes glancing up at him, pleading with him.

He’s having a whole moral dilemma in his head. The rational, logical part of his mind is screaming no at him, yelling at him to stop, reminding him he has a wife at home. But the pleasure driven part of his mind is egging him on, telling him to do it, convincing him he deserves this. Ultimately he decides that you came onto him, therefore it’s not his fault.

He practically drags you into the alley, pinning you up against the wall. His gloved hand palms your thigh, trailing up against your entrance. You part your legs for him, letting him gain better access to your cunt. Din’s going crazy right now, imagining how wet you must be. He curses his gloves for being a barrier between his hands and your warm, soft, wet sex. It’s so hard to restrain himself but he must.

You have to be soaked, though, judging by the way a finger just effortlessly slid inside you. He watches your face, watches the way you close your eyes and your lashes fan out on your face, watches the way your mouth falls into a soft O as his fingers play with you. Half of your face is cloaked in the darkness of the alley but the other half is lit up from the streetlamp at the edge of the alley, basking the one half in a warm glow and lighting up one eye. He tries to memorize this moment exactly as it is; your pretty face, your soft moans, and his guilt not being present for once. All under the nighttime skies of Naboo.

He slides another finger inside you, curling them upwards against your walls; against your g-spot. Your moans grow louder so he brings his helmet beside your ear, both of your chests pressed up against each other, and says “Shh, mesh’la. Someone will hear.”

You don’t know what that word means but he knows you’re too far gone in pleasure to ask. He rubs his thumb around your clit and he knows you’re already at the edge, judging by how hard you have to try to stifle your moans.

You cum around his fingers, and he can sort of feel it through his cursed gloves, feeling the way your walls flutter around him. He needs you around his cock now. Back when he masturbated to the mental image of you at his house on Nevarro he never actually thought he'd get the chance to have you. And now here you are, looking up at him with eyes pleading for more, more of him, and everything he fantasized about is in reach. His cock strains against his flight suit begging to be released.

“You want more?”

“Please, Mando. I need it.”

Kriff, you don’t know what you do to him. He’d love to tease you; to make you beg, but he’s far too desperate and horny to try that now. Another time, he supposes, if he gets lucky.

He pulls his hand from you and takes his cock out of his flight suit and you look down at it. He suddenly feels self conscious about not only the size but also the fact that it’s uncut. Circumcision isn’t a practice in Mandalorian culture and sometimes with other women in the past they turned their nose up at the sight. But you look at it in astonishment (or so he hopes), eyes widened and mouth into a soft O again.

He strokes his cock with the same hand that fingered you, spreading your wetness all over it. You turn around and bend over for him, pulling up the skirt of your dress and exposing your ass. He’s gonna lose it now.

He thrusts into you slowly, resisting the urge to do it in one clean motion. He finally gets to feel for himself how soft, warm and wet you are, fighting the impulse to cum already. If there is a heaven, he has found it, here in an alley on Naboo with you wrapped around his cock. His hands hook onto your hips as he begins to thrust in and out of you, feeling the way your plush ass collides with his groin. Your walls grip his cock as he buries it deeper and deeper inside you, expanding your walls as far as they can go. You can’t hold back your moans now, it feels too good. The alley is filled with your moans, your ass colliding with his groin and his own grunts. He feels your cunt grow tighter around him, you’re going to cum soon. And he needs to feel it.

“Gonna cum, mesh’la (beautiful)?”

“I’m so close, Mando. Please,” you moan, voice choked up.

He can’t see your face but he’s almost certain you’re on the verge of tears.

“Give it to me,” he commands.

And you do, hard. Your walls contract and release erratically before falling into a rhythmic pattern. He fucks you through your release, prolonging it even further. Your orgasm pulls his own from him before he knows it. And now his cock is painting your insides in ropes of his cum. This right here is heaven. If he had suspicions before this just confirmed it.

But the bliss is cut short but a voice shouting, “Hey! What are you doing?! You were on a date with me!”

You

You stand upright and pull your dress back down, opening your mouth to yell back. Davin is angry to say the least, angrily storming towards you with a deranged look in his eye. But Mando beats you to it, putting his cock away and wasting no time, charging at him with his blaster drawn.

Mando puts him in a headlock, holding the blaster against his head.

“Leave her alone or you’ll have to deal with me, got it?” Mando says sternly.

“But-” Davin starts. But Mando cuts him off, tightening the grip around his head.

“Do I make myself clear?”

“Fine. She’s all yours, I don’t care. Just let me go!”

He slowly releases the headlock and Davin stands upright. Mando keeps his blaster drawn and aimed at Davin who takes one last look at you and runs away.

That was… hot, the way he effortlessly restrained Davin, the way he protected you. Between the endorphins released during sex and now this, you’re infatuated with him.

“Sorry you had to see that,” he says softly.

“Don’t be sorry. I should be thanking you.”

“Can I walk you home?”

You nod and walk side by side with him, leading the way back to your place.

“Were you on a date when I found you?” he asks after a moment of silence.

“Yeah,” you sigh, “My friend set me up with him and it just… wasn’t going well.”

“I could tell,” he chuckles. “Oh and sorry about you know… coming inside you.”

“Don’t worry! I have an implant. And thanks for helping me out back there.”

“Of course. I don’t want anything to happen to you.”

“Nothing will happen to me as long as I’m with you.”

He doesn’t say anything and you wonder if that was too far, so you change the topic.

“Did you come here for a bounty?”

“…Yeah.”

“Where did you have to go?”

“I had to…” he trails off. You wait for his response but he just quietly says, “I came here to see you.”

“You did?”

“Yes.” His voice is small, like he’s embarrassed.

“That’s sweet, Mando,” you say, stopping in front of your building on the outskirts of town.

You look at him, silver beskar illuminated under the moonlight. Your stomach twists into knots when you look at him. This night could not have ended better.

“Thank you again.”

“Of course. Until next time,” he says, turning and walking towards the fields, cape billowing in the wind.

You hope there will be a next time. You have to learn more about him, that’s for sure.

Chapter Three

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