Prompt 291
You know what? I’m feelin’ a Prompt with the whole halfa family, all the clones and everything.
See, Danny? He’s grown up, he’s moved out, started looking at colleges himself after spending a few years travelling and learning about himself without the threat of a ghost attack.
He’s kept in touch with his friends, both living and dead, and ignores Vlad for the most part now that they’ve reached a truce of sorts, and honestly? He’s just living his life.
But see, it’s kind of hard to figure out what college to pick, with his admittedly not-great choices. Look, he might have a new-ish ID but he’s still visibly not exactly human (though thankfully doesn’t have to worry about the GIW after a… summer activity that ended with several missing buildings)
And most people he goes to? Finds him ‘too unsettling’ which excuse him?? How is he unsettling? He’s a twenty-five year old with six kids ranging from one to six! How is that “scary” huh? Ancients, and all this is making him use the cash he’s saved up over time.
And then- as though all of this isn’t stressful enough and he’s not genuinely worried that he won’t have enough money to feed the kids if he goes to school- a hero nearly trips over Jordan and starts freaking out. He is so fucking done.
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My mom has this awful friend, Cynthia. My loathing goes deep enough that I’m not even going to change her name. If she ever finds this she knows what she did.
On multiple occasions my mom asked this horrible irresponsible chicken brained woman to watch after our animals while we were away. I don’t know why once wasn’t enough, because the first failure was so spectacular that anyone in their right mind would know she couldn’t be trusted with any level of responsibility or direction following.
You might be thinking to yourself, FFS, this level of antipathy is surely unwarranted! But you’d be wrong.
To set the scene, we were living in downstairs of our house when I was about fifteen. My mom has always wanted more animals than can reasonably be kept indoors which is how we ended up with three cats. When she wanted to kick them all outside I protested, and so all three cats lived in my bedroom with no access to the rest of the house.
That really wasn’t great, so in an attempt to give them options we made a window cutout with a cat door in it to give them access to the outdoors. Looking back on this as an environmentally conscious adult it’s wretched, cats should be indoor only, but at the time I was desperate to give them some freedom because one bedroom is too small for three cats.
So my parents and I went on a week long trip to visit family out of state. We told Cynthia to come feed and water the cats, and to scoop the litter box. Most importantly, don’t lock the handle of the door, because we only have the key to the deadbolt.
I’m sure you can see where this is going.
Cynthia locked us out. We arrived home after 12 hours on the road, desperate for the comfort of our own beds. We were met with an unyielding door. With a sigh I volunteered, “I can punch in the cat door and climb in the window.”
I slipped behind the bamboo outside my window and pushed in the cutout. A horrible insidious reek wafted out at me. I paused, prickling with foreboding. But I had a job to do, and by god I’d see it through. I hefted myself up into the window and my hand immediately landed in something wet.
Skin crawling, I pulled myself up and surveyed the darkened room as a miserable odor of decay and suffering poured out of the room around me. I could see dark shapes littering the carpet and it didn’t take a genius to guess that the cats had taken up hunting in a big way during my absence.
I pulled my hand out of the pile of vomit it had landed in and dropped into my onetime bedroom turned now into a hellpit of decomposing wretchedness. I turned on the light. I wished I had not turned on the light.
My eyes scanned across the floor, tallying as they went. Two dead birds, a dead baby rabbit, five dead mice, and one dead snake. I paused on my alarm clock, perplexed to see a stain of white on it. I stepped closer and saw a furtive movement.
The tally suddenly contained also: one live bird that had shit in several places, probably in pure terror to find itself trapped in a room littered with decomposing woodland creatures, which honestly, fair. I coaxed it out the window and finished the survey with five discrete piles of vomit.
I unlocked the door and let my parents in. They exclaimed in disgust at the horrible smell. We stood together in my doorway floored by the magnitude of neglect. The unscooped litter box was a subtle footnote in the tangible reek my living space. I disposed of the parade of ecological disaster, cleaned vomit, and scooped the box after a brutally long day on the road. The cats were fine, and happy to see me. They had a huge dish or food and water so Cynthia’s neglect at least hadn’t harmed them.
Then I slept on the couch while my bedroom aired out, the windows flung wide to dispel the uneasy ghosts of the hunted. I spent the whole night cursing Cynthia’s name for this evil she’d visited upon me. When my mom asked her, "Cynthia, didn't you see the dead animals?"
Cynthia responded, "Yes, they smelled so bad, I just ran in and out as fast as I could." I fully don't believe she did any caretaking, and I'm personally of the opinion that she locked herself out on the first day and never came back.
The next day my room had returned to a habitable level of smellscape and I gratefully crawled into my bed that night. I stretched out and froze as my foot brushed something cold and wet?
The final indignity: one last dead snake, inside my very sheets.
Fucking Cynthia.
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Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name
Photo: Monumental,Guido Mandozzi
It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.
“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”
In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.
The ordinariness of those two names, says Rickard, is the point.
“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”
Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”
“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.
Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.
In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.
Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.
“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.
“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.
The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.
“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”
Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”
Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”
The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”
“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”
From Den of Geek
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