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#and now they’re older and don’t have that nostalgic feel every time the theme song comes on yknow
thedeathdeelers · 2 years
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reggie and alex would be OBSESSED with hannah montana and nobody will change my mind
lmaooo tell me more anon
like i could totally see reggie getting into it, but idk about alex. would be watch it ironically. would be sing along. would he drag everyone home because it’s hannah time
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askthefuturegleeks · 2 years
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@vpsuesylvester posted:
(a video clip filmed by Becky Jackson, assistant to the VP, with the caption below on all social media platforms)
The #VPSUECHALLENGE continues. Did you think it wouldn’t? You’ll recall that I asked you to answer a question last time, and the question was pretty vague; in fact, it was so vague that I only used one word to describe it, like some kind of poorly (but equal to his working skills) paid Spanish teacher turned glee club coach. *I say this hypothetically, any likeness to any real individual is strictly coincidental, for legal reasons. 
I did that on purpose, it was meant to draw up the nostalgic feeling of trying to decipher what someone you idolize wants from you after being given one word as a theme to push you in the right direction. The VP Sue Challenge will continue every week from now on with a new, mostly singularly worded theme, and your participation will come in the form of social media posts that show off your artsy skills and talents. You can also use these themes as inspiration for sending anonymous messages to others-- though let’s be real, most of you will use it to send anonymous messages to yourself instead to make it look like people find you interesting. 
With that, I’m proud to announce the first better than glee club Sue Challenge theme: Throwback To The Future. To participate in this theme, you will choose an older song and a newer song to represent your older self and your present self. The older song doesn’t have to represent your older self, the newer song doesn’t have to represent your present self, you just need all four components in a mash-up. 
ooc: To participate, you can post two different songs and say that they were put together in a mash-up or you can pick an existing mash-up edit that’s out there; preferably not one that’s already been done on Glee since all of those past performances are canon here, which is why I am trying not to reuse any old performances to say they’re new, except for at the music festival where they reprised an old group number they did because that made more sense than having them learn a whole new song, with some of them being adults that haven’t performed since high school. OOC, you can go as far with this as you want, including duets if your character feels like their past or present needs to be sung with someone else, or putting the lyrics on your post to show which lyrics from each song were used. You can explain your choices, or don’t. IC, you can have your character plan out a video performance, say they recorded just audio, or anything in between. The only real requirement is that your character posts their participation in this challenge on social media and uses the #vpsuechallenge hashtag system.
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adamwatchesmovies · 6 months
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Cabin in the Sky (1943)
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When you finally see Cabin in the Sky, I know exactly what your reaction will be. You'll be yelling at the screen saying "How is it I’m only getting to this movie now?" With an all-black cast, this musical from the forties should by all reason be a classic. Even with its heavy Christian themes and a storytelling style that you don’t see much anymore (and I’m not talking about the singing), it’s so playful and innocent it should have a much larger following than it does.
Little Joe (Eddie "Rochester" Anderson) has been trying to put away his gambling obsession with the help of his strong-willed wife, Petunia (Ethel Waters). When he is killed over a gambling debt, the angel "The General" (Kenneth Spencer) gives him one more chance to change his ways but only because he committed a single sin too many and is facing an eternity in Hell. Feeling cheated, Lucifier Jr. (The son of Satan himself, played by Rex Ingram) doubles down on his efforts to make Little Joe return to his sinful ways.
It’s hard not to think of The Wizard of Oz and It’s a Wonderful Life when viewing Cabin in the Sky. The actors who play "The General" and Lucifer Jr. also play characters in Little Joe’s life. His death at the beginning of the film is an opportunity for him to return to the real world and see how different choices could affect his life (but in this case, for the better). There’s a lot of talk about Heaven and Hell but the film is showing us its own interpretation of what one’s battle for their soul might look like rather than sticking to what the Pastor might say. It’s in black and white. It’s a musical. All of these make it feel like a movie you’ve gathered around and watched with the family dozens of times over the years. Doubly so if you're Black because of the cast, the good message and the overall tone, which is perfectly suited for every member of the family.
While the songs featured may not stick in your head long after the movie ends, they fit the story so well that taking them out would be unthinkable. They’re wonderfully playful and expertly performed. Ethel Waters, in particular, is so strong she'll make you forgive the film for cutting short Louis Armstrong’s trumpeting solo (which leaves him with only a small part as one of Lucifer Jr.’s minions). Whenever she and Eddie Anderson are together, you completely believe them as a couple. You can feel the love between them and this makes you crave a happy ending. If only Little Joe can figure himself out!
There’s an air of innocence about the whole thing, even when beautiful gold-digger Georgia Brown (Lena Horne) comes around to seduce Little Joe (what he could’ve done to ever garner her attention is a mystery so you just know she’s up to no good). Lucifer Jr.’s menacing but not all that scary and when Rex Ingram smiles, you can’t help yourself; you do too. His smile is so infectious… maybe the apple does fall far from the tree sometimes? Probably not but he’s so charismatic you kind of like him as the villain.
If certain aspects of the film feel like they’re a little bit on-the-nose, a bit much, just give the film the benefit of the doubt and keep watching. Things all come together in the end in an unexpected way… but simultaneously not. "Oh, of course!" you’ll say as the picture closes. "In this kind of movie, that’s exactly how things should go!" If it were made today, you’d call it a cheat and it is a bit in a way but it’s fine to make the choices it makes once in a while. Particularly in these older movies, it just feels right.
Cabin in the Sky is a product of its time and some of the characters might be described as broad or stereotypical but it’s just so charming you won't care. It’s fine to have a movie like this one once in a while. You could say the same thing about musicals as a whole. Its performers, songs, jovial tone and uplifting story, along with a nostalgic feel throughout make it a winner, maybe even a new favorite. (June 18, 2021)
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lilydalexf · 3 years
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Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.
Interview with Piper Sargasso
Piper Sargasso has 25 stories at Gossamer, but don’t miss her website where the fics each have cover collage art. If you are a fan of Mulder/Scully romance, there are a lot of MSR fics to read that are set in different seasons of the show. But like the show that never stuck to one type of story, Piper’s stories have variety, so you can also find AUs and /Other.  Big thanks to Piper for doing this interview.
Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?
It does, but I love that people are still into it! Writers back in the day put so much work and love into their writing, and it's nice to know that the stories are still being appreciated to this day. As for my own stories, it puts a huge smile on my face to know there are still people out there checking them out and hopefully enjoying them.
What do you think of when you think about your X-Files fandom experience? What did you take away from it?
It was such a positive period of my life. I made some amazing friends who became something like older sisters (and some brothers) to me, even though I was a little ridiculous when I was in my early to mid-twenties. It was also a much-needed confidence booster. I was a pretty shy person and loved writing, but never had the nerve to show anything to anyone. My first fanfic was completely horrible, but because of it I made my first XF friend and super beta, Mimic117. Between her guidance and the encouraging words from my Yahoo group I was able to do something I really loved and felt great about myself and my abilities for the first time. That will stay with me forever. That first story was truly atrocious, but it was a catalyst for great things in my life when I needed them the most.
Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?
I remember trying this cool new thing called an AOL chat room, but they were more interested in perving on each other than talking about the show. Once I knew about fanfiction I kept seeing that some of my favorite authors kept mentioning IWTBXF in their notes, a Yahoo group named I Want to Believe. I looked it up, joined, and with great trepidation made my introductory post. Everyone was so warm and welcoming, and talking to my favorite authors in the group was a little like meeting a celebrity and finding out that they're awesome in real life. After IWTBXF fell apart, an off-shoot called Beyond the Sea was created with almost all of the original group transferring over. I stuck to my little family there and didn't branch out into much else, other than the rare dip into Haven. Ephemeral and Gossamer, of course.
What did you take away from your experience with X-Files fic or with the fandom in general?
Mostly the overwhelming feeling of acceptance and confidence to write, something I was sorely lacking before in my life. I fell in with the best group, that's for sure! They made me feel like being a professional writer could be an achievable goal.
What was it that got you hooked on the X-Files as a show?
The commercial advertising. The pilot spoke to my supernatural-loving, angsty 15 year-old soul. I watched it religiously every week. There was nothing like it. It was off-beat, but serious (most of the time) and fulfilled my insatiable craving for the paranormal and weird. You just couldn't get that from Melrose Place and Beavis and Butthead, you know? It definitely helped that David Duchovny was adorable and the character of Scully was the strong and intelligent icon we needed in the 90's and beyond.
What got you involved with X-Files fanfic?
In high school I had a friend who was as obsessed with the show as I was. Maybe more, since she once had a slumber party that was exclusively to binge watch her taped episodes (the other girls who wanted to mess around with spells and the Ouija board weren't thrilled that she couldn't be swayed away from it) and she often drove me from play rehearsals in her convertible with the top down and the theme song blasting to the heavens, much to my delight and mortification. A couple years after we graduated she told me about the piece of fanfic she wrote. Insert a record screech here. What?! You mean there are thousands of stories dedicated to my favorite show? And hundreds more get added every month?! I was obsessed. If I could've stopped working and slept at my computer desk I would have.
What is your relationship like now to X-Files fandom?
Sadly it's nonexistent these days. I have great memories and it holds a big piece of my heart, but I haven't been active in a long time. I would love to see a huge revival, and would definitely want to be involved in that in some way, were it to happen.
Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?
I read a lot of Harry Potter fanfiction for a while, but I never could expend the kind of energy and time I did for the X-Files fandom. It came at a perfect time in my life, and so far nothing else has measured up to it.
Who are some of your favorite fictional characters? Why?
Besides XF characters? Off the top of my head I really love Hermione Granger, Buffy Summers, Elizabeth Bennet, and Claire Fraser for their sass and strength of character, Severus Snape for his complexity, and Christina Ricci's version of Wednesday Addams for her pure awesomeness. She's pretty much my spirit animal.
Do you ever still watch The X-Files or think about Mulder and Scully?
I do occasionally. I watched the series from season 1-7 so many times that I started to burn out, but I get on my X-Files kicks sometimes and binge it again.
Do you ever still read X-Files fic? Fic in another fandom?
Like with the show, I'll get nostalgic and need to consume all the fanfics my greedy little eyes can behold until I move on to something else. It can feel a little lonely though, if you'll excuse the drama. We're not in the heyday anymore, so it feels a little like walking through a ghost town. Many of the stories out there are suspended in time because the show ended, or people stopped writing.
Do you have any favorite X-Files fanfic stories or authors?
I know I have dozens, but I'm drawing a blank. My ultimate favorite is any well-written MSR casefile with UST finally resulting in RST. Those are my unicorns!
What is your favorite of your own fics, X-Files and/or otherwise?
I have a silly one called Baby, It's Cold Outside that I sometimes read around Christmastime. It was a fluffy song-fic, but I can see the scene so clearly in my mind when I read it and it's just pure fun. I also like my Donnie Pfaster series. I can see the potential in my writing with those, which makes me feel I could really write something special someday. Plus, he's such an interesting little slimeball to write and read about. Bless his heart.
Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?
I still think about the two WIPs I haven't finished. I wrote myself into a corner with This Mortal Coil, and honestly I think it needs a total overhaul. I think Dana Scully's Diary would be a fun one to finish. I hate that I never finished them.
Do you still write fic now? Or other creative work?
I think about writing fanfic now and then and I've had a couple original novels sketched out, but there are so many other demands on my time that I haven't gotten very far. I still plan to see the novels through, even if no one but interested friends and family read them.  
Where do you get ideas for stories?
I used to watch an episode and really study the actors' expressions and actions, always trying to find new angles to the stories we all know. A lot of times things would just come to me and I'd get so excited I couldn't sleep until I wrote a good chunk of it down.
What's the story behind your pen name?
The friend who introduced me to fanfic told me the best way to choose a pen name was to make sure it derives from the show. For a couple days I looked at the titles and summaries of episodes and agonized over just the right name. Finally Piper Maru and the summary from Triangle, which mentions the Sargasso sea, stood out and just clicked.
Do your friends and family know about your fic and, if so, what have been their reactions?
My now husband always knew, and he thought it was cool that I had a hobby that made me so happy, but he was never a reader. My parents found out when I was about 24 and my step-dad would tell EVERYONE about it, much to my horror. Most reactions were of the bland, "Oh yeah? That's nice." variety but I definitely got some weird looks from others. The worst was when I found out how much of my racier MSR stories my parents read. My step-dad thought it was hilarious and teased me a little. My usually open-minded mom was uncomfortable, but tried to be supportive. It's all fun and games until your daughter starts writing psuedo-erotica for anyone to see!
Is there a place online (tumblr, twitter, AO3, etc.) where people can find you and/or your stories now?
Circe Invidiosa very generously hosts a page for me at http://pipers.invidiosa.com.
(Posted by Lilydale on January 26, 2021)
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violent-optimism · 3 years
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Why Twilight Princess is the Best Zelda Game (To Me!)
Hey ya’ll,
I know I don’t really talk about video games that much. I really should though! Video Games have been a huge part of my life for pretty much as long as I can remember.
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The Legend of Zelda: Twilight Princess is a game that means so much to me I can scarcely put it into words. I was 10 years old when this game came out, the perfect age in my opinion. I think if I had been any older or younger it might have slipped past my radar. Despite the game being rated T for Teen, my parents got it for me and my sister anyway which I think is pretty fucking rad.
Not that we really knew what we were in for, of course. I was just a kid. I didn’t read game reviews yet, and I didn’t have any friends who had played this game so I couldn’t ask them about it either. When we first popped that disc in and were brought to the main menu, we had absolutely NO idea just what kind of ride we were in for or how just how much this game would impact us.
Another thing I’d like to mention was how this game was introduced into my life at the perfect time. My sister and I had just moved schools. We were the new kids, and we had a lot of trouble adjusting and fitting in. There was definitely some teasing, maybe even some bullying. I don’t remember much from those days to be honest. But you know what I do remember? Playing Twilight Princess. This game was the perfect distraction from my crappy school life, and in a time where my sister and I barely had any friends, it was so comforting. We’ve always been close, but I think we bonded a lot over this game.
If you’re a gamer, you know this feeling; the feeling when you are currently playing a game that is just so fun, so amazing, so utterly addicting in the best possible way; that when you’re away from it it’s all you can think about. I distinctly remember my Dad installing the new TV which meant no Twilight Princess for a day or so. I was SO impatient and I just couldn’t wait for him to be done so I could continue playing it.
Even though I’ve now played Twilight Princess so many times that I could basically play it with my eyes closed (maybe lol) I still remember experiencing some of the best moments of the game for the very first time; running around Ordon Village, finding Midna, beating the first dungeon, finding out that GANONDORF was in the game! (Remember I had no way of knowing this at the time). Every big moment, every discovery, every heart-wrenching cut scene, it all felt so real and so important at the time. In a lot of ways, it still is.
Okay, so that’s the personal part. A bit long-winded, I know. I just thought it was important to include for this essay. But what is it about Twilight Princess that makes it so special? Why do I love it so much even after 15 years? (God that makes me feel old). This list isn’t really in a particular order but I will definitely be covering a lot of the BIG reasons why I adore this game so much. Oh, and in case you’re a little late to the party, there will be spoilers. Let’s go!
 Darker and More Mature:
There’s something really enticing about being a kid, and witnessing something in a movie, video game, etc. that you know you probably shouldn’t have watched but you did anyway. Not only is Twilight Princess the only Zelda game to date that is Rated T (I’m pretty sure anyway), but it has some seriously dark and disturbing moments throughout the story; including one VERY creepy cut scene about halfway through the game that still haunts me a little to this day. Beyond that, you’ve got painful transformation sequences, characters being stabbed, characters sacrificing themselves, and a scene where I’m pretty sure Ganondorf’s neck just gets fucking broken. I can go on, but the point is this Zelda game does not screw around when it comes to showing intense moments and it’s all the better for it. I never felt the game went too far with it, but let’s say Twilight Princess definitely earned its T rating.
 Wolf Form:
I’m sure people who haven’t even played TP know that this is probably the biggest defining feature. In this game, Link gains the ability to turn into a Wolf! I know some people might consider these parts of the game to be boring and not as fun, but I have always disagreed with that notion. I think it’s a really cool and out of the box way to break the somewhat repetitive gameplay of traditional Zelda games. There’s more of a puzzle-solving element to these Wolf sections, and I for one find it very satisfying to collect the Tears of Light. Turning into your Wolf form becomes essential, especially towards the latter half of the game when you need to complete tasks that you couldn’t normally do as a human. Plus…Wolf Link is pretty darn cute! His design is awesome too.
 MIDNA!!!:
And speaking of Wolf Link, around the same time Link gains this ability he also meets a character who (in my opinion) is THE BEST Zelda sidekick/companion across all the games. She’s not annoying, she’s not boring; Midna is a 3-Dimensional, fully fleshed out character that plays a crucial role in the story. I can’t imagine anyone playing this game and NOT getting attached to Midna. I know I certainly did. In the first half of the game you don’t really know that much about her, but she is certainly helpful gameplay-wise and doesn’t just give you the same useless hint over and over. Plus, the SASS! My God, Midna is so sassy I love her so much. I love how she grows and changes and becomes a better person by the end of the story. Midna really deserves her own game!
 A Beautiful Game:
Now obviously this doesn’t just apply to Twilight Princess. Most Zelda games are very beautiful, especially the more modern ones such as Breath of the Wild. However, there is something about the specific beauty of Twilight Princess that just takes my breath away. The scenery is just gorgeous everywhere you go. Ordon Village is beautiful, Hyrule Field is stunning, Snowpeak is captivating, the Fishing Hole is serene, you get the picture. And to top it all off, Twilight Princess STILL looks beautiful even after all these years. The graphics have aged really well which is certainly no hindrance. As a kid I always wished that some of the locations were real, and honestly, I still kinda do.
 Best version of Ganondorf:
It’s funny; I don’t normally root for villains. I tend to gravitate towards more heroic characters or characters that are more similar to me. Ganondorf is certainly the exception; specifically the Ganondorf that we see in Twilight Princess. I remember being SO EXCITED when he first appeared in a cut scene after Arbiter’s Grounds. I don’t know if it’s the way he was introduced, the raspy laugh, or his character design, but I LOVE Ganondorf in this game. He is just so bad-ass, so cool, my only wish is that we saw a little bit more of him in TP. Regardless, every time he shows up in the game, he is a formidable and dominating screen presence. And I feel no shame whatsoever admitting that 10 year old Sam developed a massive crush on this Ganondorf. Is that weird? I dunno, but either way he is just so cool as well as a fantastic addition to an already perfect game.
The Soundtrack:
Again, it’s not unusual for a Zelda game to have a really fantastic soundtrack. The series has always had amazing music since the very first game. However, the music in Twilight Princess continues to entrance me even to this day. The Main Menu theme? Amazing. Midna’s theme? Amazing. Lake Hylia? Amazing. And don’t even get me started on those beautiful Wolf Songs you sing throughout the game. It’s just a beautiful soundtrack. To say it’s nostalgic for me is a massive understatement.
Dungeon Design:
Unsurprisingly, most Zelda games tend to recycle the same temple themes over and over again. You got your forest temple, your fire temple, water, desert, time, etc. These are definitely present in Twilight Princess, but there’s something about the way they’re designed and the way you move through them that just feels so unique and wonderful. I won’t name them but I’ve played other Zelda games where the dungeons felt like a horrible, tedious chore. With TP, I never felt that was the case. Every Dungeon is packed full of secrets, with plenty of interesting set pieces to explore. Even the water temple (YES, the Water Temple!) is enjoyable to play through. The Dungeons have tons of replay value as well, meaning that you can return later and find special items that you weren’t able to access before.
And just as a fun bonus, here’s my top nine list for the Twilight Princess Dungeon’s:
9) City in the Sky
8) Palace of Twilight
7) Hyrule Castle
6) Temple of Time
5) Lakebed Temple
4) Forest Temple
3) Snowpeak Ruins
2) Goron Mines
1) Arbiter’s Grounds
 And that about wraps it up, folks! Sorry this was such a long essay, I had so much to say. It is, after all, my favourite video game ever. Of course it’s not technically perfect and it definitely has some flaws. But you know what? It’s perfect to me, and I’ll never get sick of it.
Thank you so much for reading! :) Listen to this track of the opening theme and tell me you don’t feel it in your SOUL!!!
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unibrowzz · 3 years
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Mod (finally) reviews all 67 winners of the Eurovision Song Contest Part VII (FINALE)- The 2010s
And we’re on the home stretch! Just 10 songs left now.
The 2010s stands as the only decade I watched live and the only decade I haven’t yet rewatched, mainly because I have no interest to. I’ve already seen the contest anyway, if a song didn’t stick with me then, it probably won’t now.
Also prepare for some hotter than usual takes, mostly down to the 10s contests being the most well known due to recency bias. I can say whatever the Hell I want about older contests and what songs I despise from there, but one non-positive comment about Euphoria and suddenly about five butthurt anons appear in my inbox telling me why I’m wrong.
But without further ado, let’s finish these off!
2010: Satellite
Country: Germany
Artist: Lena Meyer-Landrut
Language: English
Thoughts: I used to defend this song a lot, for some reason. I used to get super defensive when people dismissed it as a cheap lazy pop song that shouldn’t have won over (insert song here, but let’s be real here, 99% of the time it’s Turkey's equally cheap lazy emo rock song) and that it robbed so many better entries, blah blah, you know the drill. And I think it’s because it was the first winner I saw as I started properly watching in 2010, so I didn’t want to shit all over the winner that introduced me to the contest. Or maybe it’s that it makes me really nostalgic, or something to that effect. But, dear God, why did I? It’s so… not worth it. I appreciate it for being a much less instrumental-heavy winner, with its skippy, snappy beat and bouncing vocals which sound closer to plain talking than actual singing, but… How many times were the lyrics ran through GoogleTranslate before they were finalised? What’s with the janky, overexaggerated fake-English accent? Why does the singer look embarrassed to be a part of this? Why was this written?  And how the FUCK did it win? It’s so weird and awkward to listen to. It’s the song equivalent of trying to make small talk with that one classmate you never talk to because they’re shy and boring. It’s like listening to an old person laugh half-heartedly at their not-that-funny old person joke. It’s canned laughter in a mediocre sitcom. It’s just an awkward, painful to listen to song that’s made all the more painful by the fact that Germany has sent much better songs that easily could have replaced this as their one post-reunification winner.
Was this my personal winner for this year? No
If no, what was? Spain- Daniel Diges- “Algo Pequeñito”
Personal ranking (out of 67): 60th
2011: Running Scared 
Country: Azerbaijan
Artist: Ell and Niki 
Language: English
Thoughts: Look, this one isn’t as bad as people make it out to be. Doesn’t mean it’s good, or that I find it particularly good, but the worst winner of all time? Goodness no, it doesn't even come remotely close. What we have here is a mildly pleasant ballad duet song with a distinctive sad-boyband vibe. Like you can definitely hear the “X-Factor winner’s first cover song” energy just radiating off it from the first few lines. I suppose you could argue that that does make it feel a bit clinical and like it’s trying too hard to be a big hit, but come on, it’s not like this is the first winner like that. The singing is alright; better than half the singing that won in the 2000s anyway, and the male singer especially has a nice voice. The lyrics aren’t exactly poetry, sure, but again, other winners have terrible lyrics as well and don’t receive nearly as much hate as this one does. And… that’s it. Why all the hate? No idea, but I can only assume the people who declare this song to be the worst winner ever haven’t heard anything that won before 2010.
Was this my personal winner for this year? No
If no, what was? Denmark- A Friend in London- “New Tomorrow”
Personal ranking (out of 67): 42nd
2012: Euphoria
Country: Sweden
Artist: Loreen
Language: English
Thoughts: Ugh. Listen. This is not a bad song. It’s decent, middle of the table, listenable, marketable, well sung, well performed, well shot. I must stress, this is not a bad song. But the best Eurovision song of all time? Absolutely not. Euphoria is one of the few winners I would describe as “overrated”, and that isn’t a term I use lightly (since it’s overused as Hell), because frankly, I don’t see what people see in this song. Hell, I forgot it completely until the 2012 voting, and further still until mid 2013 when a friend said he liked it. This song left that little of an impression on me that I completely forgot everything about it for a solid year.  And considering how many fans regard this to be one of the best, if not the best song to ever come out of the contest... that baffles me, I just can’t wrap my head around why so many people hold this song up on a pedestal and worship it like it was dropped from the hands of God himself. And I'm not sure if it's because this just isn't a genre I care about, or if it's because this was WAY back when I was a casual fan who didn't follow any of the songs or artists so didn't know who'd be the favourite going in like I do now, and therefore didn’t know to keep an ear out for this one. Or maybe you have to be piss drunk and at a nightclub to really feel the impact of this song. This song triggers absolutely no response from me other than “Oh, a Eurovision song”. I feel no emotion towards it aside from complete indifference. I can’t deny that this song made an impact, it just… didn’t make an impact on me.
Is this my personal winner for this year? No
If no, what is? Spain- Pastora Soler- “Quedate Conmigo”
Personal ranking (out of 67): 40th
2013: Only Teardrops
Country: Denmark
Artist: Emmelie de Forest
Language: English
Thoughts: Let me ask you a question: What do you get when you sandwich an otherwise decent pop song between two of the most iconic and recognizable winners of the decade? You get this. Only Teardrops is a weird, weird winner to me. On one hand, the fandom acts like it might as well not exist, you go straight from Euphoria to Rise Like a Phoenix, who cares about that filler song which came between them. On the other hand, I know a lot of people who really like it, yet all of them are either very casual fans or not fans at all. So this makes me feel like this song’s main weakness is that it’s too mainstream, at least for Eurovision fans. What are my thoughts? It depends. For one, I enjoy this song a LOT more than Euphoria; I always have done and I’m not ashamed or afraid to admit that. I find this song has a lot more personal appeal, particularly a much bigger finale in my opinion, and being surrounded by people who like this song has admittedly kept me fond of it. BUT, I still wouldn’t necessarily call it a favourite of mine. Maybe a favourite of the 2010s, but not overall. At the end of the day, it’s a little too generic, a little too normal, a little too like every other song you’d hear on the radio. It’s not really a song I find myself coming back to again and again and loving every time, it’s the song I stick on to shut my family up when they want to listen to Eurovision music and I’m too shy to show them the songs I actually really like. It's just a decent song that's unfortunate enough to be stuck in between two more iconic winners, doomed to be little more than the answer in a pub quiz question.  And even though I do prefer this one to some of those icons, and don’t really have anything else to say about it, it’s just enjoyable yet kind of bland.
Is this my personal winner for this year? This or Iceland
If no, what is? Iceland- Eyþór Gunnlaugsson- “Ég á Líf”
Personal ranking (out of 67): 16th
2014: Rise Like a Phoenix
Country: Austria
Artist: Conchita Wurst
Language: English
Thoughts: Ah yes, the man who made the entire continent of Europe collectively forget what a drag queen is. What a shitshow that night was. But I'm not here to talk about that, I'm here to rate/say some things about the song, and honestly? This is arguably the most vocally impressive winner from the 2010s. Seriously, there’s nothing I can fault here; this guy’s got some serious pipes. Every time I go back to it I just end up blown away by how powerful and raw this song is. And obviously good vocals alone can’t carry a song forever, otherwise I would’ve had nicer things to say about the early 70s and mid 90s, but with this song the vocals go hand-in-hand with the gimmick. Without the powerful vocals this would just be a knockoff Bond theme sung by a drag queen with a beard, like it’d just be another sensationalist gimmick song to throw onto the pile with all the other gimmick songs. But with the good singing, this has the distinction that it’s a gimmick entry that still had every right to win because the singer was actually competent. Also unlike the 70s winners this one actually has strong emotions tied to it rather than it just being a bunch of pretty French words, so there’s that.
Is this my personal winner for this year? This or the Netherlands tbh
If no, what is? N/A
Personal ranking (out of 67): 17th
2015: Heroes
Country: Sweden
Artist: Måns Zelmerlöw 
Language: English 
Thoughts: Fun fact: I was so bitter this won that I stormed off before the voting was done and cried in my room over it. I hated everything about this song: I hated how Sweden won just three years after their last win, I hated how the staging was just BEGGING people to vote for it, and I ESPECIALLY hated how it beat out the televote favourite because the juries were too busy wanking off to this one to care about anything else. I just despised everything about this song, and it turned me into an obnoxious jury-hater for a solid year.  And yes, I'm extremely embarrassed of all that because honestly this song is fantastic. I would go as far to say it's my favourite Swedish winner, maybe not one of my favourite Swedish entries but definitely my favourite winner of theirs. Everything about this is just so appealing to me, from the brooding intro and vocals, to the lyrics, to the staging, my GOD the staging! It’s one of the best performances of the contest to date; It's impressive without being tacky or try-hard, he interacts with his background, and that little doodle boy character he’s created is adorable. I just love this performance, it’s so mesmerising.
Was this my personal winner for this year? Not then, is now
If no, what was? Then? Serbia- Bojana Stamenov- “Beauty Never Lies”
Personal ranking (out of 67): 11th
2016: 1944
Country: Ukraine
Artist: Jamala
Language: English, some Crimean words
Thoughts: I mean… it’s good until she starts singing. Now I am by all means not an advocate for bringing back the old language rule, but songs like this sure as Hell make me one. This should have been left entirely in Crimean. Simple as that. The English lyrics are bloody awful, no way to sugarcoat it, and absolutely annihilate the potential this song is otherwise seething with, because the instrumental to this song is fantastic and the chorus and climax give me goosebumps. The performance at the contest was chilling as well; a perfect blend of both simple yet flashy staging to set up a really uneasy atmosphere that compliments the song perfectly but, God, the lyrics are bad, man, especially for such a serious song about a personal topic.  That said, it's still the only song in the 2016 top 3 that seemed winner-worthy, unlike Australia's obvious Jurybait and Russia's obvious Telebait. So… it has that. 
Was this my personal winner for this year? No
If no, what was? France- Amir Haddad- “J’ai Cherché”
Personal ranking (out of 67): 57th
2017: Amar Pelos Dois 
Country: Portugal 
Artist: Salvador Sobral 
Language: Portuguese (Translation: “Both of us”)
Thoughts: I still question why it took Portugal until 20-fucking-17 to even reach the top five, but that's a rant for another day.  Not that this is a rant, far from it. Anybody who knows me knows that I love this song after all, and that it’s one of the few winners I remain rather defensive of, though that’s mostly down to the amount of hate this song and its singer receive.  I will defend Sal and his hot takes on pop music until I die. Now I’ll admit, this song surprised me in more ways than one. Namely by actually winning the televote; given how this song has split opinions clean down the board as to whether it’s spine-tinglingly beautiful or soul-crushingly boring, I was expecting it to come mid-table in the televote whilst some other country swiped first. Yet somehow it managed to stomp the televote just as hard as it stomped the jury vote. I guess I wasn’t the only person this struck a chord with after all. Also, I can’t be the only one who thinks this is a perfect dance song? Like it’s great for ballroom, or contemporary. It’s so dreamy and flowy, and I usually HATE dreamy flowy songs, yet this one just resonates with me for some reason and I’m not sure why.
Is this my personal winner for this year? Yes
If no, what is? N/A
Personal ranking (out of 67): 4th
2018: Toy
Country: Israel
Artist: Netta Barzilai
Language: English, some chicken noises, cringe
Thoughts: And here we have another case for bringing back the language rule, because if this song had a Hebrew version I would 100% listen to it more often. When I heard Israel was sending an, ahem, "feminist anthem" about the #MeToo trend on twitter, my first reaction was "ew". When I heard it was the favourite to win, my reaction was also "ew". And when I heard the song for the first time? "Hm, not as bad as I thought."  And also "ew". This song is just embarrassing. I’m embarrassed listening to it, I’m embarrassed watching it, and I’m embarrassed when someone mentions it when I’m trying to convince them Eurovision actually has good music. You can just tell from the first few lines that it was written by middle aged men trying to shill themselves out to gullible young women who think listening to a song by some Israeli DJ “empowers” them.  And let’s be honest here: “empowering” is just media speak for “shit”. The only thing stopping me from putting it at the VERY bottom is the instrumental and performance because without the cringy lyrics you’re left with a pretty good club song, and I swear to God Netta Barzilai could sell herself sneezing for 3 minutes. If “Toy” had been entirely in Hebrew I would’ve given it a pass, and maybe a cheeky vote or two.  But, alas, that was not to be.
Was this my personal winner for this year? No
If no, what was? Italy- Ermal Meta & Fabrizio Moro- “Non mi Avete fatto Niente”
Personal ranking (out of 67):  64th
2019: Arcade
Country: The Netherlands
Artist: Duncan Laurence
Language: English
Thoughts: You know, in my 9 or so years watching the contest, I don’t think I’ve ever felt genuinely ecstatic watching a song win. Most of the time I either feel neutral (most of them) or a more general, content kind of happy (2014 and 2017). Like I’ve never let out a shout of joy and slid on my knees across my living room floor in sheer, blind happiness. But that’s what I did with “Arcade”. I’m not really sure why that is because, I must confess, it wasn’t my personal winner of the night, and, looking back, I preferred other songs, but… God, I just can’t explain how overwhelmingly happy I was when this song won. I’m not sure if it’s because I was alone or if I was rooting for this deep down (or if it’s because it was between this song or fuckin’ Sweden again). But that’s by the by. How’s the song? Honestly? Really good. One of my favourites of this decade, if I’m honest. It’s the kind of song that’s grown on me a lot since the night of the contest; even though it wasn’t my favourite song from 2019, I’m not mad at all at it winning.
Is this my personal winner for this year? Honestly I had about 10
If no, what is? I could list them if you want
Personal ranking (out of 67):  6th
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akjensen-writes · 4 years
Text
holdin’ out for a hero
short story - wlw [Whitney/Taylor]
TW - suicide idealization (brief)
“That’ll be 13.95.” 
Taylor says it automatically, feeling more like a robot than a person. She waits patiently as the customer across the counter inserts their card into the reader. It buzzes several times before the card is removed. She glances at her watch as discreetly as possible. Her red cashier’s vest reads ‘I dig Mr. Pig’ and if that isn’t bad enough, she’s got another three hours left until the end of her shift. An end that can’t come soon enough, for so many more reasons than sheer boredom.
Thursday nights at the Piggly Wiggly, aka the Pig -- pronounced “the Peeg” from the heavy accents of the locals -- are never very busy. They carry the same droning, languid feeling that Taylor can hear coming from her own voice, and she spends more time staring at the clock and contemplating her own existence than actually doing anything.
She’s been here for four years, which is approximately three and a half too many, with no escape plan in sight. The pay is dismal, but it’s a job, and in a small southern town, that’s really all she can ask for. But she’s trapped, and every day the walls seem to close in on her a little more. If this is the best she can do, then she isn’t sure what the point is anymore. 
Chris, the cashier in the next lane, methodically swipes product across his counter with mind-numbing precision. Cereal, beep. Bananas, beep. Eggs, beep. All in a steady, even rhythm. Boring, beep. Useless, beep. Taylor taps her fingers on the counter. The same ‘80’s mix of songs rotates over and over again on the dated speakers. She wonders how many times she’s listened to it all the way through at this point. A thousand, maybe. She knows she can recite every track, sing every lyric, and that in and of itself is nothing to be proud of. 
Bonnie Tyler’s rasping voice cuts into the silence. I’m holdin’ out for a hero ‘til the end of the night. 
“Aren’t we all, Bonnie?” Taylor mutters to herself. “Aren’t we all?”
Tonight is the night, she thinks, as she plasters a smile on her face and hands the change over to her customer. Her lane is once again empty. The fluorescent lights buzz above her as she stares into space. Tonight is her last shift, for good. Tonight is her last anything. She’s going nowhere, and doesn’t even have the energy to care about it anymore. It’s not like it would matter. She could disappear off the face of the Earth and she doubts anyone would so much as blink.
It isn’t sadness, really. It’s just nothing. Deep, dark, nothing.
“Hey Taylor, I’m headin’ out.” Derek, the weekday manager talks as he’s coming around the corner. He always does that. He starts his sentences while he’s at odd places in the store, appearing just as his thought trails off. His beady little eyes dart around nervously as he glances at her register. It’s a silent reminder to thoroughly count the money before she turns over the key. He’s nice enough, Taylor thinks, even if all he does is sit in the back room and watch reruns of old ‘90’s cartoons. Nice enough is all it takes in this town, apparently. But a small pang of sadness hits her in the chest as she thinks about the fact that she’s never going to see him again. 
“Have a great night,” Taylor says, nodding at him, trying to commit his squirrely features to memory. He has a small chin and scruffs of facial hair that he only keeps to look older than he really is. These are the two distinguishing features that stand out as somewhat noteworthy. In that moment, she feels sorry for him. “Thanks for everything, Derek.” 
She feels weirdly nostalgic, nudged on by the anticipation of tonight being the end of everything. Derek has done exactly nothing for her, except leave her alone, which she supposes is something to be thankful for. He narrows his eyes in suspicion as he looks her over. 
“Uh, sure,” he replies, frowning. “Just don’t forget to lock up, okay?”
It’s such a trivial request, but it fits, somehow. Don’t forget to lock up. Don’t make a mess. Just get it over with quickly and be done, will you? We don’t have any time for this. 
Taylor almost smiles. 
The sound of a throat clearing breaks the moment. She turns her attention back to her line. JenandJudy are standing there, wearing identical flannel shirts, staring at her with sweet, expectant smiles.
“How’s it goin’?” they ask, together in perfect unison. Taylor nods at them and starts scanning their items. A case of beer, and a bottle of whiskey. They’re probably going to the woods for a bonfire. 
They all went to high school together, and at one point, Taylor assumes Jen and Judy were separate entities. But for as long as she can remember they’ve been together, their names a one word anomaly. JenandJudy. They’re the kind of lesbians that have now merged identities so ferociously, there’s no telling where one ends and the other begins. It’s borderline creepy, the way they almost look like twins at this point, but no one ever comments on it out loud. Taylor assumes that’s just what happens when you fall in love, but something about it seems a little...much.
Not that she would know.  
“You should come to the clearing,” Jen suggests, with Judy nodding emphatically. “We’re headin’ there in a few.”
“Yeah, maybe,” Taylor verbally agrees, while mentally declining. The clearing is a dump, almost literally, where everyone in town gathers as an excuse to do something other than sit at home. Taylor hasn’t been there since she was 15. JenandJudy smile, satisfied at doing the bare minimum in extending the invitation. 
Judy’s arm stays protectively around Jen’s waist. She watches her with starry-eyed fascination as her girlfriend pays. ‘Look at this incredible specimen!’ her eyes seem to exclaim, like it’s the singular most fantastic thing she’s ever witnessed. ‘She pays for groceries better than anyone I’ve ever seen! Can you believe it?’
Taylor snorts to herself. She isn’t mad, or even put off by it. It must be nice to have someone who thinks you’re fascinating, even when there’s nothing remotely amazing going on. The jealousy is warm and cozy, like a blanket she can pull snugly around her shoulders in her hour of need.
“See you later!” they announce, gathering their alcohol and heading for the door. Taylor waves a final goodbye.
“How do you tell them apart?” a voice teases from somewhere behind her. She turns, and instantly she’s met with bright hazel eyes that seem so sharp, they could probably dissect her right where she’s standing. Taylor swallows several times, unsuccessful in her attempts to get her mouth working properly. She smiles weakly, shrugging. “I’m just kidding,” the blonde stranger says, running her fingers through her hair. Taylor catches the way her slightly tanned cheeks flush, and a warmth runs through her chest. 
“It’s a good question,” Taylor says, glancing back out the door where JenandJudy have just left. “At this point, I don’t think I can.”
“Fair enough,” she giggles, and Taylor’s heart, inexplicably, flutters. 
Sexy customers are not really a thing at The Pig, and when it happens, it’s almost like spotting a unicorn. In all the years Taylor has been working here, it’s only happened half a time, and that’s because the woman in question was wearing so much makeup that Taylor couldn’t make an accurate assessment. 
She’s suddenly acutely aware of her horrifying vest, and the fact that her brown hair is disgusting, all matted and greasy against her scalp. Of course this would happen tonight, of all nights. The final night. Why couldn’t she have made an effort, just this once? Maybe she should have planned better. But she knows no amount of planning would ever prepare her to lock eyes with someone as stunning as the girl in front of her now.
She adjusts her dark framed glasses and tries to focus on doing her job without saying anything horrifying.
There are only two items to scan: a sympathy card and flowers. Taylor glances up at the stranger and notices her wringing her fingers together, looking around the store with a sort of forlorn expression. She clears her throat. 
“These are really pretty,” Taylor offers, gesturing at the flowers as she scans the other item. She doesn’t know why she comments. She usually makes it a rule not to get involved in other people’s purchases. It’s none of her business. Whenever she goes shopping, she’s so conscious of what’s going through the clerk’s mind that she almost can’t stand it. But this feels different. Magnetic, somehow, like she’s drawn to this girl, like not saying something is a worse transgression. Besides, she started it. The conversation feels like it has to go somewhere. 
“You think?” the girl replies, taking them with a skeptical smile. It’s a lavender themed wildflower bouquet. Classy, in Taylor’s not-so-expert opinion. “I wasn’t sure.”
“They’re great,” Taylor assures her.
“They’re for my friend,” the girl explains. “Her cousin died, and I wanted to stop by and do something nice for her, you know? But I’m the worst at these things. I never know what to freakin’ say.”
“Sometimes just showing up is enough,” Taylor says, and she means it with everything she has. She wishes more people would understand that. Just being there means everything.
“That’s a good point,” she replies, looking thoughtful. “It’s always nice to know that people care. I wish we didn’t always wait for funerals to show that to each other, you know?”
“Yeah, I know what you mean.”
“It’s too late, and then what?” the girl asks, almost exasperated. “It’s not fair. People should just be nicer to each other.”
“They should,” Taylor agrees, her heart pounding as they make eye contact. The girl smiles, a dazzling, dreamy smile, and Taylor’s insides melt. “She’s lucky to have you.”
The girl takes her change and shrugs. As she gathers her items, she pauses and nods at Taylor again. “Thanks for listening to me ramble,” she says. “Genuinely. I haven’t come to this grocery store before, but I just moved from across town. I think this is going to be my new regular spot. I’m sure I’ll see you around soon.”
“I’ll keep an eye out,” Taylor promises. 
Her eyes follow the girl to the exit. She watches her carry her items carefully, her other hand fishing in her jeans pocket for her keys. Taylor stares long after she’s gone and decides that maybe, just maybe, she can hold on for a little longer.
----
The charming stranger returns a week later, on an unassuming Tuesday evening to do a routine stock of groceries. Taylor is working, holding on to the hope of being able to see her again. If that makes her pathetic, then she’s already mostly made peace with that. She sees the stunning blonde sashay in around 7pm, wearing the exact same outfit as she wore when Taylor met her: a red zip up sweatshirt, white tshirt, and jeans that seem to be tailor made for her. Taylor’s mouth is instantly dry, her insides pulsing like the walls of a night club. The girl glances at her phone with a focused expression, before placing it in her pocket. 
Taylor wonders idly if she normally shops on off hours like this, but she supposes she’ll figure it out sooner or later. That’s the thing about always working at a place so integral to people’s lives: the routines become part of her. She knows Mr. Jensen, the math teacher, always shops on Wednesday mornings because he has two free periods and hates crowds. He stocks up on Folger’s coffee like they’re going out of business, and he has a particular affinity for Corn Flakes cereal. 
Taylor can tell you about most of her regulars. She knows their preferences, their routines, their schedules. She even knows their moods. An extra bottle of wine for the dark haired lady who works downtown? A rough week. Lactaid milk for the balding guy that lives in her apartment complex? His mom is coming to town. 
All this without saying much more than “paper or plastic?” and “did you find what you were looking for?”
“Hey!” a now familiar voice announces. Taylor turns, and once again is taken by mystery girl’s marvelous hazel eyes. She’s smiling like they’re in on a tremendous secret, even though there’s nothing coincidental about running into her here. 
“You’re back,” Taylor greets, trying to keep her voice steady, like she hasn’t been counting down the minutes until she could see this girl again. She absolutely has, but no reason for her to know that. “Did you find what you were looking for?”
“Yup,” the girl says, piling her items on the conveyor belt. “Most importantly--” she reaches into her cart and picks up a bottle of wine. A red blend from Napa. That tracks. Pretty girls from out of town drink smooth red wines. Everyone knows that. 
She slides over her ID and Taylor scans it quickly. Not too quickly to notice her name, though. It’s like a slight-of-hand card trick, the way she does it without moving her eyes. The result of years of on the job training. She can’t say the Pig didn’t give her at least one weirdly applicable skill.
The blonde’s picture beams back at her. Whose DMV photo comes out this gorgeous? Taylor bites her lip as her gaze flickers to the flawless face in front of her. Nice to meet you, Whitney Matthews, of Cherry Grove Court. According to her license, she’s 24 as of April 4th, making her two years older than Taylor. She slides the ID back and rings up the rest of her items. The haul is mostly produce, almond milk, eggs. She’s clearly a responsible eater, one of those people who seem to be into wellness. She probably does yoga. Taylor sneaks a glance at Whitney’s legs. 
Definitely yoga.
There’s a few frozen pizzas and a surprising appearance from a large bag of skittles. Taylor grins as she rings them up. 
“I love skittles,” Whitney says with a teasing smile. “Don’t judge me.”
“Who doesn’t love skittles?”
“Thank you,” Whitney nods, approving. She grabs her bags and puts them back in her cart. “Same time next week?” She chuckles when she says it and Taylor’s cheeks flush, as if this is a standing date the two of them now have. 
With a nod she replies, “I’ll be here.”
Whitney gives her a little wave, and Taylor wonders if she’s like this with everyone. Is she a serial conversationalist, making flirtatious small talk with every clerk in town? Or is this something a little more significant?
She knows what she wants the answer to be.
---
From then on, every Tuesday, like clockwork, Whitney comes into the Pig and does her usual shopping trip. She always seems to wear her signature red hoodie and jeans, like she’s got her own version of a grocery uniform-- only hers isn’t mortifying and ugly. Quite the opposite, if Taylor has anything to say about it. It’s casual and sexy which is a combination only Whitney can pull off with such ease. She usually has her hair up in a ponytail, but sometimes she comes in with wavy, sunkissed locks, and Taylor can’t seem to shake the desperate need to run her fingers through it.
Today is a skittles day, which means Whitney’s in a good mood. These are the weeks Taylor loves the most. This is when Whitney gives her teasing smiles that stay on her face a little longer than usual, and offers tidbits about her day. She’s a nurse in the orthopedic wing at the hospital, she says, and this week she got to scrub in on a really complicated sounding surgery. A knee reconstruction, or something. It’s so impressive that Taylor almost forgets she’s supposed to be scanning groceries, lost in the idea of Whitney out there doing good, saving lives. She feels inadequate in comparison, but can’t seem to dwell on it while Whitney is here looking at her like she’s the only person in the world she wants to talk to. 
Sometimes, on weeks like this, she’ll share her weekend plans, or talk about something she’s planning to cook. She likes to go hiking, which isn’t a surprise. She also loves Italian food. Taylor listens and catalogues everything in a mental Whitney spreadsheet that she keeps in her brain, in case she ever has a reason to need it.
She hopes one day, she will. 
Some weeks, though, Whitney only buys the staples, and her smile is a little slower, her eyes a little muted. She’s more tired, or stressed, or something that Taylor can’t detangle, and those are the weeks Taylor wishes didn’t have to exist. On those days, it’s almost like the little light in Whitney flickers, too exhausted to be kept on at the normal brightness she exudes. She quietly greets Taylor, and thanks her when the transaction is done. She puts her bags in her cart and slowly shuffles out of the store, leaving Taylor alone with nothing but Bonnie Tyler crooning in the background. 
Turn around, bright eyes.
“Shut up, Bonnie,” Taylor mutters, disappointed.
---
Taylor tries to avoid working Saturdays because the Pig turns into an overrun madhouse of exhausted mothers, screaming children, and bleary eyed white collar workers who can’t sneak away from the office any other time to do their shopping. The lines are nonstop. The shelves are in a perpetual state of near-depletion. Everywhere she looks, it’s a disaster, the store ground zero of a perfectly executed attack.
But the extra cash is necessary if Taylor is going to go back to school. She decides to get serious about it on a random night when her shift ends. Whitney had been in, elated from a successful day caring for a patient with a broken leg, and something in Taylor just clicked. Maybe this isn’t everything her life has in store for her. Maybe the Pig isn’t her last stop.
Nursing probably isn’t a good fit, she’s squeamish around needles and doesn’t think she can handle that much potential death. It’s ironic, considering her state of mind a while ago, but the two ideas remain disconnected. She considers teaching, or journalism, or maybe even accounting. She’s always been good with numbers. The options are suddenly endless.
She’s giddy at the prospect, and it seems to overflow into her work. She’s chatting with customers for no reason today -- asking more than the obligatory questions, and even going so far as to compliment a lady’s hair cut. Everything feels brighter, somehow. 
The morning goes by in a blur of produce codes and aisle clean ups, but the pace is strangely satisfying. It’s already 2pm by the time she checks her watch, which is astonishing. Her face hurts from smiling at so many people, but that’s a nice problem to have. She turns her attention to the next customer and her heart catches in her throat.
“Twice in one week, lucky me,” Whitney says cheerfully, smiling a hundred watt smile as she places the divider on the belt to separate her items from the person behind her. “How ya doin?”
“Great,” Taylor squeaks, her voice cracking horribly. She clears her throat and studies Whitney’s stuff. A birthday cake and some wine. Taylor’s stomach drops. She glances at her watch. April 4th. “How--how are you?”
It’s Whitney’s birthday, but she doesn’t want to bring it up. She doesn’t want to explain why she knows it, why April 4th is ingrained in her memory. It isn’t for any creepy reasons, honest. She just finds Whitney fascinating on every level. And a little sexy. It’s not a crime to be invested.
Whitney shrugs. “Oh, you know, doing okay,” she says, and it isn’t very convincing. She looks suddenly defeated, and Taylor wants so badly to help. 
“Got any plans tonight?” she asks, hoping it might coax something out of her. She wants Whitney to be doing something extraordinary, to have a day that celebrates her, the way she deserves. But her demeanor stays reserved. 
“Dinner with my parents, and my sister,” she says softly. “Nothin’ crazy.”
“And cake, of course.”
“And cake,” Whitney agrees. “Of course.”
The receipt is printed, and Taylor finally cracks. She wants to ask about her family, about her sister. Is she older or younger? Is she anything like Whitney or completely the opposite? Does she get along with her family?
“Is it your birthday?” is all she asks instead, the only question she already knows the answer to. She blinks at Whitney carefully.
Whitney’s cheeks flush as she nods. “The cake gave it away, huh?”
“Maybe a little,” Taylor replies.
“Pretty sad, I know, buying my own cake,” Whitney shrugs. “It kind of snuck up on me this year.”
“No, it’s not sad,” Taylor says, trying her best to reassure her. She carefully places the cake in a bag and gently ties the top. Their hands touch as Whitney takes it, and a jolt goes through Taylor’s core. She swallows heavily, trying to gain her composure.“This way at least you know you’re getting one you like, right?”
“Very true,” Whitney finally smiles. “Something about bakery frosting, I swear. I don’t even care what kind of cake it is, but this frosting is addicting. My mom is probably baking something, so she’s going to be so pissed.” She laughs at that, and Taylor joins her, for the simple fact that Whitney seems to finally be cheerful. 
“I hope you have a really great birthday,” Taylor says, handing her the receipt. 
“Thanks,” Whitney takes it, her nose scrunching as she smiles. “I’m glad I saw you.”
Whitney exits, and Taylor’s eyes follow her for a few seconds. She wonders, briefly, if Whitney is happy.
---
Conversations have never come easy to Taylor. People are fascinating, but only from a distance. She likes to observe, to formulate an idea of a person curated from the tidbits they choose to share. She’s always been told she’s a great listener. Mostly, it’s because she doesn’t have a choice. She doesn’t want to say something stupid or awkward and disrupt the connection she has with someone. Instead, she nods along, perfectly content to absorb whatever people feel like sharing.
Whitney doesn’t seem to mind Taylor’s silence. She’s warm and genuine, always patiently nudging the conversation ahead and navigating when Taylor prefers to coast. Granted, they don’t sit down and have long heart to hearts, but their connection is purposeful. They speak with intent; Whitney always seems to focus on Taylor and only Taylor when they speak. She isn’t on her phone or reading over her shoulder or flipping through a magazine. She even goes as far as pausing on unloading her groceries in order to finish her thought, or wait for Taylor’s response. She’s probably the worst to stand behind in line, because she never seems to be in a rush. She simply exists in the moment, thoughtful and patient and kind, allowing herself to simply be.
Their routine continues week in and week out. Whitney comes into the store, seeks out Taylor’s line, and pauses to catch up. They’re cautiously toeing the line from acquaintances to almost-friendship, a gray area that Taylor knows is going to eventually require a leap. But just seeing Whitney’s face light up when she holds up two bags of potato chips one Tuesday night in late May is enough for Taylor to be grateful. 
She’ll take Whitney in any form she can get, even if it’s just as the adorable customer with the dazzling eyes who gets overly excited about a potato chip sale.
“Buy 2 get 2, I’m so freaking pumped!” Whitney exclaims, placing them down on the belt and grinning in triumph. She doesn’t usually buy chips, so Taylor’s eyebrow raises in question. 
“What?”
“You don’t usually buy them,” Taylor shrugs, scanning the package. Lays BBQ and Wavy. Interesting.
“My friend is having a barbecue and I’m on snack duty,” Whitney says, surveying the rest of her items with a frown. She places her hands on her hips. “What am I missing?”
Taylor follows her eyes and takes note of the contents: several kinds of dips, and what looks like one of each type of chip flavor the store carries. She shakes her head and grins. “Did you leave any on the shelves?”
“Very funny,” Whitney rolls her eyes.
“Sweet tea?”
“Yeah?”
“I don’t see it,” Taylor frowns, searching again. 
“What?” Whitney tilts her head thoughtfully to the side before her eyes widen. “Oh! Sweet tea. Sweet tea! I thought you said sweetie.”
Whitney’s cheeks flush, and the muscles in Taylor’s stomach clench at the unexpected endearment. She’s warm and tingly all over, and might actually pass out, now that she’s processing the whole exchange. Whitney reacted so naturally, like tossing out ‘sweetie’ is just something they casually do.
Taylor chuckles, shaking her head. “They basically sound the same, yeah,” she agrees, and Whitney holds her hand loosely over her mouth. 
“I’m an idiot,” she says. “No, I don’t have sweet tea. Should I?”
“Sort of a requirement around these parts.”
“Dang, the more you know.” Whitney glances at the drink aisle and back to Taylor. 
“No worries, I’ll go get it for you,” Taylor says, already turning toward the aisle. She slips past several customers and heads for the back of the store. She could navigate with her eyes closed, but she still picks up the pace so she doesn’t keep Whitney waiting. She grabs the biggest one she can find and heads back to her register. 
“You’re a lifesaver,” Whitney gushes, and Taylor feels her cheeks burn. That’s her, the friendly neighborhood sweet tea proctor. 
“It’s not quite the real deal, but it’s damn good,” Taylor says as she rings everything up. 
“The real deal huh? You’ll have to tell me how to do that,” Whitney says. She places her card in the reader and grins. “I’m obviously not from here originally.”
She has a smooth accent, but not one Taylor can easily place. Her voice isn’t nasally like a northerner, but she talks faster than most of the people around here. It’s actually been driving Taylor crazy for weeks.
“Where are you from?”
Whitney gives her a teasing smile, her full lips twisting as she grins. “Guess.”
Taylor thinks about it more. Their eyes meet and her heart flips, the way it always does when Whitney’s around. She squints and sighs. “California?”
“Nope,” she replies, her smile radiant. She’s positively giddy at the idea of this game. “Guess you won’t find out.”
Taylor holds out her receipt. Whitney reaches for it, and Taylor pulls it back at the last minute. “How about now?”
Whitney’s mouth hangs open playfully as her eyes widen. “Taylor!”
She almost drops the receipt. It’s the first time Whitney says her name, and it sounds incredible coming from her lips. She has never been more thankful for her ugly name tag than right at this moment. She wants to ask her to repeat it, to find some way for her to say it over and over and over. Taylor. Her name is suddenly majestic.
Whitney grabs the receipt, catching Taylor in her tailspin. She flashes it in victory. “Don’t worry,” she says, leaning forward slightly. “I’ll tell you sometime.”
“I’ll look forward to it,” Taylor says as Whitney gathers her bags. “Bye Whitney.”
“Later, Taylor,” she replies with a sweet smile, and Taylor’s entire body vibrates with something magical.
---
The summer is a whirlwind of activity. Besides the holiday rush, this is the only other time where Taylor notices a deluge of milestones. Graduations, weddings, christenings, all seem to be taking place in June, July and August. She recognizes Mrs. Johanssen from the library, coming in for a graduation cake. It’s for her son, she beams, he’s graduating from college, can you believe it? Taylor smiles and rings it up, sending her on her way with congratulations.
Mr. Hood, the hulking owner of Smash Fitness, comes in one morning for a dozen pink roses and a pink balloon. It’s for a christening, he says, blushing. His muscled hand is surprisingly gentle as he cradles the stems of the flowers. His arms practically burst through the sleeves of his suit. His baby girl, he gushes. Did she want to see pictures? Taylor obliges, and smiles, and wishes him the best. His eyes are misty as he thanks her and heads out on his way.
It’s a strange phenomenon to be present for the significant events in people’s lives without really knowing them. But Taylor shares something with each and every person, experiencing pieces of their joy as if she’s actually present for their celebrations. It’s one thing about this job that she’s grateful for. There’s an unexpected connection now, and that makes it mean something. 
Whitney comes into the store more often, celebrating her own set of milestones. Taylor watches day in and day out as she buys graduation cards, and birthday cakes for family members, and a wedding card for another cousin. The wedding is going to be in Napa, she tells Taylor, starry-eyed. Isn’t that cool?
Taylor smiles, thinking of Whitney in a beautiful bridesmaid’s dress. Not the kind that awful brides make their friends wear so they look frumpy in comparison. But the real classic kind, a deep blue or a maroon, maybe, that would fit her like a glove and make her tan skin look incredible. She nods along with Whitney’s excitement, hoping for pictures, even though she knows that’s far fetched.
Taylor gives her the receipt and her bag and wishes her a great trip. She feels the way Whitney keeps her eyes on her as she starts to ring up the next customer in line. 
“Can I text you?” Whitney asks softly, so softly that Taylor almost thinks she’s imagining things.
She turns to face her, and sees Whitney’s hopeful smile as she holds out her phone. “If you want,” she says. “I thought I could send you pictures from the wedding.”
“Yeah,��� Taylor says. She has to shake her head to make sure this is really happening, but then she nods, taking Whitney’s phone. She puts in her number and hands it back. “I’d love that.”
“Great,” Whitney says, staring at her phone briefly before nodding, satisfied. “I’ll do that then.”
For the first time in months, Taylor catches the music on the speakers. 
Somewhere just beyond my reach, there’s someone reaching back for me.
---
The following Tuesday, or Whitney day as Taylor secretly refers to it, is awful, because Whitney is out of town. She wakes up in a sour mood, despite the fact that they text now, which is a significant step in a fantastic direction. It just isn’t the same, knowing she won’t see her face in person, or get to listen to her talk about her day with a wry smile, or get teased for still not being able to guess where she’s from.
The day is long, but at least Whitney is diligent with her messages. That’s one thing Taylor was happy to discover with this whole development. Whitney doesn’t just text -- she writes. She sends her silly messages, almost a stream of consciousness that Taylor can actually picture her saying in person. It makes getting through her shift infuriating, for the simple fact that she can’t focus enough to reply. Even though that’s absolutely all she wants to do.
She asks for Taylor’s opinion on Wonder Bread, and what there is to wonder about, but then she answers her own question since she’s clearly sitting here wondering about it. She asks about Taylor’s work schedule. She tells her about the California weather. She sends a picture of a palm tree. She apologizes for sending so many messages. 
Taylor quickly sneaks a look at her phone and tells her it’s okay. She likes them. 
Finally, she sends a picture of her in her dress. Taylor’s face blazes. Whitney’s hair is done up in an elegant updo, a few pieces curled perfectly to fall along her cheek. The dress is magnificent -- a coral color that makes Whitney’s eyes pop. She’s got a sly teasing smile, like she wants to appear unsure that looks amazing, but knows she looks beyond.
“Dammit,” Taylor mumbles to herself, closing her eyes and trying to keep steady. It’s all she can do to stay rooted to the spot instead of hopping on a flight to who knows where California and trying to find her. 
“You have beautiful eyes,” she replies, which doesn’t convey what she wants to say at all. In a fit of embarrassment, she pockets her phone. 
The week is painfully slow, but somehow, they make it to next Tuesday. Taylor is on her “lunch” break, a 4pm slot that is closer to dinner, but no one cares enough to be technical about it. She’s sitting at one of the tables by the deli, which she does on occasion when the store is slow. The employee break room is dark and depressing, with a TV that only plays 3 channels, 1 of which is Fox News on repeat. She’d rather face awkward conversations and customer questions than Tomi Lahren, thank you very much.
She feels someone standing near her and she glances up, practically choking on her sandwich when she realizes it’s Whitney. She’s radiant, smiling like she’s got a trick up her sleeve and Taylor is so overjoyed she almost stands up to hug her. She isn’t much of a touchy feely person, but Whitney has her head spinning in so many directions, she might just make an exception.
“Hey!” Whitney exclaims, claiming a chair for her own and plopping down. “Can I sit here?”
“You already are,” Taylor says, chuckling. Whitney rolls her eyes. 
“Smart ass,” she says. 
“You’re here early,” Taylor says, checking her watch.
“I didn’t go to work today,” Whitney says, shrugging. “I took an extra day off. Jet lag is a bitch.”
Taylor nods as if she understands, but she’s never been out of the state. She takes a sip of her soda to try to steady her nerves.
Whitney taps on the table nervously. She’s fidgety, and gorgeous, and Taylor wants to just reach across the table and hold her hand. She doesn’t. She knows it would be weird, or something. It’s confusing. She’s pretty sure Whitney feels the crazy connection between them, but it’s also something she’s going to have to act on. Taylor doesn’t want to make anything uncomfortable.  
“I’m not really good at this, and I know I should have done this a long time ago so I’m just going to ask--” Whitney starts, her eyes darting from the table to Taylor and back down again. “Um--”
“Yes.”
“You don’t even know what I’m going to ask yet!”
“I feel like I know you,” Taylor replies, shrugging. She doesn’t care what Whitney is going to ask. She already knows her answer is always going to be yes. 
Whitney pauses. “Yeah,” she agrees, an airy chuckle escaping her lips. “I feel like I know you, too.”
“So what were you going to ask?” Taylor’s stomach is in knots, but the good kind that comes from anticipation and excitement.
“Oh right,” Whitney bites her lip, like she’s trying to keep the words contained before blurting them out in an incoherent jumble. “Would you want to go out sometime?” Another breath. “With me, I mean?”
As if Taylor would want to go out with anyone else. 
“It’s still a yes,” Taylor says softly. Whitney meets her eyes and a look of relief passes over her face.
“Yeah?” Whitney scrunches her nose and grins. “When’s your next day off?”
“Tomorrow I finish at 3,” Taylor says. “I’m free the whole night.”
“Tomorrow it is,” Whitney slaps the table with a snappy grin and stands up. “Now, if you’ll excuse me. I have a ton of shopping to do.”
Taylor nods her goodbye and takes another sip of her drink. 
Forever’s gonna start tonight, Bonnie Tyler exclaims. For once, Taylor thinks she might be right.
---
The most disorienting experience is shopping at another grocery store. Their layout feels twisted and wrong, the lights a weird, new-age dimness that makes her forget what time it is. Taylor peruses the aisles slowly, going over her list with precision. 
She doesn’t like to shop at the Pig too often since she knows everyone there. It just turns into an hour of unnecessary conversations then two hours of jumping in to actually work, even if she’s off. Tonight she’s on a schedule. She only has a few hours before her night class at the community college. She’s almost finished with her first year, which is crazy. Accounting, which is smooth and satisfying, the numbers crisp and clean and honest. 
But she’s also taking creative writing, too. She has too many stories to keep in her head. 
The frozen aisle is up next. She places three frozen pizzas in the cart, grinning to herself. They taste like cardboard, but she isn’t going to complain. She stocks up on almond milk and eggs, and gets all the fresh produce. Her phone buzzes in her pocket. It’s Whitney, reminding her about dinner tomorrow, as if Taylor could ever forget. Tomorrow is Whitney’s birthday, and she’s been planning a weekend trip for them for months. She’s going to surprise her and take her to Florida where, it turns out, Whitney is from. It only took several agonizing months to pry that information out of her, but Taylor finally landed on a quality guess. 
She thumbs through several cards, none of them saying exactly what she feels, but she ultimately settles on one with two puppies. Can’t ever go wrong with puppies. She tosses in a bag of skittles and heads for the check out.
The clerk is a quiet girl who smiles at her briefly before scanning her items. Taylor fixes her shirt, a nervous habit when she doesn’t know whether to make conversation or not. She absentmindedly fiddles with the buttons, wondering if this shirt is hers or Whitney’s. It doesn’t really matter.
“Did you find what you were looking for?” the girl asks, her bored eyes still focused ahead of her, trained on the screen. 
“Yeah,” Taylor says, confidently. “Yeah, I did.”
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onestowatch · 4 years
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Boy Willows Drops Dreamy Music Video for "Fila" [Q&A]
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Boy Willows, aka Landon Fleischman, makes music that offers a deep amalgamation of incandescent alt-pop, jubilant jazz, and psychedelic-tinged folk. Impeccably paired with sensory lyricism and passionate vocals, he delivers a hypnotic and singular resonance.
The LA-via-Maryland artist recently shared his new single "Fila" with Dylan Minnette of Wallows. On "Fila," Boy Willows stretches out to embrace relatable themes of vulnerability and healing both inwardly and outwardly without feeling overbearingly serious. "Fila" serves as a therapy session between two friends as they cope with being alone in different ways. Nestled in a warm and gentle soundscape, the sonic components are woven with nostalgia, charm, and a bit of whimsy. We caught up with Willows for a quick Q&A about the track and the equally nostalgic and whimsical music video directed by Boy Willows, shot by Seannie Bryan (Madeline Kenney, Skullcrusher) and edited by Jordan Pories.
Ones to Watch: This song, although short and sweet, seems to have a lot of complexity to it. It sounds like throughout the single, the main characters are grappling with feelings of loneliness and figuring out how to cope. What is this song about to you, and how did this song come to be?
Boy Willows: I think both verses deal with the thoughts that bubble up when you feel useless, small, or alone, but what I love about the song is there's a twinge of hope. My goal with Fila was to spur myself into believing that I could create my own reality of acceptance and momentum. I had been feeling isolated a while before the pandemic hit - on the perimeter looking in on other people's social circles or relationships or success. My hope was that by acknowledging these truths in a song, I could start to take up my own space, make my own club of acceptance per se.
What was the creative process like for the single? What made you want to go for this very ethereal sound, and were you inspired by anything in particular?
I worked on this super grand, minute-long glitchy harmony thing and pitched it down an octave (oooo). It was so soothing and slow and big, I started producing around it, and I felt like I was in a dream where I could say anything I wanted, no matter how heavy or light.
What are your thoughts on girls that wear Fila?
Haha, in short, they're cool. This song is truly a peek into all the thoughts that were swirling around my brain, making me feel alone - and one of those thoughts was about aging. I wish this wasn't the truth, but I was feeling fear about getting older. I wrote that line about Filas and didn't think much of it or even really understand why I wrote it until a couple nights ago. It's definitely a light-hearted observation about youth culture, but I think I wanted to poke fun at it cuz I felt like I wasn't a part of it for the first time - and that frightened me. It's insane that even that line was born out of the fear of being left out, but I'm pretty sure that's the true true.
I loved not only the sonic atmosphere you created, but also the story of you told through the lyrics. Do you have a favorite verse from this track or one that speaks to you? What is your approach when it comes to songwriting?
I just love how much the endings of each verse stick out - "I just feel like I don't deserve this life." It's a line you could interpret so many different ways, and each way would be true. When I'm working on a song, it starts with the music. I picture where it takes me, how fast I'm moving, if I feel cool or angry or defeated, and if I'm lucky, a phrase will fall out of my mouth that feels true, even if it doesn't make sense at first.
I think the music video does a great job of visualizing the lightheartedness of "Fila." What was the creative process like, and what was it like working with your team on the video?
There's this fucking incredible animated video called Satiemania from 1978 made by this Croatian animator, Zdenko Gašparović. In it, there's a delectable section where it's just different shoes walking in an impossibly groovy way. I wanted that tone of animation mixed with the camaraderie and fuckit-energy of The Pharcyde's "Drop" music video. I brought those ideas to my genius creative friend/ shaman, Jordan Pories, and we got to work, exploring the world of the song, trying to amplify and showcase everything in a dreamy, slow way. Seannie Bryan is a recent friend of mine and a killer DP. She captured the dreamy light perfectly. We rolled up to the spot at 6am. It was 90 degrees, and we knocked it out in an hour and a half, only stopping once because I was going to throw up from spinning.
Dylan Minette's voice perfectly compliments the laid back yet introspective vibe of the song, and it looked like y'all had a lot of fun doing the music video. What was working with him like, and how did he get involved with this single?
He and I go way back. We used to be in rival boy scout gangs. No, I do lighting for Wallows, and we met through that. One day on the tour bus, I was showing him some new tunes, one of which was "Fila." It was 35 seconds, and he said it needed to be longer, so I said, "hop on in." He added his verse, and we were OFF TO THE RACES. He's got a really strong creative compass and just knows what he likes. We finished the song in a couple days - fucking painless, dare I say, very enjoyable bordering on a lot of fun.
Tell me about Desert Mike. I feel like although rattlesnakes do deserve some love and I agree that the war between them and human beings is senseless, I'm not exactly in a rush to give them a pat on the head...Ok, but for real, tell me about this clip at the end. Is it an easter egg for a future single? In your last single, "i love it when you talk," you intercut the clips of you with film footage from the 80s and 90s. Is Desert Mike a Boy Willows creation or a relic from the past?
SHEESH, am I paying you?? because if not, then I SHOULD. The Boy Willows canon is a long, meandering labyrinth of characters that doesn't conform to traditional standards of "time" or "being funny" or "good. Desert Mike exists in all Boy Willows worlds, though, this much I can say. In the ILIWYT video, Desert Mike easily could have made a feature, and now I want to know who you've been talking to...your ability to connect the dots is...suspicious.
Has the pandemic effected you or inspired you as an artist? If so, how?
Really hot take comin at ya, I think the pandemic is not good. Bad even! I lost my job, so financially, I've been very inspired to survive haha. This isn't the sexiest answer, but the truth for me is, I put everything into my music but am also looking for a job - sometimes balancing those two things is really fucking hard. Instead of feeling inspired to write about my difficulties, I just want to solve them. So I'm really looking forward to landing a part-time gig as a call representative for Spirit Airlines, so I can get back to making my music.
Once the world comes to a state of a new normal, what's the first thing you want to do?
I'd love to travel somewhere new with my friends. A friend of mine is living in New Zealand working on an alpaca farm. You bet your ass I'm flying there at the first chance.
Alternate fun idea: Get a table at a restaurant, deep in the back, as far inside as possible. Order one appetizer every 30 minutes and stay there for a minimum of nine hours, just being so loungey and just snacking hard, mozzarella sticks flying every which way, napping in marinara sauce.
When shows and concerts are back, who do you want to see, and who do you want to tour or play with?
When touring comes back, I would LOVE to tour with Jadu Heart, Far Caspian, Sure Sure, to name a few. I just want to crowd surf for a month straight honestly. Give a ton of sweaty hugs. I want to see Toro y Moi, Thumpasaurus, Squirrel Flower.
Who have you been listening to throughout the pandemic? Are there any Ones To Watch?
A lot of Tribe Called Quest for long drives. I'll put "Check The Rhime" on repeat. I just discovered this dude named Shuttle his song "Boy" is fucking groooovy. I'm an OG KT Tunstall stan too - I've been bumping her 2013 album "Invisible Empire" like a mad man. Kevin Morby for the campy vibes, Rufus for the stank, Lomelda for the love, Van Morrison because if I get married, my first dance will be to "Crazy Love," and I like to daydream about that when I drive. Last but most important, The Prince of Egypt soundtrack.
Oh also, I've been listening to a lot of Anna Burch, Far Caspian, Bea1991, a compilation of geese wearing hats, Mei, Shuttle and this new artist you HAVE to listen to - he's a little out there but give him a try, Drake.
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theorangedeath · 5 years
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Some webcomic recs
Webcomics are as underrated as they are varied. I mostly read printed comics now, but there’s no way I’d have gotten there had I not found webcomics before - believe me, I tried, but this damn hobby is super inaccessible to a beginner, not to mention expensive. Webcomics are like fanfics in that regard - hell, some of them are fan comics - in that there’s something for everyone, all within your reach, but in order to find something you like you have to either 1. Get very, VERY lucky, 2. Be prepared to read a lot of bad stuff in order to get to the good stuff, or 3. Hear about them from people you trust. 
I was a 2 - i would read anything, back in the day - and while i’m not as unconditionally enthusiastic as i was, there are still some gems I wish got the same appreciation as some talents in the industry. I’ll spare you the rest of the article (dm me for comic rants though), let’s get to it! 
note: all the comics are numbered as “1″ because tumblr messed up the google docs formatting 
Comics i still follow as they update because either tumblr starts posting about them right away or they’re on tapas
Check Please! 
https://omgcheckplease.tumblr.com/
I’m probably not the one introducing you to Check Please, as it’s one of the most popular webcomics out there, thank god. The parts of the fandom i’m familiar with are cool and wholesome, just like the work itself. It’s about a southern gay kid, Eric Bittle, who joins the hockey team in his college. It’s impossible not to love every single character there, the sports drama elements are great, and the format is like solidarity put into panels. The Samwell Men’s Hockey team’s motto is “we’ve got each other’s backs”, and there isn’t a single part of the comic that doesn’t 100% incorporate that. 
Heartstopper
https://tapas.io/series/Heartstopper
The 2000s so far have been a rough contest for the title of “sweetest ya romance” but guys, we found it, we can stop now. Nick and Charlie are in highschool, Charlie is gay and out (not by will), Nick plays rugby because apparently that’s what british jocks do. Can i make it any more obvious? It took me a while to fall in love with the artstyle but when i did i fell HARD - the creator is re-drawing some of the older chapters, though, so your experience might be different. The story’s captivating right away, and you want everyone there to be happy from pretty much page 1. The creator also writes ya prose, and some of her books are about other characters from the same school. I love all of them, but Radio Silence is my personal favorite. She also has two novellas about Nick and Charlie themselves, available as e-books. 
Charity Case 
https://tapas.io/series/Charity-Case
I rarely start new webcomics anymore, but boy, this one got me FAST. and that was even before I realized it’s a polyam love story, which i love but is surprisingly rare in webcomics - at least the ones i know. Julien, an irresponsible young musician, resorts to sharing an apartment with two roomates who are a couple. I fell for the unique, gorgeous artstyle first, and by the time i realized i’m also super invested in the story and characters, it’s already become one of my favorites. Plus, Julien’s hair looks so soft! 
The Property of Hate 
http://thepropertyofhate.com/TPoH/
THIS is what comics should be. There’s so much passion here, not just for the story but for the storytelling as well - and the two aren’t as separated as you might think. A young girl is recruited by a TV man to be a hero. The world they enter seems nonsensical and arbitrary at first, but as they travel she discovers its logic, stories and secrets. She will also, as her title suggests, need to save it. There’s so much i love about this comic that i don’t know where to start, so i’ll just say this: it’s absolutely inspiring, in every sense of the word. Also, read the creator’s duck comics, they’ll make you feel things. 
Webcomics i occasionally remember to catch up on, get blown away all over again by how good they are, vow to check them regularly for updates then forget. And repeat 
Wilde Life
https://wildelifecomic.com/
I think this is the first ever webcomic i read that had a plot? I got on the wagon at around chapter 1 or 2 and it’s hard to believe it but it only gets better with time, even though it already starts at 100%. Oscar moves to a new town and immediately makes friends with a ghost and a grumpy teen werewolf. It has both monster-of-the-week type problems and overarching plots, and reading it feels nostalgic and brand new at the same time. The fantasy world has this special feel to it, that makes me miss growing up in the american wilderness even though i, well, didn’t. Plus, the creator is cool as hell. I knit her a hat in high school in exchange for a commission. 
Sfeer Theory
https://sfeertheory.com/
This comic got me through a hard time and i’ll forever be grateful for that. Also, it’s really, really good. This is another case of a comic where you fall in love with the art right away and before long you find yourself caring very much about the characters and the story. You might also find yourself growing out your hair to style it like Luca’s. If you’re me it’ll be a lost cause, so, uh, keep that in mind. Luca works as a technician at the prestigious Uitspan university. A mysterious, powerful man is looking to change that. While the comic’s biggest strength is probably the gorgeous, fascinating worldbuilding - and Luca’s hair - the characters are also ridiculously easy to relate to, even if we don’t know anything about them. Even the most meaningless extras are somehow compelling thanks to the dynamic, rich art style. And did i mention the hair? If you like it, you won’t be disappointed by everything else Little Foolery makes. 
How To Be a Werewolf
http://www.howtobeawerewolf.com/
I almost didn’t read this one! My brain has decided i don’t like werewolves and i don’t know how to reverse that. But then i saw Elias’ body language and it was extremely fun and friendly, and so was the rest of the comic, and the rest is history. Malaya knows she’s a werewolf, but seeing as she doesn’t know any other werewolves, dealing with that is hard. That is until Elias discovers her and decides to help, along with the rest of his pack. It’s filled with family and solidarity feelings, some dark mysteries and themes, and the art is beautiful and expressive. 
Monsterkind 
http://monsterkind.enenkay.com/
Another case of read-everything-this-creator-makes-it’s-all-amazing! Wallace, a social worker, moves - or rather, is moved - to District C, which is mostly populated by monsters. His heart’s in the right place, and apparently so is his apartment, because his neighbors are cool as heck and agree, some of them reluctantly, to help him get his bearings. There’s a mystery to uncover, some monsters to help and a dashing tea octopus to woo - for Kip to woo, anyway - and it’s all a delight to read. Every single character brings their own lovable-ness to the table, and even with the darker parts, reading this comic kinda feels like being hugged. 
Comics that no longer update
The Less Than Epic Adventures of TJ and Amal - finished 
http://tjandamal.com/
Guys. guys! I’m pretty sure this is my all time favorite comic, web OR printed. I have the printed version, i still read it online occasionally, a lot of the songs mentioned in it are now saved on my spotify, i had it as my phone background for a good couple of years, the whole package. Amal comes out to his family and it ends with him having to drive to his sister’s graduation in Providence. There’s a guy in his kitchen who just so happens to need a lift there, and he’s willing to pay, and Amal’s too hungover to argue. What follows is the best roadtrip story ever. I’m seriously considering getting my license just to recreate that route. I just really love this story, okay? Oh, and if that wasn’t enough, the creator’s music taste is GOOD. 
Prague Race - to be continued in text 
https://www.praguerace.com/
The fantasy aesthetic to end all fantasy aesthetics. And the characters are good and interesting. And the world is well built and leaves you wanting more. AND there’s a cat. And it looks so good! Leona is irresponsible and spontaneous and gets her friends in some weird shit that leaves them trapped in a strange world, dealing with several curses, trying to survive and make sense of it all. I could spend a lifetime looking at the art and die happy. 
Shoot around - finished 
https://www.webtoons.com/en/drama/shoot-around/list?title_no=399&page=1
A girl’s basketball team and its coach, Jeff, deal with a zombie apocalypse. They make the most of the post apocalyptic world. There’s drama, friendship, found family, love and hope - it’s basically everything a zombie apocalypse narrative should be. And i love how the creator plays with the colors from chapter to chapter! 
Rock and Riot - finished 
https://tapas.io/series/Rock-and-Riot 
It’s cute! It’s fun! It’s a 1950’s queer ensamble cast high school drama! It’s what Grease would’ve been like in a better timeline, except we still got it in this timeline. The artstyle fits perfectly with the story and characters, but if you want to see what’s the creator capable of now, read their newest comic, Project Nought. It’s a cool sci fi story and just like in Rock and Riot, it’s super easy to connect to every character there. 
Alright there’s a lot more but i somehow wrote 4 google docs pages of webcomic recs in one sitting (this is what i’m able to focus on? Really, brain?) and i think that’s enough for now. Like i said, please dm me if you want to talk about anything here, rec some of your own, listen to my rants or tell me i’m a nerd. Or all of the above. I might make a similar post with print comic, but right now i have some dogs to pet. Keep being cool! 
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ivycrossing0101010 · 4 years
Text
100 Days to Animal Crossing Challenge!
In the spirit of the countdown to New Leaf (remember when? :’) ), and to help  wile away the days, here’s 100 questions for every day until New Horizons is here! Enjoy!
1. Do you prefer making up a new name for your villager, or using your own name? I always name my villager after myself. I go for the immersion!
2. Do you use the first map you’re given, or do you reset for layouts? I used to reset for layouts, until I started hacking. In New Horizons, I'll just be resetting for fruit!
3. Do you use the face you’re given, or do you wait for guides and choose your favourite? I would look for guides. Even with hacking, it's easier to just start with the face you want.
4. Favourite town/island name?/Have you a name picked out for your town/island? My favorite town name that I've seen so far is Lunaire. I don't want to share my town name just yet. It's nothing revolutionary or anything but its personal I guess?
5. Will you be sharing with friends/family, or is your island going to be all your own? I will be having my own island! My husband will have his own island as well. He says we'll spend most of our time in my island though lol
6. What’s a new feature you’re excited about? T E R R A F O R M
7. Favourite fruit? Peaches!
8. Least favourite fruit? Pears!
9. Favourite area? (Beach, campground, shopping district etc, from any entry in the series.) My favorite place was the wishing well in ACPG. So cute and sweet. As much as I loved the plaza in ACNL, it's got nothing on the original!
10. Where do you like to like to put your house? Do you like that level of customization, or do you prefer to have some things decided, like in older entries? I like to put my house near waterfalls, its relaxing and good for fishing! I could never get my house near the water in older games, so it was a nice change in ACNL.
11. Favourite grass pattern? Personally, I never really notice the grass patterns!
12. Least favourite grass pattern? See #11 :v
13. Favourite villager/s? My fav villagers are Skye and Punchy 💕
14. Least favourite villager/s? I hate Elise the Monkey
15. Did you like doing Tom Nook’s chores, or did you find those to be a pain? I used to find them a pain as a kid but I miss them now. It was so much more engaging!
16. Favourite NPC/s? My fav would have to be KK. He's such a cool dude, he's just full of nostalgia for me.
17. Least favourite NPC/s? I don't really have a least favorite? I guess Katie's mom, her lipstick is tacky imo
18. Do you use paths? Are you excited about the new path tool? With hacking, I use clover paths so they're easier to see on the editor. I can't wait to have real paths, though!
19. Favourite feature from an older entry? The festivities! The neighbors were so much more engaged in ACPG, ACNL is sorta boring in comparison.
20. What was your first Animal Crossing game? My first was ACPG, the gamecube one!
21. Favourite activity (fishing, bug catching, fossil hunting, other)? Fishing was always exciting AND relaxing for me
22. Least favourite activity? Fossil hunting, but only because I don't get immediately results and I'm impatient lol
23. Favourite bug? Even though I don't like these irl, snails hehe
24. Least favourite bug? Scorpions and tarantulas, only because I've almost never encountered them in ANY game
25. A quarter of the way there! How’s the wait? Agonizing
26. Favourite fish? It's not actually a fish, but I like the softshell turtle!
27. Least favourite fish? The napoleon fish, that big blue one -.-
28. Favourite fossil? The ammonite!
29. Least favourite fossil? Don't really have one lol
30. Favourite furniture series? I've always liked the flower set you get from Leif and the mush set, so cute!
31. Least favourite furniture series? The holiday specific ones, they're so tacky and boring!
32. Favourite soundtrack? (Gamecube, DS/Wii, etc) Gamecube for sure
33. Least favourite soundtrack? Honestly, ACNL. Don't dig the steel drum
34. Favourite wallpaper? The ivy wall hehe
35. Do you have a nice memory of the games/community etc you’d like to share? I didn't really have too much interaction with the community until recently! I just gained a bunch of followers and it's super flattering lol I want to become more involved!
36. Least favourite wallpaper? Cheese...
37. Favourite carpet? I personally love the old board flooring, so simple and rustic!
38. Least favourite carpet? CHEESE
39. Favourite furniture item? The fairy bottle from the Welcome Amiibo update!
40. Will you be buying a Switch for Animal Crossing, or do you already have one? I'm trading in my old switch for the slick new Animal Crossing Switch!
41. Least favourite furniture item? The ultra things that you can get from Redd, so useless!
42. Favourite flower? Carnations!
43. Least favourite flower? Cosmos!
44. Favourite hybrid? Blue roses for sure
45. Least favourite hybrid? Any cosmos
46. Favourite shirt? The denim shirt, long sleeve
47. Favourite dress? I like the raincoat
48. Favourite accessory? Silver frames!
49. Favourite hat/helmet? The keroppi pins
50. Halfway there! How’s the wait going? Pretty numb!
51. Favourite shop? Dream Suite! So much fun visiting towns!
52. Do you collect amiibo cards/figures? Would you like to see them used in the new game? I have all the amiibo cards are all my fav neighbors, and about have of the total amiibo cards that exist. Idk if I'll use them right away and get all my favs or if I'll let my town naturally fill up and then switch folks out yet
53. Fishing Tourney or Bug-Off? Fishing Tourney, I like fishing more
54. Do you like making your own clothing patterns? I used to, but ACPC made me appreciate the already made in game clothes
55. Did you streetpass with many other ACNL players, or is it a feature you didn’t get much use of? I don't get much use out of it nowadays but I would always come back from conventions with a full showcase when I was younger
56. Favourite villager species? Cats!
57. Least favourite villager species? Monkeys
58. Favourite nickname from a villager? I don't really remember the nicknames I got
59. Least favourite nickname from a villager? I also always hated them!
60. Do you try to collect everything in the game, or just try to get your favourite bits and pieces? Bits and pieces for sure
61. Favourite villager personality? Normal and lazy
62. Least favourite villager personality? Jock
63. Do you “plot reset” for villager house placement, or do you let them move in wherever they want? During my first playthrough of ACNL, I didn't. Then I started doing it when I learned about it. Then I started hacking!
64. Are you excited to wear any of the new accessories (like the bags etc shown in the E3 trailer)? ACPC sorta spoiled that stuff for me, they're still very much appreciated though
65. What season are you most looking forward to seeing in New Horizons? Spring!! 🌸🌸🌸
66. What’s your favourite season? Spring again hehe
67. Least favourite season? Summer, kinda boring
68. Which game’s events/holidays do you like the most? Ones that are actually engaging with you and the neighbors
69. Which game’s events/holidays do you like least? Days like solstices, which just served as "Isabelle is unavailable" Days
70. Do you have another nice AC related memory you’d like to share (in-game, of the community, etc)? When ACPG came out, I was about 6. I had a DVD with those lame live action commercials and I was ENAMORED with them! Obsessed! I begged my parents for the game and they would hem and haw "well there's a lot of reading... you'll have to get better at reading... we won't always be able to help you read it..." and I swore up and down that I'd learn and practice reading. Obviously, nearly 20 years later, I'm still completely obsessed
71. Do you prefer the “live” versions of K.K. Slider’s Songs, or the airchecks? I like both but for different reasons. The live versions are nice and nostalgic and the air checks are closer to the aesthetic that they're actually trying to portray
72. An NPC you’d like to see more of? Farley and Serena!
73. An NPC you’d like to see less of? None in particular, everyone is pretty well designed imo
74. If you could have any piece of AC merchandise, which would it be? I once saw a cute bento box with pics from the movie, my soul died knowing I may never find it to buy anywhere
75. Only 25 days left to go! How’s the wait? Still numb!
76. Will you be downloading the game, or getting a physical copy? I'm getting a physical copy and my husband is getting a digital, so he can't be tempted to sell it!
77. Do you like coming up with your own town tune/flag, or using what the game gives you/something from a book/tv show/other game, etc? I like doing a sort of japanese "end of school" bell for my town tune, only for the town clock. Idk how I'm gonna do it in this game though...
78. Do you play every day, or every other day/when you feel like it/other? I used to play ACNL everyday, then it got a bit boring. I'm gonna play ACNH literally everyday forever lol
79. Are you the kind of person who starts over after leaving their town for a really long time, or do you try to get right back to it? I tend to restart a lot, but I recently decided to leave my ACNL town with no regrets so I hacked the crap out of it without feeling tacky or cringy
80. Do you remember how you got into the Animal Crossing series? It immediately caught my eye as a 6 year old and its had its grasp on me since
81. Do you like to make up a story for the town/character when you play, or do you just play as yourself? I play as myself but I sorta make a bunch of headcanons for myself and my neighbors and stuff to make it more interesting for me. Sometimes its embarrassing and sometimes I need to tell the people!
82. Favourite dream address / “theme” for a town (pastel, fairytale, forest, horror, etc)? My favorite town has always been Pastelia, although the mayor's name is escaping me atm >m<"
83. Do you like to have your house fully upgraded/paid off, or do you like keeping it smaller/having fewer rooms? I used to fully upgrade my house all the time but my current ACNL house only have 4 rooms and that's IT
84. Favourite hairstyle? The one with the middle split and it goes behind the ears
85. Least favourite hairstyle? The three ponytails, rip ACWW me
86. Favourite hair colour? I go either pink or my natural brown
87. Least favourite hair colour? That bright green...
88. Do you prefer wearing in-game clothes, or custom designs? In game clothes!
89. Favourite hourly track? 2 pm from ACPG
90. Just ten more days! How’re you feeling? Half paid off my new switch, so ready!
91. Least favourite hourly track? I don't think I have one!
92. Do you prefer to know all about the game before designing your town/island/house, or do you like to wing it? Bro, I've been glued to my phone since the direct came out
93.  Another nice Animal Crossing memory? ACNL came out around the time my husband and I started dating, almost exactly at the same time. Now its 8 years later, we're married, and we're gonna play another animal crossing game together finally!
94. Are you excited about same-system multiplayer? Its gonna be great for a lot of people, kinda useless for me though
95. Five more days! Are you going to trade/use amiibo to get your favourite villager, or wait for them to move in themselves/make a new favourite? I think I'll put in my 2 top favs, and then see what comes. Maybe after a few months I'll put everyone in
96.  Favourite emotion/Shrunk joke? I don't really like his jokes, but my fav emotions to use are the bashful ones
97.  Least favourite emotion/Shrunk joke? Not a fan of his dopey dance
98.  Is there a feature you’d like to add to Animal Crossing? I wanna be able to decorate for my neighbors so badly!
99.  Is there a feature you’d take away? It kinda seems like a lot of issues were solved in ACNH, I guess we'll see what's leftover as an annoying feature
100. Final day! Any more thoughts? Midnight release at my local gamestop! Gonna be there with a bunch of DOOM fans too! Can't wait!!
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rayofspades · 5 years
Text
My Thoughts on Blue October: A Two-Way Personal Narrative
This post has no point or thesis it’s literally just me talking about music that I like because I think it’s interesting.
Anyways.
I was making a playlist for work the other day, and in the process I rediscovered some Blue October songs I have on my ipod. And then I rediscovered all of the Blue October songs I have on my ipod because...I have a lot. 
And it’s pretty much my favourite music (for the most part). 
Blue October was a weirdly prominent part of my youth, so it makes sense that I would have an attachment to their music (people tend to like the music they grew up with). But even then, re-listening to those albums fills me with a lot more satisfaction than other songs from my childhood/adolescence. From ages 11-16-ish, my favourite band was The Killers, with Blue October in second place. I still like a lot of Killer’s songs, and they have a lot of nostalgic value, but when I’m listening to Blue October’s music...like....it really, genuinely holds up to me.
Which is weird, because most of my current faves and older faves were either pop or soft-rock (with the sub-genre of “edge” in my early teens). 
Blue October is classified as “alternative rock” which I think is just the professional way of saying “fucking wild.”
I’ve always joked that if some songs are “edge” then Blue October is “the whole knife.”
But that’s the thing; even though they’re understandably known for their kind of raw intensity, at least among the fan base, the albums tend to have a fair bit of variety both musically and lyrically. I often think of the lyric from “Inner Glow”: “So here's a preview shove it under old-new / Or call it rock or pop or bach or fuck / Goddamn where did we go wrong / Now there's a category for every song.” Even though the band is kind of unhinged in terms of genre, each album very much has its own personality despite the different tones of each song.
By the time Approaching Normal came out (when I was around 14) I had kind of put together a narrative with each album. It wasn’t really a clear-cut story based on the lyrics of every song, but rather a series of emerging themes and events that each album put extra focus on:
Consent to Treatment: Dealing with psychosis and frustration.
History for Sale: Continuing to struggle with mental illness while also thinking about romantic and sexual relationships.
Foiled: Appreciating and/or longing for loved ones.
And yes, I know that The Answers is technically their first album, but I only know 3 songs from that one and didn't love them enough to seek out the whole album.
Personal context: I started listening to Blue October at a relatively young age because they were one of my dad's favourite bands and he would blast their albums in the car. He correctly assumed that I, a sheltered 10 year old, wouldn't put together that some of the songs were about drugs and suicide. He would always skip the more sexual and violent songs though. He aint irresponsible.
So basically those first few albums just became part of my internal music library since I heard them so much. I remember the first song of theirs that I really noticed on its own was “The Answer,” and after learning that it was Blue October singing that song, my interest in them grew slightly more independent. 
When I was about to enter my early teens, I developed an interest in psychology (most notably psychosis) after watching A Beautiful Mind. After that I became even more interested in the lyrics from Consent to Treatment and History for Sale, and grew more attached to these albums that I was already very familiar with and fond of.
Foiled was and continues to be my favourite album of theirs, though. It has the largest variety of music and a lot of the lyrics are really interesting. 
I almost think it was kind of inevitable that this is the album that would get popular. “Hate Me” keeps true to their style, but it still has mainstream appeal. It’s...not the whole knife, but it still has a good melody and good lyrics. 
“Into the Ocean,” which is my favourite song of theirs, is fucking perfect for mainstream appeal. It’s catchy, it’s pretty, it’s edgy, and it’s good. I HEARD IT PLAYING IN A HOTEL ELEVATOR LIKE A MONTH AGO. The song is so beautiful it’s almost enough to distract you from the fact that it’s about suicide.
It’s great.
The only song on the album that I would say is far outside of mainstream appeal would be “Drilled a Wire Through My Cheek,” but according to wikipedia, that made it onto the Saw III soundtrack, so there you go.
Foiled also might be the best showcase of the lead singer’s vocal talent. One thing that I really like about this band is how the vocals can be unbelievably smooth and wonderful, but the lead singer, Justin Furstenfeld, can just...fucking...flip his vocal chords inside out and fucking scream to a melody when the music calls for it.
It’s an amazing album that I would recommend to pretty much anybody who’s into punk or “alternative rock” or even just...music. 
ALSO I have to talk about the s t r i n g s.
I legitimately think that Blue October’s music sounds so different and resonant because, even though it’s a lot of intense hard rock, there is so. Much. Violin.
Sometimes the violin will overpower the guitar, or maybe even straight up replace the guitar in some places. It’s unique and great and it sounds fucking amazing. I love that fucking violin. 
So I’m really invested in both the music and the Narrative of Blue October albums by the time I’m 13-14sh; right when Approaching Normal drops.
This album is...different...ish.
Like, I don’t necessarily think it’s more intense than their other albums, but it’s...angrier.
Approaching Normal also apparent themes, much like its predecessors: the birth of a daughter and a crumbling marriage. However, unlike the previous albums, the lyrics on this one become a lot more literal. The writing isn’t as good as far as the words go. As for the music...eh. I like “Should Be Loved” quite a lot, but I feel like the vocal performance is at odds with the melody. Most of the album is either just okay or actively bad. 
It’s...an uncomfortable album. The Narrative has become too overwhelming and I would argue too personal. 
There’s less violin.
And
whoo boy.
Okay, I literally just found out there was a censored version of this album like 6 seconds ago because I’m looking stuff up on wikipedia, but, of course, me and my dad got the uncensored version because we’re not w i m p s.
So, thank fuck by this point in my life I had my own ipod and my dad listened to music on his computer, so we heard this album independently from each other. 
Dude, I first heard the song “The End” at like 3 in the morning as a very sheltered and very very squeamish 14 year old.
I
could not sleep.
I literally took the song off of my ipod so I wouldn’t have to even think about it.
Yeah...this album didn’t get played in the car often.
It’s amazing how Foiled finally got the band off of the ground and then like 3 years later they come out with this album that is not nearly as easy to market. My local radio station used to have a show called “wired or fired” where they would play new songs and the audience would vote on whether or not it sucked. “Dirt Room” was featured on there and the reception was nooot positive. 
So fast forward another two years and Any Man in America comes out.
I fucking hate this album.
Actually the sad thing is I technically like more songs on this album than on Approaching Normal, but I just haaaaate it conceptually and in practice. 
The lyrics are even more literal and more personal than on Approaching Normal, and the Narrative picks up right where that one left off. The theme of Any Man in America is a very very messy divorce and custody battle that Justin Furstenfeld was going through. 
It is a Hard Yikes.
The misogyny in this album is overwhelming. And you can argue like “hey...the guy has bipolar disorder and is just working through his emotional problems” or whatever, but...he still dedicated an entire album to basically cursing at this woman. But what really turns my stomach is how much this album can and will resonate with every joe-shmoe misogynist going like “yeah haha women suck the feminists are taking over make me a sandwiiiiiich” like alskdfkhgkajhdkfjskf I DON’T THINK THAT’S THE ALBUM’S INTENTION BUT IT WILL DEFINITELY SPEAK TO THAT CROWD EVEN IF THAT WASN’T THE POINT.
But hey, shout out to “The Money Tree” and “The Follow Through” for actually being good songs and also bringing back that violin. 
So yeah. Blue October just kind of fell off of my radar after that, until another two years pass and I catch wind of Sway coming out. I was kinda like “eh, they’ve already jumped the shark,” but then I heard the single “Bleed Out” before the album’s release and...I didn’t love it, but I liked it. It sounded more like Foiled and less like Any Man in America. So I got on the hype train.
And I’m glad I did. I bought the album digitally and burned it onto a CD for my dad, and it was the first time in a while that he had an actual Blue October CD in his car, instead of just the best selection on a USB.
It’s the most tonally similar to Foiled, although I don’t think it’s as strong  as that album. That could be a nostalgia bias, but I do legitimately think the melodies are less interesting... and that violin continues to get downplayed. I miss it. I miss the violin.
The Narrative continues, but thankfully the lyrics have gotten less literal. I would say the theme of this one is “healing and starting over.” “Sway” is a pretty ballad and I love “Angels in Everything.” The album as a whole is just...nice. But it still has some of that edge/whole knife thing going for it. The sex and drugs aint absent. 
So I liked this album. 
Fast forward another few years, to a Renee that hasn’t listened to Blue October songs in a while and also doesn’t really listen to the radio that much anymore. I’m randomly in the car with my dad when I hear a fucking Blue October song on the radio. A new one. I could tell it was them because Furstenfeld’s voice is very distinctive. Out loud I’m just like “Is...is this Blue October?????????” Partially because I didn’t know they had a new album out, but mostly because this was the first time I’d heard a new Blue October song get radio play in my city since fucking 2009 when “Dirt Room” was on Wired or Fired.  
The song was “Home,” which was also the title of the album. My dad ended up buying it for me for Christmas that year. The album reminds me more of Sway than any other, but I do prefer more songs on it. “Heart Go Bang” is great and sounds like it came straight off of History for Sale and “I Want It” is fantastic in my opinion. I like “Coal Makes Diamonds,” I like “Houston Heights” and “Leave it in the Dressing Room,” and I really like “Home.” 
(Still want more violin, though.)
I would say that the Narrative/theme of this album is love and family. This album was written after Furstenfeld remarried. Before Sway came out, his girlfriend apparently told him to stop being a piece of shit and get sober or she was going to leave and take their unborn baby with her.
So he did.
I really want to know more about this woman, because she’s kind of my hero at the moment.
The second last song on the album, “Time Changes Everything” feels like it’s about letting go of that battle he was fighting with his ex. It’s conceptually comforting, if that is indeed the case.
The funny thing is, I thought this album kind of put the Narrative in a nice little bow. Like, the most dramatic part is over and now this story can have a happy ending.
Which is why it came as an extra-super-double shock when I found out two days ago that Blue October released another album over a  y e a r  a g o.
Tumblr media
This is what I get for not listening to the radio.
I have not listened to this album yet, and the reviews posted on wikipedia are positive but still mixed. Like, people saying it’s poppy and mainstream but also saying it still has edge, etc.
I’m a little afraid of listening to it, because I’m not sure what direction their music has taken, or if it’ll become too same-y to other stuff on the radio.
We’ll see.
When I finally listen to it I might post a review or something.
But from what it sounds like, the album is mostly positive in terms of messages and themes, and that’s comforting to me.
Okay.
Those are my thoughts on Blue October.
They...probably are my favourite band, despite the problems I have with some of their music.
I kind of made this post to put into words why/how this music is so important to me, but it’s genuinely hard to describe. I’ve done my best, but at the end of the day...I just really dig this music.
Anyways, if you for some reason decided to read this post without knowing much about Blue October music and want to get into it, I made a playlist of what I think are the best songs from each album because IIIIIII had nothing better to do. Apparently.
Trigger Warnings: A very large number of the songs are about mental illness and suicide, so watch out for that.
“Angel” and “Razorblade”: Sexual Violence TW (Good songs, but really intense)
“Hard Candy” and “Drop”: Drug Use TW
There ya go.
Enjoy.
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dismuch47 · 6 years
Text
Roswell Sequel Series Outline
@anheiressofasoldier Hooooo boy, are you gonna regret saying that you would be willing to read my pitch. Mwhahahahaaaa! (but seriously, thanks. I’ve been meaning to write this out since it has been so vivid in my head, down to the song that they play at the end, leading to the credits of tasteful, retro animated graphics of tabasco sauce bottles, waitress uniforms, and flying saucers...)
So let’s see if I can keep this down, somewhat...
EDIT: HAH. So long. Forgive the typos. So late and I don’t want to read through all of this when I spent so much time writing it! Not done yet...
So we open in Roswell, shots of some of the old spots that bring nostalgic feels, but years have passed: the old highway/gas station, a football practice at Roswell high, the diner (and they’re still wearing the old uniform style), UFO center, through some neighborhoods until we get to a house. We vaguely recognize it, but it focuses on an older man at a few computers, and some gentle panning reveals law enforcement memorabilia until we close in on the man’s glasses and those pale blue, worn eyes. Why it’s our beloved Jim Valenti! And he’s typing away on some conspiracy message board with wacky avatars that convey that he’s probably conversing with younger persons. There is a message for him and someone wants to meet him, to get the answers he promised. He contemplates, is reluctant, but then responds to meet him in the place that they originally agreed upon, in two weeks. He sends the message, exhaling, maybe this is a mistake... but then he looks at a picture of Kyle, grinning that Valenti smile, winning ball in his hands. Jim nods to himself, it’s decided, and he gets up to get coffee...
That’s when men in black suits bust in through the door, armed. Jim drops his cup, hands up. He’s too far from his guns, says something smart-ass to distract them... while his hands charge and a blinding flash of light comes from them.
That’s right. Jim Valenti has mother effing powers!
The men stumble about, whilst Jim dashes to the computer screens, holding a hand over them to blast out the hard-drive with energy pulses. He picks up a handgun that was strapped beneath the desk and takes out two men before he is thrown against the wall. One of the MIB has his hand raised, a supernatural opponent. None of the other MIB look phased. Jim looks up, wincing in confusion. One of the MIB asks the attacker if they should relocate Jim to “the compound” with the “others.” But the leader decides that Jim is too old to withstand any of the rigorous testing... he’d only be dead weight. He raises his hand to finish Jim Valenti off...
And we see Jim’s gaze wander back to the picture of his son, as his assailant’s hand glows...
And cut to black with a flair of cliff-hanger: Cue Roswell theme song and Roswell graphics...as it morphs from Roswell to more recognizable location of midwest city, the coast, New York, China, India, London...all tainted with something extraterrestrial/galactic... promising more of the unknown at a broader scale. 
And then we start up in Cleveland, Ohio, of all effing places. 
(And now I’m going to get less detailed; just thought it was important to establish the mood and intrigue first ;) Oh, and I also have like NO final name decisions for a lot of these characters, so forgive the half-assedness with these names.)
The character that we will ride on the back of to get to the characters we know and love is a hispanic youth (mid teens), who is clearly living in poverty and trying to keep his nose clean. Let’s call him...Alex. (: I had too; to honor the original). Alex is special, because he has powers, And he is a co-mod on a message board that reaches out to others with abilities. The main mod, who has been very encouraging and helpful in avoiding attention while still developing the abilities, has finally okayed meeting up for the first time with Alex (It is... was... Jim ): The halfway point that they agree upon is Nashville in two weeks. Alex has no money, but he has to find out why he has these abilities. He was dying from a shoot-out when he was young, caught in the crossfire, he was healed... it’s too hazy a memory, and ever since then, powers.  and he’s not the only one.
In real life, Alex has 1 friend who moved from New York, (let’s call him Nicky) who also has abilities and shares a similar origin story... only it was a terminal illness while living on the streets. In his dreams, however, he knows Yen...a Vietnamese-American girl who can dream walk into anyone’s dreams. They’ve never met face to face, but they have bonded. Online, however, Alex is aware of 37 users who claim to have similar experiences with “the healer”, whether they remember it or not. Descriptions vary, so they can’t nail who he/she is. Alex, Nicky, and Yen (in dreams), decide to go on an epic road trip to meet the board mod, who Alex is CONVINCED is the healer.
So we have couple episodes of teen-powered shennanigans, meeting Yen in person, meeting up with some of the other “healed” (they have their own hand signal and everything); some awesome... some fake. So they reach Nashville, in the spot... and mod never comes. Alex knows something is up; the mod never would have pulled this (father complex issues). They do some investigating, looking for clues and they find something left behind. A floppy disk... which none of them know what the eff to do with. And then, someone seeks them out. Let’s call him...Greg. Late teens, maybe early 20′s...knows everything about Alex and is able to convince Nicky and Yen that he’s legit. (but he’s totally not legit). And Alex is wary, because he always got the vibe that mod was... older? With a full grown kid. Some simple questioning, and he’s able to trip up Greg, who also doesn’t have powers.
Outted, Greg shows his true colors and summons the MIB and takes the three youths after a brief skirmish (they put up a good fight, but the MIB are so experienced with their powers), they are taken to “the Compound.” (dun dun dun). The Compound is basically a hold and experimentation facility for HUMANS with extraordinary abilities; the “healed.” Alex and crew think it’s the dark government... but it’s actually aliens; Antarians, cleaning up human anomalies left over from their failed hybrid units. And, get this: they call “Greg”...ZAN. Oh yes. Very “human” Greg is Max’s estranged son, who bounced around in the foster system, has nice shiny baby memories of being the son of a king and queen and loved... only to face a very cruel world that recognized him as nothing. He’s mostly an icon, being the son of two hybrids, but he’s though of being less by the Antarians because of his powerless genetics. He’s out to prove himself to the elitist species. 
Alex, Nicky, and Yen are able to escape from the compound with some clever thinking, and rallying beaten down inmates...on of the eldest being a man who was experimented on for 3 years. Despite his once peaceful ways and dry humor, he’s now a mind-warper with mad-skillz: Kyle Valenti (oh yeah. He HATES that that is his ability; self-loathing galore). The gang picks up another female, let’s call her Roxie (cause she got no-where to go!) and Kyle decides, after seeing what’s on the floppy disk (his dad, explaining why he started the website; because it was for the terminal kids who would grow up to have abilities, just like everyone else Max healed... but more people from the outside, all over, were getting abilities as Max and pod squad were on the run. Kyle is moved, and he decides that if the 4 want to meet the one who changed them to gain closure, he would be their guide. He explains the events of Roswell and the pod squad: the teens are floored that they are wrapped up in Alien stuff.
The plan is to go connect with Isabelle Evans, but on the way, Kyle diverts the trip when he sees an advertisement...for the singer Maria Deluca touring nearby (yeah, bear with me, I promise it will pay off). Nicky and Roxie are just rabid fans for Deluca so they are totes okay with this distraction. Touching reunion between Maria and Kyle. And Maria fills him in on the three years he’s been gone: 
War is coming to Earth. Kivar diverted political tensions to Earth with a very brutal and militant species. Like this specious tears through planets like a plague. Upset with Kivar, Antar sent emissaries to find one of the royal 4, from either set of hybrids, but only found Zan... who was eager to be found. With the promise of giving him powers, Zan was enlisted to track a hybrid down. He had a lead on Micheal Guerin, who seemed to be around the corner, during certain times in his life... but he was able to use Micheal to get to Max. Max thought that a reunion was to occur arranged by Brody...but he was thrown into a portal and beamed to an Antarian vessel. That was a year ago. 
Deluca declines going with the group to their next stop, unable to see LIz in the state she is in, getting pulled back into it all, and on top of it all...Maria is now a single mom of an adopted toddler: a boy. He’s her whole world and there was no room for anything else. Kyle and gang bids her farewell and continue  on.
I don’t know where Isabel is, but they arrive and she has a pretty nice house, job: picture of normalcy. But she’s a wreck... and she nearly falls to pieces when she sees Kyle after three years. Yes. They were a thing at one point; she she spent every night trying to connect to his mind and dream walk with him. She has a daughter, Cassie, who looks just like her mother and fully embraces her her alien heritage as a princess; she the worst. She gets to know Alex, Nikki, Yen and Roxie, and they are floored by her abilities... that she flaunts. (no, Kyle is not the father... and neither is Jesse: DUN DUN DUUUUUN)
After Kyle and Isabel have their well deserved moment, they decide that the kiddies can’t come along, because it’s WAR, so they are to stay at Isabel’s house. And not only that... but the Parker-Evans chldren (all 3 of them) are dropped off by SERENA, Liz’s work budy from the University Lab Research Team (WHO THE EFF IS SERENA???) Turns out Serena be cool, but she’s a human who doesn’t know about any of the alien stuff (but she’s like mad smart with theoretical science). So the adults leave to go on patrol, and the teens think this sucks, though the little Parker-Evans kids are happy to have new playmates. Cassie pipes up that she’s not going to stick around, since the eldest kiddo is 13 and can handle her younger siblings so she gonna go abuse her powers to go clubing. She coaxes Alex to go with her, Roxie is down... but Yen and Nicky decide to stay at the house to protect the kids. Yen isn’t so happy that Cassie appears to be sinking her claws into Alex.
Club shenanigans, but then Alex Guilts Cassie to give a crap about what is going on outside of her comfy life and she tags along with him and Roxie as they go to shadow after the adults. And what they find is is a Michael Guerin, Isabel Evans, and Liz Parker-Evans kicking some serious alien ass. They are trying to steal aboard a vessel to get access to the Antarian ship hovering over earth. Then this armored opponent appears and nearly smears Liz across the gravel, but Micheal and Isabel are able to hold him briefly, giving Liz and chance to get a clean shot... but she hesitates. She can’t do it... and the armored figure is about to break free. Things look dire for the three, so Alex and Roxie spring to action, getting in a good shot or two, but the figure retreats back to the ship in a beam of light. Liz, instead of thanking the teens, yells at them.
It had been Max. Stripped of his consciousness and replaced with the collective consciousness (see how I’m including some book stuffs???) of Antar: their memories of King Zan poured into the hybrid vessel, Max Evans. The idea was to have their reclaimed King challenge Kivar for the throne. But King Zan, a distorted version, as memories aren’t a replacement for a SOUL... and with the temperament of a human...straight up just kills Kivar. And leads Antar into a dark age. Wah-waaaaaah.
But there’s a problem: remember how Dupe Isabel made the comment that Max’s pod set are the defectives? Too human? Well, it’s true... and Max’s body, being too human, can’t handle the energies and massive power from the crystals that he’s wielding. (it’s all about the crystals, for Antarians: they bring people back from the the dead, serve as text messages, it’s great... oh, and some probably become huge ass weapons) So basically, Max’s body is dying from being too over-extended. It’s like a rubber band that can’t snap back into shape, but just get’s looser, and looser until it just TEARS.
Then of course we have to have an episode about how the main gang got to their current states: Liz and Max of course married right away, had their first kid a few years after Isabel had Cassie. Liz got an online education and worked her way up to a position at a research Lab, where she met Serena (WHO DAH EFF IS SERENA???) Meanwhile Max works a late third shift at a hospital, or rotates around, and heals the really desperate cases. Micheal is ever vigilant to protecting Isabel and Max/Liz’s families, being a hard as nails yet doting uncle.. but he’s kind of a bar fly, even though he can’t drink (he likes the ambience), but gets squirrelly whenever a Deluca Classic comes on the jukebox. He has regrets... many regrets. He wears down Max to give the kids a normal life, get a mortgage, enroll them in public school... cause they deserve the best life experience. Isabel had Cassie pretty early on...after Jessie...Isabel hit a low, especially when she facebook stalked him to find out he had moved on. So she goes out, grabs the nearest stranger, and... well...(but it’s kinda important WHO that person was... It was human-meat-puppet Kivar. Who’s never too far from his Valondra; he’s THE WORST) Meanwhile, Kyle bonds with Isabel during her pregnancy, provides for her, has a fling with her, but it is never fully realized because Isabel freaks and needs to have control over her life and her daughters, so he becomes a cool uncle to Cassie. He opens his own garage. Maintains highly secretive correspondence with his father, when he’s lured to meet up with his dad... which was never arranged by Jim. He was taken to “The Compound”. Max does get a house with a fence for his family, and just when they settled in, they get a visit from a mysterious boy: Ethan. And Ethan says “You’re my dad.”
But the thing is, Ethan doesn’t look anything like Max: it’s all Tess. The young man has a clear memory of his mother, that fits Tess’ description, and that she loved Zan. He’s a nice guy, sweet, but has had a slew of misfortune with abusive families. He grows on Micheal... in an annoying way. After a DNA test, at the insistence of Liz, they find that Ethan shares no DNA, and is certainly not human. And a simple alien connection reveals that this isn’t Tess’ son... but Ava’s...and Rath (WHA? EW! NO! But yusss. I’m not saying it’s a good match, but it happened) And Ava did love Zan, and wanted Ethan to find Max...because she wasn’t in a good situation and had to give up her son for his best chance (OUAT ALL OVER AGAIN) since Rath would probs chuck that full-blooded alien babe at Antar for brownie points. So Ethan is disappointed but willing to depart but Micheal is all “Stay with me, twerp. But get a job and help pay rent.” Ethan makes breakfast for his grumpy new big brother/dad everyday.
Feeling awful for her unwillingness to let Ethan in right away, Liz supports Max in tracking down his biological son. He’s afraid that the same fate fell on Zan Jr. Which, fyi, Zan lived a very average life... but he could REMEMBER the alien stuff, and his mother, and another world... so basically, he loathed his family and situation. So Micheal agrees to help track down Zan, because he’s become pretty good at that kind of thing, and reunites the two, with the help of Brody... and then... well... you know how that goes.
Okay. I have to stop for the night. UGH I’m almost thru. No, but this is GREAT, writing it down. Maybe finally this idea will be exercised from my brain permanently!
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Fandom Newsletter #4
Today is Friday, the 26th of October, and Welcome back to another Fandom Newsletter! 
Writers: Atlas, Blackpurrl, Fyne, YoursTruly Editors: Fyne and YoursTruly 
“Oh my God, Karen! You can’t just ask people why they’re white.” ~Mean Girls
Let’s get started! 
First to YoursTruly with the Horror, Hannibal, Tim Burton, Animation, and Gaming fandoms--
Horror: Horror fans love the new Halloween movie! The movie has been a massive success among fans young and old! The movie gives off a nostalgic vibe, even referencing the older movies several times throughout the film. However, if you’re going to see this movie, stay until after the credits, there’s a little surprise at the end. 
Hannibal: The Fannibals have began trying to bargain with show runner and producer Bryan Fuller for another season. The show left off on a not so satisfying conclusion, and many fans want more. Bryan Fuller has even teased the idea himself quite a few times. Will we get another season one day? Guess we’ll have to wait and see. 
Tim Burton: Disney is offering, throughout the month of October, Halloween themed cruises. They even offer an onboard show featuring Jack Skellington and Sally. And you can even meet these characters for pictures! Now that’s a cruise! Also- The Nightmare Before Christmas celebrates its 25th anniversary this year! 
YouTube: YouTube recently crashed worldwide for two hours. YouTube hasn’t said much about the incident, but problems like this are becoming more and more common on YouTube. Many people are wondering what the causes of these issues are. 
Animation: Goretober is in full swing! Many animators have been uploading their daily Goretober art. 
Gaming: The season of scary game releases is upon us! October is the month where many creators on platforms like Steam and Gamejolt are releasing their horror games in anticipation for Halloween. 
Now to Blackpurrl with the Harry Potter and Bands fandoms, along with World News--
Harry Potter: Countdown to Fantastic Beasts: 27 days!
Bands: Did you know, about twelve hours of songs are uploaded to SoundCloud every minute? Insane!
World News: Denmark Shooting for the Digital Stars
Next to Fyne with the Sherlock, Supernatural, and Spooptober fandoms, as well as the weekly positive news--
Sherlock - Ever wonder how our beloved show even came to be? Apparently, for years, writers Steven Moffat and Mark Gatiss took a train to and from Cardiff while working on Doctor Who, and discussed various projects they were interested in doing. One that kept coming up repeatedly was a modern-day adaptation of Sherlock Holmes. This reportedly went on for some time (with neither man making any particular effort to get it up and going) until Moffat’s wife, Sue, invited both men out for lunch. Her place of choice just so happened to be the Criterion, a watering hole and eatery in London’s Piccadilly Circus. It just so happens to be the same place where the fictional John Watson (Sherlock’s best friend) first hears of the famed detective. The two men got the hint and began working on the series, bringing us our show that we have today. I think we all owe Sue a little bit of a thank you, don’t you?
Supernatural - Did you notice that (according to Archangel Michael in the episode The Song Remains the Same) Dean and Sam come from the bloodline of Cain and Abel? So is this important? Or is this just another coincidence?
Spooptober - This year is the year that Halloween movie Hocus Pocus reaches its 25th anniversary. The premise of the movie is this: After moving to Salem, Massachusetts, teenager Max Dennison explores an abandoned house with his sister Dani and their new friend, Allison. After dismissing a story Allison says is superstitious, Max accidentally frees a coven of evil witches who used to live in the house. Now, with the help of a magical cat, the kids must steal the witches' book of spells to stop them from becoming immortal.A family favorite movie that almost everyone has seen and that is playing on at least one channel nearly every night of October. If you haven’t seen this iconic movie, you definitely should go channel surfing at some point this month.
Positive News - The words we use to talk about mental health can perpetuate stigmas. A new portrait project featuring people who have mental health issues aims to make us think again about the language we choose.
Lastly to Atlas with the Voltron, Musicals, and Movie fandoms--
Voltron: This fandom is a ticking time bomb set for December 14th. We are all going to die.
Musicals: George Salazar ships Boyf-riends! 
Movies: Who else wants a live action Corpse Bride?
Now back to Blackpurrl with the weekly movie review--
Movie Review: Hannibal Rising
This movie relays the story of Hannibal Lecter’s childhood. Although most of the especially gory parts are not on camera, the viewer eventually knows exactly what became of the victim. It provides an interesting plot, and explains why the famous cannibal does what he does. I would not recommend this movie to anyone under thirteen or anyone who cannot handle tragic stories. Overall, I’d give it a 10/10.
And back to Fyne with the weekly trivia fact and quiz--
Trivia Fact - Did you know that the inventor of liquid soap became paralyzed after he slipped in the shower?
Are you an optimist, a pessimist, or a realist?
1. You fail a test. What is your reaction?
A. I'm stupid. I’m going to fail my exams.
B. This was just a blip. I’ll do better next time. 
C. The questions were too hard. This is where my abilities stand.
2. You have quit smoking, but you accidentally have a cigarette. Which of the following is your reaction?
A. You have been set back, so you just go right back into the addiction.
B. You have been set back, but you believe you can quit again.
C. You have been set back, so you come up with ways to avoid similar circumstances that led you to the set back.
3. You are shown a picture of a man who isn’t smiling. What do you think this man is feeling/doing?
A. The man is plotting, rude, or experiencing something unpleasant.
B. The man is relaxing, thinking, or did not have enough time to smile. 
C. The man is posing for the picture.
4. A close friend of yours sets you up on a blind date. How do you feel about this?
A. You have no clue what your date is like and you are afraid they’re going to set you up with a complete loser.
B. You have faith in their opinion and want to see for yourself what your date is going to be like. 
C. You decide to see what your date is like and decide for yourself how well your friend did. 
5. You’re a business owner who goes bankrupt. How do you proceed?
A. You see this failure as a sign that you are not meant to be in this business and pursue other options.
B. You see this failure as a lesson and use it to help you further your business in future reference.
C. You see this failure as a sign and choose to make plans to pull yourself out of bankruptcy.
6. You get a raise. How do you feel about it?
A. You don’t understand why you got the raise and you wonder if there is an ulterior motive.
B. You accept the raise happily, glad that your hard work has finally been recognized.
C. Yay! More money!
7. You’re an accountant and today you made a mistake with a number. What is your reaction?
A. You figure out where you went wrong, and then feel horrible about it for a long time afterward, questioning your abilities and worthiness as an accountant.
B. You figure out where you went wrong, fix it, and move forward.
C. You recognize the mistake and move on. 
8. You have a bad day. Which of these is you after the day is over?
A. You believe that your life has been full of hardship and negative experiences.
B. You see the bad days as part of your life that help you grow or benefit you in some way.
C. Recognize that you had a bad day, and resolve to try again tomorrow. 
9. You are struggling with groceries and someone comes to help you. How do you respond? 
A. You become suspicious, tell them that you have nothing to give them, and maybe even yell at them to leave you alone.
B. You thank them and talk about their day or ask them about themselves.
C. You politely say thank you and either accept or decline their help. 
10. You go on a vacation. Which of these is you?
A. Complain about everything you do and could potentially do, and eventually wind up not wanting to do anything at all but watch TV in the hotel room.
B. You want to experience as much as the location has to offer, even though you had no plans about what to do.
C. You enjoy the vacation and plan extensively about what you want to do and when.
Mostly A’s: You appear to be a pessimist. Always seeing the bad and negative in everything probably isn’t helping you be any happier or lead a happier life. Try and maybe appreciate things more often.
Mostly B’s: You appear to be an optimist. Always seeing the good and positive is probably helping you be fairly happy, and even leading to a happier life style. Though try not to be too optimistic all the time because it may end up hurting you in the long run.
Mostly C’s: You appear to be a realist. I guess you’re sort of a neutral character. Good for you.
(This isn’t physiologically proven, its literally just a test I made up in my free time so don’t take the results to heart and please do not be offended)
And finally, back to YoursTruly with the weekly book review--
Book Review- The Life Of P.T. Barnum is a fantastic book for anyone who loves a good biography. The book is a wildly entertaining autobiography by P.T. Barnum about his own life, starting from his childhood and following him through all his adventures. All in all, a fantastic book. 10/10 
Wish our illustrator and writer Blackpurrl a happy birthday today! Comic is brought to you by our very talented artist, Blackpurrl. That’s all for this week, we’ll see you next week with another Fandom Newsletter! 
Signing off, 
Atlas, Blackpurrl, Fyne, and YoursTruly 
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randjadaptations · 3 years
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Romeo and Juliet in Music
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Romeo and Juliet has been showing up in music for well over two centuries now, but that doesn’t mean the medium is a forgiving place to tell the story. Much like the ballet, the older or more traditional songs have to rely solely on their instruments to get across a complex, layered plot to an audience that’s only listening. Unlike the ballet, though, those songs don’t have a dancer’s body and movements to help them out; they’re completely on their own. The arrival of more lyrics in songs has made getting the story across a little easier, but how do you condense a two-hour play into something that can be played in under five minutes? You could summarize it, sure, but that wouldn’t exactly get across any emotion. But even with all of that, people are still putting this story into songs. I’ve picked out a few of the most popular examples below. 
Tchaikovsky’s Romeo and Juliet (Listen here)
First written in 1870 and not completed until ten years later, Pytor Tchaikovksy’s Romeo and Juliet is a 20-minute long overture. It’s split into three parts: the first part is meant to represent Friar Laurence, the second part is for the warring Capulets and Montagues, and the final part is the “love theme,” which represents Romeo and Juliet’s relationship. The music itself is pretty phenomenal, which is what you get when you’re dealing with Tchaikovsky.. There are racing, anxiety-inducing violins and oboes that sound like pure doom, but there are also sweet little flute parts that warm your heart. Also, as someone who was in the percussion section of her school’s band for years, I appreciate a good timpani part when I hear it, and the timpani here was noticeably fantastic. 
This piece also has one of the most famous melodies of all time, and you’d think the section wouldn’t hit hard because you’ve already heard it a thousand times, but luckily, that wasn’t the case. It felt genuinely emotional. Even though the music was moving and clearly telling a story, it was pretty hard to figure out what each section clearly represented unless you did some reading beforehand. But even without knowing which part is for Friar Laurence, the melancholy and love contrasted with war and doom was still very clearly Romeo and Juliet. Still, I’d have liked to been able to more clearly know what was going on. 7/10
Love Theme by Nino Rota (Listen here)
Nino Rota wrote this three-minute piece for the 1968 Romeo and Juliet film (reviewed here), which also serves as the backbone for “What Is A Youth?”, a song that’s sung in the context of the film itself. It’s not nearly as long or complicated as Tchaikovsky’s attempt at getting the story of Romeo and Juliet across without words, as it’s mostly carried entirely by one violin. The melody is melancholy and nostalgic and overall, it’s effective. It aims for the softer, sad parts of the play and it hits them. It doesn’t tell the whole tale, but also, it isn’t trying to get across every nuance. It’s just going for the general mood, and it gets that. 8/10
Somewhere by The Supremes (Listen here)
Originally written by Leonard Bernstein and Stephen Sondheim for West Side Story (reviewed here), The Supremes decided to cover it in 1965 and they did a fantastic job. The moody trumpet and general jazzy feel makes it stand out. Despite jazz generally being upbeat, there’s a definitively tragic tone here with a distant hope, the idea that “somewhere, there’s a place for us,” but that somewhere isn’t here. The vocal parts are split perfectly and compliment each other well, and the final note is extremely strong. Another 8/10
Romeo and Juliet by Dire Straits (Listen here) 
I’m going to be honest: I hate this song. I hate it so, so much. This isn’t even coming out of a place of hatred for 80s music. I love 80s music! I just hate this song. The lead singer’s voice only ever hits one aggravating note that barely counts as a note, the guitar part is repetitive without being catchy, and the rest of the instruments are non-offensive, but they don’t make up for the hot mess that is this song. However, the worst part has to be that despite being one of the most popular uses of Romeo and Juliet in music, it has just about nothing to do with Romeo and Juliet. It feels like they just put the names in there at random. In this song, Romeo and Juliet were together, but Juliet got bored of Romeo and left, and now Romeo is depressed. Honestly, if they wanted to make an allusion to Shakespeare, Rosaline and Romeo would fit much better, but the fit isn’t very close and those names don’t sell records. There’s no reference to the family strife that borders on a gang war, none of the emotions or themes one might associate with the story, nothing. They aren’t even dead at the end of the song! This is not Romeo and Juliet. This isn’t even an allusion to Romeo and Juliet. This is a crime against me personally. Its continued existence plagues my nightmares and my heart will never know peace or joy. Why did God allow this to happen? 1/10
Exit Music (For A Film) by Radiohead (Listen here)
Much like the name implies, this song is the end credits for a film! Specifically, it’s the end credits song for the 1996 movie version of Romeo and Juliet (reviewed here). This song was written based on scenes sent to the band by Baz Luhrman, which included the scene where Romeo and Juliet meet and the last 30 minutes of the film. The instrumental backing is gloomy, and the lyrics hint at family strife and two lovers escaping before taking a turn for the worse, for what is clearly their deaths. There’s an actual choir in the background, and by the end, the overwhelming sense of defeat and emptiness makes me want to lay down on the floor for several hours. 9/10
Love Story by Taylor Swift (Listen here)
This song is so incredibly catchy. Listening to it just once will have it stuck in your head for the rest of the week, if not the month. And at first, that’s great! But it does get old after several hours of having it on loop in your brain. There are lots of things in this that are clearly very Romeo and Juliet in this song, including family disapproval of the romance, a balcony, and mentions of a ball. Unlike some songs, the names weren’t just thrown in there just to be there. However, it’s very upbeat, which can work if you’re talking about the first two acts. Unfortunately, it stays upbeat throughout the entire song, and Romeo and Juliet are given a happy ending with family approval and no murder. I get why people like happy endings, but a happy ending to Romeo and Juliet undermines everything that the play is about. Just write something else if you want it to end without bloodshed; leave Romeo and Juliet alone. 3/10
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instantdeerlover · 4 years
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The Chicago (Quarantine) Dinner & A Movie Guide added to Google Docs
The Chicago (Quarantine) Dinner & A Movie Guide
If you’re like us, right now your evenings revolve around two main questions: What to eat, and what to watch. Because let’s face it, there isn’t much else to do. So we’re here to make sure you’re doing dinner and a movie right. Below, you’ll find our picks for great delivery, and the perfect classic (according to us) movie to pair with it. We’ll be updating this regularly.
The spots J.P. Graziano Grocery & Sub Shop $ $ $ $ American ,  Sandwiches  in  West Loop $$$$ 901 W Randolph St 8.0 /10
Movie Pairing: Minority Report (Netflix)
“This 20-year-old sci-fi movie (based on a 1956 short story) takes place in 2054, and it’s always fun to see what older sci-fi gets right. In Minority Report’s case, it predicted targeted advertising long before attorney ads started appearing on your phone after a fight with your spouse. And seeing pre-crime cop Tom Cruise frantically wave his haptic gloves in front of a sophisticated future computer is even better when paired with the carefully-engineered sandwiches from GP Graziano. For example, the muffuletta, which has the perfect ratio of meat to giardiniera to fluffy bread. It’s also a nice nod to the sandwich Cruise doesn’t end up eating after his black market eye replacement surgery. But you should definitely eat yours before that scene - it’s pretty gross.” -AK
Bavette's Bar and Boeuf $ $ $ $ American ,  Steaks  in  River North $$$$ 218 W. Kinzie St. 8.8 /10
Movie Pairing: Clue (Prime)
“Bavette’s is my favorite place to eat far, far too much, and forget about the concepts of time and space and sobriety. But it also possesses the same mysteriousness that you’ll find in Clue. Whenever I eat here, I spend most of my time creating backstories for everyone else in the room and theorizing how we all ended up in the same dark and indulgent hall of meat at the same time. And even if none of us can currently experience that in person, sitting on my couch with a ribeye, bacon, creamed spinach, and some sourdough while watching Tim Curry do his Tim Curry thing is almost just as good. Just don’t touch my chocolate cream pie, or else the story’s going to end with, “Me. In the kitchen. With the lead pipe.” -MB
Lao Sze Chuan $ $ $ $ Chinese  in  Chinatown $$$$ 2172 S Archer Ave 7.8 /10
Movie Pairing My Cousin Vinnie (Hulu)
“I’ve always wondered why Marissa Tomei’s character Mona Lisa Vito in My Cousin Vinny is so hellbent on getting Chinese food in rural Alabama. They’ve just arrived in town after a nearly 16-hour drive where her fiance (Joe Pesci AKA Vincent Gambini AKA Joey Gallo AKA Jerry Callo) has to defend his nephew and another innocent young kid from getting put in the electric chair. One of the first words out of her mouth is “I bet the Chinese food here is terrible.” She’s being sarcastic, but there’s a deep layer of frustration in what she’s saying. I guess when you’re craving Chinese, nothing else will do. Order the salt and pepper prawns and the twice-cooked pork from Lao Sze Chaun and watch Tomei put on one of the best performances in movie history.” -CM
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Movie Pairing: Cabin In The Woods (Hulu)
“I’ve had the privilege of seeing Cabin In The Woods with a skeptic who didn’t know anything about it. They were expecting a typical horror movie, and it was deeply gratifying to watch their surprise as it slowly registered how funny this movie is. And because most of Cabin In The Woods takes place (wait for it) in a cabin in the woods, it goes perfectly with food from Frontier, a restaurant that actually has antelope on the menu. You can go full cabin-mode and get elk or wild boar. Or take a cue from the movie and do a genre switcheroo. Order Frontier’s “stoner dinner” that includes a cheesesteak, flamin’ hot Cheetos, and red-velvet deep-fried oreo. What’s this spot doing with this particular meal on their menu? It doesn’t matter, just appreciate the surprise.” -AK
Pho 777 $$$$ 1065 W Argyle St
Movie Pairing: The Muppet Movie (Disney Plus)
“There are some things in this world that have an immediate calming effect. In this case, though, I’m referring to the opening notes of “The Rainbow Connection” played by Kermit the Frog at beginning of The Muppet Movie - not anything that comes in gummy form. The second I hear that banjo, I take a deep breath and know that for the next 97 minutes, I get to sit in a warm, content state and wonder things like, “But why a Studebaker?” and “Was there really a market demand at the Bogen County Fair for dragonfly ripple ice cream?” Pho makes me feel similarly, especially the Tai Bo Vien at Pho 777. It comes with round steak and those mysterious squeaky meatballs, and just the smell of the broth makes me feel f*ckng great. However, a gummy for dessert doesn’t seem like the worst idea either.” -MB
Split Rail $ $ $ $ American ,  Bar Food ,  Gastropub  in  Humboldt Park $$$$ 2500 W Chicago Ave 7.7 /10
Movie Pairing: My Girl (Netflix)
“My family used to own funeral homes. Like, seriously, Six Feet Under-style. Thankfully the business was sold before I was born, so I didn’t experience growing up in one. But my dad did, and that’s who I saw My Girl with for the first time. And he, a 46-year-old man, identified with 11-year-old Vada Sultenfuss even more than I did (an actual 11-year-old girl). Everything about this movie is very nostalgic and makes me feel coming-of-agey and sweet. Well, except for the traumatizing bee scene. Either way, nothing goes better with that feeling than a plate of fried chicken, mashed potatoes, and fluffy biscuits from Split Rail.” -AK
Machine: Engineered Dining & Drink $$$$ 1846 W Division St
Movie Pairing: Tank Girl (Netflix)
“Tank Girl combines two of my favorite movie things: a post-apocalyptic wasteland and awesome futuristic hair. And while Mad Max is the dystopian GOAT, during this current situation I’ll take brightly colored ass-kickings delivered by Lori Petty over the grim brooding of Furiosa anytime. Basically, it’s the feel-good post-apocalyptic movie you didn’t know you needed. And nothing goes better with the fun, ridiculous tone of this film than one of the slightly-silly cocktails from Machine (they come with candy cages and a little hammer), and pairing it with a giant bag of Cool Ranch Doritos.” -AK
Tempesta Market $ $ $ $ Sandwiches ,  Deli  in  West Town $$$$ 1372 W Grand Ave 8.2 /10
Movie Pairing: _The Other Guys (Neflix)
“ I like The Other Guys so much I re-named my Wifi network Dirty Mike & The Boys. And every time I watch it, there’s something hilarious that I hadn’t noticed before. Like when I found out that the scene where Will Ferrel explains to Mark Whalberg that a lion attacking a tuna would be a bad idea was completely improvised. I could go on about all the phenomenal details in this movie, and how there’s truly just no wasted space at all. It’s hard not to say the same about Tempesta Market’s menu, where everything on it feels essential. Besides their delicious sandwiches (including a bacon, lettuce, tomato, egg, and giant hashbrown creation called the “Potato-nator”), they also sell a ton of stuff that will keep your pantry stocked. From Italian staples like giardiniera, dry pasta, and olive oil to wine, beer, meat, cheese, and gelato. If you’re (understandably) feeling like Whalberg’s character right now (“IT’S A BAD TIME, BOB!”), order something from Tempesta.” -CM
Gene’s Sausage Shop $$$$ 4750 N Lincoln Ave
Moving Pairing: Ferris Bueller’s Day Off (Netflix)
“You know what I want to do right now? I want to go outside and dance in a crowd and sing in the street and take a joy ride in a vintage Ferrari while the Star Wars theme song plays in the background. Yes, I want to be Ferris for an afternoon. This movie makes me think of everything great about Chicago in the springtime - and like all great things in life, includes a nonsensical parade that peaks with the greatest lip-syncing of “Twist & Shout” ever filmed. Unfortunately, none of this is currently possible. So instead, I’ll settle for watching Cameron’s Seurat-induced epiphany over a few brats from Gene’s and pretend to be Abe Froman, the sausage king of - well, my apartment - for the day.” -MB
Sun Wah $ $ $ $ Chinese ,  BBQ  in  Uptown $$$$ 5039 N Broadway St 8.1 /10
Movie Pairing: Arrival (Prime)
From the minute Arrival starts, it’s clear that the stakes are as high as possible: the fate of the human race is in question because aliens. This is the kind of movie I live for - one that makes me so anxious I feel like I’m going to puke because I’m so invested in the characters, even with their giant flaws (this is also why I’m a Bulls fan). Therefore, the best way to watch Arrival is with as little distraction as possible since there’s already a lot going on (like how can a language make you time travel??). That’s why getting a barbecued duck combo from Sun Wah is ideal - you can just hold the takeout container up to your mouth and mindlessly eat as you watch Amy Adams try to save humanity.
Dimo's Pizza $ $ $ $ Pizza  in  Wrigleyville $$$$ 3463 N Clark St Not
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Movie Pairing: Gremlins (Amazon)
“Hear me out: we are all Gizmo right now. After a month of being at home without access to my salon, gym, and favorite restaurants, I can definitely relate to the transformation from a sweet, adorable mogwai into a bitter, hideous gremlin - not to mention the compulsion to eat a ton of junk food after midnight. And eating something that only a child or drunk person (like mac and cheese pizza or s’mores pizza) from Dimo’s is what we all need. It’s the ultimate in pandemic f*ck it food.” -AK
via The Infatuation Feed https://www.theinfatuation.com/chicago/guides/the-chicago-quarantine-dinner-a-movie-guide Nhà hàng Hương Sen chuyên buffet hải sản cao cấp✅ Tổ chức tiệc cưới✅ Hội nghị, hội thảo✅ Tiệc lưu động✅ Sự kiện mang tầm cỡ quốc gia 52 Phố Miếu Đầm, Mễ Trì, Nam Từ Liêm, Hà Nội http://huongsen.vn/ 0904988999 http://huongsen.vn/to-chuc-tiec-hoi-nghi/ https://trello.com/userhuongsen
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Once-sleepy St. Petersburg, Fla., awakens with vibrant arts and nightlife scenes
Paul Abercrombie
Sizing up the triangular downcourt target, I wonder if my wife and teenage son realize what an only-in-Florida scene we make.
Not only are we playing shuffleboard. We’re doing so in downtown St. Petersburg, as card-carrying members of the seaside city’s historic shuffleboard club, the largest in the world. You really can’t get more Sunshine State than this.
While older folks are shoving pucks on this Friday afternoon, most players are far younger, many in their early 20s and hoisting cans of beer. The club and city, it seems, have experienced quite a revival.
Like most of our friends, when we moved to neighboring Tampa nearly three decades ago, my then-girlfriend, now-wife, Gail, and I regarded the half-hour drive across the bay to St. Pete as about as fun as a trip to the DMV. Derelict buildings seemed to outnumber retirees in a town long derided as "God’s Waiting Room."
My. How times have changed.
Today, St. Pete’s arts and nightlife scenes are palpably more vibrant and hipper than Tampa’s, as a result of the young people and entrepreneurial small businesses that have enlivened its walkable downtown. On weekends — and many weekdays – waterfront cafes, restaurants and bars are packed. Hotels grand and small have been refurbished and are newly popular. Fellow Tampans, you’ll hate me for saying this, but you know it’s true: St. Pete is cooler than Tampa.
Hankering to experience more of St. Pete than we’ve been able to on day trips and occasional overnight visits, the three of us decided to stay for a proper weekend. Besides revisiting some favorite places, we’d check out some newer spots we’d heard good things about.
We drop our bags at the city’s iconic pink confection of a hotel, the Vinoy, a Mediterranean Revival-style historic landmark near the bay. Then my wife and I walk with our 15-year-old, Ewan, several blocks southwest to Il Ritorno, a newish restaurant whose riffs on traditional Italian dishes have been getting raves from friends. As spirited as our shuffleboard game earlier in the day, it couldn’t account for how avidly we tuck into a dinner of pan-roasted branzino and rib-eye steak. A shared plate of lovely taleggio-filled agnolotti, flecked with crispy bits of fried lamb belly and charred leeks, is surprisingly light.
A post-dinner stroll along Beach Drive to our hotel takes us through a lively crowd of genial revelers old and young, dressed up and down and everything in between. The strumming of the handful of guitar-playing buskers we pass is pleasant enough, but it’s the dapper older guy seated at a table covered with several dozen wine glasses of various sizes that compels us to stop. Above the vessels, half-filled with water, his hands whirl, fingers tracing the rims, producing a spot-on musical sampling of everything from Beethoven’s Ninth Symphony to the "Star Wars" theme song. Awed, we linger to listen and to chat. He tells us his name (James Turner), and about the art of playing the glass harp, which he says he has done on big-time TV shows in the United States and abroad. We agree this was yet another reason to stay the night.
The next morning, we drink coffee on our hotel balcony, admiring how eclectic the town has become. In the pool below, a half-dozen aging athletes move more or less in unison to the commands of a much younger water aerobics instructor. Across the street, in the bay, an armada of toylike sailboats navigates around sleek motor-powered yachts. About a mile farther south, propeller planes take off and land from the city’s tiny bayside airport, just beyond where, a little more than a century ago, the world’s first commercial passenger flight took place — a small, wooden seaplane that went to Tampa. To the south, the landmark St. Pete Pier awaits its snazzy redevelopment. To the west, the first of a dozen-odd planned new buildings, some of which will be high-rise condos and apartments, soars above downtown St. Pete’s once-modest skyline. But I’m pleased to know the city’s quirky neighborhoods remain intact.
By the time the seniors cede the pool to young kids and their parents, we remember we have an appointment to keep. Hoofing it several blocks southwest, we meet St. Pete-born muralist Derek Donnelly in an alley off Central Avenue. It’s in these back streets that he and a few other artistically inclined teens began experimenting with cans of spray paint. A decade later, his formerly "semi-legal" public art career has gone legit. Today, he juggles commissioned painting gigs with the city-sanctioned tours he leads of St. Pete’s outdoor mural scene.
Through once-seedy downtown passageways, we stroll as if through an open-air art gallery with our amiable, tattooed docent. Derek points out examples of his own work, but seems most enthusiastic talking about murals done by the growing number of fellow hometown artists, as well as national and international ones. No two murals seem similar. And none is blessedly of the "beaches and margaritas" Florida genre Derek says some tourists expect. We pass ’60s icon Twiggy, painted by local artist Chad Mize, gazing dreamily from an alley wall, and Los Angeles graffiti artist Shark Toof’s fearsome red and black shark splashed across the backside of the State Theatre.
As if on cue, a city bus pulls up to a stop nearby. It’s wrapped with an image of the same swirly, multicolored mural that covers a wall of a three-story building in front of us.
"This mural stuff is contagious," Derek says with a laugh.
At lunch on the covered outdoor patio at nearby FarmTable Cucina, we compare photos of murals and marvel at the food. We take turns trying to describe the fried cauliflower’s flavors, which seem to outnumber its ingredients, including finger lime, golden raisins, guanciale and sea urchin aioli.
"Don’t you feel like we’re not even in the same state anymore?" Gail asks. To which we all agree.
If I hadn’t recently visited — and very much enjoyed — the city’s Morean Arts Center collection of fantastical glass sculptures by Dale Chihuly, I might stupidly have begged we skip the mile-plus-long amble up Central Avenue to the just-opened Imagine Museum, which showcases studio glass artworks. Over the hour we spend browsing the museum’s collection, I lose count of how many times we say "That’s cool" and "That’s amazing." Among our favorites are the rumpled vessels fashioned from glass threads by Toots Zynsky and the sea-creature-like sculptures of William LeQuier.
Wandering back down Central Avenue, we pass shops and restaurants old and new as if time-traveling every few paces.
Several bayside blocks from our hotel, we pop into the fittingly odd-looking Salvador Dalí Museum, packed with more of the mustachioed artist’s works than anywhere outside of Spain. Though it’s among our favorites, we’re feeling a little museumed-out, so we cut short our visit to seek out an encore performance by our glass harpist pal on the way back to our room.
Having been content to explore the compact downtown by foot, we agree with some reluctance to drive six miles west to the Reading Room for dinner. The new restaurant, which says it strives for "a modern approach at nostalgic tastes," has been gushily praised by friends and media getting gushy praise from friends and media alike.
I can’t remember a dinner conversation focused so much on what’s on our plates and in our glasses. Gail says her sgroppino cocktail, garnished with a mint leaf affixed to the rim with a tiny clothespin, is better than any she has had in the drink’s Italian hometown of Venice. We debate whether the quirky and delicious beets and berries dish would work as well for breakfast as it does for dinner. Yes, we decide. We concur at first bite that the browned butter and persimmon cake, topped with a scoop of delicately funky La Tur cheese, is among the best desserts we’ve ever tasted.
Sunday morning brings fresh balcony-side theater. Below, hotel staff scatter and hide hundreds of multicolored plastic Easter eggs in preparation for kids to hunt. A gaggle of millennials arrives at the downstairs restaurant, their laughter and casual dress signaling that they’re in search of a post-night-on-the-town brunch and Bloody Marys. Skyward, we spy an osprey that has swung by for breakfast and is flying northeast with a freshly nabbed fish in its talons. It reminds me of the places we didn’t get to on this trip: the white sugar-sand beaches and the mangrove-lined waterways that can be explored by kayak. We’ll be back; after all, they, too, are only a short drive from home.
—-
IF YOU GO:
WHERE TO STAY
– The Cordova Inn
253 Second Ave. N
727-822-7500
Refurbished, homey, 1920s-era hotel with 32 rooms, which start at around $110. Complimentary breakfast includes fresh pastries from nearby Locale Market.
– The Vinoy Renaissance St. Petersburg Resort & Golf Club
501 Fifth Ave. NE
727-894-1000
Landmark historic waterfront hotel that appears to be made from pink meringue. Amenities include a day spa and five restaurants. Rooms start at around $200.
– Avalon Hotel
443 Fourth Ave. N
727-317-5508
Despite its South Beach-like art deco decor (plus a bunch of other styles), it’s cozy and laid-back. Guests are welcome to use the pool and other amenities of its sister Hollander Hotel next door. Rooms start at around $100.
WHERE TO EAT
– Il Ritorno
449 Central Ave.
727-897-5900
Updated takes on traditional Italian fare, served by friendly staff in spare-but-not-austere digs. Open Monday through Thursday, 5 to 9:30 p.m., Saturday and Sunday, 5 to 10:30 p.m. Entrees start at around $19. A five-course tasting menu costs $75.
– FarmTable Cucina
179 2nd Ave. N
727-523-6297
Casual, Italian-inspired restaurant located on the second floor of Locale Market. Its expansive and comfy outdoor patio seating is ideal for dining or drinking from the restaurant’s impressive cocktail and wine lists. Open Monday through Thursday, 11 a.m. to 10 p.m., Friday and Saturday, 11 a.m. to 11 p.m., and Sunday, 11 a.m. to 9 p.m. Entrees start at around $21.
– Reading Room
6001 Central Ave.
727-343-0052
Eclectic dishes emphasizing local ingredients, many of which are grown on the restaurant’s property. Open Wednesday through Sunday, 5 p.m. till late. Small plates start at $15, entrees $27.
– Paul’s Landing
501 Fifth Ave. NE
727-824-8072
Casual and family-friendly, this newest restaurant at the Vinoy is no mere hotel brunch spot. Great bayside views aren’t wasted on a menu that includes inventive riffs on old Florida cuisine. Open Sunday through Thursday, 11 a.m. to 9 p.m., and Friday and Saturday, 11 a.m. to 10 p.m. Smoked fish spread with crunchy, pickled veggies and grilled bread ($14) and grilled rock shrimp, served with avocado and pickled onion atop toasted slices of bread ($12) are especially tasty.
– Bodega
1120 Central Ave.
727-623-0942
Casual, Latin American-inspired restaurant with a deservedly cultlike local following. Open Monday through Wednesday, 11 a.m. to 9 p.m., Thursday through Saturday, 11 a.m. to 11 p.m., and Sunday, 11 a.m. to 9 p.m. Popular dishes include the Lechon platter, slow-roasted mojo pork with grilled onions ($9.25), grilled tempeh with sweet and spicy slaw ($9.50) and maduros (fried sweet plantains, $4).
WHAT TO DO
– St. Petersburg Shuffleboard Club
559 Mirror Lake Dr. N
727-822-2083
Founded in 1924, the oldest and largest shuffleboard club in the world has, in recent years, experienced a renaissance (and inspired a copycat club in Brooklyn). Open to nonmembers Tuesdays and Thursdays, 6 to 9 p.m. ($5 per person), and Friday, 7 to 10 p.m. (Admission is free, although a donation of $2 per person is suggested.) Alcoholic beverages aren’t sold, but visitors are free to BYOB.
– St. Pete Cultural Tours
727-212-7280
Local artist-led guided walking tours of the city’s several dozen outdoor murals. Regular tours run Saturday and Sunday mornings from 11 a.m. to 1 p.m. $20 for adults, $5 for children 5 to 18 and free for younger kids. Private and group tours can be arranged for other days and times.
– Imagine Museum
1901 Central Ave.
727-300-1700
New museum showcasing contemporary American studio glass, with (so far) more than 500 artworks by more than 55 artists. Open Tuesday, Wednesday, Friday and Saturday, 10 a.m. to 5 p.m., Thursday, 10 a.m. to 8 p.m., and Sunday, noon to 5 p.m. Admission: $15 for adults, $10 for children 7 to 18 and free for children 6 and younger.
– The Salvador Dalí Museum
1 Dali Blvd.
727-823-3767
Home to the largest collection of artist Salvador Dalí’s works outside Europe, the bayside museum also hosts visiting exhibits of various artists, often contemporaries of Dali. Open daily from 10 a.m. to 5 p.m., except Thursdays, when it’s open from 10 a.m. to 8 p.m. Admission: $24 for adults, $17 for students 13 and older, $10 for children 6 to 12 and free for children 5 and younger.
INFORMATION
Abercrombie is a writer based in Tampa. His website is paulabercrombie.com; find him on Twitter: @paulabercrombie.
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