I started writing yet another tag essay in the notes of a different post where OP posited that the reason established relationships that are rock solid or functional are hard to write and find in fiction because there's missing tension due to the lack of will they won't they, and how one way to solve this in a story is to make the characters insane about each other. (The post is here.)
And don't get me wrong! I like when characters are a little or a lot unhinged about each other! and I also like relationships that self destruct, tragedies that end badly, and all that jazz I enjoy these things a lot! They're good things!
But I'm thinking about relationship tension again and how like, okay yes sometimes we want our characters confess they're in love with each other and get together and sail off into a soft epilogue, etc. This too is love!
But I think fundamentally to deny the fact that two (or more) people can love each other deeply, be totally committed to each other, and yet still have difficulties and life problems to tackle together is an underexplored facet of romance. The mundane of this is where the real romance lies on our day to day as people, and I find this so...rarely? tackled in fiction?
Maybe this is because I'm ace, but I feel that there's a distinct? vibe to these sorts of mature and enduring romances where like, the love is there, the commitment is there, but we still have moments we need to work for it because that's life and we work for it because we find each other worth it.
What is more romantic than compromise with someone you care for deeply? What is more romantic than tackling problems together and trying to come to an agreement and sometimes not being able to but still having done your best and accepted the outcome anyway?
What is a long lasting relationship that isn't about give and take and growing together or coming apart? Aren't those stories interesting? How could any long lasting relationship where people are deeply in love with each other be boring when like, to BE in a relationship with someone for ten, twenty, thirty, sixty years and come out the other side of that saying 'you're the one, you're still the one, you've always been the one' is one of the most wild and rare type of relationships to have?
What sort of sacrifice and compromise and work it takes to build that sort of relationship, isn't that interesting? To persist despite moments of doubt and periods of despair and all the work it takes in mundanity? all the trials a relationship like that has to survive and has survived, isn't that still tension? isn't that still interesting?
Maybe it's just me that I find this more interesting than "will they? won't they?" Either they will or they won't but when I'm reading a romance they mostly will! But do they have what it takes to stay there? And if they do isn't that one of the most interesting things in the world to look at?
Isn't that also love?
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The JL keeps trying to stop Captain Marvel from talking to the media (and it’s not working)
The jl held a meeting about marvel’s conduct with cops bc he got a little too excited and suplexed a cop completely fucking forgetting he’s a 7ft buff ass man (the video goes viral for months) and the press is having a fucking field day with this bc ‘Captain Marvel Hates The Government!’ ‘Justice League Member, Captain Marvel, Shows His True Colors…?’ ‘Fawcett Superhero Attacks Civilian!’ ‘Captain Marvel Sends Police Officer to ICU!’ ‘Philadelphia Hero Puts Public Servant In Coma’ and shit like that is on the front page of every newspaper, magazine, and tabloid for the next eight months at least
so they’re like ‘hey you gotta say something! The people think you hate the us government esp the police!’ and he’s just sitting there confused before he says very slowly and clearly ‘But I do…I fucking despise them’
Barry and Hal are fucking losing it bc this is the guy that says ‘darn!’ in the heat of battle and has said on multiple occasions ‘Well, that’s not very nice, now is it?’ to opponents that destroy worlds for fun
like this guy still tries very hard not to make faces at the broccoli on his plate in front of the jl (and fails)
this guy hears a yj member or even the very adult titans cussing and going on the longest rant bc ‘I’ve not heard such foul language in all my years-!’ and what’s this ‘‘I’m an adult’ nonsense?? I’m older than Ravens grandfather 🤨 When you get to be my age-’
they’re all so pissed when they hear him cussing like a sailor playing video games on cyborgs phone the next day and he’s playing fucking temple run at that
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okay folks, it’s Katie Rose Clarke appreciation time.
she is an absolute icon. i’m telling you, she was born to play Glinda. she is one of few actors i’ve seen who highlight the stark difference in Glinda’s life in Act One and Two so well. i mean the difference between her Popular and Thank Goodness is CRAZY.
not only that, but she’s played alongside SO MANY elphaba’s, yet brings something different and refreshing to the role every time she’s alongside someone new. and that’s not easy, considering that she’s literally the longest running Glinda (on Broadway? in total? not completely sure but she’s played this role a lot).
she’s utterly hilarious but she’s also completely heartbreaking, soul twisting, gut wrenching, whatever other words you wanna use i ran out. the emotions are so raw, you can tell she loves this role and she loves her job. if you haven’t seen her perform anything (not even just wicked. her light in the piazza performance is astounding.) RUN your little legs over to youtube and search her name because she’s SO GOOD.
anyway long story short i love KRC and you should too.
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i need all future comics writers of frank (and anyone on DDBA) to stop trying to write him as a guy who had a normal childhood and was always just kinda Like That. or that he was simply destined to become the punisher, but that’s kind of a separate topic.
people who go into the military at 18 rarely have normal childhoods, they are often raised in abusive environments that are normalized. the urge to go into the military typically does not come from people who aren’t used to some form of abuse, because why would you willingly want to go into that? unless you are susceptible to indoctrination toward having faith in a system from a young age and aren’t able to discern the red flags? the military system preys on poor young men in particular by scouting them and offering all these bells and whistles (free college, healthcare, community) and feelings of importance, but then just forgets about them afterward.
side note: it’s actually such a disservice to many veterans to forget about how the military is an abusive system. it literally strips you of everything with no help in reintegrating back into society (other than by members of the same community). i get TPS1 tried to do something with this but dropped the ball. it feels like many writers just use his marine background as some sort of fun fact that only comes into play with certain things, but it very much shapes who you are and changes your identity. it’s a very cult-like system.
many people who want to serve are related to others who have prior. many people (especially men) who want to serve at that age have an underlying need that they think can be met. many people are brainwashed by military propaganda and believe it is the right thing to do. especially when it comes to religion, there’s this idea of men using their bodies to protect the innocent that goes back hundreds of years, and this idea of serving god, which we see young francis try to do in two ways. (side note: why do they keep removing his religious background? i liked the nod to it in the nmcu but it seems modern comics writers (looking at you jason aaron) just forget this?) besides, the functions of religion for people are very similar to the functions of the military as far as members go, namely community and a sense of greater purpose.
to me, as a reader/watcher, threads of probable abuse history are present in frank’s character, and i wish we had a writer brave enough to write about it. why else would he care so much about innocents and victims? why else would he become suicidal and guilt stricken when he hurts an innocent? it makes you think: was there no one who protected him or someone else he knew?
and this may not mean anything but idk i think he’s so much more tragic and juicy if you look at him like someone who is not the perfect victim (and maybe doesn’t even recognize their abuse) but someone who instead of healing and becoming soft, becomes angry and violent afterward. trauma, especially repeated trauma, does not effect people all the same way and i really wish they would just be bold enough to work with that. i get trying to piss off the alt right but completely changing the character to fit the same stereotype of a ‘psychopath’ (which is an outdated term) as they do in horror movies about killer children is just poor writing. again, talking about punisher 2022, but this was kinda in nmcu too. and sure yeah they’ve retired his character (but not the punisher….? ok) in the comics, but for when he inevitably does come back, yeah.
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5 gc game: au where Izuku is Iida's cousin
1- Hiromi Midoriya, Inko's older sister, marries Tenari Iida, and has a son Tensei, who's the pride of the family. When Tensei is six, and Inko is sixteen, her and Hiromi's parents die, leading her to move in with her older sister's family while she finishes high school and gets started in college. That's when Inko decides she wants to have a kid one day too.
2- Inko marries Hisashi and has Izuku, and is delighted when her sister has another kid around the same time too. Little Izuku and Tenya are practically raised together for the first few years with how often they visit each other. But the Iidas... Don't quite love that, not exactly approving of Hisashi, and the gets worse after Izuku is found too be quirkless. They pressure Tenari to pull his family away, and he is convinced and Hiromi unsure if she can stop it- but Tensei, now the star debut hero Ingenium and the future of the family, puts his foot down in defense of his aunt and cousin.
3- Tenya and Izuku do end up around each other less anyway as they end up attending different primary schools- Tenya is sent to an expensive private one that Inko and Hisashi can't afford (and won't let Tensei pay for). But still, they are close, and see each other weekly at least. Tenya was honestly unsure and nervous about Izuku being a hero at first, but Tensei smiled and said that he knows Izuku can do it because he's kind, cool, and smart, and he's seen plenty of different types of heroes at Idaten. Tenya knows Tensei can never be wrong, so obviously Izuku and he can be heroes together!
(and if Tensei was just saying that to make a five year old kid not cry, well. That's his business)
4- Izuku doesn't tell Tenya about the bullying. Tenya doesn't tell Izuku that he wants to be an Idaten hero even if that means they don't work together. That puts some stress on them, but that's mostly what they worry about when on their own, forgetting their troubles when they train together.
Uh. Izuku also does not tell Tenya about OfA, which means the exam goes from excitement that they were in the same zone together to panicked as Tenya's cousin apparently explodes himself
5- the two of them don't hide that they're cousins in class, though neither bring up Tensei or Idaten except with each other. That changes very suddenly after the SF, both flooded with condolences. Izuku's grieving a lot himself, and he's furious at Stain, but he's spent too many years being told he's weak to have the misguided belief that he's strong enough to take him down himself. He knows what Tenya is thinking though, and as soon as he sees him put down "Manual", he panics.
Izuku doesn't even have an offer from Idaten with Tensei in the hospital, but he knows he has to stop Tenya. So he contacts Manual, apologizes, and asks if he could have an internship with his cousin. Manual, somewhere between pushover and people pleaser that he is, agrees.
All Might then shows up with the letter from Gran, and Izuku knows he should focus on OFA but... His cousin needs him. And he already agreed to go to Manual. All Might isn't sure if he feels relief or more stress, and passes that on to Torino.
This has the effect of:
Tenya very upset at his cousin not leaving him alone
Manual relieved that Izuku is not also there for vengeance, which lasts about half an hour until an old hero, Gran Torino, walks into his agency and announces he's here to help train both boys
Manual drags Gran out after the first hour of training to ask him what the hell he's doing, and Gran explains two things: one, he is the single most qualified person to teach Izuku to not blow up his bones, and two, he might also be the single most qualified person to keep Tenya from running out on a suicide vengeance quest, since he had to do that before with an even stronger, pissed off and broken hearted hero student. Manual throws his hands up and decides to roll with it, especially as they can hear Izuku in the other room trying to physically stop Tenya from escaping.
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