as spooky season grows ever closer, i want everyone to do themselves a favor and look at this: The Cabinet of Curiosities.
it's a website full of creepy and unnerving stories-- i used to have the anthology of them all in bound form, some of them are genuinely terrifying. they're in order from most recent to oldest, so i linked page 22 of the archive for ease of reading. here's a list of my favorites, to start you off:
- Fairy Cakes [all horror is insinuated through noise and absence of evidence afterwards]
- The Cake Made Out of Teeth [body horror, uh. cannibalism, maybe? you'll see.]
- The Tin Man's Price [not so much scary as unsettling, unlikely to keep you up at night]
- Transcript: Information Provided by an 11-Year-Old Male, Two Weeks After the Incident [shook me to the core, body horror warning]
- Quicksilver and the Stranger [not as scary, mostly just a good story. possible existentialism]
- The Talent of the Howl [again, not as scary as bittersweet.]
- The Sandman Cometh [scary, and unreality, but a very good read. highly recommend]
- Dark Valentine [child death, and everything that comes with it. this one kept me up at night, it's simple and devastatingly effective.]
feel free to reblog and add your favorites! as far as i know, they stopped updating in 2016, so it's absolutely possible to catch up and read them all. happy exploring!
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PART 17
of the dfk audiobook translation
@cnka
Bökh: „Over 20 years ago, there was also a boarding school here, as you might know. And there were teachers that were good and others that were less good. And there were Externs and Internals. And there was a boy who was as homesick as you, Uli. And who read as much as Martina. Loved cake like Matze. And wanted to become a pop star, like you, Jo. And he had an enemy. His name was Robert. He was an Extern from the town here. And although this Robert seemed the have everything the boy wanted, he still picked on him. Pushed him around and made fun of him… Well, like the Externs have done with the Internals for generations, right.“
Jo: „And vice versa.“
Bökh: „Exactly. And vice versa.“
Bökh: „…yes. And one day, the boy’s mother got sick. She was brought here to Kirchberg into the hospital and the boy snuck away from the boarding school every day to visit her. And one day he was caught by the boarding school director. And he got grounded.“
Martina: „Couldn’t he just say what was up?“
Bökh: „No, because it was a very… cold and stern man whom he didn’t trust. And Robert in turn knew from his father, who was a doctor at the hospital, that the boy’s mother was fighting for her life there. So he offered his help."
Bökh: „And so every night he layed in the boarding school bed in place of the boy. So that he could visit his mother. And then they became really good friends. Even had a band together. They weren’t all that bad.“ (sighs)
Bökh: „I certainly don’t need to tell you who this boy was, right?"
All of the kids in unison: „You, Herr Bökh.“
Bökh: „Exactly. And why I’m telling you this story.“
Uli: „I think I understand it.“
Matze: „So we get Chips and Lemonade?“
(chuckling)
Jo: „The Externs today aren’t like that.“
Bökh: „Jo, I obviously care about two things. Firstly; rules are well and good, but not as important as humanity. Ok? And secondly I want you to trust me, that you’re not afraid to come to me. Okay?“
The kids nod.
Bökh looks at his watch.
Bökh: „Alright. I need to get a bit of work done now.“
Martina: „But what happened to Robert?“
Bökh slumps back in his seat with a heavy sigh.
Bökh: „Ach. Robert, he… I think he later studied medicine in the city. Ah, we unfortunately lost touch.“
Jo: „Why?“
Bökh: „… Well, that- That happens sometimes when you become an adult, then… suddenly, your closed loved ones are gone.“
Jo: „… What, just like that?“
Bökh nods silently.
Bökh: „… Mhm.“
Matze: „How sad… I think friends should always stick together.“
Bökh: „Yeah, exactly.“
Jo: „Can’t you prevent that somehow?“
Bökh: „Yes. We need to look out for each other. Ok?“
Bökh: „Alright. I need to get a bit of work done now. Take your lemonades with you.“
The kids scuffle and stand up. Jo takes a bowl of chips with her as well.
Uli: „Thank you."
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Sometimes I wonder if despite being such a nice book Dracula is destined to have horrible adaptations that don't care about the original material, while the few good ones remain hidden for avid readers to see.
Yeah the Drcl Midnight Children manga is still shit, and it twisted all of the characters so beyond that the only thing they share is name. Warnings for sensitive content regarding sexualization with Lucy because I do warn you it gets really gross.
Shinichi Sakamoto literally had the easiest job in the world if he wanted to adapt Dracula into manga since he already has a gothic art style that could have been the perfect ring for the novel. We have already seen in the Manga Classics adaptation that you only need to draw what is happening in the novel, that's it.
Just grab your ink pen, and let Stoker's writing do the heavy lifting while you go crazy drawing all of the dresses, and the bats.
But nooooo! Everyone thinks they have the Big Brain™ to "subvert" Dracula while doing what everyone else has been doing but worse every time. The same tropes, the same complexes, the same beats, even making Dracula the protagonist. All of it feels the same, and Midnight Children does this too BUT WORSE.
It's infuriating to see Mina and Lucy portrayed like this. Also I only mention Mina and Lucy because these girls are the only characters who got any "dept" in this story, everyone else is a downright cardboat cutout, or worse a stereotype (Guess who is this one). Again, these modern writers end up being more sexist than century old irish writer with all of these "subversions" somehow.
We start with Mina Murray, a peasant girl who managed to get into Whitby's only boys academy which makes her a pariah among her peers, and subject of bullying for being first a girl, and second poor. This Mina is... pitiful.
She is not the Mina Harker/Murray Train Fiend, lady journalist, and leader of the group. This girl is only Mina in name, and in typewriter use because this is just a poor teen girl desperately trying to survive in the middle of a hellish school while surrounded by bullies. Drcl Mina is intelligent, but only in information, she tries to document just like Mina Harker, and the narrative conveniently spits on her efforts by having Dracula somehow tamper her precious typewriter.
Even with all of drcl Mina's wits I don't feel the same resolution, and admiration that I felt for Mina Harker in the novel. The manga is only presenting a poor girl named Mina scraping at every small bit of information she can find to somehow explain all of the supernatural shit she is seeing, and the sudden sickness and death of her only friend. I don't want to cheer for this Mina, I want her to grab her bag, and get the hell out of that school and out of Whitby even if it means abandoning Lucy because the conflict feels pointless. It feels like something that she can't win, or fully understand because SHE IS A CHILD.
A child that is trying so hard to be voice of the group while no one listens to her. All of Mina's qualities, and intelligence are not there because the story downright erased the epistolary format that gave her so much charm and character to make way for shock value scenes that only paint Drcl Mina as a pitiful fool going in circles for trying to win against Dracula.
We all know that Jonathan is Mina's other half, the only person who defends her, and loves more than god itself through the whole narrative. However, having Jonathan with Mina in Midnight Children could mean that Mina would have some sort of supporter, and that doesn't make room for tragedy™ so no Jonathan for Mina!
Now, talking about Lucy (Luke). How the fuck Sakamoto decided to make this Lucy a trans girl, then immediatly sexualize her in the most gross way possible. It's a new layer of grossness because in this adaptation is very textual that Lucy is trapped inside Luke, and she has to pretend to be a boy in front of everyone else except when she is alone with Mina.
It could have been a sweet, but rather tragic story about Lucy trying to overcome her own internal battle with her gender along with her trying to make sense of her upcoming tragedy masked as a chronic illness.
But no, this Lucy is passive, midly cruel, and reduced to a puppet device for gross sexual scenes that borderlines on transphobic voyeurism. Remember that Midnight Children Lucy is a TEEN.
She never lifts a finger to make the suitors stop their bullying towards Mina despite her calling her "my only friend." She never tells Mina of any pranks, nor consoles her in her lowest moments. This Lucy is every adaptation Lucy that paints her as the whore to the madonna, and somehow becomes more useless because of the rampant sexism, and the perceived sexualization that will always follow Lucy's character despite her being a symbol of purity, and the perfect victim.
Just to tell you that the first encounter between Lucy and Dracula here is on the Whitby shore, but instead of being a glance of red eyes that incites dread, teenager Lucy is alone when wolf Dracula steps on Whitby soil, and something really gross it's implied for shock value, and I had to put the phone down, and take a moment.
ALSO STOP DRAWING 15 YEARS OLD LUCY NAKED JUST STOP. IT WILL NEVER LOOK ETHEREAL NO MATTER HOW MANY FUCKING FLOWERS YOU DRAW ON THE PANEL BECAUSE THE FOCUS IS ON LUCY BEING NAKED. THERE IS LITERALLY A FUCKING PANEL WHERE LUCY IS COMPLETELY NAKED, AND EVERYONE (INCLUDING ADULT VAN HELSING) JUST STARES, AND IT HAS EVERY SINGLE INSULT ON THE ENGLISH LANGUAGE, and that scene is so cheap edgy that I can't.
Also all of the symbolism, and mystery of the bloofer lady is gone because here vampire Lucy graphically kills the children she feeds from, so... another plot line into the trash.
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i found an old flashdrive while rearranging my room, and it had a bunch of old fanfics that i haven't even thought about since like 2015, and it honestly got me thinking:
one thing i will say about fanfiction.net is that people there were SO much more invested in OC/Canon stories than on Ao3. about a third of my stories on my ff.net account involve OCs of mine, and looking at the engagement there vs. the engagement on OC stories I've posted on Ao3 is really interesting.
granted, most of the stories on my ff.net account were posted within the 2014-2016 time frame, when ff.net was really at it's height, but still. I'll admit that it's slightly discouraging, seeing the difference in engagement, and wondering what on earth was different about those stories than the ones i post now.
but seriously... 2022 me is a MUCH better writer than 2015 me, so it's always surprising whenever i look at my old stories, and honestly it makes me happy, like so many people enjoyed those stories i wrote!!!
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