I think the invention of the term "traumadump" has done discussion of mental health a lot of harm. I keep seeing discourse vs whether or not it's okay to talk about heavy topics with your friends, and like... I feel like there is a very big and important difference between my definition of traumadumping (ie. Frequently and habitually diverting your conversations with others towards your own misery, often with the goal of focusing attention and sympathy towards yourself at the expense of those around you, and without recognizable effort to reciprocate your empathy towards those you are speaking to or to ensure their comfort) VS the mere act of having heavier conversations with those around you. I've seen a lot of backlash to the idea of traumadumping as a concept lately (they paywalled human connection etc etc) but I think it's worth recognizing there is absolutely a kind of behavior that can create a negative feedback loop with this stuff. Especially if you navigate a lot of spaces in social media, it's not uncommon to find people dropping really heavy stuff on complete strangers unprompted. Idk, I think there's a degree of nuance to be had that's maybe getting a bit lost due to everyone having different definitions of what it means to "trauma dump."
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this might just be because i'm a bit older than your average mcyt fan, but it makes me kind of sad to see all these younger fans scramble to wipe their mcyt fanworks off the internet the second a content creator is revealed to have done something awful.
don't get it twisted, I'm a big believer in rescinding financial support to ccs you no longer agree with or admire by unsubscribing, deciding not to buy merch, or refusing to give them ad revenue by watching their content. if you don't feel comfortable giving someone money, don't give them your money. material support isn't what i'm talking about here - I'm talking about fanfic, fansongs, fanart. yknow, content that fans create for themselves and each other, stuff that's not for ccs.
in the past year (and especially the past week, obviously) i've seen tons of mcyt fans saying they're planning to delete their art (or that they already have deleted) because they don't want their work to be associated with content creators who behaved badly, and that they want "a fresh start." I've seen fan writers say the same thing about their fics. and like, this is fine, do what you want with your stuff, but i'll be honest...it does make me sad that so many younger fans seemingly have been made to feel such a high degree of responsibility for ccs that they're unable to enjoy fandom (a thing that is FOR US! FOR YOU!) or take any measure of pride in their past fanworks.
again, at the end of the day you should do what you want with your own shit. but what i will say is, if what you want to do with your work is delete it, at least think first about why you're considering the nuclear option. you aren't responsible for a cc's behavior, and that goes for literally anyone who's ever had a hand in making anything you like: books, movies, games, anything. you shouldn't be made to feel ashamed of having created fan content for a piece of media that a shitty person was involved in making. straight up, this kind of shame isn't something i believe should exist in fandom, because it's parasocial in the same way that positive emotions towards media/creators can be parasocial.
and also, as someone who's been involved in fandom for a long time, i can say with confidence that creators will keep disappointing you like this. there are shitty people out there. if you're searching for a piece of media with zero shitty people ever involved in the project, you will not find it. i'm not saying this to normalize shitty behavior on the part of creators, I'm saying this to emphasize that bearing the shame and guilt of every creator to this degree is not sustainable or healthy (and it's not how fandom used to operate, but that's a conversation for another day, perhaps.)
i understand why so many folks are considering deleting their fanworks, and if that's you...think about it before you do it. that's all i'm asking. you don't want to create a habit of divesting yourself of all evidence of having been passionate about art created by someone who sucks, because if you do get into that habit, then your chances of ever truly enjoying a fandom again are, unfortunately, pretty slim.
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he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
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KIM KITSURAGI - “Is that. My kineema.”
COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.
EMPATHY - And it’s not going to be pretty, do something!
- DRAMA [Formidable] - Everything is fine!
- “Sure is.”
DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?
YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”
DRAMA - Pause, my liege! Ixnay on the Ineemakay!
YOU - “It could even be our *mysterious* joyrider!”
KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.
INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…
PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.
ENDURANCE - This is the shuffle of a tired, tired man.
HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!
VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.
KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”
YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”
LOGIC - He's not stupid, he knows that it's not that.
KIM KITSURAGI - “57.”
YOU - “What about 57?”, you brace yourself.
KIM KITSURAGI - “Precinct 57.”
YOU - You wince. “Kim, look-”
KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."
He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”
EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.
YOU - “People are more valuable than machines, Kim.”
KIM KITSURAGI - “Not people like me.” He rasps.
YOU - “…”
KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.
YOU - “Kim?”
KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.
YOU - “KIM!!!!”
uhhh bonus stuff? sorry i have swap au brainworms pfttt
(im not sure what skills kim has at the moment so rn he only has narration as his inner monologue ok whoops, i would like to keep harry as the guy who thinks in dialogue trees so im still figuring it out pfttt)
also, this was done bc i wanted to expand on these old scribbles of mine, just like an idea, i just think that he'd be having an even worse time wheezes
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Sometimes I think about how Adrien, throughout the series, constantly grapples with his fear of abandonment. Gabriel conditioned him to believe that any love he receives is purely transactional, and that to earn affection he has to prove his utility. Adrien is constantly trying to prove his worth to his father for scraps of affection, and Chat Noir infamously crumbles on-screen any time he feels as though he is replaceable to Ladybug. It's a constant insecurity of his, like everyone will just dump him like a sack of potatoes the moment they find out how useless he is.
Meanwhile, all Marinette wants to is ensure that Adrien is happy. Because she loves him. She doesn't give two shits about how """useful""" he is. She holds him and tells him that she will never abandon him (both as Ladynoir and as Adrienette), and her fantasies are about saving him, not about him being "useful" to her. Throughout their relationship, Adrien is forced to disappoint Marinette constantly for reasons outside of his control (amok commands), and yet Marinette is still there for him.
At Adrien's lowest point, when he is forcibly torn away from everyone who had ever showed him genuine care, locked away in an all-white room and at his most "useless", right after disappointing Marinette and unable to even join the final battle or contribute in any way, she still saves him. She still loves him. Because he doesn't have to prove anything to her. Because he is loved and cherished for who he is, not for what he does, and that love is not conditional. Adrien's "happy ending" at the end of the first arc wasn't about him finally proving how useful he can be, because he never actually cared about being useful — he just saw it as the only means to feel loved and needed. Instead, in the end, he found out that he was loved and needed no matter what.
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