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#all foods fit
theladykit · 9 months
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Billion-dollar idea: we need motivational coaches to help people stop dieting.
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angel-foodie · 11 months
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hailsatanacab · 7 months
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A Persuasive Argument - dpxdc
"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."
"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.
"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.
"Precisely! What better time to talk to you all than when you're all actually here!"
"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.
"I'm afraid I've lured you here under false pretences, Tim."
"This is where I live."
"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"
"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"
"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."
"So? We don't need Jason, I've read the Sparknotes."
"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."
"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"
"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"
"No, no, please go back to that, because what the fu—"
"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"
"Oh, yeah, Mr. Wayne! Thanks!"
"Please, call me Bruce."
"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."
Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.
"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."
#dpxdc#batpham#i forget - can we tag the parent fandoms? w/e#immediately alfred's like: while i do appreciate your initiative may i suggest it wait until after dinner?#and danny - who has barely eaten proper homecooked food ever - takes one bite and then absolutely wolfs down the whole lot#after he's finished he's like 'bear with - I've got to add that to the 'Reasons I Would Like to Live Here' section'#danny's powerpoint has tailored sections for each batfam member with lists of reasons why they'd get along#my au thoughts on this is that the fentons disowned danny when he told them he was phantom#and that this is after the ultimate enemy - wherein which he allied himself with the JL to fight against dan#(which didnt really work at all - BUT he knows some of their identities now INCLUDING batman's)#so one of the main reasons why he'd be a great fit is that he knows their vigilante status anyway so they don’t need to worry about secrets#dick just turns to tim like 'he’s your friend. he learnt this from you.'#tim: 'i didn't tell him our identities!! i would never!!'#dick: 'no i know that. it's the stalker tendancies. it's baby tim all over again'#tim: scandalised gasp#they all eat dinner in silence just super subdued and in shock and sending glances to bruce and danny#duke like: 'so i know I'm the last one in the family but like... this isn't how it normally happens right? did any of you make powerpoints?#tim gets all shifty because he absolutely did make a powerpoint he just never actually showed it to anyone#everyone stares at tim because they all know. it was in one of bab's blackmail files she has on him#damian's slide has danny offering to throw down at any time. 'tim says you like to prove yourself with your skills?#how about a real challenge? if i beat you then you have to vote yes to adopting me!'#damian is in two minds about accepting because... 1) look at him damian could take danny in his sleep! but#2) on the off chance that he does win... damian does not want any more brothers#(he takes the bet and its a suprisingly fun fight - and while he'll never say this... he would vote yes even without the wager)#on one of danny's slides there's a picture of ellie: you'll also get my clone sister! two children for the price of one!!#uhhh.... thats it now - I've been having fun with this haha#spent all day with the 'ive lured you here under false pretences' 'danny i live here' line in my head haha#anyway enjoy!!!!!! this was fun#i wanna make these slides so bad
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inwhichiramble · 1 year
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Idk if this is just me, but does it seem like the Hunger Games movies left out most of the stuff about food in general?
Maybe I just noticed this because in my first read I was worried that all of them were cannibals, but like… in the movies it seems like they were never actually that hungry. Like, we know that Katniss and Gale have to hunt, and that Peeta gave Katniss the bread, but a lot of the details about just how hungry they were to get to those choices were just… gone. And when they’re in the Capitol on the Victory Tour, they mention the vomit-inducer but it was more of an offhand thing. What got me especially though is that in Mockingjay Pt. 2, their time with Tigris appears to be much shorter, but also… she doesn’t feed them! And from what I remember that was fairly significant in the books, especially considering the position they were in.
In the books, hunger was the driving force of the vast majority of decisions they made. Katniss literally spent a good chunk of her first games desperately searching for water—Haymitch rewarded their performances with food—Katniss described every single thing she eats and primarily characterizes new places based on their food (the Capitol and District 13 especially). TBOSAS supports this even further when you see how even people in the Capitol were starving in the aftermath of the war—that’s why sponsors were added to the game!
I just—the whole series is literally about starvation and what it means to be human, but the movies just focused on love and war.
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tatakaeeren · 8 months
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⏯ Jujutsu Kaisen men "sexy" playlist
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canisalbus · 1 month
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I have the vibes Machete HATES mayonaise as a whole, the texture, the taste, etc. Vasco probs does too but maybe if its for a funny bit he’ll lick it
it's half past three in the morning and I'm pondering what my ocs would think of mayonnaise.
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spielzeugkaiser · 1 year
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I'm procrastinating so hard (and still coughing my lungs out) that I not only procrastinate on the things I have to do but also on the things I planned to draw, sooooo... another trans!Hinata piece 👉👈 Poor guy feels a bit insecure first.
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cinereuz · 6 months
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I can't believe I made one of these audios in the year of 2023. This took 2 hours. Someone strike me down
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inoreuct · 5 months
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drink from me
a sherry-laced conversation about thirst and running away. zosan | 2k | hurt/comfort
Being a coward isn’t as easy as one might think.
It’s juxtaposition in its own right; cowardice is, as defined, a lack of bravery— And yet Sanji supposes it takes bravery to be able to ditch everything you stand for. To turn tail and run. Bravery to bear upon your shoulders the disappointment of everybody who had ever believed in you. 
He sighs deeply, tilting the bottle in his hand so that the dregs of liquor slosh within. This is why he doesn’t drink.
It’s relatively easy most days. To lock his past behind a set of double doors, bar the handles with a padlock and chain so he can pretend that everything he’s running from isn’t just three paces behind, snapping at his heels, starved and ready to eat him up whole. Alcohol slots the key back into place and twists it without his permission. Twists his heart until it aches.
He doesn’t know why he’d started. The bottle of sherry had sat, nondescript and guileless and half-full on the galley table after the night’s dessert, and Sanji had paused before he’d slowly wrapped his fingers around the neck of it and let his nails scrape against the dark glass.
The cork had popped almost too easily and here he is now, taffrail digging into his forearms as he takes a long drag from his cigarette and lets bitter smoke fill his lungs full to bursting. Blood orange coats the back of his tongue, cloyingly sweet, thick on the roof of his mouth— He’d made a layered trifle with cacao nibs and caramelised cream that had been slathered between slabs of boozy vanilla sponge, and the aftertaste clings to his teeth. Sanji peers down as what’s left of the sherry glimmers vaguely inside the bottle and fights the urge to chug the rest. 
He could, if he really wanted to. He hardly drinks but it certainly doesn’t mean he can’t. 
A soft scrape against wood catches his attention, barely perceptible. He fights to keep his spine from stiffening, fights to maintain his loose-limbed, easy demeanor; the liquid warmth in his veins helps some but not enough, and he’s halfway through another drag when near-silent footsteps stop just behind him. 
Zoro’s haori shifts in the wind, palm loosely wrapped around the end of Wado’s hilt where she’s strapped alone to his hip. “Was wondering where you went,” he says easily, looking out over the ocean. 
Sanji scoffs. It burns his throat more than the sherry did. “For someone built like that, you’re surprisingly quiet, marimo.”
The immediate urge to kick himself is something new. He rarely feels it— It appears often, don’t get him wrong, he just. Ignores it. It’s a little more difficult tonight. Built like that. The noise that escapes him is mirthless. What’s that even supposed to mean, huh? Alcohol’s always made him snappy and he does feel bad for once — But he’s tired, and the chores won’t do themselves. 
“Make it quick, would you?” he mutters when Zoro still hasn’t replied, low and quiet in the still evening air as he curves down to dig the heel of his palm into his temple. “My spice jars are still all over the counter, and I have to mop the floor before I wash the dishes—”
“It’s done.” 
Sanji blinks, before his eyes narrow and he turns his head to look at Zoro properly. “The dishes?”
“Everything.” The swordsman huffs when Sanji gives him a dubious look, gaze flicking over and away again as he rolls his eye. “Luffy asked me to clean up the galley. Said you needed a break.”
Well. The cook exhales, measured, and buries his face into the crook of his elbow. Taps his cig so that ash doesn’t fall into his hair where he’s holding it aloft above his head. “Tell him thanks, but I don’t.”
He clocks it out of his peripheral vision when Zoro smirks and waves a hand to gesture to his cigarette and his slouch and the glass bottle dangling against wood. “What’s this, then?”
I don’t know. Shop’s closed, please fuck off and come back tomorrow morning. 
The other words that sit at the tip of Sanji’s tongue are far more scathing. He feels them, bites them back viciously before he can burn anyone other than himself. “If there’s a single thing out of place in there I’m gonna—”
“Kick my ass, I know, I know.” Zoro chuckles under his breath. “Don’t you get tired of saying the same things over and over again?”
“Maybe I wouldn’t have to if you didn’t constantly choose to be selectively deaf, moss-for-brains.”
The swordsman huffs another soft laugh, and conversation peters out after that. Sanji feels an itch building at the base of his skull, flickering just under his skin; it’s making him restless. He taps the bottle against the rail just to fill the silence. Zoro reaches a hand out and Sanji gives it to him easily, unthinkingly, watching and pretending he isn’t as the swordsman thumbs over the faded paper label that’s peeling at the corner. 
Zoro’s hands are scarred, he notes. He knows this, of course, but he never gets tired of letting his gaze drift over tan skin and old scars, thin slivers of pearly tissue painted silver in the moonlight. A breeze ruffles his hair as Zoro finally drinks, and he’s distantly surprised to see that it’s a measured sip and not a swig like what it usually would have been. 
Fucking hell. Sanji’s inhale shudders when he pushes himself up and stands straight, now-free hand wrapping around lacquered wood as he finishes his cigarette and tosses the butt over the side. He needs to stop thinking. He’s paying too much attention. There’s a pressure building behind his forehead and Zoro is an overwhelming presence beside him, unavoidable, stoic and staunch as ever, perfect posture, perfect honour, a sentinel with a pure white sword like some sort of— of hero from a storybook. Perfect perfect perfect.
It’s all building like a scream behind his lips, a river at a bottleneck, and he clenches his jaw to keep it in. Grits his teeth until he hears them creak because what would happen if he opened his mouth? Nothing good, he’s sure. Nothing anyone needs.
Sanji nearly startles when the bottle taps against his elbow. “Talk to me.”
“Nothing to say,” he replies immediately, taking a careless gulp and holding in a cough. 
Zoro’s slow exhale feels like it shifts the wind itself. Their ship creaks gently. “You always have something to say, curls.”
“Look, you—” He cuts himself off, tempering his breath. “I’m tired, alright? So can you just get to the point?” Fuck, he needs another cigarette. 
Maybe that’s the problem. He knows he’s the problem, sure, but Sanji suspects that he’s been running for so long that he’s forgotten how to walk. It’s grown into him like weeds wound through his ribs, the way he sees poison in water that’s perfectly clean, the way peace makes him more anxious than chaos does. He needs to stop running. He doesn’t know how. 
Zoro pries the sherry from his fingers and it’s only then that he relaxes the death grip he’d unintentionally had, a shudder slipping over his shoulders. Zoro holds the bottle loosely between his scarred fingers and doesn’t drink.
The silence thickens. Static crackles within his bones.
Sanji doesn’t know why he starts talking. Doesn’t know why it feels like a dam breaking in his chest, but his mouth is open, and the words are emptying out. “I’m tired of looking over my shoulder for something that isn’t there. Luffy gave me something to run towards, for once, but—”
He doesn’t know how to say it’s not enough without sounding ungrateful, without being greedy. “Sometimes I think I could… consume every one of the Blues, and still want more,” he allows. “Need more.” His fingers lace together, and Sanji dips his head with a wry smile even as he looks at the endless expanse of sky in front of them. “I’m afraid I’ll drink the world and still come up dry.”
There is a thirst in him. Something different than what had wracked him for a month on that barren rock. Hunger he can handle; he eats just enough to stave it off and goes about his day. This, though— Sanji can’t help the way it buzzes in the back of his head and keeps him wound up like a coil of electrical wire. He kneads dough and whisks egg whites just to have something to do with his hands. He defaults to his usual barbs when he’s feeling ungrounded so he can kid himself into thinking he possesses some semblance of normality. His shoulders ache as he stares out over the sea and wonders what it’s like to hold so much and still, still, be so achingly empty.
The winds change, carding cool fingers through his hair. 
“Drink from me,” Zoro says, and Sanji’s breath catches between his teeth.
His head snaps up to find Zoro already looking at him, face unreadable, elbows on the taffrail and bottle cupped in his hands. The swordsman looks serene, Sanji thinks. Gaze trained straight ahead, ever clear of his objectives as Wado gleams at his side, starlight in an ivory sheath. 
“Drink from me,” he repeats. The words are solemn as they always are in moments like these, the liminal space just after dusk but before true night, as his eyes shift over to Sanji and lock in place. “I won’t let you go thirsty again.” 
Sanji’s mouth dries. It’s hard not to feel pinned as Zoro looks at him; the weight of his gaze is almost physically tangible, like a familiar green coat settling over his shoulders. That’s the thing about Zoro— For all Sanji jokes about him having plant life in his skull, the swordsman has a penchant for dropping absolutely earth-shaking statements without even seeming to think about them at all. The cook swallows once, twice, tries to find his words as his lips part and loses them as soon as he takes his next breath.
He doesn’t know if he’ll ever stop feeling like a ticking time bomb. But as Zoro’s lashes flutter and he looks away, Sanji feels something in him settle. The relentless buzz that always seems to sit just beneath his skin soothes out into a quiet hum. 
Maybe part of it’s how Zoro’s scarred and still perfect. Untouchable. Sanji couldn’t hurt him even if he tried, even if he blows apart.
His fingers wrap, unthinking, around the neck of the bottle as it’s pushed back into his hand, the pressure of Zoro’s touch lingering until he’s sure that Sanji has a good grip. The swordsman’s boots brush softly across the planks as he turns to leave and he’s halfway to the stairs before Sanji speaks.
“Marimo.”
He knows Zoro turns without even looking. “Hm?”
“Did Luffy really ask you to clean up the galley?”
A pause, before Zoro starts walking again. “Get some sleep, cook. I’ll take the rest of your watch.”
The silence he leaves in his wake is honey-thick. First watch is Sanji’s shift, it always is— He cleans up the galley and stays awake until Zoro comes to take over. 
(The galley is clean. His watch is covered. His mind is quiet.
For once, he can’t find himself another reason to stay.)
 
The sherry holds no evidence of them ever having shared it. Sanji lifts the tinted glass and there’s no trace of Zoro, no proof that his mouth had ever been where Sanji’s is— None of the candied orange and rosemary from the duck they’d had for dinner, gamey and blood-sweet.
I won’t let you go thirsty again.
Sanji tastes it still, gentle in the back of his throat as he drains the bottle.
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grumpyghostdoodles · 5 months
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The Almighty Sheriff!
Save a horse, ride a cowboy~
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itslavenduh · 6 days
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Jessie gets her license.
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theprideful · 1 year
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people like this exhaust me to no end. if artists asking for a little help getting visibility and traction for art that you enjoy and downloaded bothers you, then you don’t actually respect artists or the work, you just want the final product. believe it or not artists are not here at your beck and call to entertain you and then be tossed aside when you’ve gotten your fill. im not even asking for money or for you to tell your friends who made your phone wallpaper. im not asking you to make a post and link my socials or anything. im just asking for a simple reblog. there’s really no work required at all, im not even gonna know if you don’t reblog it and did save it, because it’s just a courtesy thing. but you just had to announce it anyway because you wanted to make sure i knew that you don’t respect my wishes for the people who like my art to support a starving artist with the click of a button while i’m making free content for you to enjoy. (and don’t get me wrong, i wouldn’t share my art if i didn’t enjoy it, but the support and feedback are my lifeline.) if you can’t respect my asking for a single reblog enough to even pretend you care by scrolling on by, then i don’t want you interacting with my content anyway. begone
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indythefandomhoarder · 3 months
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so now that MatPat is gone, we have
TomRob - Game Theory
LeeCol - Film Theory
AmeRob - Style Theory
SanMas - Food Theory
All hail the newest victims of shortened names for recognizability.
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beneathsilverstars · 15 days
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In Stars And Time Classpects
Siffrin - Thief of Time Mirabelle - Page of Space Isabeau - Heir of Blood Odile - Seer of Heart Bonnie - Sylph of Hope
Explanations under the cut!
Siffrin - Thief of Time Of course Siffrin literally manipulates time, but Time as an aspect is also associated with death, destruction, and inevitability, which are huge themes in their story. Nothing says "time player" more than marching onwards through a thousand deaths, fighting against a fate that seems impossible to avert. And as a Thief, Siffrin specifically steals time from others in order to have more for himself. Whoops! Time players are relentless, and thieves are active, self-centered. They won't sit still and accept the inevitable; they'll struggle towards their goal at any cost. It's incredibly fitting for a Thief of Time to hold their objective so tightly that the reason they wanted it disintegrates in their grasp, lost to entropy.
Mirabelle - Page of Space As the chosen one spearheading the mission to collect the orbs and save the country, she seems like the obvious choice for the other essential aspect and its quest, collecting frogs and ensuring the continuation of life. Luckily, the metaphorical side fits perfectly as well: Space is about creation, just like the Change religion! But as a Page, Mirabelle doesn't use her aspect herself; instead, she leads using it, and leads others to use it. She inspires others to change, learn, and improve. Pages reach their potential slowly – they may struggle for a while with feelings of inadequacy and stagnation. After a long hard journey with lots of reflection and personal growth, though, they can end up the strongest of all! And for Mirabelle, as a Page of Space, that means learning to let go of the urge to force personal change, inspiring external change on a greater scale instead.
Isabeau - Heir of Blood Blood means relationships, trust, and obligation. Heirs embody their aspect, and perhaps attract it, receive it, are controlled by it; the perfect class for someone who specifically crafted himself into the kind of person others would reach out to. Heir is one of the most active of all the passive classes, but it's still passive – Isabeau makes space for bonds, commits to bonds, but doesn't take the first step to create the bonds himself. His choice to follow Mirabelle was a natural continuation of his obligations as defender. He couldn't bring himself to confess to Siffrin, but that passive crush was a powerful narrative force. Isabeau didn't assemble the team, but he reinforces the bonds that allow it to function!
Odile - Seer of Heart Heart is the aspect of self and identity, which is the heart (heh) of Odile's quest. She wants to learn about herself, and her chosen method is learning about other people. Seers seek a comprehensive knowledge of their aspect and then use it to coordinate and advise others; Odile analyzing enemies and deciding team tactics is a perfect example of this! The Seer prevents their party from making mistakes related to their aspect, so a successful Seer of Heart would understand each teammate's personality well enough to guide them through their character arcs and prevent self-destructive behavior. Odile noticed Siffrin's increasingly out-of-character behavior, and had the ability to figure out why they had changed... except he kept thwarting her efforts by stealing her time. But in the end she managed to thwart them instead, forcing them to stay put and go through their character development already!
Bonnie - Sylph of Hope Hope is one of the most literal aspects; Hope players raise morale, stick to their convictions, and believe that a better world is possible. The Sylph of Hope would be someone who uses Hope to heal other people, or fixes and maintains Hope itself. Obviously, Bonnie literally brings hope and healing by passing out the potions, but they're also the snack leader! Nothing boosts morale like a nice meal. Hope is also the antithesis to Rage, which represents possibilities being cut off. Bonnie reacts poorly to situations that invoke the Rage aspect, like the adults discussing death (the ultimate end of possibilities), and Siffrin getting injured in their defense (which no amount of belief can heal); in fact, they react with anger and an urge to tear down any positive that's left! Since Hope is associated with black and white thinking, it's not surprising that when Bonnie loses hope, they lose it, leaning into their aspect's opposite. But that's not where they stay – when they protect Siffrin in their friendquest, they're able to not just heal their own hope, but give hope to Siffrin as well. Bonnie believes that they and their friends can all protect each other, and in the end, they do!
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I'm probably going to do a terrible job of articulating myself here but every time I think about the worldbuilding in Hatoful Boyfriend, I think about the implications of having the birds simply have adopted the structure and policies of human society and go insane.
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It's clearly originally just for the ridiculousness of it all for the players, but AGH it explains so much regarding the extremely rampant classism/racism/speciesism and how apparently normalized it is. It also, to me, adds a bit of moral nuance to the Dove - Hawk Party conflict.
(Long post under the cut. I'm so sorry I just kept going.)
First off, I'm obsessed with the concept of the birds becoming sapient and simply... taking over a society that was not structured for them. It leads to difficulties in universe! Bird wings are not made for doing tasks that human hands can do naturally - there's a couple instances where the characters ask for Hiyoko's assistance or express envy since she can just do the task more easily than they can. The birds are outright disadvantaged in certain areas of life, and yet, the society is in such turmoil due to the newness of it all that there still aren't really any workarounds for stuff like this.
Not that there haven't been any suggested solutions, such as the Labor 9 series, put forward initially by the Dove Party. Yeah, you know, that one throwaway line about how the party that up until this point have been the "good guys" wanted to take still semi-conscious human brains and make robotic slaves out of them Cyberman-style? What the hell. And what gets me is that Shuu was able to find the initial proposal, which he really only made tweaks to, which means that the project was at least close to being finished on the conceptual/planning/design phase before somebody went "hey this is a little fucked up actually".
The Dove Party wants peaceful coexistence with the humans, while the Hawk Party wants to eliminate humanity entirely. But we don't really go into how these two lines of thought evolved. I believe I have a suggestion for at least one part of the puzzle though.
Of all the birds in Hatoful, who enjoys the most privileges and the highest status? Fantails, it would seem. A breed of pigeon that is popular as a pet, considered beautiful and sought after, and achieve high accolades in shows and competitions - for clarity's sake, fantails were valuable in human society, and this status appears to have transferred when birds became sapient and took over. Conversely, which birds are ranked lower and often blocked from entering certain higher class places? Rock doves, who, in human society, are given an unfairly bad reputation, and considered anything from unclean and dirty, to nuisances, to pests. Again, this status transferred over when the birds took over.
So, while we don't know too many of the birds who make up the agents of the Dove and Hawk Party, let's take a look at who we do know of.
Fantails (Yuuya, Dove Party) are considered valuable over other doves and pigeons for being specially bred for their striking tail feathers
Cockatiels (Leone, Dove Party) are some of the most popular and beloved companion birds, kept as pets and considered very friendly
Rock doves (Ryuuji, Hawk Party) are considered unclean pests who receive a bad reputation, and are generally not treated with respect or appreciation <;- notable thing to mention here is that Ryuuji actually does like humans - I think he was only Hawk affiliated for the grant money and research facilities, which... fair enough man.
Chukar partridges (Shuu/Isa, Hawk Party) are game birds, specifically bred and released to be killed and eaten, and considered a delicacy
...do you... see what's going on here?
(I haven't mentioned Tohri as he's a special case. Give me a minute and I'll get to him!)
The birds we see in the Dove Party are those birds that were already viewed in a more favourable light by humans, a favourability that transferred over to their new society. Of course they are more likely to advocate for coexistence! They have less to lose, overall. And the Labor 9 series, and how that could've ever been suggested in the first place, suddenly makes a lot of sense. For many of these birds, society the way it exists now benefits them. Some of these high ranking Dove Party folks may be less about actual peace and justice (like Yuuya or Leone) and more about maintaining the current order of things - humans coexisting under their control, while they get to maintain their status... which is itself a product of human invention.
The birds we see in the Hawk Party, by contrast, are looked down on or hunted. Historically, even before bird sapience, they did not have a harmonious relation with humans - and it's likely this status carried over to their new society also, with many of these birds being more likely to have been disenfranchised. Their goal of elimination is therefore reactionary towards perceived threat. After all, the people who suffer when things go wrong aren't the ones at the top - it's all the people who sit at the bottom of the social rung; the vulnerable members of society who do not enjoy the same advantages as others.
Of course, the Hawk Party has built itself up into such a powerful group that they may have lost touch with this starting foundation - the only thing that remains is likely that reactionary fear. After all, people caught up in the actual conflict - Nageki, Hitori, Ryouta, and Hiyoko - see this kind of horrible bloodshed firsthand (firstwing?) and just want it to stop.
Again, it's not usually the people in these political factions who are the ones caught up in their conflict. It's the individuals who lack power or influence.
But that's just the political groups themselves. On an individual level, it's kind of interesting to look at and theorize where along the spectrum our core cast falls based on their species/breed.
Ryouta (rock dove) is actually rather indifferent towards humanity as a whole - he just likes Hiyoko. However, his witnessing of the Heartful House tragedy led him to abhor violence and unnecessary loss of life, and I'd imagine his mother's later illness solidified this. Ryouta doesn't seem overly interested in political struggles or the broader implications of a lot of things - he's actually a rather self-oriented character when it comes down to it (this is not a judgment, nor a bad thing! I love my boy!). Ryouta just doesn't want to lose people, really. A conflict would mean more loss, and rock doves seem to have to struggle enough as is.
Hiyoko (human) is the daughter of two diplomats, but interestingly, we don't get to see much of her political views on things - perhaps because even if she expressed them, it wouldn't really matter - she's not herself a diplomat, and humans are the lowest of the low - her going to a fancy school doesn't really change that. Social-wise, except with her friends, she is tolerated, not accepted. Yet, it's safe to say that Hiyoko strongly disapproves of people who flaunt their status - she's quick to not take crap from Sakuya, to get angry on behalf of Ryouta and herself over the gull clerk's assholery, and also to defend Miru and Kaku as living beings worthy of respect. Interestingly though, she also uses Okosan's status as a fantail to get Ryouta to let go of him and let him do whatever he wants so... it's kind of unclear what her firm beliefs are. Perhaps, as a human, she still values fantails more highly. I don't know honestly. Implicit bias?
Sakuya, Yuuya and Okosan (fantail pigeons) may share the same breed, but their experiences are highly different. Sakuya is largely separate from the human-bird conflict, as he is unlikely to be directly affected by it. As such, a lot of his story and development has to do with actually learning and un-learning about the world outside of the limitations of his "father's" classist views, which he simply mimics without understanding the larger implications. Yuuya and Okosan, on the other hand, may be fantails, but are also looked down on and often treated as inferior - Yuuya for being a "half-breed" and for his reputation, and Okosan for being closer to feral than a lot of other doves. Interestingly, these two show more interest and respect for the individual than Sakuya does, who often makes sweeping generalizations based on status - which makes sense to a degree, as they've been on the receiving end of this kind of treatment, whereas Sakuya hasn't. Okosan believes that each person has their own "wonderful names" (read: identity outside of breed or status), while Yuuya is a genuine fighter for justice who is able to get to the heart of people, especially in Holiday Star. However, even though they have experienced classism, they still have certain privileges with regards to species/race - take Okosan's shock when Hiyoko and Ryouta are barred entry from his favourite store. None of them are quite as out of place in everyday society as some of the other birds here, and it's notable that "diverse" St. Pigeonations still apparently has a significant fantail student population.
Shuu (chukar partridge) is really interesting, as he doesn't particularly care for the politics of the Hawk Party, and yet his role as a killer/hunter of both his fellow birds and humans is an interesting reversal of the chukar being a game bird. Shuu also has a disability (his semi-paralyzed right side) which hinders him in bird society even more than most. His extreme, yet coldly logical solution to kill all humans to stop the fighting between them, could be as much his rationality, as his joy in the sadistic, as a reactionary survivalism (remember he was caught up in a human terrorist attack as a child - while overall he considered this beneficial to him, he also did lose much of his colour vision and the use of his right side, so it did leave him weakened). Shuu attains control by "flipping the script" as it were.
Tohri (golden pheasant) starts out in the Hawk Party, but much like his colleagues, doesn't seem to care much for their politics. Golden pheasants are game birds whose eggs can be eaten, but are more often bred and kept for their plumage - they're not prey, but they're not exactly pets either. All this puts Tohri in this interesting position of being somewhat in the middle of this conflict, and indeed he goes on to be a part of (found?) the Crow Party - an opportunistic group that seeks to benefit from the overall conflict. Golden pheasants are birds intended to be admired for their beauty and intelligence more than anything else, benefitting in some ways from humans without a strong connection or a reliance, and Tohri's opportunism fits nicely with that. (As an aside, our sole crow character, Albert, is also something of an opportunist, being an assassin on the fringes of society.)
Hitori and Kazuaki (button quails) are somewhat interesting. It would be both expected and understandable if Hitori held hatred for humanity after the Heartful House incident, or even before then, considering they were all war orphans. Instead, he doesn't seem to harbour any particular ill-will - he seems totally fine around Hiyoko, and her being a human has nothing to do with his reticence with letting Nageki hang out with her in the shrine universe. Kazuaki, too, doesn't seem to mind Hiyoko being human and isn't afraid of her any more than he is anyone else. While quails are game birds, with both meat and eggs being eaten, button quails are too tiny for that and are mostly kept as pets - they are considered cute, silly, and entertaining, though a bit too jumpy to be outright companion birds. The quails don't seem to experience too much in the way of speciesism (except arguably with the whole mistaken identity of Kazuaki's corpse... there may be a bit of an "all quails look the same" thing going on perhaps). At the very least, they are able to occupy teaching positions at a renowned school as respected intellectuals, and did go to university. Still, it's kind of a known thing that you don't put button quails with bigger, more dominant birds, since larger birds will often pick on them or even outright try to kill them simply because they're small and shy - this may, in hindsight, explain some of Kazuaki's demeanour.
Nageki (mourning dove) and Anghel (luzon bleeding heart dove) are the two who are uncommon bird species in Japan. Nageki is another war orphan, who would be forgiven for harbouring resentment for humanity, but instead is appalled at the violence and made a huge sacrifice to get it to stop. It's kind of unclear how Nageki fits into this society, as mourning doves are not prey or pets - they're wild birds. They live on the outside of the human world, and while Nageki exists within current bird society, he likely doesn't have a designated status within it. Nageki is unfortunately also alienated from much of the action due to his illness and later his untimely death - this is why a lot of Nageki's thoughts are somewhat from an observer's perspective, with his most emotional moments being derived from his rare direct experiences - specifically the Heartful House tragedy and the human killings he was forced into, which solidified a really firm stance of not wanting anyone to suffer like that. Anghel is another outsider, this time genuinely a foreigner, as opposed to Nageki. Again, Luzons are wild birds, not prey or pets, and so it's a bit unclear what his status is. This might explain why Hiyoko repeats Sakuya's remarks towards him without apparently realizing they're actually insults - Anghel is removed enough from the conflict she is familiar with that it seems she doesn't quite... get it. Again, Anghel's role is as this strange kind of omniscient observer, whose perspective is closer to the player's than to the rest of the cast. He definitely frowns on the Hawk Party's overall goal - the Demon Spores are evil to him, and his main objective is to stop them from spreading, as they would cause damage to both birds and humans. I attribute his morals to his mother having raised him right lol. The lack of a clear status for both of them may be why they appear to take the stance of judgment based on individual actions, but are not heavily involved in the conflict itself - while humans tend to like mourning doves and luzons, there isn't much interaction that goes on between them. Nageki and Anghel are simply less embroiled in bird society's human-derived status conflict, which makes them both outsiders and observers.
As a bonus note, Azami, Rabu and Kenzaburou are all species of birds that can be kept as pets (java sparrow, budgie, parakeet), which may account for some of their friendliness towards Hiyoko, and Kenzaburou's willingness to hire her. Kenzaburou is even a bit old-fashioned it seems - he sleeps in a cage, which implies his ancestors were probably pet birds themselves. It's likely he, in particular, has more positive views on humans.
...Please tell me I'm not the only one who spent ages thinking about the implications and workings of a fictional post-apocalyptic bird society. Also I hope this made sense I kind of went off the rails here.
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