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joycrispy · 9 months

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Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

#good omens #ineffable husbands #aziracrow #good omens 2 #crowley #aziraphale #good omens meta #I have no idea if I've made a coherent point here but I'm tired of this being in my drafts; RAW FEELINGS IT IS #it's about being sent to destroy and instead staying to love and protect and nurture I'M CRAZY I'M CRAZY RAAAAAAAGGHHHH #gnu terry pratchett

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inkoutsidethelines · 1 year

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Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults. Still young, but adults, in the mid to late 20s range. Mystery Inc. is a private detective type business that they run together. In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost. The stakes can be higher; sometimes a bad guy is legitimately trying to kill them. Sometimes the mystery they’re trying to solve is a murder. Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind. Like, give a stranger the shirt off his back kind. The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind. He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too. While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money. Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing. She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her. Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe. Dating, engaged, married, I don’t care. They are stupidly in love, ride or die for each other. There’s no will they, won’t they, no worries about cheating. They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma! His wife is standing right there!” “Oh. Sorry.”). She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes. She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws. Is breaking and entering really so bad? Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense. He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option. He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him. Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices. The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it. Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

#ink speaks #scooby doo #i like the vibes of a grown up scooby doo #where they're part of a mystery solving business #it needs to be a monster of the week type deal #so that it can play around with the character dynamics #because i think that's fun #long post

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chuluoyi · 2 months

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✎ wedding anniversary

- gojo satoru x reader

seven years of dating, two years of wedded bliss, and gojo is having his greatest existential crisis yet... all because this year, you apparently have forgotten the most important day of your lives

genre: 18+ suggestive content—minors do not interact!—heavy smut, fingering, cunnilingus, p in v sex, slight breeding kink, crack, drunk, lovesick and possessive gojo (nanami is so very done with him), also fluff !!

note: back to chu's thirsting hour :') based on a fellow gojo fucker's very helpful brainrot (chiyo if you see this, hii!😗) pls give it some love bc this has gone through not showing up in the tags 5x already *sobs*

a part of gojo's love entries

series masterlist | oneshot masterlist

To this day, it was still beyond Nanami why you, his very sensible former classmate, would have Gojo Satoru as your husband.

“She... doesn't—hic!—care about m-me... anymore!”

But well, to each their own.

“Gojo—”

“Today is our—hic!—anniversary!”

This is exhausting. It had been 30 minutes ever since the blindfolded shithead started rambling his sorrows. “She is probably just busy, you don't have to—”

“I r-really thought—hic!—she would at least n-not forget it l-like that!”

“Please, stop this nonse—”

Satoru snapped his head so swiftly that Nanami was startled, pointing out an accusatory finger at his face. “You stop!—you don't understand, Nanami!”

The said man flinched, taken aback, before feeling the surge of irritation coursing through his veins.

Sure, Nanami would gladly admit that he didn't understand. He neither had the time nor energy to. It was beyond him that he was even entertaining this blubbering idiot at this time of the day, in a bar no less. How did he get roped into this in the first place?

Actually, he had minus interest in your marital affairs, but Gojo was latching onto him all day, rambling about how excited he was for this day for weeks now, until you gave him a call, saying you would be home late and disregarded his very open anticipation. You broke his heart to pieces, apparently.

Amidst his heartbroken musings, Gojo followed him to his frequented bar, where he proceeded to down multiple glasses without any supervision.

“Am I really t-that lousy? Can’t be it… I’m s-strong, d-dashing… rich—”

Nanami released a guttural sigh, messaging his temples. How could this idiot have no shame while spouting all of this?

“Will s-she… divorce me next…?” he abruptly blurted, eyes widening as saucers and full of clarity all of a sudden. Satoru firmly tugged at his suit and forced him to face him. “Nanamin…! S-she won’t divorce me, r-right?!”

Oh, to hell with it. Nanami couldn’t take this anymore. He was done and he had no patience to tolerate it any longer.

He shrugged him off, and pulled out his phone to dial your number. “Hello? Please, come pick your husband. He’s a public nuisance!”

In fact, you didn’t forget your anniversary.

How could you? Satoru made it his point to drop hints about it almost every day, and you actually struggled to be indifferent about it because you also had things planned out.

A present—already taken care of thanks to your mail order of Rolex’s newest collection watch, and a treat—a two-tier mochi cake he had been staring at with literal stars in his eyes on your last date.

Which has become the problem. The bakery had mishandled your delivery and you had to wait for them to remake it. It was 8pm already and you couldn't help but worry. Satoru must be feeling utterly despondent by now, thinking you had forgotten a day that meant so much for both of you.

And so when you got a call from Nanami, you dropped everything to get him and told the bakery to arrange for the delivery tomorrow, because you knew... nothing good ever came out of Satoru getting drunk.

"I missed youuuu~! Dearest, darling— my universe!"

To Satoru, the everything around him was a blur of lights and hiccups when you came to retrieve him. Nanami was so eager to wash his hands off him, leaving you with a pointed grimace as if pitying you.

. . .

"A-are you going to—hic!—leave m-me?" Satoru slurred for the nth time now, stumbling inside your house with you propping him.

"For the last time, no, but I'm tempted to," you hissed, throwing him a glare. Your husband was a very unpleasant drunk because he wasn't even a drinker in the first place. "Satoru—walk properly!"

You managed to get him into your bedroom, where Satoru flopped onto the bed, dissolving into groans. You exhaled deeply and plucked the buttons of his shirt open, trying to get him change into his sleepwear.

"Ah... haaah," suddenly he caught your hand and placed it on his bare chest, his eyes blazing into yours, rambling, "Sweetheart—please. I c-can't live without you now... I'm sorry—I'm sorry for anything, or everything, I don't even know but—please don't hate me—"

"Satoru..." Your eyes widened slightly in surprise. Why was he this spooked? "I'm not leaving you, okay?"

"I promise you, I'll do better—" his voice was watery, as if his throat was clogged up. "I'll be better..." His voice then reduced into a whisper. The alcohol had stripped away his facade, leaving his raw emotions exposed.

Something inside you lurched. Throughout the nine years you have been with him, Gojo Satoru was always irritatingly self-assured, and so seeing him like this— so openly fragile, it did more than just churn your insides; it made you realize the depth of his feelings.

In that moment, you knew your reassurance meant everything.

"I'm not going anywhere, yeah?" you placed your other hand over his, offering him a genuine, soft smile. “Satoru, I’ve put up with your ass for more than nine years. So…” you shifted your eyes away, suddenly feeling embarrassed, before looking at him again. “I'm here... for you, always.”

His grip on your hand loosened slightly, but the intensity in his gaze didn't wane, and you would've laughed when he hiccupped next if you weren't feeling the overwhelming warmth in your chest.

But oh you wouldn't have expected it, because one heartbeat later, he yanked you down to the bed— crashing his lips against yours.

“Mmmph!”

He tangled his nimble fingers on your hair, and his other hand slipped inside your blouse, unclasping your bra in one flick. You let out a gasp, "Satoru—! "

Before you could even gasp, in the next second, he flipped you over— seizing your puffy lips once more. His hands now moved with more urgency, squeezing your breasts rather roughly, flicking your nipples with the pads on his thumbs.

And soon, far sooner than you thought...

"Who else gets to see you like this?" Satoru inquired darkly after you were naked under him, his voice low and deep. He was no longer that stupid husband of yours, rather the wanton man of your nightly wonders.

Without warning, he slid one of his fingers into your folds, probing your walls, and a gasp escaped you as you arched your back, throwing your head back on the sheets.

"No— one," your voice came in a breathless moan, still reeling. "H-how can y-you ask me—" Stretching you out even further, he entered another finger and you wailed, "Mmgh!"

He had always loved the sounds you made and how you were so pretty squirming under him like this. And before you knew it, his face was inches from your cunt, blowing hot air into your sensitive flesh.

"Tell me, who is the only person who gets to see you like this?"

Your eyes rolled back, words died on your tongue as his skilled tongue ran down on your drenched pussy. You instinctively tried to close your legs around his head, but he firmly held them apart.

"You." Panting, your mind racing to form coherent thoughts. You managed to mutter, "Only you... No one else—hah—just y-you...!"

He suckled on your clit hungrily then, rewarding you for your honesty. Squelching noises echoed around your marital bed as your arousal pooled around his fingers— you being so incredibly, irrevocably close to your release.

"Haaah, ngh—mmph!—Satoru, I'm a-about to—!" but then, in one cruel twist, he withdrew his digits, and your pussy throbbed at the loss.

You muffled your whines, feeling betrayed and irritable. "What—why—!?"

"Don't think that I'll let you cum anywhere else but my cock," he stated gallantly with an unusually stern expression, blue eyes narrowing as he assessed your wetness. Right in front of your eyes, his cock sprung after he let it out of his pants.

"Soon, you'll feel me..." Your eyes shamelessly followed his long length as he placed it on your lower belly. "...there."

Everything about him using that taunting tone turned you on, and true to his words, he soon slid himself inside you. He let out a low grunt at the feeling of how your walls clenching around him and you whined, the pain of being stretched making you almost sob.

"Shit, hold still," Satoru groaned, pushing down on your belly. "You're so tight— relax for me a bit, sweetheart? You're doing so, so fucking well."

His words went through you, and you could feel yourself opening more to ease his intrusion. Next thing you knew, he was buried deep inside you, and his gaze met you once again.

"Are you okay?" he asked between breaths, voice softening. When you nodded in response, he planted a kiss on your chest.

"I love you," he said in a rasp, eyes piercing your soul. "I’ll give you anything. My body, heart, soul—you can have it all. In return, you just have to promise one thing." His eyes, now clearer, deprived of the earlier haze, boring straight into you like an arrow.

"Don't ever leave me."

"I won't," you replied resolutely, catching your breath. Your own eyes shone with your love for him, making it even. "For as long as I live, it's going to always be you."

Satoru gazed at you as if you were his skies and stars, and before he started pounding into you, he vowed—

"Then I'm yours."

And soon, you were a nothing more than a frenzy, hot mess. You couldn’t help the nasty moans flying out of your lips as he kept barreling into you. His grunts reverberated throughout the room, rutting you through your hazed mind.

And the way he was whispering provocations into your ear, pushing you further into ecstasy at the mere thought of—

"What if... I get you pregnant this time?" A thrust. "Just imagine—" Another. "My wife, all round—" Another. "—just because I—am doing this to her—!"

You were barely registering his rambles at this point. Your walls clenching around his girth impossibly tight and you let him claim you as his thoroughly, your legs locking around his waist.

"Ah—ngh, mmrgh! Satoru—more!"

This wasn't you, the usual you wouldn't be this daring— but even you'll be more than forgiven tonight.

Satoru's jaw tightened at the sheer pleasure you brought him, his ego stroked, and his heavenly eyes darkened as you begged and dug your nails into him. He was so close, he could feel it. Your moans was enough to lead him to cum right here and there.

But before that, he was determined to show you, to whom you truly belong.

“My wife.” He growled. A thrust.

“Mine.” You gasped. Harder.

“All mine.” Deeper.

"Yes," you cried. "Yours— all yours, so please—!"

And three deep thrusts later, Satoru finally busted his load inside you, spurts after spurts painting your wall white— filling you up so hard it was spilling out. And your orgasm followed in immediate effect along with your hitched screams of pleasure, before the two of you collapsed on each other, a mix of groans and sweat, entwined in cum, bliss and exhaustion.

"Love you, sweetheart," you heard him murmuring in your ears, enveloping you in a warm embrace as you drifted into sleep.

Next morning, you were awoken to soft hums in your ears.

"Oh, the sleeping beauty awakens." The first sight you saw was Satoru's cheeky grin, and him pecking you on the lips. "How are you?"

"Mmm..." you winced, feeling the slight twinge between your legs. He noticed it and gently untangled himself from you, fingers tracing your waist. "Don't move around too much, you're going to bother my little swimmers, you know."

It took you a few seconds to realize what he meant and you glared at him. "You horny weirdo. I just woke up."

“Heh heh heh~ Don't take it too seriously! I was just trying to get you to smile.” He pinched your cheeks and then mused, “Well, I'd actually be surprised if we made it last night...”

"You're not funny," you retorted. You had been feeling weird and that was when you saw it.

The dazzling, massive diamond ring. On your finger. Wait, is that Graff's Tribal Collection?

"Satoru..." you mumbled, lifting your hand in shock, your eyes fixed on the piece that likely cost more than your monthly wage. "You..."

"Do you like it?" his smile was so easy and light, adoring the sight of you. You were so adorable, marveling at the little gift he got you.

"What do you mean—" you stuttered, turning to him. "Are you crazy?! I can't wear something this expensive—!"

"But that's exactly my point. It's a gift, meant to spoil my wife."

"You are mad," warmth flooded your cheeks, your heart fluttering with joy. You were unbelievably giddy because your husband really knew the way to your heart, yet you'd be damned if you let the excitement show in front of him.

He raised an eyebrow, his expression souring, and with a mocking tone, he accused you, "Actually, you're the one who's gone mad. I can't believe you forgot our anniversary!"

"I didn't, you dummy. I was out picking up your favorite mochi cake before you got yourself wasted." You turned away from him, shyly. "And I got a gift for you too."

"Oh? Oooh! Really!? What is it?!"

He was back to his silly self again, and you could only shake your head, wondering how the sex god from last night and this fool was the same person.

Yet, you felt nothing but love. Your heart couldn't help but melt for him when you saw that carefree grin.

And you couldn't be more grateful to the stars for bringing him into your life.

. . .

Oh, and little did you know that his little swimmers also made the goal last night— as three weeks later, you found yourself clutching the first of your pregnancy tests, which was showing a positive.

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gallusrostromegalus · 7 months

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The Van Has Officially Declared It Spooky Season

---

I've got my parent's van for the week and it seems determined to establish my status as The Local Cryptid by terrorizing an innocent 7-11 clerk.

...I might need to back up a bit.

My mother is an eminently sensible woman who knows herself well, and when The Plauge hit, she knew she'd need some sort of mentally and physically engaging craft project to keep herself from going insane and massacring the local zoning and water management boards (even if they have it coming). So she and Dad acquired a utility van and converted it into a camper van because while they love camping, they're past the age where their joints and immune systems will tolerate sleeping on the cold ground in a nylon tent.

They did a terrific job of it and my mom taught herself woodworking and carpentry and now the van has it's own cabinets, fold-away dining table, and removable queen-sized bed with memory foam mattress. My Dad was already a computer engineer, but he learned the dark magics of automotive software and electronics to install after-market backup cameras, a media player that would take a terabyte hard drive and a solar-powered battery and outlet so they could wake up and just turn on the kettle and griddle for breakfast without having to exit the van into a cold morning on an empty stomach.

Truly, the height of Camping Luxury.

My parents are both in their mid-seventies and my primary life goal is to be at least half as cool and hale as they are when I get old.

Anyway, they take it out at least a dozen times a year and it works fabulously, but, being as I am on good terms with my parents and also finishing the process of moving house, I've been borrowing it to move large and cumbersome objects that will not fit in the back of my equally lovely but minuscule Honda hatchback.

It's a Great Van. Very easy and comfortable to drive. Stunningly good MPG for it's size. The best cruise control I've ever had in a car.

It's just also. Quirky. Mischievous, even.

---

If this van has a fault its that it bears the unfortunate affliction that all lightly used white utility vans have in that the combination of an utter lack of branding features and the large dent/scrape I accidentally put on it while trying to escape a Denny's last Thanksgiving means that this vehicle is one addition of a Badly Spray-Painted "FREE CANDY" on the side away from being the sort of vehicle you see in an edgy horror movie.

It's got the same issue that Doberman Dogs have where they look like the sort of creature that likes to snack on toddler's faces whilst actually having personalities made of marshmallow fluff. This vehicle is unnecessarily menacing and I think nothing short of an airbrushed Epic Van Wizard will correct this. People see this van pull up and lean over and squint suspiciously at me when the driver's side door opens, and then look moderately confused when, instead of Charles Manson, a small, potato-shaped creature with neon purple hair and a statistically unlikely assortment of dogs emerges.

My own two dogs, Herschel the Hanukkah Goblin/Corgi and Charleston Chew The Taco Dumpster Dog, Do Not Like The Van. Even with the bed in it, they have a tendency to slide and roll around in the back, and both WILL chew through dog saftey belts or other attempts to secure them in there.

On the other hand, my house mate's dog, an exceptionally tall standard poodle whom we lovingly call "The Creature", loves the Van because SHE wears her doggy seat-belt with only mild complaining and gets to sit up in the passenger seat like A People.

Also like A People, The Creature likes to stand and walk around on her hind legs. It doesn't hurt her and it's entirely voluntary, but every so often I will feel a hand on my arm and instead of my husband or friend, it's a canine that's taller than I am on her hind legs who wants to stare at my face with soulful, concerned eyes. The Creature's favorite thing is that she is exactly the right height for me to hold her arm in Genteel Fashion and walk around the pet food or hardware store with her like I'm a count escorting a debutante around a royal ball.

---

As it stands, I am set to inherit this vehicle whenever my Honda gives up the ghost, and I fully intend to paint an Epic Van Wizard on it when that time comes.

The other peculiarity of The Van is that while Dad did manage to successfully install all his after-market electronics, not all the electronics get along. Sometimes, they fight for Dominance. The Terabyte Music Player and the Backup Camera have a particularly contentious relationship, and turning on the music has about a 25% chance of turning on the backup camera as well, and turning on the Backup Camera is equally likely to turn on the music.

Firthermore, The Van has a favorite song.

I am not kidding that Dad filled an entire terabyte hard drive with music and the software to sort it via the radio controls, but of all the Early Boomer Dad Rock (Kingston Trio over The Eagles) and Irish Folk and Symphonies and the entire discography of Weird Al Yankovic, The Van's favorite song- The one it picks to play as victory music every time it beats the Backup Camera at their weird electronic game of rock-paper-scissors -is The Liberty Bell March by John Phillip Sousa.

You all know this song already.

...but in case you've forgotten the tune:

youtube

Yeah.

The Van's favorite song is the goddamn Monty Python's Flying Circus Theme Music.

It does not play this song at a normal volume.

Every time I turn on the Backup Camera and it manages to turn the music player on as well, The Van insists on absolutely blasting this nonsense on at the maximum volume it's physically capable of producing, which I know is loud enough to be heard from the Denver International Airport's Pickup zone when they Van decided to start playing it from the economy lot about half a mile away.

Perhaps it's The Van's way of honoring the aesthetic sensibilities and sonic enthusiasm of Mr. Sousa.

...I can't help but wonder if the purpose of an Epic Van Wizard is to control this sort of faerie-like malarkey, and channel these chaotic energies into things like Spell of Don't Break Down In Nevada or Enchantment Of Always Have Good Parking.

---

So last Friday the 13th, I get a call from my friend and housemate, at said airport.

It's roughly 11PM at night, and I have already retired for the evening. I am in the exact minimum of clothing required to be a decent housemate and not scandalize the neighbors should I happen to walk by a window. My feet are up. There is a cat in my lap and fictional British people murdering each other in highly inventive fashion on the tv. -But my friend has returned from her friend's wedding,and either American or United Airlines has managed to lose her luggage, including, among other valuable possessions, the keys to her car. ...So she cannot just drive home as originally planned.

There are, as luck would have it, her spare set of keys not eight feet from me.

Being a good and decent person, I agree to bring the spare keys to her so she may get home before daybreak and not spend a semester's worth of tuition on an uber across the greater Denver traffic jam.

Being also that she Loves Activities, and it's her mom we're going to pick up, I elect to take along The Creature.

I am primarily focused on remembering how to get to the airport and not leaving my friend's spare keys on the counter, so I throw on a pair of flip-flops, step outside, remember that it's AUTUMN and my minimal evening attire is not sufficient thermal protection, step back in, grab the first coat in the closet I lay hands on, pull it on, check that I have her keys again and leave.

The trip to the airport is largely unremarkable, save that it becomes necessary for me to put on sunglasses to drive, despite it being nearly the witching hour and almost entirely darker than the inside of a cow.

It's necessary because this blissful darkness of night is violently punctured by a startling number of cars that seem to have installed miniaturized but no less powerful lighthouse bulbs in where their headlights ought to go so the oncoming traffic and sports cars that insist on tailgating me in the slow lane alike illuminate the road and my mirrors with the kind of radiance I'd normally associate with the arrival of a Seraphim.

I arrive at the distant highly discounted airport car lot where my housemate is waiting, deeply apologetic. It's nothing. I say. Once I see that your car starts up, I'm gonna go to that 7-11 across the way that I parked in front of, get a slurpee or something and I'll see you at home.

While she is retrieving her vehicle (an equally eccentric but much more stately Subaru that is old enough to be elected to congress) I rifle through the loose change in the glove box and discover that I have exactly $6.66 in small bills and coins. The Subaru, continuing it's long voyage into vehicular immortality, immediately starts up.

Upon her return, we all remember that my friend had all her camping gear in the backseat of the car and there is no room for The Creature to ride home with her parent, so I again assure her it's nothing, and will just take The Creature into the 7-11 with me. She is trained as a service animal and needs the practice after the plague.

I wave my friend off and turn to enter the 7-11.

I promptly trip over the jutting back bumper of The Van and fall, cartoonishly, face-first onto the sidewalk.

Fortunately, I have a lot of practice falling on my face, and have learned not to throw my hands out but instead cover my face, so my unexpected self-inflicted attempted curb-stomping lightly scrapes my hairline and nothing else -my sunglasses even stay in place- and I get up and resume my quest for a slurpee.

It's well known that the airport is a lawless place, and the 7-11 across from the discounted airport parking at the stroke of midnight is no exception.

I know it's the stroke of Midnight because there's one of those Audubon society bird-call clocks that makes bird noises, and my arrival is heralded by the twittering call of a Summer Tanager. I am almost charmed enough by the unusual choice of chronological device to excuse the exorbitant Airport-adjacent mark-up of Slurpee prices. I stand at the machine for some time, trying to decide on a size for the price and guess what the fuck "Blue Lighting Blast" is supposed to taste like.

The Creature is being Very Polite but is somewhat agitated, I assume because she *just* saw her mother for the first time in three days and then she LEFT with no explanation, so The Creature is on her hind legs, staring woefully into my eyes, asking to be escorted around the 7-11. Even though that's not what she's not supposed to be doing, there's nobody else in here, so I let her hang off my arm and discuss various Slurpee Flavor options with her.

We eventually decide on an experiment in which I try a Small Blue Lightning Blast, and discover it tastes a bit like licking a nintendo cartridge but in a pleasantly satisfying way.

I go up to pay and realize something is amiss.

The Cashier is a young man staring at me with wide eyes, one had over the register and the other wrapped up in his rosary.

I look down at myself.

In my haste to reunite my friend with her spare keys and service animal, I had left the house in the following accoutrements:

Flip Flops. Not matching. It's below freezing outside. That last part is not particularly odd footwear for the weather in for Colorado, but it's an important detail for the rest of the ensemble.

Assorted scrapes, bruises, cuts and welts on my arms and legs that come with doing outdoor work and living in a house with three dogs and a fully-clawed cat that all want to be in my lap all the time. It's cold out, so vasoconstriction has pulled the blood away from my skin, a trait that served my ancestors well during the last Ice Age, but leaves me with pale skin to contrast the various wounds and I look like a corpse that fell out of the back of a pickup truck.

The black Bootyshorts with "CRYPTID" painted in bright red gothic font across my ass, that @theshitpostcalligrapher gave me for my wedding present.

A peculiar but extremely comfortable garment that straddles the line between "Lacy Camisole" and "Industrial-Strength Sports Bra" like the Ever Given straddling the Suez Canal. It is also Bright Red. with black accents.

The Jacket I had grabbed out of the closet, which is in fact, a black Velour Dinner Jacket.

The Tokyo-Ghoul inspired reusable anti-covid mask a friend made me with the set of Coyote Teeth.

My sunglasses, which are shaped like a Halloween Bat. The lenses are the wings and the body is the nose bridge. It is ALSO bright red.

A Very Large and remarkably Humanoid Poodle that I have been audibly affectionately calling "Dear Creature" who is hanging off my arm like she's my Prom Date.

The Very Large and remarkably Humanoid Poodle is ALSO dressed up in a black Dog Sweater that has white bones printed on it to look like its an X-ray jacket showing off her skeleton.

I look like I am taking my Very Fancy Werewolf Girlfriend to a particularly casual Dinner Party for Vampires, but the thing that's really selling it and probably alarming the kid the most is the fun accessory I acquired in the parking lot not five minutes earlier:

The "Small Scrape At my Hairline" is actually a painless but PROFUSELY bleeding head wound that I had somehow entirely failed to notice covering my face, neck, decolletage and magnificent cleavage with blood like a Tarantino Film Extra.

This does explain why The Creature has been delicately trying to use her bodyweight to push me down onto the floor for the last ten minutes. So I don't injure myself while we wait for the paramedics she hoped this kid called to arrive, you see.

The Creature has such a High and Naive Opinion of humanity.

I decide this social situation is already fucked, and the only way out is through, and with haste, before I start dripping on the floor.

"Hi there!" I say cheerfully, to indicate this is a visually alarming but not terribly serious situation. "Just a Small Slurpee!"

The Cashier has entered the relevant code into the register before I finish the sentence. His gaze flicks off me just long enough to look at the total, and he grips his Rosary harder.

$6.66

"Oh cool! I have exact change!" I say, taking the money out of my as-yet-unsanguined pocket without looking and slap it down on the counter. "You have a good night and be safe out there!" I wave, leaving.

I get in The Van, mortified, buckle The Creature up, and as I make to leave, I have to put it in reverse, which automatically turns on the backup Camera.

It also turns on the music player.

I make eye contact with the cashier as the dulcet tones of John Phillip Sousa boom from the van hard enough to make the windshield and the windows of the 7-11 rattle for the nine-and-a-half seconds I have to wait to be able to turn the volume back down. Not knowing what else to to, I give him a thumbs up, and leave.

Anyway, now I know what my Future Van Wizard has got to be dressed like, and what their familiar is.

---

If you enjoyed this story, please consider donating to my Ko-Fi or Pre-ordering my Family Lore Funny Stories book on Patreon

#Family Lore #Dogs #It's Halloween babey #friday the 13th #blood mention #I hope that kid had a good night and at least one of his friends believed him #Long post #Video

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xenodile · 28 days

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"Shuro loves Falin for the same reasons he hates Laios" Completely and utterly wrong, could not be further off base.

I get the impression a lot of people watching Dungeon Meshi as it airs, or are a bit removed from its original manga run, have forgotten that Laios and Falin being monster freaks wasn't actually apparent until the events of the story. The only person that knew Falin loved monsters as much as Laios was Marcille because they were best friends at school.

Once Laios and Falin were in an adventuring party together, they both had public facing personas because they had both learned through their separate upbringings that being super interested in monsters and dungeons wasn't normal. Laios is the blunt but well meaning, outspoken and opinionated guy we all know, but Falin was way more withdrawn and soft-spoken, non-confrontational, easy to get along with. Everyone that interacted with Falin would say she's a sweet, gentle girl that everyone likes. Because she was, frankly, kind of a doormat.

The whole thing with Toshiro's infatuation with Falin is he doesn't actually know her. She is outwardly very polite and reserved, and that appeals to Toshiro because it meshes with his cultural sensibilities and how he was taught people are supposed to behave. Then he sees her marveling at a caterpillar in a private moment and decides on the spot that she's the ideal woman and proposes without actually talking to or getting to know her.

And his lack of understanding of Falin as a person is brought to the forefront in every action he takes after she gets eaten. He leaves the party and makes no attempt to contact the two people that Falin loves the most. Whether it's a matter of him just not knowing how much Falin cares about her brother and Marcille, or actively avoiding Laios to rescue Falin himself, he's demonstrating that he doesn't actually know what's important to her or understand how she feels.

Then when he meets Laios's party on the lower floors and they go over what happened, it's made even more blatant that Toshiro's affection is shallow and half-baked. He came into the dungeon a week too late and neglected his health the whole way down, so he was in no state to actually try and save Falin when he got there. When Laios talks about eating monsters, something Falin was thrilled about, Toshiro is disgusted. He threatens to kill Laios and turn Marcille in, which would never fly with Falin. His anger at the use of black magic is entirely based in his selfish idea of Falin being tainted and blaming Laios and Marcille for "ruining" his attempt to rescue her, as Kabru points out that Toshiro would have done the exact same thing in their shoes and that he's being a hypocrite. To say nothing of how he'd rather kill Falin after she's been transformed and "put her to rest" rather than put any effort into saving her, because that would require further involvement from Laios and Marcille and methods that Toshiro doesn't approve of.

And there's the fight he has with Laios, and Toshiro's subsequent confession that he had hoped to just take Falin home with him. He at no point gives consideration to what Falin feels or what she might want, only what he has decided about her based on the most surface level observation. Just like how his problem with Laios arises from his refusal to just talk to him about his boundaries, he has no actual connection with the woman he claims to love because he just wouldn't actually talk to her.

Like it's not a coincidence that every time his attraction to Falin is brought up, another character goes "yeah he's being weird about it".

#Dungeon Meshi #Toshiro isn't a bad person. He has communication issues and makes very bad decisions based on his own refusal to communicate.

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drchucktingle · 4 months

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Chuck, how do you deal with people who are rude about you and your work? I write queer romance and I want to put my writing out there for people to read, but I'm a very sensitive person and I know it will be hard not to take insults personally and let them affect me. I don't want to let that stop me from expressing myself and sharing my art, but I'm scared!

very good question buckaroo. i am a good example of this as pretty much EVERYONE was rude about my work for many years calling it 'so bad its good' (it is just good) and 'terrible photoshop' (i think it has a great and instantly recognizable style) and 'intentionally stupid premises' (i dont think there is anything stupid about sex being fun and whimsical and playful). even these days the reaction of the VAST majority of buckaroos who discover chuck have this reaction AT FIRST, and then learn to appreciate the tingleverse in a more sincere way over time.

all that is to say BEING DOUBTED HAS WORKED OUT VERY WELL FOR ME. art that changes meaning over time can be very powerful, so if someones initial reaction to my trot is one thing and then it evolves into another thing, well that is just good art. while it can feel bad to get a bad review, i would say a bad review just means you have entered a realm of tension and change and discord and WE ARE TALKIN ABOUT ART BUD so that, in itself, is very exciting.

i think of what i do as 'punk writing', and a big part of that means pushing against preconceived sensibilities. not many other authors will proudly say 'there SHOULD be some spelling errors in my erotic shorts because i wrote it in a day and edited it once. that is the FEELING i want to create', but that is my way. by creating what is in my soul i KNOW i am going to bother some buckaroos and that is okay.

now i am NOT assuming you are also doing punk writing (that is okay of course we all have our own styles. what i am doing with tinglers is pretty rare), but it still stands to remember that there are 7.8 billion people on the planet of this dang timeline and some of them are bound to be bothered by your creations. that is not a problem, that is just part of baring your authentic self.

the other thing to remember is theres no REAL right or wrong in art. it can be analyzed in different ways and i tend to look at it in a way of comparing intention to result, but even THAT is not strictly correct. therefore any bad review of something you make is not actually BAD it is just someones information and feedback for you to take or leave. a one star review is just another opinion, it is no more right or wrong than your own opinion, and that is wonderful. it is freeing.

if i see a bad review of my own book, lets just say CAMP DAMASCUS for instance, i do not get upset because i know this: that reviewer is not wrong. camp damascus is five stars for me, but it is one star for someone else AND THAT IS OK. THAT IS THE WAY IT SHOULD BE. THAT IS GREAT ART. also MAYBE THEY KNOW BETTER THAN I DO. just because i wrote the book does not mean i am the authority on it, and the conversation and tension between those that enjoy something and those that despise it is a creative act. the audience engaging with your work is just your art emerging from its cocoon and saying 'here i am. lets see where i flutter off to now'

do not fear the river of this timeline sweeping away your creations and carrying them where it will. this is inevitable, but it is also beautiful and freeing. you cannot swim against it and that is okay bud, because YOU HAVE ALREADY WON. you have already created something and given a piece of yourself back to this timeline and that is a great honor and privilege. it is literally all there is

by creating ANYTHING you are proving love is real, and that is something to be proud of

#buckaroo lifestyle #art #creation #chuck tingle

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tanadrin · 2 months

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The actual reason we need a revolution is because it's the only way to ever get an English spelling reform done

You are wrong for six reasons:

English is an official language in 67 different countries. You will not successfully coordinate a revolution in 67 different countries.

The lack of an official English orthography is good, actually. Academie Francais-style attempts at language planning are cringe as hell, and often ineffective. They are not the product of sensible policy, they are the product of head-up-your-ass nationalism, and their decrees usually reflect that fact.

English spelling is fine. English orthography correctly predicts the sound of words in the vast majority of cases; where it fails, it's usually because a vowel isn't reduced quite enough. It's true that you can't really reverse pronunciation to get spelling, but in almost all orthographies there are multiple spellings to a single pronunciation.

Where English spelling is truly irregular, it's typically to preserve etymological transparency, which is actually a good thing in a writing system.

English orthography is complex, but it must be so: there are more phonemic consonants in English than there are consonant letters in the alphabet used to write it, and many more phonemic vowels than there are vowel letters. If this displeases you, take it up with the Romans and their shitty alphabet; it's not the fault of English.

English orthography is also conservative, but this is also a good thing: it means it's possible to read texts written in Early Modern English, and even in some forms of Middle English, with only moderate effort. If (for instance) we used a purely phonetic writing system, English of only 300 years ago would look very strange on the page, and English of 600 years ago would be nearly incomprehensible. As it stands, a fluent English speaker can read Shakespeare with only light editing, and can read Chaucer with the help of a few footnotes. That's pretty good for a phonetic script!

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self-sailing-ships · 1 year

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who knew that "found the perfect jacket for a halateez look but the biggest size they had is 2 sizes too small" would be the motivation i need to finally start eating better and losing some excess weight

#i was already losing anyway bc my new job is so active #but im also now trying very hard not to binge on junk #and its going fairly well #realistically idk if i can sensibly lose enough weight by february for the jacket to fit perfectly #but i can definitely lose enough for it to fit *better* and get some shapewear to do the rest #i'm feeling good about this!#its a struggle bc i crave sugar and carbs literally 24/7 #but im trying hard #am also trying to maximise how much moving i actually do at work #take some extra trips up the stairs or whatever #laura talks

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sassysnowperson · 11 months

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How Not to Read Terry Pratchett's Discworld Novels

With the very exciting fantasy books poll bracket going on Discworld and how to read it is in the zeitgeist again. I figured I would take a crack at adding to this important topic with a guide drawn from my own chaotic mess of a reading journey:

Learn that Terry Pratchett is a fantasy author that several people whose reading taste you admire enjoy. He apparently blends comedy, good plotting, and a world that is both grounded and satirical and you're a big fan of all those things.

Fabulous! Decide to read some of his work.

Go to your local library. Love a good library. You're new to the area, so you're also exploring the library for the first time, too.

You have found Terry Pratchett! Points to you! Pull a book off the shelf at random. It's called The Dark Side of the Sun.

Start reading. Realize that this feels more like sci-fi than fantasy. Sigh in smug superiority about people who get the two confused.

Realize about halfway through that this is not, in fact, a Discworld book.

Nobody warned you the guy wrote other things!

It's still good, tho. Maybe a little rough but this was an older book and the author clearly has potential. Let's try again.

Review his works. The vast majority are Discworld. You are highly unlikely to grab another non-Discworld book. Go back to the Terry Pratchett section of the library.

Oh hey he wrote a book with Neil Gaiman! You've hears of that guy!

Grab Good Omens off the shelf.

Take it home, realize, much sooner, that this is also not a Discworld book. Still enjoy yourself thoroughly. You should read more of this Gaiman dude, too.

But okay. For real this time. Go back to the library and don't leave without *CONFIRMING* you have a Discworld book this time.

Grab a book. Look at the cover. Read the back Discworld! Ha HA! You've done it!

It's called Thud.

You are utterly gripped by a story of a man wrestling with himself, his growing child, the political tensions of a city and extremism that echoes reality beautifully while still being entirely true to itself. It's a story of responsibility and love and building communities and Fantasy Chess. You are driven nearly to tears by the sentence *WHERE IS MY COW?*

You emerge from the book fundamentally changed as a person, and finally understanding what all the fuss is about. You are now a Terry Pratchett reader for life.

You realize Thud was in the middle of a series. That was a part of another series. That explains why there was a feeling that you were supposed to know some of these people already.

You finally find one of those flowcharts and figure out a more sensible reading order.

I always sort of laugh when people ask where to start reading Discworld, because Thud would be first on absolutely nobody's sensible Terry Pratchett reading order. I'm still tempted to recommend it though!

(My actual advice: Going Postal if you love con men being stuck doing the right thing, Wee Free Men if you like YA and smart angry girls owning their own power, Guards! Guards! *and* Men at Arms if you like crime shows with heart and are okay giving earlier work a try (the quality gets better and better, but I think it needs at least two books to get you into it), and Monstrous Regiment if you like gender and queer feelings, anti-war books told in the middle of a war, and/or would prefer a stand alone novel...and, you know, Thud if you want a great read and don't mind some chaos.)

#terry Pratchett #discworld #the worst reading order #gnu terry Pratchett

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phantom-0-writer · 8 months

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prompt 02: tim’s birthday present

Tim sat in his empty house at the empty dining table. The table was actually quite large; it had enough seats to sit at least 15 people. But there was just Tim there.

His parents had promised and sworn up and down that they would come back in time for his birthday. He had everything planned out. He picked out the birthday cake, put on the candles, decorated, ordered his parents' favorite foods, his parents' favorite movie for movie night, popcorn the likes. But that morning, just when Tim was double checking to make sure everything was ready for the most perfect birthday ever, his parents had called to tell him that something really important had come up, and they wouldn’t be able to make it. Tim figured it was better than last year, at least they called this time.

Tim stared down at the cake, the candles lit. He had heard online that people would make wishes on their birthday cake and blow it out. Tim thought that was a weird thing to do, but it wouldn’t hurt to try.

What should he wish for? It would have to be something special that he doesn’t already have. Tim thought for a long moment, the candles bleeding into the frosting of the cake.

A brother.

Tim closed his eyes and put his hands together like he’s seen the other children to do in the cartoons. And Tim wished for a big brother. When he finally wished hard enough (whatever that meant) he opened his eyes and blew out what was left of the candles.

Tim waited. What exactly was he supposed to do now? In the cartoons, everyone would celebrate and cheer and the birthday boy would open his presents. There wasn’t anyone to cheer for Tim, or any presents for him to open.

Suddenly the house shook, and the loud sound of a crash sound came from the backyard. Quickly, Tim did the sensible thing and go check out what the noise was. That's what the characters always did in horror movies.

In Tim’s backyard, there was what looked like a weird space ship that had crashed into his backyard. There wasn’t any fire or anything, but the spaceship looked pretty wrecked. Getting closer, Tim could vaguely make out that someone was inside the spaceship. Looking around, he saw what looked like maybe the handle. Tim couldn’t really tell.

When Tim put his hand on it and tried to open it, something poked out mechanically and pricked his finger. He flinched back instinctively, caressing his finger tip.

“Recognized: Danny Fenton. System Override.” A robotic lady spoke. Who is Danny Fenton? As if to answer him, the space ship opened its hatch, and inside was an unconscious black haired teenager. “System Malfunctioning. Please Assis-” The robotic voice spoke again, before getting cut off as if the power had died.

Suddenly, Tim remembered his wish. A big brother.

This was Danny Fenton, and he was supposed to be Tim’s big brother

----

When Danny woke up, he found himself in a very soft plush something. Something that definitely wasn’t the Spector Speeder. Alarmed, he sat up quickly to find that he didn’t recognize where he was at all. He also didn’t recognize the weird kid that was staging at him from two feet away.

“Hi, I’m Tim. Timothy Drake.” The boy introduced himself almost business like.

“Uh, hi Tim.” Danny responded awkwardly. “You got any idea where I am?” Danny sat up properly, moving the blanket (?) off of him and turned to face the weird and kinda creepy kid.

“You’re in Drake Manor. Which is where I live.” He answered again.

“Ok…ay” Danny nodded thoughtfully. “Any idea how I got here?” Truthfully, Danny hadn’t really been expecting an answer, but he still got one.

“Because I made a birthday wish to have a big brother.” He answered in the same way he had answered the other question, very matter-of-factly.

“Ok- Wait. What?” Danny asked, doing a double take at Tim.

“You’re supposed to be my big brother, right?” Tim was starting to look a little hesitant, and as weirded out as Danny felt he couldn’t help but feel bad about the whole situation.

“Where are your parents, Tim?”

“There not home, because they had really important things to do for work.”

Danny nodded. “Do you know when they’ll be back?”

Tim shook his head. “They were supposed to come back today, because it’s my birthday. But they said they couldn’t make it.”

Well, shit. Didn’t that sound awfully like Danny’s birthdays before he had given up on his parents showing up. At least he had Jazz. This kid looked like he was alone.

Not liking the silence, Tim started fidgeting again. “So, are you gonna be my brother, then?”

And what was Danny supposed to say, No? Besides, if he was really causing problems being in this random universe, then Clockwork would figure it out.

Bonus:

Danny sat at Tim’s dinner table, the kid looking at him radiating in excitement, each with a plate of stupid expensive pasta in front of them. “You said your name was Tim, right?” Danny started thoughtfully. Tim nodded, drinking up everything Danny said. “Well, first course of action as you, big brother. I need to give you a nickname.”

Tim’s eyes sparkled at the prospect. “Like what?”

Danny tapped his chin exaggeratedly, “Hm… Tim, Tim.” Turing the name around while he absentmindedly twirled his fork between his fingers, Danny wondered what he should come up with. Suddenly, in a misplaced strength, Danny’s fork flew out of his hand.

Before Danny could even say anything, “I’ll get you a new one!” Tim offered quickly. Getting up from his chair, his foot got tangled behind the leg of the chair and Tim fell quietly on the floor with an oof.

Danny laughed at him. “You okay, Timbers?” He asked, getting up to check on the boy.

“Yeah, I like Timbers.” Tim said, a bright smile on his face despite the blossoming bruise on his arm.

------------

table of contents

#dc x dp prompt #dpxdc #danny and tim #danny phantom #tim drake #be kinda funny if tim was like so convinced that wishes were real and all that and starts dabbling in magic at a pretty early age or smt #big brother danny #they had pretty similar childhood and like shit is danny gonna let that happen to another kid on his watch #tim: what a funny coincidence #danny: what a funny coincidence #clockwork watching this all go down: hehehe just like i planned #also yes the spector speeder dna matched tim as danny #which means that tim in alternate danny #i thought it would be a fun little thing to add since they had similar childhoods in this au

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