A @corviiids tweet that is very important to me 🙏 I'm always thinking about spawn Astarion how he loves the sun

something so fucked up about Chat Noir’s whole deal is that he is in a lot of ways Adrien playing a character. Like Adrien picked up his miraculous and was told he’d be a superhero so he was like “ok, time to act like a superhero!” and he lets himself have fun w it and play up the role and let loose and kind of just allow himself to be silly and goofy and have fun and for once in his life not care about performing Perfection™.

But. But none of the other characters KNOW THAT. So everyone just sees Chat Noir and is like “look at this guy’s ego. He’s so full of himself. Surely it’d be fair to knock him down a few pegs” without being aware of how few pegs he actually HAS. He’s like the “insecure character who overcompensates in ego” trope except he’s really not doing it unironically, he’s just having a fun LARP pretending to have self worth in his off-hours but nobody else is on the same page about it being a game and he refuses to tell them. He just dramatically pouts about it and lets them laugh and pretends like he’s not internalizing it and it is almost 3 am and my brain forced me to write this instead of sleeping I’m gonna take a melatonin

Enough of the trope where memory loss undoes the damage or the corruption or whatever. More content where removing memories just removes the context.

The tragedy of needing to grieve and not knowing what or who you lost or why. The angst of having trauma and being denied the awareness that it's trauma. The suspense of being different somehow and left to wonder how and when. The tension of knowing that something is off and you can't find where it hurts. The Adventure Zone gets it. Kingdom Hearts gets it.

There is an aching inside you and you don't know how it got there.

idk how many of you remember this but a few years ago tumblr ran a universally panned ad campaign for (us american) pride month that went "the gayest place on the internet".

well someone planning that campaign dropped in to ask the queer automatticians for advice on that and universally me and the other trans people involved were like "don't do it. i am so serious. don't do it. people on tumblr won't understand that it wasn't automattic who instituted the porn ban, or they will, but they'll recognize that automattic hasn't done anything, hands tied or not, to reverse it. nobody will like this. it will be a disaster." and they thanked us for our thoughts and went ahead with it anyway and then had to do retrospectives about how badly it went and were like "we just didn't know" and [gestures] yeah [edit: i think the person who rbed saying it was queerest place on the internet was right, my brain is fried, sorry! and that's... even worse lmao]

*by live theatre i mean plays, musicals, operas, ballets, concert versions of musicals, staged readings, & things of that nature. EDIT: YES this includes amateur, local, kids, high school, & community theatre. almost every show i've seen has been local

if you want, list the names of the shows you've seen in the tags!

there is something unique and deeply special about monkey d luffy as a protagonist. he’s overwhelmingly ADORED by the fandom. he’s consistently the most or at least top 3 most popular characters in the whole series. peoples takes about him are gushingly positive. and that’s… really uncommon.

a LOT of fandoms i’ve witnessed or been in have a tendency to favor characters other than the main character. especially in anime. the main characters are often written as a blank slate for readers/watchers to project onto, but that makes them not as interesting and so they don’t get the fan attention.

but luffy is so far from that. and he’s ALWAYS been this way. we love him so much. he’s the heart of the story and the heart of the fandom in every single way. and i think that speaks to how well-written he is as a character. he’s fun and charming and complex and interesting and he makes us laugh and cry and cheer and hope and love. he’s able to inspire so much joy in people, both in his world but also in this one. and i think that’s really special. i feel so grateful to have found this story that means so much to me, and i’m so grateful that luffy exists.

Watching the new tasting history and very charmed by the fact that the whole Michelin Star system apparently started out as, like, a galaxy-brain marketing campaign for the concept of road trips.

sad: falling out of a hyperfixation

tragic: watching your beloved friends and mutuals fall out of the hyperfixation while you're still in it

it’s very easy to tell the good satires and pastiches from the bad ones because the bad ones are too afraid to live within the form. like if you are doing work with fairy tales and you are refusing to look closer at the underlying logic and unspoken rules of what can seem at first to be a senseless form, you are not going to create meaningful work. to borrow a turn of phrase originally used by maria tatar, if you refuse to enter “the house of fairy tale” as anything more than a gawking tourist, you will miss the particular order to the way the table is set, the rooms that are locked vs the rooms that are simply difficult to enter, the set of the floorboards and the position of the furniture. whatever you build will then be a gilded imitation of how you believe the house of fairy tale ought to look, the table set according to your educated specifications and every door open. there can be no interrogation of themes from a writer who views the form as beneath them!

ITS PROM, INTREPID HEROES! ASK RAGH ABOUT WHAT HE SAW AT PROM! ASK ABOUT JACE AND PORTER AND ARIANWEN!! INTREPID HEROES!!!

dazai making up a whole language with fyodor that no one else can understand is amazing but imagine him using codes that, very objectively speaking, you could crack, it's just that no normal person would ever make the insane leaps in logic that it requires. except for someone familiar with dazai's weird thinking patterns, that is.

i just love the idea of dazai's unhinged antics being dialed up to an eleven when he was in the port mafia, and oda being the only one who simply wouldn't bat an eye at it but chuuya was the only one who would actually get it.

like imagine ango at the end of the jailbreak, his boss saying he should allow himself to sigh and lean back and maybe indulge himself, pat him on the shoulder, tell him what he pulled off reading heart rates wasn't easy and he should be proud for being able to keep up with such a plan

but ango i-drank-with-teenage-dazai-and-also-had-the-records-for-every-soukoku-mission sakaguchi can only remember the time dazai was like using greek sign language through his breathing patterns to communicate from a submarine from beneath the pacific ocean or something, and chuuya could not fathom how no one else could understand him.

and that was the day mori signed off on skk being exclusive partners because every subordinate in the room was crying tears of blood by the time chuuya finished explaining which blood pressure level was warning them about a bomb, which blinking sequence was him conveying the vault password and which series of inhales was just him calling mori a bitch.

(ango also pointedly did not want to think about how smug dazai had looked after the mission when mori confirmed skk would only be each others' partners for efficiency and to maintain everyone else's sanity

or about how when he called chuuya to tell him about dazai's prison break scheme he could only get like 3 out of 276 steps into the plan before chuuya rolled his eyes, said "got it" then hung up and pulled the whole thing off without a hitch.)

Sometimes I think about how Adrien, throughout the series, constantly grapples with his fear of abandonment. Gabriel conditioned him to believe that any love he receives is purely transactional, and that to earn affection he has to prove his utility. Adrien is constantly trying to prove his worth to his father for scraps of affection, and Chat Noir infamously crumbles on-screen any time he feels as though he is replaceable to Ladybug. It's a constant insecurity of his, like everyone will just dump him like a sack of potatoes the moment they find out how useless he is.

Meanwhile, all Marinette wants to is ensure that Adrien is happy. Because she loves him. She doesn't give two shits about how """useful""" he is. She holds him and tells him that she will never abandon him (both as Ladynoir and as Adrienette), and her fantasies are about saving him, not about him being "useful" to her. Throughout their relationship, Adrien is forced to disappoint Marinette constantly for reasons outside of his control (amok commands), and yet Marinette is still there for him.

At Adrien's lowest point, when he is forcibly torn away from everyone who had ever showed him genuine care, locked away in an all-white room and at his most "useless", right after disappointing Marinette and unable to even join the final battle or contribute in any way, she still saves him. She still loves him. Because he doesn't have to prove anything to her. Because he is loved and cherished for who he is, not for what he does, and that love is not conditional. Adrien's "happy ending" at the end of the first arc wasn't about him finally proving how useful he can be, because he never actually cared about being useful — he just saw it as the only means to feel loved and needed. Instead, in the end, he found out that he was loved and needed no matter what.

prince sidon makes a discovery about height differences....

(my link is trans here but feel free to imagine him as cis!)

patreon | itch.io

baseball scribbles…. save me wolfwood in a jersey … save me …

So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.