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yeeclaw · 24 days

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Taylor Swift Apple Music playlist: You Don't Get To Tell Me About Sad Songs

Description, track list, and transcript of "A Message From Taylor"

Length: 22 tracks, 1 hour 26 minutes

Preview Description: After denial comes anger—and Taylor's got just the songs for that.

Full Description: When Taylor Swift announces an album, the world takes an interest. That’s certainly what happened in the days after she unveiled THE TORTURED POETS DEPARTMENT, as intrepid Swifties began hunting and assembling and pinning clues to digital corkboards, eventually landing on the theory that her 11th studio album is sure to explore the five stages of heartbreak. And when Swifties agree upon a theory, Taylor takes an interest—so, naturally, she’s responded by crafting a series of exclusive playlists, choosing songs of her own that fit each stage.

The second stage is anger, and it’s fair to say that some of her best and most beloved songs boast an edge. You’ll find that in abundance here, coursing through the likes of “Vigilante Shit,” “Bad Blood (Taylor’s Version),” and, of course, “We Are Never Ever Getting Back Together (Taylor’s Version).”

Tracks: "A Message From Taylor," "Vigilante Shit," "High Infidelity," "Would’ve, Could’ve, Should’ve," "exile (feat. Bon Iver)," "illicit affairs," "mad woman," "tolerate it," "Bad Blood (Taylor's Version)," "Is It Over Now? (Taylor's Version) [From The Vault]," "I Knew You Were Trouble (Taylor's Version)," "We Are Never Ever Getting Back Together (Taylor's Version)," "The Last Time (Taylor's Version) [feat. Gary Lightbody]," "The Moment I Knew (Taylor's Version)," "Babe (Taylor's Version) [From The Vault]," "I Bet You Think About Me (Taylor's Version) [From The Vault]," "Dear John (Taylor's Version)," "Better Than Revenge (Taylor's Version)," "Tell Me Why (Taylor's Version)," "You’re Not Sorry (Taylor's Version)," "Mr. Perfectly Fine (Taylor's Version) [From The Vault]”.

"A Message From Taylor" Transcript:

“Hey Apple Music, welcome to my ‘You Don’t Get to Tell Me About Sad’ playlist. These songs all have one thing in common: I wrote them while feeling anger [laughs]. Over the years, I’ve learned that anger can manifest itself in a lot of different ways, but the healthiest way that it manifests itself in my life is when I can write a song about it, and oftentimes that helps me get past it.”

#taylor swift #apple music playlist #ts ttpd #ts11 #you don't get to tell me about sad #ttpd the bolter #ttpd #ttpd playlist #transcript #other playlists to follow #taylor swift quotes #taylor swift quote

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cutesyscreenname · 1 month

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My last wallpaper I made and the one I'm rocking bc April is coming quickly y'all...

#send help #track 5 is over 9 minutes long #i won't survive #ts ttpd #ttpd era #ttpd #taylor swift #swifties #wallpaper #i love you its ruining my life #am i allowed to cry #you don't get to tell me about sad #old habits die screaming

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cellopirate · 8 days

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now that I've had some time with it...

Fortnight ⭐⭐⭐⭐ The Tortured Poets Department ⭐⭐⭐⭐ My Boy Only Breaks His Favorite Toys ⭐⭐ Down Bad ⭐⭐⭐⭐ So Long, London ⭐⭐⭐ But Daddy I Love Him ⭐⭐⭐⭐⭐ Fresh Out The Slammer ⭐⭐ Florida!!! ⭐⭐⭐⭐ Guilty as Sin? ⭐⭐ Who's Afraid of Little Old Me? ⭐⭐⭐⭐⭐ I Can Fix Him (No Really I Can) ⭐⭐⭐⭐ loml ⭐⭐⭐⭐⭐ I Can Do It With a Broken Heart ⭐⭐⭐⭐⭐ The Smallest Man Who Ever Lived ⭐⭐⭐⭐⭐ The Alchemy ⭐⭐⭐⭐ Clara Bow ⭐⭐⭐⭐⭐

...and no, I haven't even started listening to the Anthology yet. It's so much at once.

#ttpd #the tortured poets department #ts ttpd #taylor swift ttpd #ts11 #is she okay?#mother #are you ok #am i allowed to cry?#you don't get to tell me about sad #you should see your faces

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crocodilenjoyer · 3 months

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he's our little brother. take care of him.

anne carson - antigone / alec benjamin - if we have each other / dan pearce - single dad laughing: the best of year one / kodaline - brother

#dean winchester voice we're gonna fix you up. that's my job right? to look after my pain in the ass little brother.#[guy who's not over marineford voice] yeah i'm sooo over marineford #tried to read the manga for reference. got sad about ace and luffy again. thus the cycle continues #asl brothers #ace #luffy #sabo #riko.txt #one piece #op spoilers #kinda???? it's been out for over a decade. everyone talks about it #btw you have NO IDEA how much it took for me to not include the spn gif i made for this. or the shinazugawa bros scene. you know the one.#anyway. hahaha. heehee. hohohoho. i'm an older brother. i have a younger sister. and. i get it.#she was having a bad time a few months back and i remember telling her i'd do anything for her. i don't think i've ever meant anything more #so. yeah. i get it.

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bonefall · 4 months

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Maybe I'll make a post on this at some point but like, something deeply fucked up about TNP and Po3 that people have totally forgotten about is how badly they try to whine that "Tigerstar Had Good Traits :("

Firestar does it, Brambleclaw does it, and they keep doing this after it becomes this GRAND irony that Firestar almost gets Tiger'd to death in a fox trap because he was too trusting. Bramble gets his pity award of keeping deputyship and then cries to his son about how No One Saw The Good In Tigerstar :(

And it's wiiiiild that no one else in this fandom has done anything with the fact that Leopardstar broke the Warrior Code to appoint Hawkfrost, who had no apprentice, an extremely aggressive and warmongering Tigerclone who says things like "Tigerstar wasn't the worst cat to look up to." ONLY qualifying trait was being kinda like Tigerstar.

And she practically did that the SECOND Mistyfoot went missing. And then Leopardstar continued to be one of the most violent and xenophobic leaders through Po3, joining with WindClan to attack ThunderClan.

What I'm getting at is that like, a few years ago, with books like "Blackfoot's Reckoning" and "Shadow in RiverClan" it's like they suddenly decided to retcon in a bunch of "redemption arcs" in hindsight. They just pretended like there was this grand high reckoning with TigerClan, when there literally wasn't, and if anything that caused SERIOUS problems for the cast that the authors didn't fully acknowledge as such.

And now ppl haven't actually read the main series and are just working with their recent memory of all these retcon books.

But TNP and PO3 are still there, and you can go and see the ACTUAL timeline where Leopardstar is really not apologetic at all, and Blackstar is a useful stooge for the very next wannabe dictator that strolls in, in spite of the new side content that COMPLETELY mischaracterized them for their plots to work.

#I just wish people could be more critical of this #And im not entirely anti-retcon. Mind you #But I am here because i think these retcons make them WORSE characters. It's BAD for a character to GET a book with a redemption arc and--#Then they don't change at all and act like totally different people later in the timeline #And Leopardstar is the worse one between her and Blackstar BECAUSE she has sooo many active choices here #Im confident in my choice for BB the more I think about it. Leopardstar's dismantling of the bonehill was good #But it works better as a tragedy imo with the rest of the series in mind #That for a brief moment. A fleeting whim. She could have changed.#But she never did.#And Blackstar who was FAR less repentant at the time DID eventually turn around.#At the end of the day one of them appointed Hawkfrost as codebreaking deputy.#And the other did not.#And I think it's fucking bullshit the way that Leopardstar's retcondemption implies that Hawkfrost was just so tricky he mislead her #The old and experienced leader who had been fooled by a tiger before and was soso sorry for it. Just got tricked.#Like fuck off. She never had a redemption. Stop trying to tell me she did 15 years later #She's a girlboss who empires too close to the sun in pursuit of power and drags everyone down with her #Not a sad weepy smolbean #Bone babble #Warrior cats analysis

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kvetchinglyneurotic · 3 months

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it occurs to me that jamie's conversation with ted at the pub in 2x02 might be the first time he talks about his dad with someone who already knows that james is abusive (with the possible exception of georgie). which means that the first time he hears an outside perspective on the situation, it's ted telling him that his dad's abuse is what made him great

#i don't even have a point it just makes me sad. and also annoyed. every time i watch that scene i'm like why would you say that??????#a lot of the time when jamie's talking about his dad i get the sense there's this underlying question of like #“i feel like this was bad. can you tell me if it was bad?”#and really i think he just needs someone to tell him straight up like. yeah that was bad he shouldn't have treated you that way #but when he brings it up with ted and higgins they try to put a positive spin on it (shout out to season 3 roy for not doing that)#ted lasso #jamie tartt #kvetch oc

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lenoirexv · 3 days

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FINAL FANTASY XVI (2023) | developed by Square Enix

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sealpup9 · 6 months

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Ok Inertia came in swinging with a beat that slaps so hard I forgot to duck and was knocked on my ass by the force that is the last two verses.

#AJR #the maybe man #holy shit i just started sobbing you don't understand #Why does it hit so fucking hard #the gradual tension that just picks up as the verses continue???#those 3rd and 4th ones just suddenly pick you up and you're getting just as full of emotion and angry and sad and everything slaps you holy #sorry i don't usually blog about music im just #the maybe man was really good I enjoyed it thoroughly #turning out part iii also hit me but in the kind of way where i want to just go hug my fiancee and tell them i love them and im thankful #that they're here ;w;#holy hell i probably won't shut up about this to friends for the next few days #my post

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weepylucifer · 1 year

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When i started disco elysium i thought, well, obviously Kim is normal and regular (I would later be proven wrong), so his clothes must be what regular cops wear in disco elysium world. But then we see other cops and they’re wearing like... black suits. Uniforms. And THEN it turns out that what Kim is actually doing is closet-cosplaying as a pilot of an airforce that doesn’t exist anymore. This is like if someone came to work in complete Civil War reenactment costume. Why does he do this? Because he just wants to i Guess

#that's why i think people overshoot a bit when they portray kim as the Ultimate Professional. he goes to work in cosplay #there's that one dialogue option where harry's like wait if cops wear uniforms why isn't kim in uniform #and the skills tell you ''he's in plainclothes VOLUNTARILY not because he lost his uniform like YOU IDIOT'' and like...#why actually did kim feel it prudent to turn up to the case in his little pilot outfit? is his cup of caring just THAT empty by that point?#is he actually deep down sorta starting to burn out on being in the rcm so he's just not bothering with the dresscode anymore?#more of my disco elysium impressions #posts by me #i mean we all Know the pilot cosplay represents his broken dreams and/or the little ways he vents his rebellious side #it's like listening to speedfreaks. it's these completely harmless little acts of nonconformism that don't ever actually bother anyone #so he gets to feel the cathartic thrill of being a little bit narsty without actually like... rebelling. (bit sad innit)#but this post isn't ABOUT that it's about him GOING TO WORK IN COSPLAY

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a-queen-of-the-clouds · 2 months

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All's fair in love and poetry

john & paul in get back (2021) x tortured poets department back cover lyrics

#been thinking about this for ages but i wanted to have the four lines so here it is #this is for me fiona and the three swiftles blogs that follow us #i could write an essay on you don't get to tell me about sad and old habits die screaming as them but this is easier

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boyfridged · 1 year

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You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.

Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.

I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.

Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.

oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.

tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.

and the long, long version, coming with panels and quotes: under the cut.

first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.

i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.

bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)

i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"

this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.

so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.

the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."

the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.

but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.

so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.

that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.

we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.

the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.

and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.

which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.” to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.

#AHHH this took me so long for no reason at all. so sorry anon <3 #anyway. i'm obsessed with your observation regarding bruce's focus on robin in the two-face storyline #i've already briefly considered it but you made me go back and reread it #and i just stared at these panels of jason in bed all day for like good 5 minutes thinking. jesus christ. jesus christ #“you spare me *this*?” <- this line is making me feel SICK TO MY STOMACH.#so maybe bruce is right when he says that he made jason like this in tfz.#and jay is of course even more right when he says that he didn't make him. he raised him #also don't apologise for bringing in gotham knights #i actually talked about it some before because it is a very good illustration of bruce projecting on jay #<- i didn't include it here bc my post was getting insanely long.#anyway back on the topic. i think it's so deeply sad that jay genuinely has no idea #that this is what bruce thinks #i think he would be DEVASTATED if he knew the way bruce fixated on the idea of his anger #hm. normal now.#thank you so much for this ask. you can tell i was delighted to answer it <3 #i actually already had a draft about it when you sent it... but i'm sooo slow with editing my word vomit #outbox #jay.zip #jay.txt #dc #jason todd #core texts

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