"'86, baby."

happy holidays and a happy new year, @ko-rka!! i am your secret santa for @fmasecretsanta ^^

i drew for you emo punk ed fashion, cats, and stars... and let me tell you, it's been SUCH a pleasure drawing as i've listened to your mcr playlist!! i ended up liking a lot of songs on spotify back-to-back, but some of my favorites were "to the end" and "sleep"

i hope you like it, and i'm wishing you the best for the new year! :]

The Fourteen Hidden or "Bug" Audios In Order, With Reasoning

(i think! I'm fairly confident in this! I'm willing to Debate!)

12-14 / Howdy & Barnaby

[we know that Barnaby and Wally go to Howdy's every morning]

8-14 / Eddie & Frank

[the post office is right across from Howdy's]

6-14 / Julie & Frank

[Wally isn't scared of bugs, so he could be recruited to help with Frank's gardening problem]

1-14 / Howdy & Poppy

[Howdy mentions that he has a shipment waiting for his signature]

3-14 / Howdy & Sally

[it's possible that Wally went to Howdy's to get something for the beetles]

13-14 / Howdy & Eddie

[it looks like Wally just bought a box of apples, or something similar. Howdy signs for the shipment]

4-14 / Barnaby & Frank

[behind the pins, it looks like there's an apple or two on the ground. the shape and color is wrong for it to be tomatoes. an offering for the beetles?]

9-14 / Frank & Poppy

[the table is clear of yarn, and Frank references the damage done to his garden]

2-14 / Sally & Poppy

[there are cookies - Poppy mentioned to Frank that she might have a non-seed recipe for his butterflies]

10-14 / Julie & Sally

[Wally could have gone with Sally to help with the script reading]

5-14 / Barnaby & Eddie

[Eddie mentions that it's late in the day, and he already delivered the bowling balls]

7-14 / Eddie & Julie

[Barnaby calls, asking after Wally]

11-14 / Julie & Barnaby

[the lighting through the trees looks like afternoon/evening]

14-14 / Barnaby & Home

[the end deterioration is very final, and Barnaby references things that happened throughout his other audios]

A Defense of Benny Gecko

Benny is more of a capable leader and person than people give him credit for.

Seeing as no one challenged his position as head Chairmen for 7 years and even then he only loses the position if he’s caught, killed or forced to leave. Yes, it’s also likely House wouldn’t have allowed him to be killed but he sure as hell would of found a way to remove him if he was causing too much unrest within The Tops power structure. Even Swank and Tommy don’t outright dislike him and more so are concerned with his recent secretive and shady behavior, emphasis on recent.

Taking all we know into consideration, Benny likely knew the future direction that he wanted to take Vegas but was so caught up in the plans to acquire Vegas that he didn’t think of how to make his dream a reality. Something he admits to in canon. I see this being used as the main argument that Benny doesn’t know what he’s doing at all but I see it more in the same vein as you can’t really plan something from nothing. The transformation of Vegas is a sensitive thing that he can’t really work on until he has it. The only reason he ran to the Fort prematurely is the Courier who was causing so much of a stir he would’ve likely been found out much faster, making all that planning for nothing if he didn’t take that chance.

Benny is careful (well a lot more careful than he is regularly depicted in fanon), the Courier being able to trace him was dumb luck on their part and his hair being noticed at the Fort is a realistically small oversight that even Caesar is disappointed in because he admits Benny got farther than he should’ve been allowed by his legionaries. The fact he can plan an ambush on the Courier or tries to quickly and concisely clean up lose ends that don’t lead back to him shows he’s not just acting on impulses or in the moment decisions. Or rather he’s quite good at thinking them out, whether they work depends on how you play really. This is all to say it’s 100% believable that Benny could lead an independent Vegas (house was basically setting him up to do that). If he had known explicitly that House was setting him up to replace him, he likely would’ve bought more time by getting in closer, learning more of the system to then flip House’s edge to his favor. Again something he was doing already but likely without the knowledge of House’s feelings on him personally.

No matter what, Vegas’ future was tied to Benny; House’s plans for him, having to get the chip and if he had somehow succeeded. It’s also interesting that of all the people vying for control of the dam/Vegas, Benny’s plans are the only ones actually oriented towards a new future, not a recreation of something long past.

i feel very mixed on shiv's ending, particularly her choice to return to tom -- i think it makes sense from a thematic/character arc perspective and is a powerful yet devastating indictment of both shiv and the world that created her as well as showing that the cycle of abuse will always continue to cycle, that shiv will become her mother etc, but i also think it does not make sense from a character/internal logic perspective. it's a choice that makes sense from the writers, but not from shiv, not yet. it could've been a brilliant ending to her character, but is tainted for me by the less-than-ideal execution of it, which felt very rushed, making shiv's final submission to tom feel forced by the show rather than forced by the situation or honest to her character. the ending is not inherently misogynistic from the writers' side as i've seen some criticisms claim (it is a dark but real portrayal of misogyny within capitalist society and how it's internalized within the white women who end up at the hips of the CEOs who run it), but i do understand how it could feel that way. the show fails at building up to (and thus convincing us) that the version of shiv we currently know would so immediately subject herself to her mother's fate, so instead of it feeling like shiv's hand was forced by patriarchy to place herself into her worst nightmare, it instead feels like the show itself was the thing that forced shiv to take that route, which does leave a sour taste in the mouth. it doesn't feel like the result of a choice shiv would make or the impact of patriarchal society bearing down, it just feels rushed and thus wrong. shiv would've benefitted immensely from a few more episodes or even just a few scenes dedicated to teasing out her newfound willingness to subject herself to immense disrespect in order to remain close to power, but given that her entire character has always been defined by her inability to do just that unless forced to (which i don't think she was in this situation as she could've easily not waited in the car for tom, not put her hand in his, but she did), her return to tom feels hard to comprehend, and her near immediate submission to him hard to stomach.

(read more under the cut because jesus christ did this get long)

in my mind, at least, i've always understood shiv as being respect-driven rather than power-driven -- she wants power, yes, but more than anything she wants to be taken seriously and respected and seen as a legitimate player, and time and time again we've seen her blow up situations that would've been very advantageous long-term because she felt disrespected and needed to speak up and force people to take her seriously (which, ironically, typically results in the opposite). shiv's overarching goal is power, but her immediate necessity is always respect. her dignity is her number one priority at any given moment, even when it shouldn't be, even when it stops her from attaining the success and power she wants. i can kind of understand shiv going against kendall because of this -- she's always had a very, very narrow lens whenever she feels like she's being disrespected, and even though it is infinitely more humiliating for your (somewhat ex) husband to betray you and boot you out of the CEO position behind your back at the behest of your supposed closest ally (and for you to still vote for them after that!!!) than it is for you to magnanimously allow your brother to be CEO (which would publicly be seen as a choice, as telly etc said - sibs need to stand united behind one chosen CEO - rather than shiv being out of the loop and fucked to infinity), the narrowness of her vision upon seeing kendall about to win makes it impossible for her to think about that legitimately. it's not just jealousy, it's indignity: shiv feels she earned CEO through her machinations with mattson and feels genuinely sick seeing the loganified kendall grinning at the head of the table, hearing his "that's fucking right" and witnessing his cocky entitlement to the job that belonged to her. so, she does what she always does when she feels disrespected, when she feels her dignity is at stake, and impulsively blows everything to fuck, including her own best interests. that makes sense for shiv, at least somewhat -- i still think that as much as she wouldn't want ken as CEO she'd feel like at least w that outcome she'd be seen as a player and a deciding factor, whereas with mattson/tom she'd be viewed as a pathetic fucked-over nothing woman pawn etc (a situation of unparalleled indignity imo), but i can rationalize her choice to go against ken anyways as being part of the narrowed field of vision she always gets upon feeling disrespected by men in her life that makes it impossible for her to think strategically (and i guess even though the disrespect was greater and more humiliating from tom/mattson than ken, ken was the most recent most present and most lifelong source so that's all she could focus on; seeing him like logan was too much to bear). it's hard to imagine shiv publicly throwing her vote behind two men who publicly fucked her as humiliatingly as mattson and tom just did, even if the other option is kendall, but i think that's part of it -- it's fundamentally illogical, even from her disrespect-lens, because there's just something about kendall specifically being in charge that she's never been able to stomach. it's visceral and impulsive. it's not meant to make "sense." it's just what she feels she has to do to preserve her own dignity, even though it works directly against those same interests realistically. it wasn't executed very well, making it hard to entirely buy it given just how publicly humiliating the alternative is, but it can still be chalked up to her historically one-track-mind when it comes to indignity by the hands of kendall in particular. it's a last-ditch attempt for shiv to at least feel like she's maintaining her dignity, her self-respect, as counterintuitive as it actually is. it makes sense. i can stomach it.

again, shiv's fatal flaw (in logan's eyes and aside from her original sin of being a woman) has always, always been her inability to shut up and make the smart move in situations where she feels she's being disrespected or not taken seriously. if shiv stayed quiet during that dinner with the pierces, maybe she would've been logan's CEO, but no, she couldn't stop herself, she needed to feel she was being taken seriously, she burst out 'cmon, dad, just tell them it's going to be me.' she is unable to play it smart, to keep quiet, to win when winning means perceived disrespect. she's allergic to it. even on a personal level, she shoots herself in the foot constantly because of this: she is unable to let herself have the things she wants because she can't put herself in positions that open her up to disrespect and perceived inferiority. she can't be vulnerable because she needs to be respected. tom asks her if he could 'try to make love to her' in episode one of this season, and even though she clearly wants to, she says 'no, i don't think so, tom.' tom tells her he 'wants her, wants this' back in episode six, and even though she clearly wants that too, she draws back and says 'well then you shouldn't have betrayed me.' shiv is fundamentally incapable of allowing herself to remain in possibly advantageous situations when she feels at risk of being seen as lesser, of being disrespected, of being perceived as weak. that is her response to patriarchy. when patriarchal forces bear down, shiv is unable to grin and bare it -- she has a short fuse, a sharp tongue, and an inability to entertain even a second of being treated like The Woman, of being looked down upon, especially when it's for her gender. it's the one thing she cannot do, cannot let herself do, and it's why she fails to "win" over and over and over again. she shoots herself in the foot the second her patriarchy disrespect sensors tingle. she makes the wrong choice, the dumb choice, the one that makes her feel like she stood up for herself in the moment but ends up leaving her powerless and helpless in the end. that's the only explanation for why she chose to vote against kendall (the clearly better option for her long-term as she'd 1) be respected as part of the decision, as someone who helped choose the CEO rather than a Woman who got fucked over and had the door slammed in her face by her husband and close ally simply because she possessed a womb, and 2) probably be head of ATN or some other area of waystar, she'd have actual power within the company and be respected as a legitimate source of power rather than the CEO-to-be made CEO's humiliated wife -- if she was capable of making the smart, selfish choice in terms of power instead of having a hair-trigger reaction to gendered disrespect and cocky male superiority, she would have voted kendall. but she is not capable of doing that. she never has been. so she voted tom and mattson.

so what i still cannot for the life of me understand is what would compel this shiv, the one who cannot stomach indignity even when power's on the line, to immediately return to tom's side the second he beckons her, which is like five minutes after he becomes CEO (the job she was promised) by mattson (who gave it to tom instead of shiv because 'why get the baby lady if i can get the man who put the baby inside her?'). it makes perfect, cruel, devastating sense from a show perspective, and that's what most people are talking about, understandably. it's a devastating yet unavoidable, inevitable outcome. she's left with no other choice once she makes the decision against kendall, and patriarchy compels her to play the good wife to stay close to power. except, like... she does still have a choice. she does not have to go back to tom's car. she does not have to sit patiently waiting for him. she does not have to quietly congratulate him on his victory. she does not have to place her hand in his. these are all choices she made very voluntary. they're choices between maintaining her dignity and self-respect at the cost of future power versus maintaining the potential for future power at the cost of her dignity and self-respect -- the classic siobhan roy conundrum. she's been faced with it time and time again (even just five minutes prior with kendall) and she has never, not once, chosen the latter of her own volition. she hasn't been able to. that's her fatal flaw. maybe i could stomach her going back to tom if she didn't congratulate him, didn't place her hand in his when he expectantly held his out -- then some dignity would be preserved, maybe. but her complete and total submission for the sake of future power does not make sense with her lifelong inability to do just that. it makes sense that this would be her eventual endpoint, but we have seen nothing that implies shiv would so willingly subject herself to this feminine submission of wife and mother before person or source of power, to the complete and utter humiliation of being the quiet wife at the side of the man who knifed her in the back (and notably handed said knife by the man she thought her closest ally) in order to steal the job she fought for her entire life and, in her opinion, had earned. maybe she would come back to him eventually, for love or (more likely) for power, but it is incredibly hard to believe that shiv 'impulsive when faced with indignity' roy would be capable of immediately and publicly playing the role of the good wife after such intense and public humiliation at the hands of her husband.

really, the way i feel about the shiv ending is similar to how i feel about the daenerys ending -- unlike most people, i really wasn't that against the daenerys outcome. i thought it made a lot of sense and was interesting, devastating, and fascinating. i thought there had been a few signs all along and that that ending for her would make sense and be far more interesting than a Hooray ! Girlboss ! ending. however, it was poorly executed -- it was rushed. it did not make sense from where daenerys was at that point in the text. it could've worked, it could've worked brilliantly, but it needed more time to build and fester in order for her ultimate turn to feel earned rather than forced for the sake of the point the writers wanted to make. that's kind of how i feel about shiv. i get the ending and i don't think it's inherently bad or misogynistic or anything, but it feels like the writers saw the possibility for a shiv 'mommed' ending and immediately took it, with little regard to what actually made sense for shiv herself to do in that moment. outcome > character. that's frustrating for me particularly for succession because my like number one reason for adoring succession as much as i do is their consistent refusal to operate the way most media does (using the characters as instruments to achieve the plot/outcome the writers want), instead prioritizing following the characters themselves in a way that feels honest and real. it's character-driven, not plot or ending driven. i think that this fell by the wayside a few times in the latter half of this season simply because there was so much that needed to happen in such a short space of time (especially during the finale), but in my opinion, at least, the most egregious case is shiv. given more time, more development, more build-up, the last shot of her hand in tom's would've struck the chord the writers wanted it to -- and for some people, it did anyways! but for me, it rang out and fell nauseatingly flat. it felt hollow and wrong and unearned. shiv could end up becoming her mother, that feels entirely possible, but not in this particular sense, not yet. in what world would siobhan roy willingly choose to be seen as nothing more than a woman hanging off her husband's arm, especially when said husband had publicly humiliated her and ruined her entire life just five minutes prior? when, just five (metaphorical) minutes prior, she was the one poised to be CEO and everyone knew it? when now everyone will see her on tom's arm and whisper and gawk? she has become her worst fear, yes, but unlike kendall, it does not feel earned. it does not feel like she has actually become her worst fear. it feels like the show forced her to. not patriarchy or the situation or her own desire for power, but the show itself. that's what feels so shitty.

i wouldn't necessarily call the writing misogynistic as a result of this, as it's less a flaw of misogyny and more a flaw of bad, rushed writing that could happen to any character. it's the same as with daenerys -- although (somewhat unlike succession) there were many, many aspects of GoT's writing that were deeply misogynistic, especially in the last season (just look at fucking brienne), the core issue with the daenerys plotline is not one of misogyny but of time. they did not give daenerys the time needed to become the version of herself seen burning down the city. that could've easily been a focus of previous episodes, but it wasn't. they simply did not develop her enough for that turn to make sense yet. it could make sense, hypothetically, at some point down the line, but at that point it felt sudden, off-putting, and wrong. shiv could easily become her mother. that's been made evident especially regarding her relationship to pregnancy/children, love, and vulnerability (or the lack thereof). but for this ending to make sense, we would have needed to see signs of shiv imitating her mother's willingness to be relegated to the sidelines, to bring out the food while the men eat and make deals, in order to remain tangential to power. that is a concession shiv roy had never been willing to make prior to the last five minutes of the entire show. other signs of shiv imitating caroline or falling prey to patriarchal norms throughout the show are not enough to undo shiv's fundamental refusal to weather gender-related indignity even when doing so would benefit her. in my opinion, that's why the final five minutes of shiv's plotline were so unsatisfying.

shiv could become her mother, and her ending could be a devastating portrayal of the inability for even rich white women to escape their original sin of being a woman in a man's world, as well as a dark, ironic criticism of both women like shiv and the patriarchal world that breeds them into existence. but because the show did not develop shiv in this particular direction and because her entire character thus far has been defined by her self-destructive insistence on being respected at all costs, shiv's ending did not land the way it could've, or should've.

if anyone was wondering why i draw lief's face scars the way i do it's because im imagining the mask literally taking root in his face and so when jasmine is ripping it off, she's trying to pull the roots that are quickly taking hold and tearing small chunks of his face off 🙃

Do you have info on commissions in general? such as 2dmvs, songs, etc. Anything released by the devs about stuff like what it takes to commission artists for content that’ll be used ingame, how long in advance the creator that’s being commissioned has to be contacted, have there been any rejected/remade commissioned songs, etc etc.

I’m particularly wondering if there’s disclosed info about the song Order Made and any other commissioned songs that had the Sekai version vocaloid tuned by the producer, because how would the game’s management arrange for that?

Here's some stuff I know

Most of this is taken from the Corocoro producer interviews, and you can find them all here. I mainly just skimmed them for trivia, but they're worth a read and there's probably some stuff I missed.

According to devs, the process of commissioning and producing songs can take around 8 months, though according to individual producers, the production of the song (not including recording vocals and mixing) can take anywhere between days and about a year. Producers are given a story summary, along with some words and phrases that staff would like to be reflected, and then given free reign on the rest (though management does oversee things)

In addition, event plot outlines have to be finished by the time the producer is commissioned for the event song, although this definitely didn't seem to be the case earlier on in the game, as you'll see further down this post.

According to Project Message vol.15, earlier commissions would have their SEKAI version Virtual Singer picked based on the producer. This is why Nijiiro Stories has two Virtual Singers, as staff decided that MEIKO and KAITO fit the image of OSTER Project best.

Both TONDEMO-WONDERZ and Showtime Ruler had their first drafts scrapped. Tondemo was because Sasakure didn't like his early drafts, but Showtime Ruler's first draft was rejected by staff because they didn't think the style was right.

Surii actually made two versions of Kagirinaku Haiiro e. He asked staff to pick which one they preferred and that's the one in the game.

DIVELA wrote two songs before Tenshi no Clover

Depending on the artists, the song can take a matter of days to compose, or months. For example, DECO*27 composed needLe in 3 days, but it took Giga 6 months to finalise Ready Steady.

Here's an interesting one. Karasuyasabou looked at fans talking about WxS stories to help him with writing the lyrics to Showtime Ruler, alongside reading the stories himself. He describes the song's lyrics as being "written with the fans".

There's a bit of a grey area in how things were handled early on. For example, DECO*27 mentions in his Corocoro interview that he was given character illustrations and he talked about story, suggesting that he was given something to work with there. However, PinnochioP mentions only being given the prompt of "abandoned theme park" and some character designs, and NayutalieN mentions only being given character designs because things weren't set in stone at the time (I think NayutalieN was approached very early).

So yeah, MORE! JUMP! MORE! was written with no knowledge of story. NayutalieN was informed of things as they progressed, but it was still vague details that he was given. Also mentioning fragments of feelings in the lyrics was a complete coincidence.

OSTER Project mentioned in her interview that On A Holy Night, This Singing Voice had not been completed when she was commissioned, so she also worked from very vague details.

40mP was another producer who was approached long before release

SEGA specifically asked 40mP for a song with a "serious story" but "not too dark" (same link as above)

Meanwhile, HachiojiP was advised to add classical elements to RAD DOGS fit the event story

Ayase was contacted long before the release of the game as well, despite his song not releasing in-game until quite a while after release.

Ayase also was given the privilege of choosing what unit he got to make a song for. He chose VBS because he thought they fit hit vibe most and because he thought they were cool.

Police Piccadilly was requested to make a song that wasn't "too agressive or over-the-top"

Aqu3ra was given a bit more free will though, and was just told to make their comm sound how they wanted it to

They also made two demos, and after consultation with staff, chose one of the demos to finalise

TOKOTOKO was told to make "a song that would be exciting in live performances". As you can probably tell at this point the prompts received can vary greatly between producers.

there's not a huge amount of information outside of the corocoro interviews, and they've only done up to Yuukisan (Mirai) so far, so there's limits on how much i can tell you. Also not every song got an interview, so now Nulut, no Mafumafu, no Neru unfortunately. I suggest to keep an eye out for new interviews if you're interested; they seem to be going at a pace of one or two per month.

"Maria and Rhett knew each other way back when, they went to high school together. (...)Yeah, I think the spark is immediate because I think they maybe, secretly, always wanted to be together."

"I think that it's one of those relationships that never happened and never was but it was almost. And, I think, spending so much time apart, one can tend to fantasize what could be. (...) All of that ease of them seeing each other again is right there and it's almost as if they never left each other's side." - Isa and Lew on Maria and Rhett in an interview with Down and Nerdy(x)

"I also love that I get to tell a story about love in this really crazy, scary world(...) and we really want to root for them!" - Isa in an interview with SciFi Vision(x)

@proshipper-on-ship​ thank you for the Dick & Dan idea you added to my other post, please enjoy some of the fall out your comment resulted in haha

“So,” Bruce tried, looking hesitantly pleased at the surprisingly light atmosphere around the table. “Anything new and exciting going on with anyone?”

There was a smattering of answers from around the table. Jason didn’t offer anything - which wasn’t surprising, that he was even there and largely not starting a fight was more than enough as far as Dick was concerned - but with some ribbing from Steph, Tim eventually admitted to finally asking that boy he’d been interested in out. Dick joined in on teasing his little brother - and even Jay gave, for him, some gentle ribbing over finally getting the balls to do something, eh Timberland? - while very carefully avoiding mentioning his own sorta-kinda thing with Dan in Bludhaven. He’d deal with his siblings making him miserable and embarrassed over it all when he actually scored a date with him thanks very much.

Things were going good.

And then Damian cleared his throat, looking imperious and uninterested at the same time as he waited for everyone to turn to look at him.

“I have an announcement on an alteration to my personal life.” He declared, chin up and looking like he was already over this whole family-bonding-time thing, which was fair. Damian had gotten better over the years, but he was still not exactly the cute and cuddly little brother. Dick still had the scar from the last time he tried to hug Dami without warning a year ago and got stabbed for the effort. Still, he was sharing, willingly even! That’s progress!

At the head of the table Bruce tilted his head, looking as cautiously hopeful as Dick felt over the youngest Wayne actually offering to share something personal. “Have you decided on what college you want to go to then?”

“No.” Dami dismissed easily, without more than a glance in Bruce’s direction. “Night and I have decided to take some time to travel before continuing any further schooling.”

Huh, honestly, Dick was kinda surprised. With how much of a perfectionist Dami was, he’d thought he’d throw himself into college with the same ferocious, competitive drive he did everything else. But then again, if Elle Nightingale was going to be taking a gap year or two, it wasn’t as if it was that much of a surprise that Dami would go and join her.

The two gremlins had been practically inseparable since they were twelve and discovered a shared love of stabbing people and adopting every animal they see. If Dami’s best friend was going to go gallivanting across the world like she always dreamed of doing, Dick couldn’t actually be that  surprised that Dami would be going with her.

Dick took a sip of his drink as Dami opened his mouth to continue with what was probably going to be to most people the world’s most harrowing game of “how many incredibly dangerous animals can we see before we end up dead on our gap year” that the two demons were undoubtedly planning.

He regretted taking that sip almost immediately as Damian said, “Night and I took our marital vows yesterday. She sends her regrets that she was unable to join us for family dinner tonight.”

Predictably, the room broke out into utter chaos.

Dick choked on his drink, spraying across the table and splattering Babs with a shower of wine. She didn’t even seem to notice, dropping her own glass as she snapped her head over to stare at Damian, the sound of breaking glass and a deep red stain pooling across the table following as she did. At the end of the table, Jay made a noise like a dying goose as the samosa he’d just popped in his mouth threatened to kill him. Cass, perhaps the most outwardly calm at the proclamation, only stared with wide eyes at her younger brother as she hit Jason on the back in an attempt to make sure he didn’t die.

Dick could practically hear the old shrieking AOL dial up noise that was Tim’s brain attempting to process what his little brother had just said, while sitting next to him Steph gave a small shriek of you what? Duke’s head was on a swivel, eyes darting from Damian, to another family member, to Damian and back again as if unsure who to even look at in the moment.

Bruce just…stared, frozen in place, face caught in the most open look of shock Dick thinks the man has ever shown in his life.

---

Damian sniffed and cast a caustic look towards - of all people - Jason, “Unlike some people, I share my good news with the family in a timely manner.”

Jay sputtered, “You know what, fuck you! Fine, you want me to share the news?” Jay snapped his head towards the rest of them. “Jazz is pregnant, baby is due next month on the sixth. Baby shower’s next weekend at Robinson Park, show up or don’t, I really don’t give a fuck.”

Or maybe he was just going to try to kill them with a heart attack.

“What the fuck?!”

“Language!”

“Who the fuck is Jazz?!”

“Language!”

“Night’s elder sister and guardian, Drake, keep up. You should know this, you’re dating her brother.”

“I’m what?”

“And Grayson is having flirtations with her other brother.”

“Dan is Elle’s older brother? Wait - how do you know about that?”

“Todd and I are in the Nightingale family group chat. We have endured far too much waxing poet about your posterior over the past months.”

“Why do they all have variations of the same name? Who gives all their children the same name?”

“He likes my ass?”

“Oh my god, bigger picture Dick, focus.”

“Seriously, do they all have the same name outside of the older sister? I feel like we need to acknowledge they all have the same name.”

“Can we go back to the fact that Damian got married? To Elle? Yesterday? How did you even do that without anyone knowing?

“Dr. Nightingale is a notary.”

“...Dr. Nightingale as in the woman Bruce is investigating Dr. Nightingale?”

“Okay but the name thing? Please tell me you’re not naming the baby some variation of the name Daniel.”

“If the gremlins get their way it will be. Do you know how many lists we’ve made that they keep sabotaging?”

“So you have Dan’s number? Could you give it to me?”

“Jesus Christ, Dick I’m begging you.”

“Why did you guys even get married?”

“For the diplomatic immunity.”

“You don’t have diplomatic immunity.”

“I do now.”

“What does that mean?”

Hi! Just found your blog and I'm having a blast reading through your Croc theories and analysis, they're great! I wanted to ask you what you make of Croc's last manga appearance (I think), where Buggy announces he wants to be Pirate King. Just before that Croc mentions they need power and influence to form their utopia. It bugs me. Operation Utopia was your typical bad guy plot, but now he's still going on about that? What's that about? What idea of utopia could Mihawk and Croc possibly share??

I mean the OG Operation Utopia was simply about creating a military nation powerful enough to oppose the World Government, Crocodile explained it during the Alabasta arc explicitly. And the reason he targetted Alabasta specifically was because he believed Pluton would be there which would make his military nation unstopable.

So it's not entirely shocking Crocodile still wants to create that military force, even if he's given up on the Ancient Weapon part.

What bothers me is:

Why did Crocodile wait two whole years until he made his first move at restarting his Utopia Plans?

Why does he want that military force to begin with?

Like the easy answer for 1) would be that Crocodile had to wait for his turn to become plot-relevant again and was simplying enjoying his vacation in the meantime. Like considdering the shit happening during Dressrosa, Whole Cake and Wano, having Crocodile start his BS early would've been a distraction storywise frankly and Oda had enough balls to juggle at once with those sagas. But also, it is odd Crocodile hasn't done ANYTHING ahead of time to start rebuilding a new military force, like. He had two whole years, what the fuck was he doing then? Why wait that long just to start??

And I can only assume... he was waiting? For something?

Let's think about what has changed in the world of OP between Dressrosa and now, like the big, key events that impact the whole world:

Luffy has not just returned to the pirating scene after two years but has caused a fuck ton of world-shaking chaos in the New World (becoming an Emperor being simply the latest big thing)

Reverie happened

The Revolutionaries attacked Marijoa for the first time

The Shichibukai System was demolished

And there's two things we can kind of take-away from these.

If Crocodad Real, Crocodile watching his son take the spotlight could've inspired the man to move; the WG would want to target his baby boy and thus becoming an intentional distraction could be his goal here. Alternatively, hearing that his ex Finally Did Something could've made Crocodile be like "fuck I'm not losing to Dragon" and inspired him to actually make a move himself.

OR. Perhaps the end of the Shichibukai System is what got Crocodile to actually make a move? Because there's two things; One, he was able to make a very powerful ally very fast when Mihawk became a target for the WG. It's possible Crocodile might've been waiting for an opportunity like that, to recruit someone reasonable, reliable and extremely capable to make his own future endevours easier. Two. Because Crocodile gave all his money to fucking Buggy, it's possible Croc could've been broke these past two years. But knowing Buggy's now lost his Shichibukai Rights, THAT may have been why Crocodile decided to go get his money back when he did. Because if/when Buggy decided to skedaddle and disappear into the wind, there'd be no way for him to get his money back anymore, right.

OR. It could be all of these things together. The planets aligned and Crocodile saw now was the time to make his move. Maybe. IDK.

And then we get to 2, Why Does He Want To Create That Military Nation To Begin With

And I have no idea

I mean there's the whole Romancing SaGa 2 thing, but while that would work as proof of Crocodile's motivations, it doesn't explain particularly why he wants to destroy the WG. Like not that you need a personal motivation considdering what the WG is like, but without the motivation it's hard to tell if it's for World Domination or something else.

Though if Crocodad Real then it'd sound very reasonable if he was very intentionally trying to fuck with the World Government to protect his son by

trying to put a target on his own back and act as a distraction

take down as many Marines as possible to dwindle down the enemy forces (making it harder for the WG to make moves on anyone)

lowkey assisting Dragon if he wanted to mayhaps attack Marijoa again if he's actually up to doing something now

just prepare for a war against the WG

Or any combo of the above.

Like. I dunno man Crocodad really would just explain so much

But it all remains to be seen

on this blessed Wolfgang Wednesday, behold my very small hoard of Wolf stealing borrowing Bastien's clothes

Baldur's Gate 3 Ending Spoilers Ahead :)

Okay why The Fuck can't we have a romance ending with the Emperor. Why THE FUCK NOT. WHY. THIS IS UNFAIR. LARIAN YOU ALLOWED ME TO FUCK THE GUY, YOU ALLOWED ME TO TRUST HIM AND BE THERE FOR HIM AND TURN INTO A MINDFLAYER MYSELF, AND THEN I CAN'T HAVE A ROMANCE ENDING? THE FUCK???

Mike couldn't say I love you to El for the longest time and it's because friends don't lie aka he sees her as a friend...

not to out myself on main but Katsuki Bakugo continues to make me fucking insane

home from work

she's so arrogant and annoying and hot it pisses me off !!!