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#This little dynamic is very fun for me
ludoka · 29 days
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I find it very funny and sweet that Rumple asks David for love advice XD
Gold is how: "I'm going to ask the prince who is part of the living proof of true love for advice, but I'm not going to tell him that I'm asking for advice. Because no, it's not. I'm just collecting important information that I can use to win over Bella."
And David is so tired of this man. He doesn't want anything to do with it but, SHIT, he's not missing out on the opportunity to talk about his relationship and his wife. He loves Snow very much and he's not going to let anyone forget that.
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gunstellations · 4 months
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In the world I love
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In a different world
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second batch of outfit requests!
pattern collage / showfit / clownfit for @koifsssh & candy cardigan Eddie for @jazzzzzzhands <3
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turtleblogatlast · 24 days
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Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.
For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.
And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.
I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt raph#rottmnt leo#rise Raph#rise leo#I really do love this bit of character writing a ton#again it’s so small but like this is consistent!#little Raph just wanted to have fun with his bros 😭#Leo immediately coming in with the save both times (and more - remember Bug Busters?)#I really love too how none of them pointed fingers like#it was Understood that Leo would speak for them#listen there’s a reason Leo is the Face Man and it’s NOT just because he’s got a pretty face#he can talk both himself and his fam out of situations and I wish we saw it even more because it’s amazing to witness#circling back to Raph his bold nature is something I ADORE about him but I don’t see it brought up a lot which makes me so sad#like this boy is a RAPHAEL he is bold!!#and it’s cute too how the other bros immediately go along with it too#imo the Raph in these tot flashback is the same Raph that glues them all together as a bonding exercise#side note but damn…Leo saves them from punishment in the tot short and immediately gets jumped 😔#but yeah man I think a Lot about the little dynamics between the bros and how those dynamics could have first came into being#Leo being the face of the team and having been it since childhood-#-makes all the moments of immediately choosing to sacrifice himself when HE royally messes up all the more notable#if it’s one bro or the whole group individually he’s more chill about it but often still lets himself be the talker to get them out of it#he will do his damndest to get his brothers and himself out of trouble but once they’re in it he’s in the front with a smile#his own safety be damned#Raph is actually the same in that respect - he’ll jump into danger fists first but all bets are off when a brother is in danger#and like how Leo’s been the face - as the eldest Raph has been the de facto leader of sorts#he’s the one who is shown to make up their games! and I think that’s very cute#anyway their clashing in the movie is so interesting for a lot of reasons but one of them is that it shows how-#-even a longstanding dynamic like Raph and Leo’s that’s WORKED for so long is still susceptible to flaws…and to time
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bees-draws · 3 months
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Had a blast reading @spark-hearts2's fic, Yeah, I'm Not Calling Her Mommy. I didn't really have strong opinions on her until reading this, and realized just how fun she could be as an ally.
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kaiiscottage · 4 months
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꒰ Yuuri’s blue prince ♡ ꒱
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milkbreadtoast · 6 months
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random but i resolved to post abt it every time i find a webtoon that I enjoy... and lately I've been having fun reading this one...
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*rubs nose* heh... I do dabble in het from time to time... no but seriously it's a p straightforward lighthearted enemies to lovers romcom, not groundbreaking or anything yet im over here kicking my feet and giggling the main couple is SO cute to me... i luv them... I actually couldnt wait to find out what happens next so ive been slowly reading ahead in the kor whenever i have time and they're sooo cute😭😭 I also like the art style and costume design a lot!! it gives me like. a nostalgic 90s shoujo anime vibe tbh... w the puffy hair and babyfaces...
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feroluce · 3 months
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Sampo & Caelus are so important to me, I love them. To me they are bros. Buddies. Partners in mischief making and chaos. Caelus is a total weirdo and Sampo is always getting Up To Something, and they both hate being bored or stagnating, so they regard each other as an endless source of entertainment and amusement.
They're the kind of friends that just kind of see each other when they see each other, and when they do cross paths they greet with that funny hands-clasped-between-them-and-one-armed-hug thing that guys do. Then they go to a bar, annoy the local population, kick up a ruckus or cause some kind of mischief somewhere, and go stumble into a hotel room to sleep it off.
They did this a few times in Belobog, and Gepard once found them on a morning patrol passed out in a gutter together. Sampo was sacked out with a newspaper over his face. Caelus was sprawled out next to/on top of him in the most awkward and uncomfortable position a human body could possibly contort into. Both refused to explain anything zkzkkskd
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ratinayellowbandana · 9 months
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Hi! Number six of the drabble prompt list, and if I may suggest, with a sad jealous Laudna.
hi! I'm sorry this one took a few days. I um. got a little carried away with it again. these were only supposed to be like 500-word prompt fills, and this is uh, slightly more than that. so I hope that's ok.
for those who don't want to find the prompt, it was: "You just didn't look for me." naturally I went ep 64 with a healthy splash of canon divergence, some good old-fashioned hurt/comfort, and pate as a thinly veiled metaphor.
length: 2k
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Laudna whirls on her, snaps, “We looked for you. And the others. Every fucking day.” She holds Imogen’s gaze, holds her piercing stare until Imogen tilts her head. “You just didn’t look for me,” she whispers. 
Imogen steps forward, quiet but insistent. “No, sweetheart, no, we did. I did. Every day.” She does not reach out, afraid, not of Laudna–never of Laudna–but of herself. Of what she might do if given the chance at the wrong time. Her heart pounds an unsteady rhythm.
“I want to believe you,” Laudna says. She toys with the brass ring on her left hand, twisting it around her finger anxiously, twin snakes coiling. “I do, truly, it’s just…” 
Imogen studies her, searching for answers in a frame both foreign and familiar. Laudna is pale and gaunt, cheeks drawn in, though that’s hardly unusual. Her stringy dark hair lacks luster in the eerie light of the red moon, crispy and clumped together in places by something Imogen can’t identify. Cast in the long shadows between buildings, Laudna is on edge, ready to claw and screech and lash out with those wicked talons if provoked. She is wild, and she is beautiful, and she is frightened.  
“I understand,” Imogen speaks slowly, gently, distinctly aware of each word’s weight. 
The others are still in the inn, consorting in the tavern. The Hells and their new friends, chatting, laughing, and drinking the night away, simply happy to be home. Introductions were made, and tales of grandeur waited to be spun. 
Laudna had been unnervingly quiet after the initial elation wore off. Her hands remained folded in her lap or picked intently at the skin around her nails. Pâté’s silence was even more concerning. He had been coaxed out of hiding in Laudna’s hair with the promise of scratches and nudged his beak into her wrist until she began stroking his greasy fur. 
She spoke when spoken to, adjusting in her seat and responding eagerly when prompted. The moment the attention shifted, though, her forced smile would drop. Every so often, she sent a furtive glance in Imogen’s direction as if to ensure she was still there, then looked away just as quickly. Exhaustion crept at the corners of her eyes, and her gaze would fall to her lap whenever the conversation turned to the adventures in Wildemount. 
The group from Issylra hadn’t said much about their travels, but Imogen gathered their transplantation had not been as, ah, pleasant wasn’t quite the right word. Illustrious, maybe, Imogen considered, fussing with a seam on her new dress. Laudna’s blouse was tattered and stained with a thick substance that did not match her ichor’s usual viscosity. 
Laudna had stood abruptly, muttering something about air, and disappeared outside. After making puzzled eye contact with Ashton, who tossed his head at the door and sighed heavily, Imogen followed her. 
She had found Laudna around the corner, curled into herself against the wall of the Spire by Fire. A feral thing, hardened and reshaped by whatever circumstances found her while they were apart. 
She has not calmed yet, and Imogen is reluctant to curb the swell of emotion that has Laudna dangling by a thread. She is tangled in it, ensnared in a knotted web, and Imogen is unsure how to extricate her. She is all jagged pieces and raw edges, a tempest of fury and loss that Imogen cannot rely on her mental connection to unravel. Laudna is something of a mystery to her now in a way she has never been, and it’s all Imogen can do to not toss her circlet to the winds. 
Instead, she waits. 
Laudna is muttering to herself, tugging at her clothes. Pâté flaps about her head, wings of sinew and bone making an abominably wet sound Imogen hadn’t realized she’d missed. The tip of one wing tangles in Laudna’s hair, and she swats at him irritably, sending him tumbling through the air until he manages to right himself. Imogen extends a hand, and he flies to her, settling in her palm on his hindquarters. He gives a disgruntled shake, and his wings squelch back into his body, tail coming to rest around his paws. He peers up at Imogen, then looks back to Laudna.  
“I tried,” he croaks in that gravelly way of his, and Imogen strokes his disgusting little head with one finger. 
“I know,” she assures gently. He could be referring to any number of moments across a lifetime, a few weeks, mere seconds ago. She sets him on her shoulder and feels pinprick claws pierce the fabric of her dress for stability. Crass and wretched as he is, Imogen can’t find it in herself to hate him. He is an extension of his maker, creepy and ungainly and off-putting, so Imogen must love him a tiny bit. She scratches under his chin, ignores the feeling of magic-touched bone, murmurs, “Thank you for keepin’ her safe.”
“Boss didn’t have the best of times without you.” He pipes up, a little rueful, in a manner Imogen assumes is meant to be quiet. Laudna, only a few feet away, catches it.
“Pâté,” she snarls. He squeaks and tucks himself into Imogen’s collar. 
“He’s just confirming what I had already guessed,” Imogen defends, an attempt at lightness that doesn’t quite land. “It’s not his fault you haven’t told me anything.” 
“He ought to have stayed in my head. Then he might leave well enough alone,” Launda warns. 
“You don’t mean that,” Imogen counters calmly. 
Laudna spits, “He should have stayed dead.”
“Hey.” 
She huffs a sardonic, dry laugh. “Not everyone deserves second chances.” 
Imogen inhales sharply.
There it is. 
“Laudna…” She softens. She cups Pâté protectively. His fur oddly damp against her skin. She takes a cautious step forward. 
The pieces begin slotting into place, building the frame for a jarring picture of something severe enough to reopen this old wound. 
The fight sapped from her limbs, Laudna slides her back down the wall until she sits in the filth and dirt of the alleyway with her knees drawn close to her chest. Imogen winces as rough stone drags across jutting bone and paper-thin skin. 
“Are you… Do you want to be alone?” She asks–because what else can she do?– and half-fears the answer. 
Laudna’s head jerks up, and something Imogen can’t decipher flashes in her eyes. After a moment, her head shakes minutely, and Imogen lets out a relieved sigh. 
Tense silence leaches from the pores of the building’s rocky exterior.  
“We tried to find you all. Every day. We didn’t–we didn’t know where we were. Where anyone was, and–” Laudna breathes at last. “Orym was… was angry. Vengeful. And Ashton…. He was our friend.”
“Ashton?”
“I hurt him,” Laudna continues as if Imogen hadn’t spoken at all.
“Hurt who?” 
She shudders. “I killed him, not Prism.” Inky tears well from eyes pressed shut. Her voice is impossibly soft, hollow, seeming to ask, Do you hate me yet?
The narrative is convoluted at best. Imogen fruitlessly attempts to splice together the fragments of memory slipping through Laudna’s teeth like snowflakes, to arrange them into a cohesive whole among the scraps she gathered at the table. The Issylra group returned rattled, apprehensive and tense, but this is deeper. Laudna is shaken. 
“Wasn’t he a member of the Ruby Vanguard?” 
“He was confused, just like the rest of us. Angry at the gods.” Laudna’s eyes flicker to the glowing red moon. Her fist, clenched in her hair, tightens. “And I killed him.” 
Imogen steps closer. “We’ve all killed people.”
Laudna shakes her head. Her voice hardens once more. “I don’t begrudge you the shopping or fraternizing with royalty or, or whatever else it was,” she says lowly, “But we didn’t have that. We didn’t save a toy store or home-cooked breakfasts. We spent every moment fighting to get back to you. And now,” she swallows, “we must reckon with the cost.” 
She is utterly exhausted; Imogen can see in the dim light. Although bone-weary and at her wits’ end, Laudna’s elegant cheekbones curl with shadows that twist and hide in her skirts. Hunched and fearful as she is, Laudna is still hauntingly beautiful. Something warms in Imogen’s chest. 
“You did what you had to do to survive,” she says, “No one can fault you for that.” 
“I’m sorry.” Laudna’s voice breaks, fracturing in tandem with Imogen’s heart, and she sobs. “I’m sorry.”
“No, Laud, no–” Imogen crouches next to her, yearning to touch, to take Laudna in her arms and bite and hiss and growl at anyone who dares approach. She restrains herself, carefully plucking Pâté from her shoulder and setting him on the ground between them. He turns to her skeptically as if to say, Really? After what she said? Imogen nudges him in Laudna’s direction. He sniffs, beak in the air, and ruffles his fur before bounding to Laudna’s ankles and putting his weird, cold little dead rat toes against her shin. She ignores the pawing fragment of her soul, ashamed. 
“I’m sorry,” Laudna mutters, “I must seem…I’m sorry.”
“You don’t have anything to apologize for.” 
Laudna begins incredulously, “I–”
“You survived,” Imogen reiterates, “against gods and people powerful enough to destroy them.” She sighs, “I sent you a message every day, you know? Sometimes more than once, if I’m honest, ‘till my nose bled and Deanna had to patch me up.” Imogen offers a half-smile. “All I got was static. I just had to hope you were out there, somewhere, lookin’ for me, too.” 
Laudna looks as if she might melt into herself, refusing to look at Imogen. Her shoulders shake, and she confesses with a gasp, “She’s back. I brought her back.” 
Imogen’s blood chills, but her tone remains neutral. “Who, Laud?” 
At last, Laudna meets her gaze, eyes wide and wet and horror-struck. “Delilah.”
The name hangs between them like a stone ready to drop and shatter and bury itself into their flesh. Searing rage erupts in Imogen’s veins. 
“I’m sorry,” Laudna shrinks back, “I’m so sorry. To all of you. You all gave so much to–to find me. And–”
“It’s not your fault,” Imogen interjects.
“–and I wasn’t…I was weak. I lost control.” 
“Laudna,” Imogen cuts her off with the steely calm of a thunderstorm on the horizon. She cannot afford to process this now, not when Laudna is trembling in an alley. Not when Laudna, unmoored and terrified, needs her to be an anchor. No, Imogen will save her questions and unfiltered anger, for another time. A time when Laudna is safe and warm and at no risk of coming unraveled in her hands. When Laudna is in a place to know Imogen’s wrath is not, could never be, directed at her.
“Laudna,” Imogen repeats, because she cannot bear the thought of her not understanding, “this is not your fault. None of this.” She does reach out, then, offering a lifeline should Laudna choose to accept it. She does, hesitantly, as if waiting for Imogen to recoil. Her fingers are cool, bird-light against Imogen’s red-scarred palm. Laudna seems to notice at the same time.
“Imogen,” she exclaims, words still tear-tinged and quivering, “your hands. They’re–are you alright?”
“Oh, they–they don’t hurt, usually. Promise. I’m fine.”
“I should have–I’m sorry, I suppose I was–”
“Laudna,” Imogen interrupts again, not unkindly, “please.” 
It’s then that Laudna seems to notice Pâté clawing his way up her skirt. She scoops him up and holds him to her, murmuring apologies into his fur.
“‘S’okay, boss,” he rasps, squished against his maker’s chest, “I can’t hold a grudge.”
They sit like that, hand-in-hand, hand-on-rat, until the easy stroke of Imogen’s thumb against Laudna’s has smoothed out the worst of the jagged edges. Until the tension falls from Laudna’s spine and she relaxes into Imogen’s touch. 
“The others are surely wondering where we’ve gone.”
Imogen shrugs, snorts, “There’re so many people at that table I think they’d hardly notice two missing.”
“Still,” Laudna says, “we ought to get back.”
“Do you want to?” It’s her choice. It always will be if Imogen can help it.
Laudna considers. “I think I’d rather like to hear the end of Chetney’s story from the Savalirwood.”
“Oh gods,” Imogen groans, flushing at the memory, “no, you don’t.” 
“Fearne and Deanna, hm?” 
“Best to let them tell it.”
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tvckerwash · 6 months
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wash being ct's best and closest friend in freelancer is so so important to me. they're the kind of friends that can stay up all night together talking and sharing stories, but they can also spend hours together in complete silence just enjoying each other's company. they share things about themselves with each other that they don't share with anyone else. ct finds a solace in wash that she's never found in anyone else; because he feels just as deeply, openly, and honestly as she does. she admires his more subtle nature, and inversely wash admires her own bold defiance. ct gets so angry with him because she's angry at herself—angry that she can't be more like him, angry that she can't tell him all of what she's learned because it's no secret that they're close and she knows that price knows she knows and and and—
so ct takes a page from wash's book, she tries her hand at speaking his language. she let's him see her making calls because she knows that he'll never turn her in, because just like her wash puts protecting those he cares about above the rules. wash is smart, so she knows that he'll understand that she's trying to protect him—to protect all of them, just like he's protecting her.
leaving them, leaving him, is a painful but necessary decision. she fights to stay for as long as she can even though she can feel price and the director closing in. she wants nothing more than to bring him with her. every time she speaks with the leader she finds herself thinking about how well he'd get along with wash, he's cryptic, melodramatic, and just a little bit paranoid in all the same ways. maybe that's why she fell in love—because he reminds her of wash without being wash, who always kept a certain level of distance from the people around him. she'd seen his service record—he'd seen so many people die over the years that he learned how to love without getting to attached; otherwise, the guilt and grief would drive him insane. ct hoped that she wouldn't become another lost friend, but if she did, she found comfort in knowing that he would be able to move forward without her.
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lollytea · 9 months
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The Blight family are so interesting IN THEORY. In execution they are....😬
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sysig · 9 months
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@vernors tags are so incredibly correct (Patreon)
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heartvisor · 5 days
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scintillyyy · 2 months
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btw if you are at all wondering why i can forgive/think neutrally about the sexism present in tim's comics but i can and will get extremely disgruntled about how bg09 has sexism problems and complain about it, it's because tim's comics are in no way, shape, or form ever supposed to be seen or read as a feminist work (it's usually written by a sexist man for white teenage boys, and i can accept that) whereas it's obvious bqm is writing bg09 like he's under the impression what he's writing is somehow a great win for women characters and feminism in comics while every page and plot is dripping with sexist ideas of women & women interacting with each other, extremely sexist ideals of the good not-like-other-girls girl vs all those other brainless harpies (much like any cw show has), utter lack of respect for any woman character who is not the main character, sexist male/female dynamics, ableism, racism, and just very shallow characterization and motivation in general.
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imminent-danger-came · 9 months
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—Antigonick, tr. by Anne Carson
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hanksmc · 3 months
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Reviewing artfight a few days ago I saw very interesting data about the sona of one of my mutuals, I couldn't resist drawing him aahagag
(The white hair sona belongs to @zzoupz!!)
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