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aisaariel · 9 months

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Emperor rx, 5p, 6s, 8s, 3s, temp (bottom high priestess)

Just tried to pick upon ur reading on jk fs energy, I'm learning tarot still but the energy felt depressed, may be failure, family issues, sounds financial issues too, but low vibration energy overall. Not good. Struggling, may be things didn't turn out the wayway. I feel a slight pain in the lower back..

Did I do it right, well a follower of your blog, I love your blog, hope could collab sometime, well once I'm confident enough.. 💜💜💜

wow, anon, great job! very proud of you =v= i’ll share my interpretation on your cards below!

my interpretation: emperor can be representative of a paternal figure in one’s life, so the emperor reversed may indicate that a male family figure (can be the father but also a general elder male figure can work as well) may be causing some form of emotional pain to the FS. if you wanted to know more about this male’s influence in the FS’ life, you would want to pull some clarifying cards to figure out the nature of the dynamic, what’s causing the pain, etc. the five of pentacles can point to financial difficulties, but it can also be talking about career blocks for example, or maybe projects that didn’t finish off on a good note, results related to what they’re working on that weren’t what they wanted and such! six of swords is a form of movement - moving on from emotional baggage you may have held with you for a long time that no longer serve you. this is a positive sign, so perhaps the FS was able to release some longstanding emotional struggles in the near past. they most definitely have worked hard for it since it’s really hard to let go of emotions and thoughts you know? especially ones that were so deep that you held onto them for a long time. then we have eight of swords and three of swords so again, negative thoughts, negativity, feeling stressed, worried, and discouraged, also heartbreak. the temperance card may be speaking of the FS working towards finding a new form of balance in their life. despite all of their current struggles (especially in regards to the reversed emperor figure), they seem to be working towards having a balanced life and therefore a balanced lifestyle and mindset. the back of the deck you was the high priestess, so this may mean they are intuitively aware of how they should be resolving this situation and are working towards balance in their life. they are also asked to trust that intuition that is guiding them because it’s a voice of wisdom that can guide them out of this difficult phase of their life. the slight pain in the lower back might have been your lower back hurting OR you may have actually channeled an interesting detail of the FS. maybe they’re struggling with lower back problems - who knows!

also, i kept having this line “weight of the world on your shoulders” repeating in my head so much. seems to relate to the FS’ situation?

overall, you were pretty much right on the dot as that’s what i’ve been sensing from them recently as well! so incredibly proud of you anon, and yes, i would love to collab with you in the future, too!!!! please know that it’s completely okay to make mistakes when you’re beginning. don’t push yourself and don’t have unrealistically high expectations. with more time and practice, i’m sure you will feel much more confident about your readings 😊! go you~

#aisa🩵anon #aisa.vita🦋

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mejomonster · 9 months

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Mysterious lotus casebook, just fun things~

Li Lianhua calling his old rival A Fei which is just such a familiar name (I'm only used to Zhao Yunlan asking a crush to call him A Lan so). Like what a choice. Can't figure out an alias for ur super famous rival? Call him an intimate nickname. Sure.

Fang duobing being the MOST territorial man to ever live. Grabs hold of li lianhua and won't let go and moves himself in. Doesn't like li lianhuas other friends. Actively tries to Beat the shit out of them and give them bad food. On a mission to drive them OUT. Absolutely enraged over said nickname A Fei. Ready to throw hands nonstop

Fang duobing being That Bitch who says "you're my partner" nonstop within like a week of meeting. He could shake hands with Wei Wuxian calling Zhou Zishu his soulmate by ep 8 of Word of Honor lmao. But like genuinely, while partner im gonna interpret only as meant to be "detective partner/work partner" I still think it's Mighty Clingy of him to force li lianhua to be his partner lmao.

Fang duobing being such a fucking little liar who lies. "Fine I'm going my separate way" proceeds to move into the guest bedroom and eat all meals together. "Fine I'm not going to ask you to solve a crime with me" except I'm absolutely going to drag you into my shit until I get you mixed up in the case anyway uvu then insist you MUST help (and you won't want me to die so you will... and eventually fang duobings strategy DOES work... because eventually li lianhua goes back for him, like in the tomb, instead of leaving him behind anymore).

Fang duobing being like "You're ordinary, I'll protect you!" And like while in a way he's right, it's hilarious he's saying that to the Once Upon a Time second best fighter in the world. I also love how he immediately took the job of guard dog to heart: he is ride or die ready to do anything to protect his new coerced partner li lianhua.

I also like that him being ADAMANTLY ready to save li lianhua and protect him at all times, means we get plenty of rescues that aren't even a big deal. I think it's funny to compare the rescues to Ultimate Note and wu xie for two reasons. 1. Because Joseph zeng is playing the rescuer this time, and fang duobing is way more vocal about wanting to save li lianhua than xiaoge ever is, so it's cute to hear how intently up for Heroics the rescuer is. 2. Ultimate Note, like pretty much all dmbj for some reason, goes Really Shippy whenever it would do rescue scenes (you know what I mean... romantic music, long gazes into each other's eyes, romantic framing). It's interesting to see this show NOT do that, despite possibly even more frequent rescue scenes. I think it's a good idea but like... for a few reasons? First, li lianhua is experienced in fighting so he's not naive damsel in the way wu xie is, and he assumes he'll die so he doesn't really have major fear when he's in danger. Second, the whole tone of the show is more practical. I think the positive of this is we get really nice emotional scenes between the main trio that don't feel like jokes, and feel important as major relationships (which would also I guess be good for ships), and while it therefore doesn't really hit romance tropes (making bl potential scenes thankfully not get overt attention but also making it more vague, doing the same with women love interests so their scenes likewise feel less overtly intense as well) it does mean the weight of all scenes feels more balanced. I would compare it to how The Untamed handled all scenes romantic, platonic, familial in extremely similar ways in terms of feel. It made the romance stand out less, but it also meant the familial ties and friendship scenes felt Equally weighted. Which is a positive trait for this kind of show, I think, to weight all relationship types equally. While yeah it means ships of any kind become more subtle, I think it also makes all dynamics feel like they're closer to equal importance.

Fang duobing being a rich boy hypocrite is just The funniest fucking. It's so clear he's used to getting his way and it's part of why he grabbed li lianhua and didn't let go. He's got a mix of "genuinely wants to help people" that drives him to do good things like try to stop murderers and protect people until proven guilty and pursue evidence and the truth. Then he's also got that inherent quality of he's always gotten what he wants, he doesn't think he should ever Stop getting it. He's broke and starving, but only Very Nice tasting food he particularly craves is worth saying yes to. He's arrested? Use his family name and status and Baichuan courts sway to get himself free and bully the suspects into cooperating more. Li lianhua doesn't want him? Insist he's a Generous Hero for offering to protect/help li lianhua and no one should refuse such a Gift (so fang duobing simply won't be refused). A fei shows up and clearly has an existing (closer) relationship to li lianhua? Be a complete bitch to him to the point where it's leaning into harassment, try to chase him away, because if li lianhua is HIS then obviously he should be HIS more than he should be close to anyone else. Like an extremely territorial pet, he wants the most attention the most given to him from li lianhua and he does NOT want anyone to get as close to li lianhua as he is. Or at least as close as he Wishes he was (which is partners in solving cases and Life that travel the jianghu together... which... its fascinating he's really locked onto an "ordinary" person for this desire, you would think he'd want a martial arts master for that... but I think fang duobing enjoys feeling like the powerful one who can show off, impress, protect, and teach his partner... especially because his ego takes a hit with struggling to get into baichuan and being a subpar investigator compared to doctor li lianhua. It's clear fang duobing is used to being The Best, and while he wants to learn from li lianhua to fix his own shortcomings in investigating, he also probably appreciates he's BETTER at this ordinary man at things like fighting and it helps keep his ego from tanking. He could go find a jianghu martial arts master... but then they'd be better than him in All areas potentially. And then he'd just feel like shit. Hed rather have a teacher to learn from, who he can also feel NEEDS him. Fang duobing wants to be a hero, a damsel who repeatedly finds himself in danger is a great person for him to have around as it gives fang duobing repeated opportunities to show off how he's Valuable and Talented and Impressive and Needed by others. And oh boy... there's probably a LOT to say about how fang duobing grew up sick, weak, struggled to make progress and put in intense effort to be the best fighter of his age and best baichuan candidate, and how that pursuit means he really wants to Prove he's valuable outside of his family name. Because family name was all he started with, and he wanted to be like his uncle who proved himself Outside of the political system. He wanted to be like li xianyi who was a hero among those people, who even wanted to bring laws and justice to the jianghu, who treated fang duobing fairly and equally even as an ordinary weak young boy. Fang duobing INTENSELY desires to prove he's useful, needed, and has proven himself as capable in his own right. Li lianhua Feeds into those emotional needs a lot, and that alone would be enough for fang duobing to want to cling SO hard to him.)

Yeah more of just. How much I love fang duobing the lying liar who lies. He will be against tomb raiding but want a treasure to heal li lianhua. He will say he's fucking off and not going to bug former suspect li lianhua anymore then turn around and stalk him. He'll get told to leave and barge in and eat the man's fucking food. He is very set in getting what he wants, and he's not beyond doing whatever he wants to Get those things. Sure, he wouldn't kill someone or steal from a living person (at least not yet... he does have a lot of upstanding morals). But he's not above bullying an ordinary person who can't push back except intellectual, or trying to strong arm said intellectuals close friends to back the fuck off Fang Duobings PARTNER, or strong arm anyone who starts refusing him with whatever tools he's got (from his sword to his family's power to baichuan connections).

#mysterious lotus casebook #lb

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system-of-a-feather · 1 year

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One last serious DID post before I run off and be stupid again but honestly, fusion AND splitting have no moral or inherent positive or negative reflection towards your healing. Yeah usually splitting is negative and due to trauma and yes usually fusion is positive and part of healing, but sometimes splitting and fusion can be what you need in the moment - both positive and negative - at least that is something I learned from this whole debacle with Data lately.

Like I think 2 or 3 months ago I fused with them and that was largely something that was helpful in the time being cause both of us were not coping with the life transition at all and for a while it balanced the two of us out + I think we were the most readily availible to fuse due to the nature of how enmeshed the two of us are in function.

With that being said, in that moment we - and most of the parts in the system - knew it was not the ideal, cause while we could fuse the easiest due to being enmeshed we were still, ya know, toxically enmeshed. The way we operate and the issues we have more often than not feed into each other rather than balances each other out - so it was actually a "we will give it a go" and surprise when the fusion somewhat took and was successful enough in neutralizing our mutually escalated states

But like a lil while ago Data re-split off likely simply due to the new stressors of our life transition making the dynamic turn inefficient and unaffective and while that split was technically "negative and due to stress" this time I think it was overall far more healing in the sense that it gave room for Data to "reset" and explore themselves better than they did before the fusion and far better than they did while fused (as in that fusion it didn't fully click at any point and the Data part was more "controlled and managed" than properly expressed or fused) and also gave Data the brain space to properly figure out a dynamic under XIV's wing to cope and all

And so XIV will "eat" (fuse with) Data when the time fits cause the two have a pair dynamic now that seems to work well, but in the meanwhile we are likely starting up MORE positive coping hobbies per Data's request and starting to settled into a rhythm that supports us as a whole and addresses Data's needs better

PLUS, XIV is inherently and will always be better at handling and processing the insane weight that Data as a part carries by the sheer nature of his dynamic existence with Data so XIV fusing with Data makes a lot more sense in system dynamics talk than me with them.

So yeah we split, but honestly it was a step closer in the right direction and helped us "repair" some flaws in our current system "design" than when we were fused.

Fusions and Splits are normal occurrences within DID and while they do tend to have connotations one way or the other, those are tendencies and perspective / perspective shifts still do largely apply.

#alter: riku #alter: data #alter: xiv #fusion #fusion tw #splitting #splitting tw #actuallydid #dissociative identity disorder

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tatiejosie · 10 months

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I love your art style and how you draw hands! Mind showing us how you draw said hands? ✋🤌✌🤟

Hey there, thank you so much for your kind words! ✨

I really if I'll ever be able to explain how I draw hands with pedagogy, but I'll give out some tips that were always useful to me and I'll break down some sketches with notes explaining the creation process!

👌 ||| t i p s

• Draw the hands. Keep drawing it. Sketch it several times on the side if you're unsure and need to practice with the pose - but draw it. No one's gonna think less of you if it looks clumsy. But draw the damn hands! Just like everything else in art, practice is key and you won't get it anywhere else.

• Look at hands. Look at your own hands, at other people's hands. At the way hands are drawn in your favourite manga/comic/cartoon/anime, how artists render their hands - try to look for their personal tricks. Is it obvious that they use references? Do they simplify the process by stylising hands? How do they deal with foreshortening?

• Give your hands some character. I know it's hard to get the hang of it in the first place, but a big part of learning how to draw human figures is all about diversification. Learn to draw all kinds of hands, and when you draw them, ask yourself - who do they belong to? Height, weight, age, body shape, fashion, hobbies and work - these are parameters that will shape your hands. And to an extent, that will also determine the position you want them in.

• Struggling with the position? Go for an alternative. Sketch out the overall rudimentary shape of what you might have in mind. Use a bigger brush or a marker and determine the silhouette of the hands with no outline. Go for something simpler. Practice on another canvas; if you're struggling with a position, try drawing it from another angle or with another shape of hand; if you're struggling with a shape of hand, try drawing it from another position or another angle until you get the hang of it more naturally; if you're struggling with the angle, try drawing it with a simpler shape of hand and adjust it until you're satisfied.

🌟 ||| b r e a k d o w n

I gathered some old sketches of Bella Yaga that I lined and finished. I put the creation process with notes under the readmore! Fair warning, my sketches are horrendous and barely readable.

When I start constructing a character's base, I want to determine the position's dynamism right away - I find my balance with a few strokes, and I by the time I'm satisfied with the rough base, I know what the hands are supposed to be like, even if my sketch indicates nothing. Here's my thought process:

You'll see that being comfortable plays a huge part in how you construct your sketches. I used a character that I know by heart, so the shape and position of her hands came to me naturally - if it was someone I wasn't familiar with, the sketch would have been a lot more detailed and hesitant.

I tend to determine the details when I draw the lineart because it's a lot more efficient and time-saving - but you're free to draw an additional sketch to detail your hands before you line them.

Here's the finished look!

Thank you so much for your ask, I really appreciate your kind words 💕 I hope I made sense here and my tips will be useful to you!

#.ask #.tuto #.art #earwig and the witch #.bella #im unable to be normal about hands and i actively enjoy drawing them fr #thanks a lot tho i really appreciate the validation <3

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missingpetrock · 10 months

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youtube

My Adventures With Super Man S1E1: Alot of fun!

Having grown up with the Superman animated series form the Timm-verse, who we never really saw growing up, I think this new show has hit a nice balance, especially with the media around it. It feels like a response to Amazon's "Invincible" animated series in some aspects, like the style of the animation, and the maturity of the primary cast, but also in the sense that it's sticking to the classic Superman questions, like: If you could more than most, what would you do? How do balance power and responsibility? and the usual struggles of self control and best intentions. Which stand against Invincible's somewhat glib dissection of a Superman. It also has brighter tone than the recent live action movies, and the more practical and dour setting of superhero side kick animated series "Young Justice" (one of my favorites.) I am all for Superman having a bit of the Peter Parker treatment in terms of age range and the figuring out of one's super powers narrative. It also notable that several aspects of the shows design seem similar to Disney's "Owl House", like Louis Lane's resemblance in looks and personality to Luce, and similar with Jimmy know being a young black man with conspiracies and enthusiasm about outsiders seeming like Gus. The ending credits sequence also reminds me a little of one the owl houses as well, but Owl House is a great show (one of my favorites) so I mostly feel positive about any overlap. The animation of the show in general was very fun, and reminded me of a nice blend of Anime and Timm-verse styles of weight and movement, especially in the super power department. The style reminds me a lot of the one Gurihiru used in "Superman Smashes the Klan", but with a modern touch, similar to Invincible's, as I mentioned earlier. Also I generally think the effect of using slightly different animation and graphics for monsters and robots that you can see in various shows these days can work or fail depending on how far they push it, and I think the team balanced it well this first episode with the robots. I am excited to see where the show goes, and I think I will enjoy the general team dynamic of Clark, Jimmy, and Lois. Thanks for reading, TTY'ALLL

#adult swim #my adventures with superman #odd animation #superman #lois lane #Owl house?#invincible #Superman Smashes the Klan #Youtube

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uselesslilium · 3 months

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Whoops I wrote a bunch about ShMk and kink. This is less a coherent post and more just me trying to feel my own thoughts out so. Rambling below the cut.

I get the impulse to flip the power dynamics at play between Shu and Mika because of course Shu's controlling, domineering behavior and Mika's willingness to submit to that wound up resulting in an extremely dysfunctional dynamic that Mika still hasn't 100% recovered from. HOWEVER. I personally think that it's way more interesting to keep Shu as the dom in the relationship and Mika as the sub in spite of that.

For one, that dynamic was something they each initially wanted. Shu craves control over his environment - he's gotten better at letting things go and accepting the people around him for who they are rather than try to shape them, but he still has 'the heart of a puppeteer'. He dislikes situations where he's at someone else's mercy, he enjoys knowing exactly what's happening and what he's doing, and he wants to take care of the people he loves in a way that easily can become overbearing. Mika, for his part, is blatantly, flagrantly kinky. He enjoys feeling fear and unease in a safe context. He loves it when Shu is imperious and strict with him. He's comfortable when he's following Shu's commands and doing exactly what Shu wants him to. Being in that position feels safe and secure to him. He is not subtle about this, and has only gotten less subtle since we entered the ES!! era and he's started letting himself feel things more fully. There's also canon precedent in Raison d'etre for Shu accepting Mika's darker impulses and desires and finding safe, ethical ways to fulfill them.

Those things aren't, in and of themselves, bad. There's nothing wrong with wanting to feel in control, or to enjoy a lack of it. It's a matter of figuring out how to do it in a healthy way. And it's because they've failed at that in the past, that I find it really interesting to think about them actively working on it rather than just tossing everything kink-related out of their relationship altogether, or making Mika the dom and Shu the sub instead. Especially in conjunction with Shu's fears of repeating mistakes and hurting his loved ones - his natural impulse is to deny that part of himself and his own desires, fearing that he might hurt Mika again if he doesn't. Meanwhile, Mika has only become more open and vocal about enjoying that part of Shu's personality, because he's been allowed to develop his autonomy and self-actualize.

And that's a very interesting conflict! For Shu to actually face his desires for what they are instead of denying or subverting them, first means allowing himself to want. Similarly, denying himself also means denying Mika's wants as well. Their desires do align in this case, but because Shu is so adamant about Being Different now, he can't accept that Mika sincerely enjoyed parts of their prior dynamic. But he did! Despite all the hurt, Shu did do a lot to care for Mika, and that made him genuinely happy.

I feel like there's a tendency to think that it's the 'easy solution' for Shu and Mika to embrace their natural inclinations. That there's more challenges and potential development for them if they do the opposite or avoid it altogether instead. But I don't think there's anything easy about Shu actively engaging with his dom tendencies, or Mika with his sub, with the weight of how badly it went the first time handing over them. There's potential for backsliding, Shu would have to grapple with his self-loathing and guilt, Mika would have to gain better awareness of his own limits, and most of all it would require a level of honest communication they haven't achieved yet. But if they can find that right balance, there's every reason to believe that it would be an incredibly fulfilling form of intimacy for them.

And this isn't even getting into my own personal read on Shu being asexual and how that interacts with his dom inclinations. That's a whole other post lol.

#the gamble of a lifetime

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variousqueerthings · 2 years

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Episodes we’ve seen in the last few days that have given us some amazing things Part II of III

Okay the next thing to talk about is some more Charles Stuff:

1. Him and Klinger being stuck in a storm. Great great choice to team them up to explore their dynamic, hope we get more of it!!! There’s something about the comedic odd-couple in the two of them – I wrote to my partner “relentlessly positive unstoppable force meets implacable negative immovable object” -- think Klinger might be good for him...

2. “Major Ego” – we get another iteration of Charles’ wanting to “one-up” Hawkeye/be recognised for being the best EXCEPT it’s not entirely what’s going on (as seems to happen often with Charles episodes), because he really wants Hawkeye’s appreciation and he really just wants to be recognised for being good at his job and go home! And so he makes a mistake and he owns up to the mistake, and rips up the article and Hawkeye appreciates him. Oh to bask in the appreciation of Hawkeye, eh Charles??

3. Charles and his winter hat moment, where he originally won’t give money to Mulcahy in the quite melancholy Christmas episode, but then having a whole little Moment when he sees the hat (and it was Mulcahy and Radar’s doing!) – another version of “it’s a bit deeper than that,” in the reminder of just how ill-equipped Charles is to this place

4. (also, speaking of implacable negativity – I mentioned it before, but he does that thing where he’s negative but not unwilling to try, ex. the placebo medicine, and we get the same when he helps Hawkeye and BJ hide the kid even though he thinks it’s futile… and in the end the kid goes to enlist after all... somethingsomething the different kinds of sanity on display in this series, and Charles’ version thereof is seeing Exactly how bleak it all is and deciding not to be okay with it)

5. Charles and Mulcahy! Another great odd couple team-up – and speaking of Mulcahy...

We had three great Mulcahy episodes in a row

1. When he goes out to get the pentothal and you discover he’s been getting stuff on the black market for awhile (a neat follow-up to when he and Klinger once stole back the penicillin) -- Very Badass Mulcahy!!!

2. When he helps out the pilot by balancing out the helicopter weight, despite being deathly afraid

3. And of course the whole Mulcahy Episode – another written and directed by Alan Alda. Generally very interested by the respect afforded to Mulcahy’s character in this episode. I think Alan Alda has a complicated relationship with religion (don’t we all….) and it would be so easy to go the cynical “oh, look at that silly idea that belief helps in any way, so unimportant next to the real things happening,” because the episode (and previous episodes) makes it very clear that he’s essential to this place. He’s carrying so much of everyone’s negativity and fear and hopelessness, and he has to act as so many different kinds of people in order to do so (religious/spiritual figure, nurse, supplies-getter, therapist, etc). A really genuine, lovely episode to different kinds of support and family

4. Also we finally got to see him in a shower. I’m not above objectifying his shoulder ratio, especially after it’s been hidden under turtlenecks for so long…

#im watching MASH #MASH #charles winchester #father mulcahy

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fourseasonsfigs · 1 year

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Genius Investor - New Year's JZEU Series (8)

We're staying in the modern day world with the last post in this series (for now! more figs are on their way) with our brilliant businessman Xu Si.

This intrepid investor is from Rising with the Wind, Gong Jun's new series that's due out any time now. Any time! I'm ready!

This behind the scenes picture is the best full-body view there is of this outfit, at least before the series airs. He looks gorgeous in this - mile long legs, long coat (I love long coats!) and the autumnal burnt orange. Let's have a few more pics before we start looking at the fig, shall we?

These last two ones are particularly good because you get a view of his watch, which will figure in later!

Alright, let's dive in! You're getting some shots of the fig upside down and all around first, if only to illustrate something.

And that something is how this fig does not, under any condition, stand on it's own. His dynamic stride means he balances on one slender foot. Those shiny brown shoes looked amazing in Gong Jun's photo, but the tiny little foot here is completely able to balance the weight of Xu Si here.

Another shot (sorry Gong Jun, I always put you in the most undignified positions, I swear) to illustrate those nice brown shoes. I love when fig shoes have heels to them, it's one of those touches I just find so charming, but in this case! The fig is already so unstable on one foot, he needs all the contact he can get with the ground.

You might also note the fig maker very lovingly crafted Xu Si's tush. I see our captain of industry works out.

Here he is! I tried, my figthusiast friends - I tried. I used the putty, the wax, a fig sticker... there was absolutely no way he would stand on the base on his own. I hate doing permanent solutions unless there's absolutely no choice, but there was absolutely no choice, he got glued down. But he looks great! I'm really happy with how it turned out.

Yes, that's my all time favorite fig smile there! I love this fig - he looks so dapper and confident, striding along. This is a good angle to see his ear mole, and also the black band of his watch. This watch unfortunately has no watch face to it - I'm just going to say it turned about and it's facing towards his palm.

The wind is rising indeed, and blowing that tweed coat back!

I love the interpretation of the tweed pattern here, it's very clever. It doesn't look as cool here as it does in person - in real life the pattern actually shines a bit in the light, so you get this a little bit of a lenticular effect, where it seems to change depending on how you look at it.

That coat sure is billowing! I really love how active this fig is.

You can really see how much it flares out here.

This fig maker does a really nice job with the blush on her figs - they're all soft and rosy looking in a sweet, natural way.

I particularly like how the fig maker also did his hair for this fig. I know black short hair is de rigueur for Gong Jun / Gong Jun's characters, so much so to the point that I often just skim over it for Zhehan's generally much more interesting hair. But in reality, Gong Jun has gorgeous shiny jet black hair - if you scroll back up to the third pic of him (the one with him holding the script book) you can see just how beautiful it is. For whatever reason, I think this fig does a great job capturing it in particular.

And we're back around to the start again! As much of a pain as those slim shoes were, they sure look good.

I'm so glad the fig maker swapped out the Serious Businessman Face with this sassy smirk!

Material: PVC

Fig Count: 260

Scene Count: 19

Rating: Ready to take the business world by storm!

Material: PVC

Fig Count: 260

Scene Count: 19

Rating: Ready to take the business world by storm!

[link back to Master Fig Index for more posts]

#jzeu #xu si #rising with the wind #gong jun #woh cast #word of honor cast #shl cast #junzhe #figthusiast

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strangerthings4theories · 2 years

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What if Steve, Billy, and Eddie are the trio

(Referring to this post)

That wouldn't make sense to me. Yes, it's fun to stick them together in fanon, but in canon a few things get in the way:

1) Steve is already firmly embedded in other character groups. His peers are Nancy, Robin, and Jonathan, and he's a big brother/father figure to the younger teens. Canonically, his story arc and themes are tied to those groups, which leaves little room for him to break away and have a significant trio dynamic with different characters. You have to "prep the stage" for that sort of thing, otherwise it'll give the audience whiplash. And none of the prep work has been done. If anything, S4 reinforced his preexisting ties by emphasizing his connection to Nancy and Robin, complicating his relationship with Dustin, and putting him on a crash course with Jonathan.

2) Steve's character doesn't quite fit with Eddie and Billy. If you compare the three in terms of narrative weight and themes, it feels like a game of "one of these is not like the others." And the odd one out is Steve.

Eddie and Billy exist closer to the show's thematic heart than he does. Steve's story is never used to directly comment on its themes except in S1 (when he goes from "bully" to "monster killer"). After that, he operates as a neutral grounding element, interacting with and supporting other characters whose stories are much more charged. Eddie and Billy, on the other hand, embody the themes of trauma, mind control, becoming a "monster," and standing up to your abusers. This lends them a certain narrative weight that makes them stand out.

Steve's the fun character we all like who's frequently used as comic relief. While Eddie's fun too, and he definitely makes us laugh, his character spans a greater emotional range, which immediately puts him in Billy's camp. We've seen him broken and terrified, just like Billy.

When you're creating a character group, it's important that its members be reasonably balanced. The larger the group, the less important that is, because having variety becomes a concern. However, we still have to take it into consideration.

A trio has very little wiggle room for that. Variety is needed, yes. But a trio is so small that cohesion takes priority. Otherwise you end up with a character who's a painfully noticeable third wheel. If that's the point of the story, then sure, go for it. If it's not? Woof.

If Steve joined up with Eddie and Billy in S5, he would be the third wheel. And that wouldn't fit the wider narrative at this point for lots of reasons.

In my opinion, only one character could form a satisfying trio with Eddie and Billy, and that's El herself. Her story is ALL ABOUT trauma, mind control, becoming a "monster," and standing up to abusers. And you know what I said about prep work? How you gotta pave the way for your character groups? Well, that work is well underway here. S3 tied Billy's storyline irreversibly to El's. And with the way Eddie's has gone so far, it looks like he's in position to make the same leap.

Keep in mind Billy didn't meet El until his second season. It's highly suspicious to me that Eddie, despite all his narrative pull, hasn't met her yet either.

#billy hargrove #steve harrington #eddie munson #stranger things theory #stranger things analysis #el hopper #i hope i explained this coherently enough #it all makes sense in my head #but my thoughts are an abstract soup swirling in the ether #and sometimes it's hard to put them down as words lol

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as-media-blog-by-aarya · 8 days

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WEEK 8 - Compositions

Composition is the foundation of creating compelling visuals. It's the arrangement of elements within the frame that guides the viewer's eye and tells a story. Here's a breakdown of key concepts we have explored:

The Rule of Thirds: Breaking Free from the Center

Ditch the bullseye! The Rule of Thirds imagines your frame divided into a 3x3 grid. The magic happens at the four intersections – these are your sweet spots for placing key elements in your shot. Why? Because off-center compositions are more dynamic and visually interesting. They create a tension that draws the viewer in and encourages them to explore the image.

The Power of Negative Space: Less is More

Negative space isn't empty space – it's the breathing room around your subject. Using negative space effectively can make your subject stand out. Imagine a lone figure dwarfed by a vast landscape – the emptiness emphasizes their isolation.

Framing:

How you frame your subject significantly impacts its meaning. A close-up emphasizes emotion, while a wide shot establishes context. Consider using doorways, windows, or natural frames within the environment.

Balance:

A balanced composition feels visually pleasing. This doesn't always mean symmetry; it's about creating a sense of equilibrium. Elements can be balanced by weight, color, or position within the frame.

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jworthingtonreview · 18 days

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The Importance of Local Elections: Why Every Vote Truly Counts

In the grand spectrum of politics, there's an often-underplayed stage where every community member could be a star—the local elections. Unlike the high-drama of presidential campaigns, local elections seem unassuming. Yet, they have a profound, direct impact on people's daily lives and are crucial to shaping the nation's political fabric. This undercurrent of civic responsibility is where true change begins, and every vote carries a weight far heavier than its physical presence on a ballot.

Forming the Cornerstone of Democracy

Local elections are the bedrock of democratic representation. A single vote can determine the outcome of school board decisions, zoning laws, public safety measures, and countless other policies that frame the fabric of localized living. It's within these offices and corridors of local governance that citizens see the most explicit and immediate influence. School systems, city council, and mayoral positions wield substantial authority to influence the quality of life for communities.

Power to the People

Participation in local elections is not just a right; it's an opportunity and a responsibility. Unlike federal elections where the path to victory often relies heavily on party politics and mammoth-sized campaign budgets, local elections can be deeply personal and community-focused. They offer an arena where citizens can engage directly with candidates and issues, fostering a localized sense of political activism.

Amplifying Community Voices

Communities are dynamic organisms, continually evolving in response to social, economic, and environmental changes. Local government acts as the voice of reason within this cacophony—balancing individual rights with collective well-being. Each vote in a local election is a shout-out for the values and visions that community members hold dear. It informs policy-making that is not just reflective but responsive, ensuring that the laws of the land are as diverse and dynamic as the people they govern.

The Ripple Effect in Action

The impact of local elections is not confined to neighborhood fences and street corners. What starts as a polling booth decision can lead to broader trends and movements that shape national politics. Many prominent political figures began their careers in local office, using it as a springboard for broader impact. Local election outcomes also serve as a temperature check for the larger political climate, often heralding the winds of change that might sweep through state and national elections.

Empowerment in Knowledge

For first-time voters, navigating the electoral process can seem daunting. Understanding where and when to vote, how to register, and the significance of local positions can be overwhelming. The key to overcoming this political paralysis is knowledge. Being informed about the candidates, their platforms, and the importance of procedural aspects like early voting or absentee ballots can empower individuals to make their vote count.

Elections are not just about numbers, but narratives—stories of a collective forging shared destiny through the power of the ballot. In the mosaic of democratic processes, every local election is a mosaic piece, unique yet connected, to paint the picture of our nation's civic health and future. This understanding is what urges us, as citizens, to not just participate but to eagerly engage in the direction our localities and our country move in. After all, democracy is not a spectator sport, and the game is won not by cheering from the sidelines but by the collective action of every participant.

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mahamid110 · 7 months

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activeketogummiesinukreviews · 1 year

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Active Keto Gummies UK Reviews 2023 SCAM ALERT Must Read Before Buying!

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activeketogummiesukreviews · 1 year

Text

Where to Order Active Keto Gummies UK & Get Huge Discount?

Active Keto Gummies UK is a totally normal weight decrease recipe that works rapidly. It contains components that have been painstakingly audited and investigated.

What are Keto Dynamic Gummies?

Promotion OFFER - Purchase Active Keto Gummies UK Reviews at the Least expensive value from its Official Website

The Impacts of Active Keto Gummies UK: How Can It Work?

Fixings: How Do Active Keto Gummies UK Get Their Shape?

Fenugreek powder: It can assist you with dealing with your pulse, sugar in blood, and cholesterol while likewise working on your general wellbeing.

Apple vinegar: It assists you with getting thinner in a sound manner by consuming overabundant fat and controlling your cholesterol and circulatory strain.

Green tea: On account of its cancer prevention agent properties, it controls fat particles and makes you fit from the back to front. It additionally helps your mind and cardiovascular frameworks.

Vitamin B: One of the many benefits of vitamin B is weight reduction and expanded energy levels. This supplement likewise increments metabolic rate.

Huge Savings Today Order Active Keto Gummies UK Reviews Before Stock Runs Out

Benefits/Prizes of Normal Dosing with these Gummies!

Active Keto Gummies UK are BHB-implanted Gummies that can possibly support weight reduction. Also, they might give huge mental and physiological benefits, including:

Insurance and Limitation: Does It Contain Any Secondary effects?

You shouldn't utilise keto Gummies assuming that you fall into any of these classes:

Ladies who are pregnant and ladies who breastfeed.

Minors, a truncation for "the individuals who have not yet accomplished the age of 18," incorporate all individuals more youthful than 18 years of age.

Those that are artificially reliant, like fiends.

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Last Words:

The above is a supported post, the perspectives communicated are those of the support/creator and don't address the stand and perspectives on Viewpoint Publication.

#ActiveKetoGummiesUKPrice

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atakdanote · 1 year

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Design Fundamentals

Abstraction – A visual representation that may have little resemblance to the real world. Abstraction can occur through a process of simplification or distortion in an attempt to communicate an essential aspect of a form or concept.

Achromatic - the total absence of color: Comprised only of black, gray and white values.

Aerial perspective – the perception of less-distinct contours and value contrasts as forms recede into the background. Colors appear to be washed out in the distance or take on the color of the atmosphere. Also called atmospheric perspective.

Allover pattern – a composition that distributes emphasis uniformly throughout the two-dimensional surface by repetition of similar elements.

Alternating rhythm – A rhythm that consists of successive patterns in which the same elements reappear in a regular order. The motifs alternate consistently with one another to produce a regular (and anticipated) sequence.

Ambiguity – obscurity of motif or meaning.

Amplified perspective – a dynamic and dramatic illusionistic effect created when an object is pointed directly at the viewer.

Anticipated movement – The implication of movement on a static two-dimensional surface caused by the viewer’s past experience with a similar situation.

Assemblage – an assembly of found objects composed as a piece of sculpture. See Collage.

Asymmetrical balance, also called informal balance, involves placement of objects in a way that will allow objects of varying visual weight to balance one another around a focus point. Balance achieved with dissimilar objects that have equal visual weight or equal eye attraction.

Axis – a line of reference around which a form or composition is balanced.

Bilateral symmetry – balance with respect to a vertical axis.

Biomorphic – Describes shapes derived from organic or natural forms.

Closed form – The placement of objects by which a composition keeps the viewer’s attention within the picture.

Collage – An artwork created by assembling and pasting a variety of materials onto a two-dimensional surface.

Complementary contrast – a color scheme incorporating opposite hues on the color wheel. Complementary colors accentuate each other in juxtaposition and neutralize each other in mixture.

Composition – the overall arrangement and organization of visual elements on the two-dimensional surface.

Content – an idea conveyed through the artwork that implies the subject matter, story, or information the artist communicates to the viewer.

Continuation – a line or edge that continues from one form to another, allowing the eye to move smoothly through a composition.

Contour – a line used to follow the edges of forms and thus describe their outlines.

Curvilinear – rounded and curving forms that tend to imply flowing shapes and compositions.

Equivocal space – An ambiguous space in which it is hard to distinguish the foreground from the background. Your perception seems to alternate from one to the other.

Exaggerated scale - the use of large size difference between objects to simulate great distance.

Figure – any positive shape or form noticeably separated from the background, or the negative space.

Focal point – a compositional device emphasizing a certain area or object to draw attention to the piece and to encourage closer scrutiny of the work.

Form – when referring to objects, it is the shape and structure of a thing. When referring to two-dimensional artworks, it is the visual aspect of composition, structure, and the work as a whole.

Gestalt - is a psychology term which means "unified whole." It refers to theories of visual perception developed by German psychologists in the 1920s. The principle maintains that the human eye sees objects in their entirety before perceiving their individual parts. These theories attempt to describe how people tend to organize visual elements into groups or unified wholes when certain principles (similarity, continuation, closure, proximity, figure & ground) are applied.

Ground – the surface of a two-dimensional design that acts as the background of surrounding space for the “figures” in the composition.

Hieratic scaling – a composition in which the size of figures is determined by their thematic importance.

Idealism – an artistic theory in which the world is not reproduced as it is but as it should be. All flaws, accidents, and incongruities of the visual world are corrected.

Imbalance – occurs when opposing or interacting forms are out of equilibrium in a pictorial composition.

Impasto – a painting technique in which pigments are applied in thick layers or strokes to create a rough three-dimensional paint surface on the two-dimensional surface.

Implied line – invisible lines created by positioning a series of points so that the eye will connect them and thus create movement across the picture plane.

Informal balance – synonymous with asymmetrical balance. It gives a less-rigid, more casual impression.

Kinesthetic empathy – a mental process in which the viewer consciously or unconsciously re-creates or feels an action or motion he or she only observes.

Kinetic – artworks that actually move or have moving parts.

Legato – a connecting and flowing rhythm.

Lost and found contour – a description of a form in which an object is revealed by distinct contours in some areas whereas other edges simply vanish or dissolve into the ground.

Mandala – a radial concentric organization of geometric shapes and images commonly used in Hindu and Buddhist art.

Medium – the tools or materials used to create an artwork.

Minimalism – an artistic style that stresses purity of form above subject matter, emotion, or other extraneous elements.

Mixed media – the combination of two or more different media in a single work of art.

Montage – a recombination of images from different sources to form a new picture.

Negative shapes – a clearly defined shape within the ground that is defined by surrounding figures or boundaries.

Negative space – unoccupied area or empty space surrounding the objects or figures in a composition.

Nonobjective – a type of artwork with absolutely no reference to, or representation of, the natural world. The artwork is the reality.

Objective – having to do with reality and fidelity to perception.

Opaque – a surface impenetrable by light.

Open form – the placement of elements in a composition so that they are cut off by the boundary of the design. This implies that the picture is a partial view of a larger scene.

Overlapping – a device for creating an illusion of depth in which some shapes are in front of and partially hide or obscure others.

Pattern – the repetition of a visual element or module in a regular and anticipated sequence.

Picture plane – the two-dimensional surface on which shapes are organized into a composition.

Positive shape - The part of a composition that we pay attention to; the recognizable object, figure, or subject matter.

Positive space – any shape or object distinguished from the background.

Primary color - the preliminary hues that cannot be broken down in order to make other component colors.

Progressive rhythm – repetition of a shape that changes in a regular pattern.

Proportion – size measured against other elements or against a mental norm or standard.

Proximity – the degree of closeness in the placement of elements.

Radial balance – a composition in which all visual elements are balanced around and radiate from a central point.

Rectilinear – composed of straight lines.

Repeated figure – a compositional device in which a recognizable figure appears within the same composition in different positions and situations so as to relate a narrative to the viewer.

Repetition – using the same visual element over again within the same composition.

Rhythm – an element of design based on the repetition of recurrent motifs.

Shading – use of value in artwork.

Shape – a visually perceived area created either by an enclosing line or by color and value changes defining the outer edges.

Spatial illusion - creates a sense of space using overlap, diminishing size, and effects of atmosphere.

Staccato – abrupt changes and dynamic contrast within the visual rhythm.

Subject – the content of an artwork.

Symbol – an element of design that communicates an idea or meaning beyond that of its literal form.

Symmetry - means a mirror image. Symmetry can occur in any orientation as long as the image is the same on either side of the central axis.

Tactile texture – the use of materials to create a surface that can be felt or touched.

Texture – the surface quality of objects that appeals to the tactile sense.

Tint – a hue mixed with white.

Unity - subjects connected to one another via similarity in design elements.

Value – a measure of relative lightness or darkness.

Vertical location – a spatial device in which elevation on the page or format indicates a recession into depth. The higher an object, the farther back it is assumed to be.

Visual texture – a two-dimensional illusion suggestive of a tactile quality.

Volume – the appearance of height, width, and depth in a form.

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