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welllpthisishappening · 3 years

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It all kind of happens in slow motion.

One second, Emma hears the crack of the bat and the requisite roar of the crowd, and the next her eyes have widened to a size most scientists would likely advise against. Because, standing at home plate, that same home plate multiple baseball players are sprinting toward, is her kid. More or less waiting to be run over. That is, of course, until Killian Jones.

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Word Count: 4.1K Rating: Flufffy fluff fluff of the fluffiest variety AN: Writing has been something of a legitimate challenge for me in the last few weeks, but earlier this week @ohmightydevviepuu sent a link to this tweet, tagged me, and said what I basically took as an unspoken prompt. Like, you’re going to send me video of a bat boy getting scooped up at home by a player in the middle of the game and then think I won’t write about it? Not possible. Even with the aforementioned writing challenges. Nothing stands a chance against my love of baseball. Here’s hoping the Yankees turn it around in the second half. Neither Aaron Judge or I deserve the season we’ve had so far.

———

Biologically speaking, Emma Swan is perfectly aware that the current positioning of her heart is more or less impossible.

Stuck somewhere between the back of her throat and the pit of her stomach, it makes her all too aware of the now-empty chasm in her chest, stretching out toward her arms and threatening the structural integrity of her lungs, neither of which appear all that intent on working properly. Oxygen is a luxury not currently afforded to her capillaries. Instead, nerves mix with anxiety and the telltale flush of adrenaline that probably also makes her look relatively crazy because her pupils are definitely dilated and she does not know nearly enough about science to be making any of these claims.

Whatever, really.

It feels like that ooze from that movie. FernGully, Emma thinks. With the fairies. She thinks they were fairies. She’s not entirely certain they were fairies.

And the ooze was definitely oil, obviously. There was a message involved in that movie. Not one that she appreciated when she was seven and Tim Curry’s animated-oil voice sort of freaked her out. But, like, she gets it now. The environment, and everything. With or without fairies. With Robin Williams, though.

She’s positive about that, at least.

Robin Williams was definitely in that movie.

Less positive about the ability of her heart to actually split itself in half, as it seems wont to do at the moment. So, as to make it easier when it inevitably soars out of her mouth and falls onto the scuffed-up clubhouse floor beneath her feet. Naturally, this will happen simultaneously. For maximum effect.

Much like the fireworks currently exploding over the left-field bleachers.

She’s not sure if fireworks do explode, actually. That seems dangerous. Likely to lead to injuries and sounds that don’t resemble the oohs and ahhs a ballpark generally inspires. Explode probably isn’t the right word. Maybe something more like…detonate.

No, that’s worse. Way worse. She’s got to learn more words. Find a thesaurus or a dictionary or—a fireworks expert would be ideal, honestly.

Someone who could give her a detailed description of the inner-workings of a Yankee Stadium pyrotechnics display on a Tuesday in July, enough words that Emma’s mind would still for a few moments, allowing her to catch her breath and reestablish a consistent heart rate, and both of those problems could also likely be solved by sitting down, but the chair to her left looks a little wobbly, and her legs appear to have minds of their own because science is rather quickly becoming a lie and—

“Is he alright?” She spins. Nearly falls over. Her knees are also awfully wobbly, that’s why.

Despite all of that, and the overall circumference of her pupils, the voice doesn’t retreat. Doesn’t even flinch. Shows absolutely no signs of imminent stumbling. And that’s probably because the voice is a man, one who is in possession of world-class instinctual reactions, and his hair is still damp from his post-game shower and it absolutely makes her something of an atrocious mother to acknowledge that last thing as quickly as she does.

His shirt sleeves are noticeably sticking to his biceps, so that helps too.

Opening her mouth, Emma is going to say words that are both vaguely intelligent and passably accurate, absolving this Major League Baseball player of any of the guilt he so obviously feels. Which is just patently stupid, really. None of this was his fault. None of it was anyone’s fault, really.

Except maybe the idiot who left his bat at that particular angle across home plate, but Emma’s an adrenaline expert these days and walk-offs are understandably exciting. First walk-offs more so.

She’s happy for Scarlet, really.

They won the game.

Everything is fine. Great, even. She nearly jumps twenty-six feet in the air at the next boom of fireworks.

The pinch between the Major League Baseball player’s eyebrows gets—

Pinchier.

The little roll of skin draws Emma’s attention, effectively robbing her of the ability to respond like an almost-sane person, but she’s also still trying to rationalize why she can remember the words to several FernGully songs while also being unable to recall what flavor PopTart she had for breakfast earlier this week and she figures watching her kid nearly get run over by professional athletes approximately forty-two minutes before gives her a fairly reasonable excuse.

For opening and closing her mouth no less than eight consecutive times.

Like a goddamn fish. There were no fish in FernGully. Least not so far as she remembers.

It’s entirely possible she squeaks on attempt number five.

The Major League Baseball player’s eyebrows do not move. It’s equal parts frustrating and incredible to behold.

“I should probably thank you, right?” Emma asks, not quite regretting the words immediately, but it’s awfully close. That gets her some movement. Of the eyebrow variety. One eyebrow, specifically. Arching up, it somehow still manages to pull her attention directly toward eyes that should be the star of their own marketing campaign. Not quite Yankee blue, but distractingly blue, and it takes everything in her not to huff as dramatically as she wants to. Once the athletic trainer is done with Henry, Emma is going to make him examine her lungs. Rationality rules the day.

Major League Baseball player shakes his head. It’s dumb to call him that. She knows his name. Knows at least some of his history. Is still staring obnoxiously at his freakishly attractive face.

Freakishly is kind of mean, too. As far as descriptions go.

“Unnecessary,” he says, an undercurrent of worry still clear in the letters. Ducking his head, he takes a cautious step forward, almost as if he’s wary of what Emma will do, and she supposes that’s fair. What with the impressive vertical she’s in possession of these days. “Anyone would do that.” “I’m not sure they could, actually.”

At some point in this otherwise shitty experience of a night, Emma is vaguely confident something will go the way she wants it to. Aside from winning. She’s glad they won. Seriously.

“No?” “No,” she echoes, and it’s not like she can feel him. A few feet of space separates them, so whatever heat appears to be wafting off the Major League Baseball player in front of her, with his damp hair, and stupid, stupid, stupid eyes is as impossible as any of the various impossibilities currently taking place within her person.

And yet.

He sticks his hand out.

It’s disarmingly earnest.

“Killian Jones,” he says, confidence replacing the nerves, and Emma begins to see why there are so many stories. And Twitter threads. Regarding his face and the potential for that face to date a variety of other attractive faces across at least four of the five boroughs. Somehow Emma doesn’t think Killian Jones, New York Yankees third baseman, is schlepping out to Staten Island for a date.

Nor does she believe that Killian Jones, New York Yankees third baseman, has ever once let the word schlep pass through his conscious mind.

She takes his hand.

It is—

Surprisingly warm. And...not quite soft, that’d be impossible with the job he performs almost nightly. But the calluses on the pads of his fingers aren’t as rough as Emma expects, which also suggests she’s managed to ponder the overall texture of Killian Jones’s fingers in the last twelve point six seconds, and that’s not entirely true. What is true is that Ruby thinks Killian Jones is real good-looking and has determined that the phrase quite a catch is the pinnacle of humor, so, sure, Emma has possibly considered the possibility of paths crossing and intersecting, and her hand looks minuscule wrapped up in his. So, that’s something to think about later.

Their arms move. Bob up and down as society dictates they should, and he’s smiling at her, and she’s trying not to look like a serial killer, straining to hear the voices behind the door, and it does not work.

“Why do you think people are so consistently fascinated by fireworks?” If he’s surprised by her absolutely inane question, he doesn’t show it. That’s points. For what, Emma hasn’t totally decided yet, but it’s something, and it’s probably good, and they’re going to play that clip on loop for weeks. Longer, probably.

Every goddamn day if the Yankees make the postseason.

When the Yankees make the postseason.

Her dad wouldn’t appreciate the buffer. Leaves room for loss, and that is not the Nolan way. Not when there are championships to win, and this was supposed to be the best possible time. Smack dab in the middle of the season, with the All-Star break looming, Henry would get to suit up as batboy for one game that didn’t mean much and wouldn’t draw too strong of a spotlight, no murmurs about nepotism by internet trolls who couldn’t possibly define the word with any sort of accuracy, but also like to shout about canceling and culture with an almost alarming sense of self-righteousness, so, of course, the whole thing was now blowing up in their face.

Much like the goddamn fireworks.

It wasn’t Will Scarlet’s fault.

Wasn’t Henry’s fault, either.

His job was to get the bats out of the field of play. Doing it while the field of play was still active was a mistake any kid could have made. Just so happens that it’s Emma’s kid, and the grandkid of the Yankees’ hitting coach, and that means something to the New York media and the New York fans, and if Killian Jones, New York Yankees third baseman with an arm that can make cross-field throws with ease, wasn’t also so quick-thinking and sure-footed, scooping Henry up as he crossed home plate and avoiding the ensuing swarm of players at home plate, all intent on celebrating Will Scarlet’s first-ever career walk-off, Emma can only imagine what would have happened.

Trampled. Stepped on. Broken bones. Concussions.

They’re checking Henry for a concussion now. He absolutely does not have a concussion. He was laughing while he was carried off the field. Like he hit the walk-off.

Front office is absolutely petrified she’s going to sue them.

The thought hadn’t even once crossed Emma’s mind. Plus, she’s sort of busy. Holding Killian Jones’s hand. His stupid, warm hand.

“Bright colors,” he says, responding to a question Emma’s nearly forgotten about. Jumping is more challenging when his fingers tighten ever so slightly. “Flash, boom. Taps into baser instincts, I think.” “You think people’s base instinct is to enjoy explosions.” “Phrasing that as a statement makes me think you don’t agree with me.” “You didn’t want me to thank you,” Emma points out.

“Well, no,” he says, and the precise way his eyes drop does something specific to all of her instincts. Leaves her flush with a heat that reminds her of Fourth of July sparklers rather than any sort of massive explosion, and that’s not bad, per se, although it’s admittedly a little surprising. As is the slight uptick of precisely one side of his mouth. It takes her a moment to realize he’s smirking at her. And another for her subconscious to admit that it’s working as intended. Her shoulders drop half an inch. While Emma pulls her hand back to her side. “Thanking me suggests I did anything to warrant the thanks.” “Big words.” “For a dumb athlete, you mean.” “That wasn’t a question, either.” “No,” Killian repeats, “it wasn’t.” “I’d really like to thank you. I—Dad told him when to come out of the dugout, so he definitely knew the rules, but I think he was super worried about you tripping over the bat.”

The smirk becomes a full-blown smile. Which is no less than forty-seven thousand times more powerful. Equivalent to staring directly into a solar eclipse or gazing upon the dark side of the moon, and Emma should at least do some research before coming up with these internal examples. Basic Google searches would provide her with the necessary information.

“That’s more or less what he told me, yeah.” Emma’s nose creases. “Talked your ear off after your daring rescue, huh?” “Keep complimenting me like this, and my ego won’t know what to do with it.”

She hopes she’s not blushing as much as it feels like she is. The state of Killian’s eyebrows and the precise curl of his lips make that seem unlikely. “Your reflexes are unparalleled.” “Something about big bucks and why I get paid them.” “Oh,” Emma laughs, unable to stop herself, and she doesn’t remember deciding to stop pacing, only that her knees appreciate it once she has, “you think you’re real funny, don’t you?” “I think I’m moderately funny, not the hero you’re suggesting I am—” “Oh, I never used the word hero.” “—And you never actually told me your name.”

“Because you don’t know who I am.” It’s not a question, either. Neither one of them mention that.

“I do,” Killian concedes, “Henry was also fairly quick to mention exactly who he was and where his mother was sitting.” Emma’s nose is going to freeze in this position. “But I gave you my name, which makes it only fair that we’re all square and whatnot.” “Whatnot, huh?” “Yup.” He pops his lips on the letter. Which is also unfair. In, like, the grand scheme of the world. The black ooze that is not actually oil when used in this particular metaphor recedes. Leaves Emma with a chest cavity that is partially full of butterfly wings and the growing sense of anticipation that isn’t quite as nerve-wracking as it should be. Like she’s about to step into the batter’s box with two outs and runners in scoring position. She’s totally going to hit against the shift. Fluttering her fingers at her side, Emma doesn’t lift her hand. It doesn’t matter.

Killian’s eyes drop. To the movement. And her. And part of her shies away from that because part of her has spent a lifetime tucked into a shadow that didn’t belong to her and doesn’t belong to Henry, but now there’s some joke about Peter Pan to be made because they live in an internet-age and Killian Jones has a very good face. So. Viral video, enter stage right. Starring Henry Swan, Killian Jones, and the inevitably uneven pitter-patter of Emma’s traitorous heart.

“Emma Swan.” “I think you should sit down.”

“Why is that, exactly?” “I’m worried about your legs.”

Whatever noise she makes can’t quite be classified as a scoff. It hurts her throat too much. And it’s not a laugh, either. Even as the butterflies threaten to rise up in mutiny of Emma’s more rational feelings, and she gets the distinct impression that Killian is reading her mind. Trying very hard, at least.

“Sounds like a line.” “Might be a line,” he admits, which draws another wholly inhuman sound out of Emma’s barely-functioning lungs.

“Did he kick you on the lift?” Killian hums. “You’d kick too if you were just hauled off your feet, so I understand the reaction. What I’m more worried about is the inevitable bruise on my foot from the bat landing there.” “Ah shit, really?” “I’ve had worse.” “But not in 4K video that people will play on loop for the rest of the news cycle. If not longer.” Narrowing his eyes, Killian doesn’t immediately respond. Mind reading requires a modicum of focus, Emma assumes. Instead, he rests a hand on her shoulder, directing her toward the chair and ignoring the soft crack her left knee as it bends. “That’s what you’re worried about.” “Stop sounding so confident.” “I can only sound how I am, Swan.” “Oh, I’m not sure we’ve reached nickname status yet,” she mumbles, pushing down the soft rush of metaphorical insects doing their beset to soar out of her barely-parted lips. “But, yeah, I—I mean, don’t get me wrong, I was totally terrified in the moment.”

“Understandable. Grown men barrelling down the third-base line at your kid are a lot to take in.” She snorts. It’s not cute. Not dignified. Killian smirks. “Should you be concerned that the Scarlet was making such solid headway behind you? Are you exceedingly slow?” “I am league average.” “How fast can you get out of the box to first?” “I’ve never timed it.” “Liar, liar.” “Please don’t make a crack about my pants,” Killian says, “I won’t be able to cope.”

“Oh God, you think you’re charming, too.” “I’ve had no complaints.” “To your face, at least.”

Throwing his head back, the laugh that erupts out of him is not of volcano proportions. Of which there was also one in FernGully if Emma’s memory is to be trusted. An arm circles his middle, stretching muscle and ensuring that Emma notices just how corded that same muscle is, the slight bend of his wrist leaving her off-kilter. When he meets her gaze, she swears his eyes are brighter. “Yeah, yeah, that’s true,” Killian concedes, “no one has flat out told me I was lacking charm to my face.” “This thanking you thing is going great.” “And I continue to not need thanks. Why are you worried about the video getting out there? Filmed in 4K like you suggest, at least we’ll all look great. Sharp pixels and whatnot.” “What do you know about pixels?” “You basically heard the extent just now.”

She’s getting better at laughing. The ooze has almost all but disappeared, Emma twirling a strand of hair around fingers that are intent on moving, and it’s an old habit. One Killian’s gaze catches on. Immediately. Quickly. Seriously, Emma needs a thesaurus. ��Baseball’s always been my dad,” she says. “And that’s—well, we’ve lived this game, me and my mom, weekend series and West Coast swings, waiting up for him to get home because the flight got delayed, but Henry’s just a kid, getting thrown into this world because of his last name and who his family is? That sucks. Nothing was supposed to happen tonight.” “Nothing did happen.” “Because of you.” “I’d like to believe Scarlet, ridiculously fast as he might be, would not run over a small child,” Killian says. “And, uh, for the record and all that, I got a bad jump off first because I didn’t know if they were going to catch it in left. No one wants to get caught on the base paths.” “Yeah, that’d be embarrassing.”

He must hear the hitch in her voice because the next thing Emma realizes, her fingers are twisted back up in Killian’s, and she’s warm and falling and flying, and it’s good and weird, and the door swings open.

They both jump.

So, that’s something.

Rushing out quickly enough that he nearly trips over his own feet, Henry’s head leads the way and finds Emma’s stomach, a tangle of limbs, and overly-excited words, all of which rival the now-finished fireworks display in volume.

It takes Henry about five and a half run-on sentences to notice Killian standing there.

His eyes widen. His mouth drops. Killian grins. Emma tries very hard not to die. It only sort of works.

She blames the faulty body parts she’s in possession of.

“Killian,” Henry exclaims, clamoring back to his feet and nearly falling again in the process. Hands that belong to both Emma and Killian dart out, steadying Henry while their eyes meet over the top of his head. Killian winks. He tries. It’s more like a blink than anything. “Hi, hi! You did so good tonight! And we won, and I got to go on the field and—and, it was so,” Henry heaves a deep breath, “we were so good.”

Collective pronouns do something to Emma’s entire state of being.

Flips it on an axis she hadn’t been aware previously existed until it almost feels as if this was the path they’d been directing themselves toward from the start. Her eyes flit toward Killian. Who is already watching her.

“We did,” he nods, “maybe next time, though, you wait one extra second to grab Scarlet’s bat, ok?” Seeing her own nose scrunch reflected back on her kid is not the worst thing that’s ever happened to Emma. The vibrating phone in her back pocket, might be.

It’s one-hundred percent, Ruby.

“That’s what grandpa said too,” Henry grumbles, digging a toe of the cleats Emma’s mother bought him last week into the ground, “but I wanted to make sure you didn’t fall.”

Definitely dying, then. A systematic shut down of all necessary internal organs. It’s not as bad as Emma would have expected.

Neither one of Killian’s knees crack when he bends. That seems heavy-handed.

“And I don’t want you to fall either,” he says, “so we agree, right here, right now, not to let the other one fall, huh?” Emma holds her breath. Ignores the pinch in her lungs and the clearly unstable nature of both her mind and her heart, digging her nails into her palms. To ensure she isn’t tempted to haul Henry back toward her. Or push that one strand of hair away from Killian’s forehead.

Henry nods. “Deal.”

They hook their pinkies together.

It’s adorable and as endearingly charming as everything else Killian Jones, New York Yankees third baseman, has done since he walked into that hallway. Less so when her dad emerges from the office, the athletic trainer on his heels to not-so-quietly inform Killian that he can’t just blow off post-game like that, and the second wink is as bad as the first.

She does her very best to memorize the movement.

And the joy on Henry’s face the next morning when a box arrives on their doorstep, a genuine, game-worn Killian Jones jersey inside. She doesn’t notice the note at first, tucked between the cardboard and the tissue paper someone must have bought for him. He can’t have bought that tissue paper himself. He just—it’s unfathomable.

Emma knows he bought the tissue paper himself.

As clearly as she knows that those numbers in that particular order will lead to Killian Jones answering his phone and that her voice likely won’t shake when she replies to the question written in surprisingly loopy script. Which is why, Emma will argue, she does reply. In the affirmative. To several questions over the course of the remaining season, and they don’t star in any more viral videos, but there are a few pictures once they clinch the division.

Drops of champagne cling to the tips of Emma’s eyelashes and the ends of Killian’s hair, hands on her waist that blaze a quick path up her back and around her middle, and she has to tilt her head up to get the right angles. Of lips. While they kiss in the middle of the clubhouse, the hat someone forced onto Emma’s head falling and it’s impossible to hear over the sound of celebratory fireworks, but she can somehow still hear Henry’s laugh ringing out from the general area near Scarlet’s locker, and his jersey collection is growing at an impressive rate.

No one can withstand the overall cuteness of him.

Emma included. Emma, especially.

Sometimes she worries she’s so happy she’ll burst, unable to contain the sort of emotion her body is still acclimating itself to. But then she realizes just how dumb that is and happiness cannot possibly be quantified, and her head is buzzing enough from champagne that she nearly misses Killian when he says, “people love the bright spots, Swan.” It’s not the most romantic thing he’s told her. Doesn’t crack the top five, quite frankly. She swoons all the same. With her kid laughing and her team winning and that’s about all the sentiment she’s willing to acknowledge before her tongue is in Killian’s mouth. He groans. She grins.

And he’d been right about the video. It wasn’t the embarrassment Emma worried it could be. Was mostly relegated to the corners of the internet set aside for formerly popular content as soon as the season ended, spoken about only in fond recollection as the other seasons went on and the wins kept coming and all three of them stand on a parade float with the World Series trophy a few dozen feet away, several Novembers after that first game.

It’s a Thursday afternoon, then.

And yet Emma never entirely forgets. What the video meant and what it did and she’s not remotely surprised when it finds its way back to the forefront of the sports zeitgeist on a Wednesday in July. Most mentions come with similar taglines and messages. Something about feeling our age and wanna feel old because that bot boy, David Nolan’s grandson, Killian Jones’s stepson, he’s getting drafted now.

Got drafted, technically.

Third round, video of the soon-to-be third baseman for the San Diego Padres makes the internet circuits and garners plenty of interest. It’s not the most exciting video, though. Henry just hugs his family. Who hug tightly back.

What is more exciting is the box that arrives on Emma and Killian’s doorstep. With a note that eventually earns a frame next to the last one and a wholly official, game-worn jersey that has a noticeable streak of dirt across the left sleeve. From sliding head-first into home plate.

#cs ff #captain swan #captain swan ff #cs fic #captain swan fic #do not ask me why this is so full of ferngully references #i do not have an answer for you #the google doc title for this was: BaseballCuresWritersBlock #thanks baseball

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kingcanis · 2 years

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Earth - 327

Okay, so instead of writing any of my fix-it/what if?/batshit crazy swaps MCU/X-Men/Marvel fic, I’m just gonna talk about it because ADD is like that some days. Fair warning, this is a massive infodump.

So first things first, this fic/headfic started as a spiderman fic, in which Harriet Osborn becomes her world’s version of spiderman when she bonds with an injured symbiote and becomes the amazing antibody. Her dad is still Norman Osborn, but instead of an incarnation of the Goblin, he turns to the mystic power to gain an advantage on his political rivals and assumes the villain persona the Warlock. Same basic powers, but derived from magic rather than mutation/tech. I’ll draw him eventually, but the design is very Goblin/Mordo inspired.

Peter Parker is evil, as shown by the fact that he doesn’t quip and can pay his rent, and works for Tony Stark who left Stark Industries and found A.I.M. which then acquired Stark Industries. Tony Stark is also evil. Both of these characters have their same basic 616 powers, but both are derived from modifying their body. So Peter experimented on himself trying to get superpowers on purpose, and Tony doesn’t wear armor, he modifies his body with tech. A.I.M. eventually makes a superteam called the Defenders to get public approval. That team consists of Tony Stark (Iron Man), Peter Parker (Spiderman), Frank Castle (Carnage), Bullseye, and Kathryn Caromb (Supersoldier OC).

Asgard is also evil, Odin never stopped being a conqueror. Evil Odin kidnapped baby Loki, who ran away once they found out to become the pan genderfluid monarch fo the frost giants, who joined with a coalition of elves, dwarves, and trolls to oppose asgards invading armies. Thor, Odin, Hela, Syf, and all the other asgardians who are normally good (and some evil) serve Odin. Heimdall (my boy!) is still good, stole the key to the bifrost and bounced when he helped Loki escape, and is on the run. lacking the bifrost, Odin has limited options for invading other realms, so his wars are ground to a halt. Cauldr Odinsbane is an asgardian OC who is a rebel asgardian who joins my avengers. The remnants of the Kree empire live as refugees in Jotunheim, more on that in the next paragraph.

So the Skrulls found the Klyntar, so instead of superskrulls having the powers of 616′s fantastic 4, they have the powers of venom in addition to skrull powers. they beat the Kree empire and sent the refugees running to Loki for protection. the symbiote Harriet Osborn bonded to was wounded in a skirmish in the upper atmosphere with SHIELD. The Skrull died, the symbiote bonded to Harry to survive.

Olivia and Otto Octavius are twins and run Octocorp. Olivia has a disease which degrades the neural pathways to her muscles and has developed the Doc Ock tech to circumvent her condition. The twins run Octocorp together and bankroll the Avengers. Olivia is the recruit for the Avengers.

Steve Rogers went in the Ice in 1945 same as the MCU, but in this world he was involved in the (unauthorized) mission to liberate a concentration camp, and thus freed one Maxwell Eisenhardt and changed his trajectory to one of a hero. More on him during the X-men/Brotherhood info sump.

Tony Masters (Taskmaster) is a Hydra agent who has the same powers and memory issues and is captured by Nick Fury in 1989. He starts as a prinsoer, then goes yhrough rehab and is used as a trainer.

Steve came out of the ice in 2002, and served with SHIELD and agent Clint Barton (and eventually Tony Masters once he convinces Fury to let Tony into the field) for five years before recruiting Natasha Romanoff in 2007. The four of them went through a modified series of events mirroring Winter Soldier (Hydra coming to light) and start to have doubts about SHIELD and government oversight of their team.

Curtis Connors is still the Lizard, but he’s a mutant and not an accident in 327, his powers activating due to the trauma of losing his arm. He intially fights alongside Magnus (Good Magneto’s) Brotherhood of (Good) Mutants, but is recruited by the Avengers in 2012 to fill the “Hulk” role in my lineup.

speaking of 2012, oh boy. Asgard invades Earth. Odin led the attack on Wakanda (bringing Hela with him, it’s the most concentrated point of power on the planet. Heimdall helped defend Wakanda) while Thor and Syf attack New York. Olivia Octavius, Curtis Connors, Tony Masters, Clint Barton, Natasha Romanoff, Cauldr Odinsbane, and Steve Rogers form the first incarnation of the Avengers. Partway through the invasion, Steve loses his shield and goes to fght Thor without it as he needs to by Olivia time to close the portal. Steve is killed, and Natasha takes up the shield and leads the team, repelling the Asgardian invaders.

I have lots more on the Timeline (Including a whole undercover war between the Brotherhood and the X-men during the 70′s and 80′s, as well as Ghostrider Stephen Strange and Sorcerer Supreme/Former Black Widow Wanda Maximoff) but that’s another Infodump.

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sl-walker · 3 years

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All right, since I’m in the middle of a flare and have to work manual labor for the next four days despite it, I figured I would make myself -- and hopefully other people -- laugh by talking about one of my favorite OG Captain Marvel stories. Namely, from Whiz #50, with a cover date of January, 1944, meaning it was probably produced sometime in late 1943.

I want to share it because why not, this is some absurdly charming stuff.

I’ll get more into why it’s one of my favorites as we go, in the form of running commentary. So, full story (with said commentary) under the cut. If you wanna just read the story without my commentary, stick to the pictures. XD

First, let me say that the cover and splash page definitely live up to the story, though the cover’s a bit more sensationalized. But the premise is pretty damn simple: Our intrepid hero and his newsboy alter ego are on vacation. Cap decides to go swimming. It goes hilariously wrong and thus ensues a bit of a madcap adventure, no puns intended.

Second, the fact that Cap and Billy are depicted as essentially different entities makes what Billy does next the ultimate trolling:

Gee, airing out the stolen laundry on the radio? Really? I’ll leave it up to you, gentle reader, whether Billy actually was trolling his own alter-ego for ratings or whether he was just innocently sharing the story while his other-self winced quietly in whatever ether-space he exists in when not front-and-center.

Either way, I love it.

Continuing on...

I get a kick out of the fact that Billy’s monologue is that he’s no dare-devil. One, because that’s so obviously not true in any way -- (that kid is awesomely, sometimes recklessly brave on the regular even without Cap) -- but two, because the bridge is actually named Dare-Devil Bridge. We aren’t given any reason why this dangerous potential death-trap is there, hanging without so much as a gate or a warning sign or anything, because we don’t need one. It’s there specifically for what happens next.

Which, of course, is Billy calling in Captain Marvel, who does some light complaining about the situation Billy left him in. There’s no bite to it, which I find adorable -- Cap actually does get frustrated once or twice in other issues with Billy calling on him for mundane stuff, though he’s never mean about it -- but there is a bit of the sense of being put-upon there that’s just-- I dunno, cute. It’s something I miss a lot in the various post-crisis takes on the character: That duality, that difference in personality, and the way each of them responds to different situations. Often, they’re on the same page, but notably, sometimes, they aren’t.

Someday, I promise, I need to sit down and write how I think that works between those two without being a truly frightening mental illness manifested, what with them being the same person but not the same person. Because I have so many ideas, and I’ve only had since the early-2000s to percolate them. LOL! But until then, just enjoy this.

Here is another reason why I love the Golden Age Captain Marvel books and why I love this specific story: This is an absolutely normal, mundane thing to do. It’s the human thing to do. These aren’t the actions of some super-serious superdude. These are the actions of a pretty shockingly normal guy doing something mundane. And a whole story is built around that normalcy.

It’s cute. It’s funny. It’s the reader already knowing that he’s getting himself into a situation that he absolutely could have avoided, but also completely understanding how it happened anyway. It’s pretty brilliant writing: I say this as a pretty damned good writer myself.

So much of the reason why, I think, Cap was so endearing as a hero is that humanity. He’s got pretty much god-tier power in the Golden Age, once his powerset is established. He’s utterly invulnerable to all physical harm while powered up. But-- he’s human. He knows he’s human. He acts like it, and decides, “You know what? I’m going skinny-dipping.”

He and Billy are both characters it’s so easy to empathize with.

Also, a reminder that the art under Chief Artist C.C. Beck is really, really good. (He had a whole stable of artists to help produce this stuff!) Ignoring registration issues on the printing press, the actual line art is amazingly good; proportion and perspective and consistency.

But anyway--Cap does get to enjoy his swim. But, then, oh no.

I love the idea of a world where the prime hero -- and he definitely is in that world -- can take off his suit and go swimming, and where someone else is bold enough to steal the damn suit off of him. The first time I read this, I started laughing here. Not at him, but at the situation he’s found himself in. At the idea that some random passer-by saw Captain Marvel’s costume and went yoink!

Another thing I love about this particular story is how much Cap and Billy have to work together, just by necessity. Like-- it’s just really good. But anyway, thank everything Billy Batson is on the ball, coming to the rescue.

Sheer bad luck via the weather keeps this story rolling along in hilarious misdirections. Realistically, that uniform probably wouldn’t be all buttoned together (we see Cap take off pieces of it aside the pants in other issues, including socks!), but who cares? The point of the story is that giant bear rug on the floor’s gonna get put to use.

Man, when have you ever seen Superman creeping naked through some stranger’s house wearing nothing but a random polar bear because he went skinny dipping? No wonder these comics sold so well. This next panel is when I start wheezing, though, and pretty much keep wheezing.

“A lady, too! I’ve got to get away from here!”

I’m dying at this point. That’s such a characteristic response, and yet, I think that’s why it’s funny.

Anyway, because this is an excellent story (I mean this without an ounce of irony, too), our dynamic duo stumbles across a plot in play to rob the hotel they’re staying at.

Here’s a big part of why this is such a good tale: Everything fits. Even when it isn’t explained, like Dare-Devil Bridge, it still fits. Why is the tree down? Because there was just a thunder storm, the same one that blew Cap’s suit into the room with the gangsters.

I don’t know if this is Otto Binder’s story, but I wouldn’t be surprised in the least. It’s a complete story told in relatively few pages that accomplishes everything it’s meant to.

Anyway, using foliage as cover, Cap gets to be heroic----then Billy gets to get back to the business of trying to stop the robbery of the hotel and get his heroic alter-ego dressed again. Which leads to a rather adorable and funny scene of Billy not only trying to describe what Captain Marvel wears, but what size it would need to be tailored in.

(Cap is supposedly a 44 for a suit coat, we find in some earlier appearance, which would refer to his chest size. So, an XL for shirts and suit-coats. He’s a big guy, but he’s actually not a hulking huge guy. But more on that later.)

I love the fact Billy tries to like-- use himself as a model. Maybe in another ten years, kiddo. Billy’s actually pretty buff for like a 12-14 year old, he’s not a scrawny kid at this point, but yeah, no. LOL!

Another thing I also really, really love about this style, though, is that they draw Captain Marvel as being strong, as having a powerful build-- but not as a dehydrated body-builder with deep cuts. He’s got human proportions, regardless of his strength; he’s got a human build, not a superhuman one.

C.C. Beck had a lot of things to say about superheroes who were just muscles on top of muscles, all clearly defined, and he didn’t like it. As someone who first got into comics in the early 90s with Jim Lee’s X-Men--

I do get Beck’s point. I not only get it, but I really highly approve of it. He maintained to the end that he drew (and oversaw) the Marvel family to look like high school and college athletes, and I can see that. I think the one person who’s gotten it right in the modern era is Evan “Doc” Shaner, who did Convergence: Shazam! He not only nailed that strong-but-not-hulking build for Cap, but also how young he looked. College-age, in fact.

But anyway, enough digression into art and why I like this better than most modern takes on the character. Also, that’s just a cute set of panels.

I also like that there wasn’t an easy fix there. Cap’s still in his not-birthday suit, and Billy’s still stuck running around trying to solve the issues at hand. Next comes some other really good panels:

-snorts- He’s locked in. Yeah, that’ll hold him.

Anyway, what I really liked here was again that tandem working; Billy can’t punch through a wall, but Cap can. Cap can’t crawl out while he’s au natural -- well, he could, but he’d probably rather die first -- but Billy’s got no such issue. It’s just fun when you get to see them doing something like that. You have to really think for a minute about the trust each of them must have in their alter-ego.

ANYWAY, we get the rare treat then--

--of Captain Marvel not only yoinking a dude into a dark room, but then stealing his clothes. Except, not his underwear. Because that’s nasty. LOL!

I love that in this series, you do actually get to see him wear other stuff. Go incognito. Get his red suit messed up enough to take it to a dry cleaner’s, wherein he ends up dressed like a musketeer after. Jerry Ordway’s series is, I think, the only other time we see Cap not wearing his famous suit, but it happened enough in the Golden Age that it wasn’t a shock.

Like, I hate to be the one to say this, but I do think DC drops the ball often on just how much you can do with Captain Marvel (or Shazam, depending on timeline, but that’s the wizard’s name to me so mostly I’ll stick with the original name) if you unbend enough to. It’s not just the costume change, or the duality of him and Billy being the same but not, but also his inherent, essential humanity.

But I am digressing again, sorry. XD I just feel strongly enough about these versions of these characters to spend hours writing this.

Anyway, only a single panel later:

And that’s that! Billy Batson has just outed his own alter-ego’s most embarrassing moment to whomever’s listening to WHIZ radio -- thank everything podcasts and the internet weren’t available then, ha! -- and we get to see a recounting of a very fun story.

Like I said earlier, I love this one for its essential humanity. The hero got himself into this mess, he and Billy got him out of this mess, and stopping the criminals was actually just kind of a lucky stroke thrown in there. But even though Cap got himself into this, the story never treats him like he’s stupid. It never treats him like he’s some kind of idiot. You’re laughing, but-- not in a mean way.

I love how human it is. How complete it is. How genuinely funny it is. It’s a thousand times more funny when you genuinely love and respect Captain Marvel and Billy Batson, too.

Anyway, I hope you enjoyed this dissertation on a skinny-dipping hero. LOL! I enjoyed sharing it with you.

#dc captain marvel #billy batson #shazam #whiz comics

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chickawah23 · 2 years

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hey! im not trying to troll or anything im just confused and wanted to see if you had any insight.

if taylor was going to come out in 2019 (i strongly believe this theory), why would they agree to karlie getting married in 2018? ofc i wouldnt expect them to come out as a couple anytime soon after that, but the timing of it feels strange if they are still together. she couldve just kept “dating” him rather than getting married

The “wedding” was a photoshoot and the photos in the woods were leaked on ig stories by someone on 🛴 team. Karlie spent the end of the night on the floor of a cabin eating a brownie and looked perturbed to say the least. Then almost a year later in June 2019, just two months before Lover was released AND a week before Taylor went public with her tumblr post about the masters sale, they threw a “second wedding” in Wyoming (Karlie referred to it as a party). A party with a copy paper printout of her and Frank palicky taped to shooter bottles of tequila as party favors. (totes High-end don’t ya think). Karlie was notorious for getting papped without her ring. In fact she didn’t start wearing it consistently in pictures until around the time of the pandemic. Karlie is not married to that man and all I can say is she has done a great job in the last two years making sure people forget how this whole thing started to feed this narrative.

For me when it comes to Karlie I just think to myself isn’t it weird how a celebrity always seems to be walking into the face of bad press? Almost as if someone wants them there. She “married” into one of the worst families in the country at the height of 45’s incendiary presidency. Her name was consistently tied to that administration. She was papped with or near them more than she ever was in her many years “dating” him. (She even forgot she was dating him throughout the years of this grand love story). She announces a pregnancy at the height of the pandemic. She is seen yachting and partying with the worst rich people. She gets name dropped in a story about Russian oligarchs at the height of a war for sovereignty in the Ukraine. Like we used to joke about Penni Thow being bad at her job but it honestly just feels like KK is a dog on a leash being walked through a pile of 💩. No one can make this many wrong choices unwittingly. Especially if you look at Karlie’s social media and public presence prior to early 2018. Also, I keep an eye on all of her KNOWN friends and family who used to be a huge part of her life who are now nowhere to be seen. Idk it has always kind of felt, to me at least, that someone is trying to ruin Karlie’s reputation in order to diminish the draw of Taylor ending up with Karlie. Like if I can’t get to Taylor I’ll go for the person taylor loves. So when she comes out you’ll get hate articles about how Taylor is dating this horrendous person who has ties to horrendous people.

The “why” of this all is a question that we can only speculate about. There were blind items from 2019 that discussed taylor performing at stonewall inn and Karlie was supposed to be there with her. Then there were blinds about taylor being allowed to come out but she couldn’t mention Karlie at all. During this time, Karlie was still represented by 🛴 who owned Taylor’s masters. So for me and for some others in this corner of the internet, 🛴 was using Karlie as a bargaining chip to get Taylor to work with him because their relationship was an open secret and Scott B had a lot of inside information. Like “let me be the face behind your coming out and bringing you two together” vibes. Additionally, 🛴has a clause in all his contracts that does not allow any of his clients to speak poorly of him and I think he used that to his advantage against Karlie. This is also why I have always felt like Taylor in 2019 was going in on 🛴. The masters sale was big but I think there was a deeper hate here. But that’s just my opinion. All in all, everything that has happened was really a beautiful disaster.

If you were to ask why Karlie is still in this mess today I’d say it’s because of the re-recording plan. Everything is chilling in limbo until taylor can get back what she lost. To quote Taylor’s introduction to Red TV, “imagining your future might always take you on a detour back to the past.”

Overall this is just my opinion. The only people who know for sure are those involved.

#anons

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hoseas-angry-ghost · 3 years

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YES YES YES I WOULD LOVE TO HEAR UR THEORIES

Hello anon! I am very surprised anyone wants to hear my chutney but here's my Strange Man Hot Take with some hopefully interesting info for curious parties:

To be honest, R* included so much misdirection around the Strange Man's identity (especially in RDR1) that I'm not *totally* convinced they're married to any one idea. RDR2 also complicated things by introducing new religions into Red Dead's world (Voodoo, Old Norse, etc.): he's no longer limited to just Christian / Western interpretations, as in RDR1, and it's possible R* might try to syncretise him with figures from other faiths (they did place Bayall Edge in Bayou Nwa, where most of the Voodoo stuff is).

At the same time, though, I think RDR2 actually narrowed things down somewhat in terms of the direction R* chose to take his character, and what we were shown of that. There's still a level of misdirection in RDR2, but IMO, it almost comes off as half-hearted in comparison to what was basically trolling in RDR1 -- it seems like they were a lot more focused on playing the "bad news" angle the second time round.

Based on what we know, and on the balance of things, I'm not convinced that the Strange Man is necessarily meant to be any one thing or figure, but I do think he's meant to fulfil some type of Satanic role within Red Dead's world, either in main or in part.

I won't compare and dissect other theories or anything, I just thought I'd list off some things that people might find interesting:

Armadillo. The deal between the Strange Man and Herbert Moon seems to be a pretty textbook Faustian bargain: Moon is offered earthly rewards ("happiness or two generations"), and although the price was (tellingly?) never specified, it seems like the recent Blood Money update for RDO all but confirmed that the cost was probably his soul. Although it's left ambiguous what Moon actually chose, the Armadillo curse was possibly an unforeseen (for Moon) consequence of the deal's terms, which would fit with similar tales of the devil or demon in question taking liberties with their end of the bargain.

In the files, there's some great audio of Moon off the shits and straight-up saying "I've made a deal with the devil, and I will never truly die!" It's possible this was cut for its own reasons (too overt?), but as a lot of stuff was apparently cut from Armadillo, I'm guessing it was either cut when Arthur in New Austin got cut, or it was part of something that R* didn't have time to implement in the epilogue. Either way, if it's not actually in the game then it's not technically canon, but it is an indication of what R* was thinking during development.

There's a lot of audio from the Armadillo townsfolk in general about devils and "devil curses," but the only thing I know of that definitely made it into the game is a line from the town crier ("Devil has the town in his hand").

There's audio of the Armadillo bartender saying "I heard the Tillworths made a deal with the devil to keep from gettin' sick! I don't wanna die any more than the next man, but ain't no safety worth a man's soul." Possibly idle gossip, but given Moon, possibly not.

RDO seemed to flirt with the idea of soul-selling a little bit with Old Man Jones' line "Well, this is America, so anything can be bought -- even souls," but then RDO pretty much just came right out and said it with Bluewater John in the Blood Money update. Bluewater John also apparently made a deal, almost definitely with the Strange Man (given the Moon deal and how close Bayall Edge is to all the drama); he was based on blues musician Robert Johnson and the myth that he sold his soul to the devil for mastery of the guitar. It's basically a rehash of the Moon deal, except it's... not subtle in its dialogue about deals, devils and souls.

"I GAVE EVERYTHING FOR ART, AND I LEARNED TOO MUCH AND NOTHING AT ALL" written on the wall at Bayall Edge also sounds like a reference to another one of these deals to me ("everything" being their soul, and "I learned too much and nothing at all" the foolishness of accepting eternal damnation for temporary knowledge). I think Bayall Edge might have originally belonged to a painter who struck a deal with the Strange Man for artistic skill, but then the Strange Man slowly possessed him or something -- which could be why some of the landscapes depict RDR1's I Know You locations, and why the writings on the wall kind of look like they deteriorate in quality. The puddle of blood at the foot of the portrait might also be linked to this somehow (whose is it?).

It's the deal-making for souls that really pushed the "devil" theory over the edge for me, because I can't think of whose wheelhouse that would be in except a devil's, or someone similarly malevolent.

Alternative name. The Strange Man's character model is called cs_mysteriousstranger in RDR2, and he's referred to as "the mysterious stranger" at least once in RDR1's in-game text. This could be a reference to The Mysterious Stranger, written by Mark Twain between 1897-1908, in which the stranger is a supernatural being called Satan. (At the end of the last version written, he tells the protagonist that nothing really exists and their lives are just a dream.)

Bayall Edge. Bayall Edge was possibly based on a Louisiana urban myth called the Devil's Toy Box, which is "described as a shack. From the outside, it is unappealing and average. ...The inside of the shack consists of floor-to-ceiling mirrors, including the walls. No one can last more than five minutes in this room. ...According to the legend, if you stood inside this mirror-room alone for too long, supposedly the devil would show up and steal your soul." The Strange Man does show up in the mirror eventually, and it's kind of curious that the paintings that change depending on your Honour act as metaphorical mirrors. This was also cut, but in the files, Arthur's drawing of the interior of Bayall Edge is unusually sloppy, like his faculties were impaired or something.

"Awful, fascinating and seductive". John writes this about Bayall Edge after the portrait is finished, and I think that's as good a description of something like the / a devil as any, but "seductive" is a big red flag for me, because it's such an odd choice of word and, from a Christian perspective, it's so loaded with connotations of evil and sin and temptation.

I Know You. Some have pointed out that I Know You in RDR1 resembles the Temptation of Christ, as it also takes place in three separate locations in the desert, and John is given moral tests in which he must choose between higher virtue or worldly vice. John is also, in a weird way, a kind of Christ-like figure in that he ultimately sacrifices his life for others. I do think the "temptation" in these encounters is very surreptitious but very much there ("Or rob her yourself" -- excuse me??), but they may also be operating on a Biblical definition of the word, i.e. a test or trial with the free choice of committing sin.

RDR1 dialogue. I don't want to get *too* much into this because I feel like we're all just getting punked in RDR1, but I think the Strange Man's dialogue broadly fits with something like a "devil" interpretation, or at least doesn't contradict it.

I'm thinking particularly of lines like "Damn you!" / "Yes, many have" (which would work metaphorically but also literally, given that the devil was thrown from heaven by God and his angels), and "I hope my boy turns out just like you" (of all the leading theories, I think Satan is the only figure who's popularly conceptualised as having a son, or prophesied to have a son -- God obviously had a son, but that ship kinda sailed).

I think the "accountant" line refers to Honour (which even uses an invisible numerical system), and how John's fate depends on the number of both good and bad acts he's committed throughout his life, and how these weigh against each other. If the Strange Man likes to collect souls, then he would have a vested interest in auditing you and seeing if your accounts are in the black or the red, as it were (and providing you with opportunities to push yourself further into the latter...), because if you're bankrupt, you're his.

Blind Man Cassidy. Interestingly, Cassidy seems to distinguish between "Death" and the Strange Man, implying that he's something else beyond his understanding: in one of Arthur's fortunes, after his TB diagnosis, he says "the man with no nose [Death] is coming for you," but in one of John's fortunes, he says "Two strangers seek thee: one from this world, perhaps one from another. One brings hatred; I'm not so sure what the other brings."

Arthur's cut dialogue. In the files, there's audio of Arthur having the exact same conversation with Herbert Moon as John in the epilogue, asking about the Strange Man picture because he "just seemed familiar". I think it's interesting that, like John, Arthur also would have apparently recognised the Strange Man despite (presumably) never seeing him before. Given how strong a theme morality is in Red Dead -- and how much both John and Arthur struggle with it -- my theory is that they find the Strange Man vaguely familiar because they're both familiar with the evil within themselves, or the potential for evil; and likewise, the Strange Man "knows" John because he embodies evil in some sense, so is aware of John's worst sins (like his involvement at Blackwater), or possibly even all of his sins (which would be, like, a lot).

Honourable mention: There's such a greater emphasis on conspiracies, myths, etc. in RDR2 that I half-wonder if the Strange Man's RDR2 incarnation was partly inspired by Hat Man (~excuse the link~ but often it's hard to find good sources for the kind of weird shit R* includes in their games).

ANYWAY, this got a little long but I hope someone found all this at least passably interesting. Thanks again for letting me ramble about the video game man, anon!

#The Strange Man #inbox #Me @ me: God jsut shut the fcuk-

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ladyvader23 · 3 years

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Why I Think FanFiction is Important and Should be Normalized

I like to listen to youtube or podcasts while I play video games, usually on informational subjects. The other day I thought, “Maybe there’s some interesting fanfic commentators out there like there are for fiction writers!”

Oh boy. I was wrong.

There were a few one off videos. There’s one wonderful channel that I already knew about that talks about it (ColeyDoesThings). But the majority of videos were so negative. They were usually making fun of fics they considered bad or creepy, as if that represents all fanfic.

On top of that, I’ve met a lot of people both online and in real life who are either afraid to admit that they write fanfic, or they think fanfic is weird because of these popular depictions of fanfic in media.

Before I continue, I think it’s really important to say that it’s totally fine to not want to talk about your writing or reading habits. I had a friend who had to hide writing fanfic because her parents would ground her if she did. I’ve had other friends who just see it as a hobby and they don’t want to draw attention to it, and I’ve had some who hide it because they’re legitimately worried about how people will react. That’s completely valid and I totally support that 100%. Do what makes you happy and safe!

For me, though, I make it a point to be open about the role fanfiction has in my life. Without fanfiction, I wouldn’t have the job I have, or the friends I’ve made. I wouldn’t feel like me without it. For a long time, fanfiction was the only support I had to pursue who I wanted to be.

This is my story.

I have a learning disability. That in itself is a really long story, so to make it short, it made writing really, really difficult. English was consistently my lowest grade throughout my entire childhood and teen years. My English teachers HATED me. I can count...maybe two or three teachers who treated me like my writing had any worth?

And what was worse is that I didn’t even know what I had to explain it to anyone until halfway through high school. By then, any “help” the school system had ever offered me was tailored to issues I didn’t have, and my mother had to explain every single year to my IEP coordinators what help I actually needed.

I started writing fanfic probably when I was in seventh grade? It was hand written and was for Final Fantasy 10. I never published it, but I still remember the plot. My first published fanfic was for InuYasha. It was collaborative with my cousin, and it was reaaaaally badly written. I don’t even remember the title, actually, but it was a wild fic. It was my first real opportunity to experience fandom, to hear anything back from readers about what they thought of my writing. And I learned from that experience. I learned even more as I branched out to other fandoms. And because I had readers, it encouraged me to actually practice by writing more.

While fanfic comments can be negative and unproductive, I’ve had plenty of readers very nicely point out “hey, when someone else starts speaking, that’s a new paragraph.” Literally, I’d NEVER known that before someone said it in a review. I’ve also had people point out good grammar resources that I could use. I had people offer insight on how story structure works and doesn’t work. I learned about giving characters real flaws. I learned about creating conflicts that people actually care about and relate to. Most of these comments weren’t meant to educate, necessarily, but when people reacted a certain way, I wondered, “Why do they feel that way? What did I do right, what did I do wrong? How can I improve?” Then I tried out whatever I learned in a new story or chapter.

And yeah. Sometimes people just don’t jive with a story, or they’re trolls. But you know what? I learned from that too! I learned how to respond or not respond when people just don’t like what you’ve written and there’s nothing you can really do about it. That’s a skill I’ve translated into other parts of my life outside of writing.

Through all of this, from my first fanfic to the ones I write now, I’ve learned so much about my writing and about who I am as a person. I’ve had the opportunity to meet so many cool people from all over the world, which in itself has been a seriously positive, life-changing experience!

But much of my life, I was constantly being told that I couldn’t do it, to not even bother trying. I’d go to school where I had teachers who took one look at my IEP and before they’d even given my writing a chance, treated me like a failure. I once tried to show one of my teachers one of my stories. It was a Twilight fanfic (I was sixteen and it was the height of the craze). I knew my teacher loved Twilight, and I’d seen her make connections with other students over their shared interest. I just wanted to connect with her, too, to show that even though my strength isn’t in what she wanted me to write, I still mattered. I still had a place in her classroom. But I didn’t even finish asking her to read a little before she told me she was “too busy” (and then proceeded to give me an F because I did the entire worksheet, not “just the even number questions.” Like seriously, what?).

It was really conflicting. On one hand, fanfic was so much fun, I had positive and constructive feedback on my stories, and I felt like I’d improved enough to go toe-to-toe with anyone else naturally gifted in writing. On the other hand, I had every authority figure in my life telling me to not bother. When I went to college, I really wasn’t sure I knew what to do. I had dreams to be a writer, but maybe people online were just being nice and I was better off doing something else.

But I signed up to major in English anyway, and to my surprise, my college professors were way more supportive. Feedback was actually constructive. I didn’t have any kind of IEP equivalent attached to my name or record, which...brings up a lot of other concerns I have about the American education system because seriously, why are we judging people’s abilities like that??? But for the first time, I felt like I had a real chance. I graduated in English education, and though I left education because I have a lot of issues with how America runs its education system, I still work in a job where I write their entire policy and procedures. I literally write all day, and when I’m done with work, I write either my fanfiction or my own personal WIP.

If I hadn’t had any of that positive experience with fanfic and the community that surrounds it, I wouldn’t have made the decision to do English as my major in college. I wouldn’t have a job I love. I wouldn’t have the friends I have. I feel like as a whole, I wouldn’t have as much passion as I do for stories...which is a HUGE part of who I am!

I talk openly and positively about fanfic because there are others out there who might be like me. If all they hear about is how dorky or weird or creepy fanfic is, then that might scare them off. And what if fanfic leads them to supportive, wonderful friends? What if it leads them to a career option that makes them really happy? Or, you know, what if they just want to have a lot of fun and fanfic can do that for them (because you can totally just have fun, you don’t HAVE to learn or get anything else from fanfic)?

I think we need to normalize fanfiction. Yes, there are negatives, we shouldn’t not address those, but when it’s positive, let’s talk about that! I think this particular site is really good at that, but I mean in real life. Maybe on other platforms too, I don’t know. I just have a lot of feelings about why fanfic is so important, and I just wanted to share my story to at least explain some of that.

Feel free to add your own experiences, I’d love to hear them from either writers of fanfic or readers!

#writing #fanfic #my story #long post #personal

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lawgrain · 4 years

Text

Appropriate and Inappropriate Comments on AO3

So I mentioned the idea of doing one of these and I think it’s low key needed. But before I start I do want to say, most of you guys are great and the inappropriate section will seem like comments sense to you. But sadly it’s not to everyone and I’ve gotten comments like them. I’ma start on the positive side though. With that, I’ma jump in!

Good Comments

1) Just leaving hearts is actually pretty chill. I know some of you guys get nervous to comment and hearts might not seem like much, but it’s a very clear message: you liked the story. Not every comment has to be in-depth and if you are afraid to go into a deep comment, at leas for me, I don’t mind just getting hearts. Most the time I just respond with hearts back <3

2) Picking out specific quotes or moments you like is kind of cool. I’ve had people pick out a quote from a chapter and I get so excited when it happens to be a section I specifically worked on. I’m like “Yeah! That’s right! I added that for flow and it was friggen appreciated. Take that world!” It can just be something that meant something to you or that you found particularly funny/interesting. These are words writers have worked on and they’ll be happy to see, oh these are the ones that were liked. Sometimes people even point out things I hadn’t thought y’all would like and that’s super cool too!

3) So low and behold, writers sometimes really like talking about their works. In particular, I get caught up in meanings behind things and morals. Obviously not every writer gets caught up in those things but they still like talking about their work. So asking an opinion on stuff is sometimes pretty fun. Asking about what an author thinks of a certain character or what a character would do in a certain situation is like a fun little challenge game. But with this one, it’s important to keep it within the realm of opinions.

For example, I got an ask on here once asking what I think would happen in a certain situation. That was a great way to phrase things. It let me know that they are just asking for my imagination on things. They didn’t suggest that something else should be happening or what they wish was happening. It was just “what do you think?” Here’s a link to that. It was a fun ask to think about and actually made me want to right more. Where things can go wrong is sometimes people ask more into a character while sort of suggesting that I’m doing something wrong with the character or suggesting I should be having more about certain characters that I don’t want to do. So a “what do you think” is a beautiful way to avoid that and keep things to opinions.

4) It’s pretty nice to know people got meaning from a story. I am definitely okay if people just read my work on a surface level. It’s meant to entertain and if that’s all it does, that’s okay. But it’s also really meaningful when I hear that people are taking things away from a story. I love the comments saying “I’m gonna be thinking about this” or “this made me question things.” Because that’s my goal. I want people walking away with a new perspective or something gained. And then I’ve gotten people who thought they were the only ones to feel some of the things I’ve written and it’s kind of amazing to show that they’re not.

And yes, this doesn’t apply to every fic because not every fic is written to have as much meaning. But every fic is written to do something. A comedy is written to make you laugh and the writer wants to know they’ve done that. A fluff piece is written to make you happy and show cute moments and a writer likes hearing you fangirl over those cute moments. And angst is written to make you feel. It might be heartache but if your stomach drops the moment you read something in an angst, that’s far from a bad comment to get.

5) You don’t have to do this, but sometimes it’s nice to appreciate the writers as themselves. It’s nice when people shift the focus from the fic to how you wrote the fic. There’s a sort of meaningful difference between the two. In one phrasing anyone could have done it. In the other it recognizes the writer and how writing is an enjoyable part of them instead of all they are. I think a lot of times for myself I start to think people just like or follow me for a fic I wrote. That has a lot of me in it, but that’s not who I am. I tend to answer questions in a very fic orientated way. You don’t like my writing you like the fic. You don’t like how I worked on a fic, you just like how the fic exists. Again this isn’t something you have to do and it doesn’t detract from the amazing comments left. But it adds something a little more meaningful for the author.

On to the next thing!

Inappropriate Comments

I’m going to precursor this with I know for sure some of you guys don’t know you do a few of these. Some of these are purely things trolls would do but others happen with people who actually don’t mean to bring a writer down. And I know it’s not your intentions to make a writer feel bad but it can easily happen by accident.

1) I mentioned this in a different post which I’ll link here, but be careful with comparisons. Keep things in a positive manner and focus on writer you are actually commenting on. It is not okay to draw comparisons to describe everything the author is doing wrong and the other is doing right. I got a comment doing that once and, surprise surprise, that's very shitty. If you’re going to compare a fic, do it in a way that doesn’t degrade anyone. Say it’s different or the same, and only do that if you’re going to follow it up with you found it enjoyable. I know for a fact that if someone used my fic to hurt another person, I’d be furious. I don’t care if you like my fic better, that’s no reason to make other people feel bad. Authors writings aren't all supposed to be the same fic. It’s gonna be different and that’s okay.

2) It's okay to be very impassionate against characters actions in a fic. Some are written to be disliked. But there are lines. It's not okay to say that a child deserves to be beaten by a parent. A lot of things aren't okay. Directing anger at characters is different then implying real world things should happen to them. People are abused in real life. People who have been abused are gonna read you talk about how you think it’s okay. It’s not. It’s never been okay and it’s a really shitty thing to have to find that in a comment section.

3) It's okay to be upset with things that happens in a story. It's not okay to attack the story itself. You can like a story and still accidentally do this. Saying things are "unrealistic" and "would never happen" are kind of offensive. It starts attacking the author and devalues what they are trying to write. And the other thing about that is not everyones experience is gonna match up. I know I write in a heavy topic. So when I’m told that somethings would never happen and then I have to quietly take it, understand that some of these things have happened. I’m listening to some of you write off things that have even happened to me. And you’re also writing off what might be happening to others. I know teachers might seem unrealistic to people who have had good teachers. I know it seems incomprehensible for everyone to turn their backs on a character to people who have had good friends, who have had people listen to them. And let me just state it plainly, I am jealous of those people. I’m jealous of people who have never been happy one day just to feel completely betrayed and alone the next. I envy you. And I know that’s not the intention with some of you guys when you comment but in the end, not cool.

4) Comment on the actual fic. When you go off about how you wish things would happen or say "it's too bad this didn't happen", you are telling the author that you wish you were reading something else. I’ve gotten very well meaning comments talking about how they just wish something else would happen or “what if instead”. And I don’t know what you want me to say. Yeah that’s great but it’s also not what I’m writing. Be my guest if you want to write that I guess. In the end those people never give me something that I can respond to because they made it about what they want and not about anything I did. If you genuinely want to change everything about my fic but keep the bases, just comment “Do you mind if I do a fic inspired by this one” and I will happily say yes, just make sure to note it was inspired by the fic. Hell I’m chill even when people don’t ask for the go ahead and just remember to cite me as the inspiration. But getting a comment wishing you did something else? Not enjoyable.

5) Don’t comment just to confuse the writer. This one is kind of odd and something that hasn’t happened to me as much. But leaving confusing comments that have nothing to do with the story? Like I don’t know what is expected when that happens. I’m less inconvenienced by this because I like to just roll with things but I know others don’t like this. It starts to feel like you’re being trolled. Again I don’t mind this as much. Like once I got a consistent commenter that I never quite understood what their comments meant and I actually started to enjoy the oddity. They’d do a key smash then Id be like “okay well, when in Rome” and key smash back. But some aren’t me and are going to assume it’s being done to them to annoy them. Which is a safe bet because a lot of writers have probably been trolled or low key harassed by people in the comment sections.

6) If you say you like a fic and then say “too bad you did this in the fic”, you don’t like the fic.

7) This one is based on a comment that I know what done with good intentions but careful on how you ask questions. Writers do like talking about their fics but we like talking about it to people who are curious and like the fic. If you have a question, ask it but let us know that you aren’t challenging the fic itself. So for example, I mentioned when a fics realism is brought into question. It’s not chill to say “It’s unrealistic” because that's an insult. It’s not okay to put “how is this realistic” because that’s gonna put the writer back in defensive after their other bad experiences in comment sections. What you could do is say “how did you come up with the teachers acting like they are in the fic”. Or once I got on the defense because a question was phrased in a way that sounded like a set up to hate on my fic. It wasn’t made to do that and the person picked up on my very obvious defensive mode. What can help if you’re unsure how a question is going to come across add something like “The answer doesn’t change how much I like the fic, I was just curious”. That’d set me at ease at leat.

8) Don’t demand answers. And I’m not talking about the silly “wE neEd tO kNoW LaW!!” thing. I usually know when you’re teasing. I’m talking about people who just want an answer from you and leave. This isn’t bad perse and doesn’t actually hurt a writers feelings. It just tells the writer nothing about how they are doing. Did you like the fic? Was there something confusing about this section that caused this question? Again this one is a very small thing. Writers probably don’t mind answering the question either. It’s just kind of one where it’s less engaging because you feel like the person just wants you for the one piece of information.

9) If you have to disclaim it sounds rude or aggressive, think about who that disclaimer is for. Is it for you to feel like it’s okay to say rude things and then claim “but that’s not how I meant it” or is actually because you’re worried you phrased something wrong. And for gods sake if I get a goddamn comment saying “I don’t mean to start a fight” I’m starting a fight next time. Most of the comments I get that have some sort of disclaimer feel like they are just trying to excuse themselves and have a place they can say “look, right there, I said it’s not rude so it isn’t” as if that changes things. It’s like if someone went “I don’t mean to be a jerk, but here’s an entire list of why I don’t like your story and lol that sounded a bit agressive. Woops! Good thing I didn’t mean it like that!” Bullshit. Take a minute to actually access who the comment is for, you or the writer. I’m actually the most heated about this point. Like I’ve gotten a very specific comment in mind and I really regret not going off. I’m still bitter.

10) This isn’t one I’ve gotten as much but have had someone mention to me. Some authors get a bit pressured when all you ask is for more. Like we’re happy you want more. Very happy. But the way this author explained it to me was “It feels like they just ignore the 40k of free work I’ve just written and feel entitled for more.” I’m paraphrasing it a bit here. But the thing is, it’s very flattering that you want more of a writers work but why can’t what they’ve already done be appreciated. Don’t just demand, appreciate too. A lot of writers are working on more things at once and it needs to be recognized that they are worth more than the one chapter more you need for just one of their fics.

Ending Note

Alrighty! That’s all I can think of for now. All writers are different but I hope this is a good foundation for things. Looking back on some comments I’ve left, I know that they probably weren’t as positive as I thought because they weren’t made from a writers point of view. Now though, I think I’d do a better job after having gotten some of the comments I have. But I don’t want anyone to feel called out or bad. I usually know when you guys are well intentioned and just missing the mark. If anyone wants to add or reblog this, be my guest!

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inventors-fair · 3 years

Text

Kald’ve, Would’ve, Should’ve (and Finally Did) Commentary

No no, of course I didn’t forget, you forgot. And I couldn’t blame you if you did, it’s been some time coming. Commentary may be a special action, but it obviously still uses the stack - and as it gets stacked under more and more things, it can take a while to see it resolved. While I can’t promise the next one is going to have split second timing, I’m definitely going to be adjusting my schedule to make getting things out on time more manageable.

This challenge revisited what I started with the release of Zendikar Rising, albeit with a slightly looser approach, and I definitely enjoyed the increased diversity that I saw in submissions because of it. I think it’ll take a couple more of these before I'm able to mould my prompt to hit exactly the kind of results I’m looking for, so I doubly appreciate everyone participating in my little mad science design experiments in the meantime.

That said, let’s not keep you waiting...

@bread-into-toast - Halvar, God of Battle // Sword of the Realms

Flavour: This was a direct cleanup of a card that was already in the set, so there wasn’t a lot of flavour to credit you with specifically. There is new flavour text on the front face (which wasn’t an option on the printed version thanks to the MDFC frame treatment) that I suppose gives us slightly more insight into Halvar’s personality.

Mechanics: The front face has one minor change to the timing of the combat ability that does succeed in making it objectively more powerful, but probably does not make for more interesting gameplay overall - it pushes more of the combat math onto your opponents, essentially reducing the decisions you make to “what punishes these blocks the most.” The back face has a more significant change, trading out the original’s recursion ability for an ability that I assume is supposed to better represent the Omenpaths flavourfully, since it’s certainly not a core white effect. In practice I have to imagine the recursion ability plays more nicely with the equipment theme than a ramp effect does.

Nitpicks/Templating: The front face trigger would read “At the beginning of the declare blockers step each combat,” which is admittedly confusing because “beginning” implies that it’s before blockers even though it wouldn’t be - the awkwardness of the template is probably a reason we don’t see it more often. The ability on the rear face would want to specify where you’re casting the spell from like Sram’s Expertise does, otherwise you’re leaving it up to players to guess which spells it’s allowing them to play, and they’ll often guess wrong.

Overall: Shop the art all you want, I still think he’s as handsome as ever.

Charmera - Imyir, God of Tracking // Bow of Freedom

Flavour: I feel like I might be a little sketchy on the flavour for this one, but I believe the idea is that Imyir was fated to track “the Wolf” but never catch it, and had to break free of that fate in order to finally succeed. That definitely sounds like a neat concept, and I think you could’ve been even a little more explicit in delivering on it to really drive that story home - though I suppose this does already have more space devoted to flavour text than any of the Gods that did see print.

Mechanics: The ability on the front face is very powerful, I suspect the fact that the draws are temporary is a relatively small downside compared to the ability to chain card draw by hitting creatures one after another. The back face is... Well, I’ll be honest that I don’t know what you intended it to do. Indeed, both sides are exiling cards from your library face down, meaning you have no idea what they are, but allowing you to cast them. Is it supposed to be casting one at random? Did you forget to include the part where you look at the cards? That confusion aside, the 7-mana legendary artifact that mills you for 10 every turn (but explicitly hoses any graveyard synergies) doesn’t sound particularly exciting, though I guess if the effect isn’t intended to be random the free cast would be quite powerful. But just imagine casting this in multiplayer and milling yourself for 50 cards just to get to cast one for free - the ratio doesn’t seem appealing.

Nitpicks/Templating: If you want players to know what’s under their face down exiled cards, you’ve got to include a “look at” line. If a player was able to look at it once they’ll be able to look at it as often as they like for as long as it remains exiled, but that first look has to happen explicitly. Also: 8 lines of text does not have room for flavour text.

Overall: I just hope the Wolf made it out okay.

@col-seaker-of-the-memiest-legion - Scythed Whirlwind

Flavour: Embittered with time is definitely right up Egon’s alley, though the card name and the other aspects of the flavour don’t feel like they resonate particularly strongly with me. If there’s a way the flavour is supposed to lend itself to the mechanics, I’m not immediately seeing it.

Mechanics: You mentioned in your submission that you intended this to be a “skill-testing” board wipe, but I’m struggling to imagine what skill this would be testing. This is obviously just a board wipe in the vast majority of board states, though obviously it does - somewhat - encourage you to play creatures with equipments, but in practice this is still just going into (near-)creatureless decks.

Nitpicks/Templating: Targets are chosen as part of casting a spell, so they can’t be conditional like this. You’d want the spell to be modal, as you won’t be obligated to select targets for the mode you didn’t choose.

Overall: Maybe it’s just me, but the name conjures images of kamaitachi more than anything out of Norse mythology. But I’m also not an expert.

@corporalotherbear - Explore the Realms

Flavour: You acknowledged that flavour was your focus with this one, with the flavour text here hinting at an upcoming Phyrexian corruption of the ten realms. That makes some sense in the context of Vorinclex’s unexplained appearance, and indeed may wind up being something Kaldheim has to deal with in the future.

Mechanics: An Explore variant that lets you drop two lands instead of one, albeit for one extra mana. Ramping by two is a lot more powerful than ramping by one, but the requirement of having two lands available makes this a little less consistent. Generally speaking, cards with high power level and high variance tend to lead to unsatisfying play patterns, so I’d be nervous about the games where this does succeed in ramping from 3 to 6, even if it does so unreliably.

Nitpicks/Templating: Most quotations in flavour text are credited to someone, and while it’s not strictly necessary in a case like this, I think it would go a ways to helping deliver on the flavour.

Overall: Ten realms is an upgrade over nine hells, I guess.

---

@deg99 - Nith, Root Gnawer

Flavour: Your goal was to deliver on more dragons, and this kinda does that. I’ll admit that I’m lost on why it’s also a Troll, as those are completely separate species and it doesn’t appear to be an obvious crossbreed of the two. It’s not immediately obvious what the lands in graveyard clause is supposed to represent flavourfully, but if Gadrak is any indication that isn’t really necessary.

Mechanics: What stands out most here is - obviously - the repeatable land destruction. Against anything but the rampiest of decks, if you have this on the battlefield by turn six it is very unlikely for any opponent to recover from blowing up a land and creating a large token every turn. The fact that it’s unable to attack early really doesn’t feel relevant, because it’ll rarely be attacking late either - the upside of denying your opponent resources while expanding your board is almost always just much better than 5 damage.

Nitpicks/Templating: Templating favours common contractions, so it’s “can’t attack,” and (for whatever reason) only subtypes are ever capitalised: “4/4 green Troll Warrior creature token with trample.”

Overall: Repeatable land destruction is certainly a trollish thing to do, I’ll give you that.

@demimonde-semigoddess - Huatli, Guiding Hand

Flavour: Huatli on Kaldheim is a curious inclusion, feeling even more out-of-place than the existing non-native planeswalkers - of course this isn’t exactly a bad thing, as planeswalkers aren’t really supposed to blend in anyway.

Mechanics: The interplay between the three abilities here seems reasonable enough, the downtick creating tokens that trigger the first ability, and the uptick allowing them to trigger it on both attacks and blocks. It’s a little unexpected that both ways of triggering the ability are inherently aggressive (the block trigger only succeeds in tapping down blockers for the next turn), and cute that the otherwise unique tribal effect works with changelings in the set. It’s a little hard to gauge the overall power of three-mana planeswalkers as there’s often a thin line between unimpressive and broken so I won’t pretend to know how powerful this is just by looking, though I imagine the difficulty of blocking against it would give creature decks lots of trouble.

Nitpicks/Templating: You likely know the creature type in the first ability should be capitalised, and abilities with multiple targets read “each get” for the sake of clarity.

Overall: Is it the dinos that her hand is guiding, or something else?

@dimestoretajic - Calix, the Hidden

Flavour: This is an unexpected take on Calix, taking on a rather different appearance presumably as a disguise. It’s not immediately clear to me what he’d be hiding from, but the reference to Kratos is cute even if it’s ultimately confusing.

Mechanics: Always hard to evaluate planeswalkers without the benefit of iteration, but the abilities seem roughly in Calix’s wheelhouse. The first ability is a scry that upgrades to a draw if it hits an enchantment, probably reasonable enough at three mana; the downtick lets you trade him in immediately for a Stasis Snare effect; and the ultimate gives you a bunch of free Sagas. I think the idea of Calix interacting with Sagas is a little cute, though he definitely had that opportunity on Theros and didn’t so it might have been best to do it a little more subtly.

Nitpicks/Templating: The first ability feels like it has a lot of decision points for digital; I’d consider just revealing in the first place to save some clicks. The second ability is probably much wordier than it should be; I don’t think you gain much by naming the token (or by making it green), and the exile effect should probably just look closer to original Calix’s downtick. Be careful with so many wordy abilities on one planeswalker; I understand the desire to be clever, but ironically being elegant is even cleverer than being clever.

Overall: I’m down for Calix with a beard.

@driftingthruthecosmos - Immortal Triumph

Flavour: This appears to be playing into the trope space of Valhalla, letting your permanents ascend to the beyond only to return for a prophetic final battle. I think the art is an actual depiction of Valhalla, and the name generally signals toward the same concepts without actually embracing Kaldheim’s application of the same trope space, “the Worthy.”

Mechanics: This card definitely doesn’t work as written, but I prefer to judge design on the design’s merit’s, so I’ll do my best to work out how you expected it to work. The fact that this hits any nonland permanent makes it quite versatile, allowing it to return the same permanent turn after turn which can be difficult to overcome - even something as innocuous as Omen of the Sun can be pretty overbearing being recurred turn after turn with relatively little room for counterplay.

Nitpicks/Templating: The first ability leaves a few unintuitive holes where permanents can be lost despite the replacement effect. The second one appears to grant foretell (and a foretell cost) to a card it just put in your hand, which isn’t logistically feasible since your hand is a hidden zone. I’m not sure why the ability didn’t just turn the chosen card face down and make it foretold a la Ethereal Valkyrie.

Overall: I think my biggest wish for this one would be that the ‘glory’ was actually something you had to earn, rather than being totally universal.

@evscfa1 - Mistlebranche, Cosmic Prank

Flavour: The core idea of a weapon based on mistletoe deriving from the story of Baldr is really sweet, though some of the aspects of this design seem to stray a bit from that core concept. Most significantly the decision to make it a snow permanent with a snow equip cost seems rather unexpected.

Mechanics: Not to sound like a broken record, but the snow equip cost is what catches my eye the most: it makes the design very narrow, being completely useless without two snow sources plus a creature to put it on. Once it’s equipped, deathtouch and menace means that any creature this goes on will immediately be trading 2-for-1, making it really difficult to keep up with in any deck that’s able to produce tokens. Exiling planeswalkers too is a cute addition, and particularly powerful alongside making your creatures highly unprofitable to block.

Nitpicks/Templating: If you’re gonna make a weapon based explicitly on a plant, how did it end up anything but green? I imagine you designed the abilities first and chose the color to fit, but in this case I think the color was probably an important aspect of delivering on the concept and wasn’t a good place for compromise.

Overall: The name Mistlebranche sounds so elegant, though.

@fractured-infinity - Firja, First of the Valkyrie

Flavour: Reusing the Firja character with a new title. There’s enough about Firja elsewhere in the set to inform her character a bit, but that also means the title change can only do so much to change my perception of her.

Mechanics: The four life as a cost is pretty close to free here, but it does at least force you to adjust your play patterns to preserve your life total as you work up to it. In practice this is the kind of card you generally hold onto until you can guarantee some value from, and since we don’t see many Angels below three mana, this would often be waiting until eight to get played. That’s probably reasonable though, as once it does get going it tends to end games very, very quickly. This has the interesting upside of being less bad in multiples than most legendary creatures, as the second copy of this can still be cast to generate a token off the first.

Nitpicks/Templating: “First” in the name and each instance of “Angel” in the text ought to be capitalised, and life is always expressed with numerals: “4 life.”

Overall: Nice to see her growing out of that awkward Judge of Valor phase.

@hypexion - Kaya’s Gambit

Flavour: A play on the existing Divine Gambit design, with a couple minor tweaks. Interestingly, the flavour text comes very close to standing on its own - I didn’t remember the original’s, and yet it made some sense on its own (though perhaps it would’ve made less if I wasn’t aware of Divine Gambit already). The biggest miss is that the “gambit” part of the name makes virtually no sense with this design, as there’s no risk involved in using it.

Mechanics: Flexible if conditional removal. At worst it’s Disperse, at its best it’s just an exile effect. The biggest differences between this and the original are the open information and the (virtual) lack of a failure rate: with open information you’ll never be surprised by what your opponent gets back from this, and only returning the card to hand means that it’s rarely just not worth doing at all. This is clearly a more powerful version of the effect, but I’m not convinced it’s either more interesting nor a more appropriate power level.

Nitpicks/Templating: You probably want to use “with that permanent” instead of “with it”, as the text refers to multiple objects and they like to be as unambiguous as possible. I looked for examples that used “it,” but I didn’t immediately find any.

Overall: There are white cards, and then there are good cards.

@i-am-the-one-who-wololoes - Winter Travels

Flavour: The name definitely conveys both the concept and the mechanics reasonably well, and the flavour text itself is really evocative and has great imagery to it.

Mechanics: A mistake designers tend to make when designing for a known format is throwing multiple elements of that format onto the same card: when not done carefully, the result is a card that only works in a narrow intersection rather than being interesting in each archetype it makes use of. In this case, Snow archetypes make much better use of this than foretell archetypes, meaning this probably should’ve just accepted it was a Snow card and dropped foretell altogether.

Nitpicks/Templating: The template is unclear about whether the second condition - all snow mana - applies only when the spell is foretold or not, which is always going to be a problem with double-conditional cards. Also: this card had 9 lines of text before you put flavour text, it’s important to know when to make cuts.

Overall: Maybe I’ve read too much Robert Frost, but I really appreciate how poetic the concept here feels.

@ignorantturtlegaming - Elendriel, Twisted Prophet

Flavour: It’s not super clear to me who or what this is supposed to represent. The name and typing is enough to hint at a broad identity, but there’s a lot going on and not enough string to really tie it all together.

Mechanics: Like I mentioned for the submission above, throwing lots of a sets themes/mechanics onto a single card generally makes that card narrower and less exciting, rather than more exciting. In this case you’ve got a card relying heavily on foretell outside of the foretell archetype colors, unable to meaningfully contribute to its own colors’ archetype (Elves) without foretell, plus a boast ability that feels out of place both mechanically and conceptually...and also depends entirely on foretell.

Nitpicks/Templating: Flavour text was pretty important for the boast cards. While there were a couple rares that didn’t have room for it, notably the legendary ones both did because the flavour text was instrumental in selling the mechanic.

Overall: Elves > Foretell > Boast > ??? > Prophet!

@kavinika - Tjalfi, the Godly Messenger // Fjara, Doomskar Lookout

Flavour: Your submission took some time to explain the top-down basis for these two - a servant of Thor (Tjalfi) and one of the roosters of Ragnarok (Gullinkambi) - though obviously you’ve taken some slight liberties. The biggest issue with the flavour here is that it diverges from what the set establishes the Gods to look like - double-faced creatures with elements closely related to their divine duties on the reverse. With the set having only limited space to create and deliver on expectations, there probably just isn’t space to also subvert those expectations.

Mechanics: Mechanically, it’s awkward to have a red card that generates longterm card advantage, even if the condition for doing so is essentially a red thing. The two sides sort of push you in the same direction - lots of nontoken creatures - and the trigger on Fjara theoretically helps to reclaim Boast creatures that were lost trying to trigger the opposite side. The mana costs seem hard to pull off in the same deck, but I can at least see the play pattern it’s trying to encourage - though I can’t help but wish Fjara’s ability was a Boast ability, just to really help the card enable itself as most of the Gods do.

Nitpicks/Templating: Tjalfi’s triggered ability runs on a bit, it probably wants to be separated into two sentences: “ [...] of your library. You may reveal [...]” I’ll also a nitpick that if you’re going to base a character on something as unique as a rooster that crows at the end of the world, you probably want to make the connection as clear as possible - I don’t think anyone is going to make that connection here.

Overall: Maybe I’m just salty that I didn’t get the chicken version.

@kytheon4-4 - Gunnar the Breathless

Flavour: You made sure to include flavour text, which I think was really important to selling the Boast ability as it appeared on cards in the set. The specific flavour text you chose comes off as wordy, the story it tells is hard for me to parse (one can only imagine where they’d tucked the troll’s club away whilst hitching a ride), and doesn’t feel like it connects in any obvious way to the ability on the card. One of the fun aspects of Boast was how well they focused on creating stories to explain the specific ability on the card, but apart from maybe interpreting the troll’s lunch as life gain, I’m just not seeing that on this one.

Mechanics: You’re right that it would’ve been nice to have one of the Boast enablers show up at a lower rarity, though I’m suspecting that it probably didn’t for power level reasons - Boast is actually pretty powerful, and I wouldn’t be surprised if one of the rare enablers had started out at uncommon and gotten pushed to rare for being too impactful. I think it’s nice of you to try to make the ability broad enough to work outside of just Boast - there are a few things this breaks in older formats, but in Standard the scariest thing it can do is enable Kargan Intimidator or Subira, both of which are probably safe enough even with free abilities.

Nitpicks/Templating: All the templating stuff looks fine.

Overall: The irony of “the Breathless” holding a horn is not lost on me.

@masternexeon - Aggravated Berserker

Flavour: This card is a little light on flavour, which I’m normally just fine with, but in the context of Boast the flavour does a lot to bring the mechanic to life. It’s clever that the name is a throwback to Aggravated Assault, but I think a little more attention to detail could’ve helped it really pop.

Mechanics: Obviously this was really close to one of the winners, with the big difference being the Dwarf tribal element. Obviously I favoured the version that had a slightly broader appeal, but since Dwarf tribal was one of the themes of the set, there’s probably a version of this design that does both (extra combat for everyone plus a bonus for Dwarves) that I would’ve liked better than either.

Nitpicks/Templating: You’ll want to make sure to capitalise “Dwarves” in your rules text.

Overall: No spoilers, but this one almost seems designed with my next challenge in mind.

@misterstingyjack - Toralf and Valki Deceive the Giant King

Flavour: Boy howdy, that’s a name - I’m impressed that your renderer got it to fit. This is a top-down story about Thor disguising himself as his own mother in order to trick a giant that wishes to marry her into returning his hammer. The chapters of the Saga follow that pattern pretty precisely, letting you disguise one of your creatures and - over a couple turns - steal an artifact from an opponent. You might have considered swapping chapters 1 and 2, so that the destruction effect could represent the hammer going missing which prompted the whole endeavour. Indeed, then you could even move the mill effect into that ability, to represent the hammer being buried after it’s stolen.

Mechanics: Similarly, I think putting the destruction effect up front would’ve done this card some good. The copy effect is cute, but it’s not the most powerful effect on the card, and as written this is pretty easy to blank with a removal spell. I do really like the way the abilities intersect the colors - destroying an artifact or creature requires both colors, temporary copy effects from a graveyard feels both red and black, and recurring an artifact is something red can do that still feels pretty black.

Nitpicks/Templating: As much as I respect how ambitious the name was, I’m confident you had shorter options available.

Overall: It’s always lovely to see a top-down story that you enjoy getting represented as a card, nice choice.

@mtg-ds - Koll, Breath of the Bellows

Flavour: I definitely understand your frustration that there aren’t more smiths that do actual smithing in Magic, instead just encouraging you to build a deck that simulates their doing so. This correction for that is pretty straightforward, making axes and shields to equip to your army.

Mechanics: The low costs on this are going to lead to a lot of Equipment tokens on the battlefield at any given time - any time you have unspent mana you’re going to pour it into making tokens, especially since you can do so at instant speed. Combining that with the first ability reducing the Equip cost to zero, you’re going to have a mass of equipments shifting constantly from creature to creature, which just seems logistically difficult to keep track of.

Nitpicks/Templating: Everything looks right to me.

Overall: I have to assume stumpy Dwarven limbs are to blame for why they’re wearing shields on their shoulders rather than strapping them to their arms like the rest of us.

@naban-dean-of-irritation - Niko, the Defiant

Flavour: Niko was immediately a beloved character for a lot of us, so I can definitely understand wanting to reimagine that character more in line with your perception of them. It’s hard replacing the first iteration of a planeswalker because all the lore we have available is the card that exists and stories based on that card - so it’s just inherently difficult for me to see how these abilities relate to the character, since it’s essentially establishing a different character with the same name.

Mechanics: The most glaring issue is the fact that the first ability essentially gives haste on a WU card, which qualifies as either a very strange design choice or a pretty significant oversight. The third ability also feels like it’s skirting the color pie, presumably attempting an Omniscience impression that just feels out of place for this pair. The uptick and downtick feel like they’re designed to do pretty similar things, both primarily saving creatures from unfortunate blocks. I suspect the reason is that the ‘instant speed on your turn’ effect pushed the design into rather narrow space, where two abilities came out very similar while the third simply doesn’t really benefit from the instant speed.

Nitpicks/Templating: No obvious templating woes.

Overall: As much as I respect their defiance, defying the color pie is where I draw the line.

@nine-effing-hells - Fraenir, the Greed-Cursed

Flavour: I always enjoy top-down designs especially, and this story of a Dwarf hoarding treasures until they transform into a Dragon is such an excellent place to mine for those designs - and really, what set wouldn’t want more Dragons? The abilities themselves tell a story of murser and greed, even without needing flavour text to help it along.

Mechanics: I think my biggest issue with this design is that rather than the transformation being something you work towards or work to avoid, it is awkwardly positioned between the two - there are times the Dwarf Berserker will be larger by virtue of controlling lots of non-Treasure artifacts, making it unclear what the play pattern of the card actually is. It does have the benefit of being easy to avoid transforming when you don’t want to, but I think it would suit the design better to arrange the abilities to make the comparisons between the two states clearer (for example, giving the Dwarf non-combat abilities and saving the combat abilities for the Dragon half).

Nitpicks/Templating: Easy mistake, you missed the word “token” in the sacrifice trigger.

Overall: I’m really curious what the art for a card like this would look like.

@partlycloudy-partlyfuckoff - Pagan Chamberlain

Flavour: I have to assume the whole design was for a chance to use that flavour text, as the other aspects of the card don’t seem to align with Kaldheim as a setting - the world has no actual vampires, and the concept of a non-believer makes a lot less sense in a world where gods are as tangible as this one.

Mechanics: Similarly, this isn’t playing into any of the mechanical themes of the set; there isn’t even a strong monocolor theme to run counter to. I suspect the rationale is that each of the gods in the set are monocolor creatures, but seeing as there’s already a card in the set with protection from Gods, it seems strange to try to be subtler about it than that one.

Nitpicks/Templating: Nothing much to nitpick over.

Overall: In this set, the answer to that question is usually “an artifact.”

@real-aspen-hours - Ill Omen

Flavour: The name aligns well with the foretell mechanic, and the flavour text helps connect an important story beat to a broader narrative and to the flavour of the card itself. I’d be a little reticent about including such a significant spoiler in flavour text, but perhaps there’s a way to phrase it so that it reads like a prophecy until you find out it’s already happened.

Mechanics: This is effectively three-for-one removal, which is a lot of value for a single uncommon. Locking it to sorcery speed gives at least some incentive not to foretell it, as that delays it for a full turn - it won’t be often you cast it straight, but that I can at least imagine the situations is a plus. It’s especially powerful in that when it isn’t useful as a removal spell, it allows you redraws for something more useful.

Nitpicks/Templating: Foretell shows up after the spell effect, even for those cards that care whether they were foretold. While we’re here, good catch on including a target in the card draw effect - while it would be easy to exclude one, ensuring that the spell has two targets keeps the whole thing from fizzling if the targeted creature disappears before it resolves.

Overall: This feels like it’s only a slight push away from being constructed playable, and I’d be interested to explore what more it takes to get it there.

@snugz - Surtland Rimereader

Flavour: I rather like the flavour here, a Giant that’s able to see the future with the help of the snow allowing you a Future Sight effect specifically for snow cards is pretty satisfying. It’s not immediately obvious what the last ability represents, but the rest of the card feels like it sells it well enough anyway.

Mechanics: I’m not entirely sure that blue is still able to play lands off of this type of effect; the original obviously did, but none of the blue variations since then have, and I’m not sure ‘snow’ is a blue identity to bend for it. The triggered ability feels a little bit awkward with the overall design since you specifically don’t have much control over the first spell you cast when you’re doing so from the top of your deck.

Nitpicks/Templating: Good catch on the updated template for Future Sight, as I don’t think they’ve actually printed any cards with that wording yet. It was updated some time after Bolas’s Citadel was printed, and we’ve yet to have another card in that style see print.

Overall: Would’ve loved a rime-rhyme pun somewhere in the set, and this feels like an opportune place for it.

@stormtide-leviathan - Kvasha, God of Magic // Kvasha’s Birth

Flavour: In this setting, the connection between enchantments and Spirits and flash doesn’t feel immediately obvious. Now naturally this is trying to create a connection where one didn’t exist previously, but it does feel like it muddles the flavour slightly to do so.

Mechanics: This is large and evasive enough to serve as a finisher even without making extra tokens, though the tokens can serve as some resiliency against removal. I’m not entirely sure how the flash ability relates to the rest of the card, except to change the template of the Saga’s first ability. If that were so important I’d have looked for a first chapter ability that could take advantage of being cast at instant speed, but then more likely I would’ve just cut the flash bit entirely.

Nitpicks/Templating: I’m not sure what it was intending, but there’s no way for a chapter ability to see the object it’s on entering the battlefield - that ability won’t resolve until well after the permanent has entered, and if it somehow re-entered the battlefield it would do so as an entirely new object. The last chapter ability will want to specify whose controller the object returns under (usually its owner’s), and you’ll want to move the ‘face-up’ bit into reminder text - you don’t need rules text to make it work that way, but it’s definitely worth clarifying for players who might not realise.

Overall: My favourite god designs in this set were the ones that let you use both sides with just one copy.

@thedirtside - Ragnarock

Flavour: The setting for Kaldheim reworked the concept of Ragnarok into what they called a Doomskar, leaving the original name feeling out of place within the setting. The color combinations used for the spell also aren’t represented in the setting, making it difficult to imagine what part of the world this is supposed to be representing in practice.

Mechanics: The most obvious point here is that the foretell cost and the casting cost don’t overlap, making it almost impossible that any given deck will actually have the option of casting it both ways - since the options it provides are the only thing that makes foretell interesting, intentionally designing to hamper that doesn’t seem like a good use of the mechanic. The foretell cost is also much easier to pay than the casting cost, making the added bonus for foretelling the spell feel really counterintuitive.

Nitpicks/Templating: It’ll take a slightly wordier template to achieve the second part of this effect, something like: “For each permanent destroyed this way, CARDNAME deals damage to that permanent’s controller equal to that permanent’s mana value.”

Overall: That must be a really big rock.

@theobligatorysql - The Sagas of Worlds

Flavour: One of the fascinating things about Sagas is the way they use art to represent the stories for them - this set uses carvings, reliefs, even tattoos as a form of storytelling. So while the idea of compiling them all into a single tome is cute, it feels to me like it isn’t exactly fitting for the world itself. I could definitely see it as the work of an outsider - Tamiyo, for example - but it feels like it makes less sense as something native to the plane.

Mechanics: I’m a sucker for designs in the vein of Treasure Map and Mazemind Tome, so an artifact with a cheap scry effect is right up my alley - though admittedly, I’m not sure why this inventivises scrying to the bottom as that complicates the calculus and will cause players to make bad scrying decisions for perceived value a nonzero amount of the time. I’m never a big fan of tutoring as it tends to lead to repetitive gameplay, and the fact that it takes at least 4 full turns to set this up to draw even a second card means that it’s nearly always going to be fetching up a cheap Saga instead of a random draw.

Nitpicks/Templating: I’d probably just use “scried” in the first ability, though admittedly that templated hasn’t been used yet.

Overall: This would be a great opportunity to finally get the word “edda” on a Magic card.

@wolkemesser - Bard of the Fallen Meek

Flavour: This was actually far and away my favourite submission to this challenge in terms of flavour, as I love the way it draws attention to the difference between Istfell and Starnheim, and shows regular individuals within the setting reacting to the concept of the Worthy. The flavour text itself could probably stand to be pared down to be a little punchier about the point it’s making, but I absolutely love what it’s trying to do.

Mechanics: That said, the implementation is a little messier. The skulk mechanic was used in one block five years ago, so certainly doesn’t qualify as evergreen. I like that the creature itself has stats that make it easy to safely get its Boast ability going, though the ability itself feels rather unexciting. I’m not sure what about the card demands the double white in the mana cost, or even what makes this a rare over an uncommon.

Nitpicks/Templating: You missed capitalising “Spirit” in the Boast ability.

Overall: I would’ve loved to pick this as a winner, next time try an extra pass or two to make sure you’re hitting all the aspects of the challenge.

#inventors fair #commentary #kalda woulda shoulda #3smuth

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hapuriainen · 3 years

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Hapuriainen's Animation & Comics & Games of 2020

It is again time for the annual compilation!

Manga:

Attack on Titan

I'm so sad this is so close to end... It's been my main thing for a few years now. Eren definitely didn't take the route I expected but I still find this consistent with his character and a bold and interesting move from the author.

(My notes say I also finished the jr high spin-off manga but it's not worth talking about)

Awards given: Best Side Girl (I still like Gabi, haters gonna hate), Best Boy (ditto Eren)

One Piece, My Hero Academia My interest in OP is still at an all-time low and I'm just waiting for the arc to end. There are so many characters and I have little idea what their deal is, Carrot hasn't been interesting in ages and currently Yamato is the only character I care for. Same for HeroAca; at least the excruciatingly long action scene is finally over.

Undead Unluck New Jump series! I think the main duo have a really good dynamic, but they're pretty much the only thing I care about and I'm very lost with what the plot is actually supposed to be about.

Majin Tantei Nougami Neuro

I like detective stories so here's one from the Assassination Classroom creator! The detective stuff itself could get rather nonsensical and as the story progressed more and more fantasy elements were added, but the titular character was entertaining enough to keep me interested. The viewpoint character was refreshingly (for a Jump series) a girl and her dynamic with Neuro (an ordinary schoolgirl and an arrogant amoral troll demon) was great.

Awards given: Best non-romantic relationship (Neuro & Yako)

Spy x Family

Super fun and the characters are cute! The main couple has such great chemistry and in general I enjoy following characters who are really competent at their job. Not surprised that this has become hugely popular.

Awards given: Best romance (it is rare to get me to ship anything but the main couple here is just so cute)

Delicious in Dungeon

This manga has amazing character design and the author clearly loves to play around with it, like by drawing each character as each other's races, or making clones of everyone but each clone is a little different so you can guess which is the real one with the characters, and there's so much thought put to the outfits too. And then there's of course all the worldbuilding around how an RPG dungeon and the creatures in it could work, but it's presented simply enough that the story is still easy to follow. I also like the upbeat atmosphere; maybe I could get a bit more emotionally involved if there was more drama, but I still really like this as it is.

Awards given: Best character designs

Yokohama Kaidashi Kikou

Reread one of my favourite manga ever and it's still just as good. I love how the manga still has a positive vibe to it, under it there is the quiet melancholy of a world that is close to ending. And it's wonderful how uninterested the story is answering any of the worldbuilding questions it sets up.

Beastars

This was incredibly interesting in how it presented an animal society where the carnivore-herbivore differences couldn't be just explained away with "the differences don't really exist", and the story looks at this from so many different angles. Pairs really well with Zootopia for a completely different approach. Louis was a really interesting character with how he publicly managed to appear as if he was a good candidate to be the next ambassador for the peace between the animals but was actually very cold and broken inside, and I really liked his breakdown moment. The ending was pretty meh though.

Awards given: Best Side Boy (Louis)

Kannagi

This one has really cute character designs but apart from that it's a pretty generic harem story. Except for the twist that the main girl already had been involved with a boy which caused otaku to shred their manga or whatever. I believe I would have enjoyed this more if it finished back when it went to hiatus since at this point it didn't do much for me.

Witch Hat Atelier

The main girl is the kind of heroic, friendly, plucky goody-two-shoes protagonist I really don't like but apart from that this is a great manga. I love the art, and the way the magic works is really well set up but also easy to understand. Great outfits too!

Anime:

This year I learned that in order to clear stuff from your anime watch list you need to actually watch anime. So unexpectedly I think I watched a lot more different series than usual.

Attack on Titan

It was my plan to watch seasons 1-3 before jumping on board with the last one, and of course I dragged my feet for the entire year and had to marathon the whole thing in autumn. I still prefer the manga, but the anime does have great colours, soundtrack and voice acting and some of the action scenes were amazing. But I really hate what they did to Historia in season 3... The final season has been excellent so far and I can't wait for the big scene in the next episode.

Awards given: Best OP (all the Linked Horizon ones)

Ouran High School Host Club

Haruhi continues to be one of the best girls in the anime and manga industry ever with her confident and no-nonsense attitude, and Tamaki's oblivious and overflowing friendliness makes for a great counterpart to her. And the opening theme is so darn catchy.

Awards given: Best Girl (Haruhi)

Tengen Toppa Gurren Lagann Finally managed to watch this. I love the iconic character designs and all the chaotic energy. Kamina for best bro. I've never cared for mecha, the girls were nice but the writing around them sucked and the second half wasn't as strong as the first one, but still a good package overall.

Awards given: Best ED (don't care for the song that much but Simon looks somehow really cool in the second ending)

Haibane Renmei

Another one that had been on the watch list for years. A lovely quiet and contemplative show. Visuals were rather dull though but maybe it's better for a show like this that the characters didn't have bubblegum pink hair.

Digimon Adventure 2020

This started promising but has since lost steam. I really like how different the story is from the original Digimon Adventure, and compared to Precure it's super nice how not every episode has the exact same structure, and the cast has different roles and regularly gets split up instead of shoehorning everyone into every conflict. But on the other hand the characters feel way more samey and flat, and the original "kids want to return to their home from the Digital World" plot was a lot more personal than the current one about global crises and prophecy jargon. And some of the action scenes last way too long.

Awards given: Worst side boy (Agumon and his evolutions, it is of course expected that he'd get a lot of screen time but I'm so over how much he's constantly pushed in your face in the franchise)

Shuumatsu Nani Shitemasu ka? Isogashii Desu ka? Sukutte Moratte Ii Desu ka?

This wasn't afwul but still left me kind of cold. I think the character designs were a problem here, in general I'm used to brightly coloured anime characters but this was trying to be a very serious story about child soldiers who know they're going to die young. But when they were colour-coded and always wore the same clothes (and mostly had pretty generic animu girl personalities) they felt so artificial which made it harder to get into the drama. Nice OP song.

Yashahime

Inuyasha was my first show after really getting into anime so I was super hyped for any kind of new content. So far this has unfortunately been rather dull since I'm not particularly interested in either of Sesshoumaru's daughters, and the way the show treats the absence of the old cast is annoying. Just either show them or make it clear we're not supposed to care about them, now it's just annoying how their disappearance is treated as a mystery but the three heroines know barely anything about their heritage and don't even seem interested in learning either. But I'll watch this to the end for Moroha.

Kaitou Tenshi Twin Angels, Twin Angel Break, Pretear, Happy Seven, Healin' Good Precure

Watched a lot of magical girl stuff this year too, these being shows that play the tropes straight. The Twin Angel seasons had different flaws but were otherwise watchable aside from the awful Twin Angel Break heroine. Pretear had surprisingly nice character writing and I feel I would really have liked this if I saw it at an earlier part of my anime hobby experience but now it doesn't feel so special any more. Healin' Good Precure has been rather dull.

I also watched a bunch of Precure movies, out of which only the Star Twinkle Precure one was actually good, and the Spring Carnival crossover movie was also good in an absurd way, while the rest ranged from awful to somewhat decent.

Awards given: Worst girl (Meguru - Twin Angel Break), Biggest WTF (Happy Seven suddenly going from monster of the week shenaningans to alien mass destruction weapons)

Concrete Revolutio, Myriad Colors Phantom World, Re:Creators

Also some anime where the magical girl was a side character. Concrete Revolutio was an unpleasant mess with nice visuals, Myriad Colors was a pretty boring otaku high school harem thing and the magical girl episode was also rather bland, and Re:Creators had a lot of potential with the "anime characters come to our world" setting but the result was somewhat uneven. Re:Creators had the best magical girl out of these three.

Awards given: Worst non-romantic relationship, Worst side girl (Setsuna from Re:creators, with the main boy) not really an awful character on her own, but the writing around her was pretty bad, let's also give Worst Boy for the said main boy

Nausicaa

I watched the first half of the movie over a decade ago and didn't manage to finish until now. After seeing so many other Ghibli movies this didn't do much for me, but the animation and nature were still beautiful.

Western: