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#South Indian Movie
neengareadynaaready · 9 months
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This looks so.dope!!!
Kathanar - The Wild Sorcerer - Glimpse | Jayasurya, Anushka Shetty | Roj...
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grishaxverse · 2 years
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I hope fahadh faasil and vijay sethupathi's backs are okay from carrying the vikram movie the entire time
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gloztik · 3 months
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Prabhas Saalar movie cover image full HD Android wallpaper
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This wallpaper is about Prabhas Saalar movie, cover image, full HD Android wallpaper, south indian movie. This image size is 148966 kb and resolution is 1418×2048.
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pocketsnews · 1 year
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rangpurcity · 1 year
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Rakul Preet-Sivakarthikeyan's Ayalaan joins Hollywood film Avatar team, Alien will do comedy
Rakul Preet-Sivakarthikeyan’s Ayalaan joins Hollywood film Avatar team, Alien will do comedy
Sivakarthikeyan is a well-known star of South Cinema and he is also known as SK. He is not only an actor but also a singer, film producer, lyricist and television presenter, who mainly works in Tamil films. He has also won Tamil Nadu State Film Awards, four Edison Awards, four SIIMA Awards and two other Vijay Awards for his talent. Sivakarthikeyan is one of the busiest actors of Tamil cinema and…
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broadminded-budha · 2 years
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rudrjobdesk · 2 years
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Miss Creativity का ताज पहन चुकी हैं 'Bakrid' की एक्ट्रेस Vasundhara Kashyap, लंबे वक्त बाग कर रहीं कमबैक
Miss Creativity का ताज पहन चुकी हैं ‘Bakrid’ की एक्ट्रेस Vasundhara Kashyap, लंबे वक्त बाग कर रहीं कमबैक
वसुंधरा के पिता तमिल और एक मां महाराष्ट्रीयन से हैं. उन्होंने साल 2006 की तमिल फिल्म, ‘वट्टारम’ से करियर की शुरुआत की थी. इसके बाद में ‘कालापानी’, ‘जेयमकोंडान’ और ‘पेरानमाई’ सहित फिल्मों में दिखाई दीं. (Photo Source- Vasundhara Kashyap Instagram) Source link
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risutisumisu · 1 year
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never will there ever be a moment where i refuse to consume pani puri.
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inmyworldblr · 1 month
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Laapataa Ladies (2023) | dir. Kiran Rao
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pitrsattabhaadmeinjao · 5 months
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the rabid people scene with deva and vardha is the most homoerotic thing ive ever fucking seen.
i’m not even kidding. i’m so serious rn. name one thing gayer than that.
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neengareadynaaready · 9 months
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Mandela and Maaveeran
I finally finally saw director Madonne Ashwin’s Mandela (2021) and Maaveeran (2023).
These are fantastic! Mandela is his first full-length feature film, followed by Maaveeran, and I am now a fan of this director.
Mandela (2021)
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Here, famous comedian Yogi Babu stars as Smiles, a barber from the Dalit caste. Smiles isn’t his actual name. It’s what the villagers call him - if not Jackass. He doesn’t remember his name. His parents are gone. His only family is this boy named Side Burns who isn’t even related to him. They live under a banyan tree. Sometimes, they’re given money for their services - sometimes they get a share of rice after Smiles gets their ration.
And then one guy steals Smiles’ money from the tree, so he goes to the post office, and the officer, Thenmozhi, recommends he get a bank account. To do that, he would need an official ID. And to get that, he would need an actual name.
With the help of Side Burns and Thenmozhi’s help, they landed on the name Nelson Mandela after the historical figure who, as Thenmozhi says, also fought for his identity.
The main conflict of the movie is that two political parties tied for number of voters. When Mandela’s voter ID arrived, they start fighting over him.
It’s definitely a great film to watch, with a Dalit as the main character. It doesn’t ask the audience to break the caste system though. It does talk about vote-buying as a very “normal” custom that people are used to doing or take for granted. It presents the issues to the viewer and leaves you to think.
Trigger Warning: there is a short scene where Mandela contemplates suicide but he gets interrupted and has a conversation with a younger woman who opens his eyes to see his situation through a different perspective
Maaveeran (2023)
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What a truly fun film! Madonne Ashwin brought a smart and unique take to the table of masala action hero movies. It’s a very meta film. It places the action hero formula and elements in a fun new angle. I suggest it to anyone who loves to watch action hero films. I say “action hero” films instead of just action films because this movie focuses on The Hero, The Great Warrior aka Maaveeran. It’s about how one person (usually a man) or two (if it’s a dual hero movie) fights for his people and beats up bad guys while looking cool. They’re a superhero without the powers.
Sivakarthikeyan is in amazing form in this movie - and I don’t just mean his physique. He looks cool in the action scenes, as both someone who doesn’t really know how to fight and later as someone who fully embraces his “role” in the story.
Cinematography is slick, action sequences are quick and largely more grounded than in the usual masala movies.
The main story revolves around Sathya who is a comic artist. He draws the story The Great Warrior, which has been running in the papers for decades. He and his family were forced out of their home by the river and into a shabbily-done apartment complex with other families. Sathya, the opposite of most masala action heroes, does not want to complain. Unlike his mother (and the heroic father who died when he was young), Sathya isn’t confrontational, not even after his sister were assaulted (off-screen) by a neighbor.
He then hears his mother complain about him being a coward.
Cue TRIGGER WARNING: attempted suicide
Sathya, when he hears this, tries to take his own life. He gets stopped when his sister calls him via phone. He tries to get down but falls instead because of the substandard construction. This accident leads to him hearing a voice (by Vijay Sethupathi 🥰) that narrates the story of The Great Warrior, with Sathya as The Hero.
It is honestly a fun film. This might be my favorite SK film. Sathya is a great character. Despite him constantly resisting the Voice, we get hilarious masala action hero movie elements. It is SO FUN. I don’t know what else I can say — this movie is just a fun and enjoyable one.
If you’ve seen many mass action hero movies, you will recognize the elements in Maaveeran and how they wove it into the story in a very smart way.
Oh and THERE IS A POST-CREDIT SCENE! I found it very very satisfying and wrapped up the story in a good way.
I will be rewatching this with my family because it’s a truly enjoyable flick.
(One of these days I swear I will write a paper on this, just you wait, world)
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rrcraft-and-lore · 2 months
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Monkey Man and why I loved the heck out of it
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At it's core, it's a Bollywood flick presented to the West with familiar nods to previous action films - I definitely picked up hints of Tony Jaa's influence on Asian action flicks throughout.
It's heavily focused on police corruption, something commented a lot about in India, and here, more importantly, Indian films. Just like America has its love affair with mobster flicks, Bollywood has a long history featuring films that showcase police corruption, sometimes tied into political extremism, fanatical or greedy religious leaders, and Monkey Man comments on all this as well and pays nods to that commonality. We've got televangelists and religious leaders in the states funnelling money, preaching prosperity gospel, and using it to influence politics and fund lavish lifestyles here.
Monkey Man shows this happening in India, and is filled with Indian culture and symbolism through out. The focus on Hanuman, the god and one worshiped by the strong, chaste, wrestlers, champions, and fighters. It's a common thing to have a household deity if you will. Some families might choose to focus worship on Ganesh, others Hanuman, some might do Mata Rani or Lakshmi. Here, it's the divine Vanara (monkey people race) - one of the Chiranjivi - immortals/forever-lived.
Hanuman. Themes of rebirth, common in South Asian history and mythology are present from Kid being a ringer, beat up fighter getting whooped for money to being reborn and facing his trauma through a ritual/meditate process that I don't want to get too much into to not spoil the movie. Post that, he begins his own self alchemy to really become the true Monkey Man. Nods to Ramayama, and an unapologetically Indian story featuring dialogues throughout in Hindi - don't worry, there are subtitles.
And of course a love for action flicks before it, all the way back to Bruce Lee. A beautiful use tbh of an autorickshaw (and you might know them as tuk-tuks in Thailand) which are popular in India with an added kick...I swear, that thing had to be modified with a hayabusa motor. Which is an actual thing people do - modding those dinky rickshaws with motorcycle engines, and considering they weigh nothing at all, they can REALLY FLY once you do that.
Monkey Man brings to the big screen other elements of India people might not know about, such as the gender non conforming and trans community that has a long history in India, presenting them as action stars as they go up against a system of corrupt elites oppressing part of the city, marginalized communities, and minority voices as depicted in the film. I'm not sure if people are going to get all of that without having the context, but I love that it does it without holding anyone's hands.
It's a fun action flick to see in the age of superhero films, and I say that as an obvious superhero/sff nerd. Also loved that Dev included a little bit about Hanuman's own story in the film, and the loss of his powers - almost mirrored by Kid's own loss of self/skills, strength until he confronts his trauma and is reborn, and in fact, remade (not necessarily the same). Also, the use of music was brilliant, including one scene with a tabla (the paired hand drums of south asia) - and Indian music is central to Indian stories.
This is a culture with evidence going back to the Paleolithic with cave murals showing art of Indian dance nearly 30,000 years ago. Yeah, that far back. As well as Mesolithic period art depicting musical instruments such as gongs, lyres, and more.
Indian music is some of the earliest we can find that has high developed beat and rhythm structures such as 5, 7, 9 and now the extremely common and known 4/4 and 3/4 - which so much of Western music is built upon. The foundations and experimentation of/in Jazz. John Coltrane and John Cage were heavily inspired by Indian music and incorporated a lot from it into their works. And Monkey Man blends Eastern and Western music through the narrative as comfortably as it does an Indian story in a very familiar Western accessible structure.
Dev did a wonderful job. And thanks to Jordan Peele for bringing it to screens.
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cloudtinn · 7 months
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Shah Rukh Khan and Juhi Chawla for 'Yes Boss' (1997).
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celluloidrainbow · 8 months
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मजा मा | MAJA MA (2022) dir. Anand Tiwari Pallavi Patel is the quintessential, middle aged, devoted housewife who is equally famous for her dance as she is for her cooking. Her husband, Manohar Patel, is the chairman of the local society, her daughter Tara is getting her PhD in sexuality and gender identity, and her son Tejas, who lives in America, is about to marry into a rich but very strict family. But when Tejas' future in-laws come to visit, the accidental revelation of Pallavi's 30-year-old secret puts both the marriage and the Patel's reputation in danger.
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musiquesduciel · 8 months
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In case you're wondering, Rani Chatterjee from Rocky Aur Rani Kii Prem Kahaani is who I think I am when I'm strutting down the street.
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grishaxverse · 3 months
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manjummel boys. that’s it. that’s the post.
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