#Sargent Claude Johnson
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MWW Artwork of the Day (2/15/23)
Sargent Claude Johnson (African-American, 1887-1967)
Untitled (c. 1940)
Terra cotta statue, 25.7 x 7.6 x 6.3 cm.)
Smithsonian American Art Museum, Washington DC
Sargent Johnson created many pieces throughout his career that explored the theme of mother and child. In this piece, Johnson used simplified forms to emphasize the strong and imposing silhouette of the figures, despite their small size. A shape resembling an angel has been cut into the surface of the terra-cotta, reaching upward and perhaps offering protection to the child.
More of this artist's work appears in this MWW exhibit/gallery:
https://www.facebook.com/media/set/?set=a.343798162392226&type=3
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Sargent Claude Johnson is hard to categorize. He worked with so many mediums. Oil, stone, clay, watercolor... and more.
He is probably best known for his ceramic and sculpture works, his masks and figures in the round.
The third of 6 children, he was a mixed race man. His father of Swedish ancestry and his mother of Black-Indigenous ancestry.
Both of his parents would die before he was an adult.
He and his siblings would move to live with their aunt and uncle in Washington DC.
His aunt, May Howard Jackson, was a skilled sculptor working largely in portraiture and a prominent figure in DC's black intellectual culture. Her work must have influenced and inspired Sargent. But, he was not there long.
His brothers and himself were sent to an Orphanage while his sisters went to a Catholic School for racialized peoples.
What happened between then and the beginning of his career as an artist, isn't known. What is known, is in 1915, he moved to the Bay Area, married and began attending the A.W. Best school of Art, all in the same year.
He would also attend the San Francisco Art Institute then called the California School of Fine Art.
His first show was with the Harmon Foundation, and he was met with success, even winning the $150 prize for the best work. But he would win many more awards garnering national attention.
At this time, he was primarily showing his ceramics works.
In the 1930's he hit his creative stride. He began to push the stylization in his work even further and began to explore other mediums including wood, copper, etchings, drawings, terra cotta, and porcelain. He also received several large commissions from the WPA Federal Art Project. One an 18 by 24 foot carved relief organ screen, the other the interior of the Maritime Museum and Aquatic Park in San Francisco.
For the Golden Gate International Exposition (1939) he completed two massive 8 foot cast stone sculptures of Incas riding atop llamas.
He did many more projects, his animal series, cast in terrazzo and his other large works for exhibition.
Toward the end of his life, his works became very abstract. Yet, they always retained his signature simplicity.
He separated from his wife in 1936, their daughter also going to live with her. But despite their separation, they remained on good terms until her death. His work, always heavily influenced by his wife and daughter.
Sargent has suffered from angina, and settled in a hotel in downtown San Francisco in 1965. He would die there of a heart attack in 1967.
Sargent Johnson was an artist that never stopped exploring his work, truly embodying the craft as having no peak. His work was inspired by many different artists and styles, blended through him into something truly unique and special.
If you'd like to learn more about Sargent Johnson:
Smithsonian American Art Museum -Sargent Johnson
San Francisco Museum of Modern Art - Sargent Johnson Works
African American Registry - Sargent Johnson
Sargent Johnson : African American modernist
#Sargent Johnson#Black History Month#Black Art History#Black Artist#Modernist#Modernism#Art History#Sculptor#Ceramist
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Lenox Avenue. Sargent Claude Johnson (American, Boston, Massachusetts 1888–1967 San Francisco, California), 1938, Lithograph
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Spreads from 'Black American Portraits,' published to accompany the exhibition opening today at @spelman_college Museum of Art Presenting more than 140 works from the LACMA collection, this is a celebratory, kaleidoscopic chronicle of the many ways in which Black Americans have used portraiture to envision themselves over the past two centuries—from the earliest aspects of the Civil Rights Movement to Black Lives Matter. "Each time you return to this volume," Naima J. Keith writes, "we challenge you to interrogate the systems and injustices that have made—and continue to make—this work necessary and important. We hope the myriad of diverse and moving pieces allows you to imagine a future where Black excellence and joy are not simply responses to the brutal and needless murder of Black people, but standard features of our collective daily existence." Artists include: Alvin Baltrop, Edward Biberman, Bisa Butler, Jordan Casteel, Njideka Akunyili Crosby, Bruce Davidson, Stan Douglas, rafa esparza, Shepard Fairey, Charles Gaines, Sargent Claude Johnson, Deana Lawson, Kerry James Marshall, Alice Neel, Lorraine O'Grady, Catherine Opie, Amy Sherald, Ming Smith, Henry Taylor, Tourmaline, Mickalene Thomas, James Van Der Zee, Carrie Mae Weems, Charles White, Kehinde Wiley and Deborah Willis. Published by @delmonico_books & @lacma Edited with text by Christine Y. Kim and Myrtle Elizabeth Andrews. Forewords by Mary Schmidt Campbell and Michael Govan. Text by Hilton Als, Bridget R. Cooks, Ilene Susan Fort, Dhyandra Lawson, Jeffrey C. Stewart. Afterword by Naima J. Keith. Read more via linkibio. #blackamericanportraits @cyknycla @lazyt4road @hilton.als @dhyandra @jeffreycstewart @naimajoy https://www.instagram.com/p/CoZ7YzFO18E/?igshid=NGJjMDIxMWI=
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Sargent Claude Johnson was a ceramicist, painter, and lithographer based out of North Beach, San Francisco in the 1930s. Johnson, who was of Black and Cherokee heritage, is remembered for his soul-stirring sculptures and his commitment to creating self-affirming images of Black people. This graceful terracotta figure shows the influence of the Harlem Renaissance and the call for the celebration and integration of African ancestral traditions as expressed by Alain Locke. Johnson said he was “aiming to show the natural beauty and dignity” of African Americans, not to a white audience, but to themselves."
From 1937 to 1939 Johnson worked for the WPA/FAP (The Works Progress Administration/ Federal Art Project) which created work relief for artists during the Great Depression. He created large-scale artworks for the WPA such as the decorated interior of the San Francisco Maritime Museum, among others, some of which can still be seen today.
Like many artists in the Bay Area art scene, Johnson and his contemporaries drew inspiration from non-European art such Indigenous arts of the Americas and the Pacific, in addition to African art. They also looked to artists such as Diego Rivera, whose figurative techniques and illustration of social issues spoke to new ways of expressing the Black experience.
Are you familiar with any artworks created by other Black artists for the WPA? Let us know in the replies!
In honor of Black History Month, and in conjunction with the exhibition John Edmonds: A Sidelong Glance, we are highlighting contemporary artists in our collection whose work speaks to the complexity and beauty of Black American heritage.
Sargent Claude Johnson (American, 1888-1967). Untitled (Standing Woman), ca. 1933-1935. Terracotta, paint, surface coating. Brooklyn Museum, Gift of the Estate of Emil Fuchs and Mr. and Mrs. Sidney Steinhauer, by exchange, Robert B. Woodward Memorial Fund, and Mary Smith Dorward Fund, 2010.2
#bhm2021#Sargent Claude Johnson#bhm#black history month#bkmamericanart#John Edmonds#Black art#Black artist#art#artist#WPA/FAP#ceramicist#painter#lithographer#alain locke#harlem renaissance
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Sargent Claude Johnson (American, 1888–1967)
Lenox Avenue, 1938
Published by WPA
Collection of The Met (43.47.174)
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Head of a Black Woman, Sargent Claude Johnson, 1935, Art Institute of Chicago: American Art
In Head of a Black Woman, Sargent Claude Johnson combined abstract elements drawn from African sculpture and masks—such as the regularly scored marks that describe hair—with a naturalistic portrayal of the woman’s physiognomy. In the 1920s and 1930s, writer and philosopher Alain Locke urged artists to seek aesthetic inspiration from African art, and Johnson frequently followed this advice. Here, by subtly stylizing the woman’s appearance, Johnson made this delicate terracotta sculpture highly individual yet also timeless and universal. Laura T. Magnuson Endowment
Size: 20.6 × 10.5 × 13.3 cm (8 1/8 × 4 1/8 × 5 1/4 in.) (sculpture) 7.9 × 10.8 × 10.2 cm (3 1/8 × 4 1/4 × 4 in.) (base)
Medium: Terracotta
https://www.artic.edu/artworks/154470/
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MWW Artwork of the Day (2/19/20)
Sargent Claude Johnson (African-American, 1887-1967)
Mask (c. 1930-35)
Copper on wood base, 39.4 x 34.3 x 15.3 cm.
Smithsonian American Art Museum, Washington DC (Gift of the IBM Corp.)
Johnson was one of the first African-American artists working in California to achieve a national reputation. He was known for Abstract Figurative and Early Modern styles. He was a painter, potter, ceramist, printmaker, graphic artist, sculptor, and carver. He worked with a variety of media, including ceramic, clay, oil, stone, terra-cotta, watercolor, and wood. He was in the Communist Party for most of his life. As a member of the bohemian San Francisco Bay community and influenced by the New Negro Movement, Johnson's early work focused on racial identity. According to Johnson, "Negroes are a colorful race; they call for an art as colorful as they can be made." Beginning in 1945, and continuing through 1965, Johnson made a number of trips to Oaxaca and Southern Mexico and started incorporating the people and culture, particularly archeology, into his work. Other subjects included African American figures, animals, and Native Americans. (Wikipedia bio)
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It's 2020, which means that the Harlem Renaissance, at the time known as the New Negro Movement, started approximately one hundred years ago. This is one of my favorite historical periods.
In the decades after slavery ended, life in the southern USA continued to be difficult for African Americans. Many chose to leave the sharecropping jobs in which white landowners were still exploiting their labor, and began to migrate north on huge numbers.
Literature, music, fashion, and art exploded in African American culture as a result of this move out of the stagnant South. Black owned businesses and publications as Black people used art to advocate for equality and show White Americans that they were human too- capable of producing beautiful novels, paintings, and music just as White people did.
Some famous authors who were active during this period include my favorite poet, Langston Hughes, as well as Zora Neale Huston and Claude McKay. Marcus Garvey was leading the Back to Africa movement and W.E.B. Du Bois worked to highlight the African Americans who had obtained college degrees and owned property. Josephine Baker and Bill 'Bojangles' Robinson were two of the most prominent entertainers of the day. Louis Armstrong, Gladys Bentley, Cab Calloway, Billie Holliday, Lena Horne, and Dorothy Dandridge were just a few notable musicians. Romare Bearden, Sargent Johnson, and Lois Mailou Jones were visual artists who became well-known.
#the harlem renaissance#new negro movement#1920s#nyc#black art#black culture#black hair#literature#music#reblog
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Untitled (Standing Woman), Sargent Claude Johnson, ca. 1933-1935, Brooklyn Museum: American Art
Size: Overall: 14 1/4 x 4 x 3 1/2 in. (36.2 x 10.2 x 8.9 cm)
Medium: Terracotta, paint, surface coating
https://www.brooklynmuseum.org/opencollection/objects/189682
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KAMROOZ ARAM
on the ancient arts of Iran
Achaemenid (Iran, Susa). Bricks with a palmette motif, ca. 6th–4th century B.C. Ceramic, glaze. The Metropolitan Museum of Art, Rogers Fund, 1948 (48.98.20a–c)
The Artist Project
Vito Acconci on Gerrit Rietveld's Zig Zag Stoel
Ann Agee on the Villeroy Harlequin Family
Diana Al-Hadid on the cubiculum from the villa of P. Fannius Synistor at Boscoreale
Ghada Amer on an Iranian tile panel, Garden Gathering
Kamrooz Aram on the ancient arts of Iran
Cory Arcangel on the harpsichord
John Baldessari on Philip Guston's Stationary Figure
Barry X Ball on an Egyptian fragment of a queen’s face
Ali Banisadr on Hieronymus Bosch's The Adoration of the Magi
Dia Batal on a Syrian tile panel with calligraphic inscription
Zoe Beloff on Édouard Manet's Civil War (Guerre Civile)
Dawoud Bey on Roy DeCarava
Nayland Blake on boli
Barbara Bloom on Vilhelm Hammershøi's Moonlight, Strandgade 30
Andrea Bowers on Howardena Pindell
Mark Bradford on Clyfford Still
Cecily Brown on medieval sculptures of the Madonna and Child
Luis Camnitzer on Giovanni Battista Piranesi's etchings
Nick Cave on Kuba cloths
Alejandro Cesarco on Gallery 907
Enrique Chagoya on Goya's Los Caprichos
Roz Chast on Italian Renaissance painting
Willie Cole on Ci Wara sculpture
George Condo on Claude Monet's The Path through the Irises
Petah Coyne on a Japanese outer robe with Mount Hōrai
Njideka Akunyili CROSBY on Georges Seurat's Embroidery; The Artist's Mother
John Currin on Ludovico Carracci's The Lamentation
Moyra Davey on a rosary terminal bead with lovers and Death's head
Edmund de Waal on an ewer in the shape of a Tibetan monk's cap
Thomas Demand on the Gubbio studiolo
Jacob El Hanani on the Mishneh Torah, by Master of the Barbo Missal
Teresita Fernández on Precolumbian gold
Spencer Finch on William Michael Harnett's The Artist's Letter Rack
Eric Fischl on Max Beckmann's Beginning
Roland Flexner on Jacques de Gheyn II's Vanitas Still Life
Walton Ford on Jan van Eyck and workshop's The Last Judgment
Natalie Frank on Käthe Kollwitz
LaToya Ruby FRAZIER on Gordon Parks's Red Jackson
Suzan Frecon on Duccio di Buoninsegna's Madonna and Child
Adam Fuss on a marble grave stele of a little girl
Maureen Gallace on Paul Cézanne's still life paintings with apples
Jeffrey Gibson on Vanuatu slit gongs
Nan Goldin on Julia Margaret Cameron
Wenda Gu on Robert Motherwell's Lyric Suite
Ann Hamilton on a Bamana marionette
Jane Hammond on snapshots and vernacular photography
Zarina Hashmi on Arabic calligraphy
Sheila Hicks on The Organ of Mary, a prayer book by Ethiopian scribe Baselyos
Rashid Johnson on Robert Frank
Y.Z. Kami on Egyptian mummy portraits
Deborah Kass on Athenian vases
Nina Katchadourian on Early Netherlandish portraiture
Alex Katz on Franz Kline's Black, White, and Gray
Jeff Koons on Roman sculpture
An-My Lê on Eugène Atget's Cuisine
Il Lee on Rembrandt van Rijn's portraits
Lee Mingwei on Chinese ceremonial robes
Lee Ufan on the Moon Jar
Glenn Ligon on The Great Bieri
Lin Tianmiao on Alex Katz's Black and Brown Blouse
Kalup Linzy on Édouard Manet
Robert Longo on Jackson Pollock's Autumn Rhythm (Number 30)
Nicola López on works on paper
Nalini Malani on Hanuman Bearing the Mountaintop with Medicinal Herbs
Kerry James MARSHALL on Jean Auguste Dominique Ingres's Odalisque in Grisaille
Josiah McElheny on Horace Pippin
Laura McPhee on Pieter Bruegel the Elder's The Harvesters
Josephine Meckseper on George Tooker's Government Bureau
Julie Mehretu on Velázquez's Juan de Pareja
Alexander Melamid on Ernest Meissonier's 1807, Friedland
Mariko Mori on Botticelli's The Annunciation
Vik Muniz on The Henry R. Luce Center for the Study of American Art
Wangechi Mutu on Egon Schiele
James Nares on Chinese calligraphy
Catherine Opie on the Louis XIV bedroom
Cornelia Parker on Robert Capa's The Falling Soldier
Izhar Patkin on Shiva as Lord of Dance
Sheila Pepe on European armor
Raymond Pettibon on Joseph Mallord William Turner
Sopheap Pich on Vincent van Gogh's drawings
Robert Polidori on Jules Bastien-Lepage's Joan of Arc
Rona Pondick on Egyptian sculpture fragments
Liliana Porter on Jacometto's Portrait of a Young Man
Wilfredo Prieto on Auguste Rodin's sculptures
Rashid Rana on Umberto Boccioni's Unique Forms of Continuity in Space
Krishna Reddy on Henry Moore
Matthew Ritchie on The Triumph of Fame over Death
Dorothea Rockburne on an ancient Near Eastern head of a ruler
Alexis Rockman on Martin Johnson Heade's Hummingbird and Passionflowers
Annabeth Rosen on ceramic deer figurines
Martha Rosler on The Met Cloisters
Tom Sachs on the Shaker Retiring Room
David Salle on Marsden Hartley
Carolee Schneemann on Cycladic female figures
Dana Schutz on Balthus's The Mountain
Arlene Shechet on a bronze statuette of a veiled and masked dancer
James Siena on the Buddha of Medicine Bhaishajyaguru
Katrín Sigurdardóttir on the Hôtel de Cabris, Grasse
Shahzia Sikander on Persian miniature painting
Joan Snyder on Florine Stettheimer's Cathedrals paintings
Pat Steir on the Kongo Power Figure
Thomas Struth on Chinese Buddhist sculpture
Hiroshi Sugimoto on Bamboo in the Four Seasons, attributed to Tosa Mitsunobu
Eve Sussman on William Eggleston
Swoon on Honoré Daumier's The Third-Class Carriage
Sarah Sze on the Tomb of Perneb
Paul Tazewell on Anthony van Dyck's portraits
Wayne Thiebaud on Rosa Bonheur's The Horse Fair
Hank Willis THOMAS on a daguerreotype button
Mickalene Thomas on Seydou Keïta
Fred Tomaselli on Guru Dragpo
Jacques Villeglé on Georges Braque and Pablo Picasso
Mary Weatherford on Goya's Manuel Osorio Manrique de Zuñiga
William Wegman on Walker Evans's postcard collection
Kehinde Wiley on John Singer Sargent
Betty Woodman on a Minoan terracotta larnax
Xu Bing on Jean-François Millet's Haystacks: Autumn
Dustin Yellin on ancient Near Eastern cylinder seals
Lisa Yuskavage on Édouard Vuillard's The Green Interior
Zhang Xiaogang on El Greco's The Vision of Saint John
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Masterpost For POC In The Academia Community🥀🎻✨✨
I’ve noticed that some people are rather disturbed about poc not being represented in the academia community. I decided to do my part and make a post that may be helpful to the poc in the community. Unfortunately, I do not have the complete knowledge of poc in the arts. But I did my best to try and list everything that I know of. Let’s get into it!
🎬POC ACADEMIA FILMS🎬:
🎞The Freedom Writers (2007)
🎞The Emperor’s Club (2002)
🎞The Great Debaters (2007)
🎞The George McKenna Story (1986)
🎞The Tuskegee Airmen (1995)
🎞The Butler (2013)
🎞Malcom X (1992)
🎞12 Years A Slave (2013)
🎞Detachment (2011)
🎞Akeelah and the Bee (2006)
🎞The Ron Clark Story (2006)
🎞Lean On Me (1989)
🎞Stand and Deliver (1988)
🎞Dangerous Minds (1995)
🎞Coach Carter (2005)
🎞The Class (2008)
🎞Waiting on Superman (2010)
🎞187 (1997)
🎞To Sir, With Love (1967)
📚POC BOOKS📚:
🕯Henry’s Freedom Box by Ellen Levine
🕯Americanah by Chimamanda Ngozi Adichie
🕯Memoirs Of A Geisha by Arthur Golden
🕯The True Story of Ruby Bridges by Robert Coles
🕯The Lowland by Jhumpa Lahiri
🕯Fences by August Wilson (This is a play)
🕯The Stars Beneath Our Feet by David Barclay Moore
🕯The Collective by Don Lee
🕯The Hate You Give by Angie Thomas
🕯Brown Girl Dreaming by Jacqueline Woodson
🕯Go Tell It On The Mountain by James Baldwin
🕯On Beauty by Zadie Smith
🕯Harvard Square by Andre Aciman
📜POC ARTIST & WRITERS📜:
🎻Zhang Huan (Asian Artist)
🎻Maya Angelou (African American Writer)
🎻Cesar Chavez (Hispanic Writer)
🎻Amy Tan (Asian Writer)
🎻Richard Rodriguez (Hispanic Writer)
🎻Cai Guo-Qiang (Asian Artist)
🎻James Baldwin (African American Writer)
🎻Francisco X Alarcon (Hispanic Writer)
🎻Linda Sue Park (Asian Writer)
🎻Richard Wright (African American Writer)
🎻Oscar Hijuelos (Hispanic Writer)
🎻Anchee Min (Asian Writer)
🎻Jung Chan (Asian Writer)
🎻Gloria E. Anzaludia (Hispanic Writer)
🎻Zhang Huan (Asian Artist)
🎻Vikram Seth (Asian Writer)
🎻Frederick Douglass (African American Writer)
🎻Xeme (Asian Artist)
🎻Claude McKay (African American Writer)
🎻Jung Lee (Asian Photographer)
🎻Jose Clemente Orozco (Hispanic Artist)
🎻Augusta Savage (African American Artist)
🎻Frida Kahlo (Hispanic Artist)
🎻Edmonia Lewis (African American Artist)
🎻Qiu Zhijie (Asian Artist)
🎻Marc Chagall (Russian Artist)
🎻Jacob Lawrence (African American Artist)
🎻Huang Yong Ping (Asian Artist)
🎻Pablo Picasso (Spanish Artist)
🎻Salvador Dali (Hispanic Artist)
🎻Henry Ossawa (African American Artist)
🎻Sargent Johnson (African American Artist)
🎻James Hampton (African American Artist)
🎻Joshua Johnson (African American Artist)
🎻Edward Mitchell Bannister (African American Artist)
🎻Bill Taylor (African American Artist)
🎻Gordon Parks (African American Photographer)
🎻James Van Der Zee (African American Photographer)
🎻Yang Funding (Asian Artist)
🎻Xu Zhen (Asian Artist)
🎻COMPOSERS🎻:
🥀Bright Sheng (Asian Composer)
🥀William Grant Still (African American Composer)
🥀Cacilda Borges Barbosa (Brazilian Composer)
🥀Joseph Bologne, Chevalier de Saint-Georges (African American Composer)
🥀Levi Celerio (Asian Composer)
🥀Leo Brouwer (Cuban Composer)
🥀Bombay Ravi (Asian Composer)
🥀Florence Price (African American Composer)
🥀Alberto Ginastera (Hispanic Composer)
🥀Samuel Coleridge-Taylor (Composer)
🥀Chen Yi (Asian Composer)
🥀Isang Yun (Asian Composer)
🥀Francisco Tárrega (Hispanic Composer)
🥀Felipe Pedrell (Spanish Composer)
🥀George Bridgetower (Afro-Eupropean Violinist)
🥀Le Chevalier de Saint-Georges (African American Composer)
🥀Blind Tom Wiggins (African American Pianist)
I really hope this helps anyone out there in the academia community. Please feel free to add to this. Like I said before, I’m really not that well versed in this department but I wanted to help nonetheless.
#mine#personal#thoughts#my thoughts#dark literature#dark academia#kill your darlings#dark poetry#dark academia aesthetic#poc#light academia#academia#light academia aesthetic#academia aesthetic#dead poets society#poc in academia#poc in dark academia#academia help#the secret history#studyblr#aesthetic#aesthetics#The Aesthetic#romanticism#the romantics#aesthetic tips#hopeless romantic#hopeless romantic aesthetic
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'Bird,' Rico Gatson's 2015 work on paper, is reproduced from 'Black American Portraits,' published by @delmonico_books and @lacma Spanning over two centuries from around 1800 to the present day, 'Black American Portraits' chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering 'Two Centuries of Black American Art,' curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA’s permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter. Artists include: Alvin Baltrop, Edward Biberman, Bisa Butler, Jordan Casteel, Njideka Akunyili Crosby, Bruce Davidson, Stan Douglas, rafa esparza, Shepard Fairey, Charles Gaines, Sargent Claude Johnson, Deana Lawson, Kerry James Marshall, Alice Neel, Lorraine O'Grady, Catherine Opie, Amy Sherald, Ming Smith, Henry Taylor, Tourmaline, Mickalene Thomas, James Van Der Zee, Carrie Mae Weems, Charles White, Kehinde Wiley and Deborah Willis. Edited with text by Christine Y. Kim and Myrtle Elizabeth Andrews. Forewords by Mary Schmidt Campbell and Michael Govan. Text by Hilton Als, Bridget R. Cooks, Ilene Susan Fort, Dhyandra Lawson, Jeffrey C. Stewart. Afterword by Naima J. Keith. Read more via linkibio. #blackamericanportraits @cyknycla @lazyt4road @hilton.als @dhyandra @jeffreycstewart @naimajoy @rico_gatson #ricogatson https://www.instagram.com/p/CnChcYrOO-8/?igshid=NGJjMDIxMWI=
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