btw this is how i picture dnp in the phoffice every time they name a gaming video THE most annoying clickbait imaginable simply to fuck with is:

DAPG IS BACK BABYYYYY

How am I meant to do anything when dnp just announced that the gaming channel is back? ALMOST FIVE YEARS of endless hiatus and maybes and it's fucking back. I need to go be feral about this like immediately

Yeah, this pretty much sums it up

damn they really busted out the red eye filter and the photoshopped tears for this video

The prince and his Physician. A role-reversal au based on a dream I had that I wanted to draw something for. More ramblings under the cut

In this au, there is a kingdom of men where the briar valley once stood. Silver, the heir to this kingdom, has been the only member of the royal family for centuries, the result of a curse that causes him to die before he's old enough to ascend to the throne and reincarnate days after his passing. Silver's immortality was once a symbols for the kingdom's permanence, but the repeated death of their monarch every two decades or so has left the citizens with perpetual, generational sorrow with seemingly no solution as no one besides Silver was alive when the curse was placed.

A few centuries after Silver was born and it was believed the last full-blooded fae in briar valley had either abandoned the land or died, a draconian fae child is found in the brambles. This fae, given the name Malleus, was brought to the kingdom at the request if the prince and raised as part of the royal court with the express purpose of becoming the royal physician/chemist. It is believed that Silver's curse, as everlasting as it seems, was placed on him by a fae with extreme magical prowess and if anyone has a chance of breaking it, it's another fae. The kingdom believes that Malleus will be able to break the death curse and allow Silver to become their immortal king.

However, Silver has other plans for his chemist. From an early age, Silver requested that Malleus use his talents to find a different kind of solution to his curse that he can never tell anyone. He wants Malleus to find a way to stop his reincarnations entirely and let him unburden his people with the monarchy. Whether to fulfill the request of the kingdom he calls home, or the prince that took him in is in Malleus' hands.

THANK YOU SPLATOON 1 FOR CHANGING MY LIFE ❤️

calling it right now that season 3 starts like this

Marks and Rec: Misc #2615

The boys are back! (Dialogue from generalgrievousdatingsim on tumblr.)

transitioning could've saved them both

dapg returning and an uncensored phil swear, life is good

L+ratio+one step ahead+one step ahead+thats how it’s always been+can’t let you win+I’m still here+after all these years+and I’m better than you again+this is the end

okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭

bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)

but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good

some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember

he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business

one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man

he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)

they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)

not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it

and then the long goodbye job happens

hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.

so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.

and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.

not this time. not to sterling crowley

he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)

nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to repare fully.

he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.

the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.

but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.

‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.

watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it

silly stuff + suits

Previous // Next

Matilda: I wish he’d said goodbye at least. Oscar: I tried to convince him to stay… Matilda: Do you think he would’ve-.. if I kissed him back? Oscar: I don’t know, did he ever say anything about wanting to go somewhere? You could-… Matilda: I’m not fucking chasing him. Oscar: Maybe he’d want you to. Matilda: What is this, a movie? Oscar: Obviously not, but people do that sorta thing someti-… Matilda: They don’t, and I don’t know where he’d go-.. it doesn’t even matter now anyway. Courtney: You don’t have to pretend it doesn’t matter. Matilda: [sarcastically] Well, thanks. Oscar: Don’t start being a bitch just becau-… [Matilda scowled over her shoulder] Matilda: I’m not! But you two and your happy ending bullshit can fuck off, not everything is sunshine n’ rainbows for everyone else. Maybe you’d realise that if you crawled out of each other’s asses for once. [Oscar couldn’t help but smirk as Matilda stormed off, earning himself a glare from Courtney] Courtney: It’s not funny. Oscar: No, but the shit she says is funny. Courtney: She really liked him. Oscar: She loved him. Courtney: I feel so sorry for her-.. don’t you dare tell her I said that though. Oscar: They would’ve made a good couple. [Courtney sighed wistfully, nodding in agreement] Oscar: Hm-.. c’mon sunshine, we’ve got babies to wrangle. Courtney: Is that my new nickname? Oscar: It kinda suits you, but you’ll always be my Cookie. Courtney: [grins] Ough, sickening-.. no wonder she hates us.

🥹🫶🏻