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#Pier Paolo Pasolini
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Pier Paolo Pasolini
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dinonfissatoaffetto · 21 hours
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Io sono un uomo antico, che ha letto i classici, che ha raccolto l’uva nella vigna, che ha contemplato il sorgere o il calare del sole sui campi. Non so quindi cosa farmene di un mondo creato, con la violenza, dalla necessità della produzione e del consumo. Detesto tutto di esso: la fretta, il frastuono, la volgarità, l’arrivismo. Io sono un uomo che preferisce perdere piuttosto che vincere con modi sleali e spietati. E il bello è che ho la sfacciataggine di difendere tale colpa, di considerarla quasi una virtù.
- Pier Paolo Pasolini
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poesie-abstraite · 1 day
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Il vangelo secondo matteo
Pier Paolo Pasolini 1964
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pierppasolini · 2 months
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Teorema (1968) // dir. Pier Paolo Pasolini
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Salò, or the 120 Days of Sodom (1975)
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exactlyclearpost · 5 months
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𝐅𝐢𝐧𝐚𝐥𝐥𝐲 𝐟𝐢𝐧𝐢𝐬𝐡𝐞𝐝 𝐭𝐡𝐢𝐬 𝐛𝐨𝐨𝐤. 𝐔𝐩 𝐧𝐞𝐱𝐭…𝐏𝐀𝐒𝐎𝐋𝐈𝐍𝐈!✨🎞️
𝐌𝐲 𝐛𝐞𝐥𝐨𝐯𝐞𝐝💕
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anthonysperkins · 7 months
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"1967, New York, 42nd Street. A walk with Pasolini. I filmed him on silent 16 mm film and then we talked into a microphone elsewhere."
Pier Paolo Pasolini - Agnès Varda - New York - 1967
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thisfilmisnotyetrated · 4 months
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THE CRITERION CHALLENGE 2024 — WEEK 2: SPINE #601-700: #632
IL DECAMERON (dir. Pier Paolo Pasolini, 1971)
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hildeeveraert · 7 months
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Pier Paolo Pasolini (5 March 1922 – 2 November 1975)
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werewolfvegan · 1 month
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PRO NOSTRA TERRA
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-Lettera a Pier Paolo Pasolini, tratto da Pasolini, un uomo scomodo, Oriana Fallaci.
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davidhudson · 2 months
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Pier Paolo Pasolini and Orson Welles on the set of La ricotta (1962).
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crumbargento · 1 year
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Salò o le centoventi giornate di Sodoma - Pier Paolo Pasolini - 1975 - Italy
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sacredwhores · 6 months
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Pier Paolo Pasolini - Pigsty (1969)
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pierppasolini · 6 months
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I racconti di Canterbury (1972) // dir. Pier Paolo Pasolini
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Everybody asks me what’s my ideal wedding and well it’s actually just the disturbing marriage scene from Salo the 120 Days of Sodom.
Not the whole “sadistic aristocrats kidnapping and torturing youth” part but just the getting married in a silver silk dress with a matching floral headdress and bouquet in front of a bored nude audience in an Italian mansion/villa/castle while appearing grim and depressed. I feel like Pasolini was channeling Botticelli X Van Eyck for this film’s aesthetics.
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