When it comes to Penelope I feel like a lot of her fans take any valid criticism towards her and turn it into hate, which does her character a disservice. While some people do hate on her, a lot of it holds valid reasons. Admitting that she has hurt many people isn't wrong because she has, it's been shown on throughout the show and the impacts it can have. From labeling Daphne as "unmarriageable" during her first season and events that followed, her labeling Eloise as being part of a group of rebels, the terms she used to describe Kate [and Simon]-- which carried racial undertones no matter how you try to spin it, who didn't even know personally at that point, what she did Marina. All of these were very harmful and to say that none of these characters should feel angry, that they should just forgive Penelope without any work put into it is very laughable (especially because she's still writing as Whistledown and put many, namely women, at risk during a time where reputation is everything--something in which Penelope herself faces). With this being said, criticizing her actions, at least for me, doesn't come from a complete place of hate but more so from believing that she can be better if she puts in the work. By ignoring all that she's done and having her get her happily ever after so easily in the end, to be honest, would ultimately feel lackluster. I feel like she still has room to grow, but it will take a lot of work and, I personally, think seeing her renavigate who she is with who she wants to be outside of Lady Whistledown would be very interesting.
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normalize your villains. writing wise. i think everyone knows villain behavior irl would get you a ticket straight to the highest security prison out there. but this is about building a fictional world. for context, i've recently been on a rewatch for the show once upon a time and this time, i've tried to stay impartial to the characters storylines. the villains seems irredemable in the first season and frankly, i'm disappointed that this changes. hear me out !!!!!
my version of wednesday addams is for the most part chaotic neutral. wherever the current sails, she'll follow. sure, wednesday has the potential to grow and have (somewhat) healthy relationships in her life, but at the end of the day, she's not a hero. she's not even the anti-hero. sometimes it plays out like that and she might look the part, but she's not good goddammit.
for the crimes that she've committed? guilty as charged. for all the people she had hurt? guilty as charged. for all the misery she'll cause others? you guessed it, guilty as fucking charged. i'm not going to water her down.
in my mind, the addamses were always the outliers, but with the bestest of intentions. morticia and gomez welcomed vile strangers into their homes and tried their very best to make them feel comfortable in their home. they have a skewed perception for the world, something that's unusual, morbid, downright grotesque. edgar allan poe, which netflix glorified and here i am doing a shoutout to train my beloved, would tremble had he known of the addamses. morticia and gomez are kind, in their way. but you know who never really was?
their kids. in the comics (both by the og author and some others icr the author, but more closer to our time), pugsley was the devil incarnate. he showed no remorse, he was clearly thrilled by the suffering he caused others. but i suppose the directors changed the storyline and made wednesday the brand new puglsey in the 90s movies. she showed no emotion, she was a okay with murdering her own, even if she knew as luck as it, their younger brother pubert would live. this time around, wednesday was the devil incarnate.
and i agree with the canon, she can be incredibly intelligent and even more ruthless than she is intelligent. but one thing i've noticed is that, she notices her parents being taken for granted. she is aware that others will use morticia and gomez's kindness against them. sure, they can take it, that's their thing after all. but wednesday noticed everything since she was a kid and she remembers.
and guess what?
just because someone went through hell and back (even if said hell is not the worst that could happen), that doesn't mean someone will come out kind and good. wednesday will forever doubt anyone in her life and she will push them away, just as she'll try to give them the world. but no matter the good she does, at the end of the day, she is the villain. it's not the addams family, it's just the kids and i say that because pugsley and pubert have the same rights as wednesday does.
at the end of the day, being evil after witnessing evil is okay. fiction wise, i feel like reminding. some characters are irredemable. just because they do good things sometimes that doesn't make them good. just like doing bad things sometimes doesn't make them bad. but here's the catch with the addamses. they always, always own up who they are. wednesday no exception to the rule.
wednesday, the villain, can do good things. she can save your muse, she can enjoy your muse's company, she can love your muse. but all of this, all the good things do come from a villain. did she deserve the awful treatment she and her family got in canon? of course not, that we can all agree on. but it doesn't matter what happened, what matters is what choices they make afterward. wednesday will always choose herself. wednesday doesn't pick good, she willingly chooses evil.
sure, a villain is capable of love. a villain is capable of both good and bad. but look at how it always ends. wednesday is a villain and she will suffer, your muse too if you dare to come too close. it's not fair, i know. but this is just my theory, vero's theory. and, you may expect it by now,
please, normalize your villains.
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How do you feel about Cuno and/or Cunoesse?
i really love them both and it's incredible how fast i went from being like "ew what the hell" to "i would kill and die for these children"
other people have made good points about them already, like how cunoesse is treated with far less sympathy by fans since she remains terrified of and hostile towards harry and kim while cuno opens up and can become a companion in kim's place. cuno is a tragic little kid and i hate that his only chance to get out of his life is to become a cop, but honestly that fits in with the narrative we see about how people get sucked into harmful systems.
cunoesse, though... cuno is all she has. if he leaves to become a junior officer, she's got no one. she's a lonely, traumatized, violently reactive kid and cuno is all she has in the whole world. and cuno knows this and, despite his horrible father being a bad role model, cuno *steps up*. that's not cunoesse, some vile slur-spitting creature behind the fence. that's C, his little sister, and sure, she's a nuisance, but he'll be damned if you try to rip her away from him. he can privately admit to you that she's a little much sometimes, that despite appearances he isn't hers to control, but trying to get him away from her will make him withdraw from you. she's done bad things because she's an abused child who probably had to in order to survive, and cuno is absolutely judgment-free, even admires her for it. what they have is the closest thing to love that either of them has felt. that relationship means so much to me and i genuinely feel that they can't be separated from each other without badly hurting them both
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Something that makes reading TOA so devastating is how fucking much Apollo feels about Everything. There’s so MUCH. Like I don’t even know how to describe it to you if you haven’t read the books yourself. He has so many complicated thoughts and emotions about just about everything and he cares about everything so much and there is just SO MUCH going on in his head. And yet none of it ever reaches his mouth!!
He almost never says what he’s feeling. What little comes out of his mouth about his thoughts barely even scratches the surface of what he actually means. Like he’ll be having a long ass monologue about how incredible someone is, showing a deep understanding of them as a person and empathizing with them so hard you’d almost think it’s projection but it’s not he’s legitimately just mind melding with this random person he met like a week ago and he’s thinking the softest, kindest thoughts about them like he knows they’re fucking incredible - and what comes out of his mouth is just like, “you’re a wonderful friend :)” AND ITS LIKE. THERES SO MUCH MORE UNDER THE SURFACE. the sheer admiration and adoration he has for everyone around him……… UGHHH!!! But he never VOICES ANY OF IT!!!!!! He never tells anyone about what Zeus did to him……. He never tells anyone except the reader about his realization that Zeus is abusive…. He never even tells commodus about how much he adored him, not then and not now… he refuses to tell anyone when he’s in pain or tries to justify the things he does when he actually had Decent Reasons for why he did something… I’m. I’M. AUGH. AHHHHH
HE DOESN’T EVEN TELL US ALL OF HIS THOUGHTS IS THE THING. THERES EVEN MORE THAT HE IS NOT TELLING US!!!!! THE FUCKING OCEAN OF FEELINGS AND THOUGHTS HE HAS ABOUT EVERYTHING IS THE CLIFF NOTES VERSION. I AM IN DISTRESS.
And YET…. Even what slips out of his mouth is so fucking devastating it is SO devastating. He’s so fucking kind and gentle with Harley and Meg and and other younger Demis and his kids… he’ll act like an obstinate idiot and then turn around say something that drags the core of the person he’s talking to into the light like nail on the fucking HEAD like he reached into their soul and gave them the words to express something that they were struggling to say aloud or that they didn’t even realize about themself. Around the 2nd book he starts putting voice to some of his feelings and thoughts about others and even that tiny fucking sliver is overwhelming to the people he’s talking to bc he’s SO. AUGHHHH
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