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mashbrainrot · 8 months

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Henry Blake in 'The Interview'

In 2006, Larry Gelbart wrote dialogue imagining Trapper, Henry Blake, and Colonel Flagg had featured in the M*A*S*H episode 'The Interview'. Here is Henry's, with the original available to read here via Google Groups.

REPORTER: How does it feel, having the responsibility for saving such a great number of lives? HENRY: We just take ’em one or two, sometimes maybe twenty at a time. The big trick is not to start thinking of ’em as numbers – as just so many stats that go into a report that winds up in somebody’s filing cabinet under “out of sight, out of mind.” You’ve gotta always remember that what you’re dealing with is hurt people, people that have been run over by a war. REPORTER: And not just – HENRY: You gotta remember to take a peek at the odd dog tag now and then and remind yourself that that dangling leg or busted gut you’re going to try and put back together again is somebody’s dad or son or boyfriend – that all that blood and guts soiling your linen belongs to somebody that’s got a name attached to him.

REPORTER: You can’t afford to lose your sense of humanity. HENRY: There’s just so many senses you can lose over here. REPORTER: Humor not being one of them, obviously. HENRY: Around here laughter’s just crying without the tears. REPORTER: You have a family back home, sir? HENRY: In Bloomington. The one in Illinois, not in Indiana – unless things have changed since I went away. REPORTER: You keep in touch with them, of course, your family. HENRY: We write, we phone. Far apart as we are, I don’t think we’ve ever been closer. REPORTER: Would you like to say hello to them on television? HENRY: Be better if this was kissovision, but, yeah, can I? REPORTER: Go right ahead. HENRY: Lorraine? Hi, honey. Hi, kids. I got your report cards this morning and I had Radar go out post ’em on the bulletin board here so everybody can see why I’m so darn proud of you. Especially how you’re doing in math. You must get those brains from your mom. Got to be. Old as I am, I still don’t know how many tens to give someone for a five-dollar bill. (TO REPORTER) Thanks. REPORTER: That it? HENRY: That’s it. (TO CAMERA) Except I’m counting the days till we’re back together again. REPORTER: You have any idea when that will be? HENRY: I try not to have too many ideas. There’s always someone who ranks you who’s sure you’ll agree he’s got a better one. REPORTER: When you do finally get home, what are you going to tell your children is the biggest lesson being over here has taught you? HENRY: To always try to work things out, I guess. Whatever those things might happen to be. You don’t make your point killing the other guy. Even if you do it’s kind of wasted if the other guys not around to get the message. REPORTER: You seem – if all may so, Colonel – you seem near exhaustion. HENRY: What I am mostly is tired of being tired. We’re supposed to be a hospital but it’s more like a chop shop around here. We’re up to our elbows in people that other people are doing their best to chop down. REPORTER: That doesn’t lead to a lot of sleep, I would imagine. HENRY: I used to think of sleeping in terms of hours. How many did I get last night, how many will I get to steal tonight. I’m down to minutes now. It’s like somebody broke one hand off the clock. REPORTER: Does that ever affect your performance? HENRY: I fell asleep a few weeks ago in the middle of resecting a patient’s bowel. How’s that for exhausted? REPORTER: Does that fishing hat mean there are those times when you do get to get away from it all? HENRY: What it means is that I have to fish for those times. And let me say, the biting’s pretty poor. REPORTER: Business is too good around here. HENRY: Let’s just say it takes a whole lot longer to take a bullet out of a belly than it does putting one into one. REPORTER: Thank you, sir. HENRY: Can I say one more thing? REPORTER: Of course. HENRY: I just want you to know we all here are grateful for this visit you’ve paid us, this attention you’re paying to the job we’re doing. You get the feeling sometimes, being over here that, aside from our families, we’ve kind of dropped off the planet, that we’ve been kind of disinvited to the party – like everyone back home is busy living their real lives and for us to give them a call when we get back to town. (TO REPORTER) That sound too preachy? REPORTER: It sounded just fine, Colonel. HENRY: Henry. I’m a lot more a Henry than I’ll ever be colonel. REPORTER: Thank you, Henry. HENRY: Tell me the truth: didn’t that feel better? REPORTER: You’re an excellent doctor. HENRY: Hey – that’s why I’m over here getting 300 hundred dollars a month.

#it is the anniversary of gelbart's passing today #henry blake #larry gelbart #mash #mash 4077 #m*a*s*h #mashblr #helen speaks #ive not seen these around tumblr i dont think but sorry if someone has already posted them #mash s4 #mash s04ep25

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loustyleshtommo · 6 days

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Song Theory of Taylor Swift’s The Tortured Poets Department: Track 28

Because Matty Healy is a stinky red herring. Let me tell you why Track 28 Peter is actually about Louis Tomlinson whose favorite number is 28, and present the evidence that Taylor Swift really said: forget that guy on the chief coming straight home to me. Goddess Karlie can STEP ON ME.

ps. I blame this entire song analysis on Taylor releasing folklore on One Direction’s 10th HBD.

Peter

Forgive me, Peter, my lost fearless leader

“my lost fearless” could refer to Taylor’s second studio album. She lost that masters to Big Machine. Before she announced her re-release of Fearless (Taylor’s Version), Louis released his solo debut album Walls, with a song called Fearless, “Cash in your weekend treasure for a suit and tie, a second wife” seemingly referencing her Lover era (ME! mv) as well as her past relationship with Dianna Agron and her present with Karlie Kloss.

“Now I’m not saying that you could’ve done better. Just remember that I, I’ve seen that fire alight.” Louis knew Taylor was planning to come out and was well on her way to execute that plan before it all went wrong. (Re: The 2019 NYC Pride Parade Outfit She Never Wore)

His song was encouraging her to become that fearless again. To tell her that he knew she tried. But why did Louis have to reassure Taylor? Why did Taylor feel the need to apologize to Louis?

In closets like cedar preserved from when we were just kids.

Both Louis and Taylor were queer kids who got stuck in the closets as soon as they stepped foot onto the music industry scene. It’s not a pleasant place to be. Just listen to the anxiety in Taylor’s voice when she asked “Are we out of the woods?”

Was it something I did?

Who could ever forget the Haylor Winter Romance? One Direction dropped their second studio album “Take Me Home”. During that promo season, Harry Styles and Taylor Swift got papped together a lot. The fandoms were divided. Some fans still believed in Larry Stylinson and/or Swiftgron. But the tabloids insisted it gotta be Haylor. Is it Taylor’s fault that they’re still stuck in the closet today? If she hadn’t participated in handholding in Central Park/NYE kiss/Blue Dress on a Boat, would everything be different today?

The goddess of timing once found us beguiling

Both Louis and Taylor were lucky enough to be in the right place at the right time for their music career to start like shooting stars (Louis: we were lucky once, I could be lucky again.)

The things about “beguiling” is that it doesn’t only mean enchanting/charming, it has the connotation of being deceptive. The goddess of timing did not find them to be truthful.

She said she was trying.

Actual deity is all powerful and rarely has to try. This is such a human quality. This person is comparable to a Goddess but she’s still just a person. I believe that the Goddess of Timing here is Kali, while the person Taylor is calling a Goddess is Karlie.

Kali is a Goddess from Hinduism aka the same place as the concept of karma (who is Taylor’s boyfriend when she wrote the songs. But once she put it out and performs it for the audience, she no longer thinks of the song Karma as her own. In her mind, it already belongs to the fans. And if that’s the kind of entertainment they’re expecting, she will continue to sing “Karma is the guy on the Chief coming straight home to me.” Because the Goddess already sees her as a liar, what difference adding one more lie is gonna make? (Did she forget about the last straw?))

Peter, was she lying?

For the Goddess of time, this is the same question about fame (what Taylor earned with the help of fortunate timing) that Taylor has been wondering about since her first Speak Now era: Never Grow Up (Keep this line in mind, it will come into play later: It’s so much colder than I thought it would be, so I tuck myself in and turn my nightlight on. Wish I’d never grow up. (Such a Peter Pan thing to think.) Continued into RED (Lucky One: Now my name is up in the light. I wonder if I’d make it out alive) All the way to Clara Bow in the tortured poets department. It’s the question that’s been haunting her for ages.

For the person comparable to the Goddess, was Karlie lying? Well, if she really is with Taylor then she’s also very deep in the closet and hiding a core truth about herself. So, yes, she was lying.

My ribs got the feeling she did

This is the line that cements it for me.

This Goddess must be Kali.

And Taylor fancies herself Kali’s consort.

One of the most popular form of Kali is Dakshina Kali. She is typically shown with her right foot on her consort’s chest. It’s a show of his devotion to her.

I got the information of Kali legend from Wikipedia, and this is what THE POETS got to say about the guy at her feet.

Here’s the thing, those who worship Kali are said to be able to overcome death itself. (Honey, I rose up from the death I do it all the time. Reputation is a Karlie album confirmed for a thousand times.)

Another thing about Kali is that she is not just a Goddess of Time. She is also known as Mother Goddess; Goddess of Time, Change, Creation, Power, Destruction and Death. (So basically, the entire theme of the Tortured Poets Department. Damn, girl. Way to talk about devotion.)

Another form of Goddess Karlie Kali with her left foot on her consort, Shiva, is much more violent. She was in uncontrollable rage. To stop her from destroying the entire universe, Taylor Shiva laid down on her warpath. When she stomped on him (and likely hurt his ribs in the process, ouch), she realized with horror that she had gone too far. (Taylor’s The Great War: The worst was over…I vowed, I will always be yours.)

And I didn’t want to come down.

I thought it was just goodbye for now.

The pre-chorus subject will later change from I to We, but the theme of thinking they would have more time keeps coming back around. Taylor still wanted her name up in the light. She thought she would have more time. She thought hiding crucial part of herself was just a temporary thing.

You said you were gonna grow up and you were gonna come find me.

This chorus is why I think the YOU in this song is Louis/Harry. The anxiety-inducing repetition is reminiscent of Out Of The Woods aka the song I believe was written from Louis’s perspective, and also contained one of her earliest blatantly queer-coded lyrics: The rest of the world was black and white but we were in screaming colors.

Said you were gonna grow up and you were gonna come find me.

In the early One Direction days, Louis once admitted that growing old is one of his worst fears. Isn’t that the most Peter Pan thing you’ve ever heard? Taylor be like “I think I’ve seen this film before, and I didn’t like the ending” This is one of the many reasons why I think William Bowery has never, ever, ever been Joe, but rather was actually Louis William Tomlinson (who curses like a sailer so much that infects Taylor. She never dropped f-bomb before she started writing with WB). The ships passing in the night imagery is such a Louis and Harry thing, and Taylor started using it heavily from 1989 onwards. Aka the album she wrote Style and invited the fella over there with a hella good hair to come shake it off.

Said you were gonna grow up and you were gonna come find me.

But can they really shake off the tumultuous emotions of hiding the love of your life like a skeleton in your closets? No matter how many hiding places she knew?

Words from the mouth of babes

Exhibit A to infinity: baby boyfriends

Promises oceans deep

Rope & Anchor, Ship & Compass, Pirates and nautical theme couple tattoos. You name it, they got it. Louis’s Strong and Harry’s Happily lethal combo: My hand, your hand tied up like two ships. I don’t care what people say when we’re together.

But never to keep

Exhibit crying in a cool way:

1D’s Something Great: The script was written and I could not change a thing.

1D’s Story of My Life: Written on these walls are the stories that I can’t explain

Harry horse-noises-and-i-would-lean-towards-no Styles, Sweet Creature who? Never heard of her.

Louis doesn’t-know-what-tattoo-he-got Tomlinson, but this compass is so sweet for pointing home, innit?

Never to keep

How many times are they going to have to deny their love? How many times do they have to parade around with someone else for the camera? How many times do they have to bring up conspiracies and how unfair it is for their loved ones? They keep doing things that practically break a promise of ALWAYS IN MY HEART. Are they doomed to never keeping their promises?

Are you still a mind reader?

It’s not just Louis’s Fearless song before she unlocked the vault to Fearless (Taylor’s Version), just look at the way he wrote lyrics that Taylor clearly had in mind:

Louis in Don’t Let It Break Your Heart: I know you left a part of you in New York

Taylor in Hoax: You knew I left a part of me back in New York

Louis for 1D’s Love You Goodbye: Baby, go on, twist the knife

Taylor in Hoax: my twisted knife, my winless fight

Louis for 1D’s Midnight Memories first leaked: Diana, let me be the one to lift your heart up and save your life. I don’t think you even realize, but, baby, you’d be saving mine.

Taylor in reputation’s Call It What You Want: You don’t have to save me. But would you run away with me? Yes. And keep this line in mind: My baby’s fly like a jet stream.

A natural scene stealer?

I mean, I am very biased. But Louis has always stolen the scene. Whether it be “NO! Jimmy protested” on the staircase, Kevin the Pigeon, it said do not dial 9 so I dialed 9, or when singing/carrying 1D choruses, especially clear in What Makes You Beautiful and Story of My Life a cappella version.

In relation to Taylor, as soon as Haylor officially ended according to tabloid, Louis proceeded to get this giant Swift bird tattoo in his right arm.

And remember the game 1D played for FOUR promo? Louis wasn’t even trying to do anything funny and the universe was like let’s make sure the pulling-words-out-of-hats game has the funniest possible outcomes.

Harry: mine said Louis Tomlinson

Niall: got papped snogging

Zayn: Taylor Swift

*chaos erupts*

Louis: *incredulous laughter*

Harry: *seize the opportunity for the funniest joke ever* I mean, you could’ve told me

Louis: Jesus.

Anyhow, I digress. Niall said without Louis, 1D would be the most boring band in the world.

I’ve heard great things, Peter.

I mean, World Tours/Festivals/Faith in the Future. Yup, great things indeed. But it also implied that they hadn’t seen each other in person for a while. (That’s why I still on the clown train that WB is Louis. They wrote together in lockdown. Nobody was out to see anybody.)

But life was always easier on you than it was on me.

This is where I am extremely dubious of my own clown theory. I don’t believe Louis had it easier than Taylor, especially given how he lost his mom and his sister. But it helps that the next line made it clear which aspect of life she was talking about.

And sometimes it gets me, when crossing your jet stream.

This line really takes Harry out as a contender for being Peter/you. Because he already has his own place here. He’s the “your jet stream”. My baby’s fly like a jet stream. Harry is Louis’s baby. It’s been well-documented in the Larry Stylinson fandom/organization/conspiracy/call it what you want to. 😂

We both did the best we could do underneath the same moon in different galaxies.

Both Taylor and Harry did the best they could do under the same circumstance. From the point of view on earth, there is only one moon. It seems so big and just within reach. But when we zoom out to the level of galaxies, it’s practically impossible to pinpoint the same moon among billions of other celestial bodies. Yet, the dark night cycle for Taylor and Harry is exactly the same. They’re both stuck in the same style of closet from when they were just kids. (Womanizer/Slut aka someone with many different partners, before it shifted to long-term low-key/marriage material themes. Likely due to the songs they kept writing which couldn’t possibly be about one-night stands, no matter which angle anyone look at it. The messages are loud and clear. They are in love and deeply devoted to one person only.) The difference is Taylor didn’t get to meet Karlie before the industry broke her spirit down. (Let all your damage, damage me.) But Louis and Harry have always had each other to rely on. #welivetogetherdealwithit.

Harry was once asked if falling in love is the best part of a relationship. Well, he said he actually believed the best part after that initial rush of infatuation is becoming a team. If that’s not enough to sound like someone in a long-term committed relationship. Harry also has a habit of singing “I’m in love with Lou and all his little things”/ “You’re still the one I run to, the one that I belong to. You’re still the one I want for life.” /“Hopelessly devoted to Lou.”

So, yeah. No wonder Taylor believed life was always easier on Louis and Harry than it was on her. Not even mentioning the things she said on The Man: I’m so sick of running as fast as I can, wondering if I’d get there quicker if I was a man.

And I didn’t wanna hang around.

So Karlie and Harry was seen hanging out once and never again.

We said it was just goodbye for now.

I think Louis/Harry and Taylor/Karlie were always planning to come out at the same time, but that coming out schedule kept getting postponed.

You said you were gonna grow up and you were gonna come find me.

Said you were gonna grow up and you were gonna come find me.

Words from the mouth of babes

Promises oceans deep

But never to keep

Never to keep

It’s the same ol’ shit, just different days. The anxious anticipation and fear of consequences for when they finally come out feel oceans deep. They can’t get rid of it. But they still can’t commit to it 100% either. All they could do was making promises after promises with blatant Easter eggs like Harry running around with rainbow flags on stage, Louis wearing a giant golden H on his chest for his livestream during COVID-19 lockdown, Taylor’s entire Lover era. The list goes on and on.

And I won't confess that I waited, but I let the lamp burn.

I’m gonna let the burning of Lover house in the Eras tour speak for itself. Their plan to come out was a failure time and time again.

As the men masqueraded, I hoped you'd return.

As Taylor kept switching out these Kens, while stuck in the same ol’ closet, she still hoped Louis won’t give up on their plan.

Well, here’s Louis in Just Like You aka the song he announced on National Coming Out Day saying: 25 and it’s all planned.

Did that plan include dropping his album Walls with Come so far from Princess Park & For every question why, you were my because on the last day that Harry was 25 years old? Because that happened.

And here’s Taylor in Lover for Death By A Thousand Cuts: Paper cuts sting from our paper thin plans.

Did that paper thin plan include Taylor releasing ME! on Lesbian’s Visibility Day? Because that happened.

Soon we will see the reason why Taylor would be asking for forgiveness from Louis. But let’s see first what she was hoping for and didn’t get.

With your feet on the ground, tell me all that you'd learned.

Remember Cloud lyrics from 1D: Some days you’re gonna see the things that I see… Never coming back down.

And from Louis’s Walls in We Made It: Never coming down with your hand in mine.

Because the thing about We Made It, is Louis still had to throw in a line for his girlfriend Eleanor. Yes, Harry and Louis made it. But they’re still stuck in the closet, anyway.

'Cause love's never lost when perspective is earned

This is when I realize that Taylor has been tracing the stepping stones, starting from most recent events and making her way back to the start in a non-linear manner. Well, she certainly did called this album a post-mortem study. But exactly whose death are we mourning in this particular song right here?

And you said you'd come and get me, but you were twenty-five

And the shelf life of those fantasies has expired

Lost to the "Lost Boys" chapter of your life

Remember Harry’s “Not That Important”? Or all the Rainbow Bondage Bear and Sugar Baby Bear RBB/SBB shenanigans? Louis and Harry were throwing themselves at the closet door, banging against it and making such loud noises. They wanted so badly to show the world that they’re together while still in the band. That fantasy was one hell of a drug. Especially after Zayn left and they felt like they’ve got nothing left to lose. That was, until Belfast and babygate caged them into ironclad closet. But it wasn’t only just those events and One Direction going on hiatus that ensured Louis was completely and utterly lost.

Louis was trying so hard to make everyone sees that he’s not the father. He was so, so loud about it. So loud that it’s still causing troubles every time he brings up Freddie TODAY. Way too loud to ever be shut down, basically.

Louis was doing everything he could to leave the closet. But in December 2016, he lost his mom and turned twenty-five.

How could anyone expect a grieving boy to have another fight left in him?

Forgive me, Peter, please know that I tried to hold on (hold on) to the days (to the days) when you were mine.

Louis performed Just Hold On for the first time only days after his mom passing. In front of the person who made damn sure he couldn’t be himself under the spotlight. It’s a testament to his strength and I will never stop admiring his resilience. And although Taylor didn’t come through with their coming out plan, someone else made sure to have done the leg work.

Before her passing, Johannah, Louis’s mother, took the time to delete all of Freddie pictures off of her instagram, two weeks after she told Louis that she had terminal cancer.

(How do I know this? Well, it’s a hindsight is 20/20 thing. When Jay did that, fans had no clue she was sick and dying.

Years later, Louis talked about his mom breaking the bad news when he was at Jamie Vardy’s wedding.

And that wedding happened a fortnight before Jay removed all of Freddie pictures.)

Louis’s mom took out the rose thorns and made damn sure her baby boy could walk down their memory lane with the least pain possible. Louis had a great mom who taught him how to get through the darkest nights.

And though it’s not acknowledged so publicly, Louis has had Harry by his side all this time. I don’t think Louis ever needed an apology from Taylor just because they couldn’t complete their plan to come out/“Speak Now” in time for his mom to hear it, too.

Regardless, it’s possible that Taylor still felt really, really shitty for failing to execute their coming out plan as grief-stricken Louis ran out of time. By the time her scathing reputation prologue letter came around (as if inspiration for music is as simple and basic as a paternity test), it seemed Louis was in too deep with the conspiracy from One Direction days to ever be rid of it now. Quite literally lost to the lost boys chapter of his life

But the woman who sits by the window has turned out the light.

And I’m not gonna lie, the sudden reappearance of present tense in descriptive lyrics here gave me a jolt of anxiety. Taylor already released Speak Now (Taylor’s Version) in which she repeated “So I tuck myself in and turn my nightlight on. Wish I’d never grow up.”

See, if we’re sticking with the original story of Peter Pan, Wendy grew up and Peter Pan didn’t. But in this version of the story, our Peter Pan aka Louis had been through such grief that pushed him to grow up first. He’s actually the one waiting now. Wendy aka Taylor had been playing catch up. (Fuck 🛴 for that.) Hence, this present tense about the woman who has turned out the light is the continuation of wait for the signal and I’ll meet you after dark.

By the way, how does the intro sequence of The Eras Tour go again?

It’s been a long time coming. It’s you and me. It’s Fearless. Big reputation. And they said Speak Now. Into folklore. My name is Taylor and I was born in 1989. Hey! evermore. Loving him was red. Meet me at midnight. Nice! Lover.

It’s you and me that’s my whole world. They whisper in the hallway she’s a bad, bad girl.

Taylor started her Eras Tour with Miss Americana and the Heartbreak Prince. The song I believe was written to Louis from Harry’s perspective. “You know I adore you. I’m crazier for you than I was at sixteen.” Corresponding nicely with the song 18 that one of her best friends, Ed Sheeran, wrote for One Direction. The one Louis used to sing as “I have loved him since we were eighteen.” And Harry immediately followed up by screaming “Sixteen!” at the crowd.

You said you were gonna grow up