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#Joachim du Bellay
street-light-poetry · 5 months
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New poem live.... (transcript in image id)
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virgin-martyr · 4 months
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I pledge these violets, Lilies, mignonettes, And these roses new, With each crimson rose Only now disclosed, And these wild pinks too.
Joachim du Bellay, excerpt from "The Winnower to the Winds" trans. A.S. Kline
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theoutcastrogue · 9 months
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Georges Brassens - Heureux qui comme Ulysse
Happy he who like Ulysses Journeyed far and wide Happy he who like Ulysses Has seen hundreds of lands And has regained again, after Many years of wandering The country of his youthful years
On an early summer morning When the sun sings within your heart Then how fine it is to be free Fine to be free!
When you’re better here than elsewhere When one friend can make you happy Then how fine it is to be free Fine to be free!
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Heureux qui comme Ulysse A fait un beau voyage Heureux qui comme Ulysse A vu cent paysages Et puis a retrouvé Après maintes traversées Le pays des vertes années
Par un petit matin d'été Quand le soleil vous chante au cœur Qu'elle est belle la liberté, la liberté
Quand on est mieux ici qu'ailleurs Quand un ami fait le bonheur Qu'elle est belle la liberté, la liberté
Avec le soleil et le vent Avec la pluie et le beau temps On vivait bien content Mon cheval, ma Provence et moi Mon cheval, ma Provence et moi
Heureux qui comme Ulysse A fait un beau voyage Heureux qui comme Ulysse A vu cent paysages Et puis a retrouvé Après maintes traversées Le pays des vertes années
Par un joli matin d'été Quand le soleil vous chante au coeur Qu'elle est belle la liberté, la liberté
Quand c'en est fini des malheurs Quand un ami sèche vos pleurs Qu'elle est belle la liberté, la liberté
Battu de soleil et de vent Perdu au milieu des étangs On vivra bien content Mon cheval, ma Camargue et moi Mon cheval, ma Camargue et moi
[translation by Gulalys, lyrics by Henri Colpi, original poem by Joachim du Bellay]
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ochoislas · 2 years
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No quiero penetrar el seno de Natura, no quiero averiguar del universo el alma, no quiero sondear las simas escondidas, ni quiero contrahacer la máquina del cielo.
No pinto yo mis tablas con tan alto temple, ni a mis versos procuro asuntos tan sublimes: sino de mi estación atento a las mudanzas, bien o mal que acontece escribo a la aventura.
Con mis versos me quejo, si tengo una pena, con ellos me alborozo, y cuento mi secreto, pues de mi corazón son fieles secretarios.
No los quiero por tanto mirlados de afeites; ni con gallardo nombre, otro que comentarios o notas de memoria, quiero disfrazarlos.
*
Je ne veulx point fouiller au sein de la nature, Je ne veulx point chercher l’esprit de l’univers, Je ne veulx point sonder les abysmes couvers, Ny desseigner du ciel la belle architecture.
Je ne peins mes tableaux de si riche peinture, Et si hauts argumens ne recherche à mes vers: Mais suivant de ce lieu les accidents divers, Soit de bien, soit de mal, j’escris à l’adventure.*
Je me plains à mes vers, si j’ay quelque regret: Je me ris avec eulx, je leur dy mon secret, Comme estans de mon coeur les plus seurs secretaires.
Aussi ne veulx-je tant les pigner & friser, Et de plus braves noms ne les veulx deguiser Que de papiers journaux ou bien de commentaires.
Joachim du Bellay
di-versión©ochoislas
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lolochaponnay · 5 months
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majestativa · 5 months
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Where are those pleasures sweet, which in the dusk of eve The Muses used to give me, when in spirit fre On some secluded river-bank’s lush carpet green, I used to take them dancing underneath the moon.
— Joachim Du Bellay, The Muse Spoke French: An Anthology of Poems, transl by Kendall Lappin, (1994)
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villings · 2 years
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no escribo de la dicha, pues que soy desgraciado, no escribo de favor, no viendo a mi princesa, no escribo de tesoros, no teniendo riquezas, no escribo de salud, siendo ya melancólico[.]
Joachim du Bellay
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parisies · 1 month
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Elle était triste et grise,
Comme un repas de Carême.
Voici la fontaine remise,
Dentelles de pierre crème.
Les nymphes de Goujon boudaient
Mornes, sombres et renfrognées.
Ce matin, les belles dansaient,
Invoquant l’eau tant désirée.
Renaissance !
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dixvinsblog · 6 months
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Comme le marinier, que le cruel orage - Joachim du Bellay.
Comme le marinier, que le cruel orage A longtemps agité dessus la haute mer, Ayant finalement à force de ramer Garanti son vaisseau du danger du naufrage, Regarde sur le port, sans plus craindre la rage Des vagues ni des vents, les ondes écumer ; Et quelqu’autre bien loin, au danger d’abîmer, En vain tendre les mains vers le front du rivage : Ainsi, mon cher Morel, sur le port arrêté, Tu…
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homomenhommes · 1 month
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THIS DAY IN GAY HISTORY
based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … March 29
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1517 – Cardinal Carlo Carafa, (d.1561) who was born in Naples, was the younger son in a powerful noble family. He became a soldier and for seventeen years took part in the bloody wars which ravaged Italy, first on the side of the Habsburg imperial armies, afterwards with French troops.
His uncle, Gian Piero Carafa was elected pope, with the name of Paul IV, and made Carlo a cardinal in 1555.
Carlo Carafa had a long and dubious career as a mercenary soldier in Italy and Germany. He was exiled from Naples for murder and banditry and was alleged to have perpetrated the massacre of Spanish soldiers as they recuperated in a hospital in Corsica.
His tenure as Cardinal Nephew was not a great success as he and Paul IV brought the Papacy to a humiliating defeat against the Spanish that nearly resulted in another Sack of Rome. Carlo's government was unpopular in Rome and he developed a reputation for avarice, cruelty and licentiousness, as well as for sodomy.
For instance the cardinal Charles de Lorraine asked the French ambassador in Rome to report to the pope scandals concerning his nephews. In his letter he stated that the courtiers had been scandalized by what they had witnessed, "and among the culprits were openly numbered, those who were closest in blood relations to our Holy Father the pope" had engaged in "that sin so loathsome in which there is no longer a distinction between the male and the female sex." That is, sodomy.
These rumors cannot be explained away as political slander. Already the poet Joachim du Bellay who was then in Rome, wrote a sonnet mentioning one Ascanio as the beloved of Carlo Carafa.
At first the pope refused to believe the numerous and varied accusations, but he was finally convinced of their veracity. and replaced Carlo as Cardinal Nephew with Carlo's own nephew Alfonso Carafa.
With the death of Paul IV, who had already limited a part of his power, he was imprisoned and judged by the new pope, Pius IV , for a lengthy series of crimes ranging from homicide to heresy, which also included sodomy. Carlo was condemned and executed.
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1905 – Edward Burra, a British illustrator and stage designer (d.1976), depicted the possibility of gay sexual encounters in his drawings and watercolors of the urban underworld.
He left school at thirteen because of a combined attack of anemia and rheumatic fever. Burra's parents worried that that their son was too sickly for a regular job and encouraged his artistic interests.
Burra was not openly gay, but he visited gay bars, had gay friends, and possessed a camp sensibility. He met the dancer and theatrical director William Chappell at Chelsea and the two were apparently lovers although they never lived together. Burra may also have been involved with artist Paul Nash in the 1920s.
Burra, from an upper-class family, had a fascination with the lower class and with the urban underworld. He loved to spend hours in sailors' cafes and brothels in Mediterranean port cities, especially in France. He visited New York in 1933-34, where he became fascinated with black culture and the Harlem scene.
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Three Sailors in a Bar
Typically featuring sailors, his early works portrayed clearly outlined and modeled forms and an absence of atmosphere. While Burra very rarely draws explicitly gay scenes or subjects, a homoeroticism pervades his work, perhaps because in his depictions of urban nightlife, sexual liaisons of various kinds are always a possibility.
Burra's most famous work, John Deth (1932), shows his interest in the bizarre. The painting depicts a party. The scythe-bearing Grim Reaper is in attendance, and he is striking down guests, much to the horror of one man who dips his partner in a dance at the moment that he recognizes the presence of Death. The faces and figures are distorted in a nightmare characterization typical of Burra's work.
Plagued by arthritis and poor health, Burra died on October 22, 1976 in Hastings, England.
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1936 – Today's the birth date of the English composer Sir Richard Rodney Bennett, CBE (d.2012). Born in Kent, he is renowned for his film scores and his jazz performance as much as for his challenging concert works. He was based in New York City from 1979 until his death there in 2012.
After the collapse of a long-term same-sex relationship, Bennett relocated to the U.S., using Stephen Sondheim and Leonard Bernstein as his referees for his green card application. Bennett thrived in the home of the Great American Songbook. He began performing in piano bars and has continued ever since, in recent years accompanying the jazz singer Claire Martin, most recently in a season at the legendary Algonquin hotel.
Bennett taught at the Royal Academy of Music between 1963 and 1965, and the Peabody Institute in Baltimore, United States from 1970 to 1971, and was later International Chair of Composition at the Royal Academy of Music between 1994 and the year 2000. He received a CBE in 1977, and was knighted in 1998.
As one of Britain's most respected and versatile musicians, Bennett produced over two hundred works for the concert hall, and fifty scores for film and television, as well as having been a writer and performer of jazz songs for fifty years.
Among his best-known scores are the Doctor Who story The Aztecs (1964), Far from the Madding Crowd (1967), Nicholas and Alexandra (1971, for which he was nominated for an Academy Award), Murder on the Orient Express (1974), Enchanted April (1992) and Four Weddings and a Funeral (1994).
In 1995, to celebrate its 200th issue, Gay Times magazine published a list of people regarded as important to the British Lesbian and Gay community. Bennett was named as one of the key musical figures on the list.
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1946 – Bruce Weber is an American photographer and occasional filmmaker. If you have ever gazed longingly at the models in an ad for Calvin Klein underwear or Abercrombie & Fitch, you have probably been looking at the work of photographer, Bruce Weber.
Born in Greensburg, Pennsylvania, Weber became one of the most influential and successful fashion photographers of the 1980s and continues to be one of the world`s most successful commercial photographers.
Weber's fashion photography first appeared in the late 1970s in GQ magazine, where he had frequent cover photos. Soon known as a pioneer of modern male fashion and art photography, he came to the attention of the general public in the late 1980s and early 1990s with his advertising images for Calvin Klein. His straightforward black and white shots, featuring an unclothed heterosexual couple on a swing facing each other, two clothed men in bed, and model Marcus Schenkenberg barely holding jeans in front of himself in a shower, catapulted him into the international spotlight. His photograph for Calvin Klein of Olympic athlete Tom Hintnaus in white briefs is an iconic image.
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His nostalgic, usually black and white photography, which manages to be boldly erotic and yet somehow innnocent, played a major role in the resurgence of the male body in advertising - his influence is everywhere. He has changed the way we look at male beauty.
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In addition to his commercial work, Bruce Weber has produced several books of his photographs, often photographic essays, notably The Andy Book (1987) and Bear Pond (1991); made several films including a film about teenage boxers Broken Noses (1987), a documentary about jazz trumpeter Chet Baker, Let's Get Lost (1989) which was nominated for an Academy Award, and Chop Suey (2001). His work has also been widely exhibited in museums and galleries. He has additionally directed several music videos for the Pet Shop Boys.
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"Laine and Kyle Carson"
His work, and advertising for Calvin Klein, Ralph Lauren and Abercrombie & Fitch and others, somehow manages to balance an intense homoeroticism with an imagined ideal of all-American platonic male cameraderie. Gay men everywhere owe a debt to him.
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1958 – Victor Salva is an American film director and convicted sex offender. He is best known for directing the films Powder and Jeepers Creepers.
Born in Martinez, California, Salva had written and directed over 20 short and feature films before graduating from high school. To finance his filmmaking hobby, he often held two jobs during the week. His biological father abandoned the family and Salva stated that his stepfather was often drunk and physically abusive.
Like a lot of children growing up in the East Bay town of Martinez in the early 1970s, the adolescent Salva was very much interested in horror and sci-fi. His favorite monster movie was Creature from the Black Lagoon. In 1975, the local newspaper reported that a child (Salva) had sat through Jaws a record 55 times. Salva was expelled from the family at eighteen when he acknowledged his homosexuality to his mother and stepfather.
Salva describes his films as "atmospheric and macabre, with no happy endings, but not to be taken totally seriously". In the mid-1980s, his 37-minute short film Something in the Basement (1986) took first place in the fiction category at the Sony/AFI Home Video Competition. A horror allegory about a young boy awaiting his brother's return from a bloody war, the highly acclaimed film went on to win several national awards (including a Bronze Plaque at the Chicago International Film Festival) and brought Salva to the attention of Francis Ford Coppola, who then produced Salva's first theatrical feature, Clownhouse (1989), which Salva again wrote and directed.
In 1988, Salva was convicted of sexual misconduct with one of Clownhouse's underage stars – a 12-year-old boy – including videotaping one of the encounters. Commercial videotapes and magazines containing child pornography were also found at his home. Salva pleaded guilty to lewd and lascivious conduct, oral sex with a person under 14, and procuring a child for pornography. He was sentenced to three years in state prison, of which he served 15 months. He completed his parole in 1992.
Salva's career took a hiatus after his release – he did not make another film for five years. He worked as a telemarketer during the week and wrote scripts during the weekend, supposedly delivering them to well-known producers while posing as a delivery boy.
His next film, The Nature of the Beast (1995), which Salva wrote and directed, starred Lance Henriksen and Eric Roberts and quickly became New Line Cinema's biggest direct-to-video title of that year. Salva based the film's characters on people he met in prison. Salva next made his first big-studio picture, Powder (1995), the tale of an albino boy with special powers that make him an outcast.
He next made Rites of Passage (1999), a coming-of-age thriller. The film depicts a homophobic father who unwittingly pushes his gay son into the arms of a psychotic killer. In 2001, Salva wrote and directed Jeepers Creepers, which was one of the year's breakout hits and set a world record for largest Labor Day box-office ever. Salva followed this up with his sixth feature film, Jeepers Creepers II (2003), breaking his old record and setting another Labor Day milestone. His next film, Peaceful Warrior (2006), was an adaptation of Dan Millman's best-seller The Way of the Peaceful Warrior.
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1967 – Michael Link, born in Hagen, Germany, is a German music manager and author. He is best known as the manager and partner of the pop singer Patrick Lindner.
After training as a hotel manager and a few years in the hotel business, Link met Patrick Lindner in 1992 and took over his management in January 1993.
Link and Lindner became a couple privately and professed their homosexuality. The media spoke of the nation's flagship gay couple. In 1998, his partner adopted Daniel, a Russian child, who was eight months old at the time, and thus became a pioneer in matters of gay relationships and children. Link wrote the book "Adoption Adventure or A Lifelong Dream Come True", with which he campaigned for more tolerance towards homosexuals and encouraged adoption. In 2005 the couple separated.
In 2001 he also published the children's book “Come on, I'll show you my parents”. He also played in various television series such as SOKO 5113 or Siska. Today Link works as a marketing expert and lives with his current partner in Munich.
Link married his 13 years younger partner in September 2015. The wedding was part of the television series 4 Weddings and a Dream Trip.
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1971 – Aaron Lawrence is an American gay pornographic actor, director, sex advice columnist, author and entrepreneur. After college Lawrence embarked on an unplanned male hustling career which he parlayed into both a writing and acting career. Lawrence, who is openly gay then started his own gay pornographic video company utilizing his international travels as an escort to shoot amateur pornography films. He has authored two books, Suburban Hustler: Stories of a Hi-Tech Callboy (1999), an account of his own experiences as a male escort and The Male Escort's Handbook: Your Guide to Getting Rich the Hard Way (2000), a "how-to" guide for those considering work as companions-for-hire. He has also written articles for several publications, including Anything That Moves and Unzipped.
After graduating from college Lawrence became depressed after a string of "100+ rejection letters", he became promiscuous and noting he was good at sex someone suggested he become a male hustler, which he did. He commanded an hourly rate of more than $350, which was much higher than average, which he attributed to his devotion to customer and self-satisfaction as well as his well-developed website, "By the time someone calls me for an appointment they already know who I am."
Lawrence worked in escorting from December 1993 to 2006. In addition to travel throughout the U.S., he traveled with clients on trips to Mexico and several locations in Europe, including Hungary, Germany, Ireland, and the Czech Republic.
Lawrence is versatile performing both top and bottom sex roles. Psychologist Todd G. Morrison notes that Lawrence came of age when being gay was seen as normal and HIV/AIDS was no longer defined culturally as a gay disease. In addition, in the mid-1990s the first AIDS "drug cocktails" marked a dramatic turning point in the pandemic so that a positive diagnosis was no longer considered a death sentence.[
Morrison notes the advent of the Internet for gay men to discover their sexuality and connect with each other online and that Lawrence is the embodiment of the "new experience of gay sexuality" much like Scott O'Hara, Tim Miller, and Wakefield Poole had been for their generations. Between his own work including promotions to advertise himself and his speaking and writing about the gay and bisexual escort industry Lawrence has helped revolutionize the public relation aspects.
He lives in suburban New Jersey with his husband Jeff whom he met in 1992, married in 1999, and who also helps provide illustrations for his various websites.
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1982 – Jay Brannan is an American singer-songwriter and actor. He was born in Texas on this date and briefly studied in Ohio, but moved to California to become an actor. Brannan appeared in the 2006 movie Shortbus, which included one of his songs in its soundtrack, and began to build a fan base by performing on YouTube. He released an EP and acted in Holding Trevor in 2007. Since then, he has toured and released two albums.
Brannan was born 1982 in Texas in a middle-class family and grew up as the son of a petroleum engineer and a teacher. He described his family as conservative Baptists and discussed their difficulty with accepting his homosexuality. Brannan went to Los Angeles, trying to become an actor. After the end of a relationship in 2002, he was shown a casting notice and moved to New York City and submitted an audition tape.
Brannan was cast in 2003 for the movie Shortbus, which featured him in an explicit sex scene, and worked as a proofreader and in other jobs to support himself. He contributed the song "Soda Shop" to the film's soundtrack, which he stated was his "first professionally recorded track". The song was also released on Team Love Records. Brannan began to record sparse music videos for YouTube, accompanying himself on the guitar, and built an international fan base without corporate sponsorship, using MySpace and Blogspot. In 2007, he appeared in the movie Holding Trevor as the promiscuous best friend of the protagonist, and released a limited-edition EP with fours songs named disasterpiece or Unmastered, adding two additional songs for a 2008 re-release.
In July 2008, Brannan released the album goddamned through his own label, Great Depression Records, and toured ten dates, a departure from his previous practice of short tours of about four concerts. The same year, Brannan left his proofreading job and sustained himself with earnings from concerts and merchandise. His second album, In Living Cover, was released in 2009 and reached number ten on the Billboard Top Heatseekers chart for the week of July 25, 2009. Brannan promoted the album in an interview on ABC News's Now in July 2009.
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2009 – On this date Lieutenant Daniel Choi, publicly came out on the Rachel Maddow Show. Lieutenant Dan Choi is a United States Army combat veteran of the Iraq war who graduated from the United States Military Academy at West Point in 2003 with degrees in Environmental Engineering and Arabic languages. With the three words "I AM GAY" Choi ended his military career . He received a letter from the U.S. Army informing him that he was being dismissed. It says, in part,
"This is to inform you that sufficient basis exists to initiate action for withdrawal of federal recognition in the Army National Guard for moral or professional dereliction. Specifically, you admitted publicly that you are a homosexual, which constitutes homosexual conduct. Your actions negatively affected the good order and discipline of the New York Army National Guard."
He recalls: "When I got the letter, I was extremely angry. I was angry -- I mean, the letter is basically saying bottom line, Lieutenant Dan Choi, you're fired. You're a West Point graduate, you're fired. You're an Arabic linguist, you're fired. You deployed to Iraq, you're willing to deploy again, doesn't matter. Because you're Gay, that's enough grounds to kick you out. But the biggest thing that I'm angry about is what it says about my unit. It says that my unit suffered negative good order -- negative actions -- good order and discipline suffered. That's a big insult to my unit.
"I mean, all the insult that the letter can do, to say that I'm worthy of being fired, you know, that's nothing comparing to saying that my unit is not professional enough, that my unit does not deserve to have a leader that is willing to deploy, that has skills to contribute."
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2014 – At the stroke of midnight, gay marriage became legal in England and Wales. Among the first to tie the knot were Peter McGraith (left) and David Cabreza, who have been partners for 17 years. They were married at Islington Town Hall in the presence of friends, campaigners, well-wishers, and gay activist, Peter Tatchell.
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TODAY'S GAY WISDOM:
Almost a year almost after Dan Choi publicly came out on the Rachel Maddow Show in 2009, he returned to speak about the previous year, the continuing fight against "Don't Ask Don't Tell" and his being handcuffed to the White House gates as a public protest. He spoke about the need to be honest and live for the truth of our lives. We reprint his comments here as a reminder that even though DADT has been officially revoked, our LGBT brothers and sisters who are serving in the military are still living in its shadow.
"What the soldiers really respect the most and what they demand of their leaders is not to be of a certain orientation or a certain race or of a certain religion. They want to see courage. They want to know that the leader can step up and speak the truth when it needs to be spoken. And I speak the truth for all these other people who cannot speak up for themselves. That's what they respect. So there's no negative impact. When people can be honest about themselves it's always a positive impact.
"I knew that when I was on that fence I was not alone. When I had those chains on me, on my waist and the fetters and shackles on my legs, for the first time I knew that on the outside it matched what was on the inside: having to live in the closet and to suffer through "Don't Ask Don't Tell." And I see so many stand up and say "You know what? I am somebody and I deserve full equality." And that's what we intend to fight for."- Dan Choi
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lemurdetaic · 7 months
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Le château de Fontainebleau☀️👑🕊
Heureux qui comme Ulysse
A fait un beau voyage
Heureux qui comme Ulysse
A vu cent paysages
Et puis a retrouvé
Après maintes traversées
Le pays des vertes années
Par un petit matin d'été
Quand le soleil vous chante au cœur
Qu'elle est belle la liberté, la liberté
Quand on est mieux ici qu'ailleurs
Quand un ami fait le bonheur
Qu'elle est belle la liberté, la liberté…. Joachim du Bellay
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camille-lachenille · 1 year
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Theme songs for The Lord of the Rings characters (part 2 of my Tolkien theme songs)
Sleepsong, Secret Garden (cover by Clamavi de Profundis): This lullaby is all about letting your grown child go their own way and wishing them happiness in life, and I picture so well Elrond singing it to Arwen the night before her wedding.
The Next Right Thing and Show Yourself, from Disney’s Frozen 2: For Éowyn; who had to hide who she was and suffer in silence for so many years and go though the worse of grief before finding hope again and a purpose to her life.
Follow your Heart, Scorpions: This songs make me think so much of Bilbo Baggins, from the proper hobbit reluctant to go on an adventure to the old man wishing for a last journey, the friendships he formed and the griefs he went through, and all the incredible things he saw and did.
Ulysse, Ridan: This song just screams Sam Gamgee to me. The lyrics are partly from a poem by Joachim du Bellay, a French poet, and are all about travelling far away, seeing many beautiful places, and wondering when you’ll see home again because you miss it so much.
The Show Must go on, Queen: I hesitated to use a song so deep and heavy with meaning for this playlist but the lyrics make me think so much of Frodo Baggins that I just had to include it. As he says, the Shire is saved but not for him and, ultimately, he leaves never to return…
For the Dancing and the Dreaming, from How to train your Dragon (cover by Erutan): This song gives me major Faramir/Éowyn vibes and I needed to include it, especially since I can’t find a song for Faramir alone.
The Millionaire Waltz, Queen: the lyrics makes think of Elrond and Celebrían, who love each other so much but are separated for so long
Who wants to live forever, Queen: I use a lot of songs by Queen but it’s not my fault they all make me feel so much things. So, here is the theme song for Arwen and Aragorn, with lyrics that makes me tear up a little
I boschi della Luna, Lingalad: not really a song not for a character but a place, Fangorn. The lyrics are about an enchanted forest: an old man tells a boy about the spirits inhabiting the woods and how they are no less real than wood or rock because you can’t see them. I couldn’t find the text anywhere but trust me when I say it’s beautiful!
Lingalad, Lingalad: It’s a bit cheating because this song is directly inspired by Tolkien’s World though not a precise character, so I chose it for Aragorn. It’s about wandering and accepting one’s fate so I couldn’t pass the occasion
Married Life, from Pixar’s Up!: not a piece with lyrics, but this is the ultimate theme song for Sam and Rosie.
Again, the link to the playlist, with a few bonus songs not included here that could fit a lot of characters
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leseigneurdufeu · 1 year
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Can you please when you have time ofc, write a list of the books any French high-school graduate should have read? Like the baccalaureate curriculum for example. I'm seeking to catch up my general knowledge of universal literature + attempt to read directly in French
Sure!
Now curriculum may vary and there was a reform of education since I left high school so it might have changed but what any french graduate should have read: (authors in bold, titles in italics)
Poetry (middle ages and early Renaissance):
Any three poems from Joachim du Bellay or other poets from the Pleiade. Most important is Heureux qui comme Ulysse.
Also look up who the Pleiade were.
16th and 17th centuries novels:
La Princesse de Montpensier, by Madame de Lafayette. 90 pages but very, very antiquated language.
Gargantua, by Rabelais. It's NOT cheating to take the modern-french translation. Native speakers do it. It's not cheating either to just dump it half-way through because you don't understand half of it. Native speakers do it too.
La Belle et la Bête, by Madame Leprince de Beaumont.
Any fairy tale by Perrault.
Les Liaisons Dangereuses, by Choderlos de Laclos. Please. Do. Not. Read. It. It's awful, the protagonist rapes a 15yo girl but it's ok because him loving her is making him into a better person (Yikes), the whole thing is about the protagonist and his long-time on-and-off girlfriend (who's married to someone else) teaming up to dirty/perverse two (maybe three?) innocent young ladies. It's studied because it's a classics, not because it's good. Please. Don't subject yourself to it.
Les Lettres Persannes, by Montesquieu. letters from a bunch of fictional characters to the others, two iranians (but at the time Iran was called Perse) visit France and criticize everything (way for Montesquieu to criticize but be able to say "nah it's my characters saying that not me"). TW of suicide and incest iirc. Not something too graphic either, since it's always second-hand testimonies or third-hand.
Theatre of the 17th and 18th centuries:
Le Cid, by Pierre Corneille.
At least one play by Molière. Can't recommand because I don't remember much of it. Do read summaries for a few of his plays though because some characters names have passed into common language to mean the type of characters they were (a Harpagon is going to be a greedy man, a Tartuffe a guy pretending to be devoted but being a hypocrite...)
Le Mariage de Figaro, by Beaumarchais. It's a political satire but also people are jumping from the window so that the husband doesn't find them in the lady's room. Basically.
If you fell in love with theatre at that point, you can look up Racine but fair warning, all of those have old language but Racine (along with Corneille) have very old language.
19th century novel:
Short version of Les Misérables, by Victor Hugo. I'd recommand the long one but only the short one is required and also the long one has 40 pages of description of the parisian sewers system with no relevance at all to the story and that's not the only long digression so... Do what you want.
A book by Honoré de Balzac, whichever you'd want. If you want to read the whole series, it might be best to look up the order on wikipedia, they'll know better than me. Basically him and the next author on the list had a bibliographic universe before Marvel made it cool. 60-or-so books with common characters but not the same protagonists. I'd recommand you simply go with Le Lys de la Vallée, slightly royalist and apparently the easiest to read? (so i've been told but i didn't read it myself so...)
Any book by Emile Zola. I'd recommand Au bonheur des dames because it has to be the only one with a happy ending and a cute romance out of the 40-and-more books by Zola.
Bel-Ami, by Guy de Maupassant. The protagonist has no morals but it's funny. Kinda.
Madame Bovary, by Gustave Flaubert. A tad bit depressing. Not the most interesting either. But it's one of the few that have been studied more than once in my schooling so I know it's an important one.
19th century theatre:
Hernani, a play by Victor Hugo. Tragedy, so a bit sad. But do look up the Battle of Hernani (sorry there's not a big choice of languages for this one on wikipedia). Basically founded the french romantic genre. Quite a scandal.
If per chance Hernani was love at first reading for you, you might also like Ruy Blas, still Hugo, although i found it a bit less good. If you want a ridiculously overdramatic, over-the-top movie freely inspired by Ruy Blas but in which no one dies, you've got La Folie des Grandeurs, a comedy with Louis de Funès.
Cyrano de Bergerac, by Edmond Rostand, and if the style of the author makes you want to read more, go for l'Aiglon, which is about Napoleon's son but is a bit sadder.
19th century poetry:
Les fleurs du mal by Baudelaire. Awful. Simply awful. I mean you can try a few. I hated them all. Not necessary to have read all of them by any mean.
20th century:
A Ionesco play, either La Cantatrice Chauve or Rhinoceros, for the Theatre de l'Absurde. La Cantatrice Chauve is funnier I think.
Actually I won't give you any novels from that century because most of the ones studied suck and also it's for post-bac (after graduation) studies so it doesn't fall under the ask.
Now if I had to give you a few classics to read, what I'd recommand:
Les Trois Mousquetaires, by Alexandre Dumas.
Le Comte de Monte-Cristo, (ibidem). Luckily this one is on substack format at the cristo account.
Notre-Dame de Paris, by Victor Hugo.
I think that's all. If you've got any more questions, about books or about whether or not it's worth reading That Book instead of watching an adaptation or reading a summary, or which adaptation of, for example, Les Miserables, is the best, I'm here to answer them.
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ochoislas · 1 year
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Recién llegado, buscas Roma en Roma, y a ver nada de Roma en Roma aciertas: tales viejos palacios, tales arcos y muros viejos, Roma son llamados.
Ve la soberbia, ve la ruina, y cómo la que a su ley rindiera el universo, vino a domarse, por domarlo todo, y al tiempo se rindió que todo roe.
Roma es de Roma solo monumento, y Roma no triunfó más que de Roma. El Tíber sólo, que a la mar escapa,
queda de Roma ¡tanto muda el mundo! Lo que se tiene contra el tiempo, cae; mas vence lo que al tiempo da la espalda.
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Nouveau venu qui cherches Rome en Rome Et rien de Rome en Rome n’apperçois, Ces vieux palais, ces vieux arcs que tu vois, Et ces vieux murs, c’est ce que Rome on nomme.
Voy quel orgueil, quelle ruine, et comme Celle qui mist le monde sous ses lois Pour donter tout, se donta quelquefois, Et devint proye au temps qui tout consomme.
Rome de Rome est le seul monument, Et Rome Rome a vaincu seulement. Le Tybre seul, qui vers la mer s’enfuit,
Reste de Rome, ô mondaine inconstance ! Ce qui est ferme est par le temps destruit, Et ce qui fuit, au temps fait resistance.
Joachim du Bellay 
di-versión©ochoislas
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majestativa · 5 months
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My captive soul, […] What charm can for thee can hold our darkness?
— Joachim Du Bellay, The Muse Spoke French: An Anthology of Poems, transl by Kendall Lappin, (1994)
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parisfind · 2 years
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Sitting alone in the Place Joachim-du-Bellay, Paris. . . . #paris #parisphoto #parisjetaime #parislife #parisart #parismonamour #parismaville #parislove #pariscity #villedeparis #iloveparis #parisfind (at Place Joachim-du-Bellay) https://www.instagram.com/p/CjgLP_araZH/?igshid=NGJjMDIxMWI=
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