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#I'm not alone in this right
selfindulgentraptor · 2 years
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Comment if I've missed any, I KNOW I missed some
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confessedlyfannish · 29 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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sergle · 5 months
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You!! Hey you!! Are you looking for a pair of kittens? Do you live In Or Near Oklahoma? Do you wish you could listen to purring all the time? Do you want a cat that looks like an aye-aye?
long story short, we found these two kittens at the bottom of a garbage can!! I don't like to think about how they ended up in there- but we heard them crying while on a walk, and it's very lucky they were so loud! They were scared at first, but now they NEED to be snuggled at all times. Crazy how adaptable kittens are. I'd prefer to rehome them as a pair, but I'd consider adopting them out individually if that's my only option! Please IM me if you're interested in both/either of these babies, or if you have any questions at all!!
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jessieroses · 2 months
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Dear Joanne Kathleen Rowling,
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gatoiberico · 1 year
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parfait pals
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vergina-spva · 8 months
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I just wanted to say... props to the One Piece live action for giving Usopp some clear negative feelings towards his absentee father.
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moffnat · 6 months
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forcing them in their get along shirt because larian is too cowardly
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theloveinc · 2 months
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OlderDad!Bakugou who gets a haircut and his baby doesn't recognize him and he doesn't want his dad to pick him up 😭😭😭😭😭😭
Bakugou has a cry in the bathroom and you have to spend the rest of the night consoling him.
Also Hiiiiiii, miss u, hope youre gooooood
head in my hands bc of this, just thought abt bakugo growing out his hair a little bit right after baby's birth...takes him months to go and get a real haircut cuz he doesn't wanna burden you more than he already has and by the time he's okay with the thought (but only for "AN HOUR MAX," is what he says), he has a mullet thing going on and all this scruff on his chin🥺🥺🥺
so he gets home with his regular ol' haircut, maybe a little shorter just to account for ... not wanting to go again so soon, and baby's HOLLERING bloody murder as soon as they see him and refusing to be taken out of your arms, doing that thing where they're flipping their face back and forth to dodge a kiss...
it's so tragic bc not even a little cheek nuzzling helps to calm them bc bakugo's CLEAN SHAVEN and smells like aftershave instead of like dad when he tries!!!!!!
and after, you watch him kinda sulk into the bathroom, thinking like aw yeah thats a bummer but also pretty funny, too (esp bc the haircut does look good🫣🤓), AND HE DOESN'T COME OUT FOR LIKE an hour???
....until you finally have to ask him if he's okay in there and you're opening the door to him sitting on the toilet seat, arms crossed and red cheeks a little streaky with tears...
LJFKASDJFADSJK it's the cutest, most sad sight you ever did see!! ofc Bakugo tries to deny it, but the way he tears up again (after you're done assuring him he did nothing wrong) when his baby finally realizes it's him and smiles (and then how he refuses to give them up again until bedtime) has his ass. EXPOSED.
(i love and miss u more than air, earth, water, dirt + HOPE YOU'RE GOOD TOO BESTIE ILY)
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getvalentined · 2 months
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Thinking about Sephiroth's motivations in Rebirth and getting super emotional because fuck, man, I get it. I get it. It doesn't excuse anything, but I get it in a way I can't even describe.
The Gi establish that those who aren't native to Gaia can't join the Lifestream basically at all, they're held separate entirely; the Gi have never been in it directly, their ghosts wander in a little liminal space they crafted for themselves. This is because they're entirely foreign—the Gi appear to be interdimensional travelers that were somehow marooned on Gaia at some point in ancient history, where they died and were left as ghosts, lingering forever unable to move on.
Sephiroth is slightly different in that he was born on Gaia and he does have human parents as well as Jenova, so he can force his way into the Lifestream as we saw in Lifestream Black and Advent Children, but he can't disseminate into it. He's still conscious and cognizant in some capacity even as the Lifestream fights to strip away the parts of him that belong on the planet, the parts of him that were human. This is, presumably, why his memory is all fucked up postcanon, whether we're talking novels or spinoffs; the Lifestream has been trying to take him but it can't, because there's too much Jenova in him, so the parts of him that have survived are just the parts that are the son of Jenova. He hasn't been fully worn down by the time the Crisis rolls around, likely because his body is still partially intact in the Northern Crater. (Again, see Lifestream Black, as well as the OG.)
And here's where everything starts to hurt.
He's alone. No matter what Sephiroth does, he's entirely, completely alone. There is nothing in the world like him, the planet won't accept him—it's not death, it's a homecoming, and Sephiroth has nowhere to go home to.
And he's done this before, this is a repeating timeline, he's been through this before over and over and over. And he's always alone in the end. He's always there at the edge of creation, the end of all things, the kindling of a new universe, and he's still there. All alone.
So this time he's calling for the ultimate Reunion. He's not just calling his Clones home, he's pulling all of time and space together into a single planet, bolstered with the lingering Lifestream of hundreds, thousands of others, timelines where things fell apart and Gaia sat on the precipice of death before Sephiroth found her and tore the Lifestream loose to feed the timeline he's chosen as the most likely to survive.
Three friends go into battle. One is captured (Genesis, in Deepground), one flies away (Angeal, who chose his own death), and the one who remains becomes a hero.
Heroes save the world.
But it doesn't matter, does it? Because he's going to be alone. Zack asks how he could turn his back on everything, and he says "Easily." Aerith asks how he could possibly want an eternity alone—because she doesn't understand, that's what Sephiroth has waiting for him anyway. That's all he's ever had waiting for him.
Sephiroth is going to save a world that will never accept him, because that's what heroes do, and then he's going to be alone forever. But this time, for the first time in every timeline he's experienced, he's going to do it on his own terms. He knows what he is, he knows how this ends, he has no questions of that. But for once in his existence—and it's a long existence, unending, eternal in a way that neither human nor Cetra could never even comprehend—he's going to control exactly how that happens.
Sephiroth knows he can't control whether or not he ends up alone, but he can choose how it happens. He can do things right this time. Maybe if he saves the world it will be different. Maybe the planet will accept him. Maybe he won't be alone.
And if he is (and he knows he will be), at least it was on his own terms.
At least, for once in the whole of creation, Sephiroth had a single flicker of control over his own existence. For once in the entirety of existence, Sephiroth made a decision for himself.
He'll have to live with that decision, alone, for eternity—but it was his.
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sleepyconfusedpotato · 5 months
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Apparently and Unfortunately, there's been a... sudden influx in the reposting/editing/claim-it-as-their-own of my arts inside the TikTok world (;′⌒`)
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I know, I know, "Weeelll you're famous, sooner or later your arts are gonna be reposted, just deal with it bla bla bla." I get it, but still, the fact that a lot of people do it doesn't mean it's right. I've even let loose by letting it go if they reposted with credits by writing my name on the caption, but of course, majority of time, they get reposted without credits, edited, and then claiming it as their own.
I thank all the reports that have come in into my DM's! I promise I've done what I can to make them take it down, but again, most of the time I get ignored in the DM's.
-> SO ✨ What would be a huge, wonderful help to me, is don't be afraid to comment on the posts/tiktoks that it's sleepyconfusedpotato's art KINDLY. Don't attack them, just leave a comment that the art is not theirs and the art belongs to sleepyconfusedpotato on IG and Tumblr. That way the people that sees it will at least know that it does not belong to the reposter.
Once again, thank you guys so much for reporting these to me, but my efforts alone won't be enough, and of course they'll try to ignore/block me as I'm the actual artist. A thief won't admit to their steals.
Thank you and have a nice day/evening!
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iwasbored777 · 5 months
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This made me laugh so hard stop 😭😭😭
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She said that in the most normal way possible
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scintillyyy · 27 days
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can you really talk about tim's tendency to idolize and place dick on a pedestal and his semi-entitlement to understanding dick without also talking about dick's tendency to project his own feelings and insecurities onto tim and also his semi-entitlement to his right to try and micromanage how tim should feel and react about things. i, personally, cannot.
#dick and tim#anyways trust me when i say that none of this is meant in a negative way because this is what i Like about them lmao#forever thinking of the M/F fight where dick expects that tim will go alone with his line of thinking just because he says so#and is shocked when tim doesn't and instead has his own thoughts and feelings abt the matter#and babs has to tell him that tim isn't him & had a fundamentally different experience to him#it's like hmmm very realistic to me#the way they do this to each other in a way that almost is depersonalizing but like isn't actually#it's more just that they understand each other so well most of the time that it's easy to forget that they're their own person#with their own thoughts and feelings#like hm. there is something very realistically siblings about it in that#older siblings do tend to try and dominate the relationship with their thoughts and feelings because#their first memories are of being expected to lead their sibling and the sibling usually comes at a time when the older sib is v possessive#so the older sibling conceives the younger sibling as belonging to them and being kind of a hm extension of them vs their own person#meanwhile the younger sibling has no knowledge of a life where the older sibling doesn't exist#and the younger sibling's experience is that of observation of the older sibling from basically the very first day of life#so the younger sibling will often see and perceive the older sibling in very interesting ways#they're always learning something with thay observation good or bad#and thus probably develop more instrinsic understanding than even the parents do#and conflict comes because each is their own person but it's hard to see them that way sometimes#anyways there's also another thread where for dick it's hard to conceptualize tim's family of origin as real compared to them#but that's like mainly headcanon just know i'm right and it's interesting
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matsui-sinclair · 2 years
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world’s best cat dad
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podcastenthusiast · 1 year
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"Stop woobifying Ice Pick Joe! he's killed people" I have some pretty bad news for you about like every other character in Goncharov (1973)
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awakeskydoesntdraw · 16 days
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Posting in this blog after an eternity because I feel like I'm going insane here and my friends are asleep so I need to dump my brainstorm SOMEWHERE (SPOILERS FOR ARLECCHINO'S BACKSTORY/SHORT ANIMATION!!)
The TLDR is basically I think that the whole story with Arlecchino and Clervie is foreshadowing for whatever is about to happen with Lyney and Lynette
I think the parallels between Lyney and Arle don't need to be too explained for the most part. Pyro Visions, Arle wants him to be the next "king" while he doesn't seem to be too into that idea just like her younger self didn't want it, both are associated with Rainbow Roses (they both use them as ascension materials)
Plus, I'd argue they look kinda similar here. I'm not sure exactly what is that makes the resemblance, maybe a bit of the hair, bowtie and shorts and you could say it's something she has with the others too (her kid design resembles Freminet, current one Lynette) but I thought it was good to mention anyways
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Meanwhile, Lynette and Clervie are the two closest companions to their respective pair
Lynette's has Lumidouce Bells as an ascension material. Clervie is very clearly represented with the same flower (if her necklace wasn't enough, there's this)
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Plus, a bit of a smaller connection, but they both have clear sweet tooths
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(Lyney saying "we talked about this" implies this is a frequent event. The animation showing Clervie with cake twice while it only had 7 minutes to tell the whole story has a similar effect)
So, if Lyney is a parallel to Arle while Lynette is a parallel to Clervie, where does this leave us?
Well... Not exactly in a good spot-
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To be fair, I don't think Genshin would actually kill a playable character (or at least, so I hope), but it's very possible Lynette gets really hurt, either directly by Lyney or by being close to him
Arlecchino swore to be nothing like her mother, but in the end, the way she's acting towards Lyney by wanting to make him the next king may be very similar to it
Once upon a story quest, Lyney said similar words to a woman who claimed he'd end up all alone. I can only pray that the writers will have mercy at my soul and that they wouldn't go that low with a playable character
If I were to make a mildly self indulgent guess, as the Freminet main I am, I'd say that he may be the key that's going to make things turn out different for the twins. His presence is the biggest difference between the twins vs Arle and Clervie, who seemed to have no one else that was even mildly close to them. From the 4.6 trailer we know that he's the one that has been hiding stuff and we do see him blocking out Arle's attack, so I don't think it's a stretch to say he'll have a really important role in this whole thing
So yeah! If you read all my rambling, thanks I guess, hope you enjoyed it. In the end, all I can hope is that the Fontaine siblings all turn out fine for the sake of my own mental wellness because God knows these 3 stay all day spinning in my head as if it was a microwave
Also, for the record: No, I don't have a clue about what the hell is going on with Freminet apparently finding "Clervie" (ghost?? Illusion??) and hiding her from Arle. Until this short my best shot was that she was some sort of mermaid creature, but that idea is out the window so it could be anything really
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morrigan-sims · 1 month
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And I forget sometimes I'm just flesh and bone.
As he stands in the ruined bathroom, all Rook can think is, At least now I can breathe.
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