Wouldn't it be some shit if Solmare switched us back to the OG game for the next season since we're supposed to be back in the present?

Yeah short skirts and crop tops are sexy— but there’s just something about a man that finds you so attractive wearing clothes that shouldn’t be considered typically sexual. Like baggy sweats or his old, worn shirt.

Those plain, boring outfits that aren’t planned and are just thrown together for comfort and practicality that have his dick throbbing for you as he imagines bending you over the nearest surface.

i hate being a mentally ill adult actually. i hate that there’s always groceries to be bought and housekeeping to do and work in the morning i hate that we have no space to feel it all i hate that we walk around acting normal. there are so many people i know who are clearly deeply unhappy with their lives and we make silly little jokes that allude to it but sometimes i want to grab them by the shoulders and scream ‘i know you are miserable!! we can’t keep living like this!! this is why people break!!’ im sick of this drudgerous apathy i want us all to be dramatic like when we were teenagers i want us to sob together and scream bloody murder at each other and tell each other we want to kill ourselves not as a funny post-ironic joke but because we all feel like that sometimes!! i want us to get fucked up on god knows what til we can’t open our eyes i want us to take care of each other instead of always taking care of ourselves i want us to be vulnerable i want us to hold each others hands in the ambulance!!

I am sooooo normal about the implications of ice marcy (lying)

on june 11th 1993, mike wheeler drags his vaguely amused (and highly endeared) boyfriend will byers to the movie theater, shells out for the largest size popcorn they have available, and gets 2 premium, middle-row seats to watch steven spielberg’s jurassic park

(he’s been vibrating with anticipation ever since the first trailer came out. he makes will go see it with him another five times before it leaves theaters.)

replaying tp (again) YAAAAAYYYY

i think it would be so cool that with all the mirror shard dungeons each resistance member would go with link and explore and adventure together (i know with some of the dungeon mechanics/stuff it wouldnt really work with two people but I Dont Care) . and also i love ashei and shad and i miss them they are so silly to me

"Found out" set in kind of a made-up chapter where the girls are in trouble, or something.

i wasn't expecting that last WIP to get so much attention aaaa

have a slightly more updated version (still not done!) bc i was gonna trash this piece bc im punching way above my current skill level and its TOUGH but all of the nice comments on the last one motivated me to pick it up again and keep swinging at it ^^/

TBH people are so deranged about hozier. i love his music and he seems like he would be great to converse with for a few hours but can we just. Remember hes just a person and stop saying insane things lol and also mitski and boygenius fans--and i say this as someone who had mitski and julien baker as their top artists on spotify more than once, yall need more than grass go to therapy i mean it get ahold of yourselves 😭

he absolutely is just a person and people talking about him as though he is a fictional blorbo is just.....bizarre. i love his music deeply but he is also literally just a guy called andrew

okay i have more (critical) barbie thoughts under the cut.

i really did enjoy it overall. it was fun, cheeky, surreal. i loved the experience of watching it in an energetic theater. i even cried a couple times. but i’m baffled at how powerful it was for so many people when it fell so flat for me. honestly, maybe what i’m feeling is just because i’m trans and it didn’t resonate as strongly with my experience of womanhood or masculinity.

i keep coming across people using gloria’s monologue to dismiss criticism by saying “anyone saying barbie isn’t feminist enough are doing the exact thing gloria pointed out! women have to be perfect but it’s just never good enough!” Y’ALL. having issues with a high-budget, corporate funded movie that has the same milquetoast girl-power messaging you’d find in teen mags from the early 2000s… is not the same as oppressing women under patriarchy. you can critique media and still resonate with aspects of it. good grief.

another response i’ve seen to critiques (specifically of gloria’s monologue) is that the movie’s messages are meant for barbie herself! not for the audience! it had to be super tame and generic because otherwise barbie wouldn’t have understood! all those speeches and ideas are aimed solely at barbie who is learning about all of this for the first time! it’s not for you if you already get it! what?????? that’s not how media works and you know it.

also, the idea that it’s meant to be palatable for a “wider audience” so it couldn’t have included intersectionality without losing people. translation: “wider audience” means white suburbia? white men? cishet people? where the most “representation” they can tolerate is a 3 second clip of a voiceless barbie in a wheelchair dancing? or a black president barbie who mostly says one liners and disappears? a wider audience being the same audience every blockbuster is catered towards?

i’m just spit balling here, but i don’t think it would have been impossible to introduce some unironic nuances like:

america’s latinx character experiencing sexism differently from stereotypical barbie?

maybe not using mount rushmore repeatedly to symbolize who’s in power?

avoiding comparing bringing patriarchy to barbieland to indigenous genocide?

a harsher perspective on mattel’s role in all this? where the outcome isn’t just will farrell’s character griping that he doesn’t even want to be in charge, he just wants to be tickled? (wtf was that lmao)

making a more obvious statement that patriarchy isn’t just a symptom of men stumbling across power and relishing it but that it’s rooted in violent white supremacy and capitalism? i’m positive there’s a way to address that without going full blown academic feminist theory mode.

having the black, fat, and disabled characters speak more than 5 collective minutes? (but at least they had screentime at all, right? ✨representation✨)

explicitly queer characters instead of “weird barbie” and allan being coded as the outsiders to an otherwise regimented cishet universe?

but all those ideas are irrelevant, right? because the movie was just SOOO self aware and layered in irony and if i was smart enough and hadn’t missed the point, i’d know the writers were in on it all.

absolutely no one asked for this but. divorceverse timeline for ur viewing pleasure <3

mianite s1 takes place when jordan is 17 to 18, mostly sticking to canon, although with two exceptions: capsize doesn’t die, and the void-hopping works, landing them back in their proper universe.  the heroes semi split from there. after saving the world, jordan decides the logical next best decision is to seek higher education. obviously. 

the two end up at the same college. jordan’s there for chemical engineering; schlatt’s there for business.

they meet at a houseparty, with jordan having been invited over by antvenom, a mutual friend of theirs. they don't exactly hit it off, but they don't not get along, either. jordan becomes schlatt's weed dealer, become a couple a week after, then break up two weeks after that. this cycle repeats indefinitely.

schlatt gets pregnant at the end of their first year. at that point, jordan was already considering dropping out, as college was Not as filling as he thought it’d be, so fatherhood gave him a perfect escape. he had plenty of riches from ianite, and his upcoming clothing company was looking prosperous, so he jumped ship. 

both of them had off-campus housing, but schlatt lived with roommates, while jordan lived alone. they decide to have schlatt move in with jordan for the time being. 

tubbo's born when the two of them are 19. schlatt lives with them until he graduates three years later, although he ends up crashing on jordan's couch more often than not, at least when the two are actually together.

when the two are 24 and tubbo is 5, ianite calls jordan for a favor. a young godling somehow stumbled into their reality, and while she'd been looking after them since they were found, her increasing duties have made it harder and harder for her to be a good parent. the pirates are busy, and jordan is the only person she trusts with such a task. jordan accepts, and crumb joins the family.

(this is why the void-hopping worked, btw. crumb's quintessance mixed with what remained of dianite in tom was enough to balance out the scales, so there was no need for the other heroes to intervene)

the two are 37 when adam is born. tubbo is 17 going on 18, and age is hard to calculate with crumb, but it's Somewhere in its teens. schlatt once again moves back in with jordan after adam's birth for the first few years of his life.

whenever i read fics i always end up thinkin of a song for the fic or like, th chapter and then i canr stop associating the fic w/ those songs

I'll bury myself with your suffering, if that's what it takes

Real talk I think Cherry Coading and R. Marie should switch evil genius partners for a week and see what happens

dorky just-some-guy loser who is diabolically obsessed with and down horrendous for amazing wonder women goddess the ship dynamic ever

this draw your otp with emmelle

I never really got it when people would talk about getting the ick but alas. now I do