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#I think I might've just gone insane
oh-warizoro · 2 years
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When ch 1044 and 1045 were released and all the chaos was unleashed, I remember having a very obvious question
"How come the power of human human no mi: model Nika is connected to rubber?"
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How is a gomu gomu fruit's awakening the power to turn imagination into reality?
I mean... This awakening grants the user freedom, not just of spirit but freedom of how to use power too. Luffy's ability to manipulate reality while in gear 5 seems to show that.
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So??? Why rubber? Why does the fruit give the user a rubber-like body? What does that have to do with anything?
I was totally not re reading Skypiea when I noticed this.
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Of course it's white they're in a cloud sky instead of a water ocean, but it's the fact that they use "pure white". White would've been enough to get the point across, right?
Guess where else have we seen that exact expression!? Oda's drafts of Gear 5!!
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And the chapter after that? Guess what?!
We learn island clouds in Skypiea bounce just like rubber.
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There's no need for Oda to make them bounce, but they do! Exactly like when Luffy turns the environment around him to rubber due to the awakening.
Let's not forget that Skypiea is where we first hear about the "Sun God" and we see Luffy's sirouette resembling the "Sun God Nika" transformation.
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So would it be insane to think whatever Luffy has going on during his gear 5 is clouds?!! More specifically island clouds just like the ones found in sky islands.
Think about it.
Rubber was unknown to the people in Skypiea, and sea clouds/island clouds don't survive in the blue sea under natural conditions. Most likely 99% of the blue sea population has no idea what an island cloud is or what their properties are.
For all intents and purposes rubber was the best description blue sea people could give to the power of the fruit. If the fruit hasn't awaken in 800 years, it means no one has seen that transformation (which clearly is not just a “rubber fruit” awakening) EVER?! since the end of the void history gap. You would have no way of knowing. You would just think it’s rubber.
Now what does clouds have to do with the Sun God?
Well other than "they're in the sky" I'm not sure 😂 but someone that dreams a lot is said "to have their head in the clouds". The same way imagination and thoughts in manga are depicted with a floating cloud above the character's head.
It seems to be a perfect physical and symbolic representation of dreams! That's the theme of skypiea and the true pinnacle of piracy - dreams and freedom. It’s what the whole story is about!
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adammilligan · 2 years
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something about how michael was built for war and he’s lived through and won endless battles and did win the war against lucifer so long ago but the first time we actually see him lose his composure on screen is when adam asks him, very gently, if he still cares about what god thinks of him after he left him in the cage. when he gets frustrated and even snaps at one point and adam is still so kind to him anyway. something about heaven’s most terrifying weapon being rendered speechless at one string of words spoken with nothing but gentle concern. not to drag a quote into this but quite literally sometimes being offered tenderness feels like the very proof you’ve been ruined
#like he can handle war but he draws himself up defensively and can't even speak when adam confronts him with nothing but kindness#behind the gesture#and that line is still so interesting to me! because it kind of implies that michael hadn't been acting like he cared about being#the favorite anymore. which to be fair he hadn't! he ditched heaven to hang out with a human that's far from how god's favorite should act#but the new identity michael was building for himself was still shaky especially since yknow. a lot of it was developed in a cage. in hell#so it makes sense that when confronted about it he would start clinging to that old identity all over again. it's very human of him actually#and with adam's real genuine concern/confusion over it + how it's apparent that they talk to each other about everything#it makes me think that no michael didn't actually care about being the favorite anymore. even in 15x19. ESPECIALLY in 15x19#in 15x19 especially it was a combination of a) his unstable mindset after losing his closest and only friend#b) that loss being a direct hit on the foundations of his new identity#and c) the old identity coming back up to take its place because otherwise he might've actually gone insane. he had to function SOMEHOW#and i know there's only so many ways you can defend 15x19's genuinely godawful writing. i know. and i'm a steadfast 15x19 hater#but this is perhaps one of the only ways i can EXPLAIN it#and no bringing lucifer back didn't help. one of thee pillars of his old identity shows up while his new identity is crumbling to dust in#the face of adam's death and he's falling and you don't expect him to reach out and lean on it for support? that's just what people DO#it's like taking away an addict's best coping mechanism and expecting them not to relapse if only the one time#and he was being actively encouraged to relapse was the thing! dean going 'daddy's boy' at the beginning of the ep? their plan RELYING on#michael's death at the hands of chuck? REALLY.#these tags are not the point of this post. anyway#kate rambles#michael#adam milligan#midam
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mrs-weasley-reid · 1 month
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and this love came back to me
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Aaron Hotchner x (former) bau!reader
Summary: A friend's death brings you back to the loving arms of the BAU family. And like a high tide, it also brought back old feelings that Aaron finds difficult to control.
Warning: fluff! cursing, mentions of death, divorce, miscarriage (tell me if I forgot something)
A/N: this can be read as a stand alone but is a part 2 for you're too sweet for me. it's loosely inspired by This Love (Taylor's Version)
— ✦ — ✦ ✦ — ✦ ✦ ✦
The sight of you is like a dream.
Aaron thinks it might've been the haze of loss and woe that was making him see things, but it isn't. His breath hitched audibly. The sound causes David and Spencer to turn to Aaron, following his line of sight to where you stand at the front door.
As your eyes roam in the crowd of people clad in black, Aaron is the first you see. Your eyes are rimming with red heat and overflowing with tears. Your feet race to Aaron, snatching him into a tight hug like the calvary was out to get you, and he is your only lifeline. "Hotch..." Your voice cracks upon his name as you bury your face on his chest, soaking the fabric of his dress shirt like it hadn't been more than a decade since you saw him last.
Shock fills Aaron's chest, but his hands still remember your frame in his arms so well they wrap themselves around your waist like second nature. Lavender and chamomile. You smell just as he remembers. A mixture of solace and gaiety. Your sniffles sound the same. So distinct that his ears itch.
His mind questions whether seventeen years of his life were all a dream and he'd just woken up. Your embrace feels like a day has never gone by, and you two are young and stupid again. Okay, maybe not stupid. You were never stupid. Not a day in your life were you ever stupid. Aaron insists on the thought.
Right then, Aaron decides that you are real because no one else in his life has ever grabbed him into a bone-crushing hug the way you do. Arms wrapped around his neck like vines. Toes pointed at the earth so you could reach his insane height. He can only think of one other person who'd do that: Jack. But the boy could barely wrap his arms around Aaron's legs at the moment, so it was definitely you.
He closes his eyes, and tears quickly trickle down his face like he's been holding it in. He was. He is under the impression that with all the tearful sobs his team has wept, he should at least swallow his. As usual, he wanted to be a strong foundation for the others. A shoulder they can cry on. So, Aaron forbade himself to cry. At least not in front of everyone.
But then your hold is so tight the heartache finally explodes. You roll in with the reminder that he is permitted to cry, too. To feel the sorrow. To crumble like everyone else in the room.
"I came as soon as I heard," You muffle in his shirt, pulling away to wipe your bottomless tears with the back of your hand.
It takes all of Aaron not to hold you back when your body leaves his cold and empty. Your peripheral had caught David's familiar figure, prompting an automatic brain response to capture him into a hug.
Aaron watches as you exit out of David's embrace, forty-five seconds shorter than his. He doesn't let himself think too hard of it. Afraid that he is to get his hopes up for nothing.
David pats your back, "Glad to see you, kid."
There it is.
Your smile.
A smile so bright it blurs out your chapped lips and runny makeup, "I missed you."
Aaron swears he would've fainted if you'd said that to the Aaron Hotchner from seventeen years ago. The one who can't even pluck up the courage to tell you his feelings. As if he's got the prowess to do it now. As if he hasn't been feeling like a schoolgirl, giddy with any kind of affection you offer him in the past three minutes.
For a moment, Aaron let himself indulge in the delusion that you came for him and only him. His bubble burst into a sharp pop in an instant, though. Because then your eyes shift away from him, "I missed everyone." You reiterate with much clearer keywords.
A tug aches Aaron's chest. How can he forget? You are kind to everyone. You are a safe space for everyone. A light for everyone. So, as special as your embrace was for him, it was a normal thing for you.
Then the realization hits him. He was at a funeral, for Pete's sake. He beats himself up mentally. For letting his unrequited feelings for you go rogue like wild animals, hysterical.
Focus, Aaron. He scolds himself.
Your effect on him is still as rabid as ever. He hates it a bit. Blames your perfection in his eyes. Blames himself for still harboring feelings that should've withered years ago. How the love glowed in the darkest depths of his chest as soon as you'd said his name. How a glimpse of you revived every piece of shattered heart. How the high tide of your arrival brought in waves and waves of his feelings back. He claims you are being unfair. Considering the fact that you are oblivious and at no fault.
A cough cuts the reunion short.
Aaron's thoughts dissipate like a fog blown by a violent wind. He mentally thanks the person for bringing him back to reality.
The three of you turn to Derek Morgan. You don't know the man, but you offer him a soft smile—one with your lips closed but curvy enough to be friendly or display an apology—in hopes that he doesn't form the wrong impression of you.
Other faces come into view. Now you wonder who they might be and what special place they hold in Jason Gideon's loving memory. Was he a mentor, a boss, a friend, or a family? Because your senses have never let you down, feeling the capacity of their mourning through their sullen faces and glossy eyes.
Then again, it has been years since you stepped foot on American soil. You aren't sure how many people Jason Gideon made acquaintance with. Maybe you were smiling too widely that it offended people. It's his funeral after all.
Aaron doesn't let your thoughts wander too far, clearing his throat. As if he sensed your insecurities rattle in the pit of your stomach. If you were flushed by it, your puffy face hid it well. He stands between you and the group of people who watched him in detail.
"Everyone, I'd like you to meet an important vessel of the behavioral analysis unit..." Aaron introduces you with great renown. He says your first name with an undertone the team picks up but doesn't mention. "We worked on many cases together when the unit was too small to focus on one case at a time." He turns his entire body to face you. A hand makes its way to the lower of your back as if to tell you that the strangers are safe enough to be in close proximity with. "These are agents Derek Morgan, Jennifer Jareau, Kate Callahan, Dr. Spencer Reid, and tech analyst Penelope Garcia. The A team." He beams with pride like he'd just shown you his golden medals.
Your jaw drops, hands landing over your chest as a soft gasp escapes you. You look between Aaron and David to confirm, earning two series of nods. "This is the team? Like a team, team?" You can't help but tear up from the utter joy that rushed through your veins.
The said team found you overdramatic. They exchange looks between them. A silent conversation, judging whether they should let their eccentric impression of you stick or give you another chance to redeem yourself. They guessed that the death of a friend may have contributed to your screwy image.
Still, a woman with a kind smile and breathtaking beauty doesn't hesitate to approach you. "You can call me JJ," She starts and offers her hand. You shake it firmly like she's about to interview you for a job. "I used to work with Gideon as a liaison. I never imagined that I'd be one of the profilers who'd solve his case." An awkward smile laces atop her lips, also shock with the randomness of her last words.
Wonderment masked your face. The fact you were supposedly at a funeral was forgotten momentarily. You glance at David with twinkling eyes. "A liaison?" You squeal in a whisper.
"Wait until Penelope Garcia shakes your hand," David whispers back as he leans close to you.
You follow his subtle gaze at the other blonde woman across. Technical Analyst. You remind yourself. An amused scoff bounces off your throat.
Aaron chuckles and hands you a square cloth, "A lot has changed since you left. We have a floor to ourselves now." He is unaware of the team's watchful eyes, taking notes of his every motion next to you.
"Oh, I'm sorry," You take his handkerchief and blot your weepy face. "I must look crazy." A bright giggle roars out of you. "It's just... There were only four of us as a unit, and we had to share our workspace with other units. Cases took a lot more time to solve back in the day."
"How long?" Penelope curiously asks, as if it is the most important detail she has yet to hear. She is a sunshine. It takes one to know one. You swear she's glowing despite the dry mascara stain on her face from all the tears early on the day.
"Too long," You shake your head, trailing off as your face flashes a dreadful expression. "I'm just glad all of you were there to solve Jason's case. I really wanted to help, but I had important matters to take care of." You vaguely share. Your mind quickly shoves the thoughts that you deem irrelevant to the moment.
"You knew Gideon?" The tall boy with unruly hair asks with sorrowful eyes. Dr. Spencer Reid. He had a frown on his face.
"You're not the first genius Jason picked up," David quips, causing a chuckle to most except the young doctor.
Spencer throws his gaze somewhere else. He has been impacted by Jason's death more than anyone else on the team. The tear stains on his face had yet to fade. So, joking about Jason still made his heart ache.
You glance at Aaron, asking him all the questions in your head without letting it slip out of your mouth. Your connection never broke. He could hear your questions loud and clear just by meeting your eyes, and it felt euphoric. Still, he concentrates on your airy curiosity, nodding once.
Just like that, your attention drew to Spencer, "He used to beat me in chess." You state at random, making the group quiet.
Spencer offers you a tight-lipped, wistful smile, "Me too."
You walk closer to him with a soft smile and a "has he ever given you tickets?" The two of you took off to another part of the room, chatting, cheering him up just a bit.
Somehow, the small interaction between you and Spencer made Aaron explode in happiness. He doesn't know why exactly, but it felt fatherly. He wasn't too far older than Spencer, but he'd watched him grow into a great profiler. He knew Spencer like the back of his hand, even if bits of Spencer's life were swept under his palm. So, he knew that it wasn't easy for Spencer to be generously welcoming, especially when someone important to his life just died. And when you knew exactly what to say, understood what Aaron's nod meant, it made his heart swollen. You bonded with Spencer in mere seconds as if you were the one to give him life. Aaron adored it. He couldn't explain the reason, but he hoped that Spencer could find refuge with you.
The day wheels into the night. Fewer and fewer people scatter around Stephen Gideon's residence. You find yourself standing by the terrace with David and Aaron, reminiscing the old days, coddling a glass of whiskey.
Aaron is stunned by your choice of alcohol. He remembers you preferring a much sweeter drink.
"I've always liked whiskey," You correct him gently. A laugh forced its way out against the neat liquid sliding down your throat.
"That sounds wrong," Aaron chuckles, "I swear you even hated it with a passion."
You give him a weird look with a subtle grin, "You must be thinking of someone else because Jason and I like the same exact brand of whiskey. You're getting old, Hotchner." You tease, hiding the butterflies in your stomach.
Aaron's eyes widen as he points an accusatory finger at you, "Jason introduced me to whiskey! You're definitely lying!"
"Well, duh!" You roll your eyes, "It's Jason. He's practically our father." You state, straightening your back as you lean against the railing. The wind whips across your face.
"So, what? I was just a fly on the wall? I'm starting to regret calling you back home." David interjects, spreading his arms as he furrows his brows. He caters to his own glass in the comfort of a chair.
"You're mother bird. Everybody knows that," You grin. The urge to cry has finally stopped. Though, you suspect it was the jet lag and hunger from the ghastly flight.
The three of you fell into fits of laughter. Well, just you. Aaron and David only had wide grins on their faces. After all these years, they still refused to laugh loudly. You didn't mind it, though. Because you felt at home.
Aaron nudges your shoulder, "How'd you get here so fast? If I'm not mistaken, the flight from Paris to Virginia is at least nine hours long." He tries to sound casual, like he hadn't looked up the distance long ago and that, for some reason, he kept the knowledge tucked in one of the wrinkles in his brain.
A smug grin made its way to your face, "Does the BAU have a jet?" You brag, sipping your glass empty as you raise your chin with pride.
"You'd be surprised," David takes the liberty to respond, shaking his head while his brows raise in disbelief. A ring brings his attention to his phone on the table but continues to finish his thoughts out loud. "The team's filled with young people now, and suddenly, I'm ancient history. Hold on, you two. I need to take this." And he slips back inside the house to find a quieter space.
You and Aaron exchange looks.
A smile slowly lifted the ends of his lips. It was a handsome sight.
It felt like time had stopped.
You break from his gaze, "So? How's everything? How long has it been? Like, thirteen—"
"Seventeen," Aaron cuts you off, nonchalantly drowning his throat with liquor.
You blink, "That long?" He nods at the air. "Damn, Hotch. You're making me feel old." You nudge his side, though you barely caused any impact. Your brows are drawn as if you aren't certain whether to take it lightly or feel slightly offended.
He rolls his eyes. Had his team know how much of his expressive side had the habit of showing every time he was with you, they'd start a riot.
"You didn't age a day. You still look young." You still look beautiful.
"Flattery won't get you access to the French database, Hotch. You know that." You kid, playing with the ice cubes in your glass. The clinking sound makes you smile. You convince yourself it was the reason, at least.
"You caught me," Aaron says in a sarcastic tone. He lets the silence sink in for a moment, spoiling himself with your presence for a brief moment. Just for a second, he wants to keep the moment to himself. Just the two of you. Just you and him.
And when he felt satisfied enough, he brought his life into the mix, "I got married." He almost jumps from his spot at the sudden snap of your neck. You beam with excitement, encouraging him to say more. "Haley... she was a great woman, person. We have a son, Jack. He's nine years old."
You looked like a child listening to a fairytale. You pat his shoulder, "Hotch, that's so amazing! Are they here? Did you bring them with you?" You glance inside the sliding glass door, scanning the crowd.
He should've continued talking. "W-we... We got divorced, and... she died," Aaron's voice got lower with each syllable, completely soundless by the end of his sentence. He doesn't know why he feels shame. It has been years, and even if it still makes him sad sometimes, Aaron takes pride in the fact that Haley sacrificed her life.
"What?" The excitement plummets off your chest.
Aaron takes a big gulp. You'd missed so much it became difficult to tell you more. "She died. Five years ago." He clears his throat, "But I'm okay now. Jack and I are doing well on our own."
Your expression softens, and a hand unconsciously sits atop his hand, "I'm so sorry, Hotch." You squeeze his hand. Part of you felt guilty for feeling excited, for getting ahead of yourself like usual. You fear that your enthusiasm may have caused Aaron triple the heartache he is already feeling.
"It's a long time ago. I'm really fine. Jack's growing up like a spitting image of her. He's an amazing kid." He doesn't want to bring the mood down. He's honest when he says that he feels fine. "Enough about me. How about you? Do you have anyone waiting in France? Any kids?" If he can recall, you always told him how badly you wanted to have a family.
You lick your lower lip into a thin purse. You gaze at the evening view of the backyard with a heavy sigh, loosening your shoulders, "I was going to..." Aaron's brows scrunched at the way you phrased your response, but he didn't say anything. "Before I became the chief, I was part of the undercover agents. Days before my new assignment, I found out that I was pregnant. Louis wanted me to take a break from work, but I insisted that I work. The day I learned I was going to have a boy, I got caught in a crossfire. I tried to fight for him, but it was either me or him." You release a heavy sigh, "The doctors chose me. They chose wrong... Louis blamed me for losing our baby. I still do, too. We had a hard time bouncing back up after that. We just finalized our divorce yesterday." You smile weakly at Aaron, masking the hurt that pierced every inch of your heart. You quickly swipe the single drop of tear that managed to trail down your cheek.
Aaron glances at your intertwined hands. He feels guilty for liking it despite the dense atmosphere of your conversation. So, he lets go of it to snake an arm around your shoulders, giving you a tight side hug. "Don't say that, sweetheart..." The endearment rolls off his tongue like butter. He doesn't dwell on it, eager to lessen your pain. "I'm certain that he's glad you lived. He wouldn't have liked the world if he never got the chance to be raised by you." He starts to imagine how awful Louis looks and how much Aaron would make him look worse. He's barely known the guy, but he despises how horrible he's treated you at the time you needed a loving husband the most.
The next thirty minutes became quiet, and Aaron thought that maybe catching up wasn't such a great idea. He should've known that your lives weren't exactly on the greener side.
Then he wonders what life would've been if you hadn't left. He shakes his head. Despite the unrequited love he had for you, he still loved Haley with all his heart and would never change anything if it meant Jack being born. He assumes you'd think the same.
"I sometimes wish I came back here, you know." You blurt out as if you are reading straight from his mind like a book, breaking the silence. "I missed out on so much. Your wedding. You becoming a father. David's other weddings... Jason. I wish I was here for everything." You lean your head against him, letting his warmth spread on your skin. "I don't regret going to France or anything that happened in my life, but I wish I could've been in both places at the same time."
Aaron nods, "Yeah, it would've been nice to have you here." He thinks otherwise because he wishes you stayed. He hoped that despite his cowardness, he'd got you around the block and not a continent away.
He takes it up to himself to change the topic into a lighter tone.
He starts talking about Jack and the satisfying struggles of fatherhood. He shows you videos and photos from his phone. You are engaged in a heartbeat, laughing at the littlest humor he'd throw in. You adored his son. That made Aaron beam with pride. Granted, a lot of people have told him the same thing, but coming from you, it was like he'd received an accolade.
Somewhere in the evening, Stephen steals you from Aaron's company. You're easily filled with joy at the sight of an old friend, ignoring the fact that Jason's son used to have a childish crush on you. Other old acquaintances got a hold of you, too.
Aaron never got to see you again for the rest of the evening.
— ✦ — ✦ ✦ — ✦ ✦ ✦
It has been eleven months since Aaron last saw you when his peripheral caught your figure as soon as he stepped inside David's home.
"She's with the team," David announces casually.
Aaron's brows knit together as he brings his gaze back to David, "What's that?"
"I said she's with the team," David repeats, glancing down the hallway. "You better catch her before she leaves. I got lucky when I called her. She's about to take her flight back to France. This is why I set an arrival time—" Before he could finish his last sentence, Aaron was already halfway down.
Jack Hotchner watches as his father speedwalks inside David's house, "Is Dad okay?" He looks up at David with worried eyes.
"He's alright," David pats Jack's head. "See, kiddo. Your dad used to have a crush on someone before he married your mom."
"Is she pretty? Is she nice?" Jack queries.
David smiles, "How about you decide yourself?" He guides the young Hotchner toward the center of the celebration.
Meanwhile, you are in the middle of wishing Dr. Tara Lewis good luck for her new place in the BAU when Aaron calls your name. You pivot on your heels. A smile instantly brightens your face at the sight of Aaron, "Hotch!" You exclaim, engulfing him in a hug.
"You should've told me you were in the area." Aaron's grin is brighter than yours.
Unbeknownst to him, a couple of watchful profilers keep their eyes peeled at you and Aaron.
"Are they?" Tara trails off next to Penelope.
"They worked on many cases together," Penelope replies suggestively, wiggling her brows as she sips from her swirly straws.
JJ grins at the conversation, "He's like an entirely different person with her. Think of Spencer." She hides a grin behind her glass of wine.
Spencer furrows his brows as he looks at JJ. "Should I be offended?" He clutches the mug of eggnog close to his chest.
"No," JJ shakes her head defensively, elongating the last letter. The others erupt into silent chuckles.
Derek nudges Penelope while he's got an arm wrapped around Savannah, nodding towards you and Aaron's direction, "Look. Hotch is about to introduce Jack to her. How much are you betting he's trying to get Jack's approval? Will Jack even like her? She looked crazy at first—Ow!" He rubs the side Savannah just elbowed, wincing.
Jack shyly stands in front of his father as he looks up at you. You had no doubt he looked a lot like his mother now that you'd meet him in person. You don't forget about Aaron, though, because they had matching eyebrows that narrow every time they attempt to read someone intently.
You squat down to Jack's height, "Nice to meet you, Jack. Your dad has told me a lot of great things about you!" You rummage into your bag, fishing out a huge peppermint lollipop disk. "I didn't expect to meet you today, so I wasn't prepared to bring a gift you'd like, but you can have this if you want it."
Jack glances at his dad from behind him and then back to you. A wide smile spreads across his face as he takes the sweet from you, "I like this one, too! Thank you!" You almost stumble down when he launches to hug you.
"You're welcome!" Your giggle echoes in the entire house. You hadn't expected him to attack you with a hug, let alone a stranger you'd identify yourself as.
Aaron couldn't help but feel overjoyed. He doesn't know how to keep his heart from beating faster as you glance at him with a tooth-rottenly sweet smile while hugging his son.
You really were unfair to him.
He's hopeless. A lost cause. He should've known from years ago. Should've known that you'd leave a permanent mark on him.
"Dad," Jack gestures for Aaron to get down. He leans close as soon as his father oblige to his command, covering his mouth.
Aaron's eyes subtly widen. His ears burn into a beet-red blush. He clears his throat, "How about you say hi to the others? Play with Henry and Reid, okay?" He dismisses, ignoring the innocent words that rang in his ears. He gently pushes Jack toward the team's direction.
"He's such a sweetheart," You say as you get back on your feet. You glance at Aaron, "You're doing amazing. He's lucky to have you." You turn to the team. Laughters passed between one another. "They're all lucky to have you." You add, crossing your arms on your chest.
"She's good," Savannah nods in amazement. She's only heard of you from Derek but can finally see the difference in Aaron's demeanor the moment he caught a glimpse of you.
"Who randomly has a giant lollipop in their bag?" Derek states in disbelief, the total opposite of how Savannah reacted. He hands JJ a ten-dollar bill, though.
Spencer shrugs, "I would've been way nicer to her if she offered me one last time." He pouts at the sight of Jack waving the lollipop like a taunt.
JJ and Tara laugh.
"Oh, shoot!" You exclaim, twisting your wrist to glimpse at the time. "I still have to pass by somewhere before my flight. Say bye to Dave for me, yeah?" The rush makes you quite frantic, pulling Aaron in. You leave a peck on his cheek, patting his shoulders like it's tradition. "Merry Christmas, Aaron." You bid farewell with a smile and began to walk.
"Wait—" Aaron grabs your wrist. It's so small in his hand. He makes sure he held you tight in a gentle grip. The last thing he wants is to break your wrist.
Your body recoils a few steps back to him as a product of his pull. "Yes?" Anticipation sparks in your eyes as you wait for his response. You must've drank wine too fast because electricity surged through veins, all coming from his firm hold.
A huge lump forms in his throat. "I—" Suddenly, Aaron is tongue-tied.
I want you to stay.
He fights hard to swallow the rock that kept him from talking and clearing his throat. "I'll walk with you," He wishes the ground would swallow him whole. But he suspects that even the devil himself is too embarrassed for him to let him in.
"Oh..." You don't know why you felt disappointed. What were you even expecting in the first place? You flash a smile, though. "Sure."
— ✦ — ✦ ✦ — ✦ ✦ ✦
Aaron stays at David's for two more hours before he decides that Jack needs to catch up on some sleep before they leave for Jessica's place in the morning. So, he drives through the light traffic, listening to Jack sing along the radio.
Jingle Bell Rock had just ended, and the DJ interjects for an update about the evening traffic during the transition to the next song when Jack asks a question. "Where did your crush go, Dad?" He inquires all too nonchalantly.
"What did you say?" It takes everything in Aaron to will his eyes to stay on the road and his hands to keep complete control of the wheel. He glances at Jack from the rearview mirror.
"The pretty, nice lady who gave me this," Jack hoists the lollipop in his hand like a wand. He takes a taste of it and adds, "You think she likes Christmas movies? Can we invite her?"
Aaron blinks fast. He couldn't believe how much Jack had grown fond of you in only minutes of interacting with him. He ponders whether you're some kind of a witch. He clears his throat in an obvious fake cough, "I'm sure she'd love to, buddy."
"Can you call her to come back? We can invite her for hot cocoa!"
"Sorry, buddy," Aaron feels bad. He doesn't even know your phone number, even if he could get it within seconds from Penelope. "She had to go and do some work. Maybe n-next time." He isn't sure why he was stuttering in front of his child.
"You didn't ask her to stay?"
It felt like a freezing wave of water filled with ice washed over Aaron. Then, for a moment, he feels proud to know that Jack's innocence has given him the bravery Aaron couldn't even muster.
"No, bud... I didn't." He admits more melancholy to a nine-year-old than he intended to.
Jack sighs, "Aww. Yeah, maybe next time, Dad. I'm sure she'll like to hang out with you if you give her a lollipop. She'll think you're nice. It worked for me. I think she's really nice." He stares at the molded sugar in his hand.
Aaron couldn't believe his son was talking some sense into him. Where did the time go? Jack sounds more mature than Aaron has ever felt for months since he's seen you after years. He tightens his grip on the wheel, clenching his jaw from the sudden torrent of courage that blazes his chest.
"Jack, would you mind passing by somewhere before we go home?"
The boy shakes his head, "It's okay as long as you're okay with me staying past my bed time." Jack giggles.
Aaron chuckles, "I'll let it slide this time," He jests, then turns the wheel and heads to the airport.
You come back from the restroom, looking for a place to sit and wait, when a small figure wraps his arms around your torso, "Jack? What are you doing here? Are you by yourself? Are you okay?" You quickly scan him from head to toe. You could barely move from the way he held you.
He's okay. You tell yourself. Had he been hurt you weren't sure how to face his father.
"I found her, Dad!" Jack shouts, earning looks from exhausted patrons. He leans backwards but still tangled around your legs like his life depended on it.
You panic for a second. Unsure what to make out of his statement. You look around first to mutter an apology on behalf of the boy, but somewhere along the lines you felt like you were a mother denying her child.
"Great job, Jack." You hear a voice so familiar you needn't have to look up to confirm your guess. Aaron walks closer to the two of you out of breath. He tries to play it out but the rise and drop of his shoulders didn't pass your gaze.
You lift your vision up and meet with Aaron's heaving self. "Hotch? What's going on? Is everything okay?" You coax like you aren't sure if he's going to tell you the truth.
Aaron tucks a portion of his lower lip. Fuck. He ran out of courage. His throat is tight. His brain is frozen. His body is stiff.
Jack takes his father's hand and pulls him closer to where you stood. He looks up at you, "Dad has a crush on you. I also think you're nice. Can you watch Christmas movies and drink hot cocoa with us, please?" He says intelligently like he's tired of his father freezing on the spot whenever he faces you.
Your brows knit together, but a huge grin raises the ends of your lips. "He what?" You meet Aaron's blushing gaze. You've never seen his neck, face, and ears glow in rosy red except that one time during an undercover case.
Aaron melts into a chuckle, lowering his head. "I, uh..." He scoffs a laugh, "I can't believe you heard it from Jack first." He meets your eye once more, "Would you mind staying for a bit?" It's clear he has no idea what he was doing. He thinks he's about looking idiotic in front of many people and, most importantly, his son.
You hear your name from below, looking down at Jack as he gestures for you to go down. You do as he says, leaning close when he moves next to your ear, "Dad is very shy, but he really likes you. He smiles when he talks to you. I think he would be happy if you hang out with us." Jack whispers so well Aaron is left to wonder.
"You really think so?" You ask audibly for the sake of Aaron's sanity. You ruffle Jack's hair as he nods eagerly. "I don't mind at all," You smile at Aaron so sweet he feels euphoric.
All three of you leave the airport. The traffic then has grown more difficult to maneuver into, and by the time Aaron parks his car in the driveway, Jack is already ten minutes in his sleep.
You chuckle as you both turn to the backseat, "I stand corrected," You smirk, "I think you're lucky to have him."
"Yeah," Aaron titters, "He's a lot braver than me." He adds gently, reaching out to fix Jack's hair.
A comfortable silence basks the two of you. Jack's soft breathing faintly rings in the background as if both of you had to make sure he's there.
Aaron looks at you, though. He relishes the way the dim light from outside casts a shadow on your face. He loves the way your soft features are still visible despite the dark. "Stay," He blurts out.
"Sure, I'll stay 'til I find another flight—"
"No, I meant..." He struggles to swallow the saliva in his mouth. "I want you to stay. Here... with me." Aaron shifts his eyes down on the gearstick. "I'm not saying that I never loved Haley, but I never stopped loving you." He's sure that no normal person would declare their love the way he just did. He hoped that some foreign spaceship would open the roof of his car and take him away. "I don't know if I make sense. I'm certain that I'm ruining my chances the more I speak, but I want you to stay. I should've asked you to stay a long time ago."
Your gaze sinks into Aaron's eyes. You tuck your lips. Then, you smile. "I agree," You acknowledge, moving your eyes on his lips for a milisecond.
Aaron straightens his back, "I know it's been years," He babbles a laugh, moving his hands as he speaks. "It's okay if you don't— wait—" He blinks once or twice. "Did you just agree? To what exactly?" Only you can make him stumble on his own thoughts.
"I'll stay," You declare, biting the inside of your lower lip. You scoff a silent laugh, "I should've done this a long time ago."
"Done what?" Aaron narrows his brows.
Your gaze jumps between his eyes and his lips, "This," You cup his face with both your hands, clashing your lips like he's in need of saving from a true love's kiss.
Aaron melts into your hold. Not long does he track his hands up your shoulders. Then, to your back, pulling you closer. His hands travel all over you, exploring every inch.
All his life he's seen you as some idea of sweet poison. But as his lips dance with yours, he couldn't ignore the lingering bitter taste of whiskey. He laughs into the kiss. He's been ignorant, wrapped in a saccharine image of you. Was he so wrong for that.
He claims you're still too sweet for him, but was he so glad you came back to him.
Jack moves in his sleep. You both freeze on the spot, lightly pushing Aaron to create space between you.
A soft giggle echoes from your lips, leaning your forehead against his shoulder, "We should bring him upstairs."
"I think that's a good idea," Aaron quips. He unbuckles his seatbelt and opens his door, but before he gets out, he steals another peck on your lips.
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mentalisill · 3 months
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Ranking every Life Series Member based on how much I could beat them in a fistfight to the death (But I'm overconfident)
Characters not Content creators because I think I would be able to beat up most of the ccs and always winning isn't any fun
Also: I'm basing this off of when they were most insane, so like Griand and Joel when they were red in LL and Pearl in DL, if they haven't gone batshit crazy then whoopsies their loss
Lizzie - I say fairies aren't real and she explodes easy
Etho Slab - I do not think for the life of me that Etho Slab would be able to defend himself against anyone
Mumbo - I don't think I need to explain this one
Martyn In Thy Littlewood - pussy queen cry baby wet cat man I would Punch him and he'd run away to Rendog crying, but also if he gets possessed by the watchers or whatever that as in LimLife I'm dead but I think I could beat him before that happens
Joel Smallishbeans - All I have to do is call him short and he crumbles, although it might take me a few punches to get him down
Jimmy Solidarity - Doomed by the narrative lil canary man
Impulse - You see, you would think "oh impulse is tall and broad he would beat you in a fight" NO! I'll bite his ankles!!!!!!!
Bdubs - He's sneaky!!!! He's my fave!!!!!! he's so amazing!!!!!!! but I would be able to beat him he might've killed the end dragon but he can't kill me
Scott Smajor - Now, this one is tricky, I think I'd be able to beat Scott but I have a fragile ego so if he insults me too much I'll start sobbing
Cleorrrr - I wouldn't be able to hit her at all nope she'd win
Tango - a cheeky fella, has fire hair, I would put up a good fight but since its a fistfight and I don't have a weapon or armor I'm getting cooked alive
Grian - He'd beat me up while making fun of me :(((((((( I'd be on the floor sobbing and it wouldn't be no "I'm sorry!!!!! Scar!!!!! No!!!!" moment no. I'd be crying and he would LAUGH! But if we also take into account WATCHER GRIAN??????? FUCK THAT NOPE IM DEAD
Pearl - She'd kill me no doubt in my mind I am NOT winning this
Scar - He'd swindle me to death ????????? also he's buff
Gem - Uh huh yeah okay no I'm not winning???? No????? I'm just???? not?????? Not only would she kill me but she'd insult me while doing so
BigB, Skizz, Ren - I wouldn't have it in my heart to beat any of them actually I think I would try to hit one of them and it would deflect and I'd hit myself instead
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kimpossibly · 1 year
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THE CHAIN -> e. roundtree PART FOUR: aurora
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PAIRING: eddie roundtree x fem!reader WARNINGS: swearing, drinking, drugs, minor injuries, blood, very suggestive content, implied sex (NOTE: some warnings for this story include MAJOR spoilers for this series down the line, so I'll put those beneath the cut. If you don't want to get the story spoiled, then just ignore it ― but I did want to provide the chance for you to get an idea of how the story will go later down the line if you have any sensitive topics you'd like to avoid. please prioritize your mental wellbeing!)
AUTHOR'S NOTE: HIIIIIIII HI HI HI HELLO AND WELCOME TO THE FOURTH AND FINAL INSTALLMENT OF THE CHAIN! I'm so sorry this took me ten million years to write, it was really hard both time-wise and emotionally, as you'll see later...but HERE IT IS!!!!! This little story has gotten so much love since I posted the first part and it is absolutely insane. I'm almost at 800 followers now, compared to the 300-and-something I had before. It is absolutely crazy how this little plot bunny turned into something that you all really love. I'm glad that this story has brought you guys joy, and I hope I can do that one last time. So, here you go! Part four of The Chain!
WARNINGS (SPOILERS INCLUDED): reader has a life threatening illness. Discussions about death and loss, depictions of grief, hospitals
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AURORA (1977-1978)
EDDIE: It started with little things, you know? The drip before the dam breaks. She would have these moments of...of absentmindedness. She'd say "I think I'm going to wear the red sweater at tonight's gig." And I'd say, "I love that one." And she'd say. "Me too." And then she'd pause, and go back to whatever the hell she was doing ― strumming on the guitar, packing for tour ― and all of a sudden she'd say, "Oh, Ed, I'm going to wear the red sweater at the show tonight." I thought maybe she was telling a joke, but she'd look up at me, waiting for a response. So I'd say, "Baby, you just told me that." And she'd say, "I did?" And I'd say, "You did." And then she'd pause again, thinking. And then she'd shrug and just say, "Oh." Oh. Like it didn't even matter that she'd just said the same thing twice and forgotten she'd even said it in the first place. I don't blame her for it. I mean, she was like the opposite of a hypochondriac. She could stitch you up when you got hurt, but she thought she was indestructible. It was all I could do to get her to see that everyone has a breaking point. Everyone has that point that they can't come back from. And I didn't know it then, but she'd already crossed it.
KAREN: The first time it happened ― the first time we really started to realize that something was up ― was during a rehearsal. I think...I think we might've been recording, actually.
Aurora was coming along better than any of them thought it was. The songs were recorded in six days. The band was in the middle of the fourth day, mid-recording of "Kill You To Try," when the drums came to a sudden halt at the song's peak.
And Billy, whose only goal was getting the album recorded so that he and Teddy could take over on the mixing, was on the verge of losing his mind.
It took him a moment to realize the drums had faded away until they were completely gone. The rhythmic guitar faded next, next the bass, and then Billy caught up, his voice breaking off and his headphones pulled away from his ears.
He turned around, an angry knot forming between his brows. "Y/n?" he said impatiently. When there was no answer, he said it again. "Y/n."
She was staring straight forward, arms fallen limp to her sides, a blank look on her face. Her eyes fluttered rapidly, more half-blinks than full stops.
Karen, who was closest to her at the keyboard, walked over and put a hand on her shoulder. "Honey, are you all right?"
And then it stopped. Y/n blinked one last time and her eyes went still. She looked around at all of them, a crease forming between her brows. "What?" she asked, looking back at their stares. "What did I do?"
DAISY: We just...we didn't know what to say.
"You zoned out, dude." Warren replied.
"I did?" she asked. There were nods. "Oh. Sorry."
They went back to recording then, mostly at Billy's insistence, but Eddie couldn't help watching Y/n through the corner of his eye for the rest of the day. She seemed fine enough for the most part, but he couldn't get rid of the sneaking suspicion that something was very, very wrong.
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"Okay...okay. Mom, go, I don't need Dr. Medina getting mad at me. I'll call you in the morning. I hope the surgery goes well. Be the best damn nurse the world has ever seen. Okay, bye. Love you."
Y/n hung up the phone and jumped over the top of the couch, lying down and laying her head in Eddie's lap. Everyone else had left the house in Laurel Canyon by now, making them its only two residents. It was quieter than it was before, sometimes unsettlingly so, but they liked it. With the band becoming more and more chaotic, they both needed the quiet. Plus, they could make out in the kitchen without worrying about anyone walking in on them. That was a definite plus.
Eddie stared off into space for a moment, absentmindedly running a hand through Y/n's hair. "You ever think about getting married?"
Y/n sat up, eyes wide. "I'm sorry, what?"
"Getting married. Out of the blue. Just like Camila and Billy."
Y/n stuttered, "Camila and Billy have been together since, like, the beginning of time. We've only been together for...we can't..."
She trailed off, and Eddie's face fell. He covered it up with a shrug. "No, it's fine."
"Eddie, hey."
"No, no it's fine, I get it," he said, getting up from the couch. Yes, it was a risky thing to say. And he hadn't exactly known what to expect, but it definitely wasn't that.
Y/n got up to gently grab his wrist, stopping him in place. "Eddie, Eddie," she said gently as he reluctantly turned. He looked somewhat dejected ― it hurt her to see, so she put on her sweetest smile as she laced her fingers behind his neck. "Camila and Billy got married at three in the morning because she got knocked up. That's not me. That's not us."
He said nothing, but his features softened just the slightest bit.
"It can't be out of the blue, okay? Call me old fashioned, but I want the planning. The pretty cathedral, the stupid vows, the white dress...I want it all. And being in a rock band doesn't really coincide with that, yeah?"
Eddie just rolled his eyes at that, but there was a slight grin on his face as he did so. "Come here," she muttered, pulling him closer and hugging him tightly. He held her back, his chin resting atop her head like she'd fly away if he didn't try hard enough.
"Give me some time. We have a world tour coming up, but after that..." she trailed off with a smile. "That sound okay?"
"Yes ma'am," Eddie responded with a shit-eating grin. Now it was Y/n's turn to roll her eyes and push him away, smiling.
"Why are you in such a rush to get tied down? Aren't rockstars pretty flighty people?"
"I'll let you know you when I see one," Eddie said, and pulled her in to kiss her.
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Billy and Daisy were nowhere to be seen. Daisy Jones & The Six's World Tour of Aurora was set to begin in less than a month, and their main attraction was missing from rehearsal. The rest of the band sat around like sitting ducks, fiddling with their instruments like they had no purpose. Well, right then, it was like they didn't. Without Billy or Daisy...practice almost wasn't worth it.
And eventually, Eddie had had it. "Okay," he said, standing up, "this is bullshit. Just because Billy and Daisy aren't here, we have to sit with our thumbs up our asses?"
Warren paused. "Yeah, basically."
Eddie shook his head, giving a bitter laugh. "Yeah, fuck that. Up."
He slung his guitar over his shoulder as they all reluctantly got up, groaning in exasperation. Y/n took her seat behind the drums, Karen got behind the keys, and Warren picked up his guitar. And Eddie headed for the mic, causing a few confused glances between the other band members.
"Hey, Ed?" Y/n called. "What the fuck are you doing?"
"What does it look like I'm doing? We're going to rehearse."
"Yeah, but...you're not going to sing, are you?" Graham said.
Y/n threw a drumstick at him. "Dude."
Warren and Karen held back laughter. Eddie looked around the room, eyebrows raised. "Fine. Anyone else want to volunteer?" he asked. "Please, someone else take over."
No one moved to take his place. Eddie nodded. "That's what I thought. Okay, let's start with Regret Me."
"You're going to sing Daisy's part?" Y/n said, eyebrows raised.
"Nope," Eddie responded. "You are."
Y/n froze. For a moment she thought that might've been a joke.
KAREN: She looked like a deer in headlights. I knew Eddie wouldn't ask me, probably because he was still a little scared of me. But Y/n always hated being front and center. She looked like she was going to be sick.
Eddie beckoned her forward. She looked at the others for help, but all she got in return was wide-eyed looks and desperate shrugs. She looked back at Eddie. "N-No! I-I have to do the drums!"
"Teddy can play the drums. Right, Teddy?"
Caught off-guard, Teddy pressed the speaker button. "Um, sure?"
As Teddy came from the booth into the studio, Eddie walked over to where Y/n sat behind the drums. She had shrunk down as if to hide herself. She stared up at Eddie as though he were about to lead her to the slaughter. "What the fuck are you doing?" she said in a harsh whisper. "I'll kill you, you know. The second we get home, I'm taking the bat and crushing your fucking kneecaps."
Eddie just laughed as he took her hand to guide her to the mic with him. "I know you can do this," he muttered, quiet enough so that only she could hear, "I've heard you sing it."
"In the shower."
"Still counts."
She resisted the urge to slap him right then, looking around at the rest of the band. "If any one of you ever bring this up ever again―"
"Yeah, yeah, save the death threats," Warren said. "Can we all just shut up and rehearse?"
"Oh, now you have a sense of urgency." Y/n muttered.
After one final look around, Graham counted them in, and the song began. And Y/n who had no instrument to play, only stood a solid foot away from the mic, her heart beating so quickly that she could feel it in her skull. Eddie gently took her hand to pull her closer. When he opened his mouth to sing, hers stayed shut.
"You regret me and I regret you," he sang alone. "Except I don't care what you're feeling and I don't need your reprove."
He squeezed her hand, trying to encourage her with only his eyes. And then, quietly, she joined in on the next line.
"I'm a slippage in the system with a natural gift, how I move," he found himself starting to sing through a smile, "So go ahead and regret me but I'm beating you to it, dude."
The chorus was approaching, making Y/n feeling more and more like she was going to throw up. The logical part of her knew that she wouldn't burst into flame if her voice cracked. But the other part? The other part of her wanted to punch Eddie in the face for ever bringing her within a five foot radius of this mic.
"You regret me and I regret you!"
WARREN: They had that chemistry that Billy and Daisy had, but it felt more…lived in. Daisy and Billy were like two pieces of flint that you’d knock together. Sparks would fly and hey, maybe something would catch on fire. Eddie and Y/n were like a bonfire. Controlled. And, if you stood a good enough distance away, you could see how nice it was. It wasn’t as exciting, but it sure was good enough to take the place of the real thing.
She gained confidence the more that she sang. Whether it was the fact that her voice held on or the fact that she got to stand so close to Eddie, she didn't know, but she felt okay.
"Go ahead and regret me, but I'm beating you to it, dude." Y/n finished the song with a smile at Eddie, her face flushed. It took her a moment to realize that the room around her was silent.
Her smile fell. "What?"
"Nothing," Graham said. "That was great. Um...what about Honeycomb?"
Everyone nodded in agreement, going back to their instrument. Eddie pulled Y/n to his side, pressing a kiss to her head. "Told ya."
She suppressed a smile. "Shut up."
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EDDIE: The lead up to the tour, I think. That was when things got really weird. She was tired all the time, no matter how much sleep she got. I mean, yeah, we were recording an album and getting ready for a world tour, but it wasn't like normal. We'd come home and she'd go straight to be, sleep until the morning, wake up, and an hour later she'd be yawning again. For a while I thought she might've just been tired of me [laughs].
"Y/n, come on. Time to get up," Eddie said quietly, crouching beside their bed to be at her eye level. Her eyes blinked open reluctantly and she groaned, rolling over.
"My head is killing me."
"I'll get you some Advil."
"No, no, I got it," she said, and then proceeded to lay in bed, eyes shut, curled under the blankets.
After a few moments, Eddie spoke. "Y/n?"
"Five more minutes."
He laughed quietly. "Come here," he said, sliding one arm under her back and one under her legs, scooping her up into his arms.
She wrapped an arm around his shoulders gratefully, burying her head in his neck. "Wow, you're so strong," she said with a little giggle.
"Yeah, yeah. I can still throw you down the stairs."
"Ooh, I'm counting on it."
They went to rehearsal―where, luckily, Daisy and Billy were already located―and got to work. Eddie kept an eye on Y/n out of the corner of his eye. Her headache had worsened on the drive there despite her taking more pain pills than was probably necessary. She played just fine, but she cringed ever so often at the punctuated hit of a hi-hat. He thought about taking her off the drums for a bit and putting Teddy in her place, but she'd just get angry at him.
In the middle of Let Me Down Easy, the drums stopped suddenly, drum sticks clattering to the floor. Everyone looked up to see Y/n sprinting out of the room, a hand clamped over her mouth. Eddie froze. Karen was the first to move, running after her to make sure she was all right.
They all stood in silence for a minute or two, unsure of how to proceed. Karen came back, running a hand through her hair. "She just got sick. She's fine now, but I think we should give her a minute."
"What, does she have the flu or something?" Graham asked.
"Maybe she's pregnant," Camila suggested. Everyone turned to look at her at once. She blinked. "What?"
Eddie left the room then, feeling like he was about to be sick himself. The bathroom door was ajar when he got there. Y/n was sitting on the floor when he walked in, knees tucked to her chest, her head propped up by one palm.
"Hi," she croaked.
"Hi. You okay?" he asked, sitting beside her.
"Fucking fabulous," she replied with a slight grin.
He smiled and kissed her forehead, wrapping an arm around her. "D'you think that maybe it's time you see a doctor? I mean, the headache, you're tired all the time, and now this?"
"No, no," she waved her hand to brush that away. "I get like this sometimes. It's like allergies. It's whatever. I'll ask my mom on the phone later. She's never failed me."
Eddie nodded, going silent for a moment. "Are you maybe...do you think you might be pregnant?"
"No, I'm―" Y/n began, then cut herself off. She paused for a moment, thinking. Then she turned back to Eddie, eyes wide. "Um."
Cut to the two of them in the bathroom at midnight, Eddie pacing and Y/n staring at a little pregnancy test on the counter. It had taken them nearly half a dozen drug stores to find a regular pregnancy test, not to mention the fact that they grew more and more panicked with every second that passed.
"What if―"
"Nope, no," Eddie cut her off, "We are not playing the What If game right now. Whatever happens happens, and we'll deal with it."
Y/n nodded, pursing her lips. "But, what if―"
"Y/n, no."
After a few minutes of anxious silence, Y/n exclaimed. "Look, I see a line!"
Eddie quit his pacing to rush to her side, looking down at the test. "What does that mean?"
"Two lines means I'm pregnant."
"There's only one."
"I know that, Eddie."
"Well, what does that mean?"
And then they were scrambling for the box, looking for the instructions they worried they might've accidentally tossed out. Once the box assured them that one line meant Y/n was definitely not pregnant, they both let out a sigh of relief, Y/n slumping over the counter in exhausted victory. "I feel like we should take several rounds of shots right now."
Eddie wrapped his arms around her waist. "Thank God, I was about to call Karen's priest."
She laughed, feeling giddy.
"Would it have been the worst thing In the world, though?" he asked.
Y/n turned her head to look up at him. "Sweetheart, we're about to leave for a world tour. The timing isn't exactly ideal," she paused. "But no, it wouldn't have been the worst thing ever. I mean, I would have a lot to explain to my extremely Catholic grandparents, but no, I wouldn't be entirely devastated."
Eddie couldn't stop a smile that spread out of her sight. "First you want to marry me and now you want to have my children? God, are you obsessed with me or something?"
She gasped in mock offense, tearing herself from her grip and glaring at him. "You precocious son of a bitch."
"Careful, you might accidentally turn me on."
She narrowed her eyes, staring at him for a moment. Then, quick as a flash, she turned and ran to the bedroom. Eddie chased after her, their screams of laughter floating up through the ceiling as he slammed the door behind them.
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AURORA WORLD TOUR (1978-1979)
WARREN: Tour life was crazy, man. It always had been, but that one was insane. Daisy and Billy had it out in Rolling Stone, and everyone wanted to see their little shitshow. I'm not saying that their blowup was what rocketed us to the top...but it fuckin' was. Drama, man. The people eat it up.
Daisy Jones & The Six was the shit. Everywhere they went, massive crowds followed. Record sales were at an all-time high. Everyone knew the band. They were on top of the world.
Eddie thought every day about taking a knee and proposing to Y/n. In the middle of a show, even. He'd do it in the dead of night. They never tired of each other, no matter how long they were together. They were attached at the hip until they were forced away, which, now that they were on tour together, wasn't often.
They had made a routine. Wake up, rehearse with the band for a couple hours, and then go walk around whatever city they were in. Then they'd play the show, go to a party, and go back to their hotel room. They clung to each other through all of it. Eddie wasn't quite sure what the terms of common law marriage were, but he was sure that they would meet all of them. But he'd wait until the tour was over, just like she said. And then he'd marry her. That much he knew.
When they got to Chicago around early July, it was set to be their biggest show of the tour.
KAREN: Tensions were high. I don't think the two of them noticed, or they were too in love to care.
They stood backstage, the sounds of the crowd growing louder and louder as more people arrived.
Camila turned to wish her good luck with a smile, but it quickly faded. "Oh, honey, your nose."
Y/n frowned, then felt a drip. She swiped her thumb underneath her nose and it came away slick with blood. "Oh," she muttered, "oops."
"Are you alright?" she asked in a very mom-way.
"Yeah, feeling okay," Y/n nodded. "Goodnight, Julia."
Camila rocked her daughter, "Say bye-bye, Julia."
Julia lifted a hand and made a grabby motion in farewell. Y/n giggled and did the same back, still holding her nose. "Bye, Squishy," she said, poking one of Julia's little dimples. The girl giggled and clung to her mom, disappearing out of sight.
She staunched the blood as best she could once she found tissues, stashing bloody tissues in her bag rather than the trash can so as not to worry anyone. She swiped on some glitter anywhere that would catch the light. Eddie came in as she was tying her hair up. He pressed a kiss to her cheek and she wrapped her arms around him, laying her head on his shoulder.
The moment her eyes closed, she got this feeling like she wanted nothing more than to let them stay closed, to drift away into sleep right there. She was tired. There were thousands of screaming people out there waiting for her, and all she could think about was getting to sleep as soon as possible.
"Maybe this tour is it," she muttered into Eddie's shoulder.
"What?"
She paused, trying to form a thought into words. "After this. I don't know if I can do it again."
They pulled apart and Y/n saw a crease between Eddie's brows. "What makes you say that?"
Before she got a moment to figure out what exactly made her come to that conclusion, she was being pulled forward onto the stage by Warren. The crowd came to a deafening roar as they appeared, and Y/n waved and smiled like she had done a hundred times, taking her place behind the drums.
They all picked up their instruments, and then Billy turned and gave Y/n the nod. The first drum hit of 'Aurora' rang out, and the show began.
EDDIE: The show was great. We all played great, the crowd was great, it was all...[pauses] it was great.
The set was coming to a close. They had played through nearly the entirety of the album, throwing in some older songs of theirs. But the crowd had ceaselessly been chanting for one song in particular, one that had purposely been left off the setlist for the entirety of the tour: Look At Us Now.
Everyone looked around at each other, then at Billy. He glanced back at them as if asking permission. They each gave a nod, and Daisy turned back to the mic. "Who wants to hear Honeycomb?"
The screams of the crowd that followed were enough to answer that question. Billy looked back at all of them again. "You know what to do."
Billy picked up an acoustic guitar from the side of the stage and came back. He tapped his foot a couple times to set the pace, and then he began to play.
The crowd sang every word with them, for them at times. And Y/n selfishly thought she had the best seat in the house. From the back of the stage, she could see it all. The crowd, the band, and everything in between. How could she let this go? This tour couldn't be the end of it all. She decided right then that she wouldn't let it. Not when there were views like this in the world and she was one of the few that got to see it.
And in an instant, it all went haywire.
Daisy and Billy were so caught up in the song for a moment that they both failed to notice as the drums grew more and more muddled until they stopped all together. Drum sticks clattered to the ground, heads snapping in their direction. Thousands of eyes saw as Y/n slumped out of her seat, collapsing on the ground beside the drums.
Instruments were dropped haphazardly as everyone on that stage stopped what they were doing to rush to the drum set. Rod left his spot in the wings to see for himself as Y/n laid stiff on the ground, seizing.
What followed was a rush of colors and light, of ambulances and ceilings, none of which she could really see or understand. But Eddie could. Eddie saw and understood all of it. And that, possibly, was the worst part.
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Y/n woke up not long after, feeling as though she had just woken up from restless sleep. She asked quick questions, which were answered in short, quick words by Billy and Camila. Who she really wanted to speak to was Eddie, but he was laser focused on whatever needed to happen next. All he could do was hold her hand and squeeze back.
By the time she was in her hospital bed, she was convinced that she was perfectly fine. The part she was most upset about was ending the concert early―which, she assured them, would not happen again.
"After I get treated for whatever this is, I can come back, right? Rod?"
"Calm down, kid. You just had a seizure. Give yourself some time to be overdramatic before you get back on the road," he said with a slight chuckle.
"Miss L/n, have you ever had a history of epileptic seizures?" the nurse in the room asked. Y/n shook her head, and the nurse gave a nod. "I'll be right back with the doctor."
She left, and Warren suddenly gave a shiver. "Fucking hate hospitals."
Y/n shrugged. "I basically grew up in one."
"Ah, so that's why you're...you."
Several people had to dodge as Y/n hurled a pillow at him. Then, realizing it was the only one she had, she pouted. "Give it back."
"Oh, this pillow? The one you threw at me?" Warren said, being annoying as usual. "No way, sister. This is my property now. Bequeathed to me by your sorry arm muscles."
"I'll beat you up as soon as I get out of this bed."
"Sure you will, honey."
The door to her room opened and the doctor stepped in. He was tall, older, and graying a bit at the ends. "Hi there," he greeted. "I'm Doctor Lawrence."
Y/n waved, and he suddenly seemed to realize how many people were in the room. "I'm sorry, I'm afraid only family are allowed in here," he said.
Y/n immediately grabbed Eddie by the wrist. "He's my husband!" she said. Everyone quieted. "And they're my brothers," she looked at Billy and Graham, "sister-in-laws," she glanced over at Camila and Karen, "he's my cousin," she nodded to Warren, "and he's my weird uncle," she said, looking at Rod. Then she looked back at the doctor. "They're my family."
The doctor didn't believe a word she'd said. But after a moment of silence, he nodded to the group. "You can stay."
Y/n sighed in relief, lacing her fingers with Eddie's. If anything were to happen that night, she'd rather have him by her side.
Doctor Lawrence asked her a couple menial questions, then rambled a bit about what exactly seizures are (which, of course, she already knew) and suggested a CT scan to better understand what was going on. She agreed.
The next few hours were rather boring. Silences were punctuated with pain, as Y/n grew to realize how stiff her neck was. Her arms and legs were sore, but that, she assumed, was from the seizure.
"It's too bright in here," she commented when she was returned to her room. "Can I turn the lights down a little?"
People milled about. Camila had to go to be with Julia and the twins. Graham and Karen got coffee. Warren and Rod sat around her hospital room, competing to see who had the crazier stories (the winner, of course, was Rod). Eddie sat beside Y/n on the hospital bed the entire time, talking to her as she came in and out of consciousness
One of the times her eyes blinked open, she frowned, looking around in confusion. "Where the hell am I?"
Eddie paused. "You're in the hospital, Y/n."
Her eyes widened. "Why?"
"You...you had a seizure."
"Oh," she said. He felt her flex her fingers in his. "My hands feel weird. I can't feel your hand."
Eddie began to panic. She was treating every new horrible thing as though it were a new science fact she had just learned. "Y/n, what―"
Doctor Lawrence returned then, Karen and Graham trailing behind him. Billy returned not soon after. The only one not pale and freaked out was Y/n, who seemed content braiding small strands of her hair.
"The CT scan came back. She has a severe case of encephalitis."
Everyone looked around, most of them either hearing that word for the first time or not knowing what it is. Y/n did. "How? Meningitis?"
"Hard to say. It probably started out as a virus, something that triggered a strong autoimmune response."
"Can I take an antiviral to treat it?"
"Sorry, can someone explain what the fuck you're saying?" Warren finally asked.
Y/n sighed, letting go of her third braid. "My brain is inflamed, and it's swelling. It's pressing on my brain stem and it caused the seizure."
"That sounds...bad?" Graham said.
"Yeah, but it can be treated," Y/n said with a shrug. "I'll need to take antivirals for a bit, right?"
The doctor paused. "Yes, you would for a less severe case."
Her eyes narrowed. "So, what do I do for my case?"
He went silent. Y/n froze. Everyone looked to the doctor, who seemed unsure of how to continue. "I'm sorry."
Y/n understood what he was saying. She felt her sore muscles stiffen up again, this time from panic. "You're saying there's nothing? Do I just have it let it go away on its own, or...?"
"A case this advanced won't go away on its own."
"Well, if it won't go away on its own and we can't treat it, then...then what?" she asked, her voice becoming more panicked. "What do I do? Tell me what to do, I'll do it."
Lawrence just shook his head again. "I'm so sorry. I'll give you all a minute to figure out how you want to proceed."
He left then, and everyone was silent.
"Y/n," Eddie said, his voice quiet and careful, "what does that mean?"
She was staring at the blanket over her legs, eyes blank. "Can someone please get my mom on the phone please?" she asked quietly.
"Y/n, what does it mean?"
"It can't be treated. It's not going to go away on its own, it'll just get worse," she said in a quiet, calculated voice, like she was reading from a textbook. "It'll put more and more pressure on my brain stem. And the brain stem regulates circulation and breathing, so..."
Karen let out a sob, her hand reaching up to cover her mouth. Y/n couldn't bear to look up at the faces around her, because she knew she'd see a reflection of exactly what she was feeling right then: hopelessness.
It meant that she was already gone.
"Someone get my mom on the phone. Please."
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The night that followed was awful. Camila returned, having finally found someone to watch Julia and the twins. Y/n had watched as Billy told her the news. She teared up, tears streaming down her face within minutes. But she shoved them away as she walked into the room to give Y/n a hug. She chatted about how Julia missed her. She did a good job of keeping the conversation off of the obvious. Y/n was glad for it.
Eddie ended up beside Y/n on her bed. She curled into his side, floating in and out of consciousness. She seized twice more, once just past one in the morning, once after the sun had just started to come up.
Her mom arrived on a flight from Pittsburgh at two. The first time Y/n cried was when she saw her walk into the room.
The morning brought some sense of comfort. Karen and Billy went out to get coffee and bagels for everyone. They all sat around and talked about something other than music, which they hadn't done as a group in years, maybe in forever.
Y/n glanced up at Eddie at some point during the conversation and noticed that he had a strange look on his face. "What?" she asked, nudging him.
Eddie looked down at her, a million thoughts in his head at once, all of which combined to form one coherent sentence.
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EDDIE: I told her right then and there that I wanted to marry her. I didn't care how much time she had left. I wanted to call her my wife.
KAREN: When I looked at Y/n, I could just tell...he didn't have to say it twice.
GRAHAM: It all happened so fast from there. Karen called the minister that had done Camila and Billy's wedding ― once we told him the circumstances, he was pretty quick to agree to officiate. That guy was metal, man. He'd done two last-minute weddings for a rock band within two years. Show me another priest who could brag about that. Not that priests brag, right? Jesus was humble and shit. But you know what I mean.
CAMILA: Eddie left to get a tux. He said he wanted to do his part, even if Y/n was wearing a hospital gown.
EDDIE: I think I said something really cheesy about how, if she could look that good in a hospital bed, then I could at least do my best to look the part of a groom. She loved it.
KAREN: Graham went with him, for "style advice," is how I think he phrased it. Really I think he just went to make sure he had someone there with him. None of us really wanted to leave Eddie alone.
GRAHAM: I think we got the first one that fit. He wore it as we left the place. Eddie wasn't screwing around. He was giddy the whole time. He would go dead silent for a few minutes and then talk my ear off for another few. All in all, I think we were gone for maybe forty-five minutes. An hour, tops. We didn't know...we didn't realize they couldn't call us if something happened.
KAREN: It happened so fast. She was so excited, she was talking so quickly I could barely understand her. But she was beaming at us the whole time. You couldn't help but be happy for her.
BILLY: Twenty minutes after they left, she asked for something. Ice chips, I think. The nurses gave them to her all the time, she was kind of addicted. She asked if we could get her some, and Karen said something stupid like, "I'd get you a private jet if you asked for it." And she laughed and said "Don't tell me that ― I might ask, just to see you sweat."
DAISY: Billy left the room to get her some ice and then...I'm no doctor, I can't tell you exactly what happened.
CAMILA: She started seizing up again, so Karen and I tried to put her on her side, but she started fighting us. Like, smacking us away whenever we tried to touch her. I don't know if it was her or...[Pause] something other than her. That's the kind of thing that keeps me up, you know? She was so happy to get married. So happy. But when she hit us away...it was almost like she knew exactly what she was doing.
KAREN: The doctors came in and shooed us back out into the waiting room. Camila didn't want to let go. Neither did I. They practically had to pull us off of her. Billy found us out there, still holding the ice chips, and Camila just started bawling. She didn't say anything, but I think he could piece together what it was that'd happened.
DAISY: Karen sat down. Billy stayed up with Camila, holding her while the ice in the cup started melting down to water. We couldn't have been out there more than ten minutes when the doctor came out. The look she gave us...we just knew. We knew.
BILLY: Camila was almost screaming. Karen left; we didn't ask where she was going. All of a sudden, it was like...like the first time I ever took a punch. You know, you've heard about getting in a fight and taking a hit so hard it makes your head spin. And then there's the first time it really happens to you, when you take your first punch. And there's this brief moment in between the hit and the pain. You know it's coming, but there's that delay before it gets you. In a second, you get the air knocked out of you, and then...[Shakes head] and then it hits you. It didn't feel like losing a friend, either. I lost a sister.
KAREN: I was just completely blindsided. I walked out, not really knowing where I was going. I felt like I was going to puke, and I didn't want to do that in front of everyone. I think we all forgot, you know, that Graham and Eddie were out...
CAMILA: I remember looking over Billy's shoulder, seeing the car drive back up and Eddie stepped out in the tux. He was holding a bouquet of flowers in his hands, talking a mile a minute, and I just...[Chokes up] I couldn't tell him.
BILLY: He walked into the room, and he saw her, and...God, he just...he pulled out this little box from his pocket. He took her hand, opened the box, and put the ring on her finger. He kissed her on the forehead, and then he left.
KAREN: Camila was his first love, yeah. But Y/n? She was the love of his life, man. He had something people would die for, kill for. And the minute he realized it, the minute he realized what he had, the universe snatched it away from him. Life is un-fucking-fair, man. Always has been and always will be.
CAMILA: God, he really loved her. He really did.
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When Eddie got the call, he was surprised to hear that she wanted to speak to him directly. Even more so, he was surprised to hear that someone wanted to write a book about the band. He had always been a firm believer in leaving the past in the past, but she was persistent. Plus, he couldn't say no. Not to her.
They met in a park near the coast. They chatted about life, what she was doing, what he was doing, and it was the general consensus that all was good and well.
"So, where should I start?" he asked as she hit record on the camera.
Julia stepped back from the camera. "Just...tell me about Y/n."
He paused, caught off-guard. And then, he smiled. "This might be a while."
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EDDIE: It's not all bad anymore. I got time with her. I'll always wish I had more, but the time I got...it was great. It was the best time I've ever had. But I was able to move on, meet someone new. I think about her every day, and I always will, you know? A person like Y/n...that doesn't leave you. And Jesus Christ am I grateful for that. Julia...I'm really glad you're doing this. Your Aunt Y/n would've loved it.
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justanotherblogger · 3 months
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My theory is that Mimzy was once Alastor’s best friend, he maybe even thought he might have been in love with her at one point, in that manner aroace people who don’t know they’re aroace often do, that she was then sacrificed by this cult, and that Alastor had them infiltrated and taken down every member of that cult over decades, losing more and more of himself each time as those he killed grew less and less directly connected to the crime, “sorry you just got in my way, maybe I enjoy it just a little bit does that make me insane”, but that in the act of doing so, that contradiction of righteous intent and pure depravity, along with whatever ritual for power the cult had initially started upon, let’s say in honour of Roo (the root of all evil in the Hellaverse, a character yet to be introduced), and that on Alastor’s eventual death, he then found himself in Hell all-powerful, and set about bringing down those Overlords beneath his power continuing this moral code, until he hit a wall, finding himself having ended all Overlords less powerful than him / otherwise came to his senses on meeting Mimzy again and finding her to have gone to hell, recognising that “weren’t you an old pal of mine” and really nothing more and deciding mere power, entertainment is all he now desires. But that still, out of obligation, that he must kill Lucifer, the Devil, for a sense of completion, while still being allowed to exist himself afterward. Which leads to whatever deal he ended up trapped in seven years before the events of the series, and him getting Charlie to make a deal with him to “harm no one” at a certain point in the future: to ensure that when the time comes that he will be able to kill Lucifer, and the one person able to stop him won’t be able to. To really make Alastor a true Exterminator, more measured, the embodiment of how the road to Hell is paved with good intentions.
Huh, interesting take! I didn't think the Insane song was canon, but maybe I was just misinformed. I've never really thought of Alastor having his path of vengence and righteousness leading him towards hell, but I can see a lot of potential with it!
How Alastor had been barely keeping it together in his life already, and the one person he really cares about gets killed by a freaky cult? Yeah, I'd understand his murder spree now.
Maybe the cult ate Mimzy's body for the ritual, and Alastor returned the favor, starting his cannibalistic tendencies. But I'm not sure because Mimzy didn't have any indication of that on her sinner form from what we've seen.
I also saw a similar theory with the exterminator Alastor part, where he might've originally been in heaven, but when forced through the exterminator program, let his violent tendencies take over.
I do like the cult part. Maybe this caused what Alastor was referring to when he had his interlude in the finale song, with red eyes (that I just noticed after a rewatch) following him from his crash sight to the radio tower.
Those eyes look very similar to Roo's concept art. Maybe Roo found him because he killed a lot of her followers and made a contract with him to keep him under her thumb in the long run, making sure he doesn't interrupt her plans again.
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1rsoldiersince2012 · 3 months
Text
Bound by Law (Matt Murdock x Reader)
Words: 3760 (chapter 48)
'screw valentine's day, i want what they have'
but anyway, you're welcome ☺ thoughts, comments are always appreciated <3
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48. this might've been just a dream, right?
"You look like you've seen a ghost." He says again, a smirk playing on his lips.
"Robert? What are you doing here?" You manage to say, feeling as if your whole body has gone numb. The kitchen almost starts spinning, and you feel your blood begin to boil.
"I invited Rob, he's a part of the family." Your father says, leaving Matt alone, and comes to stand next to Robert in the kitchen. Rob. Fucking Rob. Now it was only you against them both. Exactly the way it always has been.
"Aren't you going to introduce us, y/n?" Robert asks, eyes targeting Matt, his voice as sweet as honey. You're not gonna get the authority in this house, and he knows it all too well.
"Yeah, that's Matthew Murdock. My boss." You smile wickedly, watching everyone's eyes widen. "Murdock as in Nelson and Murdock attorneys office."
Matt tries to read the room, waiting for somebody to snap, but Robert only shakes his hand, obviously swallowing some other words.
"Your boss? Y/n, what-" your mother begins, but a single glare from your dad is enough to shut her up. The atmosphere changes immediately, and Matt feels like an outsider, as if he himself was sitting as a spectator in a courtroom, a mere watcher with no real influence on the Jury's final decision.
"I'm sorry, mind if I have a few words with my daughter?" Your father says, walking out of the kitchen, sparing all the pleasantries. He doesn't need to turn back and wait for you because he knows you'll follow.
"Excuse me." You mutter, walking past Matt. He asks for someone to show a way to the bathroom, so he could listen to you and your father talk without completely blanking out in front of others. It was unfair, cheating, using his powers for not a great cause, but he just couldn't be left out in a new environment. Not when it was you and him against the world.
"What? What boss? Mind explaining something to your father?" Harold closes the doors of his bedroom, not shouting or smashing things. But this calmness was always scarier than anger.
"What's there to explain? I work elsewhere now." You sit on the bed, unfazed.
"How long?"
"Two months or so."
"Why?" Yeah, this was the spitting image of a police interrogation.
"I got tired of kissing asses, especially Benowitz's." You simply shrug, holding strong eye contact.
"You had the world under your feet there and left for what? What does he even pay you?" Apparently one look was enough to crack Matt's character and social status.
"Not nearly enough, but I don't really care about money." A steady heartbeat.
"If you think that leaving Benowitz was a great idea, you're very wrong, kid. He's gonna crush that office of yours like a boot crushes an ant." Harold's voice was still unbelievably calm. Matt sits on the closed toilet seat to listen better. "What went wrong? You liked working there."
"He wanted me to give a false statement to the Jury. I refused."
"That's it?"
"Yes." Your heart skips a beat; but you don't desire explaining every 'silly' thing that lead to your resignation. Not now.
He scoffs and a thunder-like laugh leaves his chest. "Honey, if you think that everyone who works as a lawyer is a saint, then you still don't know shit about the world."
"If you thought I was gonna let a guilty party walk freely among everyone else, then you're..." Insane. Stupid. "Wrong."
"But it's not that, is it?"
Matt stiffens, trying to locate your heartbeat again.
"It's... Love, right?" Harold asks again, noticing your pink cheeks. He could always read you like an open book. "Oh, what have I told you after the last time?" A heavy sigh escapes him.
You break the eye contact with him, looking at your feet. The mattress next to you dips, and your face is pulled into your dad's chest. "I know. But it's different. It won't be like the last time." You whisper, your shoulders rigid and unable to release the tension. 
"I want to believe it. But I have a feeling that this time it will be worse."
"No, I promise."
"You don't have to promise me anything. Promise to yourself." He rubs your shoulder with the free hand, thinking over his next words. "Listen, I know that it never worked out with Robert... Although I really wish it did. But I'm not gonna press you this time."
"Who are you and what did you do to my father?" You pull away to look him in the eyes and he wipes the tears from your face.
"I want what's best for my only daughter."
Matt furrows his eyebrows. So many questions and no answers. He understood that the past is better left behind, but not knowing a lot about you was frustrating. 
*** 
The dinner was nice. Apart from the occasional glares thrown at you and Matt from one of the three. You sat next to Matt, who was seated right across Robert, next to your father, facing you, and your mother by his side. Robert was acting like a real man should - he listened, asked questions, commented something on the game that was shown on TV; to a mere watcher, it would've looked like Robert and Matt got along just perfectly. But the tension was hanging thickly around them, as you suspected it would.
Your father was mostly silent, but when he talked, he only asked questions. Questions you didn't particularly enjoy. When you told him about the Devil of Hell's Kitchen, now crowned as Daredevil, about how the whole gang of Nelson and Murdock put the city's biggest criminal behind the bars and accidentally let it slip that you've been poisoned, your father almost choked on the apple pie. Of course, the lecture about being more cautious was inevitable, even in front of a guest, but when Matt placed his warm hand on your knee for reassurance, you felt grateful to have him here with you. 
"Do you agree with this devil, Matthew?" Your mother asks, pouring herself a glass of water. You notice her hands slightly shaking. Obviously, no mother wants to hear about their child getting hurt; not even when that child is a 30-year-old lawyer.
"As a lawyer - no." Matt's voice is firm, he doesn't stutter like he did when Karen asked his opinion about the vigilante for the first time, although it wasn't nice to lie about himself. "As a citizen, a blind one too, I think he's doing a lot more good than wrong. I mean, he has saved y/n, and our secretary, more than once."
"By disobeying and breaking multiple rules." Robert speaks from behind a cup, sending you 'is this guy serious' look.
"Well, you can't have something good without a bit of bad." Matt responds, and you bite away a grin, giving Robert a glare back. 
"Sounds a lot like church teaching." 
"Well, I am catholic." Matt answers to Robert.
"So as a catholic, you believe in his doings?" Your mother asks again. The question hangs in the air for a while, accompanied by the sound of intense commentating on TV.
"Please, let's not involve religion at this table." You groan slightly. 
"No, I wanna hear his opinion." You look at Robert threateningly, but he avoids your eyes. 
"Yeah, I mean... He's not killing people... From what I've heard. Just... Beats them up and gives them to police."
"So what you're saying..." your father clears his throat, "is that police are not capable of dealing with the criminals... and they need another criminal to help them?"
Ah, the police way of talking. You knew this was coming sooner or later. Maybe bringing Matt here was a mistake.
"I usually don't doubt honest work of police officers but-"
"Fisk had at least half of the precinct paid off. I saw FBI arresting them." You help Matt, suddenly feeling the need to defend him from your family's sharp words. You two against the whole world.
"All the good men then left, I see." Harold clears his throat again, this time more embarrassed than confident, "when I was Chief Officer, anyone who was bribed was kicked out of the force... by me. Personally. I guess a lot has changed, in almost ten years."
"Why did you leave the force?" Matt risks a lot with this question, and suddenly everyone at the table tense. You gulp loudly beside Matt, panic evident in your eyes when they meet your father's tired ones. Your mother focuses on the glass of water in her hand, not making eye contact with anyone. Robert notices your eyebrow slightly twitching when you look at Camilla, something about your face now was different; you looked paler, more tired, as if these were your last moments on Earth. He knew some of it, the story, the real reason, but after the time when he asked for more details and was met with your furious father, he didn't dare to look for more details anymore. What he knew, was half of the truth, and frankly, it was enough for him. It was the same for your mother, yet she learned to be humble and silent about it. 
The question hangs heavily in the air, until your father replies, "Uh, just encountered some personal... Health problems."
He's lying. Too obvious for someone who previously worked in the force. Harold's heartbeat is all over the place, loudly pounding in Matt's ears. As is yours. Something about this was not right, suspicious.
"Oh, I'm sorry." Matt sends a small apologetic smile towards your dad, his hand finding your knee under the table again. You almost flinch, but then quickly cover it up with a cough. Your skin somehow feels both hot and cold at the same time, and Matt feels the sudden tensing of your body. "If you were still a captain, none of that mess with Fisk would've ever happened." 
"Don't be so sure, Matthew." Harold's voice is low, with a note of regret, "from what I've heard now, he's worked hard in the shadows to lure powerful people and built his empire from scratch. A man like this is very dangerous and hard to capture."
"But not impossible." Matt strives to bring positivity back on the table, but this appears to be impossible.
"Matthew, take no offense, but you're too catholic for your own good." Harold answers, and you know that this is his final word in this talk.
The men return from the backyard, and you can only guess what they talked about the whole time they were gone. You pass Matt in the corridor, grazing his hand with your fingers as you go and make way towards the bathroom to wash your face. A minute later, someone slips inside, and you think that it's Matt, but when you lift your head to grab a towel, you see Robert standing in the middle of the bathroom, his arms crossed on his chest. 
***
You help your mother get the guest room ready, exchanging only few words. She likes Matt, admits it herself, but doesn't dare to comment anything else. Mother's intuition was telling her that you didn't bring Matt here to simply make a blind man's lonely holiday better, perhaps you wanted to introduce him as your boyfriend, but didn't dare to do so when Robert was in the house. She also liked Robert, he was almost like a son to her, visiting them ocassionally since highschool, he wasn't a rare sight in this house, but... Maybe it was time to move on. For everyone. Camilla knew that if Robert continues coming here, you'll become a rare sight. In her heart, she wanted what's best for you, her dearest daughter, but she also knew about your tough character and how easily you can break apart when you're hurt.
"Occupied." 
"Well, then you should've locked the door." His voice is nonchalant, you notice that he's already changed his clothes, ditched the long sleeved shirt for an old police academy t-shirt. He looks as if he was trying to flex his biceps in front of you, but the thought of that makes you grin. Matt definitely had a stronger body than this Sheriff wannabe.
"Not my fault that there's an idiot in the house."
"Classic y/n." He scoffs, leaning on the door with his whole back. "So, this guy, a new toy of yours?"
"Do I hear jealousy, Robert?"
He ignores your question, going on a ramble, "see, this is why some people think of you as a whore, going around, playing men and then leaving them when you get bored. Even at the dinner table you two can't keep your hands to youself, huh? Are you two fucking?"
"I fuck whomever I want. And it's no concern of yours." You say, leaning on the sink.
"Have you forgotten about us? How good it felt when we were together?" He says, his back still pressed against the bathroom door, keeping the maximum distance in the small space.
"Maybe it felt good for you, but you've never even bothered to ask if it felt good for me." You bite, watching his eyes widen in shock... Or shame.
"Oh please, if someone had heard us, they would've thought that I was the best man on the planet with the way you were screaming."
"Maybe I was screaming because I disliked it? How can you know when you've always turned away to sleep or left after you were done rutting your dick into me?" You wave your hands in front of you in a dirty gesture, noticing Robert's clenched jaw.
"He's gonna break your heart. Like you did mine. I just hope the pain is even worse for you than it was for me."
"I broke your heart? Please." You scoff, crossing your arms, "when I told you about my problem, you basically vanished."
"I needed some time to think, but I still wanted you. I still do." His voice is desperate and it makes you sick.
"Oh, save it for some other poor soul, you just wanted to get me pregnant but when the doctors said that it's impossible, you threw me away like a dirty rag. That's all you wanted - to have nice little children, and not because you loved me, but because you were so obsessed with my father that you wanted a connection between the two of you!" Your voice gets louder and Robert glances at the door nervously.
"I don't need any children to have a connection with your father. I already have it." He boasts, so sure of his place in this house that if he hated you, he would have the power to banish you from here. But he didn't. Deep in his heart, there we still strong feelings for you.
"Oh, right, I forgot that you are the son he wished to have, and not me, the daughter who's whoring around every man she sees, right?" Your voice is strong, displaying years of suppressed anger and not being loved enough in your own home. "Do you know how hard it was for me to be with you after all that I went through? How your touch made me flinch? And you have the audacity to come here to my parent's house and say that you want me back? Don't you understand the reason I left you the second time?" You desperately grab onto the sink with your palms and take deep breaths.
"You said you were better, how was I supposed to read your goddamn mind?" He shouts, and suddenly you feel like you've travelled back in time, before you were even a lawyer, and were arguing about the same things with Robert.
"I said I was better because I was, the therapy was helping, but I wasn't feeling well with you around. You're just... Too similar to him."
"If you think that I'm similar to that psychopath, you're not better than him yourself."
"You-" you grab a tube of body lotion from the sink and throw it at Robert, hitting him in the chest. "Get out of my sight before I throw something sharper than this fucking lotion!"
"You will fuck this up, whatever you two have going on, it's doomed." He leaves the bathroom, closing the door loudly.
*** 
An hour later you're gently knocking on Matt's door, hoping to disappear from the corridor before Robert or your father see you. Robert was staying in the room next to this, and he could exit any moment. Matt opens quickly, much to your luck, a confused look on his face. Without words, he lets you inside. 
"Wow, that is really dark, I gotta," you walk towards the corner of the room and turn on a lamp. Warm yellow light fills the space, and you notice Matt's slumped shoulders. "What did they even do to you?" You say with a humourless laugh, sitting at the end of the bed. 
"Don't worry, we just chatted. What's up with you?" Matt tries to sound innocent, but he didn't know what to do with the information he overheard. He wanted to hug you, and never let you out of his embrace, but you had to tell everything you told Robert to him yourself.
"You want some?" You say, taking a sip of wine straight from the bottle. He doesn't answer, but sits next to you on the bed. "It's wine."
"Where'd you get that?"
"Stole from my parents. I need it more than they do." You push the bottle into Matt's hands, and watch him drink. "I truly hoped that this could be our escape from the problems and the whole Hell's Kitchen, but... I'm sorry it got ruined. By an obvious somebody." Your voice wavers with anger.
"It's alright. I got to spend more time with you." Matt shrugs, his knee resting against yours. 
"Aren't you just full of positivity?" You smile, honestly, for the first time this evening. "So, how bad are the first impressions?" You drink again, not letting Matt out of your sight. 
"They're good. I think your mom likes me a lot." He smiles, and you fight the urge to put your palm on his cheek. "Robert's not very talkative with me, and your dad... I think he has accepted the fact that Robert's not your boyfriend anymore."
"Ah, you know, Matt, I love your ability to see positive aspects of every shitty situation." You laugh, finally loosening up when the wine kicks in.
"You didn't tell me it was your birthday." Matt says, taking a swing from the bottle. The wine is good, not too sweet and just the right amount of sour. "Which day was it?"
"November 13th." You answer, lying on your side with your hand under your head. "I stopped celebrating a long time ago."
Matt drinks some more and puts the bottle away, lying down as well, mirroring you. "Why?"
"Got tired of all the meaningless gifts, and money. I hate when people gift money and say 'go buy whatever you want'. It just completely loses the whole birthday meaning. A gift should be something that screams 'you're on my mind' or 'this made me think of you' and not 'this is shiny and girly, I hope this will pass as a good gift'." You scoff, "One time Robert gifted me a red lipstick because he liked the color."
"Jesus, really?" Matt can't hold the laugh, and you burst out laughing as well, hiding your face in his chest. When the laughter dies, Matt's hand begins gently stroking your hair, "I would gift you the whole world if I could."
"Lying is a sin, Matthew." You smile, kissing his exposed neck. "You should be very careful with these kinds of statements. Or I might twist them around." 
He lets you kiss his neck, his jaw and his chest, but the uneasiness stirring inside of him doesn't allow Matt to fully focus on you the way he'd want to. "I overheard something... You and Robert were talking." 
The words make you stop and you look at him intently, panic setting in, "what exactly?"
Words get stuck in his throat, and Matt's face becomes red, embarassed. He should've just kept his mouth shut, but of course, the devil had to pull his tongue. "Something about pregnancy. I was just passing by and-"
"Oh, that." You close your eyes, bracing yourself. "I was planning to tell you this some time later. I didn't know how far will we go... Because no woman goes around telling that to the first guy in her bed... But I think you already deserve to know." You pause, feeling your own heart beating loudly in your ears, Matt puts his hand on yours for emotional support. He has heard every single word you and Robert said to each other, but he needed to hear it all from you. "I... I can't have children. I can't get pregnant, and... If you had thoughts about family, now it's perfect time for you to run away."
"I won't leave you, y/n." He squeezes your hand, reassuringly, "I... I don't care. Family, no family, I just want to be with you."
"Just please, don't be disappointed later when that honeymoon phase passes." You sigh.
"I won't. I promise." Matt seals his promise with a kiss, one full of love and adoration.
I love you.
***
The night felt like a fever dream for you and Matt. He kissed you the way he has never kissed anyone; his touch was like fire on your skin, exploring your body like he has already done many times before, but this time it was even more intimate. This wasn't just sex anymore; it was a feeling almost divine, as if your spirits were connecting and merging into one. You gripped the sheets, raked Matt's strong back with your nails, surely leaving long red marks, and welcomed his body weight on yours when you both came from the highest of all the highs - it was divine. When Matt continued to tightly hold your interlocked hands next to your head, and panted hot air into your neck, you didn't expect him to say the next words.
This was beyond the description of 'divine' and all the other words that were used to describe a feeling out of this planet. This was something else, something unreal, a thing one so madly in love longs to hear, dreams, expects and waits for... Yet is never ready when these words are said aloud.
If you didn't have to be quiet, you'd surely would have been laughing into his strong, hairy chest, pressing his body into yours a million times until you wouldn't have been able to move a single muscle. But you couldn't. So you showered Matt with kisses, feeling your lips uncomfortably tingling, and swollen, and told him the same three words back.
It was a fever dream, and you both were sick with the worst disease ever - love.
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bluecreates25 · 7 months
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ZOMBIE!GHOST HEADCANNONS ft. GhostSoap
Disclaimer- most of these are not original ideas but a compilation of things I've seen with my own ideas thrown in
So we've all see the theory that he broke his own jaw when he got infected so he wouldn't be able to infect people, right?
which omg is that both painful and hard to do. in addition, in the trailer, it seems like he maintains some of his humanity even after he's infected
WHICH IS DEVASTATING
because basically, I've done too much reading, and I've seen many scenarios
1. is that his group gets infected alongside with him and he remains the sole survivor
eventually, the grief of being alone, and how insanely draining it would be to exist as a rotting corpse, he would essentially shut down/ kill his own mind since he can't actually die.
this is the saddest in my opinion, because I believe he would have insane survivors guilt, and would be absolutely crushed (since in his actual back story his family was murdered, and so this would be the 2nd he's been unable to protect those he cares about)
2. is that he is already long time a zombie, but forms an attachment to some survivor passing through
like someone is passing through the town that he's in, and he immediately forms an attachment to them, but he is conscious enough to realize he would be seen as a threat and even backs up if approached
however, he has a desire to protect that person, so he mostly remains out of sight, watching the area. said person will essentially be protected by him, like he'll literally kill off other zombies to keep them safe
I have such mixed emotions about this, because I feel like he would be so lonely. absolutely infatuated with and determined to protect this person, but he would never allow himself to go near them
3. has to do with John 'Soap' Mactavish
I feel like they'd be with their team when Simon gets bit. the others would try to drag
Soap away or shoot Simon, but Soap isn't having any of that. even Simon would try to get him to leave, but Soap, loyal as ever, would refuse.
Simon would definitely break his jaw in this scenario, but do it while soap goes on a supply run, or is sleeping so he doesn't have to witness it
Simon would eventually give up on begging him to leave, Soap was ready to die with him. once they both realize that Simon is still somewhat conscious, Soap is adamant about taking care of Simon even as he decays, trying to keep him bandaged and cleaned as much as possible
Simon would become like a guard dog for Soap, protecting him from both zombies and other survivors. Simon is especially fast and strong since he still has some control over himself. I think Soap would have to keep a leash on Simon, because Simon's brain, while still holding some function, has zombie instincts, and he easily gets distracted. Also, I think Soap would be able to decipher what Simon's different grunts and groans mean (Simon unable to talk due to broken jaw and rotting) to where they can basically have full conversations
In the end, I think Soap would die of old age (Ghost having protected him his whole life), and we would circle back to Ghost being the sole survivor
OR
Ghost would eventually get to a point where his body has rotted so much that life isn't feasible for him. he can no longer function or protect Soap, and he is able to communicate that with Soap, who in the end shoots him. Soap would be put into absolute agony over this. Soap, being a demolition specialist in the military, makes me personally believe he'd absolutely wreck havoc.
I think he'd probably destroy a city with some makeshift explosives because while Ghost might've been technically dead for a long time, they were still soulmates, and this time, he was gone for good
I think he'd become reckless with his own life, a mix of anger and sadness. There'd be days where he'd be so depressed he wouldn't get up, and others where he'd do the stupidest shit just to not think about the fact he is now completely alone in the apocalypse
I don't think he'd get infected; I think he'd probably pick a fight with some survivor group, or one of his reckless expeditions would be the end of him. I don't even think he'd make it a half year without Simon.
I feel like this would contrast to if he'd stayed with his group after Simon was infected or if Simon had been KIA on a mission (not apocalypse au). I think if he had his team, he would've moved on and lived a good life, although grieving and completely dedicating Simon's death day as a day of remembrance. However, with Simon having been his only companion for so long and the man he threw away everything for, he might as well have died when Simon did
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envirae · 9 months
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OR...
enhypen as taylor swift songs !
an enhypen oneshot series
pairing: enhypen boys x fem!reader genre: angst and fluff warnings: profanity, heartbreak, angst, pining (check individual chapters for more warnings) thank you @nhularin for helping me out with this series 🫶
taglist: open! send an ask or dm to be added!
1/7 completed!
— lee heeseung: i knew you were trouble
"he's long gone when he's next to me, and i realize the blame is on me"
with his slicked back hair and leather jacket, you probably should've known not to get involved with lee heeseung. but hey, you can change him, right?
READ HERE
— park jongseong: you're losing me
"my heart won't start anymore for you, 'cause you're losing me"
you knew dating jay wouldn't be easy, but you didn't know it would kill you this bad.
READ HERE
— sim jaeyun: mine
"i remember how we felt sitting by the water, and every time i look at you, it's like the first time"
who would've guessed that the cute barista at your favorite cafe would end up being the love of your life?
READ HERE
— park sunghoon: the archer
"who could ever leave me, darling, but who could stay?"
he's the best thing that ever happened to you, and you just wish he would see himself the way you do.
READ HERE
— kim sunoo: paper rings
"i hate accidents except when we went from friends to this"
although you're just two young dumb best friends, something about the way sunoo laughs makes you think you wanna spend the rest of your life with him.
READ HERE
— yang jungwon: the way i loved you
"you're so in love that you act insane"
it might've been the craziest period of your life, but you can't deny that dating yang jungwon was the most exciting thing you've ever done.
READ HERE
— nishimura riki - seven
"and though i can't recall your face, i still got love for you"
he lives exclusively in your memories, but your heart still pines for the boy you met at seven.
READ HERE
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taglist (open): @misokei @nhularin @girlokarina @jaeyunsimswife @hanienie
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magniloquent-raven · 7 months
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okay i have SO many questions 😂 the way stede just sort of off-handedly goes "yeah i know" like. HOW does he know though. not that ed shot izzy but that he did it after izzy dropped an l-bomb
cuz like. the two scenarios coming to mind are: izzy has been drunk off his ass since it happened so he's just been mopey and telling EVERYONE. literally anyone who will listen. he's been going around like "hey. y'know what ed did when i said i loved him? he SHOT ME." everyone on the crew has heard the story. four times. every seagull that's landed on the ship has to listen to it. he cries to his own reflection about it.
OR ed told stede.
because him and izzy are the only two people who know about the conversation they had BEFORE the bit where ed came out of the captains cabin and started waving a gun around. so.
idk man, how would that conversation have even gone??? ed seemed to barely register izzy's confession in the moment, purposefully, yeah, he was brushing it off deliberately, but he has such hangups about being loved it would have stuck with him whether he wanted it to or not.
it just seems like a thing ed would have buried and decided never to talk about, and the idea that he might have told stede is driving me insane. he barely let stede say the word love, he's made it pretty clear it's hard for him to hear, but it's also a thing he NEEDS to hear, so i can't help but think he might've brought it up hoping to goad stede into saying it again. just. a thinly-veiled excuse to bring up the topic of love, watching stede out of the corner of his eye trying to play it casual but sweating a little and hoping stede gets the hint.
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liauditore · 8 months
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biomechanical horrors <3 <3 <3
Part One
~
<RETRIEVED FILE. CODE: HCS9DO2.>
Tango's alive.
We don't know how and we don't care.
He was... Half of him was covered in that stuff. Sculk. He's been down there for months, it should've eaten him alive by now, according to everything we know.. His survival could mean endless things for the scientific community but I don't even care to think about that right now.
When.. When I saw him in that thing's mouth the cockpit, limp and curled up in his seat, I'd feared it was confirmation of what we had all been expecting..
I hate to admit it but I.. didn't want to look any longer. If it was just me back there, Tango would've really been a goner...
Skizz.. has never been one for logical thinking. It drives me insane but it might've saved our friend. That moron has a heart too good for this world. I hadn't thought it possible that human hands could shatter Decked Out's windshield like that... maybe she was worn from her time in the Deep Dark?
Either way, he's.. stable, according to the medics. Breathing. He woke for a bit earlier and was just kind of.. standing there, staring at something off in the distance. I put him back in bed and told him to try and rest.
Morning. We'll look for answers in the morning.
<End Log>
~
RETRIEVED FROM SITE
PILOT Tango Tek - Unconscious. Sculk-infested. Currently receiving care. Missed you, buddy.
PILOT SUIT, TEK Variety, mark07 - Tango's pilot suit that he designed himself. Covered in sculk. We're trying our best to clean it but the stuff's stubborn as hell... Might be good to just discard it. Surely Tango wouldn't be too mad?
SCULK SAMPLES - that thing was covered in sculk and shriekers alike... it's like it was... pulsing... like it had a heartbeat...
DECKED OUT - she's beyond help, I'm afraid.
~
<RETRIEVED FILE. CODE: HCS9DO2.>
Tango's gone again.
He clawed my face in when I tried to hold him down. It'll heal, but... I just... I didn't expect that from him, I guess. He took the suit too, barrelled through a dozen nurses and security guards to get to it.
That thing, it... it heaved itself to the surface on its arms. You could hear it from the centre of town. The ground beneath it screeched. It looked like it was in pain.
It dragged itself all the way to the edge of the shopping district. We had no idea what to do, it shouldn't be able to move without a pilot or power. It shouldn't have teeth either.
It sat there for half an hour. Its jaw unhinged and slacked onto the pavement. I remember the first time I watched a whale beach itself. It was a lot like that but... this thing felt like it knew what it wanted from us.
Eventually it just got up and left like nothing happened.
I think Tango's in it again.
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prettyboykatsuki · 1 year
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*shuffles in* I'm here to ask about Yuuta as it's now "later". Ahem, so about Yuuta? :3
i cant stop thinking about like. childhood friend yuuta and asking him to have sex because you're sexually frustrated but he's been in love with you since he was little and has had eyes for you forever
like. anon its been haunting my brain. you're not really thinking twice. you've always taken care of yuuta (chronic crybaby who couldn't fight to save his life for most of your childhood) so it became sort of natural for you to treat him that way. you're a literally rougher and more intimidating than he is
yuuta wants you to treat him like a guy. sure he's younger than you but he hates that he's been stuck with the whole little brother thing forever. you're like.. a recently graduated student looking for a job and yuuta is a college sophmore. and in your rush to graduate and get a career you are simply so pent up you're going to go insane.
so you're bothering him in his apartment (he lives with inumaki) after submitting what feels like. the hundreth job application. you shut your computer and sigh.
"yuuta."
"huh? do you need something?"
"lets just have sex."
you broke him. he thinks he misheard so when you repeat it only to say the same thing he thinks he might've died and gone to heaven. you want to do what? with who???? he turns around and he looks like he's about to sob and throw up he is sooo overwhelmed. like duh he wants to have sex with you but he is So In Love With You that if you go near his dick he might start losing it.
"y-you want to...to have sex with me?"
"yeah. you're good looking. i know you work out and wont hang me out to dry. and you're not seeing anyone right?"
"no! definitely not. n-not seeing anyone and wont in the near future,"
"then its a perfect set up. im a good lay i promise,"
yuuta wants to be like... you could be awful and he'd still probably cream himself. he's not gonna fix his mouth to say that but hes thinking it. the prospect is so overwhelming he literally has to close his eyes. he wants to do it really bad. but again, romantic attachments. he's really considering if he can handle simply being your sex partner when he knows very well he wants to kiss you and hold hands.
so he says "i dont like sleeping with people im not dating," which is a flat-out lie. he doesn't care and never has. but then to his surprise, you just giggle and go.
"that's so like you. that's fine. sure, lets date while we're at it. 2 for 1."
and that makes him fucking LOSE it. there's no way its that easy right???? RIGHT???? but you're all smiles and you don't look like you're being sarcastic. he's going to die early or he's definitely already dead. this has to be heaven, he's literally rubbing his eyes. you sit up and sort of gesture him over to you
and he RUSHES towards you. collapses in your arms and feels his chest squeeze where you giggle. you kinda grab his face in your hands, thumb swiping at his tears.
"you grew up to be pretty handsome, yuuta. what a face. the girls must like you on campus, hm?"
"i dont care what they think." which is true. he doesn't at all.
"you care about what i think though?"
yes. a lot. he is so happy that you called him handsome he is going t collapse, but he just nods kinda meekly. and then you kiss him and he just. combusts. fizzles out like soda on a computer. brain immediately empty.
"well if it matters, then you're pretty handsome. lemme see what other faces you make, okay?"
he resigns himself to be the best fuck of your life because he is so determined to make you fall for him right then and there. he will do Anything and will not the let the opportunity slip him by.
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athousandbyeol · 9 months
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discussion #10 (only friends): topboston's car scene is proof that mew IS top's ultimate weakness [episode 3 recap]
it was devastating. that car scene. but aside from the hot and steamy exchange topboston shared in the now-broken car, there are a few things i want to point out in episode 3 (in general), and also the important topboston scene that is the start of top and boston's downfall.
this post was written right after i woke up. therefore, i apologise for the incoherence.
as always, please take my discussion posts with a grain of salt.
let's begin.
mew could've saved top from a (destined) rebound of insecurity
i think mew could've prevented the topboston car sex from happening if he let top stay the night, or at least let him in his room for a while. because we know top was willing to go to lengths just to be the best version of himself to mew. he was willing to change and serve mew whenever he could.
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i think, at this point, top's feelings for mew have grown into something quite complex and profound, but his approach is somewhat hesitant and a bit forceful (?) as he insists mew is his boyfriend even though they haven't gone official, especially since mew said they 'aren't boyfriends yet.' nonetheless, it's sad to see top's persistence is only valid when he's trying to prove a point to everyone else but mew. he tried showing this 'mew's my boyfriend'' agenda to mainly, ray, his sole opponent, the trigger of top's insecurity and fear.
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however, i also believe, along the line, mew has developed trust in top, possibly thinking top might've become a better person and sensed top's behavioural change (mainly sincerity) after they spent more time together. the silent disco scene was very crucial as the lyrics are a foreshadowing to many things: 1) mew isn't the good guy we (the audience and the friend group, top included) perceived him to be (he didn't sing some parts of the song, will be explained after this), and 2) top's death, even though i despise entertaining the idea there will be main character death in p'jojo's works, instead of thinking of this as literal death, i want to believe (for now), it's the 'death' of top's egoistic/confident/brash personality and his previous lifestyle. at the end of the drama, he might no longer be the villain as he finally accepted and embraced the better side that mew helped top discover. 
sidetrack: a foreshadowing of topmew's future dynamic?
top sings this line;
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this line;
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and this line;
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mew sings only this line (sorry because this screenshot isn't doing the scene justice);
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and topmew sing this line together;
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who's the he in this context? i don't have the slightest idea. it might be the 'new' top, or it's just mew finding/taking comfort in celibacy again (i wrote a prediction post for every pairing's ending here if you're interested to read it).
anyway, this is something we have to keep in mind. the foreshadowing in this scene alone is INSANE. but i regress by saying they're the absolute cutest and fluffiest doofus in this scene. top was having so much fun with mew and vice versa. they're enjoying each other's company. the smile on top's face was so bright, and the glint in his eyes was so vibrant. top looked sincerely happy with mew, and i like that a lot. //yet this scene teared me up when i was retrieving the screenshots. it broke me again. they could've been so happy without anything else coming their way. :( can't my babies be happy for once? goodness.
discomfort and distrust; top lost the battle with himself
in the car, top looked queasy. he was anxious from the small talk he had with boston in the kitchen. and he projected that frustration to ray as he insisted on taking his boyfriend home. in one way or another, top might not want mew to mingle with ray any longer, especially since mew was a bit tipsy and he was afraid that mew and ray would do something more than just acts of friendliness. however, top didn't save himself from the cunningness of boston's trap as he thought he had things under control.
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again, as i mentioned in many of my discussion posts, top takes immense pride in himself and he won't let anyone topple that ego of his because he's the fcuking top tanin- everyone bowed down to him and worshipped him because of his impeccable skills in bed.
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side note: this truly breaks my heart because it seems everyone only sees top as one thing: a sex God. that stranger (i don't want to address him by his name because i'm just very petty) who walked to top and freaking said all those bullshits in front of mew— in my eyes, top appeared guilty almost, and uncomfortable for letting mew witnessed and listened to 'the real' top from a stranger that once accompanied his sleepless night.
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top was fidgety and tried to invert mew's attention elsewhere, not on him—
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—which is ironic, considering he always enjoyed the attention/interest people have in him. but with mew, it's always different. 
side note (2): again, why the hell does everyone think they know top better than he knows himself? this somehow shows top's struggle of understanding/determining/differentiating his truest identity as people only perceive him as a pleasure-giver and NOTHING more. what people say tends to get into our heads, and it's not weird if top believes that he's just this and nothing else.
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but mew helps him see that he's capable of making mew happy, of taking care of mew and being the best version of himself; this assumption is waiting to be proven when top says, "but with mew, i just want to make you as happy as possible." it looks like top has found a purpose in life— he wants to make mew happy. he wants the person he loves to be happy. //that's so heartbreaking just to think of it...
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back to the car scene, i don't know how the hell boston got that video of mewray (possibly) kissing, but that was just a nominal and lowly move from boston.
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that was disgusting (insert the lee minho meme), and it showed just how evil boston is. he didn't care if mew and ray were his friends or whoever, as long as he got what he wanted— top's attention/trust/d*ck— he was willing to backstab his so-called-friends. he really used the one thing top was afraid of— the truth behind mewray's closeness— to manipulate top. 
additonally, as mew had this vision of top in mind (confident, self-centred, etc), top also had this image of mew in mind (nice, helpful, etc). i guess he had always seen mew as the kind/naive/innocent type, especially since he wore that white wristband (a potent indication that mew was never really interested in romantic relationships and anything messy)—
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—the first time they met. so top was afraid of the allegations coming true— perhaps mew wasn't a virgin, after all. it was all a lie. was mew lying to him all along?
notably, this also didn't come from mew's mouth— his virginity.
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it's always the topic that BOSTON and mew's friends (chueam, i love you, but this shouldn't be a concern to you, really) brought up, showing just how insecure he was in that one thing mew STILL possessed, a charm that lured top into wanting to have a romantic/steady relationship with mew and ignored boston's constant cry of convincing top 'they are the same'. and how contradicting? boston said himself— mew is a 'sweet' virgin (retrieved from episode 1 part 1). so the video he showed to top can possibly be edited. //if it's true, fcuk you, boston. fcuk you.
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when he saw the clip, top asked when it happened, and boston answered 2 years ago. here, we can already draw a conclusion that (if it was legit), it happened ONLY ONCE, and it wasn't a recurring thing because, a throwback to ep 1, mew clearly said, "i'm not someone like boston."
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if mew was boston, it would've been more than just once— whatever mew was proclaimed to do with ray. but we know mew is a man of his own. he has always been so comfortable with celibacy. however, top's judgement was rather clouded and bugged because 1) he didn't trust mew fully (as mew didn't trust him previously), 2) he was insecure because mew might still choose ray over him, and 3) the idea of mew doing it with ray while being in this undefined relationship with top was bruising his ego/pride. so he allowed boston to do his way with top, because top felt he was losing control of himself. and the only thing that could help top regain that power was through boston. 
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(he lost the battle with himself. really. it was just top and the demons in his head. the devils won. top gave in. again, fcuk you, boston.)
in this post, i mentioned that boston was always susceptible and open to top. he liked it when top caved into him. but the idea was top has always been using/thinking that boston could help him retrieve composure because boston was so easy to get— boston was always ready to be controlled and handled by top. but, when top met mew, he was interested and determined to win mew over becaue he was tired of 'people who already knew too much in bed.' and always, this was the sole reason of boston's anger and annoyance— mew has something desirable that boston no longer possessed— virginity/decency.
so top resorted to boston because he couldn't take the confirmation that mew— the person he was starting to (genuinely) like— wasn't the person he had in mind. so the car scene is proof that yes, mew is top's ultimate weakness. and in episode 3, it wasn't about mew manipulating top or anything; it's boston using mew as a tool to convince and influence top into believing that mew isn't who top believed he was. boston played with top's only weakness— mew.
however, top could've stayed. he could've put a stronger fight. i think the old top— the confident top— would insist on taking mew home. he wouldn't back away this easily (throwback to ep 1 when mew said he couldn't do this with top, but top said they didn't have to know each other to have sex. after that, he kissed mew again to keep the mood going, but mew pushed him and stopped top from continuing).
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side note: i think top really wanted to stay because he knew what would happen if he went to boston. but mew said he was fine and top respected mew. he didn't want to argue or make mew unhappy. mew was his priority, and he abided by the boundaries set in this relationship. this has already opened up a new horizon to us; this is what top could be if he's allowed to have a morsel of true love. he trusted mew (although it had wavered) and went to boston.
top was known to be persistent, but he gave in so quickly when mew said he was fine alone. looking back at this, i believe now that top really likes mew. that's why this killed him— the idea of mew having a secret relationship with ray behind top's back. 
additionally, it breaks my heart after witnessing the hurt in top's eyes once boston leaned closer and kissed his neck. he was on the verge of crying. he seemed a bit lost, helpless and hopeless. i guess at that point, top was trying to think wisely, to make a final judgement/say to the ideas he had in mind and the verdict(s) boston showed him. he was trying to hold onto that thin slither of hope that it wasn't true because mew couldn't have done that, could he? 
but i guess top didn't consider or remember mew saying so blatantly, "i'm not like boston." because it's true— mew is never boston. unlike boston, who's insecure and pretty much volatile and a narcissist, mew is empathetic, understanding, kind and has his own set of flaws, but rather a decent human being. he's so different from boston. sadly, top couldn't differentiate that stark disparity, that one thing top liked about mew when he first saw him— mew's solitude. 
conclusion 
i said in this post that topmew will have their first time in episode 4, and it's happening. it fits the timeline of their budding relationship really well, as they now have reached equilibrium. top will confront mew in episode 4 and ask him about ray. mew will tell the truth because he's never a liar. possibly, that will make top trust mew again.
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possibly, next week, we will see top distancing himself from mew at the start of the episode, and mew might feel sad/confused about it, so the first confrontation ensues— topmew sorting out their feelings for each other. mew willingly wants to have sex with top, an indication that mew is ready to fully accept top into his life— to be all over top as he genuinely likes top now (and this can be the start of mew's transformation from good to evil)— to admit he loves top and top is his boyfriend. they're finally on the same page. 
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however, things will go down the gutters in episode 6 since forcebook said it's the story's climax. yet, i believe episode 5 will be their 'honeymoon' phase, and i personally want that to happen. it'll make the pain of separation even more delicious as we have happy memories of them in our riverbank of recollections. 
i'm sorry for this incoherent and messy discussion. i still have so many thoughts in mind, but this is the only thing i can pen down as of now. the car scene is still breaking me, and i just don't know. (I wrote this as soon as i woke up. therefore, i'm sorry. again.)
anyway, thanks for reading this post. :) 
//btw, i watched dangerous romance yesterday, and i'm in love. that drama is easily one of the best series of the year for me. it's so good.//
[1 | 2 | 3 | 4 (i) | 4 (ii) | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12]
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I would kill to have you overanalyze everything about Falsettos. Hope that didn't sound too threatening, I was joking, I'm just really into your analysis of the chess game :3
omg! I would love to analyze anything for you, man! 💗 I've pretty much picked everything out of a lot of the songs─ lil surprised I don't have my own corkboard with red twine commemorating my insanity on this musical lol
Looking through the album, the first option that came to mind might've been The Thrill of First Love but I think I'll take a break from toxic gays for just one moment and give you a strangely written analysis on Marvin at the Psychiatrist: A Three-Part Mini Opera, because of the different character pov's (i.e., Mendel, Jason, somewhat Whizzer, and of course, Marvin─ and I know Whizzer only announces each section of the song but hear me out, the theories are crazy and I'm obsessed with them and this song definitely factors into them aswell).
Basically, we'll start off with a quick look over Jason's lines, as he is the first character to speak/sing in the song. Right off the bat, we have him showing a HUGE disdain for love because of his father pretty much ruining his home life with the illusion of it. Well, maybe disdain is strong, but you get what I mean─ he's very reluctant to accept romance as an option for himself at all at this point because the wound is still very fresh from Marvin blowing up their family life, but yeah, also, he's a little preteen boy so it also makes sense for him to object to liking anyone just because of immaturity.
As we progress, Jason does a joint-therapy session with Marvin and they talk about outings and father/son bonding time gone badly wrong. He lets us in on his hyper-observance with his reaction to Marvin saying the pitcher they saw at a baseball game was handsome, and makes sure the audience is well aware he has some pretty conflicting emotions about his dad and his dad's sexuality. Especially given My Father's a Homo comes directly after this song, and in turn, also directly after this moment, so we know his feelings over Marvin and Whizzer (being that he enjoys Whizzer's company, seeing as Whizzer is the only adult who actually treats him like a kid and not like a victim or a baby or an average adult, like- but still) and their messy relationship.
It really makes me wonder on how it is when he's meant to go over to their apartment, since it's canonical that they live together and that Jason sees him regularly. And if they act terribly in front of him still. I assume Whizzer wouldn't allow that, another trait that gives Jason reason to side with him, because he seems like he really just doesn't want to completely, for lack of better words, fuck up Jason's whole childhood experience by being a part of it.
Now! Mendel isn't a complicated perspective, per say, just very eccentric. Especially assuming he asks MANY intrusive questions to a man who just openly came out as gay about his ex-wife and her sexual habits and such. This is where we tell him to go to horny jail.
(That's not the whole analysation, I swear─)
Mendel to me seems like he probably takes the initiative to not relay any of his clients actual info to other family members, but this song pretty much just proves he's incapable of brain-thought when he's horny. Which, yeah, that's hilarious that the only straight man is just thirsting over a woman to this gay guy. William Finn, you've done it again.
Anyhow, Mendel is pretty vital in this song. We get to see his psychiatry techniques, and with that, understand exactly what kind of situation Marvin's been, in taking therapy from him this whole time. The first part of the song is probably the best way of analyzing, since he's actually intelligible and giving Marvin advice. Well, that advice consists of telling him to ignore Whizzer's flaws and love him regardless, you can actually sorta see that at work in some aspects of the musical, even if he's constantly condescending to Whizzer throughout act one.
But generally, Marvin tends to take the exact opposite path that Mendel gives him, and basically just uses him as a venting device. Then again, Mendel is not to great at giving advice, as a neurotic little man who has like four mental breakdowns in the course of act one and two.
Next, Whizzer, of course. Short but sweet, or.. angsty? I've heard a few people theorize that Whizzer narrates the story ("Marvin at the psychiatrist, a three part mini opera, part one." "Part two." "Part three." "Psychiatrist, returning, returning! Five sessions later..." "A day in Falsettoland─ Doctor Mendel at work.") because after he dies, it sort of becomes his story of finding a true family and lover and son and being actually happy and knowing he lived well before he died really, tragically young, at least.
I'd like to take it a different direction, because I hate angst, and only sometimes tolerate it.
I've realized that Whizzer only actually narrates Mendel's shenanigans, which makes me think, especially with how he still does in act two, he gets to HEAR about the sessions. Whether it be from Marvin, or Jason, or Trina. Or even Mendel himself (this one's more act two based). It may introduce a new side because Whizzer doesn't go to therapy (shocker), but the people he's around all see this one guy so maybe he hears about the sessions and can relay them because he knows this one person's aspect of the story each time.
It wouldn't make a lot of sense for him to hear anything from Mendel in act one assuming they weren't close (at least not in the revival), and he doesn't marry Trina until Marvin and Whizzer are broken up, basically. But it would make more sense for him to get it from his boyfriend who absolutely loves to complain about any minor inconvenience in his life. I just think this could be an interesting perspective, because I've only ever seen that first theory and although somewhat fitting, I need less angst and more cool little headcanons in this fanbase please and thank you.
Finally, we go to Marvin. The star of the show, our princess with several disorders (we all know who our real queens are *stares directly at Trina and Whizzer*).
Throughout the entirety of this song, we see him barely entertaining Mendel with information. He's very vague, which probably stems from a life of secrecy and sneaking around. Although I presume he told Mendel about the affair while it was happening, or a few months in? Or Mendel just knew? Just by the general air of it, and how it seemed well-known by that point even though him and Trina only just divorced.
Marvin definitely keeps to himself, and waits for Mendel to butt in with something. Not so he can take his advice, but moreso so that he can kinda just. Have it, on hand? Or maybe so he can prove to himself that therapy is a hoax, because that certainly sounds like a Marvin thing to do.
Even while going through events with his son, he only states that eventually their interactions just go back to being stale and that they SHOULD be closer, without ever trying to actually make an effort (he assumes making an effort is taking Jason on outings even though they both prefer to stay inside, on their own. This definitely comes from his parents not doing anything with him as a kid, it's internalized so he pushes going out in public and doing what would be father/son outings onto Jason. It's something he never got to have, so he thinks that means he's fathering Jason better than average).
Not much to be said about that middle factor, besides the point of Marvin not knowing Trina was withholding love from him, which is interesting. Her character and lines definitely prevail that she was fed up with Marvin, but it could have just come out as indifference during their marriage. In I'm Breaking Down, she does make a point to state that she only wants a man to love her, so that could've been an overwhelming point in their marriage that Marvin remembers more vividly then her drifting away.
He did seem genuinely surprised when Mendel brought it up, so there is something there for sure.
But now, my dear silly, it's time for me to say adieu, because it's semi-late and I gotta update a fic draft :) but thank you sm for asking! made my day, it was so sweet. my inbox is always open for any suggestions, I'm really glad you like these little rants lol.
I'll try to post more soon 🫶
Goodnight!
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mail-me-a-snail · 4 months
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kicking my legs in the air. tell us more abt silvervance i am fascinated with whatever they've got going on
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i mean. god where do i even begin.
so first off there's their main tag where i put all the posts that even vaguely remind me of them............like there are posts in there i would not show to my irls let alone god.
anyway. silvervance is the ship ever. they're both products of arasaka's influence, whether thru their own free will (in vance's case, or so he'd like to believe) or otherwise (in johnny's, vis-a-vis his eponymous prosthetic arm). they both manufactured their identities for an audience wider than themselves. they both recognize this similarity between them.
when vance came back 2 life with johnny in his head, he saw himself in johnny and he didnt like what he saw.
but as u know, in game canon, vance had no choice but to suck it up and bear the ghost's anti-corp, anti-capitalist, anti-night-city, rambling. oh woe! woe! is johnny silverhand, night city's last rockerboy turned co-pilot for arasaka's missing asset.
the thing is. the thing is. with everyone telling vance that the best course of action would be to excise johnny--with hellman telling him point blank that its not possible as well--he doesn't want johnny gone.
johnny becomes second nature to him, more than just a poltergeist who offers him snippy quips and lame one-liners. who likes annoying the hell out of him or who likes making him laugh by doing bits of physical comedy that johnny knows only vance will see.
he just grows to have so much. affection for this man. this man loser who he wishes he had known when things might've been simpler between them.
in the hypothetical good ending for silvervance where they get their own bodies, they're gonna move out to some colder state, somewhere that snows. they're gonna move as far away from local civilization as possible. but they're still gonna find merc work together because neither of them are quite suited to a domestic life.
they take each other's poisons when they finally separate; vance grows wolfish and snarky and johnny goes quiet and smiles a little too much like a dog, lips curled over his teeth. vance is brash and a risk-taker; johnny is loyal to someone other than himself for once.
they'll eat each other alive one of these days. they could not think of a better set of teeth to do it than one that so closely resembles their own.
in my heart n soul i know they find each other in every universe. not that they will happen upon each other; that they'll actively look for the other, not knowing who it is they're looking for at first, but just knowing that there is someone out there for them. i don't usually like throwing the term soulmate around but it's something a lot like that.
they'll find each other in the corpo rat au, they'll find each other in the father vance au, they'll even find each other in the ending where vance stayed with arasaka. there's no separating them and it drives me bonkers. insane, even. i wrote four fics in a haze for them bc of how much they drive me up a wall
anyway ty for the ask <3
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stelar-time · 10 months
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I think I'm going Insane or I connected the dots
In the Stanley Parable original mod we have the red and blue door option but in this one if you choose the red one instead of getting the Zending we get the ending we know today as the Apartment ending, Narrator tells us about how we are always told what to do and how it's going to lead us to eventually dying
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but here's the interesting part about that, in the original version of the game do you know who else gets a door with the color red? You guessed it !
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Stanley !
Well you can take this both ways (or more ! it's jus the interpretations I personally was able to get out of this)
Either as just a little smart callback to it
or
You can interpret it in a more deep sense of why Stanley has a red door, because just like Narrator told us we will always follow the orders by the end of the day, we might've gone trought the left door and pressed the elevator to go down we STILL went trough the red door and no matter what happens we will wake up in the morning and go to work
No matter what we do we will always end up going trough the red door.
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