#I love that you communicate so well with little to no dialogue!
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Are Merch Mimics capable of using assimilation offensively against humans, for self-defense and otherwise? Like, if someone tried to break a toy/game/etc they were inhabiting, could the Mimic instead pull them in?
To a degree, yeah. I should mention though that Victor isn't "in" the TV in any magical sense; spoiler alert: he's the controller Vance is holding! Hence, the eye on the controller reacting to the dialogue. The Victor on the screen is actualy a model he rigged for a homebrew game he coded the old fashioned way, which responds to whatever inputs the controller sends to the Wii.
He actually is an active member of the homebrew community, and loves to mess with electronics the old fashioned way. Almost no one on the forums knows he's a toy bird, but are impressed nonetheless with his little projects, various rail-shooter games, and weird obsession with snarky anthropomorphic birds.
Victor could technically "jump into a game" on a tv screen, but it'd be a bit of a weird process if he doesn't know how to mod the game, so it'd look more like a shitty greenscreen effect rather than anything coherent. He'd need to learn in real time how the game is coded, how to inject arbitrary code into the system while it's running, etc etc. He CAN do that because he's a fucking NERD, but it wouldn't be a quick process at all.
I should also mention, mimics have an inherent ability to create dreams, since they come about from processing the thoughts and ideas of humans. If a human bonds with a mimic, such that the mimic now knows how the human thinks, they can pull a (somewhat) willing human into the dream when the human sleeps. So to wrap this all up: what Victor could do for a game he understands inside and out is pull a human into a dream that happens to match whatever he himself experiences as currently going on in the game. Basically the ultimate VR experience, with the mimic as a middle-man. Which might be something that'll happen in the comic soon....!
So that all seems a bit convoluted, right? Here's even more worldbuilding about matter assimilation by mimics below the cut. Stop here if you don't want a headache.
The reason so many hoops would be needed to pull a human into a game world is that assimilation is much easier on inert, inanimate objects that are not currently "in use" by a thinking thing, or something that relies on constant electrical signals to function. This can be something with brainwaves, or some other kind of animation like a normal robot. A mimic can convert a CRT TV that's turned off somewhat easily, but a TV that's turned on, with particles of every kind constantly moving into and out of it, is much harder to convert.
This means that humans and biological creatures in general are also trickier to convert, though it can still happen if done gradually enough. Hence, Victor wouldn't be able to rapidly convert Vance in one fell swoop, it'd be a whole process. It's easier to just pull a human into a dream instead, and if a mimic undersrands a video game, or a story in a book really well, they can basically make the fictional world into an extremely lucid reality for whatever human tags along with them.
I often describe mimics as just "jojo stands if they were corporeal and could just get up and move around on their own with no user"; you know how in jojo stand battles or old stories about magic curses, if you break the curse or kill the stand before its effect becomes permanent, all of the damage is magically undone? Like if you kill Green Day, the mold stand, all of the molding just instantly stops?
Mimics who use their powers of assimilation offensively work similarly; they can project their influence to a certain range, and partially assimilate matter in that range. If you knock out or kill the mimic, however, everything reverts to normal. A human who doesn't want to get converted can basically just turn around and walk away most of the time, or shoot the mimic, so the mimic in question needs to pull off some trick to get the human to stay within range for the assimilation to fully stick. A human can still break free and get out of range even if fully converted, but it's much harder, as assimilation usually means the mimic gaining greater control over the converted object in question. The exact range and effect mimics have is again like jojo stand ranges; it varies.
Different mimics have different affinities for different things. Victor can assimilate cheap electronics fastest because he likes them and understands how they work (it's why he's a toy bird mp3 player). Az can assimilate guns, and turn ammo into weird anomalous ammo with weird effects. Zachary is a genius who can assimilate any matter, including biological matter, faster than anyone... but he's also extremely picky and hates the sight of blood, so he only uses assimilation on things he really, really likes.
If I could somehow make another read more at this point, I would. It's gonna get messy:
What a weird power and setup though, right? Why? The true nature of mimics is unknown to most of them, but the deepest lore is that the first mimics were constructs made by a people long ago, who first made them as highly advanced machines that'd recognize the thoughts of their masters to fulfill any practical desire. Need a road built? Done. Need a ship repaired? Done. With physical needs all met, the people began to turn inward, and use the mimics to illustrate their own artistic ideas. Eventually, the will and consciousness of these people were assimilated and inherited by mimics, who themselves became people. Mimics spread, altered themselves, duplicated, deviated, fused, split, and wandered around. Getting into recreational wars, manifesting horrors and delights into reality because they could.
Somehow, after the dust settled, the strongest mimics, the angels, decide to set their sights to the stars, and observe other lifeforms develop technology and their own art. Did mimics come to earth millions of years ago, and simply watched humans grow, evolving with them in-tandem? Or did humans make the first mimics, and somehow became undone and set back to the stone age? The answer to this mystery is currently known only to the oldest of mimics. Except Zachary. He's old, but didn't care to remember.
This is generally why mimics seem so compatible with humans; they were made by either them, or people who were, for whatever the reason, very much like them, flaws and all. The ability to assimilate is basically the conversion of matter into a more malleable state of information. A virtually magical power, but this was achieved not through prayers and spells, but a very human-like obsession with developing technology to the point of exerting control over molecules, then atoms, then the lowest planks of matter. The obsession with scaling every mountain and crossing through every valley. To rip the natural world apart, and hopefully, put it back together before it's too late. Angels seek to ensure humanity walks the right path there, but with human's own desires and intent honored, for better or worse.
To answer your question: yes. A mimic of Mario can pull you into the game and you can jump with him and eat shitty low poly spaghetti with him.
The process for doing that is just convoluted and complicated, and you need to get to know each other a bit first. If he tries to use it as an attack though, it either won't work, or it might just wind up giving you mild brain damage.
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very niche thing alert!
AKA: I Translated Todd’s Poem Into International Maritime Signal Flags.
"i love being out autismed" - @desire-mona, 2024
What's an International Maritime Signal Flag? I'm glad you asked! They're flags used to communicate between ships:
The International Code of Signals is a comprehensive guide to what combination of flags means what. Taken together, you can create an impressively large range of meanings with them.
Anyway! Onto the poem:
So I wasn't quite sure where this was going until the last few stanzas, when it became clear that this poem was no longer Todd's monologue but a dialogue between two ships, one sinking and the other unhearing (ignoring? avoiding?). The translation gave it a new dimension - it should be noted that all translations fail to preserve the exact meaning of their source - this one just took it a little farther. The poem became a call to be understood, in the same way that much of Neil's story is a call to be understood; it's misunderstood - the boys laugh - in the same way Neil is misunderstood. That gulf of silence between him and his father, that scene in his father's study where he does not justify himself, may as well be a gulf composed of water.
Both poetry and signal flags are last resorts - they are there to be used if all other methods of communication prove ineffective. They are desperate. There is a desperation, too, to the use of signal flags:
(At Sea, Merritt Tierce)
This film, after all, is about speaking to other people in languages they do not understand. This film is a code. It is coded. So, too, is poetry, and so, too, is translation. Through translation and through code I tell you that I AM HERE, that I WISH TO COMMUNICATE WITH YOU, that I WAS GOOD. I WAS REALLY GOOD. Can you understand me now? Was my act of deciphering still not enough?
(For more signal flag poems, check out Code Poems by Hannah Weiner.)
#well i'll be real it's 22:22 (!!) and i don't know if this makes much sense#but i did have so much fun making it. and that's what matters#dead poets society#dps#dps fandom#todd anderson#tristan writes
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for some reason I can't find any fanfics where the character from Star Wars watch the movies
i thought this was a classic trope, usually they are pretty easy to find, but apparently not
i just wanted the characters reacting to the prequels mostly, but all I can find are fics abandoned at two or three chapters where they are reacting to the original trilogy
do you people have any recommendations for something like that? (preferably completed and on ao3)
#characters watch their own show#star wars#star wars fandom#star wars fanfiction#ao3#fanfic#fandom#we love the ao3 community#i have been looking for this for over half an hour#maybe the ao3 search function just hates me today#leave your recommendations so i can have a nice little bedtime story#i feel like we dont talk enough about how difficult ot is to write a good reaction fic#you have to balance describing the original scene well enough so it's clearly recognizable#while also having a suitable amoumt of reacting dialogue from the characters watching#while also not being so cringe it hurts#(which i have found quite common in these fics probably because they are so heavily dialogue based)#came here for fic recs but stayed for the literary analysis on fics where the characters watch their own show#fic rec#fanfic rec
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Long Distance (LN4)
Summary: Long distance relationships are hard, especially when they both have very time consuming careers
Warnings; Angst (a whole lot), no happy ending in this part (will happen in pt 2)
Request: hi!! requesting a lando norris x female uni!reader if possible reader being a medical student or a one of the engineers on the paddock 🧍🏻♀️
Lando wasn’t known for being the smartest on the grid. He, like many other drivers, had only a few years of school to his name. But that still hadn’t stopped him from being able to somehow ‘woo’ a woman quite the opposite.
His girlfriend was currently in her last year of medical school. While he was unbelievably proud of how far she had come, the difficulties of long distance have gotten to both of them, and there wasn’t much hope once she graduated and was off to a medical training program. With her studying for finals and Lando being off to a new country every two weeks for Grand Prixs, their relationship has been rocky to say the least.
Constant lack of communication and missing each other's calls had led them to have tons of unspoken dialogue. Each unanswered call created the smallest bit of resentment that just continued to grow and grow.
No more sweet ‘goodmorning’ or ‘goodnight’ texts, no more wishing her well before a big test, no more sending ‘good luck baby!’ before qualifying. Just a few ‘how are you doing?’ and other bland messages you’d send to a coworker, not your significant other.
After weeks of little communication, they had finally scheduled a ‘zoom date’. Not particularly the most romantic date they had been on, but it's the best they could do with their schedules. Lando called in late at night for him while his girlfriend had a lunch break in between labs. Time zones be damned.
Lando was 25 minutes late leaving only 35 minutes to actually talk to one another.
Her wifi was spotty so it kept freezing.
Finally, with only 5 minutes left, Lando decided to make a joke that there is no reason for her to continue going to labs, as he would be happy to be her ‘sugar daddy’. This was not very well received by his girlfriend, who responded with a quick “fuck you” and hung up early.
Lando was joking, a bit. He loved his girlfriend and saw a future with her, he just couldn’t stand long distance and any job in the medical field was bound to take up most of your time. He wanted her, but he also wanted someone who could be by his side on race day. That just wasn’t something that was possibly currently.
He supported her. He loved to brag about how smart she was and how she was so dedicated to helping people. But that came with setbacks.
After a quick message from Lando (‘I was kidding darling. You know how proud I am of you. Lighten up a little, yeah?’), which she ignored, she was off to her labs in a worse mood than before. Things couldn’t go on like this.
He hadn’t heard from her in three days. His “how are you, love?” and “Miss you lots. Hope your class is going better than my neck training :(“ went unanswered. She knew she was being petty, but maybe a relationship was just too hard for her life currently.
After three long and stressful days of silence, she called him. With no message asking what she needed to speak about, Lando feared he already knew.
“We can’t keep doing this” She said after they quickly exchanged a ‘hi, how are you?’ ‘I'm good, how are you?’.
“Baby, I told you it was just a-”
“I know that Lando! It's just that this isn’t the first time you have mentioned me quitting my career to be your housewife or whatever unrealistic idea you have stuck in your head.”
“I don’t need you to be a housewife! I don’t want that for you. I just try to let you know that you don’t need to worry about your future as much because I will always be there to help you.”
“But I want a career! I want to work hard so I can have a good future. You need to get it into your head that your career isn’t the only important one.”
“I don’t think that! Me wanting to let you know that I support you no matter what isn't diminishing your career plans! It would be nice if you started to show a little more support. I am so sick and tired of all our conversations revolving around you and how your day was. If classes are rough, or you are stressed, you don’t respond to me. I never know where I land with you. But god forbid I try to mention how hard my day was. I am just as sick of it.”
She didn’t know how to respond. It seems that all the times she has been more focused on how she was feeling she completely forgot to check on how he was doing. Before she can even muster out an apology, Lando jumps back in.
“Maybe you are right. I don’t think I can do this either. Not anymore.” He feels his stomach dropping as he says the words, not fully meaning them.
There is a long silence, moments where she wants to apologize, to try and reconcile. In that moment all of the good memories of their relationship come flashing back to her, as if her mind is begging her to do something. But she doesn’t.
“Then I guess this is it.” She finally says.
“I guess so.”
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Red | KNJ | (m)
☾ Pairing: Werewolf!Namjoon x f. reader
☾ Summary: For as long as you can remember, your village has been relatively normal. But when people begin to turn up dead right after a group of newcomers arrive, pieces of your past start to fall into place, and something feels familiar - particularly the quiet man who can't take his eyes off of you.
☾ Word Count: 21,148
☾ Genre: Supernatural, thriller, smut
☾ Rating: 18+ Minors are strictly prohibited from engaging and reading this content. It contains explicit content and any minors discovered reading or engaging with this work will be blocked immediately.
☾ Warnings: Fantasy violence, light depections of murder and animal attacks, mentions of gore, discussions about community displacement and violence, Yoongi is an asshole, animal attacks, depictions of blood, tbh reader and Namjoon don’t know each other THAT well when they fuck so idk, implied protecting from a far but not in a stalker way, explicit language, intense sequences of fear and anxiety, reader is attacked by a wolf, there is a mention of animals being hurt/killed but not in explicit details, dead bodies, arson, sexually explicit content invluding vaginal fingering, nipple play, vaginal penetration, a little bit of mention of fluids but not really.
☾ Published: Sunday, January 21 2024
☾ A/N: I wish I could explain to you how this got to be so long. I wrote it over several weeks and each day I picked it back up, I just kept adding dialogue and scenery and setting. Like half of this isn’t even Namjoon and reader reacting - what was I doing? I wish I knew! I hope you like my spin on Red Riding Hood anyway! I tried to do this in a way that it doesn’t seem creepy that Namjoon was silently looking out for reader but like… I could understand if someone finds it creepy I am so sorry lmfao. I did read through this to edit but I 100% missed stuff because I'm a rougher editor and this is unbeta'd.
☾ A/N 2: This is a Red Riding Hood Retelling that is similar in vibe to the 2011 Red Riding Hood movie directed by Catherine Hardwicke.
Disclaimer: All members of BTS are faces and name claims for this story. This is entirely a work of fiction and by no means is meant to be a projection, judgment or representation of real-life people. Any scenarios or representations of the people and places mentioned in works are not representative of real-life scenarios.
| Masterlist | Ask | Make Me Your Villain Collab | Taglist
Father always said not to go into the woods at night. Like him, though, the woods have always called to you, feeling like a second home. You’ve never been able to explain it, and you’ve stopped trying to.
It’s a little chilly outside, the first breath of harvest air nipping at your skin. In a few weeks, it will be freezing outside, forcing you into cloaks and furs.
Grass crunches beneath your feet as you slip through the small yard and toward the tree line. Your house already sits at the edge of the village, the dark trees stretching high above the rooftops. Soon the trees will be dusted in snow, but for now, they sway gently in the autumn breeze, turned silver by the moonlight.
You’ve always loved the woods. The sounds of the crickets singing and rabbits dashing underfoot are calming, the smell of sticky pine and fresh air invigorating. You especially love them at night, hidden beneath boughs and walking through the shafts of moonlight that slip through the trees.
The best part is that you don’t feel so alone out here. There is a feeling you cannot place each time you enter the woods, like you’re a little closer to discovering yourself. You’ve been chasing that feeling since you were a little girl, hungry for finding whatever it is that drives you out here.
Hands tucked into your pockets, you walk the same route you always follow. It isn’t deep into the woods - you aren’t silly enough to believe you’re safe alone in the dark - but it’s enough of a walk to clear your head.
Howls echo up into the night, a wolf pack on their hunt. The sound of them makes the hair on your arms stand on end.
The wolves don’t come very close to the village anymore since the vicious wolf hunts when you were barely old enough to remember them. The relationship between the men of your home and the wolves in the wood is violent, a chill cooling your skin every time they’re mentioned by one of your neighbors.
A terrible howl splits the night. You feel your body go cold with fear, warmth leaching out of you as you press yourself against a tree, heart in your throat. The sound is something like a howl laced with utter anguish, chilling you down to the marrow. It tapers off into a whimper before falling silent again.
Pressed against the tree, you wait. Your heart is beating so harshly that it feels like you might vomit in fear. Soft whimpering drifts on the wind. You hold your breath and strain your ears. It almost sounds like an injured dog.
It tugs at your heartstrings. You bite your lip, weighing your options. The noise sounded like it came from the south a little off of your path and toward the ravine that splits the part of the woods that is relatively safe from the deeper part where the animals are more lethal and more frequent. You could easily find your way back if you made it to the ravine, and as the whimpering vanishes entirely, you can’t help but imagine an animal in pain.
The most difficult part about working with Dr. Kim at the veterinary clinic is always the animals that he can’t fix. You’ve held the hands of loved ones who couldn’t save their aging dogs, and you’ve hushed lame horses as Dr. Kim prepared draughts to send them to sleep and then to death.
Pivoting, you turn and march toward the initial sound. It may perhaps be the single worst idea you’ve ever had, but you suddenly don’t care. You’ve worked with Dr. Kim enough to know how to triage animal wounds, and the thought of leaving something alone and suffering replaces any sort of fear you originally had.
You’re careful not to lose your footing as the ground slopes steadily as you get closer to the ravines and canyons of the south side. Leaves shift underneath your feet as you go. It feels overly loud in a forest that is suddenly so quiet, only filled with the softest sound of labored breathing.
A small dip in the ground catches you off guard. You gasp, a scream stuck in your throat as you lose your footing and slide down the slope, your back and ass hitting the ground hard as you slide, leaves hissing underneath you. You scramble to grab a hold of something, but the hill isn’t very high and you hit the bottom of it quickly.
Heart pounding, you lay in the damp leaves for a second, panting, hand pressed to your heart as it rattles under your palm. Just as the fear settles down, a growl makes your blood run cold. Slowly, you begin to turn your face toward the left. You realize you’ve slid down a dell, and a few yards from you is a large, shivering form covered in fur.
You blink. Once. Twice. You realize that the large mound of fur is a creature - a wolf. It lays on the ground shaking, a ride of jet black hair standing up on its spine, hackles raised. The wolf’s ears are pinned back and its yellow eyes are wild, nearly consumed by the dark pupils drinking you in. Its teeth are bared, foam and drool lining pink gums as it snares, nose twitching.
It’s the biggest wolf you’ve ever seen. You can’t move. You can only stare at it, wondering why it continues to snarl and stare at you, but not move. Your eyes rove its trembling form from maw to tail, and you realize its front leg is wet and held at an odd angle.
“Oh,” you gasp, realizing that the wolf’s foot is stuck in a claw trap. “I’m so sorry. I… can I help you?”
The wolf stops growling for a moment as if it understands. You stare with wide eyes, not daring to move as it assesses you. It leans toward you and sniffs, the sound of snuffing loud in the silence of the dell. For a few moments, you just watch as the beast regards you.
Then, it chuffs and looks at its own foot, whining. You sit up slowly in amazement. The creature watches you with what you can only describe as a caution. You get up carefully and make your way toward the wolf. It watches your every movement. It can surely smell your fear as you get a few feet away, crouching down with your hands held out to let it know you’re not going to cause harm.
You pause, waiting for permission to examine the wolf’s foot. It gazes at you and for a moment, you lose yourself in that burning, golden gaze. The wolf’s eyes are so human that it’s hard to see it as a simple beast. There is something alive and intelligent there.
As if sensing that you’re waiting for the all-clear, the wolf chuffs and lowers its head toward its foot, gesturing. You smile a little at that, marveling at the communication skills. Carefully, you look at the trap around the wolf’s foot. It’s a metal contraption that is pressure-engaged, with metal teeth. You cringe seeing the red on matted fur and metal.
“You must have stepped on the pressure plate,” you tell the wolf, though it probably doesn’t understand. You gesture to the round plate at the center of the trap. “It would have been in a circle and when stepped on, snapped closed like jaws.”
The wolf whines and bows its head. You wince. “They’re really strong,” you admit, chewing on your lip. “I don’t think I can pull it apart all the way, but I might be able to open it enough just for a moment for you to pull out your leg. Can you do that?”
A huff. Somehow, you think if it could, the wolf might roll its eyes. Your mouth twitches in an almost smile as you get onto your knees, wiping sweaty hands on your pants. This close to the beast, you realize just how large it is.
“This is going to hurt,” you insist. “Please… Please don’t bite me, okay? I want to help you.”
The wolf lowers its head until it's lying on the ground, gold eyes watching you. Its muscles are tense and the hair along the ridge of its back is still standing, afraid and alert.
“Okay. I’m just… I’m just going to touch the trap and try to get a grip first, okay?” The wolf doesn’t answer. It blinks at you, waiting. Licking your lips, you whisper, more to yourself than anything, “Okay, I can do this.”
Slowly, you reach out toward the wolf’s injured foot. You flick your gaze over to the wolf looking for a reaction. It just watches you, though you feel tension. The metal is wicked cold to the touch. You hiss and the creature flinches a little, a whistle-whine escaping its nose. You mutter an apology, fingers pressing to the ridges of the cold metal.
It’s slippery with blood. You chew on your lip, prodding your finger in the space between the metal teeth on the edges where it’s not clamped around the wolf’s paw. You wiggle your finger a little, testing the strength of the closed jaws of the trap. It doesn’t budge and you curse.
Sweat beads on the back of your neck, freezing in the cool air. You lift your other hand, very carefully trying to find a good grip on either side of the jaws to pry them open. The movement jostles the trap a little, the wolf snarling in pain. You flinch and rip your hands away, looking at it. Gold eyes burn and the wolf huffs, as though telling you to be more careful.
“Sorry,” you mutter. “I’m nervous and it’s hard to get a grip on it.” The wolf snorts. You glare at it. “I’m sorry, do you want to do this instead?” Your only answer is a rumble as it looks the other direction. “That’s what I thought.”
Sighing, you turn your attention back to the metal. Anyone a little stronger and older could probably pull it open. Seokjin for sure could - even Hoseok who is as old as you are, but plenty stronger. You try not to think about how weak you are, and instead wiggle your fingers through the gaps in the teeth.
The cool metal stings your hands. It’s not a great grip and your fingers are placed in bad positioning due to the teeth of the trap. Taking in a big breath, you try to pull the metal jaws apart.
Nothing happens and you let your breath out, panting lightly as you stop trying to pull. The wolf flicks its tale but makes no other sound. With the way you’re gripping the jaws, you realize that pulling it apart is going to be difficult. It would rely on your forearms to peel the metal jaws backward… But if you were to push down and push apart, you could use your body weight as an extra boost. It would be pushing the jaws apart from above instead of trying to pry them apart with sheer strength.
Leaning high on your knees, you position yourself straight over the trap, your weight settling in on your forearms. You take another deep breath and this time when you pull, you push your weight down on the trap. For a second, it seems like it’s not going to give. You hiss through your teeth, muscles clenching, fingers burning as your skin presses against the metal as hard as you can stand it.
Then, the jaw opens a little. You grind your teeth harder, the ache in your arms growing as you push as hard as you can. Your forearms are trembling. You feel the vein throbbing in your neck and forehead. Just when you think you’re going to fail, the jaws give way again. You growl, feeling a surge of energy go through you at the small victory and you shove your body weight down on it hard. The springs creak a little and open more.
Little by little, the trap opens up. Your vision pulses red as you pant, strength waning. And then it’s like you hit the let-off point of the contraption, pushing it enough that the rest of the way it just falls open. You let go of the trap and the wolf yanks its leg from it. It now lies open and bloody as you collapse on the ground next to it, breathing hard, breath misting the air.
Your heart beats in your ears, pulse thrumming in your neck wildly. For a second, you forget all about the wolf. You laugh up to the dark trees, a giddy feeling shooting through you. You did it, even though you didn’t think you would be able to.
A dark presence alerts you. Slowly, you turn your head to face the wolf. It’s standing almost above you, looking more imposing than it did before. You swallow hard, mouth going dry as it blinks down at you. It favors the injured leg, but stands nonetheless, watching you.
“Please don’t kill me,” you whisper, limbs trembling not only with exhaustion but fear.
The wolf doesn’t kill you at all. Instead, it leans its head down and presses its cold, wet nose to your arm. You flinch, squeezing your eyes shut for a minute. Then the beast chuffs, making you peak at it. When you meet its gold eyes, you get the sense it is vaguely amused.
“Oh,” you breathe, relief sagging your aching body. “Cool. You’re not going to kill me.”
Standing, you realize that the wolf is still taller than you. You tilt your head upward, staring. There’s no way this is a normal creature, but you don’t know what else it could possibly be. You recall the legends of werewolves and dire wolves told by the men of your town, but you’re unsure if those are real.
“Let’s take care of this,” you mutter, grabbing a branch and jamming it into the pressure plate of the trap. It snaps shut with a loud clang, snapping the branch, but otherwise ineffective now that it’s re-sprung. The wolf flinches and whines at the sound, no doubt remembering the feeling of the instrument on its leg. “Sorry.”
Silence stretches out over the woods, the night growing deeper and cooler. You shiver, rubbing your hands up and down your arms as you turn to the wolf, which watches you keenly.
“Will you be okay?” the question comes out as a whisper. The wolf huffs and steps forward, pressing its snout to your head. It’s cold and wet, making you shiver as it snuffs against your skin. “Good. I um - should start climbing this hill.”
It swivels its head and turns, waiting. You grin, realizing it will accompany you back up, at least. Though injured, the wolf is able to walk with three legs, the wounded leg lifted off the ground. Its gait is awkward and hobbled, but the two of you make it up the hill together, your breathing labored.
At the top, moonlight shines through the trees and you both pause. A series of howls goes up in the night, startling you. The wolf looks up, ears twitching as it tilts its head, listening. Slowly, it turns to look at you, gold eyes sparkling.
“I guess you have to go, huh?” it bows its head once. “Stay safe, okay?”
The wolf steps forward. Presses its muzzle into your temple and huffs, making you grin. You smell pine and bergamot, pleasant and calming. “Yeah, you’re welcome.”
Slowly, the wolf clambours off, vanishing into the dark woods, leaving you to hurry home yourself.
-
“Wear this at all times for protection, especially in the forest,” you murmur, holding the neatly scrawled note. You frown and look down at the fine cloak folded on the dresser. It had appeared overnight as if by magic, a funny feeling flipping your stomach. “Where did you come from?”
The cloak, of course, has no answer. You lift your hand to feel it, breathing out a dreamy sigh. The inside is lined with soft bear fur. Outside is some of the finest cloth you’ve ever seen, gentle but sturdy to the touch and dyed the most delicious shade of scarlet.
Carefully, you lift the cloak. It’s a little big for your size, but not unwearable. You slip it over your sleeping gown, loving the way the material ripples like blood over your shoulders, the fur lining keeping you warm. It smells like pine and bergamot, making you pause.
Certainly, a wolf did not bring you a cloak. Still, the timing is quite odd. You don’t know who else could possibly make a cloak so fine in the village, and the smell… you shake your head. A wolf did not bring you a cloak, but it did seem perhaps you had a secret admirer.
-
THIRTEEN YEARS LATER
“Boo!” You scream and drop the collection of logs in your hands, whirling around. Hoseok bursts into laughter, doubling over as he slaps his hands against his knees, hot breath misting the air. “You should see your face!”
“You rotten bastard!” You growl, picking up a log and throwing it at him. It doesn’t hit him, but he jumps away from it anyway, careful not to let it drop on his toes. “That isn’t funny!”
“It’s a little funny.”
“It’s not!” You crouch down and start picking up the timber. Hoseok at least has the decency to help you, starting with the log you threw at him. “There was another animal attack last night, in case you didn’t know.”
That makes him pause. “There was?”
“Yes,” you hiss, snatching the last log and standing. “So stop lurking around corners and scaring me. It isn’t funny.”
“Well, an animal isn’t going to attack you in the village. Unless you’re talking about Mingyu’s fiancee, anyway. That one is feral indeed.”
You level Hoseok with a look and he gives you a grin. His nose and ears are red from the cold - and maybe a little guilt for scaring you - and he offers to take the timber from your arms. You let him, shoveling it over to him and marching around the front of your house.
Wind howls between the houses, ripping at the ends of your red cloak. It catches your hood, throwing it up over your head as you shiver and tuck your hands into the fur lining. A shiver rattles up your spine as you kick the snow from your boots and rush inside, Hoseok quick on your heels.
“So what happened?” Hoseok asks, following you to your room.
“The Matheson Family,” you mumble. “They were attacked. San went down to collect new saddles his father ordered and found them slaughtered - their hounds too.”
“They have hunting hounds - what the hell can kill those?”
“Perhaps it’s the wolves again. Dr. Kim was going with the city council to investigate.”
Hoseok sighs. “The timing isn’t good. It’s about time the traders arrived. What if they bypass us entirely if the road is too dangerous?”
It’s a thought that has been plaguing everyone in the village. Because of the remote location on the north side of the woods, your small spec on the map relies on traders at the beginning of every winter for things that you’ll need to make it through: salt, extra grain and fruits, tools too advanced and large for the local smithy, repairs on houses and wagons.
Arrival times of traders fluctuate every year. Sometimes there’s a cold snap, burying roads in heavy snow that are unnavigable. Other times, there is unrest in the woods when a rogue band of thieves gets the idea to rob travelers and hide in the woods until the city council sends a team of men to deal with it.
Now, though, it’s getting into the late period of their arrival. The entire village holds its breath waiting for them, people looking out the open gates down the snowy road hoping to see a courier come ahead to announce the arrival of wagons and troupes of people.
“Do you really think it’s wolves?” Hoseok asks. “I don’t think I’ve heard of wolf attacks like this since…”
Hoseok winces. “It’s fine,” you assure him with a smile. “It’s not like I remember that time, much less remember my dad.”
It’s true. Early memories of your childhood are murky at best. You remember being happy and loving your dad. You remember a period of fear and general uneasiness in the town, wolf attacks rampant and frequent. There had been plenty of men and women who died during that period, including your father.
That was a long time ago, though. For the most part, life in your small village is uninteresting. Some winters are harder than others, like the current season, but you’ve always managed to get by.
“Do you remember much of that time period?” you ask him quietly.
“Not really. Just that everyone was afraid. It was a really harsh winter and it drove wolves down from the mountains. I remember it being strange.”
“Strange how?”
You chew your lip and shake your head, trying to encapsulate the thread of memory you have. Of feeling the tremor of fear in the air, the cold feeling of dread… like something violent was in the village. Something wrong.
“I don’t know. I was so young.”
“Hmm.”
The talk of wolves makes you think about your wolf. Your lips curve at the memory of how gentle the wolf was, the somber eyes, and the smell of pine and bergamot.
It would be a lie to say you had not gone out to the woods several times since that night to try and find the beast again. You haven’t seen him since, but you’ve always had a feeling he’s there somewhere. Watching. Waiting.
“Either way,” Hoseok sighs. “Dad seems worried this winter will be like that time. He’s been doing a lot of will and testament papers at the office. He works late every night and is gone early in the morning.”
“Really?”
“Want to hear what Mr. Hillshire is leaving for his kids?” Hoseok leans forward, conspiratorial. “You won’t believe it.”
-
The bell over the door rings as someone enters the salon of Dr. Kim’s veterinary practice, drawing your attention. You straighten when you see San walk in.
“Hi, San,” you greet. “Here to pick up Maple?”
“Yeah, is that alright? Mom is busy at the shop.”
“Of course.” You wipe your sweaty hands on your skirts and gesture behind you with your thumb. “I’ll go fetch her. Dr. Kim is on an errand but she’s ready to go.”
The back of the building with the kennels is quiet. The Choi family cat and two other sleeping dogs are the only occupants of the practice, making it an easy day. Maple is dozing in her kennel, chirping in protest when you open the cage and scoop her into a carrier. She’s a lazy thing, a calico with pretty eyes and a newly stitched ear.
Carefully you carry her up front. San is standing patiently in the lobby, hands behind his back as he looks around nervously. You raise your brows as you come around the counter, handing over the carrier. “Everything okay?”
“Hmm?”
“You look nervous. It’s just me and the Lowells’ hounds back here.”
“Oh, yes.” His ears blush pink as he accepts the carrier and steps back. “Just a nervous energy in general. I have been since um…”
Oh. You had forgotten that it was San who discovered the Matheson family disemboweled by some kind of animal. The constable had thought that maybe it was a pack of wolves but was concerned by how big the claw marks and destruction were.
“I’m sorry,” you blurt.
“For what?”
“That you had to see that, I guess? It must have been terrifying.”
“A little,” he admits, looking at his shoes. “I walked the path to the Mathesons all the time. I don’t ever recall seeing something that could… do that.”
“Was it that awful?”
He nods. “Like nothing I’ve ever seen. Don’t get me wrong, I go on hunting parties. We’ve seen the leftovers from bears and wolves. This was something worse. It felt like…” He shakes his head and looks up at you. “It felt angry.”
“Angry?”
“Yeah. I know that doesn’t make sense. It was probably just a beast coming down from the mountain because it was starving. You know how harsh winters are.”
You hum in agreement.
San dismisses himself, thanking you again for helping with the family cat and throwing a wave over his shoulder. You return it half-heartedly, already distracted with thoughts of what the animal attacks could mean.
You think about your wolf and how kind and intelligent it was. You don’t remember ever feeling a sense of impending doom like you do now, a heaviness to the air as you stand idly behind the counter.
Dr. Kim's return startles you at the counter. You press your hands flat against the top of the desk, leaning up on your tiptoes as you see his son Seokjin enter behind him. Your heart flutters a little at the sight, still overwhelmed by his handsome face.
Seokjin is tall and broad, with dark hair and a beautiful face. His sharp eyes find you and he gives you a half smile, though there seems to be something on his mind as he follows his father into the backroom, Dr. Kim barely saying hello as he goes, his brows furrowed in deep thought.
The two of them disappear and you watch the door swing shut behind them. Curious, you trail around the counter and softly walk over to the door, pulling it open a smidge.
It’s difficult to pick up on their words, but you can hear Dr. Kim’s timbre speaking in low tones from somewhere in the backroom. You hold your breath and wedge the door open a little more, pressing your ear toward the gap between the frame and the door.
“... again. They’re going to want to start hunting parties again soon.”
“So what do we do?”
Silence. Then, “Send a message….”
“... brought it on themselves… it’s time to make things right.”
Behind you, the bell rings at the door. You gasp, letting go of the door to the back room and spin around, heart hammering in your chest. Hoseok stands at the door, raising his brows in question.
“What are you doing here?” you demand, suddenly angry that he’s startled you and ruined your sleuthing.
“I promised your mom I would walk home with you at the end of your shift, remember? Dangerous out there.”
You blink and look out the window, realizing that the heavy gray of evening is setting over the road. You hadn’t realized it was so late.
Nodding, you grab your cloak in a hurry. You pop your head into the back room, both Seokjin and Dr. Kim looking at you as you do. “I’m leaving for the evening, sir. Is there anything else you need?”
“No, thank you for watching the place while I was gone. Tomorrow we have to make a house call to the Marrow farm. Lame horse.”
Seokjin frowns. “Do you think that is wise?” Dr. Kim looks at his son under heavy brows. “With the current conditions.”
“We’ll be fine.” Something passes between them, son and father locked in a heated gaze. You stand there awkwardly, glancing between the two.
Seokjin breaks his stare from his father and flashes you a grin. “You have someone to walk you home?”
“Yeah, Hoseok is here.” You hug the cloak tighter to your chest and Seokjin’s eyes drop to it. An unreadable expression passes his face before he nods. “Have a good evening!”
“You too.”
Leaving them behind, you head to where Hoseok waits for you, examining drawings of animal skeletons and anatomy. You pull your cloak on, feeling safe and warm under the red material. Hoseok looks up at you, thrusting his thumb at one of the drawings of a horse. “I don’t look like that, right?”
-
The red cloak tied around you wicks the sweat from the back of your neck. Your fingers work quickly as you tie it, knowing you’re already late to meeting Dr. Kim. Thankfully, you don’t make a habit of being late and you’re sure he won’t mind too much.
Strange dreams had plagued you all night. Images of wolves, blood and mist. Echoes of howling, screaming and thunder. Now as you hurry out of your home and into the wicked wind of winter, you cannot shake a sense of premonition.
Dr. Kim is already on the doorstep when you arrive at the veterinary office, a heavy coat on his shoulders and a bag of tools in his hand. He nods when he sees you and comes down the steps, turning toward the south exit of the village.
Neither of you speak. Beyond the fact that you don’t think you’d be able to hear Dr. Kim over the howling wind, it doesn’t feel like the kind of trip that requires speaking. The evergreens on either side of the road loom over you, bows heavy with snow. Every so often, a branch cracks with the weight of frozen icicles, making you flinch with the sound.
It feels like you’re being watched. Every so often, you swivel your head this way and that, glancing at the trees. The trunks are too close together and the branches to tangle to see beyond them on either side of the road. Still, your skin tingles from something beyond the cold, you just don’t know what.
The Marrow farm is only a little over a mile from the main village, but the snow covered roads make it slow going. As you near the edge of where their acres begin, your boots are already heavy with melted slush and your calves and thighs burn from dragging your feet through the path.
Perhaps it was not a good day to do a house call.
Passing white-covered gates, you’re thankful that at least the wind has died down as the morning turns into midday. The sun is hidden by clouds, but there is a hint of warmth in the air. The Marrow farm is made up of three buildings: the small house in front, the large barn to the back left where they keep their animals, and a giant silo for grains.
As you near the house, a loud banging reaches you. Both you and Dr. Kim pause, listening as the sound carries on the wind. It doesn’t sound like hammering, but rather like a door slamming over and over again.
“Barn door?” you suggest, looking up at Dr. Kim. His dark eyes look at the house, expression grim. “But why would they let it slam relentlessly?”
“Keep your wits about you,” he murmurs, ignoring your question. “Go to the main house. I’ll go round to the barn. Perhaps they’ve forgotten the appointment.”
No smoke comes from the chimney. No snow is cleared from the footpath to the door. The shutters are closed, which makes sense to keep the cold out. As you approach the steps leading up to the porch, you note that none of the hounds are baying. The Marrow’s have several bloodhounds, all of which keep noisy providence around the threshold of the door.
Spine tingling, you lift your hand and knock. There’s no answer. You strain your ears, leaning forward for any hint that the Marrow’s or one of their two sons are coming to the door. Not even the dogs alert them of your presence.
You think about San finding the Mathesons butchered and your stomach drops. You knock again, knuckles stinging with cold as they rap harshly against the wooden door. Tucking your hand back into your cloak, you wait.
Nothing comes.
Taking a deep breath, you reach for the door and twist the handle. It opens easily, swinging inward to a cold, empty home. Inside, the air is still and dead. Behind you, the breeze brushes the edges of your cloak and the hood on your head.
Silence hangs. Licking your lips, you lift a foot. It hands over the threshold, fear making you pause. There is nothing inside the home, and yet you find that you’re utterly terrified of stepping inside. Your stomach knots and for a few moments, you just stand there with your foot in the air, staring with unseeing eyes into the dark interior.
You step into the room and pause. Nothing happens. The air inside the home is stale, like the doors and windows have not been opened for a few days. The cold is bone deep, clinging to the undisturbed air. You scan the room for any sign of life, but see nothing that stirs.
Everything looks lived in. There are knitted blankets tossed across the backs of old arm chairs, boots by the door, unlaced and soft with age. Mugs have been turned upside down and placed on a towel near the basin for drying, and there are dice on the kitchen table.
Navigating slowly, you move to the hall with bedrooms. Doors hang open, revealing unmade beds and clothes on the floor. Here too, the air feels undisturbed. You hear the breeze outside and the soft creak of the house, but nothing else makes a sound, save for the loud beating of your own heart.
Shivering, you make your way to the front of the home. Something foul hangs in the air and you want to be rid of the feeling, quickening your steps to leave through the front door and-
Fear stabs deep into your stomach when you see the wolf standing in the doorway. It stands half in the home, half out, only the front two paws over the threshold. The beast barely fits in the door frame, wide as two men standing side by side and tall as a horse.
You don’t move. It stares at you with bright, burning eyes. Its fur is dark, though there is a jagged ring of light fur around the right, front paw. You swear you smell pine and bergamot. Something nudges at the back of your mind as the two of you stand off - and it clicks into place.
“You,” you breathe. “You’re the wolf I helped!”
For a moment, the bright yellow eyes stare at you. They’re unreadable, and yet… emotive. Intelligent. Understanding. The wolf dips its snout in a nod.
“What are you doing here? Where are the Marrows?”
The wolf’s ears flicker. Slowly, it backs out of the house. Throwing caution to the wind, you rush after him, nearly tripping over a wolfskin rug in the home.
Outside, the wolf stands below the porch. You step on the porch and pull up short, heart racing as you see the pack of wolves standing in front of the home.
The wolves are a variety of colors and sizes. You dare not move your head, but you scan them with your eyes, drinking in the different creatures. The only thing that they have in common is that they are freakishly large.
Your wolf - for in your mind he’s yours - stands in front of you. He growls, hair on his spine raising as he regards the other wolves. There’s a silent standoff of sorts, the wolf you saved facing the others. You cannot understand their body language, but the air seems charged.
The smell of smoke is in the air. You don’t dare look for the source, too afraid to do anything to disrupt the standoff. Breathing in deeply, you think you smell cedar. Oil. Something else that you can’t identify.
Footsteps crunch the snow. You whip your head to the side, a warning on your tongue as Dr. Kim rounds the house, a haunted expression on his face. He stops abruptly, looking at the display in front of him behind frosted glasses. He says nothing - does nothing but glance between you, the wolf in front of you, and the others.
Finally, one of the other wolves chuffs and shakes, dispelling snow. It has an all white coat and intense, dark eyes that look at you with… annoyance, if wolves can look annoyed. It turns to leave and the others follow - all five of them - as the white wolf leads them at a loping trot toward the silo and the woods beyond.
Your wolf turns to peer at you, ears flicking before it breaks off into a run, trailing after its pack to leave you and Dr. Kim standing in silence, watching them go.
Slowly, you turn to Dr. Kim. He scrutinizes you, eyes squinted. “Where did you get that cloak?”
You look down at the rich, red cloth. “I… well it just appeared, one day when I was younger. I don’t know.”
He regards you suspiciously. “I see. Come. We must leave right away.”
Dr. Kim begins walking at a fast pace back toward town, clutching his tool case. “Wait! Where are the Morrows?”
Instead of answering, Dr. Kim continues on. You scramble after him, careful not to slip on the icy stairs. The wind picks up and you smell a fire again, making you turn back as you try to catch up. You almost stumble over your feet, eyebrows shooting up as you see orange flames consuming the barn.
“Dr. Kim!”
Again, he says nothing. You stop and stare, watching as the fire eats away at the barn. The smoke burns black. Fueled by oil, you think. Looking over your shoulder, you watch Dr. Kim’s retreating back and wonder what exactly it is that he’s done.
“Did you set that fire?” you demand, chasing him. He gives you a withering look. “What is going on?”
“Speak nothing of this,” he snaps. “We arrived here to make a housecall and discovered that the barn was on fire. We suspect that Mr. Marrow was burning to melt the snow around the barn and that the barn caught. The Marrow family died inside trying to put out the fire.”
“But the wolves-”
“Do not mention the wolves, girl.”
“Did they kill the Marrows?” His jaw works but he doesn’t answer. “Did they kill the Mathesons?”
“This village has a complicated history,” he says finally. He pulls his coat tighter. “I don’t expect you to understand, but I do expect you to stay out of it. Say nothing of the wolves and stay away from them. You’ll make it through winter.”
-
Two weeks pass, the secret heavy on your tongue. You work with Dr. Kim as though nothing happened, and when people ask about the Marrow farm, you recite vague details. You don’t know why you do it but… the image of the wolf - your wolf - floats in your mind each time you spit out the lie.
Thoughts plague you as Hoseok lounges on the porch of the office that belongs to Hoseok’s father, who acts as the town’s scribe and legal affairs recorder. A sudden warm day has brought everyone outdoors, lounging on their porches and trying to take advantage of the melting snow around the buildings. The streets are muddy and murky as kids run by, feet splashing.
A group of men prowl around the outskirts of the village. Sun shines through the slats of the overhang in front of the inn, warming where you lean on the porch railing. Hoseok rattles on about gossip he’s heard from his mother’s tea parties and his father’s work on will and testaments with the growing fear of death in the village.
“Plagues, serial killings, blood feuds and animal attacks,” Hoseok sighs, staring up at the ceiling where he lies. “Good for father’s business. Bad for my cramping hand trying to help him.”
“Hmm,” you hum noncommittally, thoughts lost as you stare out into the street with unseeing eyes.
Shouts make you flinch. You stand rod straight, gripping the railing as you look for the source of the disruption. Hoseok stands up immediately, joining you at the railing as the pair of you lean to look toward the entrance to the town.
At first, you think that it’s about another wolf attack. People rush into the street, looking toward the commotion. Then you see it. Gleeful cheers spring up to the buildings closest to the town’s entrance as the first few traders enter the road. Your heart soars when you see donkeys pulling a cart behind them, followed by more people carrying packs and towing small carts.
“The traders!” You breathe, feeling a sigh of relief sweep through you. “They’ve made it!”
Excitement ripples through the village. People come flocking from the buildings to welcome cart after cart full of people. Some traders tow full carriages with riders at the front, the shutters on their carriages tied shut, hiding their wares inside.
Hoseok lounges back down, letting out a sigh of relief. You feel the same, leaning on the railing again to watch as the carts are towed down the road, pulling down different streets to set up shop and find accommodations.
Most of the traders look vaguely familiar to you - you see the Robin’s with their cloth cart and Morty with his towering carriage of unusual wares and charms. The Yang twins set off small, popping fireworks from the back of their cart, making the children squeal.
Something catches your eye. “There are more traders than usual,” you tell Hoseok, frowning as your eyes settle on the large men who walk among the carts, all of whom wear weapons belts and look from side to side as they walk. “I think they’re warriors, Hoseok.”
“Warriors?” he laughs. “Strange.”
“No really, there are several men with blades at the hip and bows on the back. They look… guarded.”
He tilts his head, eyeing where your eyes flit from person to person. “Perhaps the road is as hard as we suspected this year.”
You hum in agreement, watching as the caravans stop and unload, the muddy streets filling with people and chatter and bubbling with excitement. It feels like the bubble of anxiety looming over the town has popped - at least temporarily - relieving the pressure that had been building with every passing day.
Leaning against the rail, you’re content to observe. All manner of people and things are pulled from carts. Vendors start setting up right away, people forming lines for ingredients, cloth, and wares. The largest line of all is for weapons and metal tools, Old Man Heo barely has time to park his cart before the men of the village ask how much for iron arrowheads and blades.
A shiver goes through you as your eyes sweep back toward the town entrance where more people pour in. Fewer caravans come through - now it’s just people with pack mules or bags over their shoulders.
The hairs on your arm stand up when you see him. Wind lifts the edge of your cloak, making it flutter around you. You watch as he walks down the main street with the other travelers, eyes flicking around as he drinks in the buildings and the crowd of villagers coming to welcome the traders.
As though he senses your staring, his head snaps to you. You feel frozen to the spot, your fingers tightening on the rail as you meet his eyes. They’re unfathomably dark and yet… a tingle of familiarity slithers up your spine.
He stares at you in turn. You’re sure he’s looking at you, paused near the cart he stands next to, dark gaze focused on where you stand on the porch.
You’ve never seen him. You’re sure of it. You’d remember a handsome face like that anywhere. His long, dark hair is pushed back from his face, revealing a sharp jawline, a strong nose, and intense eyes. His lips are red from the cold - pretty against tan skin.
He’s tall. Taller than most men in the village and broad, with strong shoulders and thick arms, though it’s hard to tell underneath his tunic. Like the other hardy men accompanying traders, he has a weapons belt snug around his waist and the bulk of his frame implies that he knows how to use them.
The man doesn’t break eye contact. His mouth begins to tilt in what you think might be the start of a smile when Hoseok sits up abruptly, startling you. You break eye contact, looking at Hoseok who bites into an apple, offering you one.
“You frightened me,” you snap, a little irritated at being distracted. When you glance back up at the man, his attention is elsewhere.
“What were you staring at anyway?” he asks, crunching bits of apple.
“Nothing,” you murmur, eyes on the flexing back of the man as he helps unload a wagon near the inn. Something niggles at the back of your mind. I know you. “Nothing at all.”
“Want to visit the vendors later when they’re all set up? I would love to get some spiced wine and listen to Marla’s stories tonight.”
“Yes,” you answer without hesitation. “Let’s do just that.”
-
Every minute that passes by feels like an eternity. Incurable energy simmers under the surface as you wait for the day to fade to evening. You clean the entire house, you collect wood from outside, you dress and then change into something else, and you ultimately end up pacing back and forth in your room while you wait for Hoseok to arrive.
Your thoughts are consumed by the mystery man you had seen earlier. His handsome face swims in your memory. The clear image of his face is accompanied by some feeling you cannot identify, something that almost feels like nostalgia. How can you feel nostalgia for someone you don’t know?
Hoseok finally arrives, letting himself into your house cheerily. The brief respite from winter is already bleeding away, the wind carrying a painful promise as it lifts your hood outside. The traders, it seems, arrived at the perfect time, the cloudy sky promising snow in the morning once more.
Energy sizzles in the air. It’s as though the momentary fear of the wolf attacks is momentarily forgotten with the arrival of the vendors and travelers. The noise echoes from every street, torches, and fires lighting up the alleyways and down as people hang lamps in the windows and carts string up tea lights.
Though you’re nervous, you are temporarily distracted as Hoseok pulls you through a tangle of carts toward Sal’s Sweets. Your stomach grumbles when you catch the scent of melting sugar and sweet confections, joining the line at Hoseok’s side to pick up hot, sticky sweets.
With hot, sweet rolls drizzled in honey in hand, you and Hoseok explore the vendor carts. It is an explosion of color and lights, glittering jewelry hanging from displays, hot meats sizzling in pants over fires, the flash of powder and light as the Yang twins set off more fireworks, and the smell of spices as you pass by herb carts and tents.
Everywhere you go, you see the men from before, looming near carts with weapons and steely expressions. But not even the eerie sight of them can bring down the spirits of the villagers, kids running with new kites and jars full of fireflies.
As you stand in line with Hoseok who wants new inkwells, you listen to passing chatter. From what you gather, it was a hard trip this way on the caravans this year. The winter was just as harsh on the road as it was in the village, and the traders' voices become quiet when they talk about thieves and monsters in the woods.
You exchange a glance with Hoseok and he nods. Wolves.
Wordlessly, you wait as Hoseok points out the inks that he wants. You begin to crane your neck, looking for the familiar stranger that you had seen before. The square is crowded and packed tight with people, making it nearly impossible to make out much beyond a few feet in front of you.
You spot Dr. Kim walking next to Seokjin, both of their heads bowed as they speak to one another. You narrow your eyes, remembering the way Dr. Kim had silenced you at the Marrow farm. You watch them as they head toward the road that the veterinary practice is on, pausing as a man pushes off the wall to join them.
It’s him you realize. You recognize the broad shoulders and the dark hair as he turns his back to you, walking with the Kims down the road. You don’t even have to think twice.
“Hey,” you tug Hoseok’s sleeve. “I’m going to go see Dr. Kim about something really quick. I’ll meet you at the inn?”
“Sure.” He frowns. “Is it safe to go alone?”
“With all of these people?” You’re already backing away and shrugging. “Definitely.”
Without waiting for Hoseok to respond, you turn on your heel and rush into the crowd. The bodies of people immediately swallow you. The sound and sights and smells become a blur as you push through the crowd, shouldering people aside. You get some nasty looks from the force at which you move, but they immediately forget you as more people press in.
Less people pass you by as you walk up the street, pulling your cloak in tight. The lights in front of the building are off. You creep up the stairs and try the handle, finding it locked. It doesn’t matter, you sneak around the back of the building to the rear entrance and press your ear to the door. When you hear nothing, you try the handle and it twists.
Victorious, you open the door and slide through. The hallway is narrow with four doors on the right leading to examination rooms and two doors on the left. The first door leads to the kennel area where you hear voices. The second leads to the front lobby and desk.
The front lobby is the safest option, lest you get caught eavesdropping in the hallway when they leave. Carefully, you creep by the door, holding your breath and praying the floor doesn’t creak. Your heart pounds as you inch past the door, hearing deep voices on the other side as you go by.
Clearing the door, you hurry into the lobby and to the door behind the desk that leads to the kennels. Crouching down low to hide yourself from anyone walking by the windows, you carefully pull the door open, unwilling to open it any further than the width of your index finger. Pressing your ear to the open gap, you listen.
“We talked about discretion,” Dr. Kim says, his voice frustrated. “This isn’t discretion. This is harassment and fear-mongering.”
“I told you,” a deep, smooth voice answers. You assume it must belong to the stranger and you shiver, eyes fluttering as the sound of it washes over you. “It isn’t my decision to make. I do not lead. Yoongi made it very clear how he wishes to proceed.”
“Yoongi is a lunatic.”
“He’s the alpha.”
You frown. Alpha? You’re familiar with the concept of alphas in packs of dogs and herding animals, but you don’t know what that has to do with people or who Yoongi is.
“The hunts will begin tomorrow.”
You think Dr. Kim means the hunting for the wolves. It makes sense now that the traders are in town and they can stock up on weapons.
“As is the way of things,” the stranger answers with a sigh. “You know why Yoongi has chosen this path.”
“Is revenge worth it?”
“Perhaps your kind do not understand.” The stranger’s voice hardens. You wonder what he means by your kind. “You have one foot in the forest, one in the village.”
“We understand, but we’re also not reckless.” Charged quiet hangs in the air. You hold your breath, your heart thundering in your chest, waiting for the sound of footsteps at the end of a conversation. “Why are you here, Namjoon? You came alone.”
Namjoon. The name washes over you, a warm feeling like the first spray of summer rain. It must be the stranger's name.
Namjoon answers, “There is… a protected here. But I still fear for them. Yoongi and the others are angry - I wish to further keep them from harm.”
A frown twists your mouth. This Namjoon is here to protect someone from Yoongi. You wonder what this has to do with Dr. Kim. Could… Perhaps someone is using the wolves as tools? You’ve certainly seen a hunter train wolves or wolfhounds before, though it’s a dangerous business.
Dr. Kim sighs. “That is the only saving grace of you being here, I’m afraid. Seokjin and I cannot help you. Not without exposing ourselves. I’ve already done what I can.”
“You have my greatest thanks for that. You and yours will always be safe. And not just because of your blood.”
Shuffling makes you lean away from the door immediately. You slowly drop it back in place before crawling over to the desk and hiding under it, straining your hearing as the footsteps go into the back hall and out of the back door. You remain there long after you hear the back door shut, waiting just in case they’re still outside.
When you’re sure they’ve gone, you crawl out from underneath the desk and hurry into the hall and out the back door. The alley is empty when you stick your head out, sagging with relief. You hurry out and close the door behind you, spinning around and-
“You know, most people who don’t want to be seen don’t sneak around in a red cloak.”
The man - Namjoon - looms over you, looking down at you with an amused expression. Your scream is cut off when he winces and cups your mouth with his hand. “Well don’t scream! You’ll summon Giho and Seokjin back this way. I didn’t mean to frighten you.”
Namjoon waits for a moment, your chest heaving as you nod, signifying that you won’t scream for help. Maybe it’s silly, but you trust him not to hurt you. At the least, he is there to protect someone in the village, so he doesn’t seem like he’s there for nefarious reasons.
When he drops his hands, you press yourself against the door, trying to put a little distance between you. Namjoon’s presence is demanding, a tickle prickling at the base of your spine as you look up at him, mystified.
He’s so beautiful. Up close, you can make out his features far better than earlier that day. His eyes are dark and framed by beautiful, silken lashes. His nose is broad and his jaw is sharp. A dimple appears when he gives you a lopsided grin, dark eyes sizing you up.
The same sense of familiarity from earlier comes back to you, and though you’ve never seen his face before, you swear you know him. Warmth radiates from him, the delicate smell of pine and bergamot reaching you. He feels like… yours. Like some part of him completes you. It is the strangest feeling.
“You okay, Red?” he asks, tone earnest. You furrow your brows at the term and he grins - genuine and warm. “Your cloak. It’s a very bright red. Pretty, though.”
“Thank you?”
He raises a brow. “Are you asking me?”
“I’m… you’re awfully close.”
Namjoon takes a few steps back from you. You suddenly regret saying something as his warmth vanishes, replaced by the cool wind. “Sorry,” he says, scratching the back of his neck awkwardly. “Didn’t mean to freak you out.”
“Why didn’t you alert Dr. Kim if you knew I was snooping.”
“You don’t seem to be a threat. Plus, he’s a bit of a grouch. It didn’t seem worth it to hear him chastise a pretty girl.”
You flush. “How do you know the Kims?”
“Family friends.”
“What were you all talking about?”
He cocks his head to the side. “Just because I’m not chastising you for listening to our private conversation doesn’t mean I’m going to divulge the details of said private conversation.”
You divert your gaze, feeling flushed. He has a point, but if he’s put out by your line of questioning or your eavesdropping, he doesn’t show it. “Come on,” Namjoon says. “Let’s go back to the square. I need a drink and it’s dangerous to walk around right now.”
“Because of the wolves?”
He stares at you. “Because it’s dark and there are a bunch of strangers in your town, and you’re a woman alone. In the dark.”
“You’re a stranger in my town.”
His grin spreads and his dimple deepens. Your stomach flutters. You’re not unaffected by him, a little dizzy and nervous when he sticks out a hand. “Namjoon. I’m a part of the Kim family.”
“Like… Dr. Kim?” you ask, reaching out your hand and giving him your name.
“We’re related, in a way. Pretty name. I think I’ll stick with Red, though.”
Namjoon takes off walking. For a second, you just stand and stare at him. He shoves his hands in his pockets and doesn’t look back. You lick your lips, heart pounding. You cannot shake the sense of something peculiar about him, something familiar. He’s a Kim - perhaps you know him.
Determined to find out, you take off after him, scurrying to catch up. You fall into step with him and look up to find him smirking down at you before focusing back on the growing noise and lights of the main square.
“Have you been here before?” you ask, watching him from the corner of your eye. He shakes his head and you frown. “I feel like I know you.”
“Perhaps I have one of those faces?”
“No, I’d remember a face like yours.”
Namjoon turns to you, arching a brow. “A face like mine, huh?”
Multiple fire pits dot the streets, groups of people clustered around them to keep warm as the chill seeps back into the village. The inn is bustling with people, the door propped open with a chair as people walk in and out with platters of food and tankards in hand. Multiple villagers have pulled out tables and chairs from their homes, setting them up in the street.
It feels good. The air hums with euphoria and the promise of better days ahead, like suddenly there are not several families mourning their loved ones. The atmosphere reminds you of a festival, and you suppose it kind of is a festival.
The smell of burning fat and ale hits your nose as you walk into the inn. Voices roar over one another and the workers are busy behind the bar. A fireplace crackles in the far corner where you spot Hoseok guarding an extra chair.
“I fear this is where we part ways,” Namjoon announces over the din of voices. “Try not to do any more eavesdropping tonight.” You hesitate, wanting to protest. There are a million burning questions you have for him. He must see it in your face, because he smiles and says, “We’ll run into one another again. Don’t worry.”
“I wasn’t worried.”
You were actually, and you know he knows by his smirk. “Goodnight, Red.”
You watch Namjoon go. He moves toward where the innkeeper stands at a podium looking over reservations, blending into the crowd. Just before he reaches the podium he glances over his shoulder at you, catching you watching. He shoots you a grin and you scowl, pivoting on your heel to charge toward Hoseok.
Hoseok raises his eyebrows when he sees you storm over to him and yank the chair out from the table, sitting down in a huff. Without a word, you snatch his tankard of ale and take several, cold gulps before setting it on the table, letting it wash through you.
“Who was that you came in with? And then stormed over here after speaking to?”
“Some relative of the Kims,” you mutter. “I find him very… frustrating.”
“He’s very handsome.”
You glare at Hoseok and see the beginning of a wicked smile. “And frustrating.”
He lifts his cup, shrugging. “Cheers to being frustrating.”
-
A scream wakes you up in the middle of the night. You lurch up from bed, head spinning as you try to gather your wits about you. Blankets tangle your limbs as you try to peel them from sweaty skin. Another scream makes you stumble out of bed, the world tilting on its axis as your body tries to catch up with your sudden lucidity.
In the main room of your home, your mother is stumbling through the kitchen too, lighting a candle and grabbing a holder. You feel relief as you realize the screaming isn’t coming from your home, but your neighbor’s.
Together, you and your mother rush out into the cold in nightgowns, not bothering with shoes or coats. The cold is bitter, immediately stinging your skin as the Liang family joins you in running to the Hutch family home where it sounds like Mrs. Hutch is screaming like a wild animal in her house.
“It’s Leanne,” your mother breathes, words turning to steam in the air.
“Come on,” you urge, pulling your mother as you go, driven by the shrieks.
The front door hangs open as Mr. Liang enters the home first, an ax in hand. It occurs to you that neither you nor your mother have weapons, but Mrs. Hutch has always been kind to your mother, making the both of you charge into the darkness of her home empty-handed.
A metallic tang hits you immediately. You recoil, recognizing the stench of blood immediately. Villagers spill into the home behind you, alerted to the wailing coming from the bedroom. With torches and candles in hand, you spot the red on the dark wood floor in the hallway.
Mr. Liang stands in the doorway of the bedroom, staring with a haunted gaze at what he sees there. Your mother pushes through the people in the home to look over his shoulder, her hand flying to her mouth as she gasps.
“Oh Leanne,” she murmurs in horror, shoving by Mr. Liang.
You don’t go to the room. The smell and the weeping coming from the bedroom give you an inkling of what lay inside. You stand in the living room as people fill the hall, gasping and murmuring. Someone shouts to wake the constable.
“Why?” Mrs. Hutch screams in her room, the despair in her voice rattling your bones. “Why?”
“His throat has been cut,” someone murmurs from the hall. “Murdered in bed.”
Murdered? That throws you for a loop. You had assumed somehow it was an animal attack but… you shiver. Murder is different.
Mr. Liang begins shooing people out of the house. You slink out into the cold and hurry to your own home, bare feet freezing in the cold, wet earth. Your mother stays with Mrs. Hutch, leaving you alone.
The dark presses in on you, every creak of a floorboard making you jump. The shadows seem menacing now and you’re quick to find and light a candle, orange light flooding the home.
Cloth and candle in hand, you return to your room to wipe the cold mud from your feet, skin still burning from the frigid air. Voices carry in from outside, the entire town waking and gathering as the shock of murder ripples through the streets, a stone in a pond.
With sleep nowhere near possible for the remainder of the night, you get dressed. You pull on thick woolen pants, a tunic, and multiple socks, sticking your feet in your boots. Your cloak goes next, fastening it around your throat as you look out your bedroom window.
Your home sits at an angle in a row of houses that circle the village like a ring. You can see the wall of the home next to you, and a sliver of the backyard as well. It’s that tiny space in the backyard that catches your eye, watching as someone moves from the edge of the home out of sight.
Heart in your throat, you grab a candle and run outside. The crowd in front of the Hutch’s has grown, but you ignore them, skirting around your house to the alleyway between you and your neighbor. Nothing catches your eye as you run to the backyard, swiveling as you search in the darkness for the shadow you saw.
The wind howls, drowning out the voices in the street. The treeline behind the houses is dark. You squint your eyes and lift the candle in your hand, the flame barely flickering as the wind makes the trees sway. There is nothing in the darkness and you begin to turn when you see a shadow in the tree line.
It’s barely there - perhaps a trick of the light, even. You take a step forward, boots crunching in the snow. A gust of wind makes your cloak snap at your ankles, candle going out and leaving you without a source of light. You had not realized how dark it was without it, the shadow vanishing from your line of sight.
Fear nestles in the pit of your stomach. Your breath gets stuck in your lungs as your limbs lock, realizing how stupid it was to come outside if there was a killer among the trees. Soft snow crunches somewhere close to you. You squeeze your eyes shut, tucking your chin to your chest as panic makes you shut down, unable to move and-
“Red.”
Namjoon’s voice makes you spin around. He holds a torch level with his head, the flame casting an eerie glow on his face. For a moment, he looks lupine and terrifying, your heart nearly stuttering to a halt.
Then his face twists in concern. “What are you doing out here alone?”
“What are you doing?”
“Dr. Kim sent me over to check on you. No one answered the door so I came around back.”
“Why?”
Namjoon seems confused. “Why did I come around back or why did he send me?”
“Both.”
“I could see the light of your candle and because a murder has just happened.”
You relax a little at the logic in his answer. Snow begins to fall from the sky. You look up at the moonless black, thick clouds floating as the bits of snow drift on the breeze. You shiver and look back to the trees, seeing nothing but tightly packed pines. Still, there is an instinctual sense of trepidation that sits heavy in your gut.
“Come on,” Namjoon says gently. “Let’s go inside. I’ll wait with you until your mother comes home.”
Reluctantly, you follow Namjoon. Eyeing him, you realize he is dressed differently than previously that night. Now, he’s in black breeches and a black linen shirt. The weapons belt is gone and he’s without a coat.
You frown. “Aren’t you freezing?”
“I run warm.”
It’s the only answer that he gives you as you walk back into the street which is filled with people and torches. In the distance, you hear the baying of hounds. It chills you, goosebumps exploding up and down your arms as you watch a cluster of firelights gather far off down the road.
“The constable is leading a manhunt. They’ll come to question us too.”
Wordlessly you gesture for Namjoon to join you inside of your home. He closes the door firmly behind you and strides to the fireplace, using the torch to coax the simmering logs to a full flame. Cedar pops as he adds the torch to the fire, orange embers drifting up the chimney.
Rubbing your hands together, you offer him tea and he accepts with a soft smile. It doesn’t meet his eyes as he looks around the only place you’ve ever called home. Suddenly shy of your less-than-luxurious surroundings, you clear your throat and gesture to one of the mismatched armchairs by the fire as you grab a kettle.
Namjoon hardly fits in the chair. You press your lips to keep from laughing, which feels inappropriate with a man dead just a few yards away. With careful hands, you hang the kettle next to the fire, the flame close enough to heat the water as you scurry back to the kitchen and fill tea bags with herbs.
“What kind of tea do you like?”
“Yarrow, if you have it.”
“I do.” You grab the jar, popping the top. “Are you in great pain, Mr. Kim?”
“Call me Namjoon. Mr. Kim feels far too formal.”
“Well, we are strangers, after all.”
Namjoon certainly doesn’t feel like a stranger. You cast him a sidelong glance as you say it, looking for his reaction. He turns his head from the fire, meeting your gaze head-on. His lips curve in a secret smile, making your nerves dance.
“I suppose that’s true.”
Is it? You wonder. You’re not so sure.
Instead of asking him, you bring the mugs with bags of tea over to where he sits, handing him one. Steam rises from the spout of the teapot. With a thick towel, you lift it off of the hanger. Namjoon holds out his cup and lets you pour carefully into his mug, the smell of yarrow and mint wafting toward you. After pouring your own cup, you set the kettle down and sit across from him.
Your cold hands leech the warmth from the mug. You settle comfortably in the chair, relaxing and inhaling the chamomile in your cup. After a few moments of silence, you realize how comfortable and safe you feel with Namjoon, though you’ve only known him for a few short hours.
“Why have you come to the village?”
Namjoon watches the fire as he answers, “You were eavesdropping at the veterinary office. I’m sure you heard me.” You look down at your steaming cup and Namjoon chuckles, raspy and deep. It’s a nice sound.
“You said there was a ‘protected’ here. And something about a Yoongi.”
Namjoon’s face darkens at the mention of Yoongi. You chew on your lip, worried you’ve pushed him too far before you’ve even started to ask him real questions. His jaw works as he contemplates what you’ve said, sipping the tea a little.
“A protected just means someone under protection by my family,” Namjoon says finally. “My extended family is… large. We are a very close group and we consider those in our community blood.”
“It is… not always like that here.”
“Your mother assists Mrs. Hutch, though. That seems like family, in a way.”
“Mrs. Hutch is kind. Not everyone is.”
Namjoon nods. “It is not like that where I am from. We bear the sins of our neighbors and we share the responsibility of keeping everyone safe.”
“That must be nice.” You sip your tea and scald your tongue, hissing and setting the cup down. Namjoon leans forward as though to help you, alarm on his face. “Tea is too hot. I don’t know how you drink it.”
He smiles and shrugs. “I run warm.”
“So you said. How are you related to Dr. Kim?”
“He’s my uncle. He’s my father’s brother. His wife was best friends with my mom.”
“Oh.” You blink in surprise. “She passed away when I was very young. She… died the same winter as my father.”
“I’m sorry to hear that.” Namjoon frowns and cocks his head. “What did your father do?”
“He was a hunter.”
One of the logs pops in the fireplace, making you flinch. You give a nervous laugh and glance at Namjoon, who has gone stone-still. The firelight dances on his face as he peers at you. Your smile falters a little at the gravity you find there.
“He only hunted fowl and deer,” you find yourself explaining. You don’t know why you say it, only that suddenly that feels important. “He didn’t like to hunt bigger game or predators. Mother says that he believed they were best left alone and that a true hunter knows his betters when he sees them.”
Namjoon hums. “Smart man.”
“I don’t know. He died in an animal attack when I was very young.”
“You must resent the woods.”
“Not at all. I think…” You bite your bottom lip, trying to find the right words. “I think that he wouldn’t blame the animals. The woods are their home. My mother says he was always very adamant about that. They don’t usually attack villagers, though.”
“Usually?”
“There are animal attacks happening. I’m sure Dr. Kim told you…?”
“Ah, yes. You think they’re without reason?”
“Perhaps hunger? I don’t know. It does not happen often.”
“Wolves are not known to hunt people.” Namjoon’s fingers drum against his mug, a steady tap. He seems thoughtful as he regards you. “They’re intelligent creatures and their packs are important to them. They take the threat to their land and their family seriously.”
“Like your family?”
He laughs. “Like my family.” Namjoon sips his tea again. “This land used to belong to several packs of wolves, you know?”
“Really?”
“Yes, until settlers drove them out. Not that long ago there were hunting parties for sport. They slaughtered entire packs, destroying bloodlines and nearly wiping out the wolves here entirely.”
“I always found that incredibly sad.”
“Why is that?”
“They’re incredibly important to the ecosystem here. And I guess I always agreed with my dad. I don’t remember him much, but I like to remember that he was good at heart.”
Namjoon hums but says nothing else. You sit in silence for a while, enjoying the warmth of the fire. Namjoon’s presence is steady, keeping out the cold and the fear just beyond the door. You wonder how he does that by just sitting in a chair, or how it feels so natural.
Outside, the world begins to turn gray. You yawn as exhaustion begins to set in and you feel yourself sagging. Eyes burning, you rub them with the back of your hands, blinking a few times to fight the explosion of colors in your vision.
“You can sleep,” Namjoon says softly from where he sits. You glance at him. “You can trust me.”
A hint of pine and bergamot drift toward you, making you drowsy. Namjoon grabs a blanket from the back of his chair and stands up, bringing it to you. He takes your mug and you watch him with sleepy, round eyes as he places the blanket over you.
“Sleep.” His voice is soft, distant. “I will be here.”
Your eyes flutter shut and you drift to sleep, remembering the warm sound of his voice. It… reminds you of your wolf.
-
Gentle voices pull you from the clutches of sleep. You wake slowly, a cramp in your neck making you reluctant to get up. You smell the fire and the hint of pine and bergamot. You hear a low, raspy voice that you instantly recognize as Namjoon.
How swiftly I know his voice, you think.
“You must wake her,” a male voice says. You recognize it as Dr. Kim. “The constable is coming for questioning.”
“She’s already awake,” Namjoon answers, a smile in his voice. Your eyes snap open at being caught, meeting his dark gaze as he smirks from near your door. “See?”
You scowl at him. How did he know that? Sitting up and stretching, you appraise the two men lurking near your door. “Is my mother still with Mrs. Hutch?”
Dr. Kim nods and steps swiftly into the room around Namjoon. Namjoon reaches out a hand, catching Dr. Kim with his arm and stopping him from entering the room properly. You watch in puzzlement as there’s a silent exchange between the two of them, Namjoon’s face dark as Dr. Kim raises a brow.
Then, Namjoon lets him go. You cock your head to the side, wondering what that’s about. Ignoring Namjoon, Dr. Kim approaches and says, “The constable will be here shortly. Say nothing about the farm.”
The farm. The memory of the wolves brings a chill to your arm, the smell of smoke and burning oil. The confusion and Dr. Kim’s refusal to answer your questions.
“What is going on?” you demand, eyes flickering from Dr. Kim to Namjoon. “Animal attacks, murders, you covering up something at the barn. I’m being lied to.”
“Say nothing about the farm,” Dr. Kim says again, voice firm. Namjoon makes a noise that startles you. It’s almost like a growl, your eyes going wide as he glares at Dr. Kim. “I told you this village has a complicated history. I’m looking after your safety.”
Heavy footsteps sound on the porch. There’s a loud knock on the door, the constable announcing his presence on the other side. Namjoon opens the door for him, standing back to let him in. The constable looks him up and down with confusion before looking at you, a question in his eyes.
“They came to check on me,” you offer. The constable has known you since you were a child, it’s no wonder he’s confused at the presence of a stranger in your home. “How can I help you, constable?”
“I’d like you to answer a few questions about last night. Mr. Liang confirmed you were one of the first people to Hutch’s last night.”
Dr. Kim walks to your kitchen and busies himself making tea. Namjoon moves to sit in the chair across from you, his warm presence from the night before replaced with something mildly threatening. You cut him a look but his dark eyes are focused on the constable as though he’s a threat.
The questions are easy enough. When did you wake up? Did you notice anyone around your home when you came home? Did you notice anyone outside? When did you come home?
You leave out running into Namjoon behind your home. You don’t know why, but you feel the need to not draw attention to him. You also leave out the strange incident at the farm, glancing sideways at Dr. Kim when he brings you lemon tea.
When the constable is finished, he eyes Dr. Kim. “Be at the station at four,” he instructs. “We’re splitting hunting parties. One to look for the culprit, the other to get rid of the damn wolves.”
“The wolves were there first, you know?” Namjoon speaks up, looking at you and not the constable. “Have you ever tried figuring out what they want?”
“And who the hell are you?”
“Please ignore my nephew, constable. He likes to insert himself in conversations he doesn’t belong in. Come, let’s look over the hounds before you send them out tonight.”
Together, the constable and Dr. Kim shuffle out. Before he shuts the door, Dr. Kim levels the pair of you with a heavy gaze. You don’t know what that gaze means, but you know that something is going on in this village and that he and Namjoon seem to have some idea about it.
As soon as the door shuts, you turn to Namjoon and demand, “What is going on?”
He sighs. “Would you listen if I just said to wait it out?”
“Do you know who murdered Mr. Hatch?”
Namjoon hesitates and shakes his head. You narrow your eyes, unbelieving. “I really don’t know who did, Red.”
“Why are you really here? Why all the secrets?”
“I told you, my family protects those who belong to their community.”
“What did you mean about asking what the wolves want?”
“I told you last night. There were wolves long before this village existed. Seems to me that if the wolves are suddenly killing the townspeople, perhaps it’s because they want their land back. Or maybe they’re angry from years of being hunted.”
That shuts you up. You can’t argue with that, exactly. But… “Are you saying that the wolves are capable of revenge?”
Namjoon stands and gestures to your cloak. “How often do you wear that?”
“Every day. It’s… sentimental to me.”
His eyes lighten and he offers a half smile. “Good. Red is a lucky color.”
“Where are you going?”
He opens the door, cold wind hissing past the opening. “Your mom is coming. I’ll see you later, Red.”
Without another word, Namjoon slips through the door and shuts it firmly behind him. You stare after him, openmouthed and confused. As promised, you hear your mother come up the steps, light feet scuffing before she quickly lets herself in, shutting the door firmly behind her.
You offer to make your mother breakfast, happy to help as she dozes in the chair. It isn’t until later that you wonder how Namjoon had heard her coming at all.
-
Little Lucy Larkin
In a little wood
Little Lucy Larkin
Up to no good
Little Lucy Larkin
In her little hood
Little Lucy Larkin
Ware of the woods!
Little Lucy Larkin
Stole a little bread
Little Lucy Larkin
In the woods of dread
Little Lucy Larkin
Is a little thief
Little Lucy Larkin
Die by wolf’s teeth
A sense of unease slithers up your spine as you pull your cloak closer. The voice of the children playing the Little Lucy Game echoes down the street and you pause to watch as the little boy playing Lucy steals the rock from the middle of the circle and the little boy playing the wolf gets up to chase him.
The other kids scream and giggle as the boys give chase, the sound of their laughter eerie in the cold gray of twilight. Shaking it off, you turn and duck your head as you walk up the steps to the Tall Tales Inn.
Warmth and the scent of food greet you. It’s a thinner crowd than the day before but still more people than you’re used to without the traders in town. There is a clear divide in the dining room with traders on one side and townsfolk on the other, the murder quick to make the locals distrust the new people in their streets.
Tense conversations hum in the gold light. You navigate around tables until you find Hoseok sitting with Seokjin. The sight of Seokjin gives you pause. He seems to sense your presence, glancing up and meeting your questioning stare. He gives no reaction, though, turning his attention back to Hoseok who is murmuring quietly.
“I didn’t expect to see you here, Jin,” you say by way of greeting. Hoseok gives you a look at your clipped tone. You ignore it, sitting down and leveling the older man with a stare, his father’s mysteriousness weighing on you. “To what do we owe the pleasure?”
He narrows his eyes a fraction. “Just enjoying the company of friends.”
“Shouldn’t you be helping the constable?”
“I’m on the late-night shift.”
Grinding your teeth, you sit roughly. Hoseok just watches you, brows raised. You say nothing as you order a drink and a meal, picking at the splinters of the tabletop, eyeing Seokjin. If he’s put out by your rudeness he doesn’t show it, drinking heartily from his tankard and watching you with dark, even eyes.
You know Seokjin knows whatever it is his father and Namjoon have been talking about. You yourself have not been able to work out what’s going on in the village, but you’re sure the Kims know. And if Dr. Kim asked you to lie to the constable… well perhaps Seokjin is leading him astray as well.
Hoseok pipes up, steering the conversation everywhere he can to avoid the tension building between you and Seokjin and the topics of murders. You participate as little as possible, mind trying to put together the puzzle pieces of the blooming mystery in your home.
An uncomfortable thought starts to take root in your mind. Is it possible that the Kim family is behind the murders? Dr. Kim has plenty of weapons at his disposal, and they had been talking about revenge, and Dr. Kim had covered up what happened at the Marrow’s farm… but what did that have to do with wolves?
You’re not sure. But you do know that the Kims are purposefully hiding things, that there is a murderer somewhere in the town or near it, and that there is a sense of doom that you cannot shake, a dark itch like stinging nettle in your bones.
Seokjin excuses himself to take an afternoon nap before his hunting party heads out for the evening. Your eyes track him as he goes. Seokjin certainly doesn’t seem evil, but there’s no telling what’s behind his pretty face.
“What is wrong with you?” Hoseok asks, leaning over the table and whispering harshly. “You’re behaving rather odd.”
“Something is going on.”
“Yes, your attitude.”
You turn and glare at him. “No, Hobi. Something is going on with the Kim family. I don’t know how to explain it.” You grip your cup tighter. “But I intend to figure it out.”
Hoseok questions you about what that means. You keep your answers vague, not wanting to rope him into your plan. Too often as children did you lure Hoseok into trouble, and with how dangerous night is becoming in your town, you know it’s a bad idea to endanger him too.
T sun sets over the village. You stand at your bedroom window, watching through the frosty window as the sun turns the sky into a smear of blood. The clouds have cleared away just for this sanguine sunset. It makes your stomach turn, a sense of foreboding heavy in the air.
Still, it doesn’t deter you. Red fades to gray-blue and gray-blue fades to black. Wind rattles the glass in the window pane. Turning from the window, you find your thickest pair of pants and fur-lined tunic. The fabric feels scratchy on your skin.
Dressed, you look at your red cloak folded on the bed. Any other night you would take it with you. It has become your safety net, something that keeps you warm and keeps you safe. You cannot recall a day you haven’t worn it since it mysteriously showed up thirteen years ago, but tonight, you need obscurity.
Instead, you reach for an old, thick cloak that used to belong to your father. It's dark brown and worn at the edges, a little too big for you as the hem brushes the ground. It will serve its purpose in keeping you hidden in the dark of the woods, though.
All you grab is a hunting knife that you don’t know how to use, a wax candle, and a solid piece of flint and sharp rock to light it with. The candle and flint are for emergencies only. You hope it won’t be so dark that you cannot see, but you’re unsure what the clouds are going to do.
Outside, the wind is sharp. Your nostrils burn as you breathe it in and duck away behind your house. No new snow has fallen during the day, which is a good thing. You don’t have to worry about dragging your boots and tiring your calves. It also helps that the sky is clear tonight, the moon a sliver of sharp light.
Baying hounds echo through the village and the forest as the hunting dogs lead the men into the woods. You’re quick on your feet, dashing into the woods and heading north. You don’t want to run right into the hunting party, but you do want to find their burning torches and keep them in your line of sight.
They are easy to find, hovering like orange fireflies in the distance. Careful to make your way in the dark, you follow them. Your breath mists in front of you, hands shaking more from the adrenaline than the cold.
The torches spread out. You chew on your lip, unsure which group would belong to Seokjin. You take a gamble, heading after the group closest to you.
Everything feels too loud. Each snap of a branch under your foot and crunch of dry leaves feels like it’s going to give you away. Still, you’re good at sneaking for the most part, having spent plenty of time skulking through the village to take nightly strolls in the woods.
Voices carry to you. Through a system of running a few steps forward and dodging behind a tree, you manage to follow the men at a distance. You think that you hear the constable’s voice, which is a good sign. If he’s around, perhaps Seokjin is too.
The deeper you go into the forest, the colder it gets. The ground beneath your feet slopes. The evergreens are packed tighter here, needles tickling your hands as you keep your hands held out from your sides as you slide downward.
This is near where I saved that wolf, you think.
It’s true. You recognize the slope of the land and the general area. You cannot tell if it’s exactly where you met the wolf, but it’s close enough that your senses tingle and your eyes sweep the land, expecting something to happen.
A sense of foreboding trails you as the men move deeper into the wood. You turn around and look for the other torches and see nothing but a dark, compact forest. Your stomach flips uncomfortably but you continue, unsure now if it’s safer to turn back or to keep going.
Ahead, the group of men decide to take a break. The hounds sniff the area around them, pulling at the leashes as they go. Crouching low, you watch as the hounds go in circles, following the scent of something that seems to confuse them.
The men take long droughts of water, making you wish you’d thought of that. Mouth dry and hands cold, you huddle against a tree, bark digging into your back.
A few minutes pace by. You close your eyes, resting your head against the tree, breathing cold air in deeply. You don’t know what you expect the group to lead you to, only that you-
Something snaps behind you. Your eyes fly open and your limbs lock. Heart beating like a steady drum, you hold your breath and strain your eyes. For a moment, there’s nothing but the dim voices of the men taking a break. You think it’s nothing until you hear something again, a gentle susurration of leaves.
One of the hounds lifts its head, ears twitching. Your eyes scan the surrounding area back and forth, searching for what you know is there.
It happens so fast that you don’t even see the wolves enter the ring of torchlight until they’re there, snarls rattling the trees. You clamp your hands over your mouth to mute your gasp as the sounds of screams and tearing flesh explode in the night. Hounds screech, their growls savage and choked as the wolves descend.
You don’t know how many there are. Torch lights go down and drown you in darkness. Squeezing your eyes shut, you curl in on yourself, panting through your hands as the sounds echo in your ears. A new fear has stabbed its way between your ribs, making it hard to breathe.
Time moves slowly. Or quickly. You cannot tell which. One moment the sounds of a nightmare turned real are just a few hundred yards away. The next, an eerie silence blankets the dark forest.
You don’t want to open your eyes, but you have to. Very slowly, you crack an eye open. At first, there’s nothing. Your vision swims with flashing colors, your eyes trying to adjust. Then, there is the vague outline of trees. Ahead of you, where the men had been, lay shadowed piles.
Shaking, you glance around. You see nothing - hear nothing. You stand slowly. Each inch you gain feels like you’re being too loud. Sweat gathers on the back of your neck. The cool air makes it feel like an icy finger brushing down your nape.
When you’re sure that there’s nothing else around, you take a step toward where the attack happened. Leaves crunch beneath your feet. You stop breathing, waiting for signs of anything. Nothing happens and you let out a trembling breath, taking one more step. Again, you wait to see if your footfalls will trigger something.
You repeat this to the edge of the slaughter - for that’s what it is. A slaughter. Bile rises in your throat as you reach the first body and stamped-out torch. The constable and his hound lay in tatters, only recognizable by the batch on his cloak.
It is carnage. You don’t dare breathe through your nose for fear of breathing in the scent of death, circling the scene with weak knees, hand pressed to your mouth to keep in the whimpers. You see the faces of men you’ve known since you were a child. Ripped, bloodied, gored.
Finally, you lean over and empty the contents of your stomach. It burns on the way up, choking you. Pressing a hand against a tree, you breathe raggedly. The adrenaline coursing through you makes you twitchy and unstable, each nerve feeling like it’s on fire.
Leaves crunch a few feet away. Your head snaps in and you zero in on the source of the noise, mouth hanging open when you see Seokjin standing amongst the trees. He stares at you, frown on his face.
“Who are you?” he asks, voice gentle. You realize he can’t see your face under the cowl of your hood and you’re not in your traditional red. He sighs. “Doesn’t matter.”
You hear shuffling behind him before you see a white wolf. The white wolf from the Marrow farm. There are others, then. You don’t know how you missed them, the darkness of their fur blending in with the darkness around them.
The white one is spotted in red, muzzle matted, teeth slicked. Your stomach lurches. It isn’t hard to guess where it’s from. You take a step back and the wolf growls, lips pulled back. You freeze, looking amongst the pack of wolves that fan out around Seokjin, desperately looking for your wolf with the kind, intelligent eyes.
You do not find him there.
With a growl, the white wolf steps forward. Your instincts kick in and you turn and run, letting out a wild shriek as you do so. If Seokjin recognizes your voice when you scream, you cannot tell. The wolves are after you and you’re barreling through the trees with no hope of outrunning them, especially uphill.
A wolf nips at your ankle and you scream, tripping over your feet in your terror and going down hard. You’re jarred as you hit the ground, bones rattling as pain shoots up your limbs from the impact. Before you can scramble, there are teeth around your ankle, not biting down hard enough to snap, but hard enough to drag.
Your scream is wretched even to your ears. It is a curdling, nightmarish sound. You feel the scrape of leaves and sticks against your skin, cloak picking up dirt and twigs as you go. Your nails dig into the ground but the soil is frozen solid, fingers scraping bluntly against it.
With a surge of self-preservation, you kick your free leg backward as hard as you can. You hit the wolf in the muzzle, making it cry, and let go of your foot. You manage to crawl to your knees, slipping in the foliage as you try to stand before it’s tearing at your cloak, determined to drag you one way or another.
Sliding again as it drags you by the cloak, you try to undo the ties at your throat with shaking fingers. It comes away and frees you from the hellish drag to your death. This time, you’re faster to your feet, turning and running in the opposite direction. You don’t know where you’re going, just that you want to get away.
Your foot slides on the incline and with a shout you go down. This time, your head hits the ground hard. Your ears ring and your vision pulses. Blinking, you roll over and stare up at the canopy of dark trees. The world spins dangerously and you feel nausea churn deep in your stomach.
“Yoongi!” you hear the deep voice but it sounds warbled like you’re hearing it through water. Your head lolls to the side, the ringing in your ears still going as you see feet pass you. “Enough!”
Your field of vision narrows to a sharp point, edges pulling with black. You realize you’re about to pass out, oddly just thankful that you’re already on the ground. Just as your world begins to face, the face of the person in front of you appears.
Namjoon.
-
“Hey,” a gentle voice calls to you. There are soft hands on your head, brushing against your forehead. It smells like pine and bergamot as you snuggle into them. “I hate to wake you, but you need to wake up every few hours.”
The memory of the wolves comes to you. Your eyes snap open and you blink a few times before your vision adjusts to see Namjoon leaning over you. Cringing away from him, you press yourself into a warm, soft mattress that isn’t your own.
“Easy,” he cautions, holding his hands up. “You smacked your head very hard. I think you have a concussion.”
“Where am I?”
The room isn’t so much a room as it is a shack. There is a single fireplace in the far corner, a pile of logs, and the bed that you’re in. Despite the tiny space, it looks well-built and it’s warm, your heart slowing down as Namjoon leans to sit further from you and give you your space.
“Random shack in the woods near your village. I think it used to be a hunter’s stead for the winter.” He jerks his thumb toward the fireplace. “Hasn’t been used in a while. The wood has rotted.”
“Seokjin - you - what is going on?”
Emotions spill out of you like a broken dam. You don’t know which to acknowledge first: anger, fear, curiosity, gratitude.
Namjoon’s sigh is heavy. He visibly looks wearing, running a hand through his hair. You wonder how soft his hair is, followed immediately by feeling ridiculous for the timing of said thought.
“Just…” he winces. “Try to lean back and take it easy, I’m worried about how hard you hit your head. I promise I have no intentions of hurting you or letting anyone hurt me.”
“You called that white wolf Yoongi. Who is Yoongi? Why was Seokjin in the woods - those people - they’re dead.”
He nods slowly. “They are.”
You lean back carefully. The bed is comfortable and Namjoon keeps his distance, worried eyes on you. “I will try to explain the best I can. It will require a little bit of faith that I’m not lying to you and that I’m not insulting your intelligence by telling you things that will sound insane.”
“Like what?”
“Like werewolves exist.”
You stare at him. He doesn’t laugh, crack a grin, or do anything to make you believe he’s joking. Your first instinct is to blow him off. Werewolves were a tale for children and a way to help the children of the village cope during periods of wolf violence.
Thus far, all Namjoon has done is protect you. Strange as it seems, you know that fact to be true. He didn’t tell Dr. Jim you were eavesdropping, he kept you company after Mr. Hatch’s murder, and he stopped the wolves from taking you.
Namjoon is… there is something between you. You know it.
Hesitantly, you say, “Alright. Werewolves exist. Keep going.”
He is visibly relieved that you’re not questioning or berating him. You don’t exactly believe him yet, but you want to hear his story.
“There were communities of werewolves who lived here long before humans did. When people migrated to this area, they drove them out and forced those communities to become smaller and smaller. When the werewolves asked for their land back or to share resources, they were hunted and slaughtered.”
Namjoon’s throat bobs and emotions flicker across his face. His features settle on pain, and you stop yourself from reaching out to take his hand. “What you vaguely remember as wolf attacks and wolf hunts as a child was those families being exterminated. There are a few families in the village who remember that werewolves exist. They took it upon themselves to remove the problem forever.”
This village has a complicated history.
Dr. Kim’s words float through your mind as you chew on what Namjoon has told you. He lets the information settle, giving you a few moments to think. You don’t recall anyone seriously ever talking about werewolves but…
“They’re angry,” you murmur, remembering how San described the massacre at the Mathesons. “The wolves now - those aren’t wolves. They’re werewolves who are getting revenge. You spoke of revenge with Dr. Kim. Is that why the animal attacks have been happening?”
Namjoon nods grimly. “There is a very small concentration of people in the village who keep the secret about the massacres and the knowledge of werewolves. Those families have been… targeted recently. They still hunt werewolves when they can.”
“Who is Yoongi?”
“Ah,” he lets out a humorless laugh. “He leads the last remaining community of werewolves. His family was murdered by your constable when he was a child.” You blanch. “Yoongi is angry, vengeful, and very influential. When he was voted pack alpha, he decided to eliminate the last remaining threats.”
“He’s the white wolf.” Namjoon raises his brows but nods. You think that makes sense, remembering the white wolf at the Marrow farm and the one who dragged you in the forest. “Why was Seokjin there? Did he lead the constable to-”
Namjoon hesitates and nods. “The Kim family are wolf friends. It’s largely the reason Dr. Kim is a veterinarian. They’re what we call one foot in the forest. There were two others in your village that were wolf friends. Your neighbor was one.”
You twist your fingers in the blanket. “Did Yoongi-”
“No. I believe he was murdered by one of the men who knows what Yoongi and his people are.”
“So that’s why Seokjin led them to Yoongi?” Namjoon gives a curt nod. “This is…. A lot to take in.”
“It is. Sleep a little more and we’ll talk about it more when you wake up. Your head is already swimming enough, yeah?”
Namjoon’s grin is gentle and you shoot one back. “Do you promise to tell me why you’re really here? And why it feels like I know you?”
“Of course. Sleep, Red.”
-
Namjoon wakes you again a few hours later. This time, it’s with water. It’s cool and fresh, soothing your aching head and waking up your sleepy senses. He lets you drain the entire thing, sitting thoughtfully at the end of your bed.
This time, you feel more alert. Sitting up carefully, you cross your legs and examine him. He’s dressed in simple clothes and a jacket, the fireplace throwing an orange glow on his face. Again, you’re struck with how much you could swear you know him, like his eyes are something you know and love.
He waits for you to get settled, placing your hands in your lap. You fiddle with the edge of your tunic, drinking him in. Strong shoulders, rough hands, tawny skin. Your heart does a flip before you shove away thoughts of how pretty he is to think about what he’s told you so far.
“I have questions.”
He smiles and it’s as warm as the fire behind him. “Of course you do.”
“Did the werewolves kill my father?”
You get the tough one out of the way first. It was a thought you had just before you slept, wondering if your father had been someone who helped the constable murder Yoongi’s family. Though you have decided to dislike the white wolf very strongly, you can’t help but pity him.
“No,” Namjoon says vehemently. “After you told me about your father, I did some asking around. He was a wolf friend. That’s why he didn’t hunt big game, Red. He knew about us.”
A tight feeling works its way up your throat. The relief and anger you feel is a double-edged sword, happy that he didn’t contribute to the displacement Namjoon is speaking of and angry that you know with every bone in your body that he was murdered. The instinct speaks to you the same way it tells you that you know Namjoon.
You look up at him sharply, realizing something. “What do you mean ‘he knew about us’? Us?”
Namjoon’s eyes are dark. He regards you intensely, making you shiver. Slowly, Namjoon begins to roll one of his sleeves. Your eyes drop to his hand as he does, long fingers meticulous. He bares his skin and holds his hand out to you, displaying the jagged, white scar that lopes around his wrist.
Without thinking twice, you reach out to him, pulling his hand toward you. His skin is warm, sending a tingle through your fingertips. His palm is large and rough, your fingers delicate as you flip it to face the ceiling, eyes glued to the scarring around his wrist.
You move your fingers over his palm gently, scraping the calluses as you go. He lets you do what you want, touch stopping at his wrist bone before glancing up at him. His eyes are impossibly dark and he nods, urging you forward.
The scarring is rough. Thick, ropey lines encircle his wrist like his hand was ravished by teeth. It makes you faintly think of Yoongi’s teeth around your ankle or -
“You,” you breathe, eyes meeting his. They are the same warm, intelligent, and welcoming eyes of the wolf you’d saved all those years ago. The wolf who had stood between you and the others at the Marrow farm. The wolf you dream about every night. “I saved you?”
His throat bobs. “You did.”
“I… that’s why it feels like I know you.” Your fingers trace his scar, almost fondly. Namjoon’s eyes flutter. “I do know you. Why didn’t you tell me?”
He smirks. “‘Hi, my name is Namjoon and I can turn into a wolf whenever I want and you saved me a few years ago and I’ve been thinking about you ever since’ is not exactly a great opening.”
“Better than ‘you know most people who don’t want to be seen don’t wear a red cloak’.” He scrunches his nose. Cute. “I don’t know what to say.”
“That’s alright. I’ll talk if you’re willing to listen?”
You nod, not letting go of his hand. Now that you know who and what he is, any residual fear is gone. You scoot toward him, wanting to be closer. “I want to know.”
“Giho is my uncle like I said. He’s not a werewolf, though. That trait passed through my mom’s side of the family. Still, he was family and he knew about the werewolves that my father married into. He's a wolf friend and does what he can to help us, including making house calls and stealing us goods in harsh winters.”
“Huh. I always just thought he was a quiet, grumpy vet.”
“He is very much that, but he has also been a lifeline. He helps Yoongi far more than he should. It puts him in danger. His wife was killed for being a wolf friend. Giho was left alone simply because he is useful to the village.” Your fingers squeeze his hand at the hurt in his voice. “That night you found me… I was pretty young then. Fourteen, to be exact. I was nosing around the village that everyone was so afraid of and never saw the trap. I cannot emphasize how much you saved my life.”
“It seemed like the right thing to do. I was afraid but you were… hurt. And your eyes were so kind. I don’t regret it.”
“What a relief.” You smile, genuinely happy. “I was worried you might after finding out my family were sort of… killing people.”
“When you put it that way,” you wince. “But I do believe you. That humans drove you out. That people are hurting you and your people. You don’t deserve it and I… don’t think I am in a position to offer moral arguments to what you’re doing.”
“I knew I liked you.”
“You barely know me.”
Namjoon turns his hand and catches yours, lacing your fingers. Your heart skitters as he pulls you a little close and leans, eyes narrowed playfully. “Hmm, sorry. I wasn’t really allowed to come hang out around your town, Little Red.”
“Why did you finally come? Is it to help Yoongi?”
He shakes his head. “I only have one goal.”
“Which is?”
“To keep you safe.” That quiets you. Namjoon doesn’t meet your eyes when he continues, “You showed me such kindness, I just wanted to repay you. I liked to keep an eye on you when I could, always from a safe distance. You might not know me, but I grew up knowing you.”
Your mouth goes dry at his words. For someone who poses such a threat, Namjoon is gentle. Soft. Kind. You swallow past the lump in your throat. “Did you give me the red cloak?”
“Yeah. It was to mark you as a friend. We give them to those who are under our protection.” He narrows his eyes. “Which is why Yoongi swears he didn’t know it was you in the woods tonight. Seokjin’s eyesight is too piss poor to realize it was you. Idiots.”
“Well if you know about me, tell me about you. What’s your favorite color? What do you like to eat? What's your favorite thing about being a wolf?”
So Namjoon does tell you. You both end up sitting on the bed next to one another, arms touching as he traces the lines on your palm. Your backs are pressed against the wall, feet dangling off the edge of his bed as he tells you about his childhood.
It is fascinating hearing about the dynamics of his community but it’s also sad. Hearing how they live in fear, hearing how so many of the people he knows are gone. Realizing that the things he tells you match up with things you realize about your own community.
Sadness sinks to the bottom of your gut like a rock. It isn’t pity that you feel, but something far more profound. It’s regret that you didn’t know any better. Frustration that he has suffered. A radical feeling of anger and desire for justice knowing you lived in comfort while Namjoon and his family suffered.
There are good parts, too. Namjoon recalls happy moments and blushes when he recalls seeing you a few times. It doesn’t feel weird or strange, knowing someone was looking out for you. It feels comforting, like old friends catching up.
Namjoon’s eyes sparkle as he tells you about his favorite books. You don’t know when you stop listening to him and start staring, but it’s inevitable. You love the way his eyes crinkle when he smiles, dimple making an appearance as he recalls a story about putting Yoongi in the dirt with his brother, Taehyung’s help. You love the way he gestures wildly with his hands, every word evocative and enthusiastic.
He’s the kind of person you would have been friends with had he grown up with you. And maybe a little more, you think, watching Namjoon watch you. His gaze is even and heated, making you squirm. His mouth twitches and you’re so sure that he knows he makes you nervous.
“I never thanked you,” you mention. He hums in question, letting you go back to tracing his scare delicately. He twitches and you grin. Good. “For saving me from the jaws of Yoongi.”
“Ah, that. I think he knew it was you. There’s a reason he dragged you instead of killing you on the spot.”
“Huh. Well, that’s very rude.”
“He’s good at that.”
“You sound fond, still.”
He nods. “I love Yoongi. Is my brother, in a way.”
“Well still. Thank you.”
You look up at Namjoon. You’re sitting so close, shoulders pressed against one another. He smells like pine and bergamot, your favorite scent. It’s heady, awakening a foreign ache in you. Your heart speeds up as you lean into him just a little more, watching him through your lashes.”
“Don’t look at me like that,” he rumbles, voice deep.
Your toes curl. “Like what?”
“LIke you wanna do more than just thank me.”
“Maybe I do.”
“I know.”
Ah. You start to pull away and turn your head, realizing that he’s not interested, but Namjoon catches your chin with his other hand, tilting you back toward him. Your heart stalls when he looks down at your mouth, then back up to your eyes. “I’ve known you for all my life. Not how I wanted, but I’ve known you nonetheless. But you haven’t had the chance to know me.”
“I want to. I feel like I have known you. Like I knew you were always there.”
“Is this what you want?”
This. Namjoon. Whatever is crackling between you. The thing that has sparked since the moment he caught you eavesdropping. It doesn’t matter that it doesn’t make sense. It doesn’t have to make sense.
Namjoon makes sense though. The way his gaze softens when he sees you. The way he looms on the edge of your life, a silent protector. The way he could do so much damage but is soft instead. The way everything about him feels like the sun on a summer day, like a field of wildflowers in spring.
He must sense you tipping over the edge. His grip on your chin becomes firm and he tilts your face toward him, leaning down to press his warm, full mouth against yours. The effect is instantaneous. You melt into him, sighing as a feeling of belonging slots into place.
The kiss is chaste. Namjoon pulls away and your lashes flutter. You hadn’t even realized your eyes closed. His gaze is dark and half-lidded, his face close enough that you feel his breath. His lips have stoked a fire in you and you want more, you want to spill out the years of longing for something you didn’t know was there, for the sudden confirmation that he’d been there all along.
Surging forward, you press your lips to his again. This time, it’s searing, your mouth fierce as you push up off of the bed. Namjoon falls in your rhythm easily, hand leaving your chin to grab you by the waist and pull you into his lap.
Knees slotted on either side of him, you pour everything you have into the kiss. Your fingers card through his thick hair, silky strands sliding between them like you knew they would. His lips are soft on yours, mouth warm as you break the seal of the kiss with your tongue.
Namjoon lets out deep, throaty sounds. It coaxes the flame inside of you to a roar, tongue tangling with his. It’s wet and messy and a little impractical but you don’t feel embarrassed or nervous. It’s Namjoon. It feels like home.
Pleasure tingles down your spine. Namjoon grips your hips, fingers digging into your flesh. It feels hot and your skin is burning up, static trapped between your chests where they’re pressed together. Your hips twitch, tentatively seeking friction in his lap. Namjoon responds immediately, pulling your hips toward him and letting you roll.
Your mouths part but Namjoon doesn’t stop kissing you. You pant while he presses his mouth to your chin and jawline, tongue tough against the softness of your skin. “I’ve wanted you for so long,” he growls. You tilt your head back, letting him pepper your throat. “You have no idea.”
“I always felt like something was missing. I think it was you.”
Namjoon moans at your admission. The heat between your legs is almost painful. One of Namjoon’s hands goes from your waist to between your legs, cupping you. You gasp back bowing as he presses firmly, deft fingers providing mind-numbing pleasure.
“That feels good.” You fist the collar of his shirt and squeeze your eyes. You feel tense, color exploding behind your closed lids. “Don’t stop.”
“Whatever you want,” he whispers. He pulls you in close, fingers curling. Your hips buck and you realize it isn't enough. You need the barrier of clothes gone. You want it more than anything. “You know I’d do anything for you.”
“Yes.”
You do know. It’s second nature. You knew even that day in the street when you’d first seen him. Just like Namjoon knows what you want and need, land leaving the apex of your thighs to help you off his lap and onto the bed under him.
There’s a confidence in his movements that makes the room spin. Long forgotten are the wolf attacks and Yoongi’s teeth around your ankle. Here, it’s only the rasp of your pants against your skin as Namjoon pulls them down. It’s only the heat of his skis as you yank on his tunic, desperate to feel him.
Namjoon does run hot. His skin is burning up as your hands explore his firm chest. He captures your lips again, sucking your bottom lip in his mouth as he spreads your legs open with a knee. You shake under his touch, equal parts eager and stimulated.
He’s so, so gentle as he caresses your inner thigh. When he brings his fingers to your sticky center, you let out a pitiful whine. Namjoon pauses, fingers pressed to your swollen kiss as he laughs and breaks the kiss, forehead pressed against yours.
“Don’t laugh at me,” you pout, leaning your head up to bite his chin. “It feels good.”
He gives you a quick kiss. Once. Twice. “Good. I want to make you feel good.”
Namjoon circles his middle finger lazily around your clit. Your feet press into the bed, hips pulling up off the sheets. It feels amazing, pleasure sparking in your stomach. “That,” you gasp. “I like that.”
He dips his head down, attaching his mouth to your neck as he teases your cunt. You don’t have to say anything else, Namjoon’s inquisitive fingers learning what makes you squirm and sigh. You’re a mess beneath him, chest heavy, beats of sweat making your shirt cling to you.
You claw at it, pulling it away from you. Namjoon leans up and lets you take it off, eyes dipping as he smiles appreciatively. He combines the efforts of his fingers with his mouth, bending low to catch a pert nipple with his teeth.
“Shit!” you squeak, making him chuckle again.
His fingers circle your clenching hole, pussy leaking onto his fingers. He presses a finger in and you let out a long, quiet whine. The feeling of his finger pressing against your walls is perfect, your cunt clenching as he shallowing thrusts the finger.
Everything he does is perfect. He sucks at your nipple hungrily as he fingers you slowly, making sure to press up inside your cunt in a way that has you seeing stars. Your fingers tangle in his hair, unable to think about anything except his teeth scraping your sensitive bud and your pussy clenching around his finger.
Namjoon is attentive. The heel of his hand presses to your clit and he eases another finger in, slower than the last. He looks up at you, mouth slick with spit to watch your mouth fall open. You nod, urging him further, sound stuck in your throat.
The wet squelch between your legs as he fucks you with his fingers is obscene. You like it though, driven by the fact that it’s Namjoon doing it. Namjoon who you saved. Namjoon who watched over you.
You open your eyes and look up at him, cradling his face in your hands. His forehead is damp with sweat from the heat building in the little shack. His skin is flushed and his hair hangs in his face. You pull at his bottom lip with your thumb and he gazes at you, hungry and wild, pupils blown.
Greedy, you pull him to you. The kiss is more teeth than lips, the two of you panting. Your leg hooks around his waist and you nibble his bottom lip, hips rolling to meet his thrusts, an orgasm starting its ascent.
“I want you,” you breathe against his mouth. Your lips are sore from arduous kissing. “Please.”
He kisses you. “Okay.”
It’s that simple. You ask for it and he gives it to you.
Namjoon retracts his fingers from your cunt. You feel the sudden loss, fidgeting as you wait. He makes quick work of his pants, kneeling on the bed and bringing his hands covered in your juice to pump his cock. You feel your eyes bulge at his thick length.
He notices and grins, slowing his movements. You watch as his hand smears precum down his shaft, twisting lightly as he gets to the top, his thumb brushing over his dark tip. “You can take it,” he pants, grinning wolfishly. “I know you can.”
Instead of answering, you nod, lifting your hips eagerly. He hums, pleased as he lets go, cock bobbing heavily while he shuffles over and leans over you. He places his hands on either side of your head, arms flexing as he holds his weight to bend down and steal a quick kiss.
You kiss back feverishly, one hand traveling between your sweaty bodies to grip his length, trying to stroke him the way he did. He sighs, breaking the kiss and dropping his forehead against your chin as a shiver ripples through him. You smile, continuing to pump him.
“Want to be inside,” he mumbles, barely coherent.
You open yourself up more, gently guiding the blunt crown of his cock toward your trembling entrance. You hold your breath as his hips follow your hand, breaching your ring of tight muscles and pushing in.
Immediately your muscles spasm and resist, overwhelmed by Namjoon’s girth. You blow out a long breath as he enters you so, so slowly. It’s heaven and it’s hell, it’s pleasure and it’s pain. Namjoon presses his mouth to you, tongue distracting you as he bottoms out, stuffing you full.
Nothing has ever compared to how stretched you are. He doesn’t move, letting your cunt twitch around him. He holds himself up with one hand, the other brushing up and down your side, squeezing bits of flesh comfortingly as you try to still your beating heart under him.
The pain fades. You get greedy, wiggling your hips back and forth experimentally to feel the way Namjoon’s cock rubs against your walls. He blows out air sharply, a half laugh before his hand drops down to your hip, pushing you down into the bed with his weight as he slides backward.
“Ohhhh,” you sigh, head lolling to the side. The pressure of Namjoon pressing you down as he sets a slow pace of fucking into you is just right. You close your eyes, letting him set a slow pace in silence. “Yeah.”
Namjoon’s breath is unsteady. Every little sound he makes sets you on fire. You’re pliant beneath him as he picks up his speed, properly fucking into you. One of your hands reaches up to grab his bicep, nails digging in, the other shooting to his hand on your hip, squeezing his wrist.
Everything feels right. Connected. Overheated. The air is so thick you think you might suffocate, sheets sticking to your balmy skin, toes curling as Namjoon’s cock hits that spot inside of you that drives you mad.
Nothing but this matters. Nothing but knowing your wolf isn’t really a wolf at all, and that he’s been there all along. Just like you’d hoped.
“Fuck,” Namjoon pants. “I never dreamed I’d have you.”
“I dreamed of you,” you gasp on a particularly hard thrust, your nails dragging down his arm. “I just didn’t know it.”
His mouth crashes to yours. “Mine,” he growls. “My savior, mine to protect.”
Your orgasm spins like an out-of-control spool of thread, winding tighter and tighter. Namjoon can tell, chasing your orgasm with reckless abandon, throwing his gentle movements out the window and fucking you hard into the bed.
The sounds and words coming out of your mouth are useless babble, your thoughts turning murky as that spool tightens so much inside of you that it bursts, unspooling and spilling out of you around Namjoon’s cock.
You can’t even breathe as you come, feet kicking, nails digging into his skin, teeth clenched. Your heart beats in your ears, the only thing you can hear for a few seconds as you spasm, eyes clenched shut. You are vaguely aware of Namjoon coming shortly after you, your name ripping through clenched teeth as he does.
There are a few minutes of nothing punctuated by your stilted breathing and rapid pulse. Finally, you blink, stars swimming in your eyes as you look at Namjoon, who hangs his head on your chest. You reach a hand up and run your fingers through his sweaty hair.
Your wolf. Somehow you’d always known it. Even when you thought you were crazy.
Gently, Namjoon pulls out of you, fluid spilling between your legs. You don’t care, limbs too heavy to move. Your skin is still burning up from exertion and you roll your head to the side to watch Namjoon as he lays next to you, pulling you toward him.
For a little while, it’s quiet. You listen to the beating of his heart, closing your eyes and breathing deeply. You’re content just to lay there feeling whole just for once.
After a while, Namjoon sighs. “You have to go back eventually.”
“We.”
“Hmm?”
“We have to go back.”
Namjoon pulls away and frowns at your tone, eyes reading your face. Your mouth is set in a firm line and you look at him with all seriousness. “We’re not letting them get away with what the humans did to you and your family.”
“You want to help?”
“Yes.” You pause. “I think it’s what my father would have wanted. It’s what I want. Even if Yoongi bit me.”
“Yoongi will never bite you again,” he vows fiercely. Then, a little more gently, “But he… would be glad to hear your sympathetic stance. I’m glad to hear it, Red.”
“Good.” You snuggle closer. “You’re mine to protect too. And I will make them pay.”
For Namjoon. For your father. You’ll paint the village red.
#namjoon smut#kim namjoon smut#bts smut#namjoon fic#namjoon fanfic#kim namjoon fic#kim namjoon fanfic#namjoon x you#namjoon x reader#werewolf namjoon#collab
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NO BUT LISTEN TO ME!!!
HALSIN'S FUCKING EPILOGUE KILLS ME! BECAUSE! Not only do you see how much he is healing, but you also see how much healing he still has left to do!!!
Take this line if the player joins him at the commune:
"Tell me... are you happy with the path we tread together? I took you from a life of high adventure, to one that can be described as anything but. I thought perhaps that seeing everyone once again, and hearing of all that they have been doing... it might awaken some regret, about the life we lead. You could have done anything, gone with anyone... yet you chose me."
That one statement conveys so much. So much doubt and insecurity. He still doesn't view himself as particularly worth settling down for; and in fact, secretly worries the player is (or will soon discover themselves to be) miserable at it. He has a remarkably modest nature, yes, but this is a step beyond. Even with the player's love and kindness, he is in a similar state to that first romance scene, where he thought one little mistake (wildshaping on accident) would make the player leave him forever. Here, too, he's terrified the player will discover the "truth", that they never actually wanted him, and might even leave him. :(
After the player reassures him:
"Forgive me. This past while has been so idyllic that I almost fear something must go wrong. A fear I shall overcome, trust me. We are amongst friends, in celebration."
"I almost fear something must go wrong."
People with PTSD experience this one a lot. Why are things going so well? What's about to go wrong? He acknowledges he will heal in time, but he still isn't there yet.
"I am glad to hear it. Forgive an old fool in need of a little reassurance. I am still expecting to stir from the dream."
Same as the above. He's waiting to find that none of it is real, that he's still trapped at the Grove in utter isolated misery.
Other dialogues, when meeting up with either a romanced player who didn't go with him, or with a friend player:
"Perhaps that is so for you, but for me? It may be that a peaceful life after so many years of tumult has made me sentimental."
Acknowledging the years of tumult, and the effect they had on him, while also noting the good changes the last six peaceful months have brought him.
"You are right, of course. I am accustomed to dwelling on the past, even when it brought me nothing but unhappiness. You changed that, and gave me the most precious of memories."
This one is one of the most profound of all, especially because Halsin, so many times, tells the player not to regret things, to focus on making a future together, etc. But when it comes to his own traumatic memories, he is still unable to stop dwelling on some of them- "even when it (brings him) nothing but unhappiness."
He's done so much healing in his six months at the commune; you can already tell what a new, happier person he is. He even brings up that his restless, roaming nature has settled now that he has a place he belongs. But you can also see where the traumas have left deeper scars on him that will take much, much longer to heal.
(... And this is why I will NEVER choose any dialogue option for the romanced epilogue EXCEPT FOR "I chose you for a reason, and have never looked back." This man deserves to hear it at least a dozen times a day for the rest of his life. :( )
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Semi-Final One
Propaganda...
Colonel Brandon (1995):
Alan Rickman has the sexiest voice. Just listen to him reading poetry to Marianne at the end to witness how hot he is.
Alan Rickman simply embodies the truth of Col. Brandon in a way that no one else every could. It's the perfect merging of actor and role. He brings the perfect combination of honor, decency, sensitivity and passion. He is the ultimate mensch.
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Brandon propaganda in which even the film's director agrees that Brandon is sexy.
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More Brandon propaganda! This photo could only be published in black and white because it would have been too powerful in color (the original color version is currently being used to provide electricity for a medium sized town in Devon. It's THAT powerful).
The brim of the hat falling over his eye. The casual lean. The hunting rifle slung across his leg. The puppy bestie. The fact you know he could row that boat while you watch and wish you were the boat.
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From Emma Thompson's diaries which she kept while they were shooting Sense & Sensibility. Emma Thompson said vote Colonel Brandon.
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Mr Darcy (1995):
Colin Firth (1995) is book Darcy brought to life. He uses tiny gestures and looks to communicate with us and Elizabeth… his struggle is so subtle but so palpable. A beautiful asshole with a creamy nougat center. Just perfect.
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Those heart-eyes right up above☝️? Hot!
Passive-agressively drinking tea? Hot!
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The way he rushes over to see Elizabeth at Pemberley on those delicious long legs of his with that slutty wet curl hanging over his forehead? Hot!
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Fencing? Hot!
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The way he is so concerned about Elizabeth crying and takes her hand even though he shouldn't? Hot!
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This dimple-y smile of pure joy because he knows he's married to Elizabeth freaking Bennet? Hot!
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Colin Firth Darcy is simultaneously immaculately put together and entirely falling apart internally. The wet shirt scene is so iconic not (only) because ‘oooh almost-shirtless sexy man’, but because it’s a metaphor for how he’s absolutely falling apart!!! This is a private moment, when he doesn’t think anyone can see him. And then he bumps. into. Lizzie. At his house!! And the entire sequence that follows with him rushing out still doing his jacket up to catch her before he leaves. They are both on the back foot and it’s THAT moment of confusion that opens a more honest dialogue between them.
Without Firth in a lake you wouldn’t get Macfadyen in a downpour!
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There's a reason why Colin Firth is forever known as Mr. Darcy above all other roles he's had and will have! Even ignoring the wet white shirt, which has become A Thing now, he is so hot with his curly hair and his little half smiles and his intense looks of longing and his legs that go on for milessss.
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This cannot be real. My fellow Jane Austen people. Without Colin Firth’s Darcy we wouldn’t have 90% of modern JA content. He opened a door and there was no turning back for modern culture. There would be no MacFadyen standing half undressed in a field at dawn without Firth jumping into a lake first. There would be no hand flex if there hadn’t been Firth doing his best impression of a man undressing Elizabeth Bennet with his eyes and hating himself for liking it. There would be no Bridgerton without Bridget Jones. Let’s face it people. We wouldn’t be here having these arguments if Colin Firth had not been Mr Darcy.
Colin Firth understood Mr. Darcy in a way no other actor ever has. He is awkward as fuck in a way that comes across as snooty and judgmental on a first watch-through, then can be read as awkward and longing on a second time. His performance had such depth while looking extremely shallow at first glance. This man WAS Mr. Darcy. (I love 2005, as well, and I love Matthew McFayden, but he was awkward for awkward sake.) Colin Firth made Darcy's awkward look snooty and aloof.
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THE socially awkward Darcy is the 1995 Darcy - look at him coming and sitting in awkward silence with Elizabeth pointedly asking her if she wants to live a long way from her family (to obvious relief) and then abruptly leaving - vote for him please 😭😭😭😭
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Colin Firth served so much as Darcy that when they did Bridget Jone's diary, they brought him back.... AS DARCY. The smoulder. The angst. The man is the quintessential Darcy.
“Firthing” is an actual term that is used now to describe someone yearning intensely. It is named after Colin Firth’s Mr Darcy performance.
Colin Firth all the way. He's known in our household as Owl Eyes because in every frame he's mooning over Elizabeth Bennet. Unsurpassable, unmatched, golden television (and some of the worst dancing you've ever seen).
Colin has beautiful, touchable curls.
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My high school English teacher was very into using movies to teach alongside literature, which was a great teaching tool. When we read Pride and Prejudice, he used both 2005 and 1995 for various scenes. What stands out to me all these years later was when it got to the part when Lizzy went to help Georgiana after Caroline dropped Mr. Wickham's name and Darcy gives Lizzy this look:
My teacher stopped the film and pointed at Darcy's face and said, "See that? That is THE look. If someone ever looks at you like that, you know they're in love." And what is hotter than that?
Also this teacher had two cats named Lizzy and Darcy. Not relevant to the poll but I wanted you all to know about them.
Colin Firth dazzles and amazes in the nuanced performance that just blows all other attempts away.
The best thing about the Colin Firth wet shirt scene is actually the scene that follows where him and Lizzie are both just dyinggg of embarrassment but Darcy pulls himself together refuses to lose his advantage and runs to get dressed and chase her down before she leaves - just the mix of cringe and hopefulness at seeing her again is so well done and so attractive!!! (this is just the bit where he's running after her but I love it all!)
#hotjaneaustenmenpoll#semi finals#mr darcy#colonel brandon#pride and prejudice 1995#sense and sensibility 1995#pride and prejudice#sense and sensibility#jane austen#colin firth#alan rickman
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Fans are Denji's source of unhappiness
First observation: Fumiko is worse than Barem
I don't like making meaningless comparisons, especially in a work like Chainsaw Man where when the characters aren't nuts, they remain at least morally gray. But this comparison makes sense in the sense that the construction of the chapter refers to it. As usual, let's analyze this by following the chapter's chronology.
This one takes place in a funfair, which is not an insignificant location, but we'll come back to that later. These few lines of dialogue already evoke a very simple idea: Denji isn't so stupid that he wouldn't know he was being manipulated. He knows full well that Fumiko was placed in Yoshida's care not to protect him, but to keep a close eye on him, to prevent him from turning and joining the church.
But she tries to disprove all this, evoking the ecstasy one might feel if one were Chainsaw Man. Being Chainsaw Man is also a source of unhappiness for Denji, who corrects her, and Fumiko adapts to his speech, looking for the first negative point that comes to mind. I think it was a real mistake for Fumiko to mention this point, but once again, she adapts to Denji's reaction. He's completely horrified at having been observed in the bathroom, so she shares his negative view of the situation.
She knows that Denji's main objective is sex-related, so she builds on that by downplaying what she's doing. This is fan behavior; fans are sexually obsessed with Denji in the hope that it will delight him. But Fumiko knows no bounds, either ignoring his consent or stalking him, which logically engages Denji's rejection reaction again.
Once again, he perceives the means of manipulation with the word "fan", and rejects it. So far, these experiences have only been negative and intrusive, and even when they have been positive, whether with Asa romantically or Power platonically, the demon of control, another female figure, has put an end to them.
But instead of stopping the manipulation, Fumiko goes on to confirm Denji's words even as they express pure disgust and rejection. For a character who knows absolutely no limits, she may also override stopping this conservation, but she continues with her family history. If public demon hunters know anything about Denji apart from his natural distrust and need for affection, whether sentimental or physical, it's his sensitivity.
I can't say that the story Fumiko tells is a complete lie, just as I can't say that she's telling the truth. She's a hunter, and anything she mentions could well have ended up in a report, especially given the national authorities' interest in the gun demon. But even if her story is true, the tragic aspect, not for her but for Denji, is even stronger.
Fumiko says she lost her parents because of the gun demon, that CSM didn't hear her cries for help. I'd like to remind you that chapter 79, the chapter in which she refers to Aki's death, is dedicated to the trauma of what it means to be Chainsaw Man.
For the demon from the future, Aki died in the worst possible way, not for him, but for Denji. It's clear that the little boy is forcing himself to continue this snowball fight he no longer wants to play.
At first, he tries to reason with Aki, forcing him to wake up, but when he himself is shot trying to spare one of his only loved ones, people won't let him lose. Chainsaw Man is a weapon of vengeance into which everyone projects their frustrations, the deaths of their loved ones. Denji was forced to be resurrected, to kill Aki not for himself, but for the community. Chainsaw Man never acts for himself.
If Aki died in the worst way for Denji, it's because his fans, this community, forced him back to life to remove one of his sources of love.
Denji was traumatized by having to win.
Let's be clear: it wasn't Denji who ignored their calls for help, it was they who ignored his.
Isn't it tragic to criticize Chainsaw Man for not hearing Fumiko's cries for help, or the cries of all those people, when he was instead so compelled by them, like a machine that would be reset to kill a loved one ? Chainsaw Man, on the other hand, hears all the pain in the world. This doesn't mean that Denji is altruistic - he isn't. He's closer to amorality than compassion, but like a permanently dehumanized machine, he must serve others. It has no morals, so how can it live for itself ?
That's why what Fumiko says is so paradoxical: saving Denji means finally allowing him to live for himself, granting him the right not to hear all those voices.
She doesn't mean what she says when she says she's never thought of him as a god, but simply as a child in need of protection. She's only setting up a dissident discourse to that of the church, which idealizes him by banking on the part of identity that is Denji, while the church banks on Chainsaw Man. How can someone who is constantly sexually abusing Denji be competent to protect a boy?
This chapter is about setting limits for children. To have access to the merry-go-round, you have to be over 1m10 tall. These clear limits were never set for Denji, either when he was forced to kill Aki or even when he explores his sexuality.
Having killed his father, been martyred by the mafia and then manipulated by a demon, Denji is now at the heart of other vicious circles. He's condemned to being too young an adult, watching over Nayuta like a parent while children play behind him, not enjoying the funfair with friends, a girlfriend, being cloistered on that bench.
The bench represents the stagnation in Denji's life, his questioning, placed on the bench of his own life, his name unknown to his fans, his nature instrumentalized, his age ignored.
Denji needs and must be considered with the age he is, a 17-year-old teenager. Yet even this characteristic, even the fact that he's still a child, is ignored by Fumiko, hence her insistence on the word "senpai".
The treatment of Fumiko is good, I find her to be the very embodiment of Denji's sexual trauma in the sense that she constantly manipulates him to play on his interests, and constantly ignores his own desires, his limits.
Fumiko manipulates, hence the emphasis on her outraged expression when Barem interrupts. If Barem's manipulation is more grotesque, it's not to manipulate Denji but to mock Fumiko's strategy. Although it's incredibly more insidious, the weapon has a clear idea of what she's up to.
And yet, in just a few sentences, it's right on target. It's much closer to Denji's reality than to Fumiko's human perspective. Weapons are seen as weapons, machines at the service of humans, whose immortality is a pain, as it leads them to the trauma of always winning.
Barem uses a cigarette, obviously reminiscent of those smoked by Aki, who had given in to Himeko's advances and needed an outlet for his stress. Aki's misfortune is to have spent his life on revenge, living to avenge the dead, not living for himself. The cigarette was his flaw, the proof of his humanity, the one he threw at Denji to spare him the pain of getting involved in the horrible business of hunting demons.
Whether or not it was there to manipulate Denji by reminding him of his older brother, whether or not it was there by chance, it conveyed the same message: proof of the humanity of a man who lived for others. A man who was executed once again for that same community.
This community, Denji's fan club, is the cause of his deepest misfortune. Chainsaw Man has never been so popular, yet Denji has never been alone. Because he's not allowed to have loved ones. Nayuta, too, is proof of this: she wants her brother for herself, and convinces him that he's loved by others by acting under the cover of Chainsaw Man.
That's why Denji's intervention to stop the attack in progress is much less certain. All these fans, this humanity waiting for Chainsaw Man, are the source of his misfortune. Of course the fan club will call Chainsaw Man. What's less obvious...
Will Denji listen to their cries for help?
#csm spoilers#csm 142#chainsaw man chapter 142#chapter 142#csm#csm part 2#chainsaw man spoilers#chainsaw man#denji#fumiko#fumiko mifune#barem#nayuta#makima#aki#himeno#my thoughts#analysis
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Buck up, Hamlet! or how Aziraphale and Crowley's blocking helps communicate the evolution of their relationship
Can we talk about the blocking?
Specifically, I have been rewatching S1E3, one of my favorites. I love how the development of the relationship between Aziraphale and Crowley is shown through these little vignettes. There have been some great explorations of the costuming and dialogue, but what always strikes me is the BLOCKING. The way their placement and movements add such depth and tell the story of living as a queer person, having to communicate in coded language.
Through the episode, we get 4500 years of history - Eden, Mesopotamia, Golgatha, Rome and Wessex - to see Aziraphale and Crowley standing on their opposite sides. Aziraphale always on the right, Crowley always on the left. But after the Arrangement, their blocking changes drastically and becomes much more fluid and nuanced. Each scene after this is distinct but the scenes in at the Globe and the Bastille have the most development, and I find myself rewatching them A LOT. Here is what I see.
All the World's a Stage
This is the first meeting we see that isn’t a chance encounter, though the two try to stage it as such. It takes place in a theatre - and they are acting, playing their roles as demon and angel. Even the humans are complicit in this performance, with Shakespeare stepping in to address the two "in your roles as the audience." Oh, delicious.
But once it's been firmly established for anyone watching that they AREN'T friends, they DON'T know each other (cough cough) the following moves are clearly choreographed and have been played out many times before. Crowley sashays to the right, opening the dance, and Aziraphale accepts the invitation to dance with: “What do you want?”
“Why ever would you insinuate that I might possibly want something?” Crowley is just playing his role as cheeky demon offering up a temptation - but his position to the right of Aziraphale speaks to the fact that they are both very complicit in this performance.
“You are up to no good.” “Obviously. And you are up to good, I take it? Lots of good deeds?” Just standard character establishment, here.
“No rest for the, well, good." Ah, this line, the inversion of the well known idiom. Because the line between good and evil (and between angel and demon) maybe aren't so distinct, and Aziraphale acknowledges this with his words. We are moving into negotiations now. "I have to be in Edinburgh at the end of the week. A couple of blessings to do, and a minor miracle to perform. Apparently, I have to ride a horse.”
“Ah hard on the buttocks, horses. Major design flaw, if you ask me. I’m meant to be headed to Edinburgh too this week. Tempting a clan leader to steal some cattle.” The way Crowley moves AROUND Aziraphale here, intimate but also careful, watching for his reactions.
“Doesn’t sound like hard work.” Said with a little sideways look, because Aziraphale can see where this is going. And he's open to suggestion temptation.
“That was why I thought we should… well, bit of a waste of effort. Both of us going all the way to Scotland.”
“You cannot actually be suggesting what I infer you are implying?” A little bit of pretense, because Aziraphale has to pretend to be tempted, right?
Crowley presses. “Which is?” Because he is willing to play the part of tempting demon, but only if it is clear this is a farce, that this is indeed mutually agreeable. He is making sure they are doing the same dance.
"That one of us goes to Edinburgh and does... both. The blessing and the tempting."
Yes, they are doing the same dance, and what is left is the formality of concluding the dance - a moment of Aziraphale expressing his concern for Crowley, the coin toss - they both know how it ends. It's a ritual, an act of give and take.
But if it were ONLY the Arrangement, a simple quid pro quo, it would have ended there. It doesn't. Instead, the two offer each other a more intimate exchange - "It'd take a miracle to get people to come and see Hamlet."
Aziraphale doesn't even have to ask with words, just a look, and Crowley happily agrees. That is the final part of the dance, a small acknowledgement that this isn't just about making their jobs easier.
A Free Man in Paris
Paris is something else. This is a HUGE step beyond making sure that audiences like a show your angel is particularly fond of. This is a stolen dangerous moment, an OUTRAGEOUS flirtation that takes place outside of time, conducted in clear view of others but beyond their understanding. Isn’t that how their entire relationship is now conducted, hidden in plain view and so clearly affectionate?
And look, Aziraphale is BITCHY in this scene. Peak That Bitch. He's just purchased a bookshop, he's creating a very permanent place for himself here on earth - Aziraphale is feeling quite proud of himself. In fact, he's preening a bit that he has figured out how to exist, even in some small limited way, as himself within the confines of the system of Heaven. Buuuut he may have gone just a bit too far, and gotten himself in a spot of trouble. He has landed in a prison, threatened with "death" and stuck because he's already gotten a warning about being frivolous with his miracles. Oh jolly good that Crowley is here to save the day!
There is something raw being communicated here here, where both Aziraphale and Crowley are presenting themselves to the world in ways that are dangerous. Aziraphale's reaction tells us that Crowley's look is doing things to him, but also in a way that it is NOT socially appropriate. Aziraphale may have showed up in all the trappings of an English aristocrat, but here is Crowley as a French royal sympathizer. NEITHER of these are safe choices in the middle of a revolution. The costuming is so critical to fully appreciating this scene, so check out the amazing clothing overview with @cobragardens.
When Crowley arrives and stops time, he and Aziraphale find themselves situated facing one another, but angled so they aren’t facing straight on. Interestingly, from Crowley’s perspective, he is where he is supposed to be - the left of Aziraphale. But Aziraphale, from his perspective, is also to the left of Crowley. It was Aziraphale after all who initiated this situation, who put himself in danger by being too… Aziraphale. It’s dangerous to be yourself when you don’t fit into heteronormative social expectations, isn’t it? Still, the two keep up a very flirtatious banter as they discuss the situation, and Crowley maintains his very-intentionally-unbothered sitting position up until Aziraphale goes too far and thanks him for coming to his rescue.
While Crowley is also flirting with danger in the way he is dressed, he also didn't just pop over for a nibble dressed this way. And whatever he might have been up to was interrupted so he could rescue Aziraphale from the consequences of his own reckless authenticity. After removing the chains, Crowley pushes Aziraphale to reconsider his honest expression of himself in this exact place and time - for the sake of survival.
Aziraphale, willing to risk himself alone, rather quickly adopts a more acceptable appearance when it might impact Crowley. It is only after Aziraphale is safely disguised and returned to his proper place to the right of Crowley, ONLY then does Crowley restart time. They can go enjoy lunch now, with the proper precautions and masks in place.
For these two particular human-coded occult beings, this is also such an honest moment. They both showed up damn authentically - Aziraphale so fabulously ostentatious, focused on chasing down some pleasure (in this crepes) and Crowley wrapped in a clear protest against the current violence. Just as Aziraphale indicated with his "Oh good LORD" as he looked the demon up and down with obvious thirst, Crowley's request to Aziraphale to change his appearance and mask better is done in such a way that affirms that Crowley LIKES who Aziraphale is without the mask.
The scene is so playful on the surface, the body language and dialogue flirtatious. It's something so familiar to the queer experience, making light of the absolute danger that we must sometimes navigate just to exist. The more I watch it, the more obsessed I become.
A Spot of Bodysnatchin'
It is worth remembering that we didn't get this scene in S1.
I am going to go through it soon, because again they dance back and forth beautifully in this minisode, but suffice to say we all know... it didn't end well for Crowley.
No Walk in the Park
The moment in St. James Park is brief, and it wasn't until S2 and the meeting at Edinburgh that we got the full context for this meeting. But even without this, we can clearly see that things are weighing heavily on Crowley. The scene in the Bastille took place in a prison, with the threat of execution over their heads. The juxtaposition of this conversation taking place in a park - a place that is not only NOT inherently dangerous but looks lovely and welcoming - only highlights the change in Crowley's attitude. He still attempts to be playful, but he's afraid. Look at that paper, it's a bit crumpled, he's been carrying it around for a while.
They are firmly entrenched on their assigned sides for the entire conversation, both very stiff. It feels uncomfortable to watch. When Aziraphale refuses his request, and indicates whatever is between them is just "fraternizing" with the enemy, we get a glimpse of how fearful Crowley really is. In none of these flashbacks has Crowley ever spoken to Aziraphale with the anger we see here. When they part in anger, it feels wrong.
Take Me to Church
So there is a long break between meetings now. But then, ah, the church. The place Aziraphale realizes his feelings. (Look, if Michael says this is where Aziraphale realized he'd fallen in love, I am not here to argue.) What I love is that again we see Crowley and Aziraphale swapping sides. Crowley is here to save his wayward angel, AGAIN. Despite feeling the ill effects of walking on consecrated ground, Crowley is here to save his angel and defeat Nazis. It's definitely not remotely evil intentions.
It isn't like the Bastille, but some of the parallels exist - Aziraphale failing to grasp the risks of his actions. And the silliness of his little dance coupled with just how deadly serious this situation is harks back to their flirtations in the prison.
Crowley is to the right of Aziraphale from the time he arrives until the bomb drops. Then in the rubble, with the danger past, we see them on their assigned sides again. UNTIL Crowley hands Aziraphale the books he saved with a "little demonic miracle of my own." He then crosses Aziraphale, and we see the look of absolute adoration as the angel watches him walk away to the right.
Sweeeeeet baby Jesus, baby girl has it BAD.
Always Crashing in the Same Car
This extremely heartbreaking scene has been dissected, chewed over, breaking our little hearts with it's sharp pieces.
But it is purposeful that this scene took place in the Bentley. Being in the car is symbolic because Aziraphale is here making an offering to Crowley, in his space, something that he Aziraphale feels is WRONG which is highlighted by his placement to the left of Crowley. He is scared, acting against all his own desires, but he does it anyway because he cares for Crowley. It's simple, powerful placement. Need to hurt more? Yeah, thought so. Take a deeper look at the dialogue with @zionworkzs.
#good omens meta#look the blocking has me feeling things#just brilliant#i am very normal about them#neil gaiman#good omens#just theatre kid things
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Alright, let's talk about this scene in S1 Ep3:
Let's take this line by line, shall we? I added in some stage directions so we can see the acting choices alongside the dialogue (because this scene!!! this scene!! there is so much unsaid and communicated via body language).
*Crowley gets into his car and Aziraphale miracles inside*
C: *surprised*
C: What are you doing here?
A: I needed a word with you.
C: What?
A: I work in Soho. I hear things. I hear that you're setting up a...
A: *looks at Crowley*
A: caper. To rob a church.
C: *looks away from Aziraphale*
A: *concerned* Crowley, it's too dangerous. Holy Water won't just kill your body, it will destroy you completely.
C: *annoyed* You told me what you think. 105 years ago.
A: And I haven't changed my mind. But I can't have you risking your life. Not even for something dangerous. So... *pulls out thermos* you can call off the robbery.
C: *looking at Aziraphale, clearly surprised*
A: Don't go unscrewing the cap.
A: *not looking at Crowley anymore*
C: *looking between the thermos and Aziraphale* It's the real thing?
A: The holiest.
C: *attention fully on Aziraphale now* After everything you said?
A: *nods, still not looking at Crowley*
C: Should I say thank you?
C: *still looking at Aziraphale*
A: *pointedly NOT looking at Crowley*
A: Better not.
C: Well, can I drop you anywhere?
A: No. Thank you.
A: *briefly glancing at Crowley*
A: Don't look so disappointed.
A: *looking away again*
A: Perhaps one day we could, I don't know. Go for a picnic.
A: *looking at Crowley now*
A: Dine at the Ritz.
C: I'll give you a lift. Anywhere you want to go.
*silence, and the longest amount of time Aziraphale looks at Crowley this whole scene*
A: You go too fast for me, Crowley.
*both looking at each other for a beat before Aziraphale exits*
OKAY SO HOLY HECK
I feel like this scene gets boiled down to THAT line we all remember (and we'll get there), but I feel like the whole scene and the context is so so important if we want to understand THAT line.
So the background info:
1862 AD - London, St James Park: Crowley asks for holy water.
1941 AD - London: Aziraphale meets with Nazi agents inside a church. Crowley swoops in to save the day (and the books). We have the magic show and the lovely candelit dinner afterwards.
This scene takes place in 1967 in Soho, London presumably.
So, since 1862 when Crowley first asks, Aziraphale has been thinking about this request of his. Aziraphale presumes in 1862 that Crowley wants the Holy Water as a "suicide pill," and Crowley never corrects this assumption.
So, Aziraphale is under the impression that in 1967 he is giving Crowley a tool to use for his own destruction, if it comes to that.
He goes against Heaven and, from our understanding, steals Holy Water so he can give it to Crowley.
The implications of this are DEEP and COMPLEX. Because this is the FIRST time we see Aziraphale directly go against Heaven without any kind of moral out. He isn't saving Job's children. He's literally defying Heaven to protect Crowley from doing something stupid.
It's a purely selfish action that directly goes against Heaven.
This is HUGE for his character. And as I've talked about a bit in this post, I think by this point, Aziraphale was fully aware he was in love with Crowley.
This, THIS, is proof of his devotion to Crowley. Going against Heaven overtly to supply him with something he believes Crowley will use to end himself.
You can see Aziraphale's guilt and concern in this scene simply through how he choses when to look at Crowley and when to not (michael sheen, I'm in ur walls).
He looks at Crowley concerned when he talks about the church heist. He says as such. That he thinks it's too dangerous. He pointedly DOESN'T look at Crowley once he hands over the Holy Water. Like he can't bring himself to come to terms with what he's done. (Looking out for the person he loves by giving them a means of their own destruction.)
And this little interaction:
C: Should I say thank you?
C: *looking at Aziraphale*
A: *pointedly NOT looking at Crowley*
A: Better not.
He doesn't want Crowley to thank him for what he perceives to be a sin. For giving him the ability to end himself. It hurts Aziraphale to think about. I think, even being in the car near Crowley hurts Aziraphale then.
Then we get the exchange at the end.
Crowley offering to drop Aziraphale off, which the angel denies.
Aziraphale clearly reading Crowley's disappointment and offering a fantasy of the future he doesn't believe they have in an attempt to cheer the demon up.
A: Perhaps one day we could, I don't know. Go for a picnic.
A: *looking at Crowley now*
A: Dine at the Ritz.
He looks at Crowley for the briefest of moments when he says "dine at the Ritz."
These things that Aziraphale is offering are normal, human pastimes. Nothing grand or overtly romantic. Just, a picnic. Dinner. It goes to show us how deeply Aziraphale loves humanity and recognizes that same love in Crowley (even if their love presents itself in different ways).
He's saying: one day, when I'm not me, and you're not you, we can do the things humans do. We can be simple.
And then, of course:
C: I'll give you a lift. Anywhere you want to go.
Crowley says this line almost desperately. He wants to stay in this moment. He wants to draw it out. This moment where this angel he's befriended cares for him so deeply that he'd risk everything.
I haven't talked much about Crowley in this scene because at this point in their relationship, and I know this is controversial, I don't think Crowley is in love with Aziraphale here.
I talked about it in the aforementioned post, but it's my interpretation of Crowley's character to be naturally distrusting of others. Which makes sense given his history.
I don't think he's in love with Aziraphale in 1967.
But I think he recognizes Aziraphale's love for him, even if only for the briefest moment. He sees Aziraphale's willingness to save Crowley from himself and knows that there is something there.
But he is SCARED. Big scared. And he doesn't know how to deal with the influx of information being presented to him.
And I think he reads between the lines of Aziraphale's words. He hears Aziraphale say: one day, when I'm not me, and you're not you...
I'll give you a lift. Anywhere you want to go. Is Crowley saying: You're saying we have to be different people, but we don't. I can take you right now to a picnic, to the Ritz. Nothing has to change. We can be us.
And Aziraphale says:
A: You go too fast for me, Crowley.
You go too fast for me, you treat life like a speedrun to get to the good parts. Hell, Crowley slept through the 19th century because he wanted time to move forward. Aziraphale recognizes this. He's in love with this demon who won't slow down and appreciate the mundane, human things that Aziraphale treasures. He goes too fast. He never settles down.
And I think this is a gross misunderstanding of Crowley's character on Aziraphale's part. He thinks Crowley is too fast and never settles down. Changes his hair, his clothes, his accent. But the clothes and the hair are all set dressings to Crowley. They are distractions from how set in his ways he truly is.
Crowley is s l o w to everything.
So slow that it scares the shit out of him and he overcompensates by re-inventing his image every chance he gets. He wants to blend in with his surroundings so he can be just like everybody else.
It's a deep self-hatred most likely instilled in him since before his Fall. He was not good enough for Heaven. He isn't bad enough for Hell. He can't even pass as a human because of his eyes. He doesn't fit anywhere.
So he could never fit with Aziraphale.
He doesn't even see it as an option.
Not yet, anyway.
Aziraphale misunderstands this as Crowley being unable to take time and care and put work into things that truly matter. Aziraphale thinks that they can't be together because they are too different. No matter how much he loves Crowley, Crowley is, and will always be, just a few steps ahead of him. He will always be just out of reach.
This scene is Aziraphale's confession and subsequent realization that they can never work.
This scene is Crowley understanding Aziraphale's feelings and his inability to process his own.
This scene is devastating. Because it's another miscommunication. It's a clear example of how these two understand each other, and, even after 6000 years, don't understand each other.
#ineffable husbands#aziracrow#aziraphale#crowley#good omens#good omens meta#this scene makes me fucking LOSE it#truly i could talk about it for HOURS
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Lunch Break - Hangman
Pairing: Hangman / Fem!Reader (Wife!Reader)
Word Count: 1.5k
Warnings: Suggestive Content and Dialogue, Blue Balls; Third Person POV, No Y/N, No Physical Description of Reader
If you're a MINOR, please do me a favor and read SOMETHING ELSE.
This work, all of my other works, and my entire blog are 18+ Only.
Summary: Jake and his wife are going through a dry spell. Luckily, his secretary Linda is the best wingwoman in all of Miramar.
Master List
It wasn’t odd for Jake’s wife and the secretary in his office to communicate. But every time that Linda’s, Jake’s secretary, contact popped up, Jake’s wife always felt her heart drop into her stomach. Her mind always just went to the worst-case scenario, considering Jake's line of work. So, when she saw Linda’s name pop up, she quickly answered the phone call.
“Hi, Linda. What’s going on?” she asked worriedly, failing to hide her concern from her tone.
“Hi, sweetheart. Everything’s fine,” Linda, Jake’s secretary, immediately assured her.
“He’s in one piece?”
“Yes, he’s in one piece. He’s doing just fine.”
“But?” Jake’s wife pressed knowingly.
“But he’s in a little bit of a mood today to be quite honest with you,” Linda explained quietly, using a voice that she reserved for personal conversations.
“He’s annoyed with everyone?”
“Well, he just seems a bit cranky and snappish. I was just wondering if it was a slipping him a third coffee because he didn’t get enough sleep kind of day.”
“No, I don’t think that it,” Jake’s wife replied honestly, resting her head on her hand.
Jake’s wife had a pretty good guess about what was wrong with Jake but she didn’t know how to articulate it properly to Linda. It wasn’t exactly a secret between her and Jake that they were going through a dry spell. He was working. She was working. He was trying to get a promotion. They just moved into a new house and so when she wasn’t working, she was stressing about that.
So, yeah, they were going through a dry spell.
It happened. They went months on end without something as simple as eye contact when Jake was deployed. So, in a way, they were used to it. But, in some other ways, it was worse. They slept right beside each other every night. But they went to bed at different times and one of them was always tired or needed up get up at the ass crack of dawn the next morning and it just fizzled.
They still cuddled and talked and participated in other non-sexual forms of intimacy. But they really needed some physical intimacy in their relationship. And they needed it about three weeks ago.
“I think I know what’s wrong,” Jake’s wife informed Linda. “And don’t worry, I’ll take care of it.”
“You sure?”
“Yeah, I’ll be stopping by for lunch, if you can pencil me in.”
“Sure thing. I’ll get you two as much time as I can.”
“Thanks, Linda.”
Jake’s wife hung up the phone and headed up to their shared bedroom. As she worked remotely, she had the flexibility to take an extended lunch break. She changed into Jake’s favorite set and the sundress that he bought her when they temporarily lived in Italy. He nearly ripped it off of her the first time that she wore it and that was the exact effect she was going for.
Shoving some supplies into her purse, Jake’s wife headed out of the house to pick up lunch for the both of them. When she arrived on base, Jake was still in a debriefing, so Jake’s wife went to simply hang out with Linda until he finished up.
Linda had a good relationship with both Seresins. She had been the secretary for the flight instructors on base since forever. And Linda basically adopted Jake since they were both originally from Texas. Linda was like a second mom to them and was at their wedding. So, if Linda told her that he was in a bad, snappy mood, Jake’s wife believed her. And she took the warning seriously.
“Oh, that’s a lovely sundress, dear,” Linda complimented her as Jake’s wife sat down in one of the visitor’s chairs. “You look beautiful in it.”
“Thanks, Linda. Jake bought it for me back in Italy.”
“Ah,” Linda realized, nodding along with a knowing smile. “That explains a lot, actually.”
“Yeah,” Jake’s wife sighed, smoothing out the fabric.
“Oh, it happens to all of us, dear.”
“I know. It’s just that between work and the new house and everything, we haven’t got a lot of alone time,” Jake’s wife explained quietly, shifting in her seat. “But thank you for calling me. I just don’t want him to put his foot in his mouth because we can’t communicate in our own home.”
“Of course, honey. Any time.”
Jake’s wife and Linda chatted for a bit longer until Jake arrived. He carried a large stack of files with him and Jake’s wife could tell by the way that he walked that he was annoyed. But when he spotted his wife sitting there, a new wave of energy and life seemed to wash over him in an instant.
“Baby? What are you doing here?” he called, walking over to her.
“I just thought that I would visit you and bring you some lunch,” his wife replied with a bright smile. Jake leaned down and pressed a peck to her lips before straightening up. “And I checked with Linda and she said that your meeting got pushed back.”
“It did?” Jake asked curiously, turning to Linda.
“Forty-five minutes,” Linda informed him with an encouraging smile.
“Ah,” Jake realized, nodding slowly. He turned to his wife with that particular brand of lovesickness that still made her heart flutter just like it did when they first met. “Well, then I can’t find any reason at all to not invite you back.”
Jake offered his wife a hand and they walked back into his office, shutting the door behind them. Linda chuckled to herself when the lock on the door audibly clicked.
Jake’s wife went to set the takeout bag on the desk, but Jake quickly grabbed it from her hand and set it aside. She giggled as Jake quickly set her up on his desk and stood in between her legs. He gently cupped her cheeks and tilted her head up, rubbing his thumbs along her cheekbones.
“Hey,” she breathed out, smiling softly at him.
“Linda told you about the meeting?” Jake asked, putting two and two together.
“She thought that you were being a little snappy. And well,” Jake’s wife trailed off, tugging at his belt, “I had a pretty good inkling as to why you were like that.”
“I don’t even want to know how long it’s been,” Jake muttered, pulling her lips up.
Their lips met in a desperate embrace as the acknowledgement of their dry spell took hold of them. Touches grew more needy, the kisses got sloppier, and it didn’t escape either of their minds that they were in Jake’s office. Sure, Linda would guard the door, but they were still in the offices. As if Jake needed any more motivation to reacquaint himself with his wife.
“Too fucking long,” Jake growled, grinding against her.
They were on a time crunch, so Jake couldn’t take his time, but he was going to rectify that problem when he got home that night. Jake’s wife’s grip on him tightened when he rolled his hips just right and let out a whine that had Jake grinning in an instant. Pulling away from the kiss, Jake’s wife leaned up and brushed her lips against his ear.
“Then fix that, Commander,” she whispered sultrily.
And well, Jake was never one to disappoint his wife.
Ten minutes before his next meeting, Jake and his wife emerged from his office. Linda respectfully averted her eyes. But it didn’t take an extra-long stare to notice the wrinkles in Jake’s shirt or the fact that Jake’s wife’s dress was twisted on her body and far more rumpled than before.
“I’m just going to walk her back to her car and then I’ll head to the next meeting,” Jake informed Linda quietly as he held his wife’s hand.
“I’ll let him know that you’re meeting him there,” Linda assured Jake. Turning to Jake’s wife, Linda waved kindly. “Bye, dear.”
“Bye, Linda. Thanks for the call,” Jake’s wife replied, looking quite giddy and just a bit stumbly.
“Anytime. Have a good day.”
Jake and his wife walked out to the visitor parking lot. When they reached her car, Jake gently pressed her up against it and stole another heated kiss from her. Jake snuck a squeeze up her dress, earning a playful smack to the chest in return.
“When do you get off of work?” Jake’s wife asked him, smoothing out the wrinkles on his shirt.
“I’ll be home by six,” Jake promised, stealing another kiss from her. “You have a lot of work tonight?”
“I’ll make time,” she returned, unable to help her smile. “Just don’t be late.”
“Yes, ma’am.”
Jake pulled his wife in for one last kiss that got just a little friskier than it should have in a base parking lot, but neither of them cared. And with one last playful smack to her ass, Jake sent his wife home and then turned to sprint at break-neck speed to his next meeting.
#top gun: maverick#hangman top gun#top gun maverick#top gun fanfiction#jake seresin#jake seresin imagine#jake hangman seresin x reader#jake seresin x reader#jake hangman seresin#hangman x reader#hangman fanfiction#tgm#tgm fanfiction#top gun x reader#top gun fic
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Hello Hound!! Since it's Dialtown's 2nd anniversary, I've been planning up a few "general" related questions about your series that I've been meaning to ask, but I decided to save them up for the big day because why not? Anyways, here's what I've got, these were meant to be fun to answer so don't sweat it :]
1: How do you feel about Dialtown's success? Are you proud of how far you've come?
2: Which character was the MOST fun for you to write, and which was the most PAINFUL?
3: What is something you wish more people would talk about or just know about related to Dialtown in general?
4: If you had the opportunity to write a FULL complete, detailed life story of any of your characters, who would that be?
5: What's a character you wish you could have given more screen-time or just in general content? (Considering iirc you were trying to make sure Dialtown wasn't TOO long, so I was wondering if this ever came to mind)
6: From what I know, you've been doing the job of cosplaying several characters in the game and acting out their sprites, which one was the most fun to act out?
7: Speaking of sprites, do you have a sprite you could consider your favorite, out of ALL your characters?
8: Do you have a specific line of dialogue you could consider your favorite throughout the entire game?
9: Could you ever see Dialtown expanding into perhaps sequels or maybe even prequels? More DLCs mayhaps? Heck, maybe even a Dialtown 2 or a Chapter 4??
10: If you could make any fan-made interpretation (such as headcanons, designs, or ships) canon if given the opportunity, what do you think would be your pick?
11: What was the MOST fun part about developing Dialtown? Coming up with new characters? Writing them? Adding all the bizarre dialogue options?
12: And last but not least — on a scale of 1-10, how fun was developing Dialtown just in general?
That's all I have for now, and I'm really excited to see your answers!!
I normally don't answer this many questions, but... alright, sure, tis the season!
1: How do you feel about Dialtown's success? Are you proud of how far you've come?
Yeah, of course! I'm a lil proud, admittedly, but I'm aware of how comically little I really have to do with it all, even if I did make the game. Luck does play a LOT into it, of course. Granted, I made my share of predictions that wound up being useful, but it always comes down to lady luck at the end of the day. I've seen good projects fail and bad ones go viral. It's really all just a hodgepodge of probability and whimsy. That being said, I am very pleased with DT's success, and the community that's formed around the game! It caught me by surprise!
2: Which character was the MOST fun for you to write, and which was the most PAINFUL?
Gingi's always fun to write. And Mingus. Most painful is tough to say. Maybe Crown. I got a little weird when I wrote his full backstory, kinda caught up in the emotion Norm talks about. Never been a fan of stories getting cut short. You gotta wonder what would've happened if he'd made different choices, y'know?
3: What is something you wish more people would talk about or just know about related to Dialtown in general?
Honestly? Karen, probably. She's super underrated for sure. The fandom still loves her, but she doesn't get the same kind of attention as Oliver, Gingi, Randy, Norm. She's worth it.
4: If you had the opportunity to write a FULL complete, detailed life story of any of your characters, who would that be?
Oh, I already have. I have this monstruous 30-40 page document detailing Crown's life and entire career. It's quite a read. and quite a mind-fuck if you don't know Dialtown's universe too well.
5: What's a character you wish you could have given more screen-time or just in general content? (Considering iirc you were trying to make sure Dialtown wasn't TOO long, so I was wondering if this ever came to mind)
Oh yeah, a few characters had scenes that were cut. Stabby, Shooty, Mingus, Bunny, even Bigfoot! There's also the game's cut 6th datable, who was an interesting character with ties to other characters in the cast who I wanted to do more with. Ah, maybe one day.
6: From what I know, you've been doing the job of cosplaying several characters in the game and acting out their sprites, which one was the most fun to act out?
Bigfoot. I made the ape noises in the suit. Had to. It felt right.
7: Speaking of sprites, do you have a sprite you could consider your favorite, out of ALL your characters?
I quite like Norm's set, Mingus' too. Karen's poses too are quite good.
8: Do you have a specific line of dialogue you could consider your favorite throughout the entire game?
That answer probably changes every day. I like pretty much any scene where Mingus loses her temper.
9: Could you ever see Dialtown expanding into perhaps sequels or maybe even prequels? More DLCs mayhaps? Heck, maybe even a Dialtown 2 or a Chapter 4??
I'd love to make sequels one day! I've got a lot of ideas for where the characters/story would end up. By the time DT1 wrapped up, I'd conceptualized way too much stuff to put in one game (without it taking another few years to finish), so if I ever wanted to make sequels, I'd 100% know where to start! But, that's a later down the road conversation.
For now, I'm gonna keep working on the Roger DLC and if there's demand for more, I can go from there :)
10: If you could make any fan-made interpretation (such as headcanons, designs, or ships) canon if given the opportunity, what do you think would be your pick?
I guess I COULD do that with, like, anything. Nothing immediately springs to mind, since, y'know, I'm in control of the canon anyway. I will say, I've seen headcanons and theories that ARE scarily accurate to canon, to the point where I've feared people would just think I'm lifting stuff from the fanbase! It's a good thing I talk about these things with collaborators, huh? I've got a PAPER-TRAIL!!!
11: What was the MOST fun part about developing Dialtown? Coming up with new characters? Writing them? Adding all the bizarre dialogue options?
Finishing a new scene and realizing how stupidly long it was (without me realizing it) was always a treat. But yeah, writing the characters had to be it. Specifically any scene where a character the audience knows meets someone the audience doesn't know well (or at all), with the dynamic changing. Those are fun to write.
12: And last but not least — on a scale of 1-10, how fun was developing Dialtown just in general?
Hard question to answer. I do really wanna give a high number, but truthfully, a lot of game dev actually isn't super 'fun'. Some tasks are, granted, but many parts are a slog. Sitting and formatting dialogue, and then adding text pauses and pose changes isn't exactly a super thrilling activity. The engine itself also has some issues which I have to work around that adds to the workplace. Play-testing a scene for the 4th time isn't super fun either, or trying to figure out why the game crashes on some PCs and ONLY very rarely... Those tasks are Sisyphean to some degree.
...But, while most of those parts aren't fun, it's all still rewarding. There's a sense of accomplishment when you finish a scene. You get to look back at your hard work, remember the hours you spent typing dialogue into a text box and formatting mass amounts of pngs, painstakingly + manually getting the game's awful pre-loader to deal with the sprites right, etc... and suddenly, at the end, you've got this lil experience that people can play and enjoy. Somehow, the sum of all of those not so fun activities has created something that's going to make people laugh, feel happy. That's special. and even if some parts of development weren't super fun on their own, that's always what I remember. That in the end, all of those not so fun days mattered.
The route I agonized the most over was Oliver's. I went through a few weeks of writer's block, and now, it's one of the most popular routes in the game! Crazy how that happens. I was SURE for about a week that people would rank the route at the bottom! That's what I mean, all of the stress I went through trying to figure it out amounted to something people connected with! To think I almost CUT the route entirely!!!
And y'know, God knows Dialtown gave me something to throw myself at during a time where I REALLY needed the outlet. I'm very grateful to the project for that. So, I'll give DT an honorary 8 out of 10, even if it wasn't a consistently 8/10 experience making it heh heh! Sure glad I did, though and I'm very glad if any of you reading this had a really good time playing it! :)
Thanks for the questions!
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Cherry Magic Episode 6
Let's just start with a primal scream, besties, because that was motherfucking perfect!!! Say it with me:
TAY TAWAN IS SO BEAUTIFUL!!!
I stood up and cheered for Achi when he finally realized his feelings are his own and not just some kind of sympathetic response to what he's reading from Karan. He needed a little bit of time apart from Karan to process that, and to realize how much he has come to rely on Karan's presence in his every day life. His decision to act as soon as he figured it out made me so damn proud of him. And I love that he did a classic Japanese bl run to cap it off.
And it all felt even sweeter because we were so well-grounded in Karan's emotions, his long-term pining, his ownership of his own feelings and willingness to create space for Achi, and his earnest desire to just make things better for him. The absolute relief on his face when he realized his desire to care for Achi and his romantic feelings for him are no longer in opposition to each other—besties, I am emotional! You deserved that moment, Karan.
This adaptation continues to be so smart about how it takes the same basic plot beats of the original story and makes them feel distinctly its own, and distinctly Thai. The emotional reactions are bigger, the dialogue is harsher, the physical affection is less restrained, and the community is just all around more involved in every beat of the story. I loved Pai and Rock coming along to help Achi reach his destination (and also Pai knowing they needed to get out of there because this moment was not for them). I love Rock continuing to see so much good in Pai and his commitment to telling her sincerely how much he admires her.
And I continue to be absolutely smitten with Jinta and Min. I love what this adaptation is doing with them, how sweet and genuine their connection feels, how knowingly Min is pulling Jinta out of his comfort zone. That book store date was so fucking adorable and I loved every moment of it, especially Jinta yelling so loud in his own head that he didn't even hear Min's thoughts when he hugged him.
What a show, what a time to be alive. I know the distribution on this one has been tough and we seem to hit snags with watching it every week, but please persist because this show is so worth your time.
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d&d 5e languages and gender
i know this is already a very nerdy blog but please indulge me a moment,,
for my homegame i've been fleshing out how different languages in the game deal with gender / pronouns based on their cultures (some of them are canon languages but some are for our setting) and it made the little nerd in me very happy so i wanted to make some headcanons for the rest of the dnd languages and share it for anyone who'd like to steal / take inspo
feel absolutely free to use these in homegames but if you use for anything streamed or for your own ttrpg/homebrew/fics then crediting/linking back is appreciated :o)
disclaimer: this blog is run by a genderqueer trans man and any queerphobic interaction will immediately be blocked
common
common started off with the standard he, she, & they pronouns but simply Loves a good loanword and so its not uncommon to hear people using pronouns from other languages in otherwise entirely common dialogue. there is some Fighting about whether this is appropriative based on the individuals culture or whether its unfair to people who only speak common to keep up with them all
dwarvish
not too much variety in what most people would consider pronouns, it tends to be more one singular neutral pronoun for someone you don't know / don't know well, and then variations that are more like honorifics than anything else. their pronoun might translate more readily to "skilled with a hammer" than anything regarding a gender
elvish
lots of pronoun options that explore different presentations of gender but they are also age/experience locked. a feminine male elf would use different pronouns as a child, teen, young adult, young adult with job, middle age, middle aged with children, etc. using pronouns from a different life experience bracket from you is incredibly frowned upon and people just dont do it
giant
there is one pronoun for giants & kin and one pronoun for not giants and the one for not giants is not derogatory at all, its just used to differentiate who is part of the family or not (individuals adopted by giants tend to use the giant pronoun)
gnomish
LOTS of variation in pronouns. gnomes love inventing new pronouns. there are general grammatical rules that they follow to Signify that its a pronoun but hearing three new pronouns a day is like. not uncommon. lots of gnomish teens go through a phase of making up at least four new pronouns they want to go by. uncommon to only go by one set. typically introduced along with your name
(more under the cut)
goblin
no gendered pronouns, all pronouns are instead structured around relations between individuals. so one person would use brother pronoun with one person, son pronoun with another, best friend pronoun to another. the family pronouns are not locked to actual family, just what the relationship is like. if you don't know someone well, its "cousin", "niece/nephew", "auntie/uncle", or "grandparent" depending on their age
halfling
pronouns are split between public and private use. in general in the community or with outsiders, there's a single pronoun that translates loosely to "friend". actual individual pronouns are only known to and used with close friends and family. there's a small handful of them and only some of them have gendered connotations
orc
there are only four categories of pronouns: masculine, feminine, both/mixed, and neither. but there's a decent amount of variations because there are varying levels of formality for each of them. there are ways to conjugate them so they're more formal and respectful, but also lots of diminutives to make them more affectionate and closely-bonded
abyssal
no use of pronouns. lots of very specific derogatory terms that are used in place of them. i shant elaborate.
celestial
lots of variations in pronouns. they are not very closely tied to gender, but are tied to very specific aesthetics. instead of having individual pronoun words, in celestial you just use root words. so one person might use the root word for things that are soft and gentle and natural for their pronoun, while another person might use the root word for things associated with dark and murky and mysterious things for theirs. tend to be tied to domains
draconic
no use of pronouns, only names and titles. if you happen to share a name with another individual who speaks draconic, you would need a unique title to go after it. the full name and full title is said at every reference of someone
deep speech
deep speech has pronouns probably but hearing them for any individual you dont share a close identity group with makes you violently nauseous and then the word immediately leaves your mind so it's just really hard to learn them
infernal
there are words for "you", "me", "us", "we", "this one", "that one", "those ones" etc but no classic pronouns as far as individual usage goes. if someone really needs to be specific they would use whatever pronoun that individual uses in their native language. tieflings have introduced a Lot of neopronouns into infernal but theyre all borrowed from other languages and then reworked into infernal grammar and tend to be localized to communities
primordial
individuals are referred to their elemental type (or "none") rather than pronouns tied to gender. so it would be more like "the windy one" or "the rocky one" than anything like he or she
sylvan
no standard gendered pronouns, it's entirely nounself. so basically infinite amount of pronouns that are easily understood by anyone familiar with that noun. so you would have things like pebble pronoun, teapot pronoun, sword pronoun, with some general affiliations with presentation but less so with gender
undercommon
pronouns are based on level of respect and not gender, but there are also pronouns specifically used for children. like craftsmen would typically all use the same pronoun unless one was incredibly successful and respected, or had a very bad reputation, etc. there are pronouns used only for royalty and pronouns used only for deities
speak with animals
when translated into common, tends to just be translated as the animal's bio sex, but it can go a little screwy when speaking about creatures who have biological sexes so outside the humanoid concept of sex and gender that even magic dont fuckin know how to translate it. kind of just makes a weird bubbly noise in its place
if you read this far thank you thank you and if you end up using these in your campaign lore or fics i would love to know :o)
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it's the levels of scrutiny too.
a movie that has a largely-female cast has to be well-written, well-shot, well-acted, well-advertised. people will spend 2 hours on youtube talking about a single plot hole; about a moment of bad pacing, about a singular background character's poor scripting. if there isn't something obvious, they will say - well there's nothing specifically bad, but it wasn't specifically good either.
they will turn out another all-male movie, and it's just a movie.
a book that has queer representation in it has to defy every convention of writing while also being true to traditional plot, structure, format, and pacing. it must have no boring chapters, no missteps, no awkward dialogue. it must be able to "prove" that any queer relationship "makes sense", their sparks must fly off the page and their love must be eternal. the writing must be clear and beautiful, the storyline original and fresh, the values traditional but with an undercurrent that is modern and saucy.
they will turn out another book without queer rep, where a man and woman just-fall-in-love, and it's just a book.
i am latinx. i am queer. i am nb & neurodivergent. my father said to me once: you will need to be exceptional to be just-as-good, and you will need to be beyond exceptional before they see you as just-a-person, and not your labels.
i am not beyond exceptional. i am a human person. i am skilled because i worked my ass off to be skilled.
i am currently reading a book that's so-bad-it's-good about a girl that falls in love with a vampire. i was 64% of the way through the book before she figures out tall-dark-fanged is not natural. i like books like these, i like letting myself relax while i just enjoy the read. but i do spend a lot of time wondering - would this have been published if it was about queer people? would this have gotten past the editors if the characters weren't white and sexy?
i want to write a movie about being a woman in a male space, and i want to start that movie with a 10 minute scene where the woman is lectured with the exact same whining that occurs in the youtube comments of even the trailers for those movies: "haven't we had enough diversity?" "we've had enough girl power movies" "sorry, this is just pandering. it's boring."
here's what's fucked up: it shouldn't matter, you're right. my identity shouldn't fold after my name like a battalion of stars: a cry of what i've gone through. what we all know i had to move past and through. i should just be a writer, plain and simple, without my work being shifted through with tweezers - i know everything i make, always, i am incredibly responsible for. beholden to. i don't like knowing that if i fuck up, i am also fucking up for every person like me. every person in a community i belong to.
once, back in undergrad, i wrote a short story about a girl who had been kicked by a horse. it was my first time writing about my experience with my ocd; i felt proud of it. the story was mostly about grief and slow recovery. the queerness of the main character was not important to the plot, my main character was just-queer. there wasn't even a romantic interest in it.
i remember one of my classmates being disappointed. "i just feel like you always write about girls who like girls, and i'm bored of it," he said. "you're a beautiful writer, but i'm like - oh, at some point, it's gonna be gay again." during the workshop, he folded his hands over my story and said, "and okay, i'm just going to say it. she's ocd, she's gay, she's depressed - it's a little much for me to believe is all happening to one person."
it is a little much to be that person (and more besides). i have therapy weekly, after all.
over and over, belonging to exception.
#spilled ink#poetry#prose#warm up#idk what this is#maybe more of a confession#btw the book is called crave it's OKAY#it's very straight#main character keeps being like totally okay with situations where dude is DEF#being a stalker villian#she's known him for a WEEK and shes like#'hes all that matters'#girlfriend ur parents only died a MONTH ago#there's a lot about timing in that book im like .... did this author ever have any#actually bad experiences#like main character being like ''i shouldn't cry over them it's pathetic'' a mONTH after her parents die#btw this isn't bc she's in denial/suffering/etc it's bad writing#the narrative is instead like#'' .... bc the author doesn't want to remember to discuss it''#she forgets she has a sprained ankle a lot#tbh im THIS close to saying ''fuck good writing''#and writing my OWN stupid supernatural school YA romance#and YES!!!!! IT WOULD INDEED BE GAY#''oh this school? we're all... different here....bc... of the witches??oh . i mean yeah but no actually we just really believe in a diverse
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Quarter Final One
Propaganda...
Edward Ferrars (1995) :
Edward gets a bad rap because he's quiet and the whole lucy steele situation but he doesn't get enough credit for how honourable he is! It's easy to have honour when it costs you nothing he knows he'll be miserable with lucy but he knows it's the right thing and to do so he sticks to his guns and does it anyway despite the opposition from his family and to me that is hot! Also yes he makes mistakes but his family are vile - he grew up with Fanny and Robert and is still a good man! Also he looks like hugh grant and plays fun games with Margaret and he understands Elinor in a way no one else does - Hot!Hot!Hot!
youtube
Mr Darcy (1995) :
Colin Firth (1995) is book Darcy brought to life. He uses tiny gestures and looks to communicate with us and Elizabeth… his struggle is so subtle but so palpable. A beautiful asshole with a creamy nougat center. Just perfect.
GIF by sunsetboulevards
Those heart-eyes right up above☝️? Hot!
Passive-agressively drinking tea? Hot!
GIF by jaeausten
The way he rushes over to see Elizabeth at Pemberley on those delicious long legs of his with that slutty wet curl hanging over his forehead? Hot!
GIF by didanagy
Fencing? Hot!
GIF by greengableslover
The way he is so concerned about Elizabeth crying and takes her hand even though he shouldn't? Hot!
GIF by greengableslover
This dimple-y smile of pure joy because he knows he's married to Elizabeth freaking Bennet? Hot!
GIF by didana
Colin Firth Darcy is simultaneously immaculately put together and entirely falling apart internally. The wet shirt scene is so iconic not (only) because ‘oooh almost-shirtless sexy man’, but because it’s a metaphor for how he’s absolutely falling apart!!! This is a private moment, when he doesn’t think anyone can see him. And then he bumps. into. Lizzie. At his house!! And the entire sequence that follows with him rushing out still doing his jacket up to catch her before he leaves. They are both on the back foot and it’s THAT moment of confusion that opens a more honest dialogue between them.
Without Firth in a lake you wouldn’t get Macfadyen in a downpour!
youtube
There's a reason why Colin Firth is forever known as Mr. Darcy above all other roles he's had and will have! Even ignoring the wet white shirt, which has become A Thing now, he is so hot with his curly hair and his little half smiles and his intense looks of longing and his legs that go on for milessss.
youtube
This cannot be real. My fellow Jane Austen people. Without Colin Firth’s Darcy we wouldn’t have 90% of modern JA content. He opened a door and there was no turning back for modern culture. There would be no MacFadyen standing half undressed in a field at dawn without Firth jumping into a lake first. There would be no hand flex if there hadn’t been Firth doing his best impression of a man undressing Elizabeth Bennet with his eyes and hating himself for liking it. There would be no Bridgerton without Bridget Jones. Let’s face it people. We wouldn’t be here having these arguments if Colin Firth had not been Mr Darcy.
Colin Firth understood Mr. Darcy in a way no other actor ever has. He is awkward as fuck in a way that comes across as snooty and judgmental on a first watch-through, then can be read as awkward and longing on a second time. His performance had such depth while looking extremely shallow at first glance. This man WAS Mr. Darcy. (I love 2005, as well, and I love Matthew McFayden, but he was awkward for awkward sake.) Colin Firth made Darcy's awkward look snooty and aloof.
youtube
THE socially awkward Darcy is the 1995 Darcy - look at him coming and sitting in awkward silence with Elizabeth pointedly asking her if she wants to live a long way from her family (to obvious relief) and then abruptly leaving - vote for him please 😭😭😭😭
youtube
Colin Firth served so much as Darcy that when they did Bridget Jone's diary, they brought him back.... AS DARCY. The smoulder. The angst. The man is the quintessential Darcy.
“Firthing” is an actual term that is used now to describe someone yearning intensely. It is named after Colin Firth’s Mr Darcy performance.
Colin Firth all the way. He's known in our household as Owl Eyes because in every frame he's mooning over Elizabeth Bennet. Unsurpassable, unmatched, golden television (and some of the worst dancing you've ever seen).
Colin has beautiful, touchable curls.
Link
My high school English teacher was very into using movies to teach alongside literature, which was a great teaching tool. When we read Pride and Prejudice, he used both 2005 and 1995 for various scenes. What stands out to me all these years later was when it got to the part when Lizzy went to help Georgiana after Caroline dropped Mr. Wickham's name and Darcy gives Lizzy this look:
My teacher stopped the film and pointed at Darcy's face and said, "See that? That is THE look. If someone ever looks at you like that, you know they're in love." And what is hotter than that?
Also this teacher had two cats named Lizzy and Darcy. Not relevant to the poll but I wanted you all to know about them.
The best thing about the Colin Firth wet shirt scene is actually the scene that follows where him and Lizzie are both just dyinggg of embarrassment but Darcy pulls himself together refuses to lose his advantage and runs to get dressed and chase her down before she leaves - just the mix of cringe and hopefulness at seeing her again is so well done and so attractive!!! (this is just the bit where he's running after her but I love it all!)
#hotjaneaustenmenpoll#quarter-finals#edward ferrars#mr darcy#sense and sensibility 1995#pride and prejudice 1995#pride and prejudice#sense and sensibility#hugh grant#colin firth
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