love love love steddie + supportive wanye
thinking about wayne and eddie going on an annual fishing trip (like thee Munson Men Annual Fishing Trip™️) just like a little weekend away. and the first one is coming up after eddie and steve starts dating. over breakfast eddie jokingly complains about having to go and tries to get out of it. but wayne is used to his dramatics so he just gives hmms when appropriate because eddie’s whole spiel never got him out of it before and he tells eddie that.
steve watches the whole exchange with amusement when wayne asks if he’s looking forward to it. and he’s like ??? because he assumed it was just a wayne and eddie thing. and wayne is like i just told eddie all munsons must go can’t get out of it kid.
steve gets flustered and is internally is like oh??? all munsons,,,
or like after the trip a neighbor asks wayne if they caught anything and he pulls out his wallet to show a picture they took on the trip. wayne passes it with ‘here’s a picture of my boys’ and to steve’s surprise it’s a picture of both him and eddie with their biggest catch.
and just idk wayne casually accepting steve into their family and throwing steve off guard with it.
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something the women in my family are absolutely flabbergasted by every time it comes up is the fact that i don’t own a scale.
“how do you know how much you weigh??” they cry.
“i don’t.” i simply respond.
“you look thinner, have you lost weight?” they ask at christmas.
“i dunno.” i say as i check on the turkey.
“you look bigger, have you gained weight?” they probe, as if my weight rests on their shoulders.
“i’m not sure, but it’s fine if i have.” i respond with a casualness they cannot comprehend.
“don’t you want to know if you’ve lost or gained?” they inquire over cups of coffee and a plate of untouched cookies.
“i do.” i take a sip. “which is why i don’t need to know.”
“we don’t understand.” they say.
“i’ll drive myself mad if i know. it’s been a question i’ve been looking for the answer to since i was in the seventh grade and my weight was the topic of conversation for the first time; the stretch marks on my calves puberty brought being questioned and condemned. and so i started weighing myself once a day. then twice a day. i gained weight as i grew and was told to stop. i got depressed when i was 16 and the weight i gained was more concerning than the scars on my thighs. the critiques turned to compliments during my first year of college when i’d started skipping meals and my body had to feed itself because i wouldn’t. everyday i stepped on the scale and smiled as i watched that number get smaller and smaller. hunger felt like victory. i started doing drugs that took away my appetite and then my strength. and started feeling guilt when my stomach felt full. and suddenly every time i looked in the mirror i hated what i saw. the more weight i lost, the better i was supposed to feel. each remark on another part of my body lost felt like a slap to the face. i was told i looked good but i knew i wasn’t good enough. and so i tried harder. and then i started to get dizzy when i stood. and i ignored it like i’d learned to ignore my hunger. and then one day at work i dropped like the weight that was never enough after i bending at the waist to grab a milk cap from the floor. and when the darkness faded, i was surrounded by panic as an ambulance was called. and then i was tested and prodded and poked because they thought something was wrong with my heart. and the problem persisted but they never found out why. but i’d known all along. and then i left home and its scale behind. and moved into a new home that was mine. so i bought plates and sheets and art for the walls. but i didn’t buy a scale. then every time i walked down an aisle i’d see the them and pause. and i’d think about the hunger i now kept at bay. and even though i didn’t know how much i weighed, i didn’t notice my body had changed. and i’d think about how i hadn’t been dizzy for months. and how i hadn’t fainted for longer. and then i’d keep on walking. and now most days i like how i look.”
“but don’t you want to be skinny?” comes their quiet response.
“i want to be myself in whatever body i have.”
they stare in disbelief. so i shrug my shoulders, and grab a cookie. and i smile at them as i swallow the first bite.
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I think the thing that feels really revolutionary about Gideon Nav's lesbianism is that she's not a lesbian in opposition to anything. She doesn't like women instead of men. It's just that her entire sexual world is female.
A lot of time having a gay character seems to necessitate a scene in which they confirm emphatically that they do not like the opposite gender. Gideon doesn't need to do that. She just talks about women all the time (and, lesbian character who is openly and unashamedly horny and actively pursuing women in general outside of once-in-a-lifetime romance, that's its own post entirely) and the absence of any mention of men makes it obvious that she's not interested in them.
And, as a queer person constantly having to explain WHY I don't want this or that, it's really refreshing to see a queer character who is so totally focused on what they DO want and not what they don't.
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it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.
like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips
because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.
bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.
and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.
these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?
and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.
in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.
it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.
and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.
"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."
"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."
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I love Chiyo- and I kind of headcanon her as a Witch of the Woods (Sands???) archetype- a bitter old woman who has sacrificed too much, experienced and committed more atrocities than anyone can imagine, and who knows the truth about what lies in the hearts of men to live among the villages anymore.
In my AU she's got a pretty dark backstory. Back in time when Villages were just getting established, women weren't allowed to be shinobi in the same capacity as men. There was too much warring and death among the clans to risk women, so they were only ever allowed to serve as spies or medics. (Chiyo started off as a medic).
And like any military/fascist dictatorship, serving the state was more important than anything else- so women who were kunoichi were given missions to steal and return with powerful bloodlines. Even before villages, this was a common fear among clans (which is why so many of them have protective measures and inbreed/arrange matches very carefully).
Chiyo was one such woman, who took a X-rated mission in her youth because she was told it would 'serve her nation'. There was a powerful bloodline whose Kekkei Genkai could harden sand to something akin to Steel- something Suna very desperately wanted.
Chiyo succeeded in her mission, but despite the veneer of 'serving your nation', when she returned, she was considered, in her words, "Just another whore."
Then when her son didn't manifest the bloodline- it was worse, but Chiyo was happy because that meant her son was HERS. (This is when she met Enji, and he saved her son's life at great cost- so Chiyo owes him a blood/life debt.)
Then the war came, and they needed women to fight so now serving the nation meant something different, and Chiyo became a full fledged 'shinobi' and turned her healing towards poison and death- especially when she had to fight the Salamander.
Then she sealed Gaara and that was the atrocity straw that broke the camel's back and she dipped out Suna and retired to an oasis. She's still a healer, but adamantly refuses to serve shinobi.
Once again, thank you so much for these asks and all the support for this AU?
@youngpeacearbiter
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