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#I feel like I'm personally upholding this ship
genghisthebrain · 5 months
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DEAR PEOPLE OF THE WEDNESDAY (2022) COMMUNITY
https://href.li/?https://archiveofourown.org/works/44046375/chapters/110747583
INTRODUCING WEDNESDAY ADDAMS' THERAPY GROUPCHAT - THE WEDNESDAY ADDAMS AND CO. CHATFIC
this fic is for chatfic enjoyers, denial and love enjoyers, found family in a weird teenage way enjoyers, people who think yoko and bianca would have been a cute couple, people who think even MORE that wenclair would be, people who think it's funny when dismembered hands get thrown out of windows by boob-rocket (chapter 3, you're welcome.)
basically. read my fic. I personally like it a lot. I think you would too
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ccuniculusmolestus · 5 months
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Bunny Corcoran: Mother, Women and Sexuality (Masterpost)
Apologies for the shitty quality screenshot, idk why their quality got butchered.
Anyway I divided this thing into IV parts.
Intro
Camilla
Marion
Henry
INTRO & DISC.
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Not to be a bunny apologist literally, he's sexist piece of shit, but you know whats funny? The way this fandom absolutely REFUSES to acknowledge the fact that, despite Richard's shady ass describing Bunny as "homophobic but not in a repressed way", Bunny could very well be gay or bi at the very least. The fandom just doesn't want to see it because he doesn't form "convenient" enough ships with major characters (he does. You guys are just cowards.)
Yes I know, sexist hetero men despise women just for being women, but they view women purely through a sexual lens. But Bunny's prude ass was NOT a pervert. I mean, this is the guy that got triggered when Richard asked him about his hickey.
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Yes yes sexually repressed people can act prude-ish in front of people but be total pervs when alone, but nothing at all hinted at Bunny being a pervert who viewed women as walking meat bags. I just find it weird that the only two female companions he had (Marion and Camilla, aside from Judy bcs we never see them interact) he just...didn't like them. Camilla he was good to, occasionally, in a very platonic way ("paternalistic stance").
CAMILLA
And you know what drives me crazy? In this group of 5 boys and 1 girl, Bunny was the ONLY one who was never inappropriate (sexually) or sexual with Camilla. Even the openly gay guy in the group had kissed her at least once. Even her own brother-- not finishing that. Henry slept with her too. Richard kissed her, and wanted to sleep with her. Not Bunny. Yes, Bun was cruel to her in other ways, ordering her around, saying she was intellectually inferior, but he showed ZERO romantic interest in her. Which is kind of ironic to me. The only homophobe in that group was the only one not acting straight.
MARION
With Marion, my god, the way this boy behaved.
He called her his "reason of being", the purpose of his existence, but he could barely tolerate her. She was only a clip holding him together from those parts where he was falling apart; wounds left from a neglectful mother. Lets not mention how Marion is sort of an underdeveloped image of his mother; delicate, blonde, somewhat haughty.
That bitterness he probably feels towards Kathy was then pointed to Marion. Its so freaking clear that Marion is filling the "Mother" role in Bunny's life. She's "feminine" (a trait often associated with motherhood and vice versa), she's "bossy and businesslike". I don't need to explain this, I'm sure.
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But watch Bunny's reactions to her; hes submissive for the most part.
For a man who's so incredibly sexist, it doesn't make sense for him to choose such a woman as his partner, does it? Now, either Richard entirely fabricated or exaggerated Bunny's sexism in order to justify his murder, or
His "dislike" for women didn't stem from the weird sexual obsessions misogynists tend to have, but from something else. It could be, purely, his mommy issues, or something else.
You know that whole, Bunny calling Marion that title, but treating her like a chore just reflects what a big performance his relationship truly was. He didn't love Marion, perhaps he liked her, appreciated or cared for her, but he didn't love her. Marion was, like every other thing in his life, just an element to uphold an image of himself. Potential beard? Maybe.
HENRY
Bunny's true "raison d'etre" might have not existed. The only person he could be said to gave been obsessed with was, truly, Henry. And im not just saying this for the sake of it. Bunny was invested in and attached to Henry, perhaps a result of his financial dependence on him.
I don't know guys, I just don't think its normal to snoop around your best friend's things often, or make multiple attempts to read their journal--
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this boy was DESPERATE to know the inner workings of Henry's mind. Mind you, this is BEFORE Bunny found out about the murder, or had reason to suspect Henry for anything. Henry's said he was always nosing around for it, and he mentioned Bunny was an "obtrusive" roommate -- meaning this was normal occurrence for him around Henry. Yes, he was also kind of like this with others (Stealing stranger's foods, stealing Charles' cooking literally as he works in the kitchen) but neither of these required a sense of interest in the person he was stealing from. It was to serve his own needs.
Bunny also shows a reluctance to lose Henry.
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After their fight, he's so overwhelmed that he doesn't know how to react (mentioned by Henry himself), and his first instinct is to try and cling onto whatever shred of normalcy there was left between them. Despite knowing the numerous cruel things Henry had written about him, Bunny just took it. He stayed somewhat amiable to Henry later. Yes, yes. He got annoying about "the blackmail" (or his inability to keep his mouth shut) but Henry and Francis BOTH tell Richard that Bunny doesn't see what he's doing as "blackmail".
In fact, i think Bunny the fool was trying to get "in" on the feeling of being in on a secret. Image below is regarding that German that started following them in Rome.
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But his immediate reaction of pretending everything's fine isn't the first or last time he tries to keep things cool with Henry.
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Henry, despite having to deal with Bunny's worst tantrums, was still treated with a degree of respect that seemed to be reserved only for him. Was he afraid of Henry? Hell no.
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Bunny was never afraid of insulting Henry, or fighting with him. But he rarely ever got personal with him. Yes yes he complained about the money and every little thing, but the way he went after the rest of the class? Targeting their weaknesses? He would've known Henry's weakness, he was perceptive enough. But he didn't. He still treated Henry with respect. Deference. Described as "polite submission and respect".
With Henry, Bunny was totally emotionally vulnerable. Henry reactedd explosively twice during their arguments. The first is when he slapped Bunny so hard that he "left a big white mark on his cheek", and the second where he broke that chair when Bunny was fighting him in his room. Despite losing control, Henry maintained a level of composure. Bunny never did. He became hysterical each time, screaming and becoming violent the first time, but sobbing himself to sleep (IN HENRYS BED) the second time.
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He slept in his bed. There was literally no reason for him to do that.
Except maybe he craved closure. Maybe he just missed his best friend. Maybe he was too shaken up to move from his spot.
And I don't want none of you fools being all "Henry didn't gaf about Bunny."
This is Henry's reaction to Richard essentially saying "You thought Bunny wouldn't be a problem??" And then reiterating that they're old friends.
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Do you even understand the implications of that last line? Bunny, whose entire being was hidden under a carefully crafted persona, admitted his family's SHORTCOMINGS with HENRY. Bunny, whose image was everything for him. Perhaps his image WAS his raison d'etre. Bunny, who lived life as an illusion of his true self, projecting away his insecurities. Bunny, who would never admit that he was poor, that his family was flawed in any way, told Henry this. How many more things do you think he confessed, or what other parts of his past and home did he reveal?
Yes, he could have just been telling Henry those things to mooch him off, but he also mooched off his other friends.they didn't know a thing. Marion, who I believe his family hadn't met yet (?) Probably didn't even know. Amd if youre from a dysfunctional home, you already know the only people you've told about your home are special, hand-picked.
Henry was also the first and only person Bunny told about Camilla/Charles.
Perhaps it hurt him, being left out of such a major events of Henry's life because Bunny was sharing practically everything with him.
Alls I'm saying is, Henry meant more to Bunny than most people realize (and dare I say, vice versa), and the only reason people don't see it is because RICHARD didn't see it (fool saw the potential of the dynamic but then was like "nah bunny's too ugly for that").
Bunny was most definitely either a repressed bisexual/gay man, and you cannot change my mind. And while his hatred of women is vile and inexcusable, it stemmed from a place of deep personal issues and insecurities.
Anyway. I'm done rambling LOL.
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tikiloowho · 7 months
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List of random QSMP thoughts It's been a pretty
The Tickets, everyone will get a normal one except for... Q: Quackity S: Slimecicle M: (Missa, Max, Mariana, Mike,) P: Philza That's my guess. We just have to wait for those guys to log in. I'm sure the person selected will have good chemistry with the other 3 and there will be some sort of event where those 4 get a bit of a spotlight. Why? I don't know! 2. The black concrete is more like a leftover residue with how it seems to drip off of things and leave itself floating. I like to think of it as this unstable rift energy. Something tearing into the world and leaving behind an unstable scar. As a Philza main the way he's hesitant to touch it has me thinking he's familiar with leftover dimensional tears and might be worried contact with it could have some side effects. 3. The increase in bird's appearing around the avian residents is making SOOOOO many red flags go off for me. I think it's extra strange that birds have gone missing from other players and suddenly started appearing around the avians. (I don't think Rey randomly appearing before Philza was a coincidence in the SLIGHTEST. He also seems to be getting a much higher variety than the others which is alarming.) 4. Without a president around. Who will uphold the laws of the island? Sure... he said Cellbit is his vice president but technically the Federation does not have to respect this. The President wanted to put laws in place and he would be the final say to who would be put into that correctional facility and for how long.. but if he's not here. Who will decide that? Who will enforce it? I'm pretty sure we're gonna see that task Foolish did come to fruition soon... 5. I don't think those giant structures that are appearing are space ships. They look like the Code. I think they are legitimately connected and shouldn't be attributed to "Aliens". 6. Looking forwards to the casino vibe going on with these dice games and roulette wheels. I feel like Lucky ducks was a test to see if people might like something like that and it was quite a hit.
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scarwasright · 2 months
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FMA is a weird, special case study in the limitations and pitfalls of the way fandoms create bodies of work.
The trends and tropes of fanwork tend to focus on individual character relationships-- how characters feel about each other, with little or no emphasis on the broader context of those feelings. In a setting with low stakes or simple politics, this is fine. This is why I think AUs that sand off the edges of worldbuilding are so popular. They skip the more difficult foundational Stuff in favor of a quicker, and I would argue much less impactful, catharsis.
The relationships (friendly, antagonistic, familial, romantic, sexual, some combination of these,) are primary in fandom, and everything surrounding them is just set dressing that exists in service to the characters being centered.
In a vacuum, this is generally Fine. Is it intellectually rigorous? No, usually not, but not all art needs to be. Chicken nuggets are perfectly fine with a well balanced diet.
BUT,
This is also how we end up with decades of fanworks that tastelessly recycle a genocide that is foundational to FMA's canon lore into "that thing that makes Roy and Riza sad, sometimes." The "because they did it" is usually in fine print off to the side, unexamined and unacknowledged for the weight it ought to reasonably carry. It's just Angst Set Dressing.
FMA is in no small part about how the people who do the worst things that we can conceive of are still people. "Humanization" is often taken with the assumption that sympathy is being demanded of the viewer, but it is, in truth, just a reflection of reality. People who condone, uphold, and carry out systemic violence are people. This is an important message to internalize for those who are privileged under violent systems. The violent actor is not some mysterious Other. They could be someone you look up to. They could be you.
This is why it's thematically important that Ed gets kicked out of an inn for flashing his watch, which to him, until that point, was an all-access pass. This is why the conclusion of his character arc is that his choices do not exist in a vacuum, even though his privilege offers him the chance to pretend that they do. This is why it's thematically satisfying for Roy to not become the Fuhrer, but to kill him. This is why it really isn't all that surprising that AU Hughes is a Nazi.
FMA03 does not allow the viewer to conveniently disengage with the fact that its protagonists and the people they look up to operate in support an apartheid state. This is literally what the show is about.
Fandom, meanwhile, is almost exclusively about disengaging from that discomfort. This is partially why, back when I was more active in talking about this series and its characters, many people took my pointing out this dissonance as a personal attack. This is why fandom, for all its noise-making about being an escapist counter-culture, is overwhelmingly white. We self-select for it, driving out Black and brown and indigenous voices who object to this willful disengagement from the themes deemed too Icky and Difficult to be meaningfully addressed in our fan works. "It's just shipping, why are you Starting Discourse?" or "I just like these characters and don't like those ones, it's not that deep."
Fandom is deeply averse to critical thought. This will never not feel like a bizarre contradiction to me, but there isn't a nice way to paint it. I know I'm not saying anything new, but the unique manifestation of it in my corner of the internet feels like a case study for why mashing barbies together isn't devoid of context, no matter how hard a given author or artist tries to make it so.
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psychedelic-ink · 9 months
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Just give me the scoop on your desired plot, and the more details you share, the better! I'll expertly craft your story, centered around your chosen characters or even yourself.
Don't worry, I'm familiar with a range of fandoms. However, to make sure I'm aligned with your interests, please feel free to reach out with any fandom-related questions.
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and if you wish to see examples of commissioned work here it is!
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2k-3k words : 35 USD
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with each 1000 words 5 USD will be added!
+ I’m accepting payment through paypal or you may order from my fiverr! 
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I usually require a percentage of the total cost upfront before I start working on your commission. Once the project is complete and you're satisfied with the final result, the remaining payment can be made. Payment methods will be discussed upon commission confirmation.
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Absolutely! In the end, this is your story, and the more details the better! Your input is valuable in creating a piece that matches your vision. Feel free to share any themes, ideas, or guidelines you have in mind, and I'll work with you to bring them to life.
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Turnaround time depends on the complexity and length of the project. I aim to provide a realistic timeframe when discussing your commission. If you have a specific deadline, please let me know, and I'll do my best to accommodate it.
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Yes, definitely. Once the fic is complete, I'll share it with you for review. You can suggest any revisions or changes you'd like, and I'll make sure the final piece aligns with your expectations.
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I'm sorry, but I do not allow sharing of commissioned work on external platforms, including websites or social media. This policy helps maintain the exclusivity of the work for the client who commissioned it. If you have any questions or concerns about this, feel free to reach out to me.
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Absolutely, you can choose to keep the commissioned work private if you prefer. Alternatively, if you grant permission, I can share the work without disclosing your name. In either case, rest assured that any shared content will be clearly identified as a commissioned piece, upholding transparency
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Feel free to reach out through DMs. I'm here to answer any further questions you may have and guide you through the commission process.
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byersfanclub · 1 year
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This will be considered controversial, but shouldn't be:
Bylers shouldn't be expected to love El as a character. They shouldn't be expected to care about her endgame. They shouldn't have to go out of their way to justify how Byler endgame is also what's best for El (since she'll gain independence.)
No one else is expected to do this.
J*ncy shippers aren't expected to write essays about why their ship being endgame is also best for Steve.
Lum*x shippers didn't have to bend over backwards talking about how much they loved Dustin during s2, and defend why they personally preferred to see Lucas with Max.
J*pper shippers were never expected to clarify that they love Bob, and repeatedly hype up his positive qualities whenever discussing their ship.
El is a character. People should be allowed to like her or dislike her, just like everyone else. Mlevens constantly talk about how much they hate Will, throw slurs around, and make shit up about him that directly goes against canon. But the second anyone says anything that could possibly be viewed as negative about El, they're ready to start world war 3.
I'm sick of it. I'm sick of the people who support the LGBTQ ship being expected to uphold this moral high ground, where they must acknowledge the other ship, care about how those shippers feel, and discuss the virtues of the character who would not be chosen if their ship is canon.
I have never seen another fandom put those expectations on people. In every other fandom, people are allowed to just not like characters and ships.
oh i completely agree. i mean i love el, but she’s not even in my top 5 favorite characters and i simply just analyze her character arc and hope that her arc comes full circle because she gets placed in this box by a lot of GA and m1lev3ns that she’ll be with mike forever and get married which just infuriates me. but no one should feel the need to constantly feel like they have to talk abt how much they love and also ppl shouldn’t feel bad criticizing her character as if she’s done nothing wrong when she absolutely has.
a lot of ppl in fandom fixate on characters they like and don’t tend to delve into others, that’s completely normal. it’s like you said abt jancy and steve, a lot of those ppl fixate on the older party and don’t really care much about the og party which is fine.
overall, agreed.
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longing-for-rain · 4 months
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i'm curious,what way you ship Tyzula 👀
I’m glad you asked! I really do like this ship and exploring the dynamic. The short answer is that I think they definitely had feelings for each other in childhood, but ultimately the relationship becomes mutually toxic and is something Azula needs to let go of as part of her journey to true healing. So I see Azula’s relationship with Ty Lee as an important part of her story, but not the end, if that makes sense.
I mean, there is clear attraction here:
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And I’m pretty sure Ty Lee is the only person Azula genuinely apologizes to:
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Like, there are definitely some strong feelings here. It’s just that people change—especially people like Azula—and sometimes that closeness turns into more of a codependency and becomes toxic for both characters.
I feel like I don’t need to delve much into Azula’s toxic traits because those are fairly obvious, but I think Ty Lee’s (often overlooked) toxic traits would play a role here.
Honestly, this could be a whole post by itself, but the summary is that Ty Lee’s ultimate toxic trait (and what enables her to be a villain) is her selfishness. It might be hard to recognize at first because she’s such a follower, but if you examine her actions and choices, Ty Lee ultimately does what makes her feel good without really caring about how it affects anyone else. She doesn’t question the war or what she’s fighting for because it doesn’t matter; all that matters is what best serves her.
Ty Lee likes everything to be happy and carefree and fun and overlooks problems in order to uphold that illusion. Azula would initially be very drawn to that because she probably would want to engage in that escapism early in her redemption journey, because she doesn’t want to think about the past. But the past doesn’t just go away, and ultimately Azula needs someone who is able to confront that with her and be able to support her emotionally. Ty Lee just wouldn’t, in my opinion.
From what we see in the beach, Ty Lee is very wrapped up in her own world and problems. She wants to feel unique and stand out, and I think she’s attracted to Azula because she gets that validation from Azula; Azula values her for her talents in a way most people don’t. But I don’t think on a deeper emotional level, Ty Lee could really be there for Azula. What I envision is Ty Lee talking Azula’s ear off, Azula getting exhausted from it, then in turn, Ty Lee gets upset because she feels like Azula isn’t giving her enough attention. And attention is definitely something Ty Lee demands a lot of. I also see Ty Lee getting uncomfortable when Azula tries to open up about something and ultimately leaving Azula feeling like she can’t open up, which is definitely not a healthy dynamic.
So basically, even though they have history together and some things in common, their personalities fundamentally clash and they can’t really support what the other needs. Azula at the end of her healing journey needs a woman who is kind and compassionate, but who also has a strong backbone and is willing to stand up for herself and others. Ty Lee just isn’t that person. She’s too much of a follower.
But that’s just my opinion on their dynamic, not trying to start discourse or anything. Ty Lee doesn’t have that much screen time so I recognize there are lots of ways to read her; this is just my interpretation.
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will80sbyers · 5 months
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I don't know. I feel like you lost your hope that byler will be endgame in season 5? I feel like you lost your natural joy in general. I can feel that in the way you write your tells. You seem less dynamic,less happy to be here. It's not a criticism at all, just something I've personally noticed so I wondered if you are doing okay rn.
I'm sorry that I've not been as joyful :(
I'm still sick and don't have much energy these days so it could be part of that too, but yeah I'm not as confident in byler as I was after all of these news, the revelations about the play made me lose hope in a good storyline in general because if they don't care even about the supernatural story why would they make a good story for the characters and not one that can "shock" the audiences and that's it
Do they really care about the details of the story if they change big things this easily just for convenience? Was all the foreshadowing we found just a coincidence or are we misreading things? Maybe they think putting it only because Will is in love with Mike is a good idea even if they don't plan on making them endgame?
Maybe the rainbows were all because of this rainbow operation ship thing of the play and not much about the gay coding? I don't even know anymore.
Do they even care about the themes they presented previously after seeing that they don't even stand up for the innocent Palestinians and don't recognize a state that's acting as an oppressor in the real world? That's also what I'm asking myself about them as a team of writers and as people
I know they don't have to say things but they did for other occasions... that whole speech David made was just a spectacle and not the principles of the people involved in the show?
I loved this show because it seemed like they wanted to convey a message that they aren't upholding outside of it now so why would they uphold it in the finale of the show
and in general outside of stranger things the situation around the world is fucked up and I've been sad for that too, watching the graphic videos I've seen this month impacted me, watching people I care about not care at all also impacted my view of them and it feels lonely irl like I don't have friends because we are too different in basic values, and I was already depressed for other things in my life outside of all of this going back to Italy to my old life was depressing, having to live with my parents again makes me in a bad mood every single day because of how they talk to me
Also the whole fandom seems dead anyway, people have decided to leave stranger things because of what the actors and Ross did (which is completely valid) so there isn't even much to interact with in my dash at least
I'm sorry that I can't find a way to be more happy but it's just not a good period at all for me... I hope to find back my passion for the show and the fandom when they start filming, I'm just really afraid that my favourite character will be mistreated again in the end and I'm not sure about what they think will be a good "happy" ending at the moment
In general I think that even starting from a place where I didn't expect too much from them I may have highly overestimated their writing and maybe the redditors are right and stranger things will end up being that type of shitty (imo) story "the 80s nostalgia straight show" that they want
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smokahuntis · 1 year
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All My Love
Pairing: Anakin Skywalker x reader
Warning: Smut! Desperation, needy hoes. Light choking, riding. Wacky missionary 😉 hint of vader.. this is the longest thing ive ever posted
word count: 3.3k    
summary: Anakin has been sneaking around with you for a while. However, you've been on a mission for years. Both of you barely having the time to speak. The distance between you has created a huge rift. Neither of you see each other as your partner. As you return, it brings back all those memories from before.
Song for this fix! Because I almost forgot!
All my love - Noah Kahan
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How have things been? Well now that you mention it...
Six long years of war. Three of those years were spent away from Anakin. Separated from each other, you’ve barely spoken a word to each other. Over that time, you barely knew if the other was alive. No one told you and you couldn't ask. If you asked, they'd know about your relationship and if they knew, you would be forced to call it quits. You weren't ready for that. You were still clinging to that one percent that he was still waiting for you and that he was still yours.  
Anakin was praying for the day you came home. He watched you through the force and dreamt of you each night. He clung to that one percent that you would come back, and nothing would have changed. He needed you, and you needed him just as desperately. Both of you were worried that the reason you were separated was because Obi-Wan knew about the circumstances of your relationship. Of course, he knew that you were more than just partners. But how much did he know?
My folks still talk; they speak in these two-word sentences.  
The trip back to Coruscant was grueling and took forever. Even as difficult as the journey was, you were glad to finally make your return. You were going to see him. Neither of you were the same person as you were all those years ago. But the sheer anticipation of seeing each other again is what kept you going.
"I'm surprised you aren't already at the landing bay," Ashoka said leaning against Anakin's door.  
He turned and looked at her with furrowed brows and confusion.  
"Why would I be in the landing bay?" he asked looking down at her.  
I'm saying too much, but you know how it gets out here.
"Your little friend is coming back; she should be landing any minute," she stated and watched as his face changed. He needed to hear her name, to know his thoughts were true.  
"General [y/l/n]," Ahsoka said softly.
He was basically running to the landing bay, his heart racing, a nervous sweat making his palms clammy. He'd been waiting too long for this; he'd waited for what felt like forever for this moment. He needed their connection to be as strong as what he felt through the force.
No winter coat to keep out the cold of your atmosphere.
Soon, her ship came into the bay. Landing gently on the ground with a hiss of air. [Y/N] got up excitedly, she waited forever for this moment. However, she was still a Jedi and still had a duty to uphold the Code and had to maintain herself. Calmly, she stepped off the ship with her droids and clones, who were her best friends over these years. She held her chin high and maintained her focus; her eyes secretly scanning the crowd for that dumb blonde.
We once sang retrograde, we shake the frame of your car
Anakin pushed to the front of the greeting party, needing to see her as soon as he could. He had to see her. They made eye contact at the same time. It didn’t hit them till then how much it would hurt to finally see each other. It was a crushing feeling in her chest.  
Every moment they were in each other's arms, it hit them both at once. And now, every second it's taking them to reach one another felt like a century added on to the years they’ve already endured. She couldn’t hold back any longer, she needed him. She needed to feel him in her hands, his skin, his hair. She needed it all.
Now I know your name but not who you are
Anakin couldn’t do it, the moment felt like it was passing in slow motion. He felt frozen in time. He felt stuck. Ashoka shoved him forward towards [Y/N] and shook her head to get him out of that haze. That was all the permission he needed. Within seconds he was wrapping his arms around her.  
His arms felt like heaven, and everything felt okay for just that second. Like the war didn’t happen, and she wasn’t looking for him in her dreams. He was here, he was in her grasp.
It’s all okay, there ain’t a drop of bad blood  
She looked up at him with a heartbreaking look in her eyes. But the biggest smile was on her face. Seeing her smile made him happy, and he knew she was okay. He knew she was still his. They were together again, and he was content.
Her hands were shaking as they moved towards his face. Gently grasping the side of it as she held onto him. She needed to know he was there. She needed to feel his skin. Not the clunkiness of the armor.  
It's all my love, you got all my love
“[Y/N] …," he whispered and looked at her, his hands wondering up her back slowly. She still wore robes, not armor, and she always hated the weight of the armor. Right now, it was a blessing to feel her warmth under his hands. He needed it, and he was desperate for it.  
“Don’t,” she started in a shaky tone “don't say it like that, don’t say it like you're about to cry Ani,” she whispered and ran her thumb over the scar by his eyebrow.  
If you need my dear, I'm still the same as I was.  
“General,” Obi-Wan cleared his throat, pulling them away from each other.
Ruining the moment. Reminding them that they have duties and pulling them back to reality.  
“Yes, I must see the council, I know,” she said softly and fixed her robes.  
She let out a soft sigh and gave Anakin a sad look as she stepped away with Obi-Wan. She didn’t want to leave him behind, but she knew the trouble that would follow if he did. Luckily Obi-Wan had lightened up over the years. Thankfully, he was understanding.  
Write me a list of how it was, how it is, and how it has to be.
The council meeting about what had happened on the planet she was meant to be guarding felt like it took ages. She was exhausted from her long travel. And being home after all this time was the biggest relief, and she was glad that she could get a good rest. Even if it was just for one night. She could rest.
Anakin had other plans; there would be no resting. He couldn’t wait, he was desperate. He was needy, he was...starved. Deprived of his one true pleasure for so long. She may not be the same person mentally, but he knew her body like he knew his lightsaber.  
You burrowed in, under my skin, what'd I’d give to have you out for me.
She quickly made her way into her old chambers. It was surprisingly clean, with no dust. Candles lit the room. Her fireplace was going. Someone had been staying in there, and she had an idea of who it was.  
“Anakin,” she called softly before he wrapped his arms around her from behind.  
She let out a sigh of relief as she leaned back into him. His warmth covering her body in goosebumps.
“I lived in here as long as I could... as long as your scent lingered in the sheets I was here,” he whispered in her ear.
“And when it was gone?” she hummed softly as she walked with his arms around towards her bed.  
“Went through your robes, slept with them. Exchanged your belts for mine,” he admitted and left soft kisses on her neck.  
Leaving the goose bumps litter her skin once more. A soft moan escaping her lips. Pleasing him in every way.
I still recall how the leather of your car feels.
She hummed and turned around in his arm and smiled softly, her hand finding its way to push his hair back. She took a good look at his face and moved her thumb over his bottom lip.  
“I barely got to say goodbye to you...,” she admitted.  
“I know a way you can make it up to me,” he whispered softly and leaned down, their lips ghosting each other.  
But she couldn’t help it much longer.
And at the end of it all I hope that your scars heal
Her lips crashed into his, desperate and needy. Filled with love and lust as he grabbed her hips. Their mouths never breaking contact as he laid her down on the end of the bed. Their hands found themselves in an almost endless shouffle to get the clothes of each others bodies.  
They weren’t even paying attention to where things landed as they stripped to see each other. The moment they were both naked, they were exploring the other’s body. Mapping out new scars and wounds. Both of them littered with new battle scars, cuts, and scratches. A new map of each other. New places to kiss.
Well, I leaned in for a kiss. Thirty feet from where your parents slept
“You’re beautiful,” he muttered as his hands danced over her stomach, his fingertips grazing over the scars placed there.  
“Sculpted by gods, my love,” he whispered and left kisses on every scar he could get his eyes on.
So in love with every bit of her he couldn’t help himself.  
“Anakin,” she whined and threaded her fingers through his hair.  
A light tug, pulling his attention back to her face. “I need you,” she whispered.  
“You’ll have me,” he grinned and stood over her.
And I looked so confident, babe, I swear, I was scared to death
He grabbed her hips and pulled them to the edge of the bed again, so they were flush against his strong thighs. A blush crept over her face as she watched him get down onto his knees for her. His hands never break contact with her skin. Always finding somewhere new to place themselves as he blew cool air onto her dripping pussy.  
She was desperate for him, just as he was her. He was going to make a mess of her by making her wait for him. She was needy and moaning already from the simple breath he put on her.  
“Anakin please,” she whined. It was all he needed before he went down on her.
My hands gripped the wheel
Her hands tangled in his hair tightly as his tongue darted over her. Collecting every part of her excitement. Anakin was in desperate need to taste the love of his life. He was afraid he was going to lose her again. He needs to taste it. He was dying for it. She was just as sweet as he remembered, sweet like honey. His tongue lapped her up before he started to target her swollen clit. Long strides of his muscle against it were driving her crazy.  
She was a mess, and she was his mess once again. He was going to claim her, and she knew it. She blames the markings on her body on the battle she returned from. Anakin grinned in council meetings knowing it was from him. He loved their little secret, but he couldn’t stand being away from her for this long. Every stroke, every kiss, every movement was intended to remind her of who she belonged to.  
I smiled stupid the whole way home
“Anakin, oh fuck,” she groaned and lifted her hips.  
In return he used the force to settle her down, holding her hips down and against his face as best he could. He wasn’t going to let her escape him. Not when he was devouring her like she was his last meal. He needs this more than she did.  
“Anakin please!” she called out as his tongue darted in and out of her core.  
He only tapped her thigh in response, and she knew what it meant. She was free to let loose to cum on his tongue. He wasn’t moving. She moaned and let out a big groan as she pulled his hair. Her hips lifted from the bed even though his abilities weren’t going to keep her down now. He was doing his best to stay attached to her so he could work her through her erupting orgasm.  
“I need you! I need you Anakin! Please," she cried and pulled his hair.  
Finally, he detached his mouth from her core and came up to take her lips in a searing kiss. He held her face tightly and pushed his body against her in a desperate attempt to sooth her.
And those five words in my head
He kissed her deeply, slowly moving her up the bed so they could lay comfortably. Her little whimpers and moans were driving him wild. So quickly he moved his hand down between them, to line up his throbbing cock.  
“You ready?” he asked as his forehead laid against hers.  
His eyes were watching hers as she nodded. A smile grew on his face again as he slowly pushed his cock into her.  
She felt like home by being this close. A bond, a feeling inside his heart. Home, it’s the only word he could use to describe the feeling of being with her. She loved every bit of it. The way he stretched her, the way his body worked with hers. Rocking his hips into her as his free hand reached down to focus on her overstimulated clit.
You said, "I'll never let you go."
He created a mess of her, ruining her slowly. Making her mind crumble as he rocked his hips into her. It felt like pure sin and she lloved it. She loved him.  
She quickly grasped onto the back of his neck and held him tightly. Her other hand left scratches from her nails. Marking him up like the beast that gave her those scars he peppered kisses over.  
“Anakin,” she started but he stopped her.
“I’m not going anywhere; I'll never let you go,” he grunted into her ear.  
He was just as breathless as she was, in a desperate fit of passion. His mind was only filled with her.
There ain't a drop of bad blood, it's all my love
She moaned into his ear before she turned them over, using the force to get him on his back. She looked like a goddess on top of him. His hands quickly found her hips. Her hips rocked back and forth. Letting his cock completely enter her, devouring him. She was in love with the feeling, he made her feel like she was on fire.
“I love you,” he grabbed her breasts and tried to sit up to kiss her.
But she pushed him back down. Her hand over his heart before slowly slipping around his neck.  
“I know,” she grinned and pushed her hair out of her face, before she leaned down to kiss him.
The grasp she had on his throat tightened a little, a small gasp escaping him. He loved it, but he wasn’t expecting it. It was pure pleasure, pure love. She’d never do this to hurt him, only to please him.
You got all my love and it's still out here
She waited three years for this moment together, and she wasn’t going to let him have all the fun. She hummed softly as she kissed his jaw, neck, and chest. Leaving dark marks in her wake as she moved.
“You love it when I'm on top don’t you?” she purred.
He nodded quickly and grasped the sheets under neath him, needing to hold onto something.
“I love it General,” he grinned at the teasing name, knowing she hated using her titles in the bedroom.
Stole the word from my tongue, it's all okay
“Ani,” she said in a warning tone, he chuckled softly as he gathered himself up again as her hand released from his neck.  
Her hips slowed down, almost to a stop.
“I know, I know,” he sat up and wrapped his arms around her tightly.  
“I like making you mad” he quipped before he flipped them again.  
Her back hit the mattress; he lifted her legs up to his shoulders swiftly. His cock finding a new rhythm inside her, going faster and harder. Drilling her needy body into the mattress. She was becoming ruined for him all over again. He could see it on her face, scrunched up in pleasure. She couldn’t even get any words out.
“You gonna cum for me, love?” He purred and left a big bite mark on her thigh right after.
“Fuck- yes,” she moaned and grabbed his hands, slipping their fingers together next to her head.  
“Please-” she started.  
There ain't a drop of bad blood, it's all my love
“Cum, cum for me,” he moaned right in her ear and held her hands tightly.  
It was over after that. She couldn’t hold herself back. She was spewing out curse words and his name in an anthem, like a prayer. It was white hot, and the passion rushed through her like an earthquake.  
Before she was finished, he kissed her once more. He loved watching her face as she came, and loved feeling her legs tighten up on his shoulders as she spiraled. He took in every detail of her. Every bead of sweat, every wrinkle in her face, and the movements on her hips. The way she said his name, he’d never forget the way she said his name. It sent him tumbling into his own orgasm.
You got all my love
Thick white ropes coated her inside and out, slowly leaking out of her as they caught their breath. He pulled out and lay next to her slowly. The glow on her skin was like diamonds, she was beautiful, and he will never forget that. He knew that she was his and she was here to stay. Nothing was going to take her away from him again.
“I love you,” she hummed softly and smiled at him, pushing his hair back slowly as she pecked his lips.
He grinned and watched her.  
“I love you too,” he kissed her back before he got up.  
“Where are you going?” she asked tiredly.  
“I'm going to get a rag so I can clean you up,” he replied.
You got all my love
He came back soon with a warm washcloth and cleaned her up slowly. He rubbed a good amount of healing jelly into her skin to help with any sore muscles she had.  
“How do you feel?” he asked in a kind and concerned tone.  
“Good” she replied with a grin.
“It's good to be home, good to be with you,” she ran her fingers through his sweaty hair.  
A smile crept onto her tired face.  
“I've missed you so much,” she hummed and pulled him back up to kiss him.  
This kiss was different from the rest, so soft and loving. A perfect way to hold this moment between them.
“You’re never leaving me again,” he whispered and kissed her head.  
She nodded and listened to him, seeing this strange look in his eyes. She couldn’t explain it, but it made her scared. The fire in his eyes softened quickly as he saw her shift.
“I need you to marry me...”
All my love  
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tags: @divxnee @jediminddicks1000 @retrobhaddie @askyfullof-dreams
my tag list is still open, a lot of the people i have saved have changed their tags so i can no longer tag them, i apologize! if you want to be tagged, just reblog and say so, you can also message me.
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cadmusfly · 2 months
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Was tagged by @instantkingjustaddtea!
Last Song: We Can Build A Fire by Autoheart, which is giving me napoleon and soult feelings - mostly napoleon feelings overall but the chorus intersects with my soult enjoyment
who in their right mind did you think you'd find / standing behind you, your guardian angel? don't be ridiculous, man up, this is it / we can build a fire, i am not a liar trapped in a black case, dignity misplaced / how good is your poker face? we're gonna need it no more little boy, to survive, we destroy / we can build a fire, we can build a fire
Currently Watching: well I just finished Austerlitz (1960) which I very much enjoyed for Soult and Lannes reasons, and I am shitposting about that, otherwise I'm watching the youtuber DougDoug's stream VODs because I have been cracking up as he bans literally thousands of his viewers for failing to discover hidden rules
Three ships: look all of these are dead rpf dead frenchmen ships (and if you didn't follow me for dead frenchmen and are sticking around, amazing)
the main three are Bessimu (Bessieres/Murat, childhood friends~), Lannap (Lannes/Napoleon, military loyalty), NapJuno (Napoleon/Junot, a mix of military loyalty and yandere possessiveness)
but here's another three I've been slightly considering: Lannes/Soult (pure crack ship based on them being my favs, two stubborn assholes who uphold their duty to the utmost degree), Lannes/Junot (completely historically unattested jealousy of each other's bond with napoleon), Ney/Napoleon (toxic, crawling back to you~)
I really like military ships. And military ships! But I think the military is a fun kind of awful for relationships to exist within, generally.
Favourite Colour: historically red and green
Currently consuming: last thing i ate was japanese sushi
First ship: the answer to this involves a fandom widely considered problematic these days austria/switzerland
Relationship status: i have not seen my partner in person in six months, hashtag soon
Last Movie: Austerlitz (1960), I can shitpost more about it
Currently working on: well the last thing i touched is the Dragon Soult fic, here's an excerpt
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Tagging: I'm going to tag @ofmiceandwomen @apurpledust @phatburd @cedyat @starsreside @impetuous-impulse @clove-pinks if you want me to tag you more frequently or dont want to be tagged tell me or something
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olderthannetfic · 8 months
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I'm going to disagree with the fanfic editing thing. I'll uphold a writer's freedom to edit the same way I'll uphold a writer's freedom to leave a fic unfinished forever. Fanfic is a thing done for fun and for *free*. It's also, like you said, a don't-like-don't-read situation.
If I don't like unfinished fics, I won't go into a fic marked "Unfinished" and then complain about it. If I don't like reading something that can change or be edited the next day, I'll stick to print books I can physically hold in my hand. For some mediums (like reading on the internet) there's a given amount of "risk" inherent in it. Your argument sounds like an author complaining that, "I put my fic on ao3 then someone downloaded it without my permission". Like, come on. That is part of the function built into the system. The Edit button and the Download button both exist. We all know it's there. We all know people are going to use it. When we access or post to ao3, we consent to ALL the limitations or benefits of the same system. What's the point in being salty about it?
The other thing is, your argument is centered on what is best for the *reader*. You're saying that readers might dislike the new version, or hate that it's overdone or whatever. But this totally ignores what the *writer*wants. Writers write on ao3 for fun and for free. If it's fun to edit, and it's fun to revise, then what is the harm in letting it go?
Lots of writers write for themselves, and then they share it on ao3 as something they are personally archiving for themselves. Not all art has to be made to please an audience. Acting like it's going to piss off some readers because it's different now is silly because that's true of ALL content, at all times.
At the end of the day, you're right. Anyone can absolutely stop reading an author if they don't like the horror of an "edited fic". The block button is there. This is how we also treat the ships and squicks we don't like. Your stance just feels weirdly prescriptive, especially against a hobby that someone does in their spare time, for their own enjoyment.
It edges uncomfortably close to the argument that goes, "But fic writers are obligated to finish their stories for us, otherwise there's no point to them and it's rude to leave us readers hanging!" This is a bizarre argument because it assumes an informal social contract between reader and writer whereby the reader is "owed" a complete story. Except in your case, you're assuming that a reader is "owed" the version of the story that they first encountered.
Unfortunately, no such contract exists.
--
Sure, they can do what they like.
I just think that writer perception of the outcome and the actual outcome don't usually line up.
If the motivation is, as it often is, "But I know it's not complete!!!"... that's a trap. As a writer, that is a trap. Take what you learned and move on to the next project. Don't over-knead that old dough endlessly.
This isn't just for readers: Once your thing is published, learn to let go.
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Unpopular RWBY Opinions
Some of these things are incorporated into my reimagined RWBY AU(not all of them) and my original stories
1. Arkos, BlackSun, Iceberg, and Renora should have survived and get a happy ending, I don’t give a damn about Pyrrha’s name or allusion.
2. RWBY didn’t have to be a super dark epic, it’s become pretentious. Maybe more akin to Star Wars or Justice League Unlimited
3. Adam should have just been an initial antagonist who doesn't commit super horrible things, the psycho abusive ex was melodramatic and dumb. Wether he joins the good guys or ends tragically is up to anybody.
4. Maybe we were better off without the Salem/Ozma conflict and have WTCH as individual arc villains with their own minions
5. I think Roman, Cinder, and their gang should have been just morally grey found family characters like Boba Fett, some kind of gang of thieves akin to those in Baccano or something and just help or hinder the cast like Team Rocket or something but not as silly. 
With Cinder and Roman becoming a couple and kinda like a "Gomez and Mortica" pair and Emerald and Merc hooking up, and Emerald and Neo would be like their daughters and Merc the son-in-law. I might recycle that idea for one of my original stories thats inspired by Skullgirls and Baccano who's protagonist sis something of an Anti-Cinder and an Anti-Torchwick with a ragtag gang fighting against a corrupt government run by a demonic-powered mafia.
6. Maybe RWBY could have been more like a Dragonball/Fairy Tail universe instead in terms of tone and narrative structure, and that wouldn’t have been a bad thing.
7. At the very least, Ozma and Salem could have been an explanation of the origin of the world and just something that would be rediscovered overtime and Ozpin and his circle are some keepers of ancient myth or something. Like The Jedi Order or The Time Lords or something idk.
8. Kinda feel Oscar wasn’t necessary, as much as I like him
9. Maybe the corrupt SDC and Bad Dad Jacques was also needless, maybe just one of the few good underdog companies in Atlas and Jack being initially a bit too hard on Weiss due to upholding the family’s honor and chivalry but means well and initial harsh nature involving his wife, a scientist who worked with Dr.Watts and Dr. Poldenia, being murdered at the hands of an anti-Faunus milita group and Watts having some role in it. Mostly because I'm just exhausted of the "Bad Dad" trope
10. Have Watts have a megacorporation and be the corrupt company in Atlas instead who’s responsible for their tech and uses unethical Faunus labor in his factories(even though in secret Watts just hates everybody) instead and have a bitter rivalry with Jacques and The SDC, especially due to Jack and Arthur’s personal history regarding Mrs.Schnee.
11. Hazel should have just been a Meta-Knight like character, a good guy but on nobody’s side with a grudge against Ozpin for understandable reasons, he has bear claw-like gauntlet weapons, and becomes a rival to Yang seeing his sister in her and is the “Papa Bear” to her “Goldilocks”
12. Bumbleby is a bad ship and it’s fandom are filled with bitter shrews who use it as representation despite how toxic it is.
13. Disagreeing with Monty’s vision isn’t inherently malicious.
14. I agree with @sytokun making Blake basically a Princess and have loving parents who are also influential was also dumb. Make her an Orphan with the WF/Team RWBY her found family instead. Or I would at least give her a “dead dad” with her Mom living in Menagerie but not as a “Chieftess” aka a QUEEN. They called themselves Cheiftan and Chieftess because it sounded cute.
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acknowledge-reigns · 5 months
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Soooo. My nieces and nephew wanted to watch Encanto for the 300th time and of course I have to make literally everything about the bloodline so here is a thread no one asked for comparing Encanto characters to the personalities of characters in the bloodline storyline. This is probably gonna be insanely long so buckle up I guess.
I repeat I am referring to CHARACTERS in the STORYLINE here. Not actual people.
Roman = Luisa
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"Who am I if I can't run with the ball? If I fall to. Pressure like a grip, grip, grip, and it won't let go, whoa..."
Luisa is under pressure constantly to be the strong one, to handle things for her family and just make sure things are taken care of. Just like Roman who has pressure from the elders to be the head of the table, to keep the championship(s), to be the leader and the strong one and handle all the family problems.
"Under the surface, I hide my nerves and it worsens, I worry something is gonna hurt us. Under the surface, the ship doesn't swerve as it heard how big the iceberg is. Under the surface, I think about my purpose, can I somehow preserve this? Line up the dominoes, a light wind blows. You try to stop it tumbling, but on and on, it goes. But wait, if I could shake the crushing weight of expectations, Would that free some room up for joy or relaxation, or simple pleasure? Instead, we measure this growing pressure. Keeps growing, keep going. 'Cause all we know is Pressure like a drip, drip, drip that'll never stop, whoa. Pressure that'll tip, tip, tip 'til you just go pop, whoa, oh, oh. Give it to your sister, it doesn't hurt, and See if she can handle every family burden. Watch as she buckles and bends but never breaks, no mistakes..."
Jey = Mirabel
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"Don't be upset or mad at all. Don't feel regret, or sad at all. Hey, I'm still a part of the family Madrigal. And I'm fine, I am totally fine. I will stand on the side as you shine. I'm not fine, I'm not fine..."
Mirabel wanted to shine too. Not just that but she saw all of the pressure on Luisa and wanted to take some off of her. She wanted to make the family proud too and in the end she would be the one to save everyone. Just like Jey. Not to mention, she's the main character.
"Always walking alone. Always wanting for more, Like I'm still at that door. Longing to shine like all of you shine. All I need is a change. All I need is a chance. All I know is I can't stay on the side. Open your eyes..."
Jimmy = Isabella
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"So much hides behind my smile..."
Isabella constantly has a smile and portrays happiness and perfection at all times but the stress drives her wild and when she finally lets loose it's quite literally a mess but she does have her family's best interest at heart just like all the others. Like Jimmy.
"What could I do if I just grew what I was feeling in the moment? What could I do if I just knew it didn't need to be perfect? It just needed to be, and they let me be..."
Solo = Bruno
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"Seven foot frame, Rats along his back. When he calls your name, it's all fades to black..."
Bruno is perceived as this big scary monster of a guy, this imposing figure when he's actually the sweetest little softy that loves his family more than anything. Like Solo.
Paul = Delores
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"Live in fear of Bruno stuttering or stumbling. I could always hear him sort of muttering and mumbling. I associate him with the sound of falling sand (sh sh sh) It's a heavy lift, with a gift so humbling..."
Do those lyrics not sound like Paul hyping Solo up? Not to mention Delores is the "Wise Woman" of the family. If they need to know what's going on, what to do about it etc they go to her.
Elders = Abuela
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"But let's be clear, Abuela runs this show, whoa. She led us here so many years ago, whoa. And every year our family blessings grow. There's just a lot you've simply got to know, so. Welcome to the Family Madrigal..."
Abuela, like the Elders of the bloodline are the ones actually running the show. They pressure the kids to uphold legacy and maintain tradition but have no clue the pressure could be hurting them. In the end as misguided as they are they want what's best for the family too.
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aclosetfan · 4 months
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Hey hope you don't mind me rambling in your inbox but I have a lot of thoughts and I want to dissect how people actually create their Rowdyruff redemptions. I am so sorry how long this is in advance.
Ok so like, I'm working on a a fic currently and one of the aspects of it involves a Rowdyruff redemption (well, sort of... it's complicated lol) and color code shipping when they're older, and I've been reading a lot of fic to see how people actually do this. I've noticed a lot of things that really bug me about it how this is handled by fic writers.:
1) The Puffs are used as props, development, and eventual love interests for the Ruffs. They don't usually get much development, nor do their perspectives change much outside of "hey those ruffs are good now! Time to make out with them!". It's boring and it feels like the Puffs don't actually gain any perspectives from the Ruffs. As superheros and especially as characters who are getting with characters who often characterized as people who were directly abused by the system they uphold, wouldn't the Puffs gain some perspective from them? Give me puffs who learn about the ruffs experiences and become more disillusioned by the police force and start advocating for fighting against crime by supporting those who need it and filling in inequalities as opposed to arresting every thief out there. The Puffs and Ruffs have black and white perspectives in regards to good and evil. A great way to develop them is to mess around with their perspectives and make them question things.
2) The Ruffs don't seem to change much either, I think the main issue is that they're toned down from the beginning without any good explanation. Yeah sure "maturity" can be one, but if you're gonna change their personalities for your redemption fic, there needs to be a good reason as to why these personalities changed. Redemption fics aren't fun if they just start out as "mildly annoying boys" without reason as to why they're toned down. Either make them total shitheads and legitimately develop them or give a very good reason as to why they're not as intense. It's not interesting if they stay mildly annoying throughout the fic with little development but get with the Puffs anyway.
3) Mojo and HIM as parental figures are often very absent and are just usually explained away as "lol they were abusive". While I don't really mind this angle of Mojo and HIM ending up as shitty parents, it's never really developed. I want to know HOW they're shitty parents, why they were bad for the Ruffs. A lot of fan backstories in this fics involves the ruffs being used as tools by Mojo and HIM without caring about their needs as little kids, how about we show how that was done throughout their lives? You don't have to get like, graphic and explicit about what abuse and neglect they experience, but it needs to be developed and seriously impactful if you're gonna add it. I want to see how those impacts still mess with them, especially with interactions with their parents. Trauma like that doesn't just go away. If that can't be done, just keep their parents, have the ruffs be intentionally rebellious against their wishes. They are self driven after all and will often do shit that pisses people off and is enjoyable to them.
Especially if you're doing like... shipping, I want more elaboration on Mojo and HIM's perspectives. I want them to seeth and lose their minds over the prospect, I want Mojo to become a laughing stock among villains for not only failing to beat the Puffs, but creating their eventual romantic partners. I want Mojo to confront the very exhausted professor who's also not happy about this idea and have Mojo fucking lose it while the professor is just... so exhausted.
4) We need more of the other villains and cast to show up. Where the fuck did they go? Why is it only HIM and random monsters that can be used as villains (not even Mojo is, he's just thrown to the side which is such a massive shame). Lemme see Princess be something besides a mean girl, lemme see Sedusa or Fuzzy or the Amoeba boys. Let's see some one-offs from the OG series show up! I'm always a Boogie Man advocate, would be delighted to see him in a fic for once (although he's somewhat niche so I could see how it would be difficult to involve him). Hell if you can make them interesting, I'd be down to see reboot villains too. Just, anything to mix things up and add more action.
5) Not enough is done with the Professor, he's usually just a supporting character to the Puffs who shows shockingly minimal apprehension of the Ruffs, let alone their relationships with each other. I need a professor who's braver and plays a more active role in these fics. I need him to be a strong father figure who loves his kids so much and shows himself to be deeply intelligence. I need a professor who can be kind to the ruffs if need be and deserved (while he's protective and distrusting of the ruffs, I don't think he'd be spiteful to them especially if they're still children), but won't stand for any bullshit that they do and is willing to fight to keep his kids safe. Is is such a loving and substantial figure in the OG show and so few people actually bother to dive into the depths that the Professor would go for his kids.
6) interpretations of the ships are so fucking cishet it's so boring. Even if you want them to be m/f and cis, you can still make their dynamics and perceptions queer. You do not have to fall into tired cishet characterizations or dynamics (with the reds by far getting the worst of this). I think this can be hard depending on time setting and the ages of the characters, especially the Ruffs and how deep their toxic masculinity is embedded into them. Granted that I headcanon that their birthdays are their debuts and they'd be 29/30, I think that the time period would make it more difficult to explore queer aspects about them depending on how old they're portrayed, but I think that could make things even more interesting tbh especially if they don't have the language for what's going on with them. Example of a trope that's common in fics but can be twisted to be queer: High school fic #2728732. It's 2010, Buttercup is turning 17 soon and she doesn't feel like the other girls and hasn't for years. Buttercup doesn't have the language to describe her experiences as genderqueer since it's 2010, she sticks to the tomboy and girl label even though neither feel quite right.
My older takes on these ships tend to usually fall into Brick/Blossom who are both bi and gender apathetic but tend to have a male and female preference respectively, and navigating their unique perspectives of their attraction and dynamics to one another in that regard. Very very very very pan blues who are gay about everybody and proud of it, and (of course) genderqueer and genderfuck greens. We need more trans (particularly enby) greens rep out there and I'll do it myself if nobody else does. People write the ships (especially the color codes) so cishet I appreciate takes that drive them outside of that circle of "cishet boys and girls with hetronormative dynamics like each other now kiss mwah".
7) Inverse to the "the Puffs are just stepping stones to redemption and objects for the Ruffs", I'm really tired of fics that just end up neutering the ruffs once they're redeemed and have them be the second in command lapdogs to the Puffs (once again... a particularly big problem with the reds). I want more fics where the ruffs are their equals, where all of their voices are taken into account.
8) I want more of these stories to happen when they're not in high school. I want elementary and middle school redemption stories. I want full grown adults redemption stories. I'm so tired of the high school setting and I know it's mainly used for shipping, but not making them too old that they're boring and gross or w/e. Give me these characters past the age of 21 or under the age of 16 I beg. Hell please we need more stories of them at their canon age, the idea of The Professor and Mojo hosting a play date for them and all of them just having fun playing with toys and making up their own games is so cute.
9) This ties into my point of the ruffs history with law enforcement. It's very, very difficult for me to believe that they'd completely jump to the good side and just be the Puffs but slightly shifted over personality wise. They'd be distrusting of the superhero system. Maybe they'd be willing to kick monster ass, but they're not going to be knocking down thieves and working side by side with cops. If anything, I think it would make sense for redeemed ruffs to work to fight against current police system standards and help those who are most affected by it the most. The ruffs aren't and shouldn't just turn into the Puffs but a bit spicier. It's boring and it doesn't make sense.
10) I am sooooooooooooooooooooooooooooooooo tired of all the weird sexualization in high school fics, especially when you can tell they were written by somebody who's not in high school and hasn't been in years. I swear people who write these hypersexualized Riverdale style high school AUs haven't actually looked at a 16 year old in years. They wouldn't look like full grown adults and most likely wouldn't be diving deep into sex and drugs. There's also a lot of sexual assault, especially casually? I read a fic recently where Butch groped Buttercup's chest without consent just randomly and it was played off for laughs. Closed it instantly and physically facepalmed. I somewhat get when teens write stuff like this, but adults? It's ridiculous.
11) I feel like people make the Puffs and Ruffs parallel each other a bit too much? It takes away from existing tension and ways they can clash. Make Bubbles care way too much and Boomer struggle with the ability to take things seriously. Make Brick smart but not academically so, his intelligence lies in other places and he specifically spites the rigid authority of academia, while Blossom loves and embraces it. Show Buttercup being able to be more calculated and intelligent about her fighting while Butch is a berserker. Give them parallels and differences, and differences within their parallels!
Again I'm so sorry about how long this is, I've been full autism mode about PPG again and my old fic idea I never got around to writing. Reading up on people's takes on RRB redemptions for my own research and I notice that there's a lot of things that just bug me about how they're played out, and it inspired me to do a full dissection of how RRB redemption plot lines tend to be done.
This is another ask that I've tried to answer a thousand times, but really honestly, every time I read it, I'm just like:
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Like come sit right next to me because we're in this together. I've been riding this train for a while now and if I've learned anything, ya gotta be the change you wanna see. There's no other way!
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chewydolls · 5 months
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QSMP x Ever After High characters that remind me of them
Quackity x Duchess Swann
Bitchy ™
Quackity/ElQ and White Swan/Black Swan parallels
Yearning for romantic love
Resented guys who think they were doomed from the start to be unlovable, cursed to stay at the sideline watching with jealousy as their peers get the happy ending they could never hope to achieve
They actually have the means to take agency over their fate, but this requires some healing and introspection that the respective villains from their worlds are direct or indirectly preventing them from doing
Still, happiness most likely won't come in the way they fantasize bout
Feathers? Birbs??? Idk
Jaiden x Briar Beauty
They're both associated with roses
Their arcs are shaped by grief: in Briar's case the certainty of outliving all her friends makes her mourn the life she knows while they're still alive; and Jaiden was deeply shaken by Bobby's death
That doesn't stop them from aligning themselves with the very oppresive organization that stood by and let the tragedy happen, but:
a) They are hurt and going with what is familiar to them
b) They will be chaotic af about it
Agent of chaos aligning with Order can you picture that
They're bffs with figures that uphold the status quo, to varying degrees of how much power they actually have in the grand scheme of things (Cucurucho and Apple)
Isolation is a big theme in the Sleeping Beauty story, and that resonates a lot with Jaiden's arc and how she got close to Cucurucho at her lowest point vs how Briar tries to stay loyal to the Royals even when it hurts her and her closest friends, because Apple is her bestie and was always there for her
Roier x Briar Beauty (again)
A mimir
The whole Animations family is very Briar-coded, actually
Everything I said about Briar's grief works for him, especially the part of mourning people who are still alive bc the threat of being the last person standing weights over them
Just... the concept of being the last person alive as your kingdom is ruined and the vines break the beautiful stained glass of your castle and your bed is covered in thorns ✨️
"Living in fear is not living" vs "If I'm gonna sleep for a hundred years, I've got to live it up now!"
They're so good at keeping a "silly guy" act that few people can tell when they're actually sad
Outgoing and charismatic personality but still end up feeling isolated
Special little guy shipped with the confrontational, off-putting little freak (Spiderbit, Briar/Faybelle)
Pac x Blondie Lockes
I'll give it to you they're not that similar but:
Chisme? Gossip?? Fofoca???
Pros at breaking and entering
Drawn to scary creatures with sharp teeth
Cellbit x Alistair Wonderland
You thought I was gonna pair him with Raven, right? Wrong!
Men only know how to do 3 things: solve puzzles, play chess and be absolutely smitten for their partners
Came to the island/eah by accident and immediately got in the nerves of the authorities
Both were abandoned in a dangerous land by the people who later became their found family (not his friends fault, in Alistair's case, totally justifiable in Cellbit's)
In the unlikely scenario where I did pair him with Raven, Felps would 100% be his Maddie, k?
Felps x Maddie Hatter
I'm not doing 1:1 crossover but Alistair/Cell being besties with Maddie/Felps works too i guess
Chaotic, unpredictable, barely comprehensible, they will encourage their bffs to be the best version of themselves while also enabling them to do the dumbest shit possible
Part of a weird polycule that by all means shouldn't be there but they decided to make it everyone else's problem
Signature Food (pasta/tea)
Tina x Cerise Hood
Deeply self-conscious about their identity, hiding under a semblance of innocence so no one notices their monstrous/demon heritage
Actively hiding a part of themselves (horns/ears)
Despite that, they still instigate their friends to be unhinged, as long as they can be on their good side
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ybyag-lil · 1 day
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I just... LOVE Sunshrine as a ship and have my delusions and HC's about it and I needed to put these thoughts out on WHY I like them so much somewhere other than in my fics or else I'm literally going to explode, so—
Annoyed x Annoyance. Need I say more?
I will.
If we're talking purely potential ship dynamics, we have:
Flirty x oblivious, Denial/Dense, Sunshine x Sunshine protector, stoic vs pain in the ass, optimist vs pessimist, "why me?" "why not you?", Insecure vs showers them in love.
Sun and Moon/Day and Night yadda yadda y'know the drill
Complementary colors (orange/blue) that you can correlate with their difference in personality.
But I hate reducing them to basic opposites attract and other dynamics bec they're NOT completely opposite - they actually have a lot in common!
"Two sides of the same coin" is how I'd actually describe them.
They're both trying to find their own way in life, and the paths they're taking are so fundamentally different than what has come before them.
Their voice-lines about it. Love to read into those
("I'll walk a different path this time." "I'll find my own path." "The path shapes you." "That's the path you've found?")
Potential for shared isolation issues and fear of abandonment!!!!
I feel like Kiriko's life suddenly shifting one day when Sojiro was killed and her proceeding to lose a bunch of people she held near and dear (not even counting Kanezaka itself facing major power and societal shifts) is not talked about enough. The only real personal connections she knows she has left are:
Her mom, who is forced into inaction and can't move to help liberate Kanezaka or save-
Her dad, who is currently Hashimoto's leverage/hostage and she doesn't even know for sure is still alive rn bc she hasn't seen him.
and Hanzo, which, there's a load of angst there HC and actually in-game wise for her connection with both him and Genji that would be a while 'nother conversation. I don't know if Kiriko even knows Genji's still alive, actually? More issues!
Illari's pretty self explanatory with that isolation/abandonment point. That girl's riding the, "I don't need anyone else (because I'll only end up hurting them)" train so hard. So much so that she doesn't even really feel comfortable showing any positive emotions to people around her (cheer/hello/chuckle animations anyone?).
Kiriko/Illari are both "chosen".
That one's kinda out there tbh, but my logic behind it is that Illari is already notably special. She's prodigy that was quickly predicted to be the GREATEST fucking Inti warrior of her time, whose power was so great that she turned every single other Inti warrior to ashes unintentionally.
(which, by the way, is insane if we assume the augmentations have to give you some sort of resistance to solar power to be able to wield it in the first place?)
Kiriko is where I start playing fast and loose. I'd argue her having the power of the Kitsune (which is not fucking science idc what lore comes in the future, magic exists in this fucking universe!) to such an extent makes her chosen in her own way. Like I'm assuming the teleporting around, the self healing like, and everything else is not a standard affair but no-one talks about the Shimada FAMILY being able to summon dragons so. Maybe that's just the standard in Japan.
On that note — they also both have a responsibility to their people which sort of parallel each other.
Kiriko has happily taken up the mantle of a vigilante to protect the people of Kanezaka, and, as far as we know, she has no qualms about doing it. Her way of doing things is different to how her family served/protected for generations in the past, but she still upholds the duty like it's second nature.
Pure conjecture, but I don't think Kiriko's ever felt forced to do it either. There was never a, "you must protect the town!" talk or anything like that from her grandmother/mom, she's doing it because it feels right to do.
Illari, conversely was always told she had a responsibility to her people. If you read between the lines of her lore blurb on her OW2 page and listen to what she says in her origin video, you get the sense that it was a sort of... burden? Heavy is the head that wears the crown and all that.
I compare it to the "gifted-kid burnout" precisely because of this. Illari has always been molded to follow one path, a rigorous one she didn't really have a choice BUT to follow. You're told at a young age that you are special, that there's no-one else like you, that you will grow to become a legend. How could you even begin to refuse that?
You don't. And when it all starts to fall apart, you start to wonder what's wrong with yourself. Illari has lived a life dedicated to serving, and now there's no-one left but her.
She def has some self worth/esteem issues stemming from having to be this prodigal kid essentially groomed (not that way) her whole childhood to be strong and nothing else. Couple that with an overwhelming feeling of regret for failing to uphold her duty as a protector and you have someone who is just completely lost - direction AND sense of self wise.
And I think Kiriko could help with that. Say what you want about her, but you can't deny that Kiri is strong. Imagine Illari meeting her and realizing that for herself. That despite how careless and foolish Illari thinks Kiriko is, she somehow still manages to protect her people as her duty.
Imagine her realizing that she's been taught a lie her whole life, that she doesn't have to just be Illari, the strongest Inti warrior, she can also just be Illari - the scared 18yr old trying to find a new purpose in life after that choice was stolen from her.
Like Zen says to her, "true strength comes to those who accept their weaknesses". Illari's gotta learn that she can't just be strong, she has to learn to balance these aspects of herself.
and who has played a balancing act between conflicting ideals before? Who has carved her own path out of what she's known? Kiriko.
Ahem, back to a few more hehe haha shipping things
They're both pretty capable as fighters, and both trained since they were kids. They're both probably very disciplined because of it.
(I was going to say "though Kiriko is reckless despite that" but I refuse to believe Illari isn't equally as reckless.)
They're both very petty, check out those revenge voice lines—
("Forgive and forget? Nah..." and, "Forgiveness? Never heard of it." Are two examples LOL)
They're both smart assess. Kiriko is Kiriko so that one's obvious, and I'm looking at your Hanzo/Soldier/Sombra/Ana start up interactions, AND your sassy ass "I didn't do it for you," ally save voice line, Illari.
THEY'RE LITERALLY SPRING - SUN ILLARI, BREEZE/WHATEVER TF ELSE KIRIKO
And the two most important things....
They're just cute. Like seriously look at these little idiots, I love them both dearly.
And it's kind of a funny ship. I'm a firm believer that you don't need a reason to ship two characters, and Kiriko and Illari liking each other can lead into some hilarious ass dynamics, so why not?
Anyways, finished with my brainrot spew. If you've made it this far, check out my AO3 where I will be brainrotting even further in the future. Might post some dumb shitposts here about these two from time to time.
Illari and Kiriko's voice line pages for the things I quote.
(some of this, particularly parts regarding Kiriko, might be incorrect bec I haven't read a single lore comic and am going of things I can vaguely remember hearing about.)
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