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#I GUESS. we'll see how I feel about this whole thing in the future
epitheta · 2 years
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⠀ > M5 - 04 - 2022
#[is.png]#[2022]#[cf.tot.zip]#[c.tot]#|| > ? last doodle (for now) so I can go actually study#let's see... clamp claw. while incomplete‚ the uberbot itself appeared to have all of its limbs intact so I kept to that#while giving it some parts that are a little less thick/covered with plating‚ such as the left arm and left (thigh).#the midriff-spine is imitated by wires (which happen to be everywhere)... I'd like for vector arrows to be mostly upon its left shoulder‚#but it can appear wherever. head-cords should be exposed wiring too... transparent-themed cloth...#supposed to also be a lot more grime/rust but that's because it's been left idle for a while ++ paint...#has bouts of sleepiness/idling - usually to take a while to process or completely dismiss something.#never really stuck on one face in particular even when mood changes... mox gem insignia on (panel)...#truthfully it just stuck to this form but it can be pretty shapeless if they wanted to?#mostly a (it/its) fella (neutral) but doesn't mind being addressed by anything else so it's like . an (it/they)#whatever the challenger/individual wants to call it you know? pronoun ++ name collecting but got its general set-up#and that is the shortened version of all of this... ^()%*&(* okay take care#(by clamp claw I mean it's a pincer not a claw (three-pronged))#ah. and when it gets upset/experiences particularly intense emotions it'll start leaking black liquid which feels more like grease#than it does oil . . ???? if it's Real bad then the screen gets inverted too or there's the constant dead pixels in its display as with 03's#I GUESS. we'll see how I feel about this whole thing in the future
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dhoranbolt · 3 months
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You don't fool me
A/n: two thing- first this took me forever to write, I kept having to go back and scrap ideas 🥹 second, I did not know just how down bad I was for this man until I had to sit down and write this so.
Also friendly reminder- if your age isn't easily accessible on your profile I will not be tagging you! That said if you'd like a tag in future works let me know and I'll add you to the list!
bestie beta reader: @yukios-medic you are really the best ma'am I appreciate you so much 🥹💙💙💙
Pairing: Sukuna x fem!reader, Yuji pining
cw/tw: minors/ageless blogs DNI, all characters aged up, dub-con that becomes enthusiastic consent, unprotected sex, cream pie, fingering, oral sex (female receiving), oral sex (male receiving), rough sex, dirty talk, threats of killing
Word count: 5k (ish)
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This wasn't the first time they'd been paired up and sent off to find and kill a curse, but it was the first time Yuji was weary of the whole thing. They were both strong, that wasn't an issue – he'd been on back-to-back missions for weeks and it was starting to take its toll, that was the issue.
Of course, it didn't help that whenever he was around her, Sukuna would become an even bigger pain in the ass (than he already was).
They'd been sent to a long-abandoned warehouse, falling apart as it was, and radiating with cursed energy. Yep, whatever it was they were after was definitely in here.
"Split up to cover more ground?" She suggested as she looked up at him, but he shook his head.
"We can probably exorcize it quicker if we come across it at the same time, we should just stick together for now." It was a simple enough explanation, not a hint of 'I'm pushing my limits just being here with you' or 'it's easier to know you're safe if you're by my side' detectable.
To her, at least. Yuji chooses to ignore the scoff that resonates in his head as they cautiously enter the building. They walk side-by-side down the hallway, ears and eyes analyzing every detail of their surroundings.
"Must be one pain in the ass curse to send the both of us. I can feel the cursed energy everywhere, I just can't tell exactly where the source is." She filled the silence, wringing her hands together nervously.
"Yeah, I know what you mean. It’s out there, but it's all about the same output. We'll just have to watch our backs." Yuji said with a nod.
"Hey, what do you think Nobara did when she found out Gojo canceled movie night to send us after this one? I can see her practically popping a vein." She laughed softly, moving around a stack of boxes to find any sign of their curse.
"Fushiguro is probably wishing it was you that got left behind right about now." Yuji guessed with a small chuckle, suppressing the thought that he might have wished for it, too. A faint gurgle sounded at the opposite end of the hall, cursed energy seeping into every corner of their bodies as it grew closer.
Yuji covered her mouth with his hand, keeping her scream muffled as he tugged her against his chest and pulled them into the shadows.
"Shh, I think I hear something." He murmurs, squinting in the darkness. He doesn't feel the mouth form on his hand, not until her lips are moving against his palm as she makes a noise.
She's gagging; trying to pry Yuji's hand off her face. And he's going to – until Sukuna's voice rings in his head.
'Pull away and I'll bite her tongue off. Try to keep her quiet while she's drowning in her own blood'
Yuji froze as Sukuna cackled, and she still struggled in his grip, now like iron to keep the curse from making good on his threat.
His name was muffled when she frantically tried to call it, but it only left her mouth open that much more for Sukuna to swipe his tongue along the inside.
If they could conceal their own cursed energy for just a second, then it would keep going on its path to the left of them, and probably wouldn't circle back around for a while. Yuji set his jaw, glaring up the hall as he spoke.
"Conceal your energy, then we'll deal with him. One curse at a time." The only confirmation she gave that she heard him was slightly loosening her grip on his arm.
The curse slunk away and Yuji held his breath, waiting to hear any sign of it coming back. When he was sure it wasn’t, he let out a sigh and threw his head back against the wall. Taking a moment to realize the situation they were still in he looked down at her.
He couldn’t see the blush in her cheeks, but he could feel the heat on his fingers. She shifted her body against his, letting out a whimper at the awkward kiss she was still locked in.
Yuji swallowed hard and took a deep breath. This was so not the time to be letting the sounds she was making go straight to his cock.
'You want her so badly, take her.' Sukuna taunted.
"No." Yuji snapped his response, trying to think of a way out of this (and the boner he was starting to sport against her back).
'Fuck her, brat. Or I'll kill her the next time I get the chance, and I'll draw it out while I make you watch.'
Sukuna knew well what he was doing, keeping this conversation in Yuji's head. She had no clue what he was trying to shield her from. Of course he wanted her, but not like this. Not when Sukuna was all but forcing his hand on the matter, not even giving her a choice.
“I said no! Knock it off!” Sukuna just chuckled, and she turned her head to look up at him with worry in her eyes.
'Or perhaps you’d like me to put us both out of commission. Tell me, just how long do you think she’d last against this curse on her own?'
Yuji’s heart dropped to his stomach. There’s no way Sukuna hated her enough to let her die like this, not with the way he found her so entertaining to him. Not with the way he currently had his tongue down the back of her throat- right?
'No, but if it would cause you everlasting turmoil, I’d jump at the chance.'
Could she ever forgive him for doing this? Would Sukuna even drop this after all was said and done?
Yuji was exhausted, and Sukuna knew it too. It was only a matter of time before he could slip out and swap places.
'I could always assist instead. After all, one wrong move and she’s on her own anyways. Go ahead brat, ask me for my help.' He grinned.
“No, last time I let you out you were a dick.” Yuji snapped, but he was running out of options here. How long until that curse realized where they were and turned back around? He could always make a deal with Sukuna, if he would agree to it was another question though.
At the sound of Yuji’s words her body tensed, blood running cold. There was no way Yuji was actually thinking about letting the king of curses out into the wild, especially when he already had her in this position.
'Tic-toc punk ass, this offer isn’t going to last forever.'
“Promise you won’t hurt her first.” Her eyes went wide and she began to struggle in his grasp again, body going hot. Screaming through his palm and Sukuna’s tongue as well as she could manage in protest.
There is no way he’s about to offer his body over to Sukuna right now, and all she could think about were all the previous times he’d spoken to her – though, at her might be a better word. Everything he’d said up to this point, his promises to absolutely wreck her- all came flooding back. Could they really not handle this job any other way than to bring Sukuna into the mix?
'You humans are so predictable, really fucking takes the fun out of everything. I’ll get rid of the curse. Just say you aren’t strong enough, you need a real man to do your dirty work for you.'
“That’s not-”
'Going once…'
“I don’t-”
'Going TWICE...'
“Fine! I need your help, please.” She was hysterical at this point, thrashing in his grip as much as she could, grinding her ass into him harder every time she moved.
'That doesn’t sound like what we agreed to, try again.'
Yuji groaned, thankful he could use that as an excuse to let out some of his frustrations.
“Sukuna please, I’m not strong enough and need a real man to do my dirty work for me.” Yuji bit out, and she stilled at his words, stomach knotting. Any minute now, Sukuna would be breathing down her neck. Months of sexual tension, mostly from his side - would it finally come to a head now? Or would he leave it and just get the job done, let Yuji take back over when it was safe–
A low chuckle rumbled from behind her, and the sound ran straight through her body to her core. She swallowed, realizing the tongue down her throat had finally disappeared.
Sukuna ran a hand up her chest before resting it on her throat.
“Well, well, this is certainly a turn of events, isn’t it?” She whimpered, frozen in place. What the hell was she supposed to do now?
“Sukuna…” She breathed his name warily.
“Surprised to see me? I did tell you I’d have you some day. So, how was I? It’s been a few hundred years. You’ll have to excuse the fact I’m a little rusty.” Sukuna filled the silence, not waiting for an answer.
“You weren’t too bad yourself; I think I even felt you participating at the end. Care for more?” He whispered in her ear, tongue flicking out to lick her lobe. She bit back her moan, clamping her knees together as she gently rocked back into him. He laughed, moving his hands down her body to grip her hips and pull her in closer against him.
“Oh, don’t be shy now, it’s just us. The brat won’t even know, it can be our little secret.”
“I-” She stammered, face hot. So what if she’d gone back to her room at the end of a long day full of Sukuna teasing her, and closed her eyes while chanting his name under the sheets? So what if being the object of the king of curses’ endless teasing was what she used to push her over the edge some nights? That was all by her choice - she was in charge.
Currently having Sukuna’s painfully rock-hard cock prodding her ass while he held her tight against him? She was so clearly not in charge, and to make matters worse? The realization sent her core gushing.
“I can smell you,” he continued, taking in a long breath. And this time she couldn’t bite back her moan.
“Sukuna!” She gasped, feeling the blush run up her ears.
“I think you should really stop being such a cock-tease, woman. No wonder Yuji can’t help but fuck his fist most nights. I bet he can smell you too, he just spares your feelings by not saying anything.” The fog he’d brought with him was starting to clear, and she tried to pry his fingers off of her.
“Stop! You’re lying!” But Sukuna just threw his head back in a cackle.
“I actually don’t care if you believe me, do you want to know why?” He stepped out from behind her so quickly, shoving her back against the wall, it made her head spin. Looking up at his tattooed face and red eyes only solidified how real this situation was for her - and her mouth went dry. He grinned down at her, gripping her chin to hold her in place.
“I’m going to fuck you through this wall. You won’t be able to look at that stupid brat without thinking of me inside you ever again. And he’ll never know because he’s out cold.” Using his free hand, he ripped off her skirt. She cried out, trying to grip his wrist and stop her panties from meeting the same fate.
“Aww, still shy, are we?” He teased as he examined the red lace, running his fingers down to the ever-growing wet spot on them.
“N-No!” Sukuna just chuckled, watching her face morph from flustered to pleasure at his touch.
“And look, you even wore red just for me. How cute of you.” She moaned, closing her eyes. The physical and mental teasing was too much. If he wasn’t going to kill her, she was going to die of embarrassment. He sucked his teeth, hooking his thumb into her mouth and tugging her face.
“Look at me while I touch you, I won’t tell you twice.” He snapped, and her heart thrummed in her chest. It felt so good to finally have him touch her after all this time, she’d forgotten just how dangerous he was in the moment. She nodded sheepishly.
“Good, you listen well for a sorcerer. I don’t believe in praising those beneath me, but I think I’ll make an exception just this once.” He pressed his fingers against her core, watching the way she squirmed under him.
“You’re so wet already and I’ve barely touched you, was my tongue down your throat just what you needed?” Her head was spinning, his hold on her jaw rough, but all she could picture was wrapping her lips around him.
She slid her tongue around his thumb cautiously, watching his reaction for any sign that she’d miss-stepped.
He groaned, smirking down at her as he leaned closer.
“And here you’d have everyone believing you’re too innocent for such filthy things.” Finding the edge of her panties, he pushed them aside, running his fingers through her slick folds. He watched as she moaned, satisfaction settling on his face as the moan grew louder when he pushed a finger inside of her.
“God you’re so tight, there’s no way that brat could stuff his cock in you.” Her walls flexed at his words. Sukuna’s one finger was already so thick, and now her mind was swimming with the thought of having more.
“But don’t worry, you’ll take it from me.” And then she felt a second finger at her entrance, making her eyes open wider. She tried to speak as best she could around the awkward hold he still had her in, but it didn’t matter.
“Suku-na!” She cried out as he forced another finger into her.
“I’d be thanking me if I were you. I’m feeling generous enough to stretch you out before I ram my cock into your stomach.” He offered, grinning as he watched her try and hold herself together.
He didn’t wait for her to adjust to the feeling, why would he? Fucking her open on him was all he could think about while he sat bored on his throne - not that he was admitting it aloud.
So many days, weeks, months, of him wrapped up in her. He knew exactly what she was doing to him, even if she didn’t.
“Was it worth it to parade around like a whore in heat around us?” He asked as he began to slide his fingers in and out of her.
“You know I offered him the chance to have you first. Humans and their virtues though, so fickle. Of course, the brat couldn’t do this.” He pressed his palm against her cunt, and her back arched off the wall as his tongue shot out to flatten on her clit.
Letting go of her chin he wrapped his hand around her neck, giving it a testing squeeze before trailing down to her chest. Groping over her top, and then easily ripping the buttons away.
“Not my clothes!” She protested, but if he heard, he ignored her. Choosing instead to knead her breast as it spilled over her matching bra. Sukuna chuckled, looking back at her.
“The matching set, I’m starting to think you really did wear this just for me. Is that what you do? Under all those clothes you put on, you wear red hoping I’ll catch a glimpse. Hoping I’ll come out to rip it off of you.” He spoke as he rolled her bud roughly between his fingertips.
“God!” She cried out. He was everywhere. Pumping his fingers further inside her walls, tongue abusing her clit-
“I’ll be your god.” He hissed, before leaning down to suck her nipple into his mouth.
She was fast approaching the edge, gasping for air as he shot her towards her peak.
He curled his fingers inside of her, reaching a new angle that sent white hot pleasure shooting through her body.
“Sukuna!” She choked out, reaching up to ball her hands into his top. She was wary of touching him at first, opting to press against the wall instead. But it was all too much. She needed something more to try and ground herself through the first orgasm he was going to rip from her body.
“You gonna cum, little sorcerer?” He hummed around a mouthful of her breast, looking up at her expectantly. She already looked so cute and fucked out for him; grinding into his hand to push him further inside, face flushed as she whimpered his name over, brows pinched up while she looked down to him with a breathless nod.
“Please Sukuna...” If he wasn’t so pent up himself, he might have stopped what he was doing, but edging her would only edge him, and he had no interest in prolonging his own pleasure any more than being stuck in the passenger seat of his vessel already had.
For this encounter, anyways. So, he gave her what she wanted, driving his fingers faster into her cunt, biting down on the nipple currently still in his mouth, while his other hand roughly pinched at the other.
He could feel how close she was. It was getting harder to slide his fingers back into her, and he couldn’t wait to sink into her.
When he didn’t slow down or stop, she took it as permission, though, the tip of the iceberg was so close that even if he had told her no, she wasn’t sure she could have stopped, anyway.
It crashed over her in waves, throwing her against the wall as she cried out his name. Everything was gone - her sight, her hearing, all she could do was ride against his hand, and hope that their grasp on each other was enough to keep her standing through the intensity of it all.
Even when her high started to ebb away, he was still lazily pumping his fingers inside of her. Slowly the world came back to her, heartbeat pounding in her ears, and she whined.
“Aww, is someone sensitive?” He pulled away from her chest with a grin, red eyes glinting as he stared down at her dazed expression. She weakly pushed against his chest, trying to get him to stop while she regained some semblance of normal breathing.
“Sukuna…”
“Well, aren’t you going to thank me?” She swallowed hard, still trying to find her way out of the haze.
“I- thank you...” He pulled his fingers out of her, chuckling at the whimper that left her lips. Raising his hand to his mouth, he kept his eyes on her as he sucked his fingers clean.
“Mmm, I don’t think so.”
“What?” Confusion crossed her face, and he pressed the same two fingers against her parted lips, looking on in admiration as she opened them without question. Sukuna pressed his fingers against her tongue, pulling her mouth open as he did.
“Those red panties you’re wearing will be sufficient.”
“What?” The word left her mouth again, and he raised an eyebrow, dragging his fingers down her tongue and out of her mouth. She stared at him for only a second more before leaning down to slide them off her hips. She looked down to keep from fumbling, but he hooked his finger under her chin, tilting her face back up to him.
“I didn’t say you could look away.” She bit her lip, shimmying awkwardly to slide them down her knees. Stepping one foot out of them at a time, she began to lift them up. He grabbed them from her, large fingers brushing her own as he did.
She moved to stand up again, but he stopped her, shaking his head.
“On second thought, I don’t think one pair of panties is worth a mind-numbing orgasm, do you?” But it wasn’t really a question, not when he was already guiding her to her knees in front of him. The floor below her was cold - a shock that her core, still radiating heat, could feel.
“Be a good girl and open wide,” he said, reaching into his pants to take hold of his neglected cock. Pulling it out, he ran his thumb over the tip, smearing his precum up and down his length.
Sukuna groaned, gritting his teeth. The brat could imagine all he wanted; it would never compare to having her right here in front of him. Small hands braced on his thighs, eyes blown wide as she took in just how fucked she was about to be.
“See something you like?” Her breath hitched as he knocked his fat tip against her bottom lip. She slowly opened her mouth, tongue sliding out and against the underside of his cock. He groaned again, grabbing the back of her head as he forced himself into her mouth.
She dug her nails into his thighs as he did, trying in vain to pull her head back so she could breathe.
“You’re not acting very grateful. Don’t make me fuck your throat, I’ll end up hurting your feelings.” He chuckled. Tears were already welling in her eyes as she choked on what he could fit in her mouth. Slowly, she removed a hand off from his thigh, reaching down to run her fingers through her folds. When she’d gathered enough of her release, she reached back up to pump the rest of him with it.
“How resourceful of you. Makes me want to fuck my cock down your throat all the more.” She moaned around his length, gently rocking him as far as she could take him. Part of her was screaming for air, the other wanted to make him feel just as good as he’d made her feel moments ago. The fog was back, and she blinked the tears away as she looked up at him.
His jaw was tense, one hand still at the back of her head, the other balled in a fist and braced against the wall. Before this she’d only seen him when he was a mouth and one eye, stirring up chaos on Yuji’s cheek. Looking up at him now, though, red eyes trained on her and black markings all over his body - he was breathtaking.
All-powerful and terrifying as hell, considering that he could kill her in an instant, but breathtaking, nonetheless. She let her other hand slide down his leg to rest between her own, pressing her fingers into herself - only to whine in disappointment when it felt nothing like him.
“Needy little thing, aren’t you? I’ve gone hundreds of years without, and you just can’t wait for another.” She breathed hard through her nose, trying to take in as much air as she could before he hit the back of her throat again. Black dots buzzed at the corners of her vision, the sound of her choking on what she could take echoed through the hall.
Her jaw was pried open at a painful angle to accommodate him, and he wasn’t showing any signs of stopping. Her grasp on his cock grew slack, and she wasn’t fighting him every time he knocked his tip just a little further into her mouth. Her own fingers stilled in her aching walls, eyelids fighting to stay open.
Sukuna huffed, sliding his hand around to smack at her cheek.
“Don’t go passing out on me now, I’m not finished with you just yet.” And he pulled out of her mouth with a loud squelch as she gasped for air. The lightheaded feeling slowly dissipated as she looked up at him, tears and spit covering her face.
“You did okay. For now. We’ll revisit that later, get up.” She didn’t have to be told twice, rising on wobbly legs as quickly as she could. The thought occurred to her, that she was practically naked in front of him, while he was still fully clothed. She swallowed hard, trying to wipe away some of the shame along with the tears.
But he didn’t give her much time to wallow in her self-pity, quickly turning her around and pinning her to the cool wall. She shivered at the feeling of his solid body pressed into her back, erection still wet with her spit as it bounced on her bare ass.
“Maybe next time, I’ll let you look at me while I fuck you.” He breathed down her neck, grabbing his length and rubbing it through her folds. She dug her nails into the wall; he barely fit her mouth, there was no way she was ready–
“Relax, I’m not interested in breaking you the first time around. It would ruin the fun in watching you look at me in anticipation every time you’re around.” And he wasn’t wrong. Hell, he was still here, and the anticipation was coursing through her. Taking a slow breath she waited, thankful that the cool wall was enough to ease the heat on her face.
Sukuna gripped her hip and hooked his tip at her entrance before pushing in. She gritted her teeth, moaning at the already over-full feeling. For the situation being what it was, he was fairly gentle as he steadily eased himself through her tight walls with a prolonged hiss. She could only stay pressed against the wall, jaw dropped in a silent moan as he filled her out inch by agonizing inch. Her eyes rolled, body unsure if she should cry out in pleasure or pain.
“God look at you, practically foaming at the mouth. What would your sorcerers say if they caught you like this, hmm?” He groaned, bucking his hips up into hers. Her voice finally caught up to her, and she cried out, nails scraping down the wall as she clawed for anything to keep her grounded.
He didn’t quite fit all the way, but it only turned Sukuna on even more. Of course, he couldn’t fit - but he would. He would break her open on his cock as many times as he needed, until she fit him like a second skin. Until he was the only thing she could think about whenever she tried to seek pleasure elsewhere.
She was playing a game she had no clue about, and Sukuna was going to win. He laughed as he grabbed her hips, pulling out to slam back into her walls. They sucked him in and tried to keep him out all at the same time.
“Sukuna, fuck!” She moaned, reaching behind her to slow him down. He said he wasn’t going to break her, but the rough pace he’d set was literally fucking the air right out of her lungs. Her walls squeezed him tighter, and he moaned.
“Too much for you already, princess? I’m just getting started.” Sukuna grabbed her wrists, pinning them above her head.
“Too much, fuck, ‘s too much!”
“I’m not that brat, you’ll take what I give you exactly how I give it to you. Don’t piss me off, I’m in such a giving mood, right now!” He snaked his other hand around her, tongue darting out to swirl around her clit. Sukuna grinned. In an attempt to get away, she only managed to shove herself further onto his cock.
“Sukuna please, I don’t…Please!”
“Short circuiting, and I’m not even close yet. Shall we see just how many times I can make you cry before I’m finally satisfied?” Her mind was melting, she didn’t care anymore. What was she even begging for? Him to stop? Or maybe she was begging him not to stop. She’d never been filled up like this before; even the pain was pleasurable now. All she could do was stand against this wall and take it, anyway. Her body relaxed against him slightly, and he grinned.
“Is there something you want from me, little sorcerer?” She bit her wobbly lip hard, trying to focus on his words.
“I want- I wanna cum.”
“That so?” She nodded with a whimper.
“Beg, and I’ll think about it.” She couldn’t even be bothered with the feelings of shame looming overhead. She wanted one thing, and if begging was all she needed to do to achieve it, well…
“Please I wanna cum.” She whined, hands flexing in his grasp.
“Beg more, you can do better than that.”
“Please Sukuna please I wanna cum, never wanted to cum so bad. Please make me cum on your cock please I-” She was a wailing mess, she didn’t care who heard her pleas, only that he might answer them. His tongue licked at her folds, snaking around his length to tease her from every side.
He rocked her into her second orgasm, reveling in the feeling of her tightening around him as she screamed.
God, he needed to feel it again. The way her walls fluttered around his thickness, trying to close around the strain of taking him. The feeling was maddening, and Sukuna was sure he could pull another one from her immediately, he just needed to pick up the pace as he rammed his cock harder into her.
The wet sound of his second mouth lapping at her, mixed with her moaning variations of his name and ‘fuck don’t stop’ was more than enough to catch the attention of anyone close by, and as absorbed as Sukuna was in this little game, he wouldn’t let his guard down. He was sure she didn’t even remember what they were here for anymore at this point. If the whites of her rolled eyes and the drool currently sliding down the wall where her face was pressed against it were any indication, anyway.
He could feel her whole body start to twitch and tighten, and he knew she was close again. Two orgasms in, and he knew her body so well already. He’d put that knowledge to good use later.
“Go ahead little sorcerer, scream for me.” And she came hard, walls clamping down on him, practically shoving him out while she did. It was enough to send him reeling, too. Hips slamming up into her, he sank his teeth into her shoulder as he finished with a growl. If they weren’t both so wrapped up in each other, they might have realized he growled ‘mine.’ He painted her insides in white hot ropes, stilling when the euphoria finished washing over him.
“If you think that was mind-numbing, just wait until I get ahold of you in my true form.” Sukuna whispered against the shell of her ear.
He pulled out with a groan, watching her whole body quiver as he did.
“Clean yourself up.” She finally looked back at him, brows knit. He ripped the sleeve off his jacket, handing it over to her. When she tried to pull it, his grip tightened, and he looked at her expectantly.
“Thank you…” She said quietly as she cleared her throat.
“Such a good girl for me already, I don’t even have to train you. I’ll be back, be ready to leave when I am.”
“Wait where-”
“There’s still a job to do here, isn’t there? I’ve got a curse to kill.” He smirked as he walked backwards up the hall.
Yuji wouldn’t be awake for a while, plenty of time for Sukuna to hide his prize. One of the many he planned on taking from her, he thought as he twirled the red panties on his finger.
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somerandomdudelmao · 5 months
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CASS! YOUR BRAIN! IT'S SO... HUGE!!!!Okay, okay. So, to recap what you have confirmed to us-
The robot that we see is NOT controlled by Donnie's spirit. We see that Donnie is able to control it via headset, etc.
Also, the reason this "Plan B" did NOT work is because Casey got possessed by Don's Hamato spirit in a memory from the future on accident.
It was going to work. He was literally mid-crawl before Casey swooped in and tried to help him but ended up somehow bringing his spirit into the past and cloning him a new body with plot serum.
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We don't know if this robot would have worked. We don't know if Donnie even had enough equipment to make a robot body like the one he made for Raph. Maybe it would have failed. Maybe everything would've been okay. I just don't know.
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But that's the beauty of this series. You planned this since you first decided how Donnie was going to die. Yes, you've said that you're kind of as clueless as we are at times when it comes to "what's next." But the amount of detail you put into this is ASTOUNDING!
Even with your VERY FIRST COMIC, you used Don's failed experiment with Leo and turned it into another chapter where we found out that Donnie was trying to find a cure for Mikey's peepawed body!!!
The fact that Donnie not only didn't say anything before he died because you knew that it "wasn't the end for him," but he also had a plan B that he didn't tell anybody about hence the guilty faces, the reasurrences, and ignoring Leo's "we don't need to worry" talks. And he couldn't simply tell them that "everything was gonna be okay" because his plan possibly wouldn't even work!!!
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AND THAT'S WHY HE HAD A BREAKDOWN WHEN HE LOOKED BACK AT ALL THE RECORDINGS OF THE RESISTANCE FAILING BECAUSE NOT ONLY IS HE WATCHING EVERYONE HE TRIED TO PROTECT WITH EVERYTHING HE HAD DIE BEFORE HIS EYES, BUT HE ALSO REALIZED THAT HE FAILED THEM AND LEFT THEM WITH NOTHING!!! HE FEELS SO USELESS AND GUILTY FOR SOMETHING HE HAD NO CONTROL OVER!!!!
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Even since we first met Raph, we got Don's theory about how storing spirits into mechs worked. He probably used the rest of their most valuable resources to even BUILD that thing.
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I don't know if when they all realize that Casey is actually the reason Mikey couldn't sense any of their spirits because he snatched them up and brought them to the past/different timeline that they're either gonna feel angry or like "Oh!....oh." You know?
It seems to me that they still don't know the answer to that question. With all of them back, I thought they would have by now, but I guess we'll see pretty soon.
A lot of things could happen in this chapter. Good things, bad things, it's quite a toss-up. Let's just hope this whole big misunderstanding comes to a big finish soon. Donnie deserves a comeback. Everyone deserves to have a breather where they can all just...talk. Cause' by GOD there is a lot to talk about. I know they had some downtime before Miwa showed up, but Donnie's still working. If Donnie doesn't finally open up to his family by the end of this, I'm bringing out the beach balls, I swear.
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stagefoureddiediaz · 14 days
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Costume Meta 7x05
Hello, Hey, how we all doing??
Ready for another super long meta post??
There is so much to talk about this week - admittedly mostly Buck and Eddie related, but there is also plenty going on for Hen and Karen as well.
No Bobby this week as we only see him in uniform, and only the one costume for Athena as well. I also want to say that I am not doing any of the costumes from the Madney wedding that we saw at the end of the epsiode - I want to give them the space they deserve and I will probably write a separate pre episode meta for those costumes specifically! All I will say is Maddie looks stunning, Buck in white - hello! and Eddie in a just a collar making him look like a pink priest - hilarious!
The rest is under the cut as always 😎
Let's start with some of the guest characters.
Alien Hand syndrome man continues to prove the check means bad things theme, which makes me happier than you can ever know!!
Then we have Deidra in her very bright pink coat. If you read my promo meta for this episode you will have read a fairly sizeable section at the end on my thinking about the use of pink in this season (going to make a separate post during this hiatus so its all in one place). All of the times we see it in this episode, play into (and I guess prove) my thinking. Deidra is acting with good intentions and while I don't think she's naive or innocent in the strictest sense of the word, she is perhaps continually being naive in thinking that not revealing Mara's past is the right way to go (don't come at me about child protection etc I am fully aware of what the real world laws state, but this story arc really highlights the fact that in trying to protect children who are at risk and in the system, they can also cause ongoing harm if things are not taken on a case by case basis - its a whole other essay that I am not getting into here).
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Then we have Mara herself who is never without pink - namely her pink blanket. The pink plays into the theme of innocence especially with Mara and while she may not be innocent of the act of maiming Denny, her innocence goes much deeper. Its meant as a very clear signpost of the innocence of childhood - that pink blanket and her clinging onto it is a symbol of her clinging onto her childhood, despite the fact that she has gone through a terrible loss and trauma. she is still a child and the show is clearly going to play into the idea that as she settles into the Wilson home and is able to work through the trauma, her need to cling onto her childhood in this way will diminish and we'll see her slowly become less attached to the blanket. We already have signs of progress with the colour journey her tops have been on - lavender, pink and then the turquoise one at the end. Lavender is also a colour associated with childishness or lethargy, pink the colour of innocence, and childhood. While turquoise is a colour of calmness and clarity. its signalling HenRen's breakthrough with Mara and that she's growing and beginning to feel secure.
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Hen and Karen
Hen and Karen go on a real colour journey this week - I'm doing them together (along with Denny) because they very much work in tandem clothing wise (and also because I was running out of pictures again - whats new there!)
So first up we have Karen in this beautiful dip dye ombre dress in purple, pink and mauve. it also has this drip staining pattern which has deliberately been created during the dying process. The lavender at the top of the dress is representative of hope and serenity, this is Karen in a great place - about to expand her family and fulfil a dream. The pink as I've said is all about innocence and naivety - more innocence in this case - both the new baby being innocent and Hen and Karens innocent hopes for their future. The dark mauve at the bottom of the skirt - eating into the pink is such a choice - gathering storm clouds, foreshadowing the turmoil about to come - taking away the innocent hope. mauve can be standoffish and withdrawn, and in this context those are great descriptors for Mara and her struggles that Hen and Karen will need to help her work through.
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Hen's in cyan blue trousers - which is a colour associated with clarity and balance. whilst the cream, black and blue jacket with stars on is the beginning point for a theme that runs through the Wilsons arc this week - black is a power colour, associated with many things, but for Hen and Karen in this arc it is very much about protection and strength. Here for hen it is mostly about protection - protecting this new baby they are about to take in. The cream is warmth and tranquility.
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Hen is wearing check - foreshadowing the upcoming struggles with Mara. Karens bronze and black Jacquard trousers are a symbol of strength - bronze as a colour means strength and support, it's also a symbol of faithfulness. It's telling us that Karen will take the lead on supporting Mara and being strong for her.
We see a lot of white on Karen in this episode, white, like pink is a colour of innocence, but it is more associated with purity and balance. It is also a colour of neutral refelction. By this I mean that it amplifies other colours by providing a neutral background - allowing other colours to shine. I find this a really interesting thing when connected with Karen - it amplifies her strength and supportive nature when the Wilsons meet Mara.
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Hen adn Karen in bed are in dusty versions of blue and pink - Karen innocently tries to touch Mara and that is when the screaming starts. Putting Hen in blue is about relaying her trustworthiness and sets her up as a soothing and calming presence for Mara - hence the sleeping on the floor of her room!
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At the hospital, We see Denny in red - he was wearing it when Mara woke the house up and its an indicator of what is about to befall them (in the same way Bobbys red in the cruise ship disaster adn Athenas red in relation to Harry, or Bucks back in s5 when Eddie broke down).
We again have Karen in white amplifying the other colour she is wearing, which in this instance is this buff/brown oversized sleeveless coat in teddy fleece. The brown is stability, dependability and responsibility - playing into the fact this episode really highlights Karen's position in the family as this stable rock which Hen and Denny lean on when they need support. Karen's unswerving and solid personality is once more being shown off. Its really a key thing for them to show as it feels like a set up for Mara and how she is going to bond and rely on Karen and that dependability as she unpacks her trauma.
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The orange jumper is a really interesting choice. I do love the loose threads on the design of it - paying into the idea that Hen and Karen are at a loose end and unsure what to do going forward. But, the orange itself is generally an open minded colour, its energetic and its also a colour of transformation. These are all things we know are true of Hen and Karen and it hints at the fact that they will fin a way forward. Once again we have Karen in white amplifying Hen's orange and the energy and idea of transformation the colour brings.
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Denim jacket and white tee. I love the distressed nature of this denim jacket and the way it plays into both scenes we see it in - playing into the distress Hen feels over finding out what Mara has gone through and how it explains why she has become non verbal and incredibly protective over her pink blanket.
Again the white of amplification and purity. Hen has pure intentions and the white amplifies Karens black when they are at dispatch listening to the 911 call.
We also have the Karen necklace back - once more showing this ism't about Hen - its about Karen and their family.
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Black on Karen for this scene is such a choice. Black is a power colour, it means strength and protection. Here it is showing Karens determination, as she gains understanding, to protect Mara and support her through her trauma - it is representative of Karen choosing to use the power she has been given through gaining information. The gold highlights hint at success.
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I love these lavender pyjamas on Karen - lavender is a soothing and sleep inducing colour (along with its scent which is possibly where the association came from for the colour) along with a Japanese print of mountains and trees, which plays into the idea of serenity and peacefulness.
Hen in contrast is wearing fairly bright and bold black and green. The green is all about that growth and learning once more, the growth of Hen and Karen, learning more about the issues Mara faces and seeking a solution, but also the growth of their family. The black is a reflection of power - much in the same way Karen wearing black when they heard the 911 call Mara made, here it is Hen, representing the protection that Hen and Karen are offering Mara.
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Athena in green - again with the mesh open weave knit - this may be a theme for her this season - potentially something to do with feeling caged or caging someone/something - especially children as both scenes we've seen it so far have been to do with young people and the law in some respect - ending up in the system - Harry through is crime and Mara through her parents death.
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Chim
This dark bottle green with a fawn brown (what I think is a polo) shirt underneath is Chimneys only non uniform costume this week . This kind of dark green, is as always a signal of growth, but its also a colour of harmony, and right now - everything in Chim's world is harmonious.
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Maddie
I don't thinkI've said it yet, but I am so happy to have Alayna back dressing Jennifer - I feel like we're really back on track with Maddie's costuming after last season where they somehow managed to make Maddie look terrible. The costuming overall last year was fine - not as good as Alayna's work, but it was for the most part good - except for Maddie where it was all over the place!
Anyway - Maddie in black here is very much about focussing the attention on Hen and Karen - like with CHimney's muted green, in tandem they are making the viewers eye focus on Hen and Karen - especially Karen - who is the brightest in the room.
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Maddie wearing this sage green colour when Buck comes out to her is sheer perfection from my perspective - we, once more have the green of growth and renewal, the green of learning - Maddie learning more about her brother - this new thing that he is realising about himself and choosing to share with her (even if inadvertently). But this green is also sage green - sage as in the play on sage advice - which we see Maddie give him. Buck needs that good advice - he needs to hear that its ok, that he can take the time to figure himself out and that its ok that he's only just uncovered this aspect of himself and that it doesn't invalidate him being an ally up to this point!
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Ok not going to lie - I got a little carried away from here on out - so sorry in advance for the rambling mess you're about to read!
Marisol
I'm doing Marisol in a weird order - because I wanted to talk about her date night outfit in tandem with Eddies - because its relevant. So we start of with virgin Mary Marisol! Honestly this outfit is just perfection from the costume department - they saw the brief and went to town and I love it. Its so good to see what they can do when they get to play!
One of the things I really love about this costume is the blue that they chose. Because that blue - that is Bucks blue! the virgin Mary blue is usually a much brighter royal blue. It really helps to place Marisol in parallel to Buck and we get the play on t he fact that Eddie seeing Marisol in this way changes everything for him, whilst later on, whilst Buck is in the same blue, he reassures him that nothing will change between them.
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Look, I'm not going to lie, when I saw Marisol in blue and yellow for this scene I laughed because Blue and yellow (as I've gone on a million times about) means queer coding so to blatantly put Marisol in it - in a washed out form, and very much connecting her to Catholicism - genius move. It marks her out as a roadblock, but also puts her into the role of beard (unknowingly on her part) because Eddie is still in the midst of his repression, even if it is beginning to unravel now.
The black top with spaghetti straps is clearly a theme they're going with on Marisol, as are the ditsy prints. The yellow high waisted trousers are interesting because of the specific shade of yellow. Yes the whole communication theme still applies here -and we see it in action, but this shade of yellow is sallow and sickly (one of the reasons its called sickly yellow is because its the colour of a lot of medications!!) - this relationship and its restart are ill and that automatically means its going to struggle to survive.
It plays into the more negative meanings around the colour - uncertainty and idleness and cowardice. For me the cowardice aspect is an interesting one in relation to Eddie - he has behaved cowardly up to this point - hiding out and not having the conversations that need to be had, and even in this scene it is Marisol who takes the lead.
It's really giving us an indication of things Eddie needs to work on in regards to himself - and once more it comes down to communication. Communication has always been Eddies major flaw - that he isn't good at it, unless really really pushed into it - essentially under duress. The other thing with communication is that it plays really well into the catholic guilt aspect - this idea that growing up catholic has taught him to repress part of who he is - to go along with what is expected of him, but that it also taught him not to ask for what he needs, to not communicate. We see it in this episode with his inability to say no to Marisol (the whole hiding out at Bucks so he doesn't have to have sex speaks volumes) even down to suggesting there's a third type of guy - who just needs a minute. Because, while that might be true to a certain extent, the fact that he says this off the back of her expressing her distress and upset about how all guys are one of two things, speaks volumes - its not him saying this because that's how he actually feels, its partly him saying it because he is pushed into a position where he doesn't want to be the bad guy. its really not a good place to be restarting a relationship from.
We also have the ditsy print of doom in play again - like I've said before, ditsy print on Eddies girlfriends - never a good sign - its really playing into this idea of Eddie jumping in headfirst with gay abandon (pun intended) and then regretting his life choices. Shannon wore ditsy print a fair amount - especially in the I think I'm pregnant' and 'we should get a divorce' scenes. Ana wore ditsy print A LOT - she was wearing it when Eddie had his panic attack in the shop and at other key moments that marked the death knell for their relationship. And so this appearance of ditsy print here marks the same - the relationship is not long for this world
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OK date night Marisol. The way this outfit played out more or less as I expected, She was very much an 'innocent' bystander in this scene (whilst also creating one corner of a triangle with Buck and Eddie) , and the ditsy print very much played into this. Like I said in my promo meta, both Shannon and Ana were costumed in ditsy print as well as in lots of pink!!!
The other aspect of this outfit that is making me laugh is the fact that the skirt is giving me 1980's/early 1990's teen vibes (not to out myself as old but trust me I had some just like this back then and I wouldn't be caught dead in it now as a grown woman!!) and the baby pink handbag looks like something an 8 year old would have to play dress up with - its all very childish and immature - naive one could say, and while it didn't play out quite how I was expecting, her being a novice nun, sure explains a lot of why she comes over as pretty immature.
The other aspect of this childish style we're seeing on her plays into Eddies narrative of looking for magic and trying to recreate what he had with Shannon. He's attracted to Marisol because she is immature and childish - it reminds him of what he had with Shannon when he was young, and when you're trying to recapture that, its easy to fall into the trap of thinking someone behaving in a naive manner is you finding what you'd been looking for. Eddies journey, along side his catholic guilt, is about learning that he cannot recapture or recreate that magic he had when he was young - that the love of youth - in all its innocence is not something that is sustainable or actually what he wants in the present.
Then we have Eddie in white. I spoke in the promo meta about how the white set him and Marisol as opposites and that remains true - very true on more than one level. What I especially love about it and something I could not have predicted is how it plays into the novice nun aspect of their story this episode - truly this show is a comedy! Because nuns wear black and white this is an obvious play on that, but it is also a play on the fact that Marisol is still a practicing catholic, whilst Eddie is very much not. The other aspect of this white is that of Eddies two non uniform costumes, it is the first one and we get this black and white play on religion - the black and white of nuns and priests - the black and white of being religious or not. Eddie never questions if he wants to become a practicing catholic again - he is lapsed and that is how he intends to stay.
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Eddie in uniform, with his green trainers, blue towel and water bottle. the blue towel and bottle play into the buck and Eddie blue green theming we see with them. But what is interesting is though is that Eddie is fulfilling all the colour theming on his own - he is both blue and green - to me this is about Eddies own struggles within himself as well as foreshadowing the Eddie Marisol break up down the line (green shoes suggest a road needs to be to walked before we get there) - it hints at Eddies internal struggles and implies that its will ultimately end in a break up a bit further down the line.
I also think it's only when in Uniform that Eddie can admit to his catholic guilt. Because we all know when Eddie is struggling with some form of emotional turmoil, he wears a black singlet - and he could've been wearing the same here, it would've been totally fitting with the situation - he is going through something emotionally and struggling with it.
But he's in his uniform. Part of it is to have him on a different level to Buck - they are both struggling with something in this scene. When we have previously had Buck and Eddie scenes like this one at work, the one dressed in uniform, tends to be the one offering advice to the one not in uniform. That isn't the case here. Part of it comes back to Buck not actually needing advice, but needing to reveal something about himself - to confess. Eddie is the one who needs advice.
This is a flipping of the traditional narrative for these scenes and is proof that even though Eddie might later tell Buck that nothing is going to change between them, that it has in fact already changed, it is just that neither of them are fully cognisant of that change at this moment in time. It is a key indicator to use the audience that this has happened before but that things are not going to play out the same way this time.
Put it this way - Eddie has form for doing something extreme with his relationships with women in the aftermath of Buck doing something dumb - its one of the manifestations of his repression. This time its asking Marisol to move in with him in the immediate aftermath of Buck going full green monster over Tommy.
Last time it was in the aftermath of Buck begins and then doubling down with Ana after the shooting when Buck had hooked up with Taylor and before that in the aftermath of Shannon's death and Buck suing the department he went and joined a fight club - but he has form. Its completely in character for him to pull this sort of a move. I know he says he's going with his gut but I argue he is in fact ignoring his gut - or at the very least confused about what his gut is telling him, because that would mean actually looking at why his gut reaction to Buck doing something dumb makes him do something dumb in turn connected to these women in his life.
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Eddie in black - this is the same shirt as the white one - just the reverse colour - which is important. This shirt has several layered meanings to it. its about the reversal of what Eddie wants - from him being bubbly and excited about Marisol moving in, to the dread of her having moved in and wanting her to move out - his feelings go from white to black - light to dark - happy to unhappy and it all sums up the relaity of that relationship - while it was new and unserious, it was fun and light, when things got real - it becomes dark and oppressive.
I'll go into more detail about this shirt when I get to Bucks costume for this scene - because they are connected!
The other thing about this outfit is that the green trousers have been replaced with jeans. Now I see a couple of reasons for the wardrobe department doing this. Firstly is that it plays into the 'nothings is going to change between us' of it all. Its a visual indicator that in fact things have changed (along with Buck wearing a brighter shirt than we normally get in these buddie heart to hearts that take place in Bucks loft but more on that later) the Buck being bi and going on a date with Tommy of it all aside, this is the first time we've actively seen Eddie hiding out at Bucks to avoid his girlfriend - this was a barrier that had existed between them previously that has now been broken down. Then there is the fact that Eddie does go home to Marisol - and he couldn't be wearing green at that point because she was wearing blue and Eddie in green would've meant break up time - only the Marisol as a plot device arc isn't yet over (it will be soon I promise - all the costume signs are there!) so that couldn't happen.
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Tommy
This dark olive green shirt that is almost brown. The brown undertones hint at the stability he represents while the green is hinting at his military past and once more paralleling him with Eddie. One of the things about green as a colour is that its not only a symbol of growth and renewal, but its also a colour of learning, and in an episode titled 'You don't know me' it feels like all the green is very much about education - learning about other people - and the growth that results from it. It feels especially important here for Tommy and Buck - that is after all what going on a date it all about - learning about one another and seeing if you're compatible.
The other fun thing about this green shirt is though that the green plays into the blue green colour theory when it comes to Buck and Eddie and their partners and the end of relationships. This one before its had chance to begin.
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For Coffee we have a grey Henley and a blue zip front hoodie with a grey striped undertone to it (I am pretty sure this is actually a hoodie we've seen on Chimney but I can't remember when and I don't think it would be the very same one as pretty sure Lou would not be fitting into Kenneths clothes ever, but Chimney has definelty worn the same style!!). Again Henley's are an Eddie thing, so we once more have the parallel with Eddie being drawn.
The interesting thing here is that the grey blue is the same colour combo Buck wore on their first date attempt - the costume department played a lot with flipping colour in this episode, so to have it done here as well is really fun - the fact there is more grey than blue is also interesting. It's a neutral colour, it is seen as a colour of stability, but is also a colour of uncertainty. It really plays into that theme of uncertainty running through the Buck and Tommy arc. The blue hoodie is actually pretty important because we've had one of Buck and Tommy wearing something dark blue in every scene they've had together - usually the one on the back foot. Tommy in this scene is relatively neutral in terms of position for most of this scene - they are equals - but he is put onto the back foot by Buck asking him to be his date to Maddie and Chim's wedding.
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Buck
Where to start with our beloved bi disaster!
I obviously spoke a fair amount about the date night shirt in my promo meta. The navy blue knit bowling shirt with these silver/grey close together pinstripes running down the front playing into the Buck wearing vertical stripes theme we've has running with him for at least the last 2 seasons.
What I said about false starts and this date absolutely played out - in the same way the sperm donation shirt represented a false start on that donation, this shirt also represents a false start on Bucks dating life as a bi man. The white trainers are also carrying on the theme of Bucks Journey towards happiness
What I find most interesting about this outfit though isn't colour theory related. its all about the fit of the clothes. Because these are ill fitting on Buck - not something we see from him very often - in fact I think the only time we see him in anything close to ill fitting to this extent is back in season 1 when he was figuring out who he was and if being a firefighter was the right for him and exploring relationships and what he was trying to find in that arena. The trousers are the most ill fitting of it all, but I'll come to the trousers later on as they are part o a wider Buck costume theme we have going on!
The shirt is a little roomie, but not overly so, it just stands out more because we're so used to his shirts fighting for their life, here this one is baggy and really helps to sell the idea of defeat, but also that h was trying on this new part of himself for size and that it doesn't quite fit. It's the only time this episode we see his clothes not fit him in this way and its a really small but expressive part of costuming that I love to see.
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Then we have this blue broadcloth jacket over a white tee and with these plum/brown coloured trousers - they're a bit blink and you'll miss them so its hard to be sure what type of trouser they are, but I think they are essentially smart joggers - jersey material but trousers!
We all know that Buck in white means trouble, I'm putting him outing himself to his sister as the bad thing - along with the fact that the date didn't work out.
I'm really fascinated by the fact that we really seem to be leaning into navy blue and Buck being bi. Navy has always been a colour we've seen a lot of on Buck in general, but there is something about the fact we've seen him (or Tommy) wearing it in every single scene that is about his bisexuality. I'm talking from the kiss scene onwards, not anything before that as Buck wasn't aware of his bisexuality before the kiss. I can't wait to see if it continues!
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The green shirt jacket is an interesting one. it obviously helps to play into the buck and Eddie blue green theory, but it does in a smaller way play into the blue green theming we see around Buck and Eddie and their relationships - specifically around issues arising. Both Buck and Eddie wear green when they break up with their significant others and while there is no break up here, there is a break of sorts. This was Buck about to try and tell his Best friend that he was actually out on a date with Tommy and that he's bi
symbol of growth - Buck went in with a goal - to tell Eddie he was on a date with Tommy, but changed tack when he saw Eddie needed to go through something - this is Buck growing as a person - not making something about him.
The other thing about this outfit is that its basically the same as the one Eddie wore at the airfield (even down to the badding of the trousers) - just in reverse - Eddie black trousers, black jacket, green top, and here Buck is black trousers, black top and green jacket - I find this fascinating as a metaphor for where the two of them are on their respective journeys.
Buck is now bi and out (he's told his sister) and has been on a date with a guy (regardless how successful it was - he cannot put it back into the box) - his growth is externalised and therefore expressed through the wearing of a green jacket. We get a lot of storytelling through the various Jackets Buck wears (we've seen him in over 35 at this point!)
While Eddie - who we could say was being taken on a date by Tommy - even if he didn't know it (because who flies someone to Vegas to a sold out fight if its not a date??) wearing a much brighter green that we've seen on him before now (pretty much all of his greens are more army green with a couple of exceptions - much darker greens akin to Bucks jacket in the below picture) - still in the army green wheelhouse, but much bolder. Eddie's queer status is still very much internalised - hence it being underneath the black jacket.
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Buck coming out to Eddie from a costume perspective was a glorious parallel that I have already mentioned in the promo meta (I've run out of pictures so you'll have to go watch the scene yourself if you want to see what I mean). Its actually a bit deeper that I appreciated in that promo meta, but that is in part because at the time of writing the meta I wasn't 100% sure it was a coming out scene and I didn't get to see the way it was shot and how that also played into the paralleling.
Costume wise - I already spoke above about Eddies black shirt and how it is reversing him in the episode. But what I didn't mention is that fact that it parallels in colour terms, what he was wearing when Buck informed the firefam that Connor and Kameron were pregnant. Eddie wore a black marl henley - black with flecks of dark grey running through it, and Buck here is wearing a slightly darker blue version of the same top he wore in that same scene. He is standing in the same place at the counter of his kitchen, or sitting very close to the same position and we get similar camera angles. As a whole the parallel is very loud - Buck was happy and proud of something he had done and wanted to share it with his friends - wanted their approval. He was feeling good about himself and confident in his decision.
The biggest thing about the blue - this shade specifically is the way it play into the blue theme we saw last season with Buck - the theme that started in the 5x18 finale at Hen and Karens vow renewal, when he was free of Taylor and moving forward and essentially restarting his search for happiness. We saw it weave a thread through the entirety of season 6, being worn at key moments that played into that theme - after Lev died, at various points in the sperm donation arc, and a key points in the aftermath of his death and rebirth.
The successfully helping create life aspect of this is so interesting. It on a low key level plays into the you don’t find it you make it manifesto that’s been at the heart of bucks arc since s2. the whole year if yes was supposed to be about this very thing - about Buck creating the life he wants for himself  - the sperm donation isn’t about the baby it’s about Buck and about him figuring out what he’s missing (which comes back to not only Thomas and Mitchell, but also Lev).
The other thing that ties into this theme is that Eddie isn't really changing but Buck is. Whenever we have a scene at the loft between Buck and Eddie Bucks costume and colour varies, but Eddies stays more or less the same. Bucks colour Palette for these scenes goes - dark grey in the you want to go for the title scene, then we have the grey blue on the balcony and now this much lighter blue. This is highlighting Bucks progression while Eddie who remains in his black shirt and that progression - while Eddie essentially remains steadfast - is key - it’s showing us that while buck is still doing dumb things, he is learning - he is listening to whatever Eddie is telling him - that he’s accepting Eddie’s absolution of his sins more and more - growing and understanding. 
It’s building on his long running arc - his fear of being left behind, of not being important enough for people to stick around for - and showing us he’s increasingly understanding that that fear is unfounded - that he’s found his personal- the one who will stay and who is steadfast in that. That’s why we see Eddie unchanging in his black shirt green cargos while buck gets lighter - more unburdened by that fear.
Before you think all is lost on the Eddie front though, we are seeing change - the army green trousers are gone and have been replaced with jeans - perhaps, in the same way Bucks growth into his bisexuality began with his beginning to wear jeans again, Eddies own growth into his own queer identity also begins with jeans - moving him away from Eddie the soldier - fighting for others - being a rock for others and now into a position where he can do his own growing.
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In the sperm donation arc, Buck was finally able to donate and was wearing that super pale mint green polo. we don't see the same with the outcome here at this point in the story (although the beige/mint green jacket from the bachelor party is making me👀👀👀 at this moment in time!) - we get this cream open weave linen shirt with black and terracotta and golden brown vertical stripes.
I love that they went with a shirt that has such an open weave - playing into the whole concept of Buck being open and embracing this newly revealed part of him that he's discovered. But what I love most about this shirt is the way it ties back into the Buck learning to accept himself and find his happiness.
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Because this shirt is so similar to the one from 6x01 - when he decides he doesn't need a new couch, what he needs is to be ok on his own and with himself.
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lets talk Buck and his trousers because the trousers are a whole thing this season and I am truly in love with the long game the wardrobe department have been playing on this one. They know that we have all been out here raising eyebrows at Bucks trousers for the past few seasons as they've gotten shorter and shorter and ill fitting. I know I've made comments in previous costume metas about the fact they must be doing something intentional with them being so short in the leg - that them doing this is giving the appearance of a child who is still in short trousers and isn't fully grown - hasn't moved on to wearing full length trousers yet.
Well it would seem I was right and thats exactly what they were doing, putting him in short trousers to show that he wasn't his fully formed self - that he was growing and learning and figuring things out. because - I've gone back through my spreadsheet and checked his trousers out for all of his scenes and there are only a handful where he has trousers on that are well fitted and the correct length. One of them is at the start of season 6 - at the end of the episode where he moves his armchair instead of getting a new couch - the one time in season 6 we see him most at peace with himself
I remarked in the 7x04 meta that we only saw Buck in his too short trousers in the one scene at the airfield, and from then on, he was was in jeans. Now the jeans are a mimicking thing - Buck hasn't worn stone wash jeans since Eddie appeared on the scene back at the start of season 2, so for him to start wearing them again as soon as he becomes jealous of Eddie and Tommy - and Tommy is wearing jeans - was pretty telling in its own right. It's Buck trying to get Eddies attention (not Tommys - Eddies) because, we do not see Eddie in jeans in 7x04 - but we do see Tommy in them - and in Bucks head he is loosing Eddies attention to a guy wearing stone wash jeans - so if he wears stonewash jeans then maybe he'll get Eddies attention back.
That obviously didn't work out how Buck thought it would, but it did lead to him figuring a new part of himself out.
We can see how his trousers are all now sitting at the correct length, I grabbed this still of the black ones, and you can see in the full length still from the date those are as well (even if they're too big more generally) but the others are all sitting at the correct length as well.
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We also see the jeans back for his scene with Tommy - I truly am fascinated by the choice to put him back in stonewash jeans aafter so long as a theming choice for his bisexuality, I really am enjoying this more relaxed looking Buck from a costuming perspective - the journey we've been on with his costumes is great - the increasingly formal style thats just a little too small and tight we've seen over the seasons now slowly relaxing once more into something much more comfortable and well fitted - showing just how far he has truly come.
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And thats me out for another week! Sorry it turned into another epic - it would seem `i cant stop myself! Not sure if this has come out longer than last weeks, I think it might've, but I can't be bothered to check! Thank you as always for reading this monster and I hope you enjoyed this deep dive into the costumes for 7x05. I'm off now to hyperfixate on Bucks bathroom door and get myself though this mini hiatus!
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taylormarieee · 3 months
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Unspoken Feelings...
part 5.
social media au: Charlie Bushnell x Fem!Actress!Reader
Previously on Unspoken Feelings...
Your sitting there contemplating on whether or not you should really answer Charlie or not. You finally turn back on your phone and see a whole bunch of worried and missed calls from Walker, Dior, Leah, and Charlie... Oh god what have you done... Just as you were about to call them back you hear a knock on the door... Who could that be?
Now...
You get up and open the door seeing a worried Dior standing at the door.
"Oh thank god your ok!" she yells ut hugging you. You stumble back from the force of her hug a little bit and hug her back.
"I'm sorry. I just, I don't know how to tell Charlie." You say breaking down into tears again.
"Shhh... It's ok girl. He's on his way here. You have to just push through for now. You've got an interview coming up in a few hours so get some sleep and we'll figure it out later ok?" She says trying to reassure you in the best way possible. "I'll stay with you tonight, I love you!" She says lastly before guiding you to your bed.
"Ugh I love you too. What would I do without you?" You say smiling weakly. Your eyes flutter shut and you let sleep overtake you.
The next morning has arrived and you wake up. You don't see Dior next to you anymore so you assumed she went back home to tell her dad that she's ok.
You get up and brush your teeth and do your whole face routine before going back to your nightstand to pick up your phone.
You still see all the texts from Walker and Leah, and Charlie... You decide to call Charlie first. You press his name and listen to the phone ring.
When you feel like he's not going to answer you decide to hang up the phone but your thumb is stopped by the sound of his voice on the phone.
"Y/N!? Are you ok??? P-Please tell me your ok." The phone breaks up a bit but you hear his worried tone.
"Morning Charlie. I'm ok, I turned off my phone. I'm sorry for making you all worried especially you." You say feeling the tears come up in your eyes again.
You sniffle and try to get the words out but Charlie is quick to say something first.
"Pretty girl? Why are you crying?" He asks his heart feeling hurt as he hears your sniffles on the other line.
"I-I just, I don't know how to deal with all these feelings I have. The feelings I have f-for you..." You mutter out.
"You have feelings for me too? Cuz I also have feelings for you. I was scared to tell you because idk, you were giving me mixed feelings i guess. One minute were flirting and he next I feel like I'm in the friend zone again. You know what I mean?" He says as he paces around his hotel room.
"Yea, I know what you mean. The only reason I did that was because I always overthink things. I never knew if some days you were just flirting with me or just being nice. I never knew which one was happening so some days I would flirt and other days I'd shut myself out. I'm sorry Charlie."
"It's ok pretty girl. I love you yn. With all m heart. Your my future and probably the love of my life." He says chuckling into the phone.
That causes you to giggle and you feel all flustered. "I guess I'll see you at the Interview?"
"Yea, I'll see you there."
"Bye Charlie."
"Bye baby."
Your mood suddenly lifts at his voice. At the way he called you baby, pretty girl and the way he comforted you. God what did you do to deserve a man like Charlie.
You decide to text the groups chat and let everyone know your ok. Finally you check the time and start to get ready. You ordered some breakfast and indulged while you watched some TikTok.
| Y/N |
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♡💬 Liked by aryansimhadri, leahsavajeffries, dior.n.goodjohn and others.
y/n- Me and Charlie on our way to an interview!!!
roseyposey- eeeeeee can't wait to watch it!
loveydoveydove- Oooooooo so excited! Glad everything's ok!
leahsavajeffries- You look gorgeous!
↪y/n- Thank you pooks.
walker.scobell- Hey gremlin:)
↪y/n- Hey waterboy;)
iamcharliebushnell- Stream the 7th episode of Percy Jackson and the Olympians now!!!
IlovePJO1- I'M SO EXCITED FOR THE FINALE!
↪y/n- YESSS! ME TOO! I CAN'T WAIT FOR YOU GUYS TO SEE IT!
| Y/N |
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♡💬 Liked by walker.scobell, leahsavajeffries, aryansimhadri, and others.
y/n- No, I didn't forget Walker! This post goes out to my favourite little boy! WALKER SCOBELL! I love this little kid sooo much! He's so funny, incredibly kind and very mischievous! I loved being on set with him it was honestly just an amazing time with everyone! I love you so much Walker! Your so talented and the closet boy I call a brother. Love you Walker💕 My little son of poseidon🪸
walker.scobell- I LOVE THIS! THANK YOU! I love you too! And for you information I AM NOT MISCHIEVOUS! You little gremlin!
↪y/n- Ok waterboy! Keep telling yourself that!
dior.n.goodjohn- Little bro! This is so cute! Love you @ walker.scobell
↪walker.scobell- Love you too Dior!
leahsavajeffries- LUV YOU @ walker.scobell
↪walker.scobell- LUV YOU TOO WISE GIRL!
iamcharliebushnell- I WITERALLY WUV YOU @ walker.scobell
↪walker.scobell- and I WITERALLY WUV YOU MORE CHARLIE
aryansimhadri- YOU MY ROMAN EMPIRE WALKER!
↪walker.scobell- WUV YOU!
| iamcharliebushnell |
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♡💬 Liked by y/n, walker.scobell, dior.n.goodjohn, roseyposey, and others.
iamcharliebushnell- It's official! Me and @ y/n are together. I love her so much and these are some of my favourite memories with her this week. I love you so much my love, and don't worry, we can do this.💕
y/n- I love you so much Charlie. I'm going to miss you so much when you leave. I'll be calling you everyday and thinking about you non-stop. I love how kind and caring you are bubba. I love you my little hermes boy! My mischievous thief:) Mwah!💋
↪leahsavajeffries- AHHHHHHHHHHHHHHHHHHHHHHH!
↪walker.scobell- There literally so cute OMGGGGG!
↪dior.n.goodjohn- LITERALLY MY ROMAN EMPIRE!
roseyposey- THEY LEGIT TOLD ME HOW SINGLE I AM IN 30 LANGUAGES!
Loveydoveydove- AHHHHHHHHHH! THERE FINALLY TOGETHERRR!
↪roseyposey- THERE SO CUTE RIGHTTTTT???!!!!!
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Taglist: @lizziesfirstwife @angelicdanvers @prettyinsatiable @angelinajolie0213 @maryann2013 @kneehe-nehar7 @rhydianissuperior @urmomsbananabread @reader-bookling123 @istillremberthefirstfallofsnow @csifandom @repostingmyfavs @leo-lvr @glorywielder101 @aanoia @madelainelupin16 @ahh-chickens @callsignwidow
A/N: Heyyyyy! I'm extremely sick but I thought I'd pop out with this! Idk when I'll be able to get around to the fic because I'm almost finished writing it but I just lost motivation to finish it. I believe it's because I'm so sick but idk! Hope you all enjoy!
~COMMENTS AND REBLOGS ARE MUCH APPRECIATED~
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butterflydm · 4 months
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More s3 hints from interviews (day 2 & Josha!)
@markantonys linked me to a masterthread of More Interviews (twitter.com/GradeKangusBeef/status/1736788980006330448), which I have scoured for more s3 hints, lol. The twitter thread is being updated as they appear, so I definitely recommend the thread as a whole.
From a screenrant interview with Zoë:
Are there any future events or character moments from the books that you know about that you’re excited to get into?
Zoë Robins: Yes, definitely. I’m going to have to tread very carefully, but there’s a moment in season three that I think Wheel of Time book readers will be very, very happy about. It was incredibly exciting to shoot. I think that’s all I can say.
Guessing this will be the Nynaeve-Moghedien confrontation! The word 'exciting' makes me lean that way -- though we may get other key scenes from the books like Lan giving her his ring, not sure that would count as 'incredibly exciting to shoot' and would more likely be described as tender or sweet.
From one with Daniel:
One thing that is less present in the show so far compared to the books is Lan being kind of a mentor figure for Rand. Is there a chance we’ll get a little more of that as the show progresses?
Daniel Henney: I would say that I personally would not bet against it. I'm being shipped off in two months to a place very far away to shoot some really incredible stuff where I have to be in very good shape. I'm eating tree leaves and protein shakes, and I'm in a double training schedule right now, which could include some of the stuff you're talking about.
Another hint that we'll be getting Lan training Rand next season.
From a Dónal one from screenrant; this isn't about s3 but it's sweet:
Dónal Finn: It's great. I love the character very much for that reason. It’s a very human experience that when you're watching, you can go, “I can identify with that, because that person is trying to use levity and humor and lightness to make ease of someone else's difficult situation.” Even though it often can feel like he's kind of punching up or trying to jeer at Rand or something, he knows that it comes from a place of, like, “God, there's so much hard stuff going on for Rand in every day of his life that he needs somebody to do that.” Otherwise, when we meet him in Cairhien, if he doesn't have that—if he doesn't have Mat at that place—he may not laugh, and that's just really crap for your best friend.
I love this point here. I don't think I even realized how miserable as a baseline Rand was this season until we got that contrast of his reunion with Mat. We may be getting that dynamic continuing into s3.
Kate Fleetwood with dragonmount:
KF: Lots of things happen in Season Three... yeah… they sat me down and were like, “This is what we are planning for you in Season Three.” I was, whoaa! Ok…
Very vague, but interesting! I wonder if Liandrin will be a tug-of-rope between Moghedien and Lanfear next season, because Lanfear snagged her from Ishamael but Moggy might snag her from Lanfear.
The tiniest of s3 hints from Ayoola:
AS: A combination of things, I think like, it’s the writers and it is Naomi, my dialect coach, and I kind of spoke about that, it is that humor that the Aiel have that's kind of, can catch you off guard and isn't necessarily funny to everyone but they find it amusing… just where that hits I think and just kind of the situations and we're able to play with that and bring that in.  Also, Aviendha is kind of a little bit more cheeky than some of the other Aiel that we will encounter and kind of her humor is very much part of who she is. Just kind of playing around with that, and it just, it just came out and felt right.
We're gonna meet some serious Aiel in s3. Not a surprise, but good to hear!
Madeleine talked to decider.com:
So far what we know about next season is it’s going to be hugely inspired by The Shadow Rising. We’re going to see Rhuidean and Tel’aran’rhiod. Egwene is now coming out of being a damane. You know, is there anything about her experience with the Seanchan that might influence how she handles, say, another hard, foreign culture like the Aiel? Absolutely. Look, I think even from Season 1, we see that Egwene’s truly been a novice of the world and is fascinated with what is out there and what other people can teach her and what other cultures can teach her. I think she’s sort of taken little bits of the Two Rivers, the White Tower, the Seanchan… And, you know, she goes on this journey to the Aiel Waste and ultimately will, no doubt, learn a lot there as well. So I think she’s just like a big sponge for the world and wants to learn. 
Confirmation that Egwene is going to the Aiel Waste, which makes sense, given that's her TSR plotline. Also, Egwene as a big sponge for the world and constantly learning is just... absolute 100% Egwene.
Josha talked to looper.com:
For Rand, Season 2 was about finding himself and realizing that he can't run away from it. He needs to do it with the people he loves. Season 3 is finally time for facing what he has to face. He's owning that prophecy more, and we see glimpses of why Rand is the Dragon Reborn and why he'll end up where he needs to end up. As that evolution's taking place, what do you do to get into character as this character is evolving? I'm very lucky that I have 14 books, which I have read, and that has given me a lot. I really understand Rand, and it's a lot of things. It's the conversations I have with Rafe [Judkins], the directors, and the writers. It's playing with all these amazing actors. It's the sets. Everything feels so real, and at the end of Season 3, we go to South Africa for two months, and being in that environment, all those things added up together, that helps you to get into the character.
Very exciting! We know that South Africa is Rhuidean, I believe, so very exciting to hear.
Also, Season 3, that keeps on going, and that is a very interesting area to explore because Lanfear is the Devil, and you can't love the Devil. It feels at times that Lanfear is the only one that really understands Rand, and because Rand is often very lonely in what he feels and sees, it seems like, at times, he can't express it to anyone else, and she's exactly what he needs — but she's the devil. That was very interesting for us to explore, and I secretly hope that Rand and Lanfear marry, but I don't think that will happen.
lol @ Josha. Anyway, yes, they're going to be exploring Lanfear trying to tempt/manipulate Rand more in s3, sounds like, so she isn't going to pay attention to Moghedien's warning for too long.
Again, without spoilers, what's next for Rand and the Emond's Field Five heading into Season 3? What can we expect? That's a good question. What can you expect for Season 3 without getting into spoilers? Well, they're together again. There is way more togetherness than in Season 2. That's exciting. It is fun to follow all of you guys, but there's a lot more momentum when you're all together. That's also quite hard for them, because these main characters all need to become something eventually. Because they are so close, it also creates some inner conflict. Rand, for example — if someone has been to your first birthday parties, it is very hard to become the most powerful channeler in the world and also the most dangerous man in the world, because they know your parents and they know who you were. That is one of the struggles they're facing now that they're together at the start of Season 3.
I would like to paste that last sentence from his first answer directly into the brains of everyone at reddit who believes that s3 is going to start with everyone all split up into separate plotlines and we're not going to get any group interactions.
Great answers from Josha in this one!
Screenrant also talked to him:
How do you interpret Rand’s relationship with Egwene in season 2? It’s romantic in the first season; do you feel like there’s a thread of that still there?
Josha Stradowski: I think a thread of that romantic relationship is definitely still there, because it gives this feeling of home for the both of them. They have been to each other's birthday parties. I think that is, on a human level, very [much] what they both need. But I think it also might transition to something else; more like a brother/sister kind of love. But that’s season three, maybe.
I'm really glad they asked him about Egwene!
Rand only reunites with his friends from the Two Rivers at the end of the season, and we haven’t seen how they are around him [after] knowing that he’s the Dragon yet. Can you say anything about what that dynamic is for season 3? Are they afraid of him?
Josha Stradowski: I think for all the main characters, they get what they need, and that is each other, but for all of them comes the internal conflict that they also feel like they need to become something else. It's like this growing pain, and I think Rand has that quite a lot. I feel like he wants to be there for his friends, he knows that he needs to be there for them to protect them, and the other way around as well, but he also needs to become the most dangerous men alive. How can you do that with someone that knows your dad, or the girl who kissed you for the first time? I don't know if that's Egwene, but in my head it is. So, I feel like they all struggle with this growing pain, but you see why they are friends, and you see why they are together; why they are the main characters of this story.
More that implies that we're going to be seeing EF5 interactions before they split up.
Collider also talked to him:
I've been reading the books, as well, and I think that's one of the sadder parts of Rand's journey, as you see how he's viewed through other characters, and the sadness of them reconciling their memories of him with the person that he now is kind of forced to become. Speaking of love relationships, though, I talked to Ceara and Rafe about Rand and Elayne's first meeting. What was important to capture in hinting at what this relationship is going to be, as well as the surprise of that connection? It feels like these are two people looking at each other for the first time and thinking, “You're going to be someone special.” STRADOWSKI: Yes. And that's what I take away, quite often, from the books as well. I have that with Selene, for example. There are a lot of moments where Rand can't get a word out of his mouth because he's so in shock at the beauty of this woman in front of him — and we didn't really have that with Selene, not like that in the TV show, but we did have it for Elayne. It's, like you said, a hint of what it could be, but I feel like it's subtle. It's a gradual thing which needs to be organic, and we might have some of that in Season 3, but I can't spoil that.
He talks a lot more openly about Selene/Lanfear in general -- which makes sense, because that's the relationship that was on the screen in front of us, while the Elayne relationship is gonna have a lot more spoilers involved -- but we get this hint here and I like hearing that the plan for Rand & Elayne is to be gradual and organic (which will be a big contrast to how the Rand/'Selene' relationship was introduced).
I will point out that Josha seems pretty careful overall about spoilers, mostly talking about things pretty vaguely and with ambiguity, so it feels like part of why he's talking about Lanfear so much is because she's one of the few things he's allowed to openly talk about at this point.
Lan training Rand is something that I think fans are excited to see, so I'll ask you the same question that I asked Daniel: can we look forward to that in Season 3? STRADOWSKI: What did Daniel say? He said he's back on the Warder diet, but then he also referenced your recent Instagram post and said that he needs to trim up to stand next to you. STRADOWSKI: Well, you can tell him I'm on the Dragon diet. Like you said, I'm also very excited to finally see some Lan/Rand swordfighting. I think it's time.
It cracks me up that Josha feels out how much Daniel might have spoiled before he says anything.
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christiansorrell · 3 months
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TTRPG Read-Through: Traveller - Book 1
Here is a read-through I did about a year and a half ago (originally posted on Twitter) of one of the all time classics: Traveller by Game Designers' Workshop! This read-through just covers Book 1 - Characters and Combat from the original Traveller box set trio of books. - Christian
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This is the 1981 Second Edition printing of the classic Traveller three zine box set! Been wanting to read this for ages now. It's discussed A LOT in Mothership circles.
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Really interesting to see GM-less and solo play options here. Didn't realize that was being done explicitly at this time. Also, nice to see "he or she" language here rather than the just "he" you see a lot in older games.
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The UPP is clearly the creation of an utterly deranged mind. This seems like a huge overcomplication of just listing stats (unless all your players are proficient in hexadecimal).
[Hi, it's me from the future here (aka now - 2024): I've learned to embrace and love the UPP (or more specifically the planet stat version from one of the other books). It's complicated at first but really quick and cool once you know how to read it.]
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I really like Social Standing as a stat replacement for charisma or charm or other social skills you tend to see. Feels like it would have more impact on the story and less of a "Roll to see if you convince him, I guess" sort of anticlimax social skills have most of the time.
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I'm now into the "you can die during char creation in Traveller" bits. Really cool in some ways. Really comical in others. It recommends you enlist your bad stat characters into the Scout service because of it's high mortality rate (so you can roll a diff char before play), lol.
Essentially, you roll stats and that's your entire character but to give them some experience they can enlist in a Service. You have to roll to get in and may get rejected. If so, you submit to the draft (get into one at random). You can die. You can gain skills and promotions.
Honestly, the char creation feels like a solo game unto itself. Risk v reward of how far to push your enlistments to boost your skills and standing and benefits. You could have a whole story in your head by the end of it. Great Session 0 material.
As a 34 yr old, this hurts. Apparently, I have -1 Strength, Dexterity and Endurance now...
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I admire commitment but asking GMs to use this full char creator for all NPCs (which means generating chars until you get one capable of filling the role you need) is truly too wild. Best part: at the end, it just says you can also pick whatever you want for stats and skills.
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The weapons and intro text have much more of a space as a new age of sail vibe to them than I was anticipating. It's cool. Far more Dune than Alien (so far).
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Interestingly (unless I missed something), skills are detached from your stats. Your base stats make getting into a Service easier and help you with Saving Throws and such, but skills have their own modifiers based on the situation and your expertise. It's cool (if a bit dense)!
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In case you were wondering, there is absolutely no art in this entire book. I'm hoping we'll get some in one of the other two books with vehicles and ships and such but won't be holding my breath. Gives the whole thing a very Serious vibe.
Always interesting to see how older games chose to handle this (or not).
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Here's the UPP in action along with quick listing of other character info. Interesting even if it is just too overcomplicated for my tastes.
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Can't overstate how much char creation feels like a whole solo game of its own. You can roll a character at age 18 and have them go through seven 4-yr terms in a Service before retiring and having substantial cash, specific possessions, memberships and social standings. Wild.
The character sheet mentions PSIONICS which is exciting (but I'll have to wait till Book 3 for more on that apparently).
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Combat is straightforward but has some unique bits: a focus on stealth as an option and movement/attacks occur by all parties simultaneously which means everyone (enemies too) gets to move and then everyone chooses who to attack and you roll them all. Sounds really fun.
Stats have cool effects in battle. Your Endurance stat is the number of attacks you can make before needing to rest (can you imagine if DnD just didn't let you do a base attack at a point?). Strength and Dex can boost or lower certain weapon rolls like you'd expect.
If trained in a weapon, you can give your expertise as a negative mod to your enemy's rolls to attack you to reflect parrying and blocking which is cool. The skills also add to your attack rolls. Skills just seem really useful overall here.
I just love that we get stats for broadswords, revolvers, and laser carbines. Plus, there are even special tables for archaic weapons for when encountering lower-tech civilizations. It feels like a really wide open interpretation of what space could look like. Feels exciting.
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A few more equipment tables and a final quick reference page at the back and that's all for Book 1. I'll be back with Book 2 and 3 in the coming days!
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Main thoughts: Character creation is very involved but really cool - its own game practically. Skills are very deep in a way that feels refreshing when compared to more stat-focused games. Combat has some fun, chaotic twists. Feels like a wide universe of possibility here so far.
I'll add Books 2 and 3 to this thread when I give them their own read-throughs. In the meantime, here's my newsletter (last two months have Mothership freebies): https://meatcastle.substack.com
And here's my website (with links to my games and modules and all that good stuff): https://shop.meatcastlegameware.com/
Thanks for reading!
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meraki-yao · 14 days
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RWRB Thoughts: The Deadline Contender Panel
Quick list of very direct, subjective, random and spontaneous thoughts I had while listening/watching the panel:
I absolutely understand that Taylor probably doesn't remember every detail of the movie off the top of his head, especially with nerves, but Sweetheart really didn't describe the played DNC scene correctly😅
That being said Taylor calling Henry Alex's boyfriend made me SO FUCKING HAPPY???? I was squealing and kicking my legs because of all the feels. On top of that, intentional or not, Taylor takes a breath so it goes "wanted to bring his... boyfriend!" and there's this subtle emphasis on the word, I am screaming
I do question why this scene though? I don't know much about this whole process, but just an educated guess, if we're trying to get an emmy nom via this panel, shouldn't we be showing a scene that's more representative of the movie's core? Like, say the New Year's scene, or Kensington Palace, or the Lake scene. If we have to include the comedy aspect, then show the freaking Red Room. I love this scene of course, but if the purpose is to nominate ourselves and show ourselves then I feel like another scene should have been picked
Why can't people freaking pronounce Nick's surname correctly? It's phonic! Ga - Lit- Zine
"Orange Guy was still president" I snorted
I heard there's stupid discourse over this minor, harmless thing, but because people are stupid, here to clarify "especially Taylor since he's here" is CLEARLY A JOKE BETWEEN FRIENDS and if you didn't pick that up then that's kind of sad :P
I'm wondering if there's still recordings of the zoom auditions/chem read. I can also imagine zoom chem read being much harder. Honestly I think zoom auditions only work with monologues.
He did the chem read in his sister's apartment lmao
THEIR CHEM READ WAS KENXINGTON????!!! WHAT THE FUCK???!!! THE MOMENT THAT MADE MATTHEW GO "there's the one" WAS THIS FREAKING SCENE??? This also implies they had to say "I love you" upon the first time meeting each other oh my god I wanna see that so bad
Also I cannot freaking imagine this intense of a scene via zoom, God I really want to see it (don't think we'll ever get it but still)
Someone ask Matthew or Nick what the other scene in the chem read is
The notebook, pride and prejudice and 10 things i hate about you mention made me happy :D
The speech thing... Kinda feel like should be a Matthew question? It's cool to hear that Taylor referenced President Obama but this is still ultimately him being Alex? Plus Taylor's a great public speaker to begin with
Did he dabble in political science? Did he ever mention that? I know he did Spanish and Community but political science?
I think the only really bad gay movie in recent years was Bros and that has a myriad of issues internally and externally, but I think it's just this one?
Why is TikTok the metric? Might write something longer in the future when I have time but the thing is with this
Speaking of Taylor and queer roles, I think I saw somewhere that Noah Torres was bi?
I talked to @pippin-katz about this but dear God, I have heard the question "What is your favourite scene" being asked to the boys at least three times now, and they always answer the cake scene. Why don't they ever expand on the question, especially since Taylor affed the Kensington scene this time, and why don't they ever ask other questions or ask about specifics? Between me and my friends, we came up with at least 40 questions that could be asked to the boys and haven't been asked yet.
Nick how the fuck did cream stay in/ behind your ear for two days and Taylor how did you spot it
I'm honestly getting really tired of the sequel question, it's always phrased the same way, and of course, the answer is gonna be the same. Even if they knew, they contractually can't tell us, the first announcement of a sequel will have to come from a bigger source like Amazon themselves.
I understand being nervous but this interviewer felt too timid and unsure of herself
Overall still very enjoyable, always more than happy to hear Taylor speak about his baby that we all love, but the question are so freaking repetitive. I said it clearer in my discussion with Pippin so here's a screenshot of that part
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bonny-kookoo · 1 year
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Snowball Princess: Choices
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Warnings: Angst, mentions of death, fluff at the end
A/N: Hoseok's enlistment has given me the big sad.
Masterlist
♥━━━━━━━━━━━♡━━━━━━━━━━━━♥
"I want to.. file in for independent living." You say quietly after the deafening silence got too much for you to handle. Your voice is still raspy from emotions as you'd tried to really keep it together when seeing Hoseok off for his military service - though you ultimately failed.
The topic of living independently had been on your mind ever since Seokjin enlisted - the whole reality of times changing and people leaving really hitting you hard.
"Do the others know?" Taehyung asks quietly, watching you as you just stare out the window, familiar scenery passing by. You shake your head.
"Its.. I don't know how to approach it." You simply mumble, making him nod.
"Can I ask why? Why you've been thinking about it, I mean." He gently asks, gaining no answer from you for a while, eyes quietly tearing up again.
"I.. you know, I often wish I'd met you guys sooner." You explain quietly, still not looking at anything but outside. "So I could've spent more time with you."
"There's still a lot of time ahead, sweetheart." He reminds you, reaching out to tuck some hair out of the jacket you're wearing- Hoseoks, just like you wore Jin's for quite a while after he left.
"Is there?" You ask, and by now, he can hear you sniffling again and spots the way your tears reflect on the mirrored image in the car's window you're looking out of. "Its all falling apart though, isn't it?" You question no one in particular.
"They'll be back before you know it. We'll all come back." He tries reassuring you, but you just nod- confusing him for a second.
"But things are still changing, aren't they?" You turn your face towards him, and he can't help but break a little at your defeated face, eyelashes all soaked in sadness. "You're not gonna stay like this forever." You explain yourself. "You're already living apart, it's only a matter of time until you all start families of your own. I'd.. rather go before that happens, you know, so you don't feel like you've got some.. obligation towards me." You tell him. "It was fun while it lasted, though."
"You know I won't say no if it's what you really want." Taehyung makes sure you know, before he smiles softly. "But I'm also very much going to keep my promise. You'll always have a spot in my family, no matter how much time changes things." He offers kindly, and you nod.
He did make that promise, over and over and over again over the course of the years.
"I know." You simply answer, before turning to look outside. "But.. maybe it's best to start living on my own now." You say.
"You do know we all love you, right?" He asks, and you nod.
"I know." You nod, but he shakes his head.
"No, I guess I need to rephrase that." He chuckles. "You do know we're all in love with you, right?" He asks more clearly now, and at that, you turn towards him, a devastated look on your face.
"I'm not a good future though." You explain with a soft giggle. "I won't have children, I won't be able to marry, and I'll die long before you guys." You say, reminding him of the grim reality no one really thinks of with hybrids.
Hybrids don't have a life expectancy as long as humans have. And it's not just five or maybe ten years- the oldest living Hybrid currently is a Swedish cat-hybrid, merely 51 years old. And she's already blind and almost deaf, senses and body failing her.
You don't want them to witness you waste away like this.
"We're all aware of these things." Taehyung reassures though. "Those things aren't new. I know that right now, emotions are pretty high- but please think about it once more when you're more calm, princess." He says, reaching for your hand. "And keep in mind that you'll always have a space with us, no matter what changes. Jin-hyung has furnished an entire room for you at his house, no?" He offers, and you shrug, before nodding.
Seokjin did do that for you.
It had been a complete surprise to you when he'd showed it to you, proudly telling you that you can always stay with him if you'd like.
"And I do too. The room where the windows-"
"-where the windows let the sunrise in." You chuckle with a sob, nodding. It's your favorite.
"And Jungkookie basically got almost all your stuff at his place!" He chuckles now too, glad he's seemingly cheering you up with his approach. "Every time you're staying at one of the members places, the first thing I hear is-"
"I have to get my stuff from Jungkook." You finish the sentence, smiling to yourself. You do have most of your things at Jungkooks place. Your clothes, books, games, toys and even things like bodywash and toothpaste. You're pretty much living with him at this point, the more you think about it.
"And Yoongi-hyung trusts you with his studio password. He's got the couch and everything in there just for you- even though he wanted to throw that old thing out." He nods to himself. The couch had been from the old dorms you all shared- and while he didn't want it at first, you clung to it due to emotional value.
So he kept it, for you.
"Hoseok-hyung knows all your medical dates. Hes like a walking book full of your most important things- allergies, vaccine dates, doctors appointments." He chuckles. "And Namjoon-hyung has all your paperwork at his place. Everyone always thinks of you, by nature. You're a fixed part in our lives, and that'll never change." He tells you, and you nod, car coming to a stop as the driver gets out to let both Taehyung and you out.
The man smiles politely at you- his face familiar as hes worked for the company and the band for longer than you've been with them. "And if they don't want you, I'll take you." He jokes, making you and Taehyung laugh out loud for a second, before you hear the first one of the other members call out to you in alarm at the sight of your tears.
"Oh puppy, it's okay." Jungkook offers, already jogging up to you to hug you tightly. His hugs are always tight. He always squeezes you a little. But that's fine.
"We're all staying at Yoongi's tonight, right?" Jimin asks, and Yoongi shrugs.
"I don't know, sure." He answers, while Jungkook sways you in his grasp, cheek resting on top of your head.
"We're gonna have to pick up some stuff of hers from Jungkook's place though " Namjoon says-
And you laugh together with Taehyung, last of your tears dripping down onto the ground.
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tobiasdrake · 2 months
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Well, I was supposed to wake up in a field but instead.....
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Some sorta void beyond time and space. Neat. It would seem I have gained the ability to determine for myself how far back to loop.
I credit this new ability to my brilliant decision to touch the timedrop. Clearly, I have absorbed its power and added it to my own through temporal osmosis. I have based this observation on nothing whatsoever but I will hear no argument otherwise.
In any case... I still need to find out who keeps breaking that bread so--
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Oh my god you read my Pocket Notes and listen in on my conversations and now you're just being controlling I NEED SOME SPACE LEMONFRIEND
>_< I am in a toxic relationship. With time.
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A revelation that wasn't the main goal of dipshitting myself into oblivion but is a welcome discovery nonetheless. At least we know that everyone who's frozen is a) somewhat conscious but b) not in a state where they would be suffering.
10/10 Great service, satisfying experience. I look forward to killing myself again in the future.
Alright. Well. Guess we'll get back to it. Grab the tonics from the side room and my ding ding and then--
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No. Fuck you.
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I was thinking about my ding ding it could not be helped
Ugh, this place is so rude! I want to file a complaint.
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Moving right along. Nothing to see here.
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Like those two buildings back in Dormont that are inexplicably locked. Must be some kind of regional locking mechanism popular in this area but I have no idea what.
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Oh, there we go. That was easy. So we just need to figure out the pass phrase for any of these doors we find.
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I see where this is going. It would behoove me to throw myself on that Tear over yonder and die so I can go get the password.
...but I have the utmost confidence that I'll get myself stupidly killed anyway soon, so I don't need to bother.
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In a suspicious place, yes. That sure is a pillar.
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I do not trust this pillar, okay?
This pillar is watching us.
Plotting.
It knows I'm on to it.
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You say that like we should feel bad for it, Isa. Unfortunately, feeling bad for things is a form of Sadness so I'm afraid all of my sympathy's getting chopped up with scissors.
Along with this boss fight.
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Alright, cool. Some kind of key thing that can be used to something something with the tears, so let's keep going and--
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...okay so maybe it's actually dangerous to hussle the group past all of the deathtraps I already know about. I may be trapfinding so well at this point that it's putting everyone in danger.
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Who would do something so monstrous
Okay now I'm super onboard. King needs to die.
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Go on, Bonnie. Take a wok on the wild side. *wok-a wok-a*
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Am I... am I supposed to scramble it? Wait, is this a metaphor? Does this key have gender dysphoria that it hasn't quite realized yet?
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...so that's a yes. Yes, the key has undiagnosed gender dysphoria.
Cool. I'm happy I caught that. I feel proud of myself for my ability to pick up LGBT subtext.
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This philosophy is pretty deep. I took the religion of Change for a silly joke at first but no, this is some serious shit.
Is this whole religion a metaphor for the experience of being LGBT? There is clearly some strong coding going on here with Vaugardian society. In fact, the entire concept of worshipping change is itself so tightly connected to gender and the trans/non-binary experience that--
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BONNIE
NO
You take that gender out of your mouth this instant! The experience of self-discovery is NOT breakfast!
*sigh* Kids.
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bornincaldecott · 1 month
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I didn't really get into Romy in '97 too much in my post-episode 2 brain dump last night, and while I'd like to say that was completely intentional because I was planning a second brain dump dedicated to them...that's not the case. Not entirely, at least.
Like I said, it was late when I was finally able to watch episode 2 (was fighting an absolute terror of a migraine), and my post last night was already getting long. I was exhausted but I needed to get my thoughts out of my head.
But now that I'm more coherent and feeling somewhat better (migraine's a persistent bastard), let's get into it!
My Romy heart was so happy seeing them together. This era of them is probably my favorite. Yes, of course I love how far they've come since this, and of course I'm obsessed with them being married, but there's something about this part of their relationship — the pining, the angst, the romanticized chaos — that just slaps.
Maybe it's because I do know what the future holds for them, and seeing what led them there, everything they went through and endured, is such a testament to how much they love each other.
Remy has so much faith in Rogue, even this early in their relationship (although I guess they've been together for at least 5 years by the time '97 kicks off). "Rogue always comes to Gambit's rescue"? PLEASE. I know that was supposed to be a throwaway because they're teasing Scott but COME ON.
They gave us so many little glimpses into their relationship. Romy nation was fed well. Like when Rogue's hanging on him after the sentinel fight?
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Look how proud she is of him. That face? "Yeah, that's my man."
They seem so comfortable with each other, and it makes me so happy I was misty-eyed watching. Apparently not comfortable enough though because...y'know...
Now that I've slept on things, though, I wonder if they're actually going to go full-on Rogueneto. Yes, they hinted at it, and yes, some tension was introduced, but maybe it'll get nipped in the bud before it becomes a whole thing. This is cheating, but there's another trailer where we see Kurt bamf between them, and you can tell that Remy had his arms around Rogue right before that. The fact that we have that trailer tells me that Kurt is going to be introduced sooner, rather than later (but I could be wrong). So that makes me think that Mags might be a bump in the road, but not an all-out hurdle they have to clear.
That doesn't make it hurt any less 'cause BOY HOWDY does it hurt. But even the strongest ships sometimes have to sail through storms before they can make it back home to the harbor, their endpoint.
I doubt we'll get it, but there is a part of me that's holding out hope that, in light of the Rogueneto angle, we'll get the "home and harbor" speech at some point, albeit with a different lead up. I don't think we will but GOD I WOULD SOB. Maybe Remy's VA has Cameo. I'd shell out the cash for that.
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starseneyes · 1 year
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Chenford - Lucy Chen / Tim Bradford - The Rookie - Season 5 - Ep 22
"Under Siege" AKA "Who in the Writer's Room Likes Horror?"
It's a bizarre day. If you love Chenford, then you need to know what's going on with the WGA - Writers Guild of America. They are striking for a fair wage and basic protections.
WGA members craft this ship and show we love so much, so please show solidarity for them as they fight for not only their future, but for future generations of writers.
SPOILER ALERT: If you want to remain spoiler free, I have no bloody clue why you're here. I can only assume a friend told you to check this out as a cruel joke. First off, dump that friend. Second, buckle up. It's about to get spoilery!
All good? Great! I can't wait to dive in.
Arrest Me... but make it SCARY
A bit of a different vibe for our opening tonight. No, this isn't Chenford-direct. But, it's important to know the vibe of this episode going in.
If any of you are Avengers: Infinity War fans, you might recall the Wanda / Vision relationship, and their whole sequence where they were ambushed. Originally, it was a lot longer, and had more of a horror movie vibe.
I loved that they went outside the box on that to play with genre throughout the movie.
I feel like The Rookie is playing with that a bit. It's been a while since my heart pounded during an episode.
In all honesty, it was probably Day of Death that last had me on the edge of my seat... and I watched that after I started Season 5 with near-canon Chenford.
Yes, I'm spoiled. Yes, I think OG Chenford fans deserve medals for their patience.
Speaking of which, your patience with me is likely wearing thin... let's get to the Chenford.
"Hey I heard it was Thornson."
Tim and Lucy show up together, and I'm having flashbacks to the two of them bailing out her UC buddy in the dead of night. These two know how to get moving when it matters.
Tim and Lucy immediately separate on their separate missions. That didn't work out too well for Celina and Aaron, but it looks like Chenford survive the night.
Look, I have a lot of ship trauma. "Leaf on the wind" anyone? Yeah, I've got ship trauma.
"A blood drive has been set up at the hospital. If you can do so, please volunteer at the end of shift."
I'm reminded of the fact that Tim Bradford regularly gives blood, so I'm heart-warmed that he's the one who gets to deliver the news to the team.
"Those are not store-bought Halloween masks."
It struck me immediately that Lucy is sitting front row like a Rookie.
Yes, I know that they are packed in there, so somebody has to sit up front... but it's Lucy, so it feels symbolic. As though she is sitting in the Rookie spot in Celina's honor.
"Hey. We heard the good news about Aaron. Unfortunately, none of our CIs have heard anything about a gang targeting the cops."
I know it's a little detail, but I love Tim and Lucy showing up together everywhere.
Of course, someone on Twitter called out the 4x01 parallel to them showing up at Wesley's together after I initially watched the episode. And they're so right. It's another parallel among many in this episode tonight!
"I hate to say it, but this is not gonna break tonight."
This one I spotted immediately the first time through—it's another night where he's sending everyone home because there's nothing more to be done... just like when they lost Jackson.
And I have to wonder if the intentionality of these parallels is to confirm or subvert expectation.
Like, are we supposed to see this similar sequence of events as an omen of doom? Or are we drawing these parallels with the intent of intensifying the torture before the cathartic release of Aaron's survival?
I guess we'll find out together in Season 6.
"I can't lose another."
Oh, Grey. Poor Grey. I guess I wasn't the only one having flashbacks.
Tim and Lucy Embrace
Tim knows Lucy is having that same flashback. There are too many similarities, too many things tying them all back to Jackson and the loss they all endured.
Angela about to give birth. Someone targeting them. An ambush and a shooting.
Yes, Aaron has a chance at making it. But the weight of this moment is not lost on this team who has suffered too much loss before.
Lucy and Tim step into the apartment, and they barely make it past the door before they're in one another's arms.
It's wordless. Tim motions to Lucy, and it reminds me of the hand motions when he offered to carry the War Bags after their last ride together.
Tim and Lucy no longer need a shorthand... they don't even need words.
He knows what she needs without her asking, and she knows what he's offering without a word spoken.
Back in Season 4 Episode 1, Tim asked what she needed. She asked for the hug. Now he knows what she needs in this moment as easily as he knows his own—some semblance of comfort in the horror of history repeating.
QUICK EDIT: Upon rewatch, I find I didn't imagine his "Come here" the first time (another call back), so technically he did use words... but they weren't needed.
Tim holds Lucy in his arms—so similar to their positioning in 4x01—but that's where the similarities end. Because Tim and Lucy of Season 4 no longer exist.
Everything has deepened between them since then. And while, yes, the hanky panky is fun... the trust is what they both need here.
They can't trust that everything will be okay. But they trust that with one another they are truly safe. And right now, they both need that comfort.
"It's okay," he whispers as he holds her, wishing it were true.
Tim kisses Lucy's forehead as he holds her, rubs her arms, and tries to offer some comfort as she leans against him, sobs overtaking her... like the first time he held her in Day of Death.
I know that we're going for the 4x01 parallels with how this is shot and staged, but I see the DOD ones, too. This is where they are safe when nowhere else feels safe.
Tim's hand cradles her head as he holds her. And much as this hurts like hell, this moment is important.
Tim and Lucy are one another's safe place. With each other, there are no pretenses or pretending, anymore. They no longer hide from one another or themselves.
They've embraced the beauty of who they are together, and while there will be many moments of joy... the sorrow is a part of the journey.
Tim and Lucy have had their share of it, true. But this is the first time they've traversed it as boyfriend and girlfriend. And the impact of enduring possibly losing another officer and friend to an ambush is too much.
Does being together make it easier? Hell, no. Is there a slight comfort in knowing you're not enduring it alone? Oh, yes.
"No we know. We ran your prints ... you don't get out of bed for less than 20K a day. Who hired you?"
Tim and Lucy are very good at what they do, and I love how they are supporting one another and building upon each other.
I miss them riding together, but we see what makes them great—they both think on their feet and they are sensational at the "yes, and".
I love getting to see the professional side still fires so beautifully between them. It's a feat I feared fumbled, but I'm freakin' psyched it fared fine.
Oh my goodness, that's way too much alliteration. But, I'm leaving it. It's ridiculous and it makes me smile!
The Trip Wire
Another commonality with Season 4 Episode 1. Gee wiz, we're going for lots of references with this one, and that leaves me curious about the intention... and whether there's a common thread that we're somehow missing that leads all the way back.
Or, I'm reading too much into it because I'm weird. I can roll with that, too.
Tim joins up with Lucy outside the house where she asks him for clarity that none of them have. What the hell is going on!?
"We should move on." "What? No."
Love that Lucy still stands up to Tim at work.
Look, even when he was her TO and then her supervisor, Lucy never shied away from speaking her mind. In this case, she sees something they're missing. And she's not going to let them miss out on an important piece of the puzzle.
"You think it's personal?" "I mean, look, if I was gonna go to the extreme of targeting police officers, why not take out some of my enemies along the way?"
And with that, Lucy BadAss Chen cracks the case. No, I don't know if that's her legal middle name. But it should be.
My brain immediately goes back to Tim accusing her of a social media obsession that happened to crack a case back during one of the Documentary episodes.
There's no skirting around this one—it was all Chen.
"I'll take Moran." "You're not going by yourself." "I'll go with her."
Alright, Fierce Protector. You do you.
"You should be out kicking doors with Metro." "I'm good." "I don't need you protecting me."
Well, damn, I thought it was just me! I thought I was gonna be the only one in this Meta calling out Tim in the Protector role, but I guess my on-screen bestie had to chime in, too.
Also, bringing back "Good" in this scene, which truly feels like their word, and I love it.
Tim will always have Lucy's back. He knows that she is capable and strong, but he's also her boyfriend and spent a lot of time as her TO and then Supervisor. Worrying about her was a part of his job, and now it's an ingrained part of his life.
He's not trying to undermine her independence or capability. He simply wants to be close because then he knows she is safe and doesn't have to hold his breath wondering.
"So, clearly what you're saying is you need me protecting you." "Clearly. You know me so well."
It was pinging my brain, and I couldn't figure out why until someone pulled out the DOD GIF on Twitter and I started slow-clapping like a sports movie.
Yes, of course! When Lucy woke up in the hospital to find Tim by her side... as he is, now.
I kept seeing DOD parallels in this episode, and I'm strangely comforted that others did, too.
Plus, a return of "Clearly", which has been another of Tim and Lucy's words. "Clearly, Ashley's gotta go." "Clearly this isn't working out."
"I'm happy it's you at my six." "Back at you."
Major "We protect each other" vibes, and I bloody approve. Look, we know that Tim is a Fierce Protector. But he also knows that his girlfriend is a kick-ass bad-ass.
Now, we enter into a fight scene that is a bloody masterpiece.
Yes, I wondered why they emptied their clips at the Riot Shields, but I'm not a cop, so I don't know if there's some logic behind it I don't possess. Other than that... this fucking rocked.
Like, literally. I couldn't have been the only Xennial rocking out when Janes Addiction started playing! Someone go hug the Music Supervisor, Music Coordinator, Screenwriter, Director, or whoever threw that track out there, because it's bloody brilliant.
Tim and Lucy are working together, talking it out as they go. And we see all that time they've put into building their communication is really on display, even in a bloody battle.
"We stand a chance, but only together."
Hell, yeah, Lucy! I've been saying that all season. No, not in terms of having the high ground (rest in pieces, Anikan Skywalker's limbs), but in terms of getting through this thing called life.
Tim and Lucy stand a chance of surviving as Chenford through end of show only if they work together.
And on-the-screen in this particular moment, the same holds true.
"Pull not push, copy that."
Love. Them. Look at Tim taking the word of his capable wife and putting it into practice.
Tim and Lucy are literally fighting for their lives, here, and they are fighting together. When one's on the brink of being overwhelmed, the other is there.
Lucy delivers a strike to free up Tim. He takes on several at once, and she goes for the shield. I was screaming, "Hell, yeah, baby girl!" like the big sister I am to my on-screen bestie because she was crushing.
Tim is the master of pepper spray, I swear. He's used it in many creative ways, but super smart to go straight for the eye-holes on the masks to try to penetrate.
Lucy's close to losing consciousness when Tim rips the guy off of her, repaying the earlier favor of her freeing him up. It's a literal give-and-take... in a fight for their lives. This is bloody brilliant.
Nolan finally makes it up there, and Tim helps Lucy through the door to the stairwell, literally shielding her with his body.
Once inside, Tim has his hand on one of his favorite places—Lucy's leg. But this isn't a sexy-time touch. This is the, "Thank God you're alive" touch. If they hadn't worked together, that could have ended very differently.
"I have Bradford and Chen secured upstairs."
Chen and Bradford, sir. It's Chenford. Not Braden.
"You should be on your way to the hospital." "We'll go after."
At least Tim is saying he'll go. Like, seriously, this guy is the king of avoiding medical attention. And too often when he's gone in, he did so knowing nobody was waiting for him on the other side.
Now, not only is he willingly going to go in with his girlfriend, he knows that they'll leave together. Look how far our boy has come.
A Glance
Our last moment of Tim and Lucy is just a glance... a subtle glance between the two of them where that wordless communication comes in.
They've always have this layer to their relationship—communicating without a word. But it's so much deeper, now.
And as we reflect on the end of a season, I have to say it's been incredible to witness their growth alongside y'all in real-time.
This season has been an absolute roller coaster, and my first with all y'all! I started with 5x01, had to catch up, and have loved this whole journey.
Thank you all for being so welcoming to a late-comer like me. And thank you for reading!
Remember, love one another. Give yourself grace. Don't worry about "perfect" because it doesn't bloody exist. Go after your dreams. Fuck Fear. And believe in yourself, always.
And if you're not ready to believe in yourself... know that I believe in you. And I'm always rooting for good things to come your way. You've got this.
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genouxcasses · 2 months
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!!MAJOR REBIRTH SPOILERS!!
Okay, so I finally managed to calm down and spared some time thinking over the ending, I've come to make some conclusions (totally mo!):
1) There are definitely Aerith 0 and Sephiroth 0, probably from OG/AC timeline which know the whole story, and Sephiroth 0 is on the hunt for Aerith 0 who hides from him between worlds. Well, did hide since we saw in the Church scene that Sephiroth found her ("So that's where you've been hiding"). Sephiroth 0 knows that killing Aerith will only bring her to Lifestfeam and give her opportunity to interfere his plans again (same goes for alive Aerith), so his best option is probably to just keep her locked between worlds. Aerith 0 knows she can't hide from him forever so with last attempt before being caught she puts her last hopes into Cloud 1 (the Cloud from Remake timeline). Both Aerith 0 and Sephiroth 0 can obviously travel between worlds and in Aerith case (I suppose with help of Lifestteam) she can also move others between them (she dragged Zack into Cloud 1 reality and Biggs to Zack's and so on).
2) Cloud 1 isn't hallucinating or goes crazy in the end. He's the one present in two (at least) worlds at the same time, and as in one of them (my guess what we saw was OG timeline because we see but not hear Cloud says something and it's probably his famous lines "Aerith won't laugh again"). but then he sees Aerith calming him down with "Cloud, it's okay" which could be pointing at that Aerith 0 not only gave him her mageria but also told him what to do, so Cloud remembers that and calms down, because he now does really know what to do and how to save her. Remember last scene before he gets on Highwind and leaves Aerith? NO WAY Cloud would do that to any of his friends and especially to Aerith since we saw dozens scenes when he's worried for her in even light situations, not speaking of leaving the girl alone in the field lol. It's not even OOC for Cloud, it's just not him completely. which I believe also points that Cloud knows exactly what he sees and what he has to do (or maybe feels it, since Cloud 1 is not fully awaken yet). anyway this leads us to Marlene's words "only Cloud can save her". because only Cloud recieved those insights from Aerith and he is indeed the one who can save her;
3) As for the future which was left to us to guess for now... Well, along with all said above and taking in the fact that AC timeline is totally fckd up (where Sephiroth will just keep coming back again and again until there's no one left to stop him), and whole Remake point was to "Make things right", and with main themes of Remake - Hollow with its "I will never let you go again", and of Rebirth - NPTK with "We can be together forever evermore", my bet is on they're gonna mix all the realities including OG (as ai said, I think it's already happening in Aerith d-h scene), and come up with one whole new one where things settled in "right" way and no place left for any other timelines or else;
4) Aerith's fate... It's up to decide, I suppose. I believe Zack had high chance of survival since there's only one Zack for all timelines, but I'm afraid there's a high possibility that the only Aerith to live will be the original one, or rather her consciousness kept by Sephiroth between worlds. Also I see a possibility (of fanservice, additionally...) of leaving two Clouds: one in coma from Zack world, who might be left to live with those who he knows: Zack and Tifa, and Cloud 1 from Remake main timeline, who might leave with Aerith for their Promised Land he was searching so hard for in OG and AC. Or maybe I'm just scared to believe in NORMAL happy end with Aerith alive and happy in normal world. But I guess we'll see in 3 or 4 years on the last part of our journey...
What about you, guys? Which conclusions have you reached? I was so depressed these last days I'd be happy to discuss.
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kimberlyannharts · 3 months
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So I may have been slightly hyped for this book the past few months
For the three of you who haven't heard about this, MMPR: The Return is a story set in the future of an alternate universe of the MMPRs; one where Jason, Zack, and Trini didn't give up their powers upon the eve of the Peace Conference, and thus the team stayed together even after high school. But fast forward twenty-two years later, and the team has broken up due to some sort of tragedy - we know from the Re-Imagine prologue in the 30 Year Anniversary book, Zordon and Alpha were destroyed by Zedd and Rita. But other stuff seems to have happened too. What is that stuff? I guess we're about to find out!
Oh, and I should mention this was written by the original Pink Ranger herself, Amy Jo Johnson. (and her partner, Matt Hotson.) That might be important to know.
It's Mighty Morphin Power Rangers: The Return #1!
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= Three pages in and Jason's already getting his ass kicked. You're forty-five years old, man, you should be at the club
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= I know this was debated a bit when the book was announced - how it would line up with Thuy and JDF's passings, especially after coming off the heels of Once and Always, where the focal point was Trini's daughter taking up her powers after Trini's death. (For what it's worth, this book was first conceived pre-pandemic, long before OaA. Making comics takes a long time.) And while Tommy is still a bit up in the air (despite what we'll see in a few pages) Trini does seem to have definitively passed due to illness.
While I definitely get the frustration of Thuy's passing essentially sealing Trini's fate - especially in a comic book, where you don't have to worry about actor restrictions - I'm a little more generous towards it here because Amy and Thuy were close friends and she actually dealt with her death personally compared to how the OaA writers, well......didn't. And this issue is clearly paralleling Kimberly's motivations and feelings to Amy's real-life ones, so this just feels like another part of that.
(Also to contrast OaA's handling of Trini - a) her passing here isn't caused by a graphic onscreen explosion, proving the whole "well they HAD to show it onscreen for more impact!!!" was bullshit b) her friends AND THE WIDER COMMUNITY are actually grieving and talking about her impact on everyone as well as using the non-actor-restriction to SHOW it and c) The book actually gives her a JOB. TWO jobs!!!!!!! Yeah OaA why the fuck did you send ZACK to Congress WHEN IT CLEARLY SHOULD HAVE BEEN TRINI
also I like her middle-aged design. prettyyyyyy)
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= onto lighter topics HEYYYY IT'S THESE GUYS!! Bulk and Skull are married and you just can't see the ring through Bulk's gloves, it's real and true
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= speaking of which this whole flashback is adorable and nostalgic but I want to point out some background details
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= Ernie is just trying to run a fucking business here
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= go white boy go
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= ZACK/KIM HAS FINALLY COME BACK TO ME MY FUCKING BELOVEDS!!!!!!!!!!!!!! God, when WAS the last time they actually talked one-on-one in the main series
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= FUCK!!!!!!!!!!!!!!!!!!!
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= so along with some other stuff I'm definitely taking this as foreshadowing that Trini wasn't cut off from Kim like the boys were. That's the power of WOMEN (and also if we get Aunt Trini flashbacks with Olivia I'll fucking CRYYYYYY)
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= Absolutely obsessed with Billy's face here
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= D:
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= So besides the Trini stuff I want to the keep the Once and Always comparisons to a minimum but it's very funny how both storylines involve Billy using a company as a front for his embezzlement schemes. At least his telecom company PROBABLY isn't war profiteering
= also Alpha's rose <3
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= so anyway Jason's gone rogue and was pretending he's the main character until he suddenly went missing, as shown in the first few pages. And Billy and Zack want to become Rangers again to try and find him.
= but the thing is guys, Kim has won the idgaf war. She's depressed, she's traumatized, she spent twenty-two years raising a child with Tommy's genes all by herself, she's tired. She does NOT want to be wrapped up in Jason's midlife crisis drama
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= Zack getting so mad and wanting to risk it all for Jason hell yeah those are my Jason/Zack crumbs
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= Mysterious shadowy figure watching the old people drama from a distance, you are just like me fr
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= OLIVIA THAT'S FUCKING OLIVIAAAAAAAAAAAA and she already sounds so CUTE. If you go back to the diner scene you can see the phone constantly buzzing until Kim finally puts it away. She's like mom. mom. mom. MOM
= also just because the tragic Tomberly family storyline already makes me want to kms do you think that ring is kind of small and plain because Tommy and Kim were so young when they got married and it's all Tommy could afford. And Kim still wears it to this day. I want to die
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= It's already been confirmed that Selena is indeed referring to Sylvia here, so I won't talk about that. What I DO want to talk about is Kim's casual momwear. Those sweatpants!!!!!!!!!!
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= It would be really funny if Kim just. immediately slammed the door shut
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asterlark · 1 year
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we learn so little details about benoit blanc's history or personal life that that little moment in knives out 1 fascinates me... let's look at it.
marta: did you know harlan?
blanc: he knew my father who was a police detective. years ago. my father respected harlan. that says quite a lot.
1. we learn that blanc's father was a police detective years ago, which means that
2. blanc is partially following in his father's footsteps, becoming a detective of sorts himself
3. blanc's father respected harlan and "that says quite a lot"- which i take to mean, it was respect not easily earned. blanc sr. gave his respect to people he deemed good enough, worthy enough.
now i'm just thinking and extrapolating, but from this wording and tone, i gather that blanc's father is dead. and i wonder if we'll find out in future movies whether that's true, and if blanc's father lived to see blanc become a famous private investigator, was he proud of him? did he respect his son? (unrelated but kind of related: did he know his son is gay?)
it's also a fascinating moment, in a movie partially about a family's relationship to a father figure, to have blanc briefly mention following in his father's footsteps. in baiting linda to talk about how she truly feels about the other members of the family, blanc says:
"...as a self-made man myself i have to express my admiration for how you've followed in your father's footsteps. ...just marvelous. the whole family too. joni with her things, walt with his publishing empire."
this movie has a subtle nod to legacy. what do we want to leave behind? who do we want our children to become? how will we care for future generations? harlan cuts his family off to force them to become "self-made" and self-sufficient. then there is blanc: if we take him at his word (and don't presume he's lying to bait joni), he is a self-made man.
we can only guess at how he feels about his father and his original motivations for his career choice, but it makes sense that blanc would want to become an investigator because of his father. it makes me wonder- did he try to be a police detective first or did he go a different way from the start? (i personally get from the "self-made" vibe that he's always been a private investigator, but that's just imo.) what guided his ethos in choosing clients, honoring his father or unlearning his father's worldview?
there's no real end to this post i'm just fascinated by benoit blanc as a character, partially because we know so little about his personal life. he's a man of mystery, he's gay, he's either a daddy's boy or has daddy issues, he's a fashion icon, he's a feminist, and he's my best friend ❤️
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2n2n · 2 months
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ch. 111
the plot thickens and I am thrown all around the room as if in a hurricane... I really cannot predict Iro-sensei's plots!!!!!!
oh Amane, all of your efforts, your gestures.... what a desperate, helpless feeling
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its the most predictable response Tsukasa would have, but it still hurts very very much.
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he's reaaaally strange isn't he... he's like that....
oh Amane.... you're so reactive to perceived rejection and failure. You'll say the worst things, you'll think the worst things... you're sooo unstable, Amane!
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What, you simply don't accept that your otouto would 'try to leave you'? I bet it's something like that. You "know he's fake" now because he "wouldn't do something like this to you"... that's my guess at your dumb little brain. Don't take him too seriously, okay, Tsutsu? Your brother just can't handle the sense of rejection of you choosing to die & leave him behind, or he can't handle that all his gestures and attempts to show his love fell so flat that you have no idea at all of his desperate love of you. Nooooo you have to be fake~~~ my real otouto would understand and he'd never leave me~~!!! I don't think you, Amane, understand how suicidal your real otouto was, and is, to this day! Would you believe it has less to do with disregarding you, and more to do with not believing in his own life's worth? No, you won't believe that, right... it's about you, instead! hahaha....
I'm glad I played AidaIro's Snow White game because... Estelio is THIS HURTFUL to Rasphard, and it's just out of a sense of being rejected!!! Estelio would kick his twin's goddamn corpse on the ground, let him wriggle and DIE in pain and AGONY if Estelio has the impression Rasphard wants nothing to do with him or isn't considering him ... LOL. Iro likes this kind of ... troubled, insecure, desperate, spiteful, needy person... you want the perfect brother, who loves you. You have that, but you can't understand the idea of someone choosing to leave you through death....
I wonder if Tsukasa started grabbing your jacket to move you to protect you.... meanwhile, Amane impulsively moved to protect his ~~~fake otouto, haha!
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I wonder ... if Nene-chan has her memories because, she is magical etc, or if Akane actively made Teru do something to her to enable her to... stay as an aware asset, since he isn't completely sided with the Clockkeepers... maybe Akane is waiting to see what 'new future' comes to be, and seeding a few tricks to utilize if he doesn't agree or wishes to pull out? (I mean, if the Severance never happened, Aoi definitely would not be his girlfriend haha)...
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The clockeeper's circumstance is interesting enough. Its very Aidairo-core. But not enough for me to talk about haha.
swag, I have been right the whole time! cool. yep!! of course. logical haha!! I can't be too proud of myself, it's been spelled out ...
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that same old God~~ our Tsutsu!
the year before the murder, when the boys were 12... fuckin scary place to go to. What on Earth are you changing... the circumstances of the shinjuu?
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if we're 'fixing' the 'problem', I wonder if that means we'll be going into the original timeline, where Amane would likely still be alive-- he'd just be an old man, and Nene-chan's teacher at Kamome. Wouldn't that be so funny and interesting? Lol. What would we all do if Amane was "Yugi-sensei" and like, old! It would be very AidaIro core AHAHAH ahhh the agegap fetish--! It's not enough to have Sumire x Hakubo and Yako x Misaki and Kako x Mirai and the entire Monstery Nursery AUs LOL you know, we need more ahahahaah (HanaNene is already technically biiig agegap! I would laugh if actually making Amane like 60 woke some people up flfjdklfdjk)
I'm just not sure... Amane could just be dead, I guess, and Tsukasa. Or he could be alive, and old. I have a vague theory that he must be a kaii because of, whatever he or Tsukasa had done together during the shinjuu... (maybe Amane was impulsed to eat some part of Tsukasa, maybe the God blessed Amane at the last second, etc etc)... it's hard to imagine Amane would be a school mystery-- Tsukasa is his yorishiro after all... and we don't quite know what circumstances make Sumire and Tsukasa into objects, if being sacrificed to the God had something essential to do with that...
Well, so interesting, I wonder if Nene-chan will have to go even further than she did in Picture Perfect-- in that arc, she had to choose to reject a seemingly perfect, but ultimately fabricated, world; even if it was 'nicer' than the 'real world'. Now, she might be shown a world fixed of its cracks-- it could even possibly be a world Amane never had to murder his brother, like she wanted before. Nene-chan is so often getting "what she asked for" in the wrong way, at the wrong time. She fell in love with "Hanako". Is the boy she fell in love with "here"? Is he in a form she can confess to?
Furthermore, she just bonded with Tsukasa, and has knowledge of the Red House... must be essential, to write that happening before this-- just before, even. Tsukasa even inspired her to need to free herself, even if Amane isn't there to save her.
Poor Nene-chan though-- so scary!!! What an awful situation to be in HAHAHA, flung around...
I have no idea what Mitsuba's situation will be, but Tsukasa is responsible for our "Mitsuba" to even be around. He wouldn't have even managed to become the ghost about the entryway without Tsukasa kaii-ifying him through his first, vague wish.
Well, it would be funny if these things were all true now:
-Amane is alive, but he's old lol -Aoi is not Akane's gf, and maybe that other timeline was the only goddamn way you could ever get her within reach lol -No Mitsuba To Speak Of lol
MUCH POSSIBLE, MUCH TO THINK ABOUT-- MAYBE I'M WRONG ABOUT IT ALL!!! Iro-sensei writes such interesting plot twists WOO ahahaha! I WONDER IF WE WILL INTERACT WITH 12 YEAR OLD TSUKASA AGAAAIN~~ pleaaase ~~
feeling more certain than ever that Tsukasa is The single most tragic member of this cast hahaha
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