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#Hiroshi Yamaguchi
fancypantsrecords · 2 months
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Various Artists - Bayonetta Original Soundtrack | Wayô Records | 2023 | "Lollipop" Purple with White Swirl + Pink with Black Splatter + Yellow with White Swirl + Green with Black Swirl
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needanevenbettername · 2 months
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Obscure Stand of The Day 21.
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An illusion created by Dark Mirage.
Stand name: Dark Mirage.
Namesake: The phenomenon of mirages.
Created by Mayori Sekijima/ Hiroshi Yamaguchi.
Year of creation: 1993.
User: Michal.
History: Dark Mirage is the second minor antagonist faced by the Joestar group in the light novel JoJo's Bizarre Adventure Genesis of The Universe. The Stand itself is never drawn.
History of creation: Dark Mirage was created for the 1993 Light Novel JoJo's Bizarre Adventure: Genesis of The Universe. The use of the Stand's ability was drawn by Hirohiko Araki.
Ability: Dark Mirage can physically manifest and control mirages and uses this ability to attack the Joestar group from a distance, at one point attacking them with a boat. Because Dark Mirage's power relies on sunlight, it can only be used during the day.
Appearance: While Dark Mirage is never shown, its appearance is described as a two-meter-tall humanoid made from crystals with a lens condenser in its chest.
Trivia: Both the Stand and the user are mute.
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Dark Mirage's user, Michal.
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aishiteru-kenshin · 1 year
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Ōkami | Hiroshi Yamaguchi & Masami Ueda | Theme of Kaguya
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curiousrentals · 1 year
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Gate Keepers 21 | ゲートキーパーズ21
“I smelled your maggot stench a mile away.”
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wokeupwiththissong · 9 months
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youtube
The Gates of Hell - Bayonetta
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Lawyers Network presentation on the history and politics of the Unification Church of Japan
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▲ Lawyer Hiroshi Yamaguchi giving his presentation. The photograph on the right in the book is of Sun Myung Moon with the former Prime Minister of Japan, Nobusuke Kishi. He was the grandfather of Shinzo Abe who was recently assassinated.
Press conference held at the The Foreign Correspondents’ Club of Japan in Marunouchi, Tokyo on July 29, 2022
Complete transcript
Link to video of this presentation: https://youtu.be/owNiYsT_Bnc

National Network of Lawyers Against the Spiritual Sales (NNLASS)
 全国霊感商法対策弁護士連絡会
[This transcript has been edited for clarity. Various facts have been checked and some material added.]
22:00 Mr. Hiroshi Yamaguchi: “My name is Yamaguchi and I am one of the National Representatives of the National Network of Lawyers Against the Spiritual Sales. I would like to briefly talk about the issues that concern us from the establishment of the organization until today.
Sun Myung Moon, who founded the Unification Church, was born in 1920. Around the 1950s there was a crisis on the Korean peninsula. [In June 1950 the Korea War broke out.] At that moment Moon was in prison in North Korea. He often spoke about the hardships he experienced during this period. Although this organization was established in Korea, Japan has been their main base for recruitment of members and their fundraising.
25:18 And the reason why Japan is the main base for their recruitment and fundraising comes from the teachings Sun Myung Moon gave to the Japanese members. According to his words, Japan is the Eve nation and Korea is the Adam nation. Sun Myung Moon claims the Eve nation has the responsibility to indemnify the crimes and sins committed in the past.
[Eve was blamed for the “fall of man” in the Bible. During the Japanese occupation of the Korean peninsula from 1910-1945, metals, food and other resources were taken from Korea to Japan, and Korean men and women were forced to support the Japanese war effort in factories and coal mines, etc.]
That was the reasoning why the members had to recruit more people in Japan and to raise more money in Japan. Their teachings said the Japanese had to send members and money to Korea. These were the words of Sun Myung Moon, the true messiah, and so they were considered to be the words of God in their faith.
26:50 So lets talk about how the Unification Church was certified in Japan as a religious organization.
[“In 1964 the Unification Church of Japan, headed by Chairman Osami Kuboki, was authenticated as a religious corporation.” – Professor Yoshihide Sakurai]
In Japan as long as any entity has fulfilled the formalities required by law, even Aum Shinrikyo or the Unification Church can get certified, and the certification as a religious organization means they automatically get tax exempt status. Another important factor is that in 1967 there was a meeting between Sun Myung Moon, the founder of the Unification Church, and Nobusuke Kishi, Ryochi Sasakawa and Yoshio Kodama at the foot of Mount Fuji. They talked about how to fight against communism. The politicians and the right-wing bosses had a discussion and as a result they decided to establish the Federation for Victory over Communism. At the time Nobusuke Kishi was one of the people who proposed to start the organization together with these other people.
30:10 So another characteristic of the Unification Church is that this is not just a simple religious organization, but it has different sections for politics, publications, media and academics. So the Unification Church repeatedly advocated the importance of not just religion but political and media activities as well.
Sun Myung Moon lived in the United States for years and got close to the then President Nixon, and he praised President Nixon very much. In 1982 he founded the Washington Times in the US.
The Washington Times after that he got close to President Bush senior and his widow Hak Ja Han has supported the former president Trump. Those former presidents loved the Washington Times. In the United States in 1977 there was Koreagate, and also the tax evasion, perjury, document forgery and financial wrong doings of Sun Myung Moon were investigated. As a result, in 1984 Sun Myung Moon was convicted and imprisoned in the Danbury correctional facility in the United States for about a year.
So as a result of his experience in the United States he started to emphasize befriending politicians. Sun Myung Moon tried to befriend politicians [and religious leaders] in order to bring pressure on the US governmental investigative and judicial agencies to not investigate some possible tax evasion or the illegal spiritual sales [or breaking of immigration laws]. Getting close to politicians was one of the missions of this organization.
35:12 I myself have been helping the victims of the Unification Church who were coerced to make large donations to the Church under pressure from the illegal activities of the organization. The reason I have been doing this for 35 years is that all the victims I have encountered are such good people, good citizens, who are truly worried about the possible misfortune of their family members, or the agonies their late husbands are suffering after death, or that their children may not be able to get married because their ancestors are suffering agonies in hell. So they are good people, good citizens, who are trying to save those family members by spending a lot of money on spiritual sales goods and making large donations. I believe these tactics are very dirty and I am very angry at what the Unification Church has been doing.
And I would like to speak about the children of the members and how much suffering they have had to experience. There are two types of suffering; the first is poverty because of a lack of money in the family. This has meant that many second generation have not been able to go to college, and families have not been able to afford necessary health care. The second type of suffering is that the children have to go to mass weddings where they can’t fully choose their own partners by themselves. Those two things are what they were taught by their parents as how things should be. These have given a lot of difficulties to the second generation members of the Unification Church. And I believe the accused Yamagami is one of them.
[After two years Yamagami was unable to complete his course at Doshisha University because his mother went bankrupt. His brother was unable to pay for his cancer treatment and committed suicide. Yamagami was deeply distressed about the death of his brother.]
Although what Yamagami did was totally wrong, I can imagine how that was for him.”
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A full transcript can be found here:
How Sun Myung Moon bought protection in Japan 1a. The LDP’s Tangled Ties to the Unification Church (2022) 1b. NNLASS press conference held in Tokyo on FFWPU/UC “spiritual sales” (2022) 2. Richard J. Samuels 3. John Roberts 4. Kishi wrote a letter to President Reagan to get Moon sprung from jail.
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Abe’s assassination, Nobusuke Kishi, the LDP, Japanese media, the FFWPU and Tetsuya Yamagami’s life
Nobusuke Kishi wrote a letter to President Reagan to get Moon released from jail – he was in for perjury, document forgery and tax evasion in 1984.
The LDP’s Tangled Ties to the Unification Church – The Diplomat
Shinzo Abe’s Assassin Succeeds in Twisted Plot to Expose Japan’s Deep Ties with ‘Cult’ – The Daily Beast
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1000sunnygo · 2 months
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Dressrosa Archives: Kappei Yamaguchi (Usopp) x Kamiya Hiroshi (Law) talk (2015)
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Here's another interview that was released during Dressrosa, Kamiya was hosted by Kappei (x). The conversation focused on Kamiya's experience voicing Law, analyzing characters (notably Law and Rosinante) and the studio's atmosphere.
It's a long interview that was separated in two parts (bless Kamiya's photographic memory). Starts below the cut!
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Yamaguchi: This time on Usopp's 'This is Real!', we have the talented Hiroshi Kamiya who plays Trafalgar Law - a character who has been very active in the TV series lately (applause)!
As we're reaching a crucial point in the battle against Doflamingo, we'd like to delve deep into Law' s character. Thank you for joining us!
Kamiya: Thank you very much!
Yamaguchi: Let's get straight to it. Law is still a character shrouded with mysteries. But what was your first impression of him?
Kamiya: No seriously, he was a mysterious fellow alright (laughs).
I believe Shabondy Archipelago 2 years ago was his first appearance. There was hardly any information other than being a "Rookie with a bounty exceeding 100M who leads a pirate crew aiming for the New World." I had no idea how to portray him. I felt like other rookies stood out more.
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Captain Kidd, for example, made it to the back cover of the manga. Since Namikawa Daisuke was casted for the role, I thought he might become a big character in the future.
Yamaguchi: But I felt that Law was the craziest one. For a mysterious role like this one...was there an audition, again?
Kamiya: No. I was approached by the producer from that time. Recently I was told by the producer that he didn't think the role would become so important!
Yamaguchi: Same here (laughs). Law really entered the spotlight during the Summit War, didn't he? That's where he got closer to Luffy, or that's where he might have started considering the off chance of an alliance...
Kamiya: You may be right. Looking back on his encounter with Luffy; after learning about Law's past and his relationship with Doflamingo, I think Law might have sensed some possibilities when he saw Luffy defy the Celestial Dragons.
If that's the case, just my personal speculation, it somewhat makes sense as to why Law saved Luffy during the Summit War. But back at that time I didn't know any of it. It was impossible for me to foresee Law's role there (in the war). I thought he would reappear after like 5~10 years (laughs).
Subsequently, when Law saved the passed out Luffy from Akainu's attack, I thought, "Is this why his character existed?" I was wondering if his role as a rookie pirate was done. But then at Punk Hazard... It was rather a quick reunion (lol)
Yamaguchi: Seeing him at Punk Hazard at that time, I was like, "Huh? Where are Bepo and team? Did he end up alone?!" (laughs)
Kamiya: Same here. I was like, "????" (laughs)
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Yamaguchi: Even though Law was a character veiled under mystery, he has gradually revealed his human side in the flashback. You played Law's childhood as well. How was the experience?
Kamiya: When I read the flashback in the manga, I really wanted to voice him. Initially, Law proposed an alliance with Luffy to take down Kaido. But there was also this desire deep down to crush Doflamingo himself.... All these make him rather a suspicious character with unclear motives from reader's perspective, right?
But after knowing his intense past that lead to that point, I decided "I want to portray Law's childhood too!" I was very eager to do it, I expressed my wish to the producer. It turned into an audition.
Yamaguchi: So that required an audition. (laughs)
Kamiya: Exactly. At that time, the manga volume wasn't out yet. So, they gave me a copy of the Jump magazine. After finishing the usual recording, I was reading some lines from it. I remember you asking me, "What are you doing, Kamiya kun?" and I said, "I have an audition after this." (laughs)
Yamaguchi: I remember too. I was wondering, "What audition?" (laughs)
Kamiya: Strictly speaking, it might not have been a traditional 'audition' - given that there were no other candidates. It was more like having my voice heard (by the staffs) and assessing whether I could voice the character.
Yamaguchi: It's common to hire a different actor for flashback roles to match the character visuals. But letting the same actor voice in flashback makes a character more consistent. Law's encounter with Cora san was a turning point in his life, you being able to play that role should become crucial for depicting his character from now onwards.
On this topic, did knowing Law's past influence your performance of his role?
Kamiya: I didn't consciously change my acting. But there are some differences in his portrayal when I know Law's past compared to when I didn't.
In the early days, I voiced Law with a subdued, cool tone; but as the story progressed and his character unfolded, I believe my tone range expanded.
Yamaguchi: I totally get it. Back when Law started interacting with the Straw Hats and yelled "I hate breads!" - it left a strong impression in me. I felt that line alone made him instantly more relatable and easy to like.
Kamiya: That's right. Actually, at the "I'm a doctor!" scene in the Summit War, I was told not to raise my voice. So I focused on acting cool. But I'm more comfortable being expressive and yelling these days; I feel like I've been allowed some leeway since "I hate bread!" (laughs)
Yamaguchi: (laughs) I remember "I hate bread" most vividly, but which line do you think left the biggest impression on you?
Kamiya: Not mine, but Cora san's "I love ya!" made me go, "Uwoh, so that's how it's delivered!"
As for Law's lines, hmm.. "I'm a doctor!" and "Drake-ya, how many people have you killed?" are memorable. Also, "I've broken the gears!" after slashing Suwabe san..No, Vergo.
(Junichi Suwabe: Vergo's actor. Currently acting as Green Bull.)
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Yamaguchi: Back when Vergo was slashed, none of us had any idea about the the two's real relationship.
Kamiya: Indeed. But the scene was remarkably balanced. While maintaining a calm expression, Law sliced through everything in the background in half, including Vergo. This spoke of how intense his deep emotions were. This scene really etched in my memory.
Yamaguchi: Amazing, it's still giving me chills!
Kamiya: Since I was under the request to not raise my voice, so I acted coolly. But seeing the intensity transmitted so well in the art... I felt glad.
Yamaguchi: Breaking the gears in Punk Hazard and tying up loose ends in Dressrosa – it feels like even after Dressrosa, Law's journey with the Straw Hats is far from over. They still need to reunite with Sanji's group and visit Bepo and team!
Kamiya: That's right. Hasn't it been about two years since Law mentioned them being left at Zou?
Yamaguchi: In real world, it's been about two years. But in the story, it's like the same morning?! (laughs)
Kamiya: Pretty much like just a moment ago. (laughs)
Yamaguchi: That was insane! When Law told Doflamingo, "You called CP0 this morning", all the cast members made faces like, "THIS morning!?" (laughs)
Kamiya: We've been through some insane times, haven't we? (laughs)
Yamaguchi: This conversation had been insane too. Sadly, it's time to wrap up. Thank you so much, Kamiya kun!!
Bonus talk (website special edition) : Child Law and the Donquixotes
Yamaguchi: Law's past is currently unfolding in his flashback. What were you particularly mindful of while playing Law's childhood?
Kamiya: Since he carries a tragic past, I was conscious of portraying the notion of "no belief in humans" and "humans only harbor malice." It's somewhat a tunnel vision of the world. But considering he was a child, I convinced myself of that. (laughs)
Yamaguchi: When the story transitioned back to present from the flashback, I was a bit sad thinking how I won't hear little Law's voice anymore. But then it felt so natural to hear adult Law's voice. I remembered, "Oh right! Kamiya kun had always been Law." (laughs)
Kamiya: I'm so happy to hear you say that!
Yamaguchi: Speaking of the flashback, Cora san plays a crucial role.
Kamiya: Yes. When I heard Cora san would be played by Yamadera san, I thought, "Woah, a freaking amazing person has joined!" As I mentioned before, his performance of "I love ya!" is so touching that just remembering it makes me tear up.
Well, my first impression to Cora san was "Who's this dude?", though (laughs). He's a guy who gets annoyed by children and throws them out...Frankly, it was hard to believe he's sane. It was inevitable for Law to be pissed off and yell "I'll kill him!"
Yamaguchi: From Cora san's exchange with Sengoku afterward, it seems he intentionally treated Law and the children harshly to keep them away from The Family... but there could be a better way to do it (laughs)
Regardless, Cora san struggled with many hardships from his childhood; I feel sorry for him.
Kamiya: He had a hard time due to his idealist father. His father was a goodie-two-shoes blind to reality, so to speak; unable to recognize the poor intent of others. I think he was the type of person whose survival was meant to be a struggle in the world of One Piece.
Yamaguchi: True. This caused his wife and children to suffer. I felt like telling the father, "you're too naive."
Kamiya: Actually, in the scene where Doflamingo's father says, "I'm sorry I'm your father," I couldn't cry even though it was a tragic scene of a parent being murdered. Instead I was very angry at him.
Yamaguchi: In that scene it's easier to resonate with Doflamingo: "What has father done!"
Kamiya: When I read the manga, I didn't feel much. But once it was animated and I could hear the lines, I really understood Doflamingo's feelings. "Ok, he's an idealist dumbass." "This man's is no good, I couldn't possibly keep up with him either!" (laughs)
Yamaguchi: Being sandwiched between these two, I pity Cora san.
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Kamiya: Cora san probably had perceptions of both a Celestial Dragon and an ordinary human since childhood. That's likely why he could handle special missions like being a spy.
Yamaguchi: Unlike Doflamingo who couldn't adapt to the world, Cora san didn't really do anything wrong but ended up being crucified anyway. I felt really bad for him.
Kamiya: The flashback elaborated quite well on Law's feelings. But the mystery behind why Cora san suddenly changed his demeanor after learning Law is a D is still there.
Actually, that's the only part that left me unconvinced. Why's that a man who hit him is suddenly saying let's pack up and run - I couldn't wrap my head around it. But Yamadera san's presence and persuasiveness left me feeling, "this person definitely knows something, I must listen to what he has to say."
Yamaguchi: I get you. Even though Yamadera san is no different from us and knows practically nothing (laughs). By the way, I'm really looking forward to how it'd go when the last bit of the flashback airs.
Kamiya: I'm curious about its reception.
Yamaguchi: Lastly, any message you'd like to share with the fans?
Kamiya: It was fun talking with Kappei san and sharing personal impressions and perspectives, but please forget everything I said! I want everyone to enjoy it naturally, I'll be happy if you continue supporting One Piece from a neutral perspective.
Yamaguchi: Kamiya kun, thanks for today!
Kamiya: Likewise, thank you very much!
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Interview #2, Studio Experience and popularity
Source: [x]
Yamaguchi: By the way, I was at the restaurant Baratie for an interview recently, and they were showing the first episode of One Piece. I saw your name credited among the cast and went "Gweeeh?!" (laughs)
Kamiya: (laughs) Yeah. In the first episode, I played pirate A.
Yamaguchi: One of Alvida's henchmen?
Kamiya: Yes. As pirate A, my role was to discover Nami sneaking onto the ship, and then immediately to get knocked out by a groin kick.
Yamaguchi: I didn't show up until episode 9. You were earlier than me! (laughs)
Kamiya: Actually, I debuted earlier than even Kazuya Nakai san (Zoro's seiyuu), since Zoro only had a brief appearance at the end of the first episode.
Nakai san came to tour the recording. I remember asking "what's up, Nakai san?" and he mumbled something like "Ah, well, um" and just quietly sat there.
Yamaguchi: (laughs) Did you have any other roles after pirate A?
Kamiya: I did a couple more after that, but the first episode left the strongest impression on me. I still clearly remember Luffy bursting out of the barrel in his debut scene. Deep down, I got excited during the recoding, thinking "Woah! One Piece has really begun."
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Another memorable role was Eddy, the four eyed helmsman of the Bellamy Pirates. It was strange to voice Law facing off Bellamy himself in the Dressrosa arc, having voiced one of his ex-subordinates long ago. (laughs)
Yamaguchi: Wasn't it in Mock Town? When Ueda Yuji san was there?
Kamiya: Yes. Ueda Yuji san voiced Sarquiss, the vice captain of the Bellamy Pirates.
After that was the story of Shichibukai meeting arranged by the World Government. Doflamingo appeared and used his strange power to make two marine officers fight each other to the death. The two marines who were made to fight each other - Marine Officers A and B, were played by me and Ueda san. They knew they were being controlled, but nobody knew how it was being done, or the power of something like Ito Ito no mi.
Yamaguchi: We didn't know anything either! Bet you didn't expect to end up fighting against the same Doflamingo years later.
Kamiya: That's right. I never imagined I'd get to play a character with a connection to Doflamingo. Moreover, at the time of Law's debut, I didn't think he'd be the one to with such connection. (laughs)
Yamaguchi: Seriously. Life is full of surprises. (laughs)
Anyway, changing the subject, how do you like the atmosphere in One Piece voice studio?
Kamiya: I absolutely love the atmosphere on the One Piece set! There are many seniors there who can be called legends, so of course, there's tension. But it's the type of tension that makes you feel comfortable as a professional.
Yamaguchi: It's okay to be honest, you know (laughs)
Kamiya: (laughs) But I am being honest.
In presence of legends like Mayumi Tanaka san who has been leading One Piece for 15 years, I'd always think that I have to give my absolute best. Of course, when it comes to the actual recording, being serious isn't an option for us. But only recently I've realized that it's okay to ease up and have fun outside the recording sessions.
Yamaguchi: Well, that's the captain for you. (laughs)
Kamiya: She's really something else! (laughs)
t/n:the strawhat VAs all call Luffy's VA Mayumi san 'captain.' I've noticed Kamiya doing the same few times. HMmm
Yamaguchi: The Straw Hat crews are scattered during Dressrosa and the team's brain cell Akemi Okamura chan, who plays Nami, isn't around. So, I personally consider you the only remaining brain cell in the current studio, Kamiya kun. You're the last straw that keeps the studio standing as a "workplace". (laughs)
Kamiya: What, really?! (laughs) That's a lot of responsibility. But I've recently realized that even if I'm criticized for it, it's best to get along the flow when I'm high on energy. (laughs)
(T/N: not confident with my translation for this sentence^)
Yamaguchi: (loud laugh) Come to think of it, you sure have been doing that a lot lately! I thought it was quite like Law.
Speaking of which, do you think the One Piece cast resembles their characters in some aspects?
Kamiya: Hmm... Law is such a serious character, so I always feel like I need to be firm with myself, but I often find myself like a puddle (laughs). Especially when Mitsuya Yuji san (Pica) and Mayumi san (Luffy) keep fooling around, I'm all over the place.
Yamaguchi: Those two... even though they're both in their sixties! (laughs)
Kamiya: I can't anymore... They say "Just ignoore", is that really okay?
Yamaguchi: I think it's fine. (laughs)
Kamiya: Even though they're like that most of the time, they completely change when it's showtime. It's amazing. Every time we record, I'm in awe, watching them carry the weight of the series on their shoulders.
Yamaguchi: Despite being small. (laughs)
Kamiya: ...Despite being small! (laughs)
Yamaguchi: Mayumi san's microphone is quite low, isn't it? Because she's small.
Kamiya: That's right. But I still get nervous when I think about using the microphone Mayumi san used. She's an amazing senior, but she also has this quirky side to her. I hope she stays this way forever. (laughs)
Yamaguchi: I also like Mayumi san's quirky sides (laughs) Once we start talking about Mayumi san, we could go on forever. So let's save that for another time!
Website Special Edition #2, More Law talks
Yamaguchi: Law is a cool and chill character, but I like how he playfully calls others "[ ]-ya". (laughs)
Kamiya: One Piece has many characters with distinctive speaking styles, as in the way they laugh or talk. Even a character cool at a glance can have this unique speech pattern that'd make them approachable. Law didn't seem to have any of that. At first I was worried - is this guy just cool? So when he started calling others with "[ ]-ya", I felt a weight off my chest (laughs)
But his accent is still a little troublesome, especially saying "Nose-ya" to call Usopp.
Yamaguchi: It seems he searches for someone's specific characteristic to come up with a nickname, like Luffy. But when he can't think of any, he just adds "ya" at the tail of their names (laughs)
Kamiya: Yeah (Laughs). Like how Nami becomes "Nami ya", Drake becomes "Drake ya". I find it funny.
Yamaguchi: This playful side is what makes 'the attractive guy' Law so endearing.
And he's insanely popular, isn't it? When I went to Universal Studios Japan the other day, there were many children cosplaying Law. Do you have a specific mindset when you're playing such a popular character?
Kamiya: Well...When Law ranked 2nd in the official popularity poll, I felt happy and pressured at the same time. Not because of the result itself, but because it made me more conscious not to undermine Law's charm in my acting.
On the other hand, I think it's a great privilege as an actor to be able to voice a character like this. If even one person becomes Law's fan after watching the tv series, I'll feel incredibly proud.
Yamaguchi: Yeah, I understand. It's a great honor as an actor when people start liking a character because of our performance.
By the way, how was the feedback from the people around you when you started playing Law?
Kamiya: Thankfully, the feedback from Law fans was amazing! On the flip side, the people around me were surprisingly chill. Like, "Oh, the ROOM dude?" (laughs).
Yamaguchi: "The ROOM dude"! (laughs) Which one is your favorite from Law's moves?
Kamiya: Got to be "Shambles." To be more specific, "Shambles" followed by "ROOM"!
Yamaguchi: The combination has such a catchy, memorable rhythm. To mimic Law, "ROOM" and "Shambles" are a must!
Kamiya: I'm a bit relieved. If such a catchy combination didn't gain attention, I would've blamed myself.
Yamaguchi: It's an awfully strong killer move. Depending on how it's used, the power can be invincible.
Kamiya: It's unfairly strong, isn't it? The fact that it can even grant eternal life made me think it's an outrageous Devil Fruit ability.
That said, it's not like magic - having known that using the technique depletes the stamina of the user. Cora san also mentioned that it's an ability that one can't handle without knowledge. Law must've been able to handle it because he studied medicine.
Yamaguchi: Indeed, like it was his destiny to eat the devil fruit.
Lastly, what do you think is the charm of Law?
Kamiya: Hmm, I generally try not to overthink about the charm of the characters I'm currently playing. If I understand the charm too well, I might start acting while thinking about things like, "This is their charm, right? So this is why they're popular?" So, I try to approach my work neutrally and avoid thinking too much.
Of course, there are times when I simply think Law is cool, but I deliberately don't dwell on what made him cool. I hope that when everything is said and done, I can look back and realize, "Wow, that thing Law did was ridiculously cool!", or "This is what makes Law so amazing!"
Yamaguchi: I see, that's an interesting perspective. Thank you for sharing all these insights today!
Kamiya: No, thank you so much for having me!
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Relevant stuff if you're in for more:
Mattew Mercer (Law's English dub va) talking about Law's unexpected relevance post timeskip (@ 6:10, not time stamped)
Hideyuki Tanaka (Doflamingo) hosted by Yamaguchi Kappei
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filmap · 1 day
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蜂の巣の子供たち / Children of the Beehive Hiroshi Shimizu. 1948
Bridge Kintai Bridge, Iwakuni, Yamaguchi 741-0062, Japan See in map
See in imdb
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fourorfivemovements · 6 months
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Films Watched in 2023: 106. ウルフガイ 燃えろ狼男/Wolf Guy (1975) - Dir. Kazuhiko Yamaguchi
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chibiranmaruchan · 6 months
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my favorites from the 47 cruise CD. :)
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needanevenbettername · 2 months
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Obscure Stand of The Day 17.
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Stand name: Genesis of The Universe/ Ptah.
Namesake(s): The Book of Genesis and the Egyptian God Ptah.
Created by Mayori Sekijima/ Hiroshi Yamaguchi.
Year of creation: 1993.
User: The Scribe Ani.
History: Genesis of The Universe/ Ptah is a Stand belonging to The Scribe Ani. The Stand is ancient, first being discovered in 1500 B.C. Ptah contains all known human history. The Stand even includes the secret to immortality.
History of creation: Genesis of The Universe/ Ptah was created for the 1993 Light Novel JoJo's Bizarre Adventure: Genesis of The Universe. The Stand was drawn by Hirohiko Araki.
Ability: When something is read from Ptah's pages, the event being read will instantaneously happen in the modern world. The user can choose real and fictional events, people, creatures and gods.
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demifiendrsa · 9 months
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ONE PIECE | Official Trailer (Japanese Dub version) | Netflix
Netflix’s One Piece live-action series will stream on August 31, 2023.
The original Japanese voice cast of the One Piece anime will reprise their roles for the Japanese dub of Netflix’s One Piece live-action series.
Japanese dub cast additions
Hiroshi Naka as Garp
Mika Doi as Coby
Shigeru Chiba as Buggy
Mariko Kouda as Kaya
Banjou Ginga as Captain Morgan
Shūichi Ikeda as Shanks
Kouichi Nagano as Helmeppo
Masane Tsukayama as Gold Roger
Youko Matsuoka as Alvida
Hirohiko Kakegawa as Dracule Mihawk
Previously announced Japanese dub cast members
Mayumi Tanaka as  Luffy
Kazuya Nakai as Zoro
Akemi Okamura as Nami
Kappei Yamaguchi as Usopp
Hiroaki Hirata as Sanji 
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biomic · 25 days
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after tomioka handled the initial four, the past two episodes as well as next week have all been brand new names to toku (hiroshi yamaguchi, tatsuto higuchi, and natsumi morichi respectively), mostly coming in from anime it seems. im so used to toei's usual stable of writers and the past three years have basically just been one writer doing every episode throughout the year, so it's a nice change of pace. so far, it's pretty clear they all understand the assignment
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n04s · 25 days
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this one. still really good
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In Tokyo, international magazines on politics and economics always lay on the top of Moon’s desk – NOT Bibles
This is another Fake story about Sun Myung Moon
Yamaguchi Hiroshi quoted from the Unification Church book, “The History of the Unification Church” which was published by the church’s Korean head office. It states: “In 1941, Teacher [Rev. Moon] went to study in Tokyo, Japan, once he had finished his lower secondary education in Gyeongseong. … International magazines on politics and economics always lay on the top of his desk. Inside the magazines, there were many notes written in coloured pencil.”
That quote is from an official UC book, published in Korea in 1975 or earlier.
Moon did not have three Bibles full of colored markings on his desk during his student days in Tokyo. That fake story was invented by one of the Korean 430 (or 777) couples to boost the image of Moon and give the couple credit with Moon.
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Michael Breen repeated the concocted story in his book, Sun Myung Moon: the early years on page 57
"In his room [Moon] kept three Bibles, one in Korean, one in Japanese and one in English. He studied them continually.”
NOT TRUE
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Yamaguchi Hiroshi’s 1975 book on Sun Myung Moon.
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The Sun Myung Moon church – Jane Day Mook & Hiroshi Yamaguchi
原理運動の素顔
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