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#He doesn't know what to do
puppetmaster13u · 6 months
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Prompt 73
“What do you mean Nightwing’s tracker just disappeared?!” 
Look, Dick wasn’t expecting to get snatched in the middle of patrol. He wasn’t even in Gotham! There weren’t even any rogues in Bludhaven as far as he was aware of! Yet here he was, having blacked out after getting tackled he thinks? Something like that! Here he was in an apartment of some sort, even though the room looked like it was something more fitting for the manor, with the shadows literally tugging him towards the hall. Look, when he’s kidnapped he’s expecting some sort of fight, not a dude whose visibly not human and visibly very stressed out and maybe close to a panic attack of some sort. 
Why does he feel like he just got dragged into some sort of mess…?
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puxpy · 5 months
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@tapakah0 your comic gives me physical damage, here have this gift
Scene it's based off of
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abasketofnothing · 2 years
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I find this photo very funny bc it looks like he forgot he is not in the papa get up
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skaluli · 2 years
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i headcanon that tord did science in highschool and did so well he got an award for it. edd was the only one that seemed to care. he took that to heart, not negatively for the people who didn’t but for edd always being there for him.
i imagine then tord just out of like realisation tears up a bit and hugs him. edd assuming because he’s proud of himself for getting the award and of course hugging him back. but in reality tord is proud and honored to know someone so great. 
edd was tord’s best friend
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“ dear past me “ “ ... “ “ you blew it “ -- bonus happy after that train wreak of words :
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bluegreen1 · 2 years
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fabian is trying his best
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inkskinned · 11 months
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the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.
sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.
you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.
it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.
but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.
they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.
they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.
barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.
and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.
but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.
they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!
this horrible world they live in. disgusted and also obsessed.
#this shifts gender so much bc it actually affects everyone#yes it's a gendered phenomenon. i have written a LOT about how different genders experience it. that's for a different post.#writeblr#ps my comments about seeing someone cry -- this is not to shame any person#and on this blog we support workers.#at the same time it's a really hard experience to see someone that looks like you. clearly in agony. and have them forced to keep going.#when you're young it doesn't necessarily look like acting. it looks scary. and that's what this is about - the fact that teens#have likely already been exposed to that definition of things. because the internet exists#and without the context of healthy education. THAT is the image burned into their minds about what it looks like.#it's also just one of those personal nuanced biases -#at 19 i thought it was normal to be in pain. to cry. to not-like-it. that it should be perfunctory.#it was what i had seen.#and it didn't help that my religious upbringing was like . 'yeah that's what you get for premarital. but also for the reference#we do think you should never actually enjoy it lol'#so like the point im making is that ppl get exposed to that stuff without the context of something more tender#and assume .... 'oh. so it's fine i am not enjoying myself'. and i know they do because I DID.#he was my first boyfriend. how was i supposed to know any different#i didn't even have the mental wherewithal to realize im a lesbian . like THAT used to suffering.
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clementineskesh · 1 year
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the best thing about benoit blanc's clearly established emotional intelligence is knowing with 100% certainty that he did everything in his power to hurt miles bron's feelings on purpose
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stcries · 10 months
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"i'm upset that march stopped you from kissing me." (caelus @ dan heng)
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now that was when his heart skipped a beat, slight flush across pale skin as feet momentarily shift. "a-ahem, is that so?..." he was flattered but how on earth was he supposed to respond.
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nerdpoe · 20 days
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Jazz and Johnny got...way more involved that Danny will ever want to know.
And Jazz, very liminal, actually fell pregnant.
She opted to leave for a bit, have the baby, and adopt it out. It was half ghost and half very liminal human, she had no idea what the GIW would do to it.
So she left on an "extended study trip", gave birth, gave it over to the adoption agency, warned them there was a high chance the kid would be a meta, and went about recovering.
Unbeknownst to her, that baby was immediately stolen by one Sheila Haywood for the purposes of tax fraud.
From there, the baby was given to Willis Todd, after Sheila lied and said that he was the father.
From there, the baby was put under the care of Catharine Todd, who died far too young.
From there, the kid tried to steal Batman's tires so he wouldn't starve.
Fast forward, and Jason Todd, now an adult, decides to pay a visit to the new head Psychologist of Arkham to vet the lady.
He ends up staring into a set of eyes that mirror his own, and when he runs the DNA from the hair he stole off of her, it comes back positive that yeah.
That's his mom.
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confessedlyfannish · 1 month
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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spam-extemporal · 23 days
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Dcxdp where Danny has been working with a hero team (did Bruce adopt him? Did he help the teen titans and got told to join them? Idk) for less than a year, maybe they knew eachother for longer, but Danny has been living with them for some months.
Now, I imagined this as a "Danny has to flee to a different dimension after a giw attack/reveal gone wrong" but it can work with other scenarios, the important thing is, death days are important for a ghost's wellbeing, but nobody knows/remembers Danny's deathday or that it's important to commemorate the dead. Maybe he hasn't told anyone yet cause he doesn't want to be a bother, or doesn't trust them enough yet.
So Danny takes the matter on his own hands, each year he goes to a quiet corner of the local graveyard, where he has a piece of marble and a small vase, he usually buys some flowers for his memorial grave and makes some fudge as an offering.
This year wasn't gonna be different, he told his team/family that he was gonna spend the day out, he chose an elegant but comfortable outfit, made some fudge, and saved it on the fridge with a note that said "phantom, do not eat".
The next part might work better with a young hero team, cause despite the note, someone took a bite of the fudge for breakfast.
Danny clearly gets mad, they didn't know, but they just ate an offering, a great offense to the dead it was offered to.
It all ends in a big fight, Danny doesn't want to admit that it was an offering for himself (it just hurts to admit that nobody remembers his death), and the other person thinks he's just having a tantrum over some fudge, like, c'mon, they can make you some if it's SO important to you 😒
And I don't know how to end it cause it came to me while falling asleep and don't remember more T-T
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raepliica · 30 days
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priest guy sending mixed signals, what is he up to?🤨🕶🤏
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[Image Description: A warm-toned comic featuring Trigun98 characters. It opens with Vash shouting "YOWCH!!" as a half-eaten donut flies through the air, a bruise on Vash's tongue. Meryl, editing papers, is annoyed as he complains: "Ow! Ow! I bi'e my 'ongue..." "What's the rush?" Meryl asks, "They're all yours." Vash, still hurt, tries to explain: "They're jus' sooo good!" Meryl argues back, "Well, savour it then!" Wolfwood has been watching the scene unfold as Meryl continues, "Satisfying your sweet tooth doesn't come cheap, unfortunately." Wolfwood clicks his lighter open and closed, again and again. Without a word, he leans closer, his thumb on Vash's lips. "Wolfwood...?" Vash trails off. Then, Wolfwood opens Vash's mouth and knicks his thumb on one of Vash's canines in one fell swoop. "Wah? Huh??" Vash says as Wolfwood pulls his bleeding thumb away. He licks the blood off the wound then snickers at Vash. Meryl looks disgusted, Vash has lit up in an embarrassed explosion, and Milly remarks, curious: "Those are surprisingly sharp, Mr. Vash!" Question marks float around Vash, and his donuts lay discarded on the table. Each panel is signed by raepliica. End ID]
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chitsangenthusiast · 3 months
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sokka is notorious for not finishing his tea, especially when in the middle of working
so he never gets to see the bottom of the cup, where zuko likes to give him one of iroh's special sets where 'love' is etched there
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fatedevour · 1 year
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♢  —    @marehymn​ asked: you’ve seemed down the past couple of weeks.
everything i never told you
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    Dottore doesn’t QUITE know how to respond to such a comment. It brings him to a halt in the empty halls of Zapolyarny Palace, his back facing the third harbinger. Science has no NEED of such appalling emotions, yet simultaneously they do serve to create a UNIQUE perspective. Maybe that is why the Doctor never truly removes them, though for all his words and actions one would assume him incapable of feeling regardless. But things like this, he shoves them down, shoves them away and ignored them till they ROT away and die. But it feels like Columbina has just burst through the walls and forced something vile into the sunlight.
  It doesn’t matter. So what? But he’s tired...
   He doesn’t so much as move a single centimeter even as he hears her footsteps closing the distance that spans between them. She is one of only two who MIGHT comment on this subject. On how Dottore has been UNUSUALLY quiet and up latter. Beneath the mask lay dark circles even by his standards, and many of the other segments sport a similar shade of darkness. Is that how she knew?  Had she seen some of them? Or was it something else? A hunch? An observation? Does it matter?
   It doesn’t. No one else was here, everyone else had left the meeting room first. Or so it had seemed. Evidently Columbina had only exited the room and tucked herself away to be unseen. Paired with the exhaustion that felt like it was slowly crushing him, Dottore hadn’t even noticed when he ordinarily would have even BEFORE he’d have started to walk down the desolate hallway. He’d walked right by her and it had been her voice to catch his attention first.
  What does he say? He feels too tired to snap at her to mind her own business and not interfere in his. Besides, he knows very well that she will not. She rarely lets things go EASILY after all. Let alone a rare sight like this (for he few times he has left his lab that is). His eyes close as he exhales, shoulders slowly sinking in.
   “  Things have...not been going well.  “  For once, Dottore offers up the truth with little fuss. And he isn’t sure if he feels BETTER in finally sharing it with someone, or if he feels WORSE, like a crack appearing in smooth marble.  “  My experiments aren’t at the levels I’d hoped, and I’ve not been sleeping, likely resulting in an increase of monoamine oxidase A.  “  It means nothing to her, he knows that. “  ...It’s not a big deal. I’ll get my work done regardless.  “  He feedbly concludes with, though far from delusion in thinking that will be enough for her.
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theonlymadmanonmars · 3 months
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Hi hello hi. As an AroAce individual in a QPR who has no desire for a romantic or sexual relationship, I think shipping Alastor in QPRs is so so fun and people should do it more. I also think it works for a good amount if not all of the ships I've seen him in.
Alastor and Rosie: Hell yeah. They're already great friends and every interaction we've seen between them has been pure and adorable. Rosie Gently guiding Alastor through his identity because he isn't exactly up with the slang. Them going out for tea and human flesh Sunday afternoons. Them giving each other forehead kisses and holding hands platonically.
Alastor and Angle dust: Mhmm. Angle not really wanting Sex or romance after all he's been through. Angle respecting Alastor's identity and not pushing for anything more than friendship. Alastor not really liking Angle at first because of their differences, But tolerating him regardles. Alastor explaining to Angle that Romantic relationships don't have to involve Sex (I'm an Asexual Angle truther.) Angle offering Alastor a hug that Alastor reluctantly accepts. Them cuddling at night with a pinky Promise of nothing more.
Alastor and Vox: Go ahead. A fic about Alastor trying to Navigate exactly how he feels about Vox, Because when he died the term AroAce didn't exist, so he thinks it's romantic attraction, Maybe they kiss and Alastor is like "Ha! No!" Maybe that's why they had their falling out? Who knows.
Alastor and Lucifer: So So SO much Yes. (This is my personal favorite) The two of them hating each other, but putting up for each other for Charlie's sake. Slowly growing to actually tolerate and maybe even like being around the other. Exchanging snarky remarks in a more playful way. Alastor finding Lucifer sitting in a pile of ducks and despair and offering his hand to help him up and take him to the hotel. Never letting go of his hand. Fuck Enemies to Friends to Lovers I want an Enemies to Friends to Qpr arc goddamnit.
I do think it's okay to ship Alastor even outside of QPR's, BUT. If you do, don't just ignore Alastor's identity. AroAce people get far less representation than the rest of the LGBTQ+ community. I can think of one other canon Character off the top of my head. So it's not okay to erase the little rep we do get. In the end I think it's important to listen to what AroAce people have to say on the matter, it is our representation after all.
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clown-owo · 9 months
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