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whaleofatjme1920 · 7 months

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Kinktober Day 4: Stalking/Obsession

Stalking/Obsession - Eyeless Jack X F!Reader

Warnings: DUB CON, breeding kink, biting, marking

AN: I don't speak Polish so forgive me </3. ALSO this is a take on my dear @creepynoodleheadcannons's prompt featuring EJ on Day 19 from their 2022 Kinktober. Will tag the fic HERE.

KINKTOBER MASTERLIST

Reblogs are appreciated!

In the darkness of your room, you sat curled in your sheets with the feeling of dread coursing through your veins. Sweat ran down your brow, down the back of your neck and soaked your bed as you stared at your window. You saw his shadow looming just outside, a monstrous being that had been tormenting you for the first half of the year. Your heart thumped wildly in your chest like a little rabbit about to be caught in the jaws of a wolf as his claws scratched against it.

He’d never been so bold before.

When he first started, he was silent. His sharp claws played with the seams of your mind, delicately lifting the fragile threads before popping them up and breaking them, reveling in the sound of the strings snapping. It was small. A coffee cup you’d thrown away with your lipstick marks had gone missing but you assumed you’d managed to throw it out somewhere else. The hairs from your brush had been cleaned out but weren’t in the trash. Some of your clothing had gone missing. You assumed that you were becoming increasingly forgetful, but your underwear going missing? Your still full shampoo and conditioner bottles disappearing?

And then he revealed himself. You thought you’d accidentally summoned a demon when he first appeared in the corner of your eye. He was always there, watching, waiting, and so fucking persistent. The way he spoke about you was deranged, like you were the only thing he craved in the entirety of his life. He spoke of how sweet you’d be - his final meal, the feast to end all others.

“Go… Go away,” you shakily cried out while you dug your face into the pillow in an attempt to fend him off. But you knew it was a useless attempt. Tonight was the night he’d finally make you his and devour you whole. Your body shook with fear as you watched the shadow of his hands move sluggishly, like he wawa toying with you on how slow he could be. Toying with you, building up his own anticipation with glee. You heard Polish spill from his lips, or maybe an archaic form of it, and like magic, the window flew open. It invited the colder of October air into your room, red and orange leaves spilled across your floor as his large form blocked out the light of the moon herself.

“You don’t really mean that,” he purred. His voice was deep and laced with a Slavic accent that sung with the cadence of ancient gods and their demons. His face was hidden by a mask, a dark pool of inky blue while the eye sockets wept with tar. If you looked close enough, you could see the knife marks of where it had been carved a very, very long time ago. He slipped through your window despite his size. Your nose filled with his scent. Musk. The earth. Iron. Smoke from campfires not long doused. Ammonia.

Your stomach wanted to wretch at the very smell of him. Fear stoked every part of your body as you pried your eyes away from your pillow and peeked up at him. He was large, much too large. The moonlight framed him as dark and imposing. He was strong, you knew that, and his skin was the color of ash. And for a creature that seemed to take joy in pursuing a much more human form, he still reeked of otherworldly. His legs were cloven, like that of a black goat, and his teeth were sharp, slightly yellowed and large like that of an apex predator. Roots and the earth seemed to crawl up his legs like the earth itself wanted to reclaim him, and his joints didn’t seem to fit him right. His elbows, his knees, shoulders, everything was popped into place haphazardly, a vessel to contain something much larger than what he was born as.

He took advantage of your fear as you looked up at him. His grin only widened behind his mask. He crawled up your bed, caging you in with his body. His clawed hands traced your warm body as you balled up in a weak attempt to shut him out from you.

“Please, don’t,” you murmur as you watch his clawed hands crawl up your body. “I already told you no-”

He gave you a look from behind his mask before reaching his hand upwards to remove it. His arm moved over to rest it on your nightstand, as if he were making himself comfortable. His mouth was curled upwards into a grin, large and knowing.

“Come now, kochanie moje. Don’t be so frigid towards me. Open up. Let me in.” His sharp talons moved to cut your clothes from your body, not caring about your cries of protest. “You cannot resist me forever,” he whispered in your ear as your body trembled. “Try and fight as you may, your body calls for me, and I must answer. You were meant for this,” he breathed in your ear as you meekly held your hand up to his large chest in another attempt to push him off.

“I don’t know what you’re talking about,” you whispered.

“Tak kochanie,” he whispered back, “you do. I need you. Don’t you see what you’re doing to me? I need your body, your heart, your mind, your very soul,” he groaned as his hand traced your soft, supple skin. “I want to breed you to make you mine forever.”

His words sent chills down your spine as you shook like a leaf. You shook your head. “You can’t-”

“Don’t worry,” he purred once more, voice hungry and lusty, “I’ll make it feel good. I always do.”

You were almost snapped out of your fear from the second half of his sentence but found it quickly returned when his teeth sunk into your neck. “Oh fuck!” You yelped, feeling the warm blood from your neck bead downwards to drape your collarbone and your nape. “What the hell was that for?”

Jack didn’t immediately answer, only grinned and opened his mouth. A long, purple tongue slithered out and lapped at the teeth marks he’d left, a soft apology for drawing blood. “Mating mark,” he answered. “One of the many physical kinds I can give to you.”

You kept your mouth shut as you felt his hands barely leave you to the belt of his pants. He undid it, and then slowly pumped his cock. Large, knotted, that was all you could see in the darkness only illuminated by the moonlight. So distracted by how girthy and large he was and the fact you KNEW he wouldn’t fit inside of you, a cry ripped free from your throat as his other hand effortlessly pried your legs apart.

Jack’s clawed fingers easily moved down to your pussy, already wet from the budding anticipation. He cooed condescendingly. “Awh, and here I thought I would need to convince you even more.” His index and middle finger opened your lips up, and through the darkness, his sockets keyed in on your glistening pussy. “You were made for this, to please me, to be bred by me.” Slowly, he slid his index finger inside of you and watched through the darkness of your room as you bloomed for him. Heat painted your entire body, most notably your cheeks - Jack’s always had the ability to sort of ‘toggle’ thermal vision - and that’s where the heat was most notably concentrated. Well, that and definitely between your legs. Your pussy was burning for him. Needed to be filled, didn’t it?

His index finger was soon joined by his middle, and he stretched you out as best as he could. “You feel so warm, kochanie,” he grinned. “So soft and sweet, and you smell just as good too. Maybe I should get a taste before I take you,” he thought aloud.

Fearing retaliation, you hesitantly nodded. “Okay,” you squeaked like a deer caught in headlights. It didn’t help that your body seemed to call for him. Despite how much you knew this wasn’t good, your body squeezed around him. When his thumb circled your clit, you moaned softly, embarrassed that you showed him even a smidge of pleasure. He thumbed your clit some more and felt your hips buck up.

And he laughed. Jack laughed.

“See? I knew you couldn’t resist me.” After he fingered you a little bit more, enjoying the sounds of your soft moans and how you desperately tried to deny your true feelings towards him, he pulled his fingers out. “Do not pout,” he chuckled as he lifted his fingers to his lips. One of his tongues slithered out of his mouth once more before curling around his slick covered fingers. An obscene moan left his lips, and if he had eyes, you were sure that they would be rolling up. “Gods, you taste so good,” he praised. “So sugary and meaty,” he moaned again. “Perfectly made for me.”

Jack mounted you this time, the head of his cock pressed against your tight lips as he watched you squirm underneath him. It was magical to see you buck your hips up like you could hardly resist him. “Open up, kochanie,” he cooed as he started to push his thick cock into you. He grinned when your nails dug into his uncovered forearms while your eyes widened. “Wrap your legs around me and breathe. Take me. Take me,” he whispered again and again, his hips pushing closer and closer to your body as his cock split you open.

You did just that, legs wrapped tightly around his waist before moving your hands up to his back. Your nails dug into his hoodie while you pulled him tightly against you. Your heart rate skyrocketed as he pulled his hips back and then thrusted sharply forwards, the head of his cock hitting your cervix while not even fully hilted inside of you. His knot was thickly pressed against you, far too big for you to take, balls rested against your ass and heavy with cum. “Oh, oh my gods-” you wept as your body struggled to adjust to his size. He felt so big, every part of him.

“Bloom for me,” he urged as he started to thrust his hips. His lips danced across your neck as he cock filled you with every thrust. “My sweet, sweet girl,” he praised, “look at you. How beautiful you are.”

Your thighs were tense as he began to pick up the pace as you softly moaned for him, unable to deny any longer just how good Jack was making you feel. The tears that had welled in your eyes slipped down your cheeks but you unashamedly kept calling out for him. Your pussy felt so stretched open and still small as your slick gushed around him. You were soaking the bed from how good he stroked you. You arched your back slightly into his chest and tipped your head back to allow his lips to travel back up to your throat. You felt his teeth playfully move around where he’d already bitten you before softly biting you on the opposite side to mirror it.

“You’re mine now, kochanie. Mine now forever.” The sounds of your moans were like music to his ears as he listened to your moans and how your body grew closer and closer to being knotted. He’d breed you, and then you’d have no choice but to be his for all eternity.

#minors dni #eyeless jack x reader #eyeless jack x you #eyeless jack x y/n #creepypasta x reader #creepypasta x female reader #creepypasta x you #creepypasta x y/n

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365filmsbyauroranocte · 2 years

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The Goat Horn (Metodi Andonov, 1972)

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sodidumb · 2 months

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11/12/2022

OH!!! YOUR TURN TO DIE!!! OH DAMN

I'll be so real, I never played the game myself but I remember invested in the ManlyBadassHero gameplay of it (manly my goat I haven't watched him in a while but I remember binging his content almost all the time. Highly recommend his channel! he plays games, no matter what kind, in a real soothing or calm way it's crazy

A few extras since I have em :0!!

#kanna kizuchi #shin tsukimi #sou hiyori #roblox free draw #your turn to die #yttd fanart #yttd #roblox art #roblox #fanart #I'm actually so proud of how these turned out homie these are so cute despite it being years ago #mouse art #greenblings

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gracefireheart · 1 year

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A collection of drawings I did of Bunnyblade Origins!Technoblade (along with a few friends).

First drawing (November 24th 2021) - One of the first drawings I did of o!Techno after he revealed his origin. I liked this design at the time, but later on, I decided to change it and liked how it looked more in that later design.

Second drawing (December 18th 2021) - Just a cute lil’ drawing I wanted to do of Niki and Techno where I originally was hoping for them have some fun interactions in season 3 of the origins server.

Third drawing (December 20th 2021) - Sneeg and Techno are just a fun combo tbh. The stream where these two + Phil were just having fun in the season 2 origins server is still one of my favorites.

Fourth drawing (January 7th 2022) - Tommy and Techno can be such a chaotic duo. Whether it’s them trying to screw with Phil or the two of them going on a mining trip together. It was just fun to watch.

Fifth drawing (January 9th 2022) - Tbh, just wanted to draw the meme with Techno and Ranboo lol

Sixth drawing (March 28th 2022) - Decided to redo the design a bit as I wasn’t quite satisfied with it. And eventually, it landed on a more rounded version that I liked way more.

Seventh drawing (April 9th 2022) - The last drawing I did of o!Techno, which I’m still pretty happy with. I might try and draw him again soon considering the origins server is coming back to life again, but idk yet.

Eight drawing (October 2nd 2021) - Before he chose the frog Mario goat kangaroo bunny origin, many of us had theorized that he might choose something like a wither skeleton origin (aka what this drawing is supposed to be of), which came with it’s own share of HCs and scenarios people thought up. But it’s safe to say that a lot of people loved that he chose the bunny origin instead :]

#my art #technoblade fanart #nihachu fanart #sneegsnag fanart #tommyinnit fanart #ranboo fanart

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waitmyturtles · 1 month

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Turtles Catches Up With Old GMMTV: KinnPorsche, and Analyzing the KP Cultural Zeitgeist Edition (Part 1)

[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, in a two-part series, I offer my thoughts on KinnPorsche, my very first Thai BL, and the impact that I think KP has had on the Thai BL industry since 2022.]

Hot damn! It has been a MINUTE since my last OGMMTVC review, so I'm glad to be back. I've been very much looking forward to writing my thoughts about my recent KinnPorsche rewatch: I enjoyed this ENTIRE process, especially in regards to watching KinnPorsche in the context and chronology of past Thai BLs, and man, did I ever see KP WAYYYYY differently than the first time I watched it.

Why's that? Welp -- *KinnPorsche was my first-ever Thai BL*. (Not my first BL drama ever; that award goes to the GOAT, Kinou Nani Tabeta?/What Did You Eat Yesterday?)

But when I joined Tumblr officially in July 2022, just about a year and a half ago (in the heat of passionately obsessing over Old Fashion Cupcake), my dash was awash, AWASH, in KP posts. AWASH.

I had no idea what the fuck the algorithm was telling me.

I went into KinnPorsche knowing absolutely NOTHING about Thai BL tropes, the history of the genre, the actors in the roles, what made KP so innovative by way of its storyline, NADA. Dudes -- I'm half-Malaysian, and I had never even watched a show from the Southeast Asian region, let alone Thailand, and I was unaware of how prolific the Thai drama industry was (at least compared to the Korean drama machine).

When I first watched KinnPorsche, my perspective was that I had watched a pretty good show, and I was left surprised back then in particular by the No Homophobia Bubble (well, almost no homophobia, Big) that I now know is so much more common in Thai BLs than I realized.

It was through KinnPorsche that I discovered Thai BLs, and it was subsequently through Bad Buddy that I realized that I NEEDED to understand the development of this national genre -- so back to the history annals I went, through my OGMMTVC project, starting from 2014's Love Sick, and here we are at this moment of the timeline, the hot hot late spring and summer of 2022, enjoying the ✨vibbbeeezz✨ between Mile Phakphum and Apo Nattawin, and leaving me wondering why there was a national shirt button shortage in the midst of a Thai mafia crime drama. I'm glad I have history on my side now as I think about KinnPorsche as a standalone drama, and as I also think about the impact it has had on the Thai BL genre and fandoms prior to its premiere, up to today's moment in time.

I took my time to draft this piece partly because I was busy watching Be On Cloud's second and latest serial drama in Dead Friend Forever. I think BOC is doing something very interesting by way of their acting and contracted scripting choices, which I want to ponder by way of the context and aftermath of KP's airing. As such, while I had intended to write just one post about KP, I have a bunch of thoughts that'll spill over to tomorrow. So here we go, a quick overall outline for the lovers for today and tomorrow on my ruminating thoughts:

1) My critical thoughts on KinnPorsche as a standalone drama in the context of the history of previous Thai BLs, 2) My thoughts on how new arrivals to the wider Thai BL fandom shaped the perception of KP vis à vis older Thai BLs, 3) How I think KP has impacted how other studios approach, market, and write Thai BLs now, and 4) A quick passing thought on BOC's own continued influence on the Thai BL genre and industry since 2022, particularly by way of Dead Friend Forever.

I'm going to concentrate on numbers 1 and 2 in this piece, and they're actually going to be a touch conflated, because I want to lean into a now-obvious fact that the BL Elder community knew all along about KP when it first aired in 2022: there was not much that was new about what KinnPorsche was doing. (This is not necessarily a bad thing, as I’ll get into below.)

When I was a newbie on Tumblr, and the algorithm was feeding my dash, I remember seeing posts about how Be On Cloud, the studio behind KP, was doing things differently than the rest of the Thai BL field -- I recall posts about the studio hiring the best acting coaches, how the cinematography was nothing like what we had seen in other shows, and how Be On Cloud was committed to creating safe environments for its actors, particularly Apo Nattawin, who had reportedly faced discrimination in his past acting career, reportedly leading him to leave the Thai drama industry for a number of years.

While some very early Thai BL studios were known to not have the safest or friendliest environments (the filming of What The Duck comes to mind by way of this lore), by the time of KP's airing, GMMTV had strongly established itself as the leader of Thai BL productions, and other players, including New Siwaj and Cheewin Thanamin, had produced quite the number of dramas under each of their respective studio outfits. The industry, by 2020 and 2021, when KP was in its development origins, wasn't new anymore. Acting coaches, such as Aof Noppharnach, were now also regularly writing, directing, and producing original shows, and major BL studios had introduced workshopping as a regular step to production. On the artistic end, studios and writers had established expected artistic tropes -- 2018's Love By Chance is the first example that comes to my mind of when the Thai BL genre crystallized in a structurally derivative piece of art by way of containing and using prior trope references and dynamics.

Be On Cloud, in picking up the KinnPorsche script from Filmania during the pandemic (I use these posts here and here for my non-primary sources of KP lore) clearly knew it had something innovative on its hands by way of producing the genre's first mafia-based BL romance.

But 2020's Manner of Death had already introduced crime and mystery to BL, and 2021's Not Me continued a multi-genre perspective somewhat successfully around romance. And regarding sex and heat: KinnPorsche didn't do that first, either. MaxTul brought it first in 2017's Together With Me, and MAME has owned this corner since 2018's Love By Chance and 2019's TharnType. (Props to MaxTul for being in both Together With Me and Manner of Death; MileApo owe those dudes some beers.) By way of cinematography, which KP does extremely well: we had already begun seeing prestige cinematography in 2020's I Told Sunset About You, and 2021's I Promised You The Moon and A Tale of Thousand Stars.

It was natural, I think, for much of the KP fandom to think that KP was innovative in a lot of these categories, because, like me -- KP was our first-ever Thai BL. By way of money clearly spent on the show, the directorial purview of the show, the utterly gorgeous cinematography (man, that nighttime pull-away shot when the guys are in the roof pool, oof, why couldn't I find a gif), a new fan might think, geez, this has never been done before! But it had, and not just in Thailand, but for years prior in Japan, and more recently in Korea.

This is ALL not to say that KinnPorsche “suffered” because of what I'm uncovering by way of KP's misunderstood innovation. I think a perception of KP being entirely “new” in the BL field has contributed to its lore and enduring influential status. On this rewatch, I appreciated the mafia-based storyline as a support system to the central KinnPorsche romance. Yok being centered as an important mentor to Porsche, played by the inimitable Sprite Patteerat, was refreshing to see. Porsche accepting his bisexuality, especially with Yok's support, without the typical BL head-spinning queer revelation, was a welcome element to the show. And, frankly -- I had, on my first watch, missed, of course, the clear references to Thai BLs of the past in this show, references that I really loved seeing this time around.

From the old school, we got Kob Songsit, the OG BL dad, no longer Tong's dad in the seminal movie, The Love of Siam, nor Dean's dad in Until We Meet Again. This BL veteran is now a damn dad don, weapons and all.

We've also got Na Naphat, who played important side characters in IPYTM and UWMA. We have former BL lead guys in Jeff Satur and Perth Nakhun. We've got guitars and singing, we have underwater smooching, we have a cute-cute first date. We arguably have questionable kabedon in Kinn's and Porsche's first intimate moments. We have cooking for your lover, we have feeding your lover, we have the towel-drying of the hair. KP, by 2022, keeps up with Idol Factory's Secret Crush On You in prominently featuring a femme-presenting side character in Tankhun, PHENOMENALLY ACTED by Tong Thanayut, who we had seen previously in TharnType.

KP was, in part, directed by Pepzi Banchorn, who served as an assistant director on 2019's Dark Blue Kiss and 2021-22's Bad Buddy, and had a quick guest spot in 2022's The Warp Effect. KP was also, in part, directed by Khom Kongkiat, who played Uncle Tong in Bad Buddy, and subsequently directed The Promise in 2023. AND, finally, one of the KP screenwriters is Bee Pongsate, who has co-written so much flippin' BL: Last Twilight, Bad Buddy, Dangerous Romance (😬), Vice Versa, My School President, A Tale of Thousand Stars, 2gether and Still 2gether, and that's not even scratching the list -- you get it.

KP's supporting cast and crew was simply stacked with BL vets, who clearly knew the scene, and who helped to support Mile Phakphum's rookie acting and Apo Nattawin's return to the screen. I'd posit that this group of people knew EXACTLY what references they were putting into KinnPorsche, from actors to tropes, and also knew when, where, and how to innovate around those references to still make this show unique.

Certainly, KP's approach to sex and heat -- by way of Kinn's and Porsche's first drunken encounters (hi again, MaxTul), the uncut intimate scenes between them, and Vegas's and Pete's union by way of, well, semi-torture and/or kink -- was bold enough to be overall quite notable. But again: Thai BLs had been pushing that envelope for years past, and it has continued to do so in shows like MAME's Love In the Air and GMMTV's Only Friends.

In other words: after this rewatch, with the history of the older Thai BLs I've watched under my belt, I don't see KinnPorsche as firstly innovative. But I appreciate the show differently now, in particular for how very obvious it worked to include past Thai BL references in its production, and I actually gained a different appreciation for it.

I also want to made a quick tangential note about Apo and Tong specifically by way of innovation. Dr. Thomas Baudinette, a long-time BL fan and academic researcher on Thai and Japanese queer media, notes in his book, Boys Love Media in Thailand, that an ideal trajectory for a Thai BL actor is to debut in BLs in order to transition to more popular primetime het Thai dramas, as Gulf Kanuwat of TharnType, and Ohm Thitiwat and Kao Noppakao of UWMA and Lovely Writer, respectively, are notably doing at the moment. Apo Nattawin did this the other way around: he had established his career in het lakorns, most notably in 2015’s major hit drama, Sut Khaen Saen Rak, and subsequently left the Thai drama industry after reportedly being discriminated against for his skin tone and fashion choices. And his way back to the industry was through BLs. Taking the lore of Mile Phakphum recruiting Apo for KP out of the picture for a moment: I think this indicates a shift in how BLs are increasingly perceived in Thailand, and even globally, as being a career-worthy genre of content on its own for actors. (Apo's exploding fashion career is proof of this.) And BOC has now recruited another lakorn vet in Jes Jespipat for its third upcoming drama, 4 Minutes.

As well, Tong Thanayut’s very public coming out after the conclusion of KP’s airing is notable for how Be On Cloud has continued to center Tong in its productions after that fact, most notably in 2023’s film, Man Suang, while other out BL actors are not as lucky by way of guaranteeing and attracting future work.

I have a lot more to say about KinnPorsche's and Be On Cloud's impact on the current Thai BL industry, and how I think that impact has affected the marketing and creation of more recent shows like 2023's Only Friends, and 2023-24's Playboyy. But this first post has gotten long, and I actually haven't written much about the actual show itself, HA. So let me say this:

I think it's notable that the first shows that played around with themes outside of romance, like 2020's Manner of Death, and 2021's Not Me, were not perfect shows. We see now how multi-genre BLs are just exploding, what with Dead Friend Forever and the upcoming slew of vampire BLs that are going to drop (and let's not forget the first omegaverse BL drama in Pit Babe -- or should we forget it, I dunno). Not all of these shows are perfect, but the genre has only been around for a decade. There's a lot of time, and a tremendous amount of interest and funding, that upcoming shows can leverage to become better, especially these multi-genre shows that we're seeing more of.

KinnPorsche as well, was not a perfect show. I have some thoughts particularly on VegasPete to offer tomorrow, and I think, overall, that KP could have easily been a shorter series with more impact.

But I'll still give the show some of its flowers, because I think, unlike MoD and Not Me, that KinnPorsche did a better job of centering the Kinn and Porsche romance for dramatic effect, particularly by leveraging comedy. Were there many moments of hibbly-jibblies? Oh, totally. Dudes, also, Kinn fucking forgot about Pete! Pete coming back to the house and reminiscing about Vegas while holding his neck? Eeeeyikes, no thanx. There were a number of these weird bumps that I think could be explained by way of intentional camp (which I think KP did pretty well), but I do believe the show could have been tighter with more editing.

But, I gotta admit: I had a great time re-watching KP. That says something. Was it the heat that tiddled my dopamine cycles? Probably, somewhat. (No shame in my game.) Or -- a more reasonable theory, ha, is that Apo, as a veteran actor, demonstrated more range than I originally remembered. He can really do comedy well, and he timed his comedy perfectly for the absurdities that peppered KP through the series (the bread crawl, the constant throwing of hands, the jumping-on-Kinn when the ghost of Pete showed up, oh shit we're in the forest now, etc). Apo and Tong, in particular, stayed true to the bit many times during the show, and I think the series benefitted greatly from their collective comedic talent and timing -- which I thought was nicely refreshing for the genre.

With that, I'll have more ruminating tomorrow about the show itself, about how I think the impact that KP and BOC have had on the genre after KP's airing, and other thoughts about the cultural moment that KP demarcated when it aired -- see you tomorrow!

[MORE MORE MORE KP tomorrow! And I'll have more thoughts about the watchlist then. But for now, here's the classic OGMMTVC list for you to chew on!

1) The Love of Siam (2007) (movie) (review here) 2) My Bromance (2014) (movie) (review here) 3) Love Sick and Love Sick 2 (2014 and 2015) (review here) 4) Gay OK Bangkok Season 1 (2016) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 5) Make It Right (2016) (review here) 6) SOTUS (2016-2017) (review here) 7) Gay OK Bangkok Season 2 (2017) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 8) Make It Right 2 (2017) (review here) 9) Together With Me (2017) (review here) 10) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 11) Love By Chance (2018) (review here) 12) Kiss Me Again: PeteKao cuts (2018) (no review) 13) He’s Coming To Me (2019) (review here) 14) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 15) TharnType (2019-2020) (review here) 16) Senior Secret Love: Puppy Honey (OffGun BL cuts) (2016 and 2017) (no review) 17) Theory of Love (2019) (review here) 18) 3 Will Be Free (2019) (a non-BL and an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content in non-BLs) (review here) 19) Dew the Movie (2019) (review here) 20) Until We Meet Again (2019-2020) (review here) (and notes on my UWMA rewatch here) 21) 2gether (2020) and Still 2gether (2020) (review here) 22) I Told Sunset About You (2020) (review here) 23) YYY (2020, out of chronological order) (review here) 24) Manner of Death (2020-2021) (review here) 25) A Tale of Thousand Stars (2021) (review here) 26) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS (re-review here) 27) Lovely Writer (2021) (review here) 28) Last Twilight in Phuket (2021) (the mini-special before IPYTM) (review here) 29) I Promised You the Moon (2021) (review here) 30) Not Me (2021-2022) (review here) 31) Bad Buddy (2021-2022) (thesis here) 32) 55:15 Never Too Late (2021-2022) (not a BL, but a GMMTV drama that features a macro BL storyline about shipper culture and the BL industry) (review here) 33) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch (Links to the BBS OGMMTVC Meta Series are here: preamble here, part 1, part 2, part 3a, part 3b, and part 4) 34) Secret Crush On You (2022) (review here) 35) KinnPorsche (2022) (tag here) 36) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For the Sake of Re-Analyzing the KP Cultural Zeitgeist

...interrupting the OGMMTVC list here to watch War of Y (2022) (watching) in chronology to decide if it gets listed...

37) The Eclipse (2022) (tag here) 38) The Eclipse OGMMTVC Rewatch to Reexamine “Genre BLs” and Internalized/Externalized Homophobia in GMMTV Shows 39) GAP (2022-2023) (Thailand’s first GL) 40) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 41) Moonlight Chicken (2023) (tag here) 42) Bed Friend (2023) (tag here) 43 La Pluie (2023) (review coming) 44) Be My Favorite (2023) (tag here) (I’m including this for BMF’s sophisticated commentary on Krist’s career past as a BL icon) 45) Wedding Plan (2023) (Recommended as an important trajectory in the course of MAME’s work and influence from TharnType) 46) Only Friends (2023) (tag here) (not technically a BL, but it certainly became one in the end) 47) Last Twilight (2023-24) (tag here) (on the list as Thailand’s first major BL to center disability, successfully or otherwise) 48) Cherry Magic Thailand (2023-24) (tag here) (on the list as the first major Japanese-to-Thai drama adaptation, featuring the comeback of TayNew) 49) Ossan’s Love Returns (2024) (adding for the EarthMix cameo and the eventual Thai remake) 50) Dead Friend Forever (2024) (thoughts here) 51) 23.5 (tag here) (2024)]

#kinnporsche #kinnporsche the series #be on cloud #mileapo #mile phakphum #apo nattawin #kinn x porsche #porsche x kinn #tong thanayut #bible sumettikul #turtles catches up with old gmmtv #turtles catches up with thai bls #turtles catches up with the essential bls #the old gmmtv challenge #ogmmtvc #pond krisda #dead friend forever #kinnporsche meta #kinnporsche the series meta

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my-fragment-of-peace · 2 years

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HAM Interval is my favorite thing to see.

#i've missed it so much #lewis hamilton #the goat #f1 #mexican gp 2022 #f1 liveblogging #kind of because it's not actually live but i'll be liveblogging my thoughts as i watch

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brucebocchi · 4 months

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Ranking every new anime I watched in 2023, Pt. 2: #20-11

hey, i just started a ko-fi for my writing and possible other creative outlets. this post will also be available there, so please check it out and consider tipping/donating as i'm currently between jobs. the tumblr version of part 1 can be found here.

Let's get right into it.

20. Helck

I watched Helck’s first season for its entire half-year run, and I'm honestly still not sure how I feel about it. I’d heard amazing things from people who’d read the manga, and it had a hot start, but the pacing slowed to such a crawl after a while that it kind of felt like they stretched out the story just so they could make another season.

Helck, an enormous and impossibly jolly human warrior, enters a tournament to decide the successor to the throne of the recently-slain Demon King. Demons and humans had been at war for some time, so Vermilio, an adorably fiery elite lord of the castle, is naturally wary of him. Helck is naturally powerful, talented, and affable, so he easily breezes his way through the tournament in hilarious fashion, despite Vermilio’s best efforts at sabotage. Before the finals can take place, though, an immortal army sent by the human forces arrive to attack the demon realm, and Helck and Vermilio are teleported to the far edge of the realm.

The season largely covers Helck and Vermilio’s trek back to the demon kingdom, as well as the demons’ struggles against the mysterious warriors as they attempt to figure out just what the hell the humans are plotting. Vermilio remains leery of Helck, regardless of all he’s done for her, but it becomes further evident that Helck is harboring a very dark past, and eventually we get a lengthy arc where he sits down and explains it to Vermilio in flashback. There is, as you’d expect, plenty of tragedy there, and you’d like to see it resolved, but things just seem to keep getting worse.

There are powerful messages in there about toxic positivity and fighting the urge to shoulder one’s burdens alone, but they don’t become fully apparent until late in the season. Everything until then, at least after the teleportation, is… fine. I had higher hopes for this one, but it just feels like it’s missing something, and I can’t put my finger on what. It looks fine, the voice acting is good (the GOAT Katsuyuki Konishi is typically very good as Helck), the action is decent, it’s all… fine. The pacing just feels glacial at times, to the point where if I hadn’t been watching it weekly I might have bounced off of it.

Of course, the season ended with what appears to be the endgame on the horizon, so for all I know there’s still a lot more to come, but the story beats feel so familiar that I get the feeling it could be resolved with, like, a movie. I hope I’m wrong, because there are clearly some major emotional payoffs yet to come, and I’m still curious to see how it gets there. I may have to pick up the manga to find out if it’ll be worth any more of my time.

19. Urusei Yatsura (2022), second cour

Fresh off of Jojo’s Bizarre Adventure’s possible series finale, David Production’s modern take on Rumiko Takahashi’s legendary comedy manga hummed along nicely into 2023. The cast continues to expand as the new version introduces characters like Ten, Ryunosuke, and Tobimaro to further raise the level of shenanigans inherent to Urusei Yatsura.

Lum Invader has been a sex symbol for pretty much as long as anime has had sex symbols, but the reboot’s second cour focuses a bit more on the side of her personality that makes her so iconic, and which I consider essential to several of my favorite female anime characters: Lum’s kind of a psychotic asshole. Her schemes to wring more attention and affection out of Ataru border on sociopathic at times, and she’s honestly so real for that. Her mortal frenemy, Ran, was introduced close to the end of the first cour, and there is still no shortage of sabotage attempts in the second, but we quickly come to learn that Ran’s undying vendetta is mostly because Lum has been a selfish, lying piece of shit since they were kids. God bless her.

Ataru continues to not be much better, serial philanderer that he is, as he continues to be surrounded by other hot crazy ladies who aren’t his not-fiancee. Mendo’s younger sister, Ryoko, is a real highlight in the 2023 run as a result of her escalating penchant for Looney Tunes-esque slapstick violence. The settings of Ataru’s and Lum’s respective worlds take more focus as well, between Ataru’s high school hijinks and Ten’s galactic mail-order mishaps, and the two often collide in hilarious fashion.

I still adore the look of this one. Character models have been cleaned up and simplified to a sort of retro-modern look while still being instantly recognizable to anyone already familiar with them. Everything is awash in an eye-popping Day-Glo color palette. Backgrounds and pop-in gags are often adorned with Ben Day dots to maintain the retro comic look. This doesn’t quite look like the manga, nor does it resemble the original 80s anime, but this is unmistakably a Rumiko Takahashi product. It almost looks like it could have come out at any point in time.

I’m only holding this back in the rankings because it’s the weaker half of a season that straddled the end of 2022 and the start of 2023, but the season as a whole is excellent. It is an essential watch for fans of comedy anime, especially considering so many tried-and-true anime gags effectively originated with Urusei Yatsura (it’s worth mentioning that Lum is largely considered the first-ever tsundere in anime and manga). Season 2 is imminent and I cannot fucking wait. Maybe I’ll even read the manga.

18. Tomo-chan is a Girl!

This is basically Monthly Girls’ No-jock-i-kun. Very simple premise: Tomboyish high schooler gets the hots for her childhood friend who is dense as fuck and forgets most of the time that she’s even a girl. Hilarity ensues and romance progresses glacially.

The voice performances are what really carry this one. Rie Takahashi is golden as the titular Tomo Aizawa, and this was the first entry in an MVP-caliber resume for her in 2023 that was so stacked that I still haven’t gotten to her best role yet. Rina Hidaka nails the conniving, misanthropic nature of Misuzu Gundo in a far cry from her turn as Emul the bunny in Shangri-La Frontier later in the year. The American-born idol Sally Amaki is a revelation as the airheaded gaijin Carol Olston, whom she also voices in the English dub. Even Carol’s mom speaks broken Japanese with a noticeable American accent, which is one of my favorite gags in the whole show.

Outside of the voice acting, nothing is particularly special about this show. Which is fine! There's nothing wrong with a solid 7/10 romcom; junk food is still food. It’s cute, it’s funny, it hits all the right beats, but nothing particularly stands out. Misuzu and eventually Carol give Tomo advice to try to woo her bestie Jun, while Misuzu is usually also playing Jun against that same advice so that it usually works and backfires at the same time. It’s all a game, and she plays both sides so she can always come out on top.

If I have a complaint about this show, it’s that it just… ends. I went back and read the manga, and unfortunately that issue is not the anime’s fault. If anything, it did a phenomenal job of fitting eight volumes of a 4-koma into a single season, and that’s always how it was supposed to go. I watched and read a ton of slice-of-life romance anime and manga this year, as it turns out, and the ones that really hit for me are usually the ones that take their time with the central relationship once it actually starts, rather than treat that big event as the climax, or worse, the finale of the story. Stuff like Kaguya-sama, Horimiya, Sweat and Soap, and even Wotakoi (though I have my own problems with that one) treat their central relationships as a step, not the goal. At the same time, for plenty of others, the fun is in the chase, and they just run out of time, and Tomo-chan is the latter. We got what we wanted, and we had fun getting there. Sometimes that’s all you need.

Also good god, Tomo’s mom. The second those genes kicked in for Tomo, Jun was doomed.

17. The Eminence in Shadow, second cour and season 2

The Eminence in Shadow is the smartest piece of stupid media I've seen in a minute. It so perfectly skewers dime-a-dozen chuunibyo isekai trash while still cannonballing into a McDuckian swimming pool of the stuff. It nearly overwhelms you with lore; the series abounds with rich backstories, centuries-old power struggles, palace intrigue, shadowy conspiracies, the artificially accelerated march of progress, long-simmering revenge plots, looming economic catastrophe, and love dodecahedrons. And the most compelling thing about all of it is that none of it fucking matters.

Cid Kagenou spent his teenage years in modern Japan trying to become the coolest badass dark antihero who ever lived, but he quickly reaches his limits in our boring normal world so he rides the isekai truck into a world with actual, like, magic and shit. He spends his new childhood leveling up and rescuing elf girls, all the while regaling them with his “wisdom” in the form of a bunch of horseshit he made up based on all the light novels he used to read. Turns out that he’s entirely too genre savvy; this new world is apparently so contrived that every single thing he told them ended up entirely true.

So now Cid’s a teenager by day and shadowy vigilante by night (under the apt moniker “Shadow”), with an underground legion of hot deadly babes at his disinterested beck and call. All he genuinely cares about is looking and acting like the coolest motherfucker a socially inept 12 year old boy can think of, and in his downtime actively trying to be a forgettable mob character. And I do mean that that is all he cares about; when I say none of the wheels within wheels happening in the background actually matter, I mean that Cid is completely and totally unaware of any of it.

Anything he does or says to drive the plot is either incidental or accidental. He spouts off some nonsense he heard in a video game once, and his cadre of elf baddies and beastgirls takes it as gospel en route to exposing a millennium-old conspiracy. He parrots a really cool line he heard ten minutes ago and a beautiful woman he just saved takes it as inspiration to turn her life around. It’s kind of like in Mashle, funnily enough; where Mash will go “I don’t know what’s going on, but you were being mean to my friend so I’m gonna beat the shit out of you,” Cid is more like “No clue what this is about, but that’s a really badass looking villain, so I’m gonna say some epic shit and do a big explosion.” And then he fucks off to go eat a burger or something, not knowing or caring that he just unraveled a prophesied master plot to destroy the global power balance.

The episodes that aired in 2023 largely revolve around the lovely Princess Rose, smitten with both Cid and Shadow (not knowing they’re the same guy), pledging fealty to Shadow Garden after failing to foil a coup d’etat. At the same time as her training, Cid is busy with a vampire something-or-other and then tries to make some coin for himself by teaming up with an assassin hellbent on revenge to create a credit crisis. The conspiracy later drags Rose back into the palace, where Cid sees a new opportunity. Every single one of these things has very specific reasons for happening, and everyone involved has a rich backstory and clear motivations to carry out their parts of the ever-evolving plots.

But that’s not why you’re here. You’re here to watch a bunch of hot ladies and a guy in a black cloak with one glowing red eye do some sick action stunts to bad guys with silly names, and this show delivers that in spades. This feels like a throwback in the best and worst ways. The Eminence in Shadow is stupid, and it is brilliant.

16. Mushoku Tensei: Jobless Reincarnation, season 2

Mushoku Tensei is a tough anime to talk about. On one hand, it is one of the most gorgeous anime series ever put on television: Almost consistently movie-quality sakuga, lush background art, and a breathtaking score come together to form an immersive world unlike many I’ve seen in any medium. On the other, it forces some very unpleasant conversations about reincarnation in anime, particularly ones like this where a grown man is reincarnated as a child while retaining his mental age and is surrounded by potential love interests closer in age to his new body. What doesn’t help is that in his previous life in our world, the man who would reincarnate as Rudeus Greyrat was a socially isolated hentai addict, and much of his journey centers around him unlearning those proclivities in unfortunate and often damaging ways. If you can handle that, Mushoku Tensei is a rewarding watch, but if that’s beyond the pale to you, I don't blame you in the slightest.

However, even if you’ve been able to stomach all of the questionable shit in the first season, I'm sorry to say that the second season’s first cour doesn’t do much for the “bro I promise he gets better bro” crowd. The first cour covers the Quagmire and Academy arcs, which follow Rudeus’ struggle with being effectively abandoned by the only person to show him any physical affection in either life. The knock-on effect sees him retreating into an antisocial shell and developing, and I am deadly serious here, a seemingly incurable case of erectile dysfunction.

The first few episodes surround Rudeus growing into a young man, making a name for himself as a wandering adventurer in hopes that talk of his name will spread to his missing family and friends. At the urging of the god with a direct line to him (still unexplained), he enrolls in a magic university to investigate the calamity that flung his loved ones to the corners of the realm. There he finds an old friend in the figure-obsessed young prince who saved his life in the previous season, a girl from his previous world who seems to have also been transported to this one, and most crucially, his old childhood friend Sylphiette, hiding in plain sight with new hair and a sick pair of shades as a retainer to a scheming princess enrolled in the school.

Mushoku Tensei's initial season was at its best in its quieter moments, and those abound in season 2’s first cour. It's really lovely seeing him connect once again with Sylphie purely for who she is, even though for all Rudy knows he’s talking to a twinky dude named Fitz who makes him feel weird things. We get our amazing action animation early on, and things settle down quite a bit from there as Rudeus navigates all of these interpersonal relationships, old and (seemingly) new.

And while, yes, this version of Rudeus is a far cry from the drooling, grinning pervert he was in his first ten years of reincarnation, his improvement as a human being is not a straight line. He unfortunately takes more steps backwards than forward. The things he says in a drunken rage about his party member Sara (who inadvertently revealed his ED) are awful and undeserved, he literally ties up and gropes a pair of beast girls from his class (he has apparent reasons for both of those things, but come on), and he “frees” a young dwarven slave to take on as an apprentice. That last one seems admirable on its face, but uh. He went with the flow in a god damned slave market and still paid a slaver.

I'm not excusing those things, nor absolving Rudeus as a character; I'm simply saying they happen this season. Mushoku Tensei, for better or for worse, depicts gnarly subject matter as it is while neither glorifying it nor moralizing about it. It trusts you to make your own judgments, and if your verdict is “I can’t watch this show,” that is perfectly valid. If you can stomach watching through its worst moments and compartmentalize the uncomfortable aspects of it, Mushoku Tensei remains one of the best-looking and -sounding pieces of animation out there, and the part of its second season that aired in 2023 has an exceptional emotional payoff. Otherwise, I'll be talking about Frieren much later.

15. Spy x Family, season 2

The most succinct praise I can give season 2 is also the most backhanded: Well, it’s more Spy x Family.

I want to be clear that there is no shade inherent to that comment; the first season of Spy x Family was excellent! It was a stylish, beautifully animated, appropriately hilarious adaptation of a fantastic manga that did it justice in almost every regard; the second season didn’t need to move heaven and earth to try to one-up it. It wasn’t broken, so Wit and CloverWorks didn’t fix it. It’s still the blend of domestic slice-of-life hijinks, tense cold-war intrigue, and heart-pounding action it’s always been. Even the production music is largely the same, and that’s not a complaint, because SxF’s production music fuckin' slaps.

A lot of anime-onlys rightfully complained that Yor’s plot relevance seemed to fall off a cliff in the back half of season 1, so they have been eating GOOD this time out, as season 2’s (ostensible) first cour puts her directly in the spotlight. The Yor Cour, if you will. The season opened on a hilariously spot-on adaptation of my favorite Yor-centric chapter of the manga (the “bullet in the ass” one) and quickly moved on to a nearly perfect interpretation of the cruise arc that sees her protecting a government asset from a legion of assassins.

If you wanted to see more of Yor in her second life as the contract killer, Thorn Princess, this season was a meal and a half for you. Having her beset on all sides by an eccentric rogues’ gallery, with Anya fully aware and trying her damnedest to keep Loid from finding out what’s actually going on, is Spy x Family at its best. The tension constantly ramps up as the ship approaches its target, and Anya’s attempts at distracting Loid usually go sideways because, well, she’s Anya. Blood splatters, laughs are had, and Loid continues to struggle with both fatherhood and acting like his growing affection for his ragtag “fake” family is just “for the mission.”

Outside of the cruise, season 2 maintains the series’ usual episodic pace, which can be a little jarring before and after the cruise arc, but that’s SxF for you. Shit can pop off at unexpected moments, and having read ahead in the manga, I’m excited to see the next time that happens. For now, though, things can feel kinda static from time to time, but the Forger family and the extended cast are always pleasant to just hang out with for a while.

And now to wait for the movie to come out in the west.

14. Undead Unluck

Up until this past Winter season, I primed myself on a lot of the more-hyped anime by reading the manga ahead of time. I knew that Undead Unluck is one of the bigger Shonen Jump manga out there, but this debut kind of crept up on me. I went in blind, got drawn in by the premise, and then got quickly overwhelmed with a wild amount of lore.

Fuuko, a young woman seemingly afflicted with a curse, is saddled with a brash, enormous man who cannot die after he foils her suicide attempt and is then himself grievously injured. Don’t worry, he got better. It turns out that he’s roughly 200 years old and has a completely cracked healing factor, while she brings terrible misfortune to anyone who touches her skin. They are both Negators, people with the ability to reverse or ignore the laws of nature: Fuuko’s ability is Unluck, causing tragedy for those close to her, while the man is Undead, exactly what it says on the tin. The man, who cannot remember his own name, believes their meeting to be kismet: If she can bring death to her loved ones, he vows to woo her so she can deliver the death he’s sought for so long. I promise this is a comedy.

Fuuko and Andy (whom she named as shorthand for the Japanese pronunciation of “undead”) foil a series of assassination attempts by other Negators, and take their spots as part of the Union eliminating threats to the universe. They team with an eclectic group, whom we’re still getting to know as of the end of the first cour, as they trot the globe to complete quests given to them by a mysterious (and seemingly nefarious) talking book lest the universe incur penalties for their failure.

The power system among Negators is one of the most inventive I've seen, with each one able to cancel out a specific element of the natural order of the world, and it’s a blast learning how each new one works. Andy in particular is wild; because he can regenerate himself so quickly, his weapon of specialty is his own body, never hesitating to use his own fingertips as bullets and his own gushing blood as a propulsion mechanism. He also has no compunction towards taking on the worst of Fuuko’s Unluck ability, often sacrificing himself to get hit by lightning or falling debris to deal damage to an enemy. Every new Negator power introduced adds a new wrinkle to the way this world works and the different shapes its action can take. Others can freeze matter into suspended animation, force people to act opposite their own intentions, or even subvert someone’s entire belief system. I cannot wait to see what else is in store.

The first cour’s pacing is a little off, and Andy's behavior towards Fuuko in the first couple episodes is nothing short of gross (I promise that eases up), but you can see the show finding its footing as it goes on. Shonen Jump series don’t last for nearly 200 chapters and counting by accident, and I'm excited to see where this goes.

13. NieR: Automata Ver. 1.1a

Those of us who played Yoko Taro’s 2017 masterpiece approached the announcement of an anime adaptation with some trepidation: So much of what made Nier Automata so outstanding and so beloved is that much of the delivery of its narrative is inherent to the fact that it’s a video game. How can a video game known for pushing against the fourth wall of the unique elements of its very medium be faithfully adapted as an anime?

The choice of studio was also concerning: Though A-1 has produced a ridiculous number of excellent series (and some aggressively mid ones that were nonetheless very successful), its track record with video game adaptations has been far less than stellar. The latter three films in the Persona 3 adaptations were solid if uneven, and the Valkyria Chronicles anime seems to have been well-received, but the same can’t be said of A-1’s takes on Ace Attorney, Persona 4 Golden, or Persona 5. Regardless, Yoko himself was heavily involved in the anime’s production, so if they could keep on budget and schedule, Nier Automata would have a fighting chance.

And while there indeed ended up being massive and likely unpredictable production delays, I'd say they’ve done almost as good of a job as they could have so far. While the first cour mainly covers Automata’s A and B routes, it does much more than just play that part of the story straight; it also takes the time to incorporate other elements of the Nier canon. A surprising amount of time is dedicated to the canon introduced in the YoRHa stage play (and by extension the Pearl Harbor Descent Record manga); Lily and the android resistance are woven directly into the narrative far beyond the vague overtures the game makes in their direction. Ver 1.1a also ties the history of the original Nier into the story at unexpected and intriguing (and in my case, tear inducing) moments.

Unfortunately, it’s still too soon to assess this series in its entirety. While too many people who played Nier Automata stopped after route A or B, there is still much more of this story to come. There was some very sloppy CGI integration in the first episode when it aired, but far from enough to put me off the series. For now, it’s a treat for Nier fans, but I’m not sure whether I can recommend it yet to people who are unfamiliar with the source material.

Until the anime is completed, go play Nier Automata. It’s one of my favorite games of all time.

12. Kaguya-sama: Love is War -The First Kiss That Never Ends-

This was a late 2022 theatrical release, but it didn’t see western release until this year and was split into a four-episode mini-season for streaming, so I'm counting it for this year. you can deal with it.

I got completely obsessed with Kaguya-sama early this year, and in record time. I binged the anime and the manga in the span of a couple weeks and irreversibly fell in love. I say with no reservation that it is the best romantic comedy, in any medium, of the 21st century. It nails both the romance and the comedy in equal measure; the characters are perfectly realized right down to the supporting cast, the dynamics between them are carefully considered and consistent with their personalities regardless of circumstance, and every emotional and comedic beat hits exactly as it’s meant to. There is a constant momentum moving the greater plot along, even in the smaller moments, and seismic shifts take over before you’ve even noticed they’re happening.

It’s rare for romcom manga adaptations to stay on the air long enough to actually reach the romantic payoff, and Kaguya-sama fucking nailed it in season 3. Well, we’re pretty sure it did; the central conceit of the psycho-romantic warfare between Kaguya Shinomiya and Miyuki Shirogane is that they’re both chronic overthinkers and won’t accept any romantic undertones or overtures in any form but an explicit confession. So while the finish to season 3 is everything we wanted as an audience, these two dorks still sense a margin for error. Regardless, that would have been a perfectly acceptable place to end the anime.

HOWEVER, the Ice Queen Kaguya arc that follows in the manga is iconic, and A-1 was absolutely right to adapt it. Although Shirogane is ready to move forward with the relationship that (he’s pretty sure) they’ve both wanted for a long time, Kaguya has a crisis of personality and inadvertently reverts to the dead-eyed, emotionally walled-off version of herself he’d initially met, well before either of them had realized they’d fallen in love with one another. The interstitial omake preceding this arc in the manga has Aka Akasaka warning the reader that in order to counteract the massive emotional payoff that just happened, the ensuing chapters would get very, very silly.

And of course, hijinks do indeed ensue; this is Kaguya-sama, after all. But before you realize it, the story is neck deep in Jungian psychology as self-doubt begins to plague Kaguya and Miyuki and they struggle with the faces they think they need to put on for the other and whether their “real” selves even deserve to be loved by the person they idolize. It gets heavy! I cried every time I watched it! And that first time was in a damn movie theater!

I’m much more comfortable appraising First Kiss as a mini-season than as a movie, because frankly, it doesn’t work as a movie. The animation, while maintaining the series’ standard of excellence, isn’t a single degree better than what aired on television, which can be disappointing upon a visit to the theater. The pacing is also off for a feature film; the common knock upon theatrical release was that it felt like four episodes stitched together (it even has the omake-style interludes between scenes, like the show). The arc also focuses very heavily on Kaguya and Miyuki specifically, so the ensemble cast I mentioned earlier does have to take a backseat. Splitting this up for streaming and televised release was the right move here.

Season 3 would have been a very good ending for this series if it never got picked up for the movie. If it doesn’t get picked up for a proper fourth season, this is the perfect place for it to end. The manga has now been adapted up to just past the halfway point, and the next best stopping point would have to wait until a possible, like, fifth season. And that arc in question, while it does have some iconic moments, is very uneven. If this is all we’re getting, we’ve gotten plenty already, and I am satisfied.

If you've watched the first three seasons of Kaguya-sama, you owe it to yourself to watch The First Kiss That Never Ends. It is nearly everything you could ask for. Also, read the manga if you haven’t already. It’s genuinely one of my favorite things I've ever read.

11. The Apothecary Diaries

This one is basically House M.D. set in the Ming Dynasty, and it fucks.

Maomao, an apothecary raised in a pleasure district near the palace of a fictional East Asian empire, is shanghaied (pun intended) into menial work in said palace. She hears tell of a supposed curse plaguing the emperor’s newborn children and the concubines that birthed them, quickly deduces that it may be poisoning, and discreetly leaves a message for the ailing new mothers. She’s found out by an impossibly beautiful young administrator named Jinshi, who quickly deduces that she’s one of the few literate peons in the rear palace, and he puts her to work in the pavilion of the concubine that heeded her advice.

With her knowledge of, resistance to, and slightly masochistic infatuation with various poisons, Maomao slots right in as an attendant and poison tester to one of the emperor’s embattled concubines. Often at Jinshi’s urging (even though she immediately gets the ick at his habitual flirting), Maomao finds herself investigating deaths, mysterious ailments, and strange behaviors, on top of the foreign world of palace politics. Though she’s a deeply jaded person who only seems to care for her special interests, Maomao is incredibly perceptive and often able to suss out the finer details others miss.

Surprisingly, this one is a really breezy watch, and much funnier than you might expect. For all its lush environs, slowly-mounting intrigue, and often stunning cinematography, The Apothecary Diaries isn’t afraid to get a little silly with it. The dialogue is snappy, quick gags abound in a familiar single-panel chibi style you wouldn’t expect in a setting like this, and Komi-esque cat ears spontaneously pop up from Maomao's head whenever her interest is piqued. Interactions between Maomao and Jinshi are always a hoot, and you can pretty quickly figure out where it’s going, although Maomao can’t because she’s still pretty sure Jinshi is a eunuch.

As she does in virtually every role in her dozen-plus years as a seiyuu, Aoi Yuuki crushes it in the starring role. She really nails the disaffected cynicism that animates most of Maomao’s internal monologue and sarcastic dialogue, as well as her hair-trigger glee when presented with her personal interests in food and drink, medicinal herbs, and of course, poison. Yuuki is an indispensable element in ensemble casts like Persona 5, Ace Attorney, Wotakoi, and the aforementioned KamiKatsu (as well as others I don’t plan on watching like My Hero Academia, Rent-a-Girlfriend, and The Seven Deadly Sins), so it’s especially nice to hear her in a spotlight role outside of the odd Madoka Magica, spider isekai, or Cyberpunk Edgerunners.

There are a handful of anime on this list that will be continuing or returning in January, and second only to my #1 anime this year, this is the one I’m most excited to see more of. At time of writing, the show appears to be shifting in a new direction, and I’m hoping to see it take less of an episodic pace.

Part 3 is on the way! I'm going to split my top ten into two more posts, because I ended up writing... a lot more than I'd expected.

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