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#Crazy scene actually.....
fadeintoyou1993 · 1 year
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RONANCE APPRECIATION WEEK day five: details
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cemeterything · 9 months
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every time i watch the terror season 1 episode 9 im like wow they really outdid themselves with the gay sex scene. so moving. beautifully shot. tender yet erotic. profound stuff. and im talking about the moment where a man massages his boy best friend's throat to help him swallow the poison he just poured down it to put him out of his misery.
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opheliasam · 5 months
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girl has anyone seen the bts of the pilot fight scene… they did not need to be doing all that (ESP JPAD why was he breathing like that)
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aseuki · 28 days
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[SOUL] - The Roche Limit
"A unique convergence of elements...gave a stubborn soul one last chance at revenge."
Marx | Sectonia | Fecto Elfilis
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silly2tilly · 2 months
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flippa with her ipod ...
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beanghostprincess · 1 month
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It still amazes me the number of people who see the juxtaposition between Nami and Usopp during Wano and their fight against Ulti as "Nami's devotion to Luffy is unmatched, unlike Usopp's" when she isn't able to say he won't be the king of the pirates but Usopp is telling her to lie.
I think most people don't have in mind, either, that Usopp isn't the one being directly asked. He is looking out for Nami and begging her to lie to keep her alive because he is scared to death they might lose her for something as insignificant as lying. For him, lying is a form of survival and it is not that big of a deal because he trusts Luffy enough to tell Nami to lie about her feelings. It is something that will only stay between them because he knows it is better to lie than to die and Luffy would want it that way too.
And that doesn't mean he isn't loyal to Luffy or his dream. He is just looking out for Nami's safety. And as I said-- He isn't being asked directly, either. It is easier to tell others to lie about something of the sort than to do it yourself, and if the roles were reversed I personally think he'd have the most awful of times with it too.
Nami refuses to say Luffy won't become the king of the pirates because for her, even if lying has gotten her out of messes, she puts her trust and loyalty in Luffy before her own instincts of survival because lying is what got her to push them away when they first met and this is the one thing she can't lie about because it would hurt more than death.
Then again, I think she would do the same exact thing Usopp did if she wasn't being the one asked. It is the whole point of the scene, actually. They both know the most rational thing is to lie so the one witnessing the scene will always be cold-headed about it, but the one having to lie is the one suffering the bitter realization of how lying about this and saying it out loud is way harder than it seems from an outsider's perspective.
So I am tired of seeing people criticizing Usopp for his decision during the fight against Ulti as if it were that easy for him to see Nami being about to get killed if she doesn't lie. Sorry for the guy to actually want to protect the people he loves instead of letting her be reckless and basically kill herself freely for telling a truth even Luffy would tell her to lie about if it meant living.
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lover-of-mine · 4 months
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Buddie Countdown to Season 7:
42 days.
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bodega-catto · 3 months
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fearandhatred · 4 months
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instead of taking the fact that they only showed certain parts of the metatron and aziraphale talking to mean that aziraphale is omitting information. consider that those scenes are there instead to support what aziraphale is saying and prove that he's telling the truth. u feel me
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franklespine · 6 months
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You know I think you guys might be on to something when you call Sam woman coded cause - genuinely - how do you, as writers of a show, be so misogynistic as to not include any female characters asides from damsels and hookups (specifically referring to the early seasons), and yet need so desperately to have a outlet for macho masculine patriarchy power dynamics that you have an adult male character experience misogyny?? How do you mess up that badly??
It's like, although they thought that putting female characters in the narrative other than to exist as sexy distressed lamps wouldn't appeal to the true blooded 2000s American audience. But yet it was completely necessary for there to be a bottom rung in the masculinity pyramid because - well how else can we as a society function!!
Anyway, ik reading too far into things is my special talent, and in most circumstances all of this stuff is just a joke in the show but wow they really had Dean poking fun of any of Sam's characteristics that don't fit into this Hyper True Blooded American Masculinity ideology as a butt of jokes for 15 years. The fact that he has longer hair, that he cares about his hair, that he's tidy, that he likes salads and isn't a big meat eater, that he's sympathetic, that he's a bitch. And of course these are just silly little jabs that Dean makes in sibling-like fashion but like wow 15 years. Damn.
And of course it's not only this that leads to the rather odd interpretation of a woman-coded Sam, but also the way he is treated directly by the narrative. Like, for example, being the family's possession, rather than an equal member. Dean has seen it as his job to look out for his little brother since he pulled him from the fire and the wellbeing of this infant was thrown onto his shoulders at age 4, and this has created a lot of ricocheting effects on both of them. This isn't to say that Dean doesn't love, care, respect, and value Sam, but it does mean that sometimes he treats him like a possession rather than a person. He makes a lot of crazy decisions in the show that he justifies as being for Sam's own good, even if it goes directly against Sam's wishes. After Sam leaves a note to Dean telling him he's going out for a bit to handle a case, Dean weasels his way in, not trusting him to handle it due to the mental issues Sam is facing at the time, and kills Amy, despite Sam begging him not to. Even though Dean knows Sam would never consent to an angle possessing him, he tricks him into it anyway. He does these things, and many others because he believes that he is acting in Sam's best interests, totally disregarding the fact that Sam has capacity to make judgements and handle the consequences himself, even going so far as to oppose what he directly knows or Sam tells him he wants.
Then of course there is the fact that the fear integral to his character - a loss of autonomy (bodily autonomy, but also autonomy to make his own decisions about his future, to be good, to be pure and faithful), is an explicitly feminine one. Then there is the strong subtext in his story of SA themes, I think in s4 a demon even refers to Sam as a 'whore' or that he's 'whoring it up' (with respect to Ruby), and the interesting prevalent idea of Sam questioning or going against the ideals/ideology of the masculine figure head (which would be Dean I guess) and getting punished for it. Sam suggests that maybe they take a more humanitarian approach with the cow blood drinking vampires in s2 and Dean punches him, Sam tries to get him to talk about their Dad and Dean punches him, Sam tries to get him to talk about Lisa and Ben and Dean punches him, Sam gets caught simply using his abilities and Dean punches him - twice. I think you get the picture.
Anyway. This post comes off as rather critical of Dean, which wasn't really my intention. It's more sort of a broader criticism of the rampant sexism that had its part in shaping the show - being one to come out of the early 2000s. Ideas such as this - you could really go on for hours as its fascinating how ideological frameworks are presented certain ways in media - and the way masculine and feminine social dynamics, to list only one, is presented in supernatural is definitely a can of worms.
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maryoliverdotcom · 21 days
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went 2 a wedding & someone's saree got stuck in my watch & i looked up w hope akin to that of a newly born calf......only to see a padhos-waali auntie staring at me angrily
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sunfortune · 7 days
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scrolled a mile in the challengers tag to see if it was giffed yet and couldn’t find it but the windstorm scene with the red lighting and banger soundtrack and the camera following tashis back as she approaches patrick styling the whole thing like a final boss battle was soo DELICIOUS #cinema‼️
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an1muuarts · 17 days
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why does laios and the other shapeshifters feel like they represent how ppl make fanart of their blorbos
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braceletofteeth · 3 months
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Sometimes I wanna sit down with someone who thought episode 5 was a shocking plot twist and just ask what they thought all of this meant, when they first watched the show:
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samdeancrimespree · 1 month
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k hold on im going insane. so. what i just said abt dean beating up the car instead of sam. the Next Episode is the one where sam is like “you miss dad sooo bad and i can see right through you” “you can’t just substitute him with whoever you want.” and then dean punches him. guys if sam KNEW.
then sam is Begging dean to hit him. you don’t GET IT HES CRAZY.
dean doesn’t want to show these emotions to sam. he wants to be strong for him. so he tells gordon about them instead. but sam sees dean choosing gordon over him, believing gordon instead of sam. sam wants to be his equal, not his kid. dean doesn’t think sam knows what he’s doing. but sam understands dean’s emotions more than dean does.
so he goads dean into hitting him, just to prove he can take it. “you can hit me all you want. it still won’t change anything.”
we Know from how hands-on he is when sam gets injured that dean uses physical touch instead of words to show his emotions. if sam saw him fuck up the car, saw his warning, he knows that dean is struggling and wants sam out of the way so he doesn’t hurt him. dean might not even realize he’s doing it, but sam does.
and sam doesn’t let it go. sam shows dean that he’s here for him, no matter what dean does. if dean needs an outlet for his emotions, then sam will make sure it’s him. he doesn’t care that dean is messy and angry and mean right now. those emotions, those punches, are for sam. not for gordon, not for a monster, not even for his car. for sam.
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thesunshinecourts · 1 month
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can’t stop thinking about jean moreau, born into a family indebted to the mafia and born again as an outlet for all the cruelty and rage of said mafia’s most volatile son, with his scarred body that he’s learned to disregard, looking at this beautiful boy with a smile jean can hear even through a phone, but he’s not smiling, not right now, he’s looking at jean’s scarred body and he’s shocked and horrified and devastated, because it’s something that shouldn’t have happened.
can’t stop thinking about jean finally looking up from his exy gear and frowning, because his existence is predicated on his success on the court, but jeremy is looking at his scars instead of what he holds in his hands, the only thing he’s been taught matters. jeremy is looking at his scars, like anything that has been done to jean could ever take precedence over what jean must do to earn the right to exist, and jean doesn’t understand.
cant stop thinking about jean, lifting jeremy’s chin and saying, focus on what’s important, and jeremy meeting his eyes and saying, i am.
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