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#Better Fury episode
newsworthy-rust · 10 months
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if nick fury and talos dont kiss by the end of secret invasion i'm out
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thetimelordbatgirl · 7 months
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After watching Cosmic Fury myself....yeah, my opinion still the same really: it doesn't really feel like an ending to a 30 year old franchise like Power Rangers, it just feels like another series of Power Rangers.
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acebabecd · 1 year
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It’s so weird going back and reading old dorym fics that were clearly written between Dorian giving away the sending stone and him telling the group about it, because Orym’s reaction is always the exact opposite of what happened in canon
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winterhulk · 2 years
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watching avengers assemble like... steve is SUCH hypocrite lol
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magickneesocks · 7 months
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chironshorseass · 4 months
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ok i really really really enjoyed watching the first two episodes and i think the show is already so faithful to the books in ways the movies wished they were BUT i’m gonna be a bitch just because i can and rant about a few insignificant but at the same time very important Things the writers didn’t Understand:
percy is angry.
and i know this is seen with his anger towards poseidon in the show, but i’m talking angry. as in, generally speaking. when he’s with grover and they’re talking about nancy, percy says something along the lines of “we should fight back,” and grover’s like “noooo we can’t stand up to bullies.” and then percy stands up to her and blah blah blah…but in the books percy’s first line is “i’m going to kill her” after she throws a sandwich at grover. grover talks him out of it because he’s already on probation.
with just this scene we know percy stands up to bullies, and that’s partly why he has so much trouble at school! in the show, he stands up to nancy, apparently for the first time, and gets kicked out because of it! sorry but as someone who worked in a school, i know for a fact that kids can get away with so much more before they’re actually kicked out lol. it would’ve made sense, like in tlt, that he’s already at risk of suspension so him “pushing” nancy is the final straw. it’s just very weird, considering it could be only a line of dialogue that makes percy’s anger and the connection between his outburst and him getting kicked out more clear.
consequently, percy arrives at his appartment and gabe is just a general (still admittedly abusive) jerk instead of a drunk, violent (also abusive) man. when we meet gabe, it makes a lot of sense why percy has so much trouble with his anger. it’s easy to see that connection. literal child + alcoholic abusive father figure = there’s bound to be some trouble….that’s not really the case in the show, especially in the way that sally easily stands up to him. people have said a fair bit about this topic already, so i’m not gonna expand on that, but i really wish the writers had focused more on percy’s internal anger, as it’s such an important part of his character and affects the way he reacts to things throughout the books; it just worries me that in the first episode it wasn’t as established. i. e. he hates dionysus on sight because he reminds him of smelly gabe, he hates the gods—is angry at poseidon—because, where was he when my mom and i were suffering at the hands of smelly gabe? ok i’m not gonna talk about more of this or of sally because other people have said it and i could write a four page essay of what the show got wrong plus i want to talk abt other things before this gets too long:
the monster scenes.
the mrs. dodds being a fury reveal felt sooo…weird? even the movie version did it better lol. it felt super rushed and strange how percy’s just standing there and the next he’s on the ground, but he had riptide with him so he just impaled her and then she turned to dust??? in the books, not only does she get percy alone, but grover tries to stand up to her—which is a big deal since he knows what she truly is and shows how much he cares for percy in that moment. percy has time to be genuinely terrified bc he’s alone with a literal monster and he’s about to die…and chiron throws him riptide just in time, but then he too vanishes so percy’s left wondering if he imagined everything. but no, in the show mrs. dodds comes out of nowhere and attacks him, and it’s so fast that percy doesn’t have time to dwell on wtf happened. the situation doesn’t seem as serious as it does in the book; in the book she tries to interrogate percy bc she thinks he’s the lightning thief, and when she doesn’t get her answer, she attacks him. this is another thing: the stakes. they don’t feel as high in the show because there’s no annabeth trying to ask percy what was stolen, no hellhound, no fates cutting a string, and no alecto/mrs. dodds interrogation. there’s not much of a lead up to the quest, really.
theeen the minotaur scene, which also feels super weirdly paced and there’s just not that same sense of urgency. again, other people have talked about this, so i’ll just stick to another main concern of mine: grover’s role in the scene. it was so strange how in the book he’s semi unconscious and in the show he’s fine (so fine that sally does something completely out of character and makes grover swear to keep percy safe? she would never put that much pressure in a child???) ok so he seems fine in the show, but then when they’re running percy’s holding him as if he can’t walk???? they’re not even fully sprinting, given that a monster is chasing them lol. (the problem with the stakes; i mean with the way they run and have an entire talk with sally makes it feel like they’re not in any real danger).
back to grover: he was perfectly fine, and he got percy back safe. not at all like in tlt, where percy has to practically carry him back, after loosing his mom and killing the minotaur. THEN percy passes out and later wakes up at the big house. this is important, bc grover’s entire THING is being percy’s protector, and he couldn’t do that properly bc he was indisposed. he felt awful. of course he did. his character arc is overcoming the guilt and insecurities—that he’s not a proper protector and therefore can’t search for pan; his main character motivation—by successfully completing the quest and helping percy retrieve the master bolt.
these are just little seeds that needed to be planted in the first two episodes of the show…so that the rest of the show feels cohesive and makes sense with what happens in tlt. if these character traits and scenes are looked over and not given proper importance/not replaced with something similar, then the show will have a different tone than it does to the books. i don’t think it’s necessarily bad, but it is disappointing that the details sprinkled in the source material are lost in translation. they may have seemed insignificant to the writers, but not to meeee!!!!!!
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penny-anna · 4 months
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OK in advance of tonight's other episode, couple of thoughts on the Percy Jackson tv show's adaptational choices:
i haven't actually seen anyone flag this one up yet (it's a fairly subtle change and i know a lot of ppl haven't read the first book in like 15 years so maybe everyone just forgot?) but in the book the reveal that Percy's mother is still alive drops a lot later in the narrative. book!Percy heads out on his quest fully intending to bring her back from the dead. which imo is a stronger narrative beat & it makes the reveal that she's still alive and he was right to think he could rescue her that much more satisfying.
on reflection agree w the comments i've seen re the other kids should have knelt to Percy after he was claimed. actually saw complaints about this before reading the book so was surprised at how fleeting a moment it was but it really does serve to accentuate both what a big deal a Forbidden Child is and that Percy is an outsider even at Camp Halfblood
as per previous post yes it is explicitly stated in the book that Chiron suspect Percy was the son of Poseidon and i think omitting that was a mistake given the number of ppl i've seen picking up on it
in 2 minds about the omission of the hellhound bcos it is a pretty important plot beat and a cool scene but i can see why they wouldn't want to do a CGI monster fight that was technically extraneous
ALSO Annabeth having mistakenly concluded that Percy was a child of Zeus was a good character beat in terms of her being smart enough to figure out he was a forbidden child but not infallible. and maybe also biased due to her previous relationship w Thalia.
that said i enjoyed her shoving Percy in a lake too much to really complain.
changes i think are for the better:
i think having sending Medusa's head to Olympus have actual Consequences was a good move 👍 unless im missing something due to not having read the rest of the series. i was surprised reading the book that in spite of Percy getting warned not to do it there wasn't any fall out.
i don't think the scene w Percy petrifying one of the furies was in the book either? cool moment!
PLUS having Athena be petty enough to pull that shit was like. very on point for a Greek god flkghfdkj
really enjoyed Echidna getting introduced earlier. amped up the tension in a big way AND kept me on my toes, i was there like ohh is this a different monster? are they moving her fight scene to the train? what's going to happen here - OH NO
Echidna bringing up that the gods and the 'monsters' are all a single family was also 👌great scene all round
likewise Percy & Annabeth BOTH trying to sacrifice themselves for the group loved that. don't think this was necessarily an improvement as the book scene was good in a different way but really good moment
*slow hand clap* consensus!!
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stevie-petey · 3 months
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episode five: dig dug
“You like Y/N?” Dustin asks at the same time as you ask, “You like me?” Steve rolls his eyes. “Yeah, barely. She’s on thin ice. But you, little Henderson? You just stole the flowers meant for my girlfriend, so backseat you go.” “Yes!” You cheer, pumping your fist in the air as you flash Steve a smile. “Thanks, Harrington.” He rounds the front of his car and opens the driver's side door. “Yeah, don’t get used to it. Like I said, you’re still on thin ice.”
Summary: you and dustin bury a body and con your mother into fleeing town, great sibling bonding time ! you play hockey with a monster, dustin gets ghosted by his friends, and now it's your turn to kidnap steve (technically dustin does, but you don't stop him) who later gives you some terrifying realizations.
Rating: general, swearing and slight violence
Warnings: blood, use of y/n, fem!reader, animal cruelty technically, weapons, cursing
Words: 7.5k
Before you swing in: hello ! late chapter update, but here ya go lovelies !! lots has happened recently, i got a sick ass job and im super excited and :))) so updates will definitely slow down again some more, but i promise i will update whenever possible. for now, please enjoy !
“Remember how angry I was at you about hiding El from me last year?”
“Yeah?”
“Visualize the anger, multiply it by ten, and then take three steps back from me.”
Dustin trips over his feet to scramble away from you.
You’re currently in your own room, the door locked, with Dustin standing several feet away now as he heeds your warning. Never in your life have you felt such rage before, such blinding fury, and you thought you knew what anger was when your dad left.
But this? This is a new type of anger, one you know that only the older sister to Dustin Henderson could ever feel.
As soon as Dart had lifted its head up at you and screeched, you’d immediately snatched your brother’s hand into yours and ran out the door, door slamming behind you. Now, you’re hiding out in your room with no fucking clue what to do.
“You killed our cat.”
“Technically Dart did.” You glare at Dustin. You had actually liked Mews, she was the sweetest cat in the world and a gift for your fifth birthday. Your brother, sensing he’s only digging a deeper hole for himself, coughs. “I mean… Yeah. I killed our cat.”
Stepping back, you find your desk chair against your legs and fall into the seat. Exhaustion sweeps over you. There’s no time to grieve the loss of your cat. Not when there’s a baby demogorgon in Dustin’s room eating said cat’s corpse still. “What do we even do in this situation?”
“Not tell mom?” Again, you glare at Dustin and he squeaks in fear. “Well I mean, that’s all I can think of right now!”
A headache forms. “I should’ve gone with Jonathan and Nancy.”
Dustin thinks for a moment. “Where did they go, anyways?”
“No. You don’t get to ask any questions right now.”
“Yes ma’am.”
You sigh, a vague idea forming in your mind. “Okay, first we need get Mews out of the room. She was mom’s favorite child, we can’t just leave her in there to be diminished to bones.”
Dustin nods. “Obviously. We can do that… right?”
“We have to. Once she’s out of there, we just… leave Dart in there. At least for now. It’s already late in the afternoon and we need so much help from the party.”
“We can’t tell the party–”
“You’re right. We can’t,” Dustin sighs with relief, but you give him an evil smile. “But you can tell the party. You’ll radio everyone tomorrow, clean the house, and make a plan from there.”
Dustin tries to argue, but you hold a hand up. “You brought a baby demogorgon into our house. You lost every arguing privilege there is to lose.”
He groans, knowing you’re right. Next time, he’ll be better at hiding things from you because you’re a total buzzkill whenever you inevitably find out.
Together, the two of you hatch a plan. You’ll walk into Dustin’s room first, knives out and ready just in case, and Dustin will follow once the coast is clear. Then, he’ll lure Dart away from Mews’ body with chocolate (you don’t want to ask why), and once he’s gone you’ll snatch your cat’s body and flee the room immediately afterwards.
It’s a good plan.
That is, if it works.
“Ready?” You’re standing in front of Dustin’s door, your knives flicked open in your hand, ready for possible war with a foot long little demon.
Your brother pats your shoulder. “Don’t die, sis.”
“I’m holding knives as we speak. Touch me again and die.”
“I hope Dart eats your face.”
You smile. “There’s my brother. Okay, as soon as I’m inside the room, close the door. Then, when I knock three times, open it again and enter.”
“Wait for two knocks–”
“Three.”
“Three knocks. Right.”
You steady your breathing. Around the corner, you can hear your mom humming to herself as she makes dinner. She has no clue what’s going on, and you envy her for it. Your hand on Dustin’s door knob twists slowly, then, before you can psych yourself out, you turn the knob and throw yourself inside.
Quickly the door slams behind you, so at least Dustin did something right.
Your eyes, which had previously been squeezed shut, open slowly. When you don’t see any sign of Dart, you exhale. So far, so good. You walk towards the couch and find the creature still eating away at your dead cat, which you gag at.
Poor Mews.
You rap your knuckles against the door three times, alerting Dustin to come inside.
He opens the door and walks in, his hands fisted against his face as if that would do anything to keep him safe. You roll your eyes and flick his head, which he whines at. “Grab the chocolate and distract Dart, please.”
Dustin runs over to his desk and grabs a Musketeers bar. When you see the candy’s name, you want to slam your head against the wall. You know exactly why the monster’s name is Dart.
“Let me guess,” you say, your tone mocking. “D’Artagnan?”
“Don’t you have a corpse to collect?”
You scoff at him but step aside so that he can dangle the chocolate in Dart’s face. You watch, alert for any signs of danger in case you need to step in, but the monster seems to be pretty friendly with Dustin. You guess they really did create a bond.
Once Dart is far enough away from Mews, you run over and snatch up her body. You try not to think about the possible cat guts now all over your sweater. That will be a later issue. Like a lot of things in your life recently.
“Go, go, go!” You push Dustin towards the door.
He doesn’t need to be told twice, throwing the last piece of the candy bar at Dart’s face and running out the door right behind you. Once you’re both out the room with the door closed, you both lean against the wall and exhale deeply.
“Good job. Now onto phase two.”
Dustin makes a face. “Why do I have to distract mom?”
“Oh, I’m sorry,” you hold up Mews’ bloody body. “Do you want to be the one to hold our dead cat?”
“Good point, I’ll go distract mom.” Dustin leaves, rounding the corner to go hopefully distract your poor mother in a sane way. With your luck, Dustin will spew some weird bullshit that will only make her more worried than she already is.
Right on cue, you hear Dustin say from the kitchen. “Mom, I think I broke my arm.”
The scream of fear your mom lets out would’ve been comedic had you not been holding her beloved dead cat.
Your mother runs around the kitchen, fretting over your brother, and the second she isn’t looking, you slip out the front door and quickly throw Mews’ body into your bush. You feel a bit bad about that, but there’s nowhere else to hide her body in broad daylight.
When you walk back inside, Dustin is being swaddled by your mother. “What did I miss?”
“Oh, Y/N!” Your mom sighs. “Dusty said he thought he broke his arm, but the silly boy seems to be okay.”
Dustin pats her back. “Ha, right. Silly me!”
Your mom looks up and then squints a bit, eying your sweater. You look down and your heart drops. It’s covered in Mews’ blood.
Fuck.
“Y/N, what’s that all over your sweater?”
“Paint!” You say while Dustin sputters, “Ketchup!”
“We… Were painting with ketchup.” You lie, sending a quick glare your brother’s way. Out of everything red, why ketchup?
“Oh, alright.” Your mom looks uncertain, but doesn’t say anything else about it. “Well, dinner is almost ready. Why don’t you go wash up, honey?”
The second you’re dismissed, you run into your room and yank the sweater off. You’ll burn it tomorrow. First chance you get.
A few seconds later, there’s a knock on your door before Dustin’s head pokes inside. “Dinner’s done.”
“Great. Holding your dead cat definitely works up an appetite.”
“Look, I’m sorry, okay?” Dustin tries to play it off, but you see the genuine upset in his eyes. He hadn’t meant to hurt anyone, and you know he loved Mews too.
You sigh and walk over to him and kiss his curls. “It’s okay. Next time, let’s not hide a monster from the Upside Down, yeah?”
“Deal.”
Dustin spends the night in your room, which you explain to your mom as needing some “serious bonding time”. She tears up at this, unaware of the fact that you’ll be making your brother sleep on the floor as punishment.
The next morning you and Dustin hatch yet another plan: get mom out of the house. Before you two can do anything else, you both agree that your mom cannot be anywhere near Dart. Plus, she’s already noticed Mews’ absence, so it’s only a matter of time before she finds the body in the bush.
“Alright, you’ll fake the phone call while I start gathering the supplies.” You tell Dustin while your mom calls for Mews outside. She’s at the bottom of the driveway, Mews’ favorite toy in her hand, shaking it around, unaware that the cat’s dead body is in the bush next to her.
“Got it. You remember where my old hockey suit is?” You nod at Dustin’s question, and he’s about to say something else before he sees your mom start walking back towards the house. “Shit! Game time, go!”
Dustin fumbles for the phone and you run to the living room closet. Just as you’ve entered your positions, your mom walks through the front door.
“Mewsy! Dusty, Y/N, sweethearts, you’re sure she’s not in your rooms?”
“No, mom.” You shake your head at her.
Holding up a finger, Dustin presses the phone to his ear and motions for the woman to remain quiet. “Uh-huh. Thank you so much, Mr. McCorkle. Thank you so much, you are a true lifesaver.”
You can’t help but roll your eyes. He’s laying it on pretty thick.
“Alright, this was great. Thank you, have a good one. Bye-bye now, all right. You too.” Dustin pretends to hang up the phone and smiles at your mom. “Alright, great news!”
“They found her?” Tears of joy lace your mother’s voice. You have to turn away, you know she’d notice the discomfort on your face. It feels horrible to be lying to your mother like this.
Dustin seems to be thinking the same thing, because he lowers his voice and gently approaches her. “No, but they saw her wandering around Loch Nora.”
More tears flow down your mom’s face. “How did the poor baby get all the way over there?”
“I don’t know, lost I guess. But they’re gonna look for her, and–and Y/N and I will stay here, just in case they call again. Right, Y/N?”
“Right!” You call from the closet, now quickly grabbing everything you can think of. Would a hammer be necessary?
“And you’re gonna go help look. Yeah?” Dustin’s only response is a relieved hug from your crying mother. “Yeah, give me a hug. Go get her!”
Your mom quickly composes herself and grabs her glasses. She presses a kiss to your forehead and seems to be in better spirits. “We’ll find her!”
“Mews will be home soon, mom!” You cheer, and your mom blows you another kiss.
“I love you,” Dustin sends her a thumbs up.
“I love you, kids.” And with that, your mom clutches her purse to her chet and sends one final kiss your way before shutting the door behind her.
As soon as the door shuts, you and Dustin scramble. Dustin heads to the backyard to open your cellar doors and you grab the remaining hockey gear from the closet. While you drag the uniform out to the living room, your brother begins to look through the fridge for any possible bait.
“Think Dart would like bologna?” Dustin calls over his shoulder as he digs around.
You groan, dropping the heavy goalie pads. “Last I checked, he wasn’t my secret Upside Down pet.”
“Touche.”
Dustin grabs the bologna and starts making a trail from his room towards the front door. While he does that, you start sorting through your own pile of gear, soccer to be specific. Dustin liked hockey, you preferred warmer sports. As you’ve finished lacing up your cleats and shin pads, Dustin returns.
“Okay, the bait is all set up. Got my hockey stick?”
You hand him what he needs. “Here, and your helmet is on the couch.”
Dustin gets ready and you retrieve some oven mitts from the kitchen. When you hand them to the boy, he looks at you like you’re insane. “What? Extra protection. Can’t hurt.”
He sighs and swipes them from your hand, putting them on. Once he’s ready, you help him stand up. He looks ridiculous in his old hockey gear, but you suppose you don’t look any better with your shin pads and Dustin’s spare shoulder pads.
“Alright. We all set?”
Dustin pats his helmet. “Ready.”
You walk towards his room, and once you’re there, Dustin pushes past you and bends down a bit so he can speak through his keyhole. “Alright, Dart. Breakfast time.”
“Do we have to mention breakfast right before we set him free?" You mumble, but your brother ignores you.
Slowly, he reaches towards the door handle and then flings it open. As soon as the door has been moved, Dustin practically knocks you to the ground in his haste to escape. “Oh my god, oh my god, oh my god!”
His mantra reminds you of Steve’s from last year at Jonathan’s. Seems like the two boys have something in common: they’re idiots.
You follow quickly behind Dustin, terrified but at least trying to hide it, while your brother just repeats “oh my god”, and “shit” over and over again as he stumbles over the bait and out towards the front door.
If the situation wasn’t so grave, you’d be giggling at how dumb Dustin looks waddling over bologna on the floor. However, Dart could very well be right behind you, so you run after the kid equally as terrified.
“Shit, shit, shit, shit–”
By this point, you’re nearing the tool shed outside.
“I will push you down these stairs Dustin Henderson.”
Dustin shuts up and, as soon as you’re inside the shed as well, locks it behind him. Once he’s sure you’re all cleared, he lets out a breath of relief. “Okay, now we wait.”
You walk towards the wood panels, squinting as you peek through a gap to see outside. “I don’t see anything.”
Dustin does the same. “Come on, I know you’re hungry…”
Everything remains still outside, and you’re starting to worry that maybe Dart doesn’t like bologna after all, until you see his scaly body walk out the door. He gobbles down the bologna pieces one by one, which you cringe at.
“Yeah. He likes bologna, alright.”
Dustin silently cheers. “Yes! Yes, yes, yes!”
Dart makes his way down the trail, eating every piece he finds, and soon he scampers down the steps and hovers over the cellar doors. In an odd way, the little guy is kinda cute if you forget about the fact that he killed your cat.
“Yes, yes, yes!” Dustin continues to chant as you watch Dart. The creature just has one more piece of bologna left, he just needs to take a few more steps inside before you can slam the doors shut.
But, because nothing can ever be easy for you, Dart suddenly turns and looks straight at you and Dustin. “Shit!”
You flinch back, knocking into a bucket of nails that spill everywhere. “Shit again!”
Dustin tries to shush you but you grab him by his shoulders and force him behind you. Your knives are out, their blades gleaming in the sunlight that creeps through the wood panels. You peek through them to find Dart slowly approaching the shed, his mouth almost watering.
“Well, this isn’t good.” You take a breath to lessen your fear. “Stay here, I’ll try to distract him–”
“AHHH!” Dustin shoves you against the opposite wall, your body flinging back with a harsh crash, and breaks through the shed’s door. With one solid wack from his hockey stick, he flings Dart into the cellar.
“What the–Dustin!” By the time you make it out the shed, your brother has flung himself on top of the cellar doors, panting.
“Got him,” he informs you, as if it isn’t obvious enough. Dart begins to screech with anger, and Dustin sighs. “I’m sorry, you ate my cat.”
“You’re an idiot, Dustin.”
“Yeah, yeah. Just give me five seconds to catch my breath, please.”
With Dart safely locked away, you and Dustin are able to finally bury your cat.
It doesn’t take long, but the early November heat is just warm enough to make you annoyed as you dig through the soil in your backyard. Dustin has his walkie with him, trying to find the right frequency so he can call the party and inform them of what’s going on.
“Guys, this is Dustin again. Does anyone copy?” You stab at the ground with your shovel and your brother groans when he gets no response. “This is a code red. I repeat, a code red!”
Sweat trickles down your brow and honestly it should be Dustin burying the cat, but you’ve never learned how to radio the party so you just sigh and throw more dirt upon your dead cat. Dustin tries a few more times to contact the party, but no one responds.
“Damn it!” He shouts, frustrated.
“Language,” you huff out, more sweat forming.
It goes on like this for a while, Dustin trying and failing to reach anyone, as you two begin to clean the house of any blood and Mews guts. He tries again while you guys grab the cleaning supplies, then again while you’re on your hands and knees scrubbing his carpet in his room.
“Alright, it’s Dustin again. Seriously, I have a code red.”
“Maybe they don’t know what code red means?” You offer, your nose scrunched up due to the bleach fumes.
Dustin scoffs, “sure, and they also don’t know who Luke Skywalker’s father is–”
Suddenly Erica’s voice comes through the walkie. “Can you please shut up?”
“Erica?” Dustin stops scrubbing and straightens up. “Erica, is Lucas there? Where is he?”
“Don’t know. Don’t care.” Erica has always been such a lovely girl.
“Is he with Mike?”
“Like I said, I don’t know and I don’t care.”
You and Dustin share a look. It worries you that Mike hasn’t been responding all day. From what you’ve heard and seen, he’s spent every day this year camped out in his fort in the basement trying to contact El with the radio frequencies.
It’s not like to Mike to just disappear.
“Listen, Erica.” You speak up, trying to sweet talk to the girl. You’ve babysat her a few times and you’ve even managed to convince her you’re kinda cool, so maybe she’ll respond better to you. “Did Lucas mention anything else? Maybe… Maybe like a girl he went to see?”
Dustin frowns. “A girl? What–” You shush him and wait for a response.
Erica snorts. “A girl? Please, as if. He’s been gone all day. That’s all I can tell you.”
Your brother closes his eyes and sighs. “Please tell him it’s super important. Please tell him that I have a code–”
“Code red?” Erica interrupts.
“Yep, code red. Exactly.” Dustin smiles, then covers his mike to whisper to you, “seems like she likes me more than you–”
“I got a code for you instead. It’s called code shut-your-mouth.” Then, Erica switches off the walkie.
Dustin stares at nothing, dumbfounded. You go back to scrubbing the carpet, a pleased smile on your face. “So, you were saying?”
He’s quiet for a few seconds, processing the fact that clearly no one in the party will answer, before letting out an obnoxious groan. “Damn it!”
“Are you gonna help me clean, or–?”
“Can’t you just call Jonathan?” Dustin asks, grasping at straws. “Maybe he can be useful for once and help.”
You shake your head. “No, he’s out of town right now with Nancy.”
“And you’re okay with this because…?”
“Because,” you roll your eyes, “they’re on a secret mission to take down Hawkin’s Lab. They’re at some detective’s house right now, so I have zero way of contacting them.”
Dustin rubs at his eyes tiredly. “How did we get stuck with a cat eating baby demogorgon while Jonathan and Nancy get cool spy work?”
You pinch his leg, causing him to wince and move away from you. “Because you purposefully hid the baby demogorgon. Any other stupid questions?”
“Sure,” Dustin throws his hands up in defeat, obviously joking when he asks, “got any other friend we could call for help?”
A sarcastic laugh escapes your lips and you’re about to tell him that he has more friends than you’ve ever had, but then a thought occurs to you.
Steve.
Technically speaking, you’re friends. Well, sort of. Sure, he had wanted space yesterday in the lunchroom, and yeah he’s still mad at you and things are awkward at best between the two of you, but still…
He’d been at Jonathan’s house last year, he had fought by your side and saved your life and even bought you a vending machine full of snacks. If anyone else could understand the situation you’re in right now, it’s Steve.
You hesitate though. He still seemed really hurt at lunch, but you also saw the way he lingered even after dismissing himself. He doesn’t hate you, at least not really, and without Jonathan or Nancy to call, he’s the only person you have left right now.
It can’t hurt to try, at least.
“Actually, yeah.” You respond after a minute or so. “Be right back.”
Dustin asks questions as you head towards the living room, but you don’t respond. If Steve doesn’t answer, then you can make up some lie about the phone being broken or something to save yourself the embarrassment.
Your fingers press Steve’s long remembered number. He had given it to you his first week of visiting you at Bookstrordinary, assuring you that you could call him whenever. After a while, you took his word on it and started calling the boy every time you were bored and alone at work.
The line rings for a few seconds, and you bite your lip in anticipation.
This is a horrible idea, and yet your heart flutters when Steve answers with a groggy, “hello?”
“Hey, Steve.”
“Y/N?” He sounds surprised.
You can’t blame him, he did quite literally yesterday tell you he’s still upset with you and that he needs space. And yet here you are: calling him early on a Saturday afternoon. “Yeah, it’s me. Listen, I really need your help–”
A sigh. “Normally I’d love to, but I’m kinda in the middle of getting ready to go to Nancy’s.”
“Nancy’s? Steve, she’s not even home–”
“Can we talk later? I… I’d really like to talk, if that’s alright with you.”
This throws you, and for a second you forget about the reason you called. “Of course we can talk, Steve.”
“Great,” you can hear a smile in his voice, which warms you. “I’ll see you later, then.”
Then you remember Dart and the blood on Dustin’s carpet and you frantically try to stop Steve from hanging up. “Wait, no! Steve, Nancy isn’t home and I really need you to–”
The line goes dead, and you slam the phone down. “Damn it!”
Dustin, hearing the commotion, wanders into the kitchen. “Take it the call didn’t go well?”
“No, it did.” Sure, Steve didn’t necessarily offer his help, but he did tell you where he’s going to be in about twenty minutes. You’ll ambush him there and demand he listen to you and help. As a bonding exercise, of course. “We’re going to the Wheeler’s.”
“Why?”
“Steve’s heading there.”
Dustin trips over his shoelaces. “Steve Harrington?”
“Long story,” you sigh, dreading that you’ll have to explain all of this eventually. “C’mon, let's get our bikes.”
You and Dustin get to the Wheeler’s before Steve does, which makes no sense to you but whatever. He’ll be here soon enough and you’ll ambush him with all your charm and maybe a bit of groveling. You’re not beneath it, if you’re being honest.
Dustin goes up to the front door while you stay behind, keeping an eye out for Steve. Ted opens the front door and while you can’t hear what he says to Dustin, you know he’s unamused by his presence. The father has never been your favorite parent within the group, honestly.
You watch as they exchange a few more words before you see Dustin sigh and angrily march back towards you. Then, right as he’s grabbed his bike, a familiar red BMW pulls up. Just seeing his car makes your heart skip a beat.
The car parks and a frazzled Steve steps out, carrying flowers and mumbling to himself. You aren’t able to hear everything he’s saying, but you can hear the words “what the hell am I sorry for?” and your stomach twists.
So clearly he’s not in a good mood. Still.
The flowers, which you now can see are roses, hang by Steve’s side as he fixes his hair. He hasn’t noticed you yet, and it takes everything within you to pull your eyes away. He looks good today, too good.
There’s a monster currently locked in your cellar.
“Steve!” You rush over to his side.
He does a double take when he sees you. “Y/N? What are you doing here?”
“Well–”
“Are those for Mr. or Mrs. Wheeler?” Dustin now joins you two, pointing at the roses in the boy’s hand.
Steve looks between the two of you. “No…? You’re Dustin, right? Y/N’s brother?”
Dustin snatches the roses out of his hand. “Good, and yeah, I am.”
“Hey, what the hell?” Steve looks at you for help, but you know there’s no use trying to reason with your brother. He’s in a mood, similar to Steve, and you just sigh and follow Dustin. “Hey!”
“Nancy isn’t home.” Your brother informs Steve.
“Where is she?” Steve asks, and you hit his shoulder.
“I tried telling you over the phone!”
Dustin claps his hands at you to get your guys’ attention again. “It doesn’t matter where she is or if you tried to warn him, Y/N. We have bigger problems than your love lives.”
He’s at Steve’s car now and opens the passenger side door. “Do you still have that bat?”
Steve whips his head towards you. “Bat? What the hell is he talking about? Y/N, what are you guys doing here–”
“The one with the nails!” Dustin interrupts, exasperated.
Again Steve looks at you. “Why?”
“You’re not gonna like it,” you confess, and this only makes Steve feel worse.
“We’ll explain it on the way.” Dustin goes to sit in the passenger seat but he’s quickly stopped when you grab his hood and yank him out.
“No, absolutely not. I deserve the passenger seat, not you.”
Dustin slaps you away. “I got here first.”
“I was born first–”
“But I was literally about to sit down–”
“Hey!” Steve shouts, effectively shutting you and Dustin up. “It’s my car, and right now I currently only like Y/N, so she gets the passenger seat.”
“You like Y/N?” Dustin asks at the same time as you ask, “You like me?”
Steve rolls his eyes. “Yeah, barely. She’s on thin ice. But you, little Henderson? You just stole the flowers meant for my girlfriend, so backseat you go.”
“Yes!” You cheer, pumping your fist in the air as you flash Steve a smile. “Thanks, Harrington.”
He rounds the front of his car and opens the driver's side door. “Yeah, don’t get used to it. Like I said, you’re still on thin ice.”
He says it with annoyance in his voice, but you can see the smile he’s trying hard not to let slip, and you feel giddy. Steve obviously can’t be too mad at you if he wanted to talk later and is willingly letting himself be kidnapped by your brother.
Dustin, on the other hand, can’t believe any of this is happening. As soon as you’re all in the car he asks, “Since when did you two become friends?”
“I have a life outside of you and the boys, you know,” you tell him, but you avoid Steve’s gaze. It’s not like you intentionally hid this aspect of your life from Dustin, but… It also never came up, either.
“Sure ya do, but… Wait,” Dustin remembers something. “Oh my god, you have Steve Harrington’s number memorized?”
Your face heats up and Steve hides a smirk, but you see it anyway. You ignore his smugness and respond to your brother. “Like I said, I have a life outside of you.”
Dustin gapes at you. “I have so many questions–”
“I have an even better one: where am I taking you guys?” Steve asks, and suddenly you remember everything at stake.
“My house,” you tell him as you buckle up. He nods, although with some confusion, and then starts the engine. “You know how I called you earlier?”
“Yeah…?”
“Dustin, why don’t you tell Steve here what you found.”
Your brother sighs from the backseat. “A few days ago I found this… lizard of sorts.”
“A lizard.” Steve says, unimpressed.
“Oh, just wait,” you quip.
Dustin turns his head to glare at you and you give him a thumbs up. He scoffs at you before carrying on, “Yes, a lizard. I named him Dart and he was super cool, okay? I thought I had discovered a new species and that I would be super famous and better than everyone else.”
Steve glances at you next to him, raising his eyebrows and whistling low. “Wow, does humbleness run in your family, Y/N?”
“I’d say so, yeah.”
“Anyways,” Dustin interrupts, ignoring Steve’s laugh at your response. “Turns out, Dart is from the Upside Down.”
“The Upside Down?” Steve asks, extremely confused. He looks at you again in the mirror and it hits you that no one explained to him the events from last year. You assumed that Nancy would’ve, seeing as how they’ve been together for a while now and Steve had been with you guys at the hospital the night you brought Will back.
However, from his disbelief and confusion it’s clear that she hasn’t. If you had to guess, Steve probably went home that night and blocked out everything that had gone down with no questions asked.
You respect his repressing skills, honestly.
Dustin groans, beginning to grow impatient with Steve. “Yes, the Upside Down. If you have the bat still, how could you not know–”
“Do you remember that… thing we killed at Jonathan’s last year?” You cut your brother off before he can get too mean. You love the kid, you do, but he isn’t the kindest person when others aren't understanding him.
A dark look passes over Steve’s face and his fingers tighten around the steering wheel. It’s night now, and the atmosphere in the car becomes tense. “I remember.”
You clear your throat, “Well, this creature–”
“Demodog.” Dustin corrects from the backseat.
“Demodog?” You turn in your seat to face him. “That’s what we’re calling it now? Seriously?”
He shrugs. “It’s a baby demogorgon, it looks like a dog, so… Demodog.”
You pinch the bridge of your nose. “Alright. Okay. Whatever, this demodog is from the Upside Down. It’s this parallel universe, basically. Creepy shit happens there, and last year a monster–”
“The Demogorgon.” Dustin once more interrupts.
“Dustin, if you want to catch Steve up then for the love of god, please shut up.”
“Sorry,” he mumbles, embarrassed.
A smile tugs at Steve’s lips and you take a deep breath to calm yourself before continuing. “Look, I don’t know how much Nancy told you about that night at Jonathan’s, but all that you need to know is that the Demogorgon took Will last year and we had to fight it in order to save him.”
Steve nods slightly as he follows along, “Nancy mentioned something about a monster at the hospital… she told me it’s what killed Barb, but never told me it had a name.”
Another silence falls between you guys in the car. The mention of Barb brings back bad memories for you both. You had liked Barb, she had always been nice to you, you guess. Hawkins is a small town. Everyone knows everyone, and in the end the smallness of the town is what makes the Upside Down so hard. You lose people close to you, one way or another.
And as for Steve… The roses he bought for Nancy lay wilted in his backseat.
Dustin shifts uncomfortably in his seat, and your heart pangs in understanding. He misses El, and you do too. The closer it gets to the anniversary of her disappearance, the more you miss the sweet and caring girl; but you know that the boys, Mike especially, haven’t given up hope for her.
“So…” Steve motions for you guys to continue explaining, and Dustin sits up in his seat to begin again.
“So flash forward to now: I didn’t realize Dart was a demodog until he grew like three damn sizes bigger than when I found him. Y/N and I almost died trying to lock him in our cellar.”
“Wait, you guys have a cellar?”
Dustin rubs his face, “That’s what you focus on, Steve?”
“It’s a valid question–”
“Guys!” You lurch yourself forward and wave your hands around wildly to break up their bickering. “We really don’t have time for this. Can we please just focus on the task at hand? Dart has probably grown even more during the course of this stupid conversation.”
Your brother’s hand pushes your shoulder back so that you’re now once again sitting, and you swat him away with annoyance. “Y/N, I’m trying! Blame Steve, he’s the one asking stupid questions–”
Steve speaks up, “What the hell? They aren’t stupid questions–”
“Well…”
Steve shoots you an offended look, “Y/N, I thought you were on my side.”
Dustin scoffs, hurt. “She’s my sister, you idiot!”
“Again, we seriously don’t have time for this because, once more: Dart is getting really big.” Your voice is louder this time, and thankfully it shuts everyone up. Then, just because you can, you add, “and I’m on Steve’s side right now. He’s the one with the car, plus… Well, I owe him.”
Steve fist pumps the air. “Suck it, little Henderson.”
“Do not call me that,” Dustin threatens him, then turns his attention to you. “First Jonathan, now Steve? Can’t you befriend anyone I like?”
The mention of Jonathan gets Steve attention. “Wait a sec, where is the guy? You never actually told me where he and Nancy went, Y/N.”
You sigh, knowing there’s no use keeping anything else from him. He’s already driving you and Dustin home to help with Dart, and you did promise to tell him where they were later, but life seemingly got in the way. “They’re playing detective right now.”
“Detective?”
“Yeah, the guy Barb’s parents hired… They’re currently at his place, exposing Hawkin’s Lab.”
A tense silence follows. Steve stares straight ahead, eyes on the road, as his expressions morph from hurt, to reluctance, to eventual acceptance. “Nance didn’t think to ask me to join?”
His voice wavers, just a bit, but you hear it. Knowing that Dustin is watching from the back, you decide to forget any possible boundaries for once and grab Steve’s hand. He’s hurting. The car smells of roses and there’s no girl to give them to. “She tried, Steve.”
He swallows. There’s hurt in his eyes and you want to reach out and stroke his cheek and tell him that it isn’t his fault. “I know…”
“Ahem,” Dustin coughs, clearly uncomfortable with whatever is going on. “So… Back to Dart.”
You clear your own throat, but your hand remains wrapped around Steve’s, who nods. “Wait a sec, how big are we talking?”
Without meaning to, you close your eyes and brace for Dustin’s witty remarks, but he surprises you by answering with a demonstration and zero mockery. “First it was like that,” he opens his fingers a few inches before using both hands to show about a foot in length. “Now he’s like this.”
Steve still looks doubtful. “And you’re sure it isn’t some weird lizard?”
A headache begins to form and you pinch the bridge of your nose again. “It’s not a lizard, Steve.”
“Well how do you know?”
“Because his face opened up and he ate our cat.” Dustin says bluntly.
This seems to shut Steve up and he nods his head in defeat. It’s silent in the car for the remainder of the drive, and just before Steve parks in your driveway, he looks over at you and sees your eyes closed in pain, and before he knows it he squeezes your hand and says, “sorry about your cat, by the way.”
Despite the pounding in your head and your utter exhaustion, his words make you laugh. “Just park, Steve.”
He smiles, feeling proud for getting you to laugh, and does as he’s told. Before you know it you’re standing at his trunk, staring at the baseball bat that saved your life last year. Dustin has already gone over to the cellar, waiting for you and Steve to follow.
The bat stares back at you, and you shiver as the memories come back. Though you had tried your best to forget that night, that entire week, honestly, it’s been useless. The nightmares still haunt you. You obsessively research trauma in children now to compensate for your own guilt from last year.
“Why’d you keep the bat?” You ask as Steve grabs it, giving it a practice swing. Your own blades are out again and he eyes their gleam.
“It’s kinda sick, don’t ya think?” He swings it again. “I look badass with it.”
He’s dodging, but you sense that he kept the bat for the same reason as why you kept the switchblade. You’ve been waiting in fear for something else to happen. “You don’t look too bad with it.”
Steve blushes a bit, which your stomach flutters seeing. “I, uh… Guess we can’t have that talk tonight?”
“No, not unless we somehow manage to deal with Dart in a timely manner. However, if I recall, nothing ever goes our way.”
“Nope!” He closes the trunk and tosses you a flashlight. Then, he sticks his hand out for you to shake. “But for now… Truce?”
You giggle. “Truce.”
His hand is warm, and even though you had just been holding it in the car moments earlier, his touch still fills you with a gooey warmth that you’ve come to associate with him. As soon as you and him are alone, away from Dustin’s nosy ears, you’ll really apologize to Steve. He may be being nice to you now, but he’s still guarding himself from you.
You hate it. You miss how open he used to be with you.
“Ready to go re-live my nightmares?” Steve asks.
You give him a thumbs up as you start heading towards Dustin. “Always, let’s go.”
“Took you guys long enough.” Your brother mutters when you and Steve arrive at the cellar, weapons in hand. You flash him an apologetic smile while Steve simply ignores him.
Steve approaches the door and listens for a second, “I don’t hear shit.”
You frown and listen as well. He’s right, it’s eerily silent. You shoot Dustin a questioning look and he shrugs as well, “He’s in there.”
“Duh, I know that much, You almost knocked me out when you shoved past me to get Dart in there.” you remark, before softly adding “he’s gotta be in there.”
Your words don’t reassure Steve, who begins to use the tip of his bat to bang against the locked doors. When nothing happens, he bangs harder against them before sighing in annoyance.
“All right, listen kid.” Steve begins, and you start to rub small circles into your scalp in a vain attempt to lessen your headache, because you already know that the next words out of his mouth will start yet another fight. “I swear, if this is some sort of Halloween prank, you’re dead.”
“Steve…” He ignores you and stares down your brother, shining the flashlight directly at his face in what you assume is meant to be a threatening manner.
“It's not a prank,” Dustin tiredly replies, squinting his eyes against the light. “Get it out of my face.”
Steve complies, still hesitant about the situation at hand, and turns to face you. “You got a key to this thing?”
You nod and fish the keys from out of your pocket and unlock the cellar doors. Steve bends down to investigate, and without him having to ask, you hand him the flashlight and step forward so that you’re next to him.
He flashes the light down the stairs and all that the three of you can see is darkness. An uneasy feeling creeps over you. Something isn’t right, but you really hope that you’re wrong.
“He has to be further down,” you say, more so to reassure yourself than the others.
Dustin shuffles his feet next to you and says, with an extremely unconvincingly “brave” voice, “I’ll stay up here in case he tries to… escape.”
Both you and Steve look at him in disbelief. Dustin stands his ground, however, and looks at the two of you expectantly. Steve shakes his head while you sigh in defeat. Your brother is such a pain sometimes.
“You do realize that if Dart eats me, you’ll have to deal with mom all by yourself, right?” You ask him.
The boy shrugs at you. “That’s a risk I’m willing to take, Y/N.”
“Yeah, love you too.” You mumble, before you begin to follow Steve down the steps.
“I’ll be thinking of you!” Dustin calls out, his voice echoing against the cellar walls.
You trail behind Steve, and the flashlight he brought does nothing to illuminate the dark area, so it’s a relief when he reaches above his head to turn the light on. As your eyes adjust to the light change, you scan the room to find the missing demodog. However, all your eyes land on is a long, thin sheet of film on the ground that you can only assume is molted skin.
“Oh, shit…” you breathe out. “This isn’t good.”
Steve picks the skin up with the tip of his bat and examines it and shakes his head. “Please tell me this isn’t Dart.”
“Actually, it’d be easier if it was him.”
Steve doesn’t laugh at your joke; he continues to look around the room before his eyes widen. You turn your head to see what’s caught his attention, and when you spot the problem, your knees weaken.
There’s a giant, Dart-sized hole in your cellar wall.
“Steve? Y/N? What’s going on down there?” Dustin’s voice carries down to you guys, and you and Steve share a nervous glance.
“Dustin…” You call up to him, your voice weaker than you’d prefer. You wish you could be braver for him at the moment, but right now it takes everything within you not to crawl into bed and shut the world out. Why did it always have to be giant monsters?
While you’re reeling, Steve walks over to the bottom of the steps and flashes his light at Dustin, instructing him to come down. Once the boy has joined you guys, Steve guides the light to his bat so that Dustin can see the skin.
“Oh, shit.”
“Funnily enough, that’s what your sister said, too.”
Then Steve shines the light to where the hole in the wall is, and you watch Dustin’s face go from concerned to horrified. “Oh, shit!”
The three of you crouch closer to the hole, and when Steve shines the flashlight through it, your heart stops and you gasp, “It’s a tunnel.”
“No way…” Dustin says in awe.
It’s hard to see exactly how deep the tunnel goes, but something tells you that there’s more to it than meets the eye. This wouldn’t be some simple fix like you had desperately hoped it would be.
Now you really, really wish Jonathan were here. And Nancy. Definitely Nancy.
But they aren’t. This time, you’re on your own with only Steve and Dustin by your side. No one else in the party is available, you don’t even know where they are or if they’re even safe, but right now that doesn’t matter.
What matters is that Dart has escaped.
And it’s happening again.
Everything you’ve tried so hard for the last year to ignore, to move on and pretend never happened to you, has come crashing back into your life.
Steve, seeing your apprehension, grabs your hand and pulls you in close. “Hey, we’ll figure it out. I’ll be here, okay?”
Even though you don’t deserve his kindness, his sincerity, you believe him.
-
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grandline-fics · 4 months
Note
Hi :3 i just watched the new episode and i want to hit that girl she had to touch zoro and sleep wit him 💔
So may I request zoro xs/o about seeing him with the girl maybe some angst and fluff in the end?
DESCRIPTION: After an unplanned separation, you feel insecure about your new relationship
WARNINGS: angst to fluff
CHARACTERS: Zoro
WORDS: 1,852
A/N:  Thank you for this request! I think I rushed the ending a bit but I hope you're happy with it
*REQUESTS ARE OPEN*
MASTERLIST
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Things between you and Zoro were new, incredibly new. There was still a lot you both had to come to grips with, sorting out your feelings and boundaries with each other and still in that moment of not knowing whether what was happening between you both was just lust or if it was going to lead somewhere real. So far you’d both been content to just enjoy the time and moments shared while keeping it all a secret from the crew, deciding it was better to wait before letting them know your personal details. That had been the plan, then it all went wrong in Zou. 
You’d been standing too close to Luffy as you all discussed saving Sanji who was in Big Mom’s territory. Because of that, you were one of the ones he wrapped his arms around and leapt off of the enormous elephant. From there started the longest time you’d both been apart as a couple-albeit a secret one- but you knew Zoro would be just fine in Wano. You just had to do your part and help get Sanji back so the crew could finally be complete again and wasting time thinking about a certain swordsman would only just jeopardise the safety of the crew. 
The entire trip and rescue had been an ordeal you never wanted to go through again. The fractured relationship between Sanji and Luffy had taken its toll- even though much of what Sanji did was to protect everyone- and the battles you had to endure too. You didn’t feel like you could properly breathe any sigh of relief for most of the journey. Yes, you’d all been successful but the loss of Pedro and knowing that as soon as you reached Wano it wouldn’t be long until you were brought straight into another monumental burden of fighting and defeating an Emperor of the sea and his followers. You felt like your head was swimming and stomach was going to be twisted into knots from it all. The only thing that kept you from showing your worries to the others was the thought of seeing Zoro again after weeks of being apart. 
So imagine your shock and hurt of the first seeing him again was seeing him and Sanji interfere during the aftermath of an execution. It wasn’t the fact that he saved a child or that he immediately got into a shouting match with Sanji that got under your skin it was that he didn’t even seem to look for you in the crowd where you stood with the others. Then as fast as you saw him, he was gone again; running to safety with a beautiful woman in his arms. You told yourself you were being ridiculous, that while it seemed like they knew each other Zoro was only acting on instinct to save someone and not because of some other desires fuelling his actions. 
At least that’s what you told yourself at first but as you and the others in the crew ran to escape Kaido’s lackeys you had to listen to Brook gleefully inform a heartbroken Sanji that he had walked in on the sight of this same beautiful woman sleeping contently with Zoro. While Sanji screamed loudly at the revelation you internalised all of your hurt until you were safe and alone, finally able to take out your fury and heartbreak on some random tree in the dense forest with your weapon until your body was too exhausted to move let alone care anymore. In the coming days of preparing for the raid on Kaido’s banquet you kept to yourself, doing all you could to focus your mind on the reason for being in Wano. Still you couldn’t help but numbly rationalise Zoro’s actions. 
Of course the weeks apart would give him insight into how he truly felt. Of course he would have realised he could do better than you. Of course you both only got together in the first place because on the ship, you were the alternative to having any needs he had go unmet. You had to face facts, this was just a fling for Zoro and nothing more. It just killed you inside to realise that you felt so strongly for him, you wished things had ended before it had gotten this far for you. The only thing you were glad of when Zoro finally reappeared was that he had a new sword to hone and train with so he stayed away from you. If there was to be a conversation you wanted it to be after the fight with Kaido, a clouded mind would only lead to mistakes and in this situation it would have been fatal. 
However on the night before the planned fight while the crew had finished their preparations and were beginning to turn in, Zoro walked towards you in the quiet night. He knew you had been keeping your distance from him so he could train and he appreciated that you were so understanding that when he was focused, he needed space. But now there was no more training he could do in the short hours before things would start so he wanted to properly reach out to you. He’d missed you during the time away but to see that you were completely unharmed was a relief. If you’d come back to him with so much as a scratch he would have killed the stupid cook because at the core of the matter it would have been his fault. 
Zoro frowned when you glanced his way and immediately moved to gather your things and find a new place to rest. His hand dropped to your arm but you surprised him when you quickly and sharply twisted from his touch. Then he remembered you two were still a secret. He glanced around the space and smirked to see the coast was clear, but even if the others were still up and about he wouldn’t have cared, not after the time apart. Still if you were still worried about telling the others he’d respect that. “We’re fine. It’s just us.” He spoke lowly to reassure you but it seemed to have the opposite affect when you snapped your head up to glare at him.
“Us?” You repeated coldly, expression melting into one of mock confusion. “There’s an us?”
“Wh-” Zoro was genuinely thrown for a moment and then he became worried that you had been injured in the time away and lost your memories of him. “Of course there is! What happened?” Again he reached out for you but this time your hand slapped his fingers with a sharp snap while the fierce glare returned to your eyes.
“Oh nothing’s wrong with me, I just don’t want anyone to get the wrong idea. Last thing I’d want is to get cosy with someone else’s man.” Your tone was scarily even and Zoro still didn’t know what you were talking about. He didn’t even know how to fix whatever it was that was bothering you. Thankfully you clarified by lightly tapping the hilt of Enma that was against his hip with his other swords. “It’s cute she knows the right gifts to give you so early in the romance.”  Despite the sweet words, the venom in your voice was unmistakable and Zoro finally saw the pain dimming your eyes as you regarded his new sword.
“Hiyori?” Zoro asked startled that you’d even think there was anything romantic going on there. She only gave him the sword as an exchange that was it. “There’s nothing between us. Definitely not ‘cosy’ trust me on that.” At that you let out a short, hollow breath of laughter which worried Zoro even more when he was so used to your laugh being filled with warmth and joy. 
“Well the way Brook tells it, the whole situation seemed very cosy…” Slowly you stepped closer to him, finally for the first time in ages and dragged your fingers across his chest while your other hand slid up his arm, drawing your body further into his space. Your head tilted up, purposely letting your nose gently skim against his throat until you could peer up at him with your guarded gaze. “Something like this, if i’m remembering right. You don’t call this cosy?” Zoro was stuck, if he said yes he was screwed, if he said no he was also screwed.
“Don’t worry about it Zoro. We had our fun while it lasted, right?” You forced out in as light a voice as possible. “You should get some rest while you can and I don’t want to waste anymore of your time.” When you moved to pull away you were immediately caught by Zoro’s reflexes. While you were fast, he was faster when he wanted to be. You let out a gasp to be pulled impossibly close against his chest as his arms locked around you, holding your body against his. 
You wanted to fight against the hold that was strong, secure, and -as much as you hated it- comforting. Even now with your heartbroken mind racing, you always felt safe and warm in his arms. You tried to open your mouth to tell him to let go but you couldn’t. Part of you didn’t want to  because the last thing you wanted now was for your voice to be a pitiful, weak tremble but another part knew that even if you managed out the words, he would have listened. So you kept your mouth closed. “I’ve missed you. I wished you hadn’t gone after that cook with the others.” 
Your body tensed at his words, hearing how sincere they were made your knotted worries and spiralling hurt begin to loosen slightly. You didn’t regret helping with Kanji’s rescue but you did also wish you’d gone to Wano with Zoro. “I’m sorry you were made to think the worst. I promise you there wasn’t anything going on with her or anyone. There is no one but you.”  
“Don’t say that.” You whispered, trying not to melt into his embrace. Even with him telling the truth it didn’t stop the fact that your insecurities had surfaced and with them came concerns about everything. “Compared to someone like her I’m-”
“Perfect. Mine. Everything.” Zoro interrupted fiercely before pressing a kiss against your temple. “I’ll say it as many times as it takes to get you to believe it. But first-” You staggered when Zoro let you go and began stomping towards the Sunny. “I’ve got a skeleton to kill for causing you to hurt.” Bewildered by the immediately bloodlust rolling off of his frame you had no choice but to chase after him to stop him from killing another member of the crew while shouting that you believe him. When you finally caught up to him you pulled him into another tight hug with shaking hands. While things were still new between you two and it was clear you both had a lot to work out you now knew that for as long as you wanted him, Zoro would be there. 
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someguyinc · 8 months
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yknow a take on morgana pendragon's story i see often is that if merlin had told morgana about his magic in that moment where they were in his chambers alone that she wouldn't have turned to become evil,, i disagree,, i think that morgana as a character would have eventually turned to become evil and bitter even with merlin as a mentor if she'd learned his secret early in season 2.
let's not forget merlin himself is NOT the most stable of mentor options (not that gaius or kilgahrah or ANY of the druids were a great help either) but he didn't know what the fuck he was doing,, just trying his best consulting that outdated spell book and had cryptic messages from a conniving dragon who MIND YOU still wanted morgana dead and was manipulating merlin the whole time and gaius was a traitor to most magic people like,, he literally was pro-gaslight morgana
merlin also loved arthur, however you view that love (romantic, platonic, brotherly, whatever) merlin loved arthur more than he did magic. we see this multiple times with merlin choosing what kept arthur safe and happy over him doing what would be best for the old religion (fuck them too but that's another post),, major example being the episode with the disir where he straight up tells him there is no place for magic in camelot (which is crazy considering he IS magic made flesh but anyways)
morgana HATED. uther, she hated everything about him and for awhile she disgusted that hate as righteous fury, raining down terror and pain onto innocents (even other magic users) and justifying it as payback. she hated arthur as an extension of uther because that's what uther raised them both as (again another post for another time) and tried to kill him without even asking what his stance was on magic (i believe arthur would have immediately done some introspection and realized he was wrong but thats imo)
i think that eventually,, their two stances would have come to blows (merlin's love for arthur above his magic/morgana's hatred for uther above all else) and morgana would still go to immeasurable heights to murder uther once more, merlin would have stopped her (or tried) because he knew the pain it would cause arthur even if he hated uther too, and morgana would've hated merlin for getting in her way,, her anger triumphing her love for arthur (see: s1ep12: to kill the king)
i feel like often times i just see morgana painted as someone who just needed a little love and light,, when in reality she's been heavily abused and pit against arthur since she was like 10/11 (however old she came to Camelot) and is now a grown woman who is realizing she hates her abuser and everything he's done and wants to destroy him and everything he loves !!
likewise merlin was manipulated and gaslit and forced to become a compulsive liar and would've NOT !! been good for morgana and eventually everything would've gone to shit !!
they are worsties for better or much much worse
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ziorite · 2 months
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crying laughing (mostly just crying) over the long goodbye job rn because what the fuck guys. what the FUCK.
(spoilers for the last episode of leverage season 5)
i still had so much hope for them even after hardison fell and parker got shot. i was crossing my fingers because eliot will be there and they’ll get away because they always get away ?? right ?? but then they make it the van and eliot gets shot. right in the fucking chest.
THE VAN SCENE. I WAS DISTRAUGHT. DISTRAUGHT Y’ALL. AND THEN HARDISON’S LAST WORDS ARE TO WONDER IF ELIOT IS OKAY ??? “HERE I AM”??? WHAT THE FUCK WAS THAT. AND THE THREE OF THEM FUCKING DIE HOLDING EACH OTHER’S HANDS WHAT DID THEY DO THAT TO US FOR. (something something parker dying alone when she’s finally learned what it means to have a family something something eliot dies first because to watch the people he’s dedicated his life to protecting die in front of him is to die a second and third time something something)
and then the cherry on top when nate and sophie look back and the three of them are dead and bleeding out and clutching on to each other in death what do they do ??? they don’t even consider giving themselves up they drive that van up the bridge and into the damn river.
nate’s enraged yelling at the agent had me wide eyed with my hand over my mouth. fucking STUNNED yall. nate is really no one’s favorite but my god the fucking pain in his voice. 10/10. BUT THEN of course that’s not all there is to it. the switch from grieving fury to composed nonchalance was both peak comedy and absolute whiplash.
AND HERE’S STERLING !! everyone’s favorite slime ball <3 and ho ho ? he’s mad at nate for killing the rest of the team ?? they grew on him didn’t they— like clumps of adorable mold that just keep coming back <3
and finally. the master plan is revealed. sterling did scare the living shit out of me shooting “hardison” like that but of course nate had a better plan than what they believed. crazy to think that the whole damn emotional rollercoaster was really just set up for the actual break in. (eliot’s exasperated eye roll and fall at nate’s “bang !” was everything.) starring sterling as the trojan horse! an amazing choice all around.
AND !! we have a proposal !! proposals plural actually because no way in fucking hell was that not a confession from eliot. that scene was the height of romance and i will be DAMNED if someone tries to tell me that was just normal best friend shit. OT3 IS REAL !!!
in conclusion: love leverage, they have the amazingest show to ever show and a finale better than any other out there. 200/10 would watch again and i am currently penning a love letter to john rogers and dean devlin.
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lenaellsi · 5 months
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Something I've been thinking about: Crowley was not sent to kill Job's children.
(Under the cut for length; this got away from me.)
I think we can safely infer that Hell actually did send him to destroy the goats. He has his permit ready when Aziraphale shows up, and even cheekily calls himself one of Satan's "diabolical ministers." I wouldn't be surprised if he was sent to supervise the family during the bet as well, reporting in on whether Job seems to be losing faith. We don't know whether he volunteered for the assignment or whether he was chosen because he's one of Satan's favorites, but it's clear he's meant to be there in some capacity.
But it's specifically mentioned in the basement scene that Satan sent a storm to kill the children. Not Crowley--a storm. And that means that Crowley is in that house against orders. He's not just refusing to do something terrible on behalf of Hell, he's actively working to thwart them. That's a step further than "a demon who goes along with Hell as far as he can" would imply, and it has to be incredibly dangerous for him to meddle in something Satan has such a keen interest in. So why help these humans in particular? He can't save them all--he knows that. He knows that better than anyone. (Nothing lasts forever.)
And there are a lot of reasons Crowley might choose to help Job's family, despite the risks. We know from the Flood that Crowley is disturbed by the idea of killing children just to make a point. We know that Crowley loves humanity, and that he dreads their eventual, inevitable destruction. We know that Crowley is brave enough to stand against Hell when it counts, even when it could mean his own death.
But I'd argue that in the case of Job and Sitis, it's personal. He's angry about this bet because it cuts to the core of the reason he Fell in the first place. This isn't about getting one over on Hell; it's about God. And we know that because the moment Crowley intervenes at the end, the moment he runs into a room full of archangels with no plan and no allies except an angel he's still not sure he can trust, is the moment where Sitis snaps.
Sitis is surrounded by impossibly powerful beings, the only human in the room save for her husband, who still refuses to fault God for anything. She is distraught, raging at the unfairness of it all, the callousness of the angels who have shown up to congratulate her even as she drowns in grief for her children who will never grow up. (Plenty to say here about star nurseries, about wasted potential, about futility and senseless endings--but this post is too long already). So she says so, because what else does she have to lose? If my children are dead, then I will curse God--
Enter Crowley. That never ends well, he says, barging in with a big silly grin, but we've seen Crowley as an angel, now, and we know what he means: I know how that ends. I know how it ended for me. I won't let you Fall the way I did.
This is especially interesting because earlier in the episode, Crowley seems to be nudging Job the other way. I burn with fury, Job says, and Crowley says of course you do. (That's just how it started for me.) Crowley is encouraging Job to see things his way, zeroing in on the righteous rage he thinks he's hearing, because truth and knowledge are important to him. Crowley has never been able to stop himself from offering the apple, even when he knows the stakes. (See you in Hell.)
But then Job turns his anger inward. If he's being punished, he reasons, if he's so horrified by what must be God's will, then he must be the one at fault. (I lied, Aziraphale sobs, to thwart the will of God!) And Crowley is visibly confused, maybe even a bit frustrated. What do you mean? What have you done? And you know he wants to say, You didn't do anything wrong.
Neither of us did.
Because he knows. He's read the contract. He knows that Job is a good, kind man, and that he's done nothing at all to provoke God except to be the perfect pawn for Her game with Satan. He knows that if Job objects to the obvious injustice he's suffering, he'll be damned for failing a test he had no knowledge of and no hope of passing. And of course that feels familiar. How could it not?
The Job contract is as much confirmation as Crowley will ever get, from a God who answered his first questions with a Fall into boiling sulfur, that his suffering has never been 'deserved.' God is willing to take the best of the humans, Her special favorites, the ones his stars were built for, and cast them into damnation at the first sign of doubt. So when he Fell--
You didn't do anything wrong, Crowley is thinking, as he sees Job in his despair and Sitis in her fury and the children in their fear and Aziraphale in his guilt. And even if you did, even if you weren't perfect, even if you were angry and resentful and full of doubt, how could any transgression be worthy of this?
I'm sure plenty of people have talked about how the flashbacks in S2 are from Aziraphale's point of view, and course the purpose of that is to show the audience how he comes to his decision in 2x06. We follow Aziraphale closely this episode, from when he first hears about the contract to when he decides to lie to the Supreme Archangel's face. It's an important story beat for him, one of the high points in his character arc. This episode isn't about Crowley, really--it's about what Aziraphale thinks of Crowley, and about Aziraphale's long journey to discovering his own sense of right and wrong outside of Heaven's dogma.
But that means that we never see Crowley accept the assignment to kill the goats. We never see him worry over the danger he'll be in if he refuses. We learn that he's going against Hell only when Aziraphale does. Crowley isn't the kind of person to stew in self-reflection--he spends millennia doing his best to outrun his own emotions--but even if he was, we as the audience aren't often privy to those thoughts. Crowley is as closed-off to us as he is to Aziraphale for most of S2's flashbacks.
But we still get more than enough to understand exactly why Crowley is so disgusted by the offer to return to Heaven. Because the one scene in the Job minisode that happens before Aziraphale shows up, and one of the only scenes in the flashbacks that takes place from solely Crowley's perspective, is this speech:
You should know why you’re about to die. God has abandoned you. The god who claims to love you, who demands your praise, has given you up to be destroyed.
Bad luck.
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weebsinstash · 3 months
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sorry I can't get over/keep forgetting that episode 2 outright said that Angel was either living IN V Tower with Val or living in the studio, (Val literally says "he thinks he can work and then go home somewhere else?!" while AT home) and like
Shit man if he's willing to let Angel sleep in his house and have this weird possessive sexual obsession over him when they're not even fucking dating, and considering how large V Tower looks from outside, it kinda leads me to believe Valentino would lure a potential darling into living at his home under the guise of "oh, I have plenty of room, Angel already lives there, you'd have rides to work and a little friend ;)"
and like Valentino may entirely be correct, he DOES have more space than he knows what to deal with, and there have been employers to house their employees before, but imagine him offering you shelter at his house like night ONE and Angel's head SNAPS to look between both of you because??? Huh??? Whuh??? Val isnt nice unless he WANTS something, and Angel barely knows you, but, you've been nice all night and he can tell by looking at you that maybe you shouldn't even be "down here" AT ALL. he's risking his own safety to interrupt the conversation, "Val, c'mon, don't, they're just a kid" ( 'kid' as in you're probably still in your 20s, whereas he's been dead SINCE the twenties and is technically over a hundred years old)
but Valentino just looks at him with this fake smile, "why don't you go make me a drink Angel"
"But Val-"
"WHY DON'T YOU GO MAKE ME A DRINK ANGEL :)"
And Angel is walking away... leaving you with Valentino... telling himself that he's pathetic and worthless for not being able to help more. But.... if he's going to be trapped in that awful house with that horrible man, at least, now, being there means he can help protect you. He doesn't care if Val takes it out on him at the studio the next day; Angel makes sure you're safe and you at least get to sleep during your first night in the afterlife
when Angel runs off to the Hazbin Hotel, though, of course that means he'll take you with and he'll tell you as many horrific and humiliating stories about his experiences with Val as you need to hear until you finally listen and come with him, sneaking out once Val is asleep, potentially mayhe even "assisted" into slumber by Anthony to help you two run away. You're like his lil sibling now; he couldn't POSSIBLY leave you behind! 🥺❤️
Or worse... maybe you have to run back for something, or you're a little slower than Angel, and you get caught. "What do you think you're fucking doing?", you're spinning around, Val has woken up, Anthony is waiting outside... you risk it all to text him quickly on your phone, "he's awake. RUN" and hitting the side button of your phone just before Valentino swipes it, looking at your lockscreen with FURY because now you're HIDING shit from him TO HIS FACE
Valentino grabs you HARD by your arm and is just about to start really screaming at you asking what the fuck you're doing and. Angel appears. He could've ran away but he came back for you 🥺 he tells Valentino he was just gonna take you out for some fun and, it wasn't YOUR idea, it was his, HE convinced you to try and leave the house at night without Valentino's permission, and you have to hold your tongue in horror as Val drags him away and orders you to go back to your room, "or else!!"
You're sobbing your little heart out and his entire body hurts when he practically limps (for multiple reasons) back to your room, but, at least when you hold him and hug him and promise you'll do anything to help get both of you out of here, it helps everything feel better...
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foone · 3 months
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So I watched @atopfourthwall 's latest (and possibly last!) History of Power Rangers (Cosmic Fury) and I have to say that I'm very happy to learn that Power Rangers said Trans Rights.
But... It seems like they could have definitely done it better, easily: just make the alien who hates being in a human body have a different gender of human body (than their alien form). Then you don't need to do anything extra in the dialogue, but now the "trans rights" subtext is much clearer.
Or hey, remember that you're a show about TEENAGERS THAT TRANSFORM INTO NEW BODIES. You've basically had a built in trans allegory, you just need to use it.
Introduce a new side character in the ranger's civilian life. A coworker or fellow student or something. Then you introduce a Sixth Ranger character: mysterious and powerful! And you have them be different genders... And then when the rangers finally befriend them, you reveal that they're the same person! A teenage girl who morphs into a man, or a teenage boy who morphs into a woman.
You could even have someone ask if it's weird that they switch genders when morphing, and they go "at first, but then I realized I really like it. Now it feels weird to not be morphed."
And then in the finale you tie it all together: they make a big sacrifice in the fight against the bad guy, and then get restored by The Morphing Grid or whatever. Except now their unmorphed form matches their morphed gender, they got a magic transition.
Bonus points if you brought this up beforehand in the penultimate episode: have them say that they're gonna miss being able to morph after they finally defeat the local gravely-voiced bad guy, since then they'll have to give up their morpher and won't get to be their morphed form anymore. The ranger they're talking to goes like "yeah... I'm gonna kinda miss being this powerful!" because they don't get why they like being morphed.
Extra bonus points: in your season requisite clip show, have it be dream-based... And show that, a la Batman in Batman Beyond not calling themselves "Bruce" in their head, their dream self is the morphed form, while the other rangers are in their civilian mode. You could even use this as part of the plot: they're attacked by some kind of dream monster, which is trying to defeat them in their dreams like Freddy Krueger. The rangers are powerless in their dreams, until they manage to meet up with the sixth ranger, who is morphed in their dream, and thus able to fight the monster, while the other rangers use their dreams to help out: flashing back to great moments in the season, with the dream monster greenscreened in.
(Help, I'm writing fanfic for a show I don't watch!)
Anyway... It just seems they could have easily done quite a bit better without making it too obvious to the point where it feels like a PSA.
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poisonpercy · 4 months
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Ok just finished the 3rd episode of the show. From a completely outside perspective without comparing it to the books, it’s a fine episode. The writing does fall flat imo, and it doesn’t keep my attention. It’s also still very hard to see what’s happening when it’s supposed to be dark. When will Hollywood let dark scenes be visible again?
Ok, now for more specific thoughts:
The scene with the Oracle sucked in my opinion. Idk it just seemed so much more grander in the book. The scene in the show lacked the mystic and off putting nature of the Oracle, so it kinda just didn’t work for me. I did like that they remembered that Gabe was the voice of the Oracle in tlt, so that was nice
How Percy chooses his quest mates in the show is different in the show than in the books. This isn’t a bad thing, but I do miss Annabeth volunteering herself to be Percy’s 3rd quest mate like she does in the books. Idk I just think it really showed her eagerness to prove herself and get a quest. The show scene doesn’t do that, but I’m not mad at the change
The interaction between Grover and Percy when Percy tells Grover he was chosen to go on the quest was so cute. I love those 2 boys. Besties for life
Percy telling Luke that he thinks the drachmas are from Chuck E. Cheese was hilarious
With Luke in mind, I love how manipulative he is. Like he is so nice, but it’s because he has ulterior motives. I do like that his manipulation is not overt, so you don’t know that he’s the one that ultimately betrays Percy
I personally didn’t find the “she met a pine cone’s fate” line that Percy said funny. It honestly came off kind of rude. It’s definitely something that Percy would say in ttc when Thalia and him are beefing, but not when he finds out about her death. Percy is supposed to be kind and empathetic, and he shows so much sympathy for Thalia and her fate when he hears her story in the book. Idk just felt like that line was ooc during this moment in time
Grover’s song was so cute and funny, it had me cracking up fr
Percy trying to get all of them to vote throughout the episode is hilarious. My boy just wants to have a say in things
Annabeth grabbing all that candy was perfect. It really shows she’s just a 12 year old girl that didn’t get to experience the joys of childhood (also, I feel like overall that the show is forgetting that Annabeth is not a stoic character. Like she very much acts her age. I hope the writers let Annabeth have more personality in later episodes)
I miss the book fight sequence with the furies on the bus. It was so chaotic and there was so much tension. Percy steering the bus and crashing it and the bus exploding was perfect, and I’m sad that they got rid of that in the show. The fight scene in the show was just so underwhelming. I feel like those should be the knock out moments of the episodes but they breeze past them so fast and give no tension. It just falls flat (curse you Mickey Mouse!! I know it’s your fault!)
I do appreciate that Grover keeps trying to diffuse the fights between Annabeth and Percy. They are both his friends, and he can see why they keep butting heads. If only the 2 would listen to him
I do miss how the trio finds Auntie Em’s in the book. Like Annabeth and Percy were dumbass 1 and 2 that followed their stomachs while Grover freaked the fuck out. That was so fun. The show had Grover find and follow the smell instead which is fine, but the og scene was better imo
That being said, they guessed that it was Medusa way too quickly in the show. I like the mystery of Auntie Em’s identity in the book better tbh
“I definitely trust my mom” <- Percy exceeds the momma’s boy standards
I don’t mind the change to Medusa’s character. I actually really enjoyed her (the actresses voice is so gorgeous and calming). I like how she’s like “we’re not our parents until we choose to be them.” It really sets up the ultimate direction of the series imo
Regarding the fight scene with Medusa, it sucked. To begin with, you can hardly see what’s happening bc it’s so dark. Also there was no tension or chaos. It kind of just happened? I also didn’t like that Medusa was killed when Annabeth��s cap was on her. I know it’s because Disney probably thought the death would have been too graphic or whatever, but I would have liked to see what happened
It was cool that Percy used Medusa’s head to kill Alecto
I felt so many emotions when Grover said “He’s not like the others. He doesn’t look afraid” about his Uncle Ferdinand
The beginnings of Percy’s and Annabeth’s friendship is so good. Annabeth not taking the deal with Alecto to give Percy over and killing her sister. Percy not taking Medusa’s offer to get rid of Annabeth and Grover so he can save his mother. It’s perfect. They’re going to become each other’s chosen person and they don’t even know it yet
LMM as Hermes jump scare. Still not a fan of the Hermes casting
Anyways, overall the show just isn’t working for me. I do appreciate Walker, Leah, and Aryan because they are perfect. They are honestly doing such a great job! The writers, however, are not. I’m trying so hard to think of this show as its own entity so I can enjoy it more, but I haven’t been able to so far. Despite that, I am excited to see where the show ends up going (even if I end up not liking it)
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imomnba-x07 · 4 months
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EPISODE 3 BABYYYY
DIDNT THINK IT WAS POSSIBLE TO TOP THE PREMIER EPISODES BOY WAS I WRONG
- Percy choosing Annabeth to be on the quest because he was so scared one of his friends would betray him so he chose someone he “can’t stand” oooooooohhhhh this is cinema
- The Oracle taking the form of Gabe????? Such an interesting choice lmao (completely forgot this happened in the book too till I watched it again)
- Annabeth and Percy not getting along for even a second my god we are in for the best Enemies to Friends to Lovers (but we already knew that)
- Annabeth not being able to read the candy and choosing all of them ughhhhhhhh my little dyslexic baby that was such a good way to show it
- Annabeth confronting the furies? She’s so brave I could never
- Grover’s friendshsip/ problem solving song 😭😭😭😭😭😭 this sweet poor baby is so stressed keeping the team together
- MEDUSAAAA
- love what they changed about Medusa’s story and gave us more reasons to understand a certain someone’s anger at the gods and betrayal at the end of the season
- Annabeth using her hat to shield medusas eyes was GENIUS holy fuck what a fucking play oh my god
- Percy using the song against Grover omfg I love them
- They truly could not have chosen a better cast for our main trio I’m so fucking proud of them omfg
- The contrast of me screaming “LETS GOOOOOOO” and my friends screaming in pure anguish when Lin Manuel Miranda showed up at the end (I like being a goofy scamp)
Even better than the first 2 episodes, didn’t even know that would be possible I’m so fucking happy rn this is everything I’ve ever wanted and more
2000000/10
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