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popculturebuffet · 9 months

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Pee-Wee's Playhouse: Monster in the Playhouse Review

In Loving Memory of Paul Rubens 1952-2023 The loss of Paul Rubens this week.. was one of the most devistating celebrity death's i've experienced, up there with Bowie and Adam West. It's just one of those deaths that really gnaws as your soul a bit, to see some one who brought such joy to your life gone in an instant. With Paul it hurt more because he's been such a constant: My family LOVED Pee Wees Big Adventure and I saw it PLENTY as a kid, a truly iconic and fun film that really showcased what paul could do. As I grew up, he was in Mystery Men, one of my faviorite superhero films to this day and a great part of it as the gaseous gladiator The Spleen.

Ironically it wasn't till I was in college and beyond I got to see Peewee's Very own children show and paul's masterwork Peewee's Playhouse, the classic 80's childrens show that had plenty of whimsy for it's target audience of young children.. but plenty of charm, puppetry, a stacked cast, and some all time great set design that made it a classic. It's no wonder my young niece and nephew glommed onto it as kids back when Netflix had it nor mourned him alongside the rest of us.

So while I intend to do more of Paul's work later when I can, faster if someone comissions them, I figured this was the best place to start and to honor him in the moment: my faviorite episode of his show. You'll find out why and if you hadn't really heard of paul rubens find out why he was so awesome under the cut.

Pee-Wee Herman started as a character Rubens made for the stage, with his stage show The PeeWee Herman show. The character was a hit from the get go and said hit lead a young filmaker by the name of Tim Burton to come calling. Thus Pee-Wee's Big Adventure Was born. I was honestly suprised to find the movie came first, as the show has none of it's cast, just the human muppet at the center. It does make sense though as the two works show off the two diffrent but equally awesome ways to play with Pee-Wee. Pee-Wee as a character.. is a giant cartoon. He's very clearly a grown man, but acts like a ten year old, lives in a bonkers house no matter the verison of him, and dosen't care how weird he comes off to everyone.. and thus charms most people simply by being himself. It's why the character resonates with me so much: Pee-Wee is who he is and he's not self concious about it. he's not really lambasted by most characters for being weird and those who do are usually jerks. When something bad happens to him it's usually because he brought it on himself.

So as a giant cartoon there's two ways to play him: you either plop him into the mundane world and see everyone else bounce off the loveable weirdo, or you meet him on his level and have a world of childlike wonder and total insanity. The movie went for the former, allowing rubens to be as unrestrained as he wants while still being a charming guy, and the show, being meant for kids but not talking down to them, could be as weird as rubens could get.

Playhouse has the trappings of a preschool show: most of the cast is hammy, everythings weird and ther'es a lot of loud stuff to keep attention like the secret word. But it's done in a way that's also gentle, calming and just dang fun to watch: it comes off as what a young kid would THINK being an adult was where you can be a cowboy or pretty for a job, have to deal with horrifying salesman and get to have a ptreodactyl as a pet. It's this nice chill fantasy world that's diverse, where only three people are dicks and one of them, pee wee, ususally learns not to be and that tries to teach kids to be excellent to one another.

And while I picked this episode as a personal favorite.. it really encapsulates a lot of what makes this series great and it's philosphy well. Monster in the House follows Pee Wee on what starts as a pretty normal day, he checks on his ants who are gorgeously animated in this nice construction paper style with black on yellow. It REALLY looks cool. Also cool is a season 1 exclusive feature: his toys. His toys... are basically sids toys from toy story, some horrifying mashups, in this case an octopus cowboy with a thousand eyes and a Frankenstein head on a standard dolly, that still has doll hair. It made me realize something about the show: it REALLY loves it''s animation. While the puppetry is awesome, we'll get to that, we have bits like the dinosaur family, the toys and the ants, the penny cartoons, all vastly different styles, all gorgeous. They even bring in some retro shorts via the king of cartoons. It also speaks to the shows tone: it's really freefloating: While there's usually some through line to anchor the episodes shenangians, it has this nice, serene atmosphere, a childhood memory brought to form where you'll often play or do other stuff amidst the hustle and bustle of your life. It's a vibe I haven't really seen in any other show or felt anything close to and it's glorious. There just.. isn't another show that FEELS like this.

Helping with that is the puppetry. I've been covering muppets here lately and Paul really has a lot of the same philosphy's as Jim Henson. It's really sad the two never did something together: Pee Wee did a segment or two for sesame street and not only won an honrary muppet award but was a guest in muppet magazine where we got just.. the most wholesome image ever

But both have this gentle nature that belies the manic content they make, injecting an earnestness into the madness. Peewee has a talking chair, a dog who is also a chair and looks utterly horrifying, a globe, his own robot, a tetradactyl.. all puppets.. but all feel really. Terry is like the son PeeWee never had, CHairy is one of his best friends and in a nice touch i'd never noticed before her eyes and hands usually move when she's in frame even if she's not the focus of the scene. There's also clearly something going on between them but I feel a memorial is a poor place to talk about chair on human romance. The puppets feel real even whent hey can be limited, and all have unique looks. Even chairy and dog chair despite being both animate chairs look and feel different, chairy coming off as pee wee's shy best friend and dog chair being an utter nightmare that's also adorable.

It's the giant gaping mouth. Just... I love a good dog but when you make one that could swallow me whole and very likely my soul at the same time you loose me. Except for Clifford. he's a good boy. You eat those souls clifford, you get bigger and stronger boy. That's a good red dog. Good boy.

So before we get to the plot we need to get the secret word. For those less familiar Pee Wee unplugs and turns on his robot buddy Conky, whose just a delight. And honestly all this reviewing thomas the tank engine effed me up a bit as I was horrified at first that Pee Wee turns Conky off at all.. but then realized they cleverly tucked the reason WHY Conky is plugged in and has to be turned on into the show: he needs to be recharged. Pee Wee would love to have him on all the time, but he dosen't want his friend to run out of battery. It's simply how the bot sleeps.

So he has honky print it out the word and whenever somebody says the secret word "scream real loud". it's a LOT of fun as any time it happens the whole playhouse joins in. Pure hell for parents but something so charmign you can forgive it. It's also sweet when Reba the Mail Lady, one of peewee's friends and his well mail lady, is so deligthed to have said it by accident. It's really sweet

The plot kicks off proper when Mrs. Steve shows up. Mrs Steve is a season 1 exclusive... and unlike others like Tito or Captain Carl who likely got cycled out because production moved and they simply coudln't move with it, Mrs. Steve feels like she got shuffled out because she just doesn't fit the shows tone well. The show DOES have an outright antagonist in randy, but he's more a harmless doofy bully no one takes seriously and who at most sets peewee astray by getting into his head. Mrs. Steve on the other hand is that kind of asshole we've all had: she gets into everyone's business, complains constantly and unlike most of the cast dosen't really jibe with the weirdness that is the playhouse. I don't mind someone say having a straight reaction to peewees nonsense but detesting it just dosen't work. She DOES work well enough for the episodes she's in, I just think longterm it was a wise decision to phase her out. Her actress does a great job though.

In this case there's a monster in the neighborhood. I mean you'd THINK given Mrs Steve sees Dog Chair and Season 1 globey on a regular basis she'd be used to monsters but apparently not. She's warning everyone. Pee Wee doesn't believe but everyone else does. Even the king of cartoons has to be talked into doing his job. I also just.. love the fact that in season one the king whose only job is showing up to show children cartoons has a new york style cabbie. It's so peewee.

Naturally though for this universe there IS a monster, as just when peewee clams everyone down by turning off the lights,a nice calming little bit of letting fear go.. the monster shows up. And Roger , he's named later.. has a fucking awesome design. It's clearly someone in a suit though how I don't know. THey might be hunched over by they CAN jump.

It's such a unique design. Admitely I love cyclopic monsters, so i'm defintely bisased but the nice touches like his weird foot, the little tubes or the side mouth are great.

I also love Pee Wee's response to Chairy Pointing out he said monsters weren't real "So I was wrong, sue me". With Roger just making monster sounds Pee Wee has no idea how to deal with him, realizes he's hungry and makes him a sandwitch which is fun. I also love Roger looking inside peewees fridge to see his food doing thier usual capering and how he just opens and shuts it like a kid would. And as it turns out.. that's what roger is. When PeeWee can't get him to go he WISHES he could understand him. And naturally ...

Since he's not being forced to this bit though the real jambi gladly grants the wish. With the wish granted, long lived Jambi we find out Roger.. is actually a child. He's kind, has a nicely innocent voice and simply wanted to play. He didn't mean anything by his stomping, and was just confused why Peewee was scared of him jsut because he was a monster. It's a nice message about not hating something you don't understand just because it's diffrent. Not subtle, but it's also not so over the head that it dosen't work. Roger may look weird.. but so does the rest of the house. Unsurprisingly PeeWee is huge in monsterland. So PeeWee apologizes and makes a new friend and everythigns good. The episode ends with pee wee getting a call on his picture phone.. which is one of my faviorite runners as in a nicely peewee touch, he always puts on some background and costume before answering. We get Roger's mom whose upset he was missing, ssays the secret word (a touch I really love) but invites peewee back for spagetthi because who wasn't. We also get a nice twist on the usual ending. Usually pewee gets on his scooter, heads off and we see him ending. Here Roger JOINS peewee for the trip. They also scare the crap out of mrs steve, always a good time. Monster in the Playhouse is excellent and it's on youtube. It's a great sample of how good the series was, has a nice wholesome legend and as always showcases just what a great performer rubens was. He'll truly be missed and I hope he's somewhere up there, in his own playhouse. Thanks for reading.. and we'll miss you paul.

#paul rubens #peewee herman #peewee's playhouse #monster in the playhouse #chairy #dog chair #terry #roger #mrs steve #reba the mail lady

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xxstarryxeyedxx · 7 months

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{The Horizon}

(manhwa) 21 chapters 2016

Author and Artist : Jeong ji-hoon

I stumbled across this manhwa a week ago.The hell that is TikTok kept recommending me slideshows of some of the chapters and right from the beginning I knew it was something extremely sad and intense.I tend to stray away from these sort of media,especially nihilistic and pessimistic ones that are depressing just for the romantization of it or for the sake of just..being depressing.But TikTok really wanted me to read this manhwa as it recommended it to me over five times back to back.So I gave in.And I am so greatful that I did

Right off the bat I have to warn you this work deals with extremely heavy ,mature themes.War,loss,death and survival are prominent things in this manhwa and it does not hold back.As well as a big trigger warning for attempted SA ((even though in my opinion the themes surrounding it and the way it was handled is very calculated and careful))

In an Un-named post apocalyptic world,where war and disease have overtaken most of humanity ,a boy and a girl find themselves all alone,having lost their families and homes,with no choice but to keep moving forward in a long unknown road.They encounter many different people as they go,shaping their story and their experience of the horrors of war,through the eyes of two kids who have no one but each other.What absolutely blew me away is the story of these two and countless others presented in just 21 chapters.The commentary on war,child soldiers,the philosophising of the meaning life and death take in such a setting and most importantly,hope, perseverance and love.A diverse cast of characters,even though the story is much more focused on the illustrative part rather than the dialogue.I do not want to spoil much(as always) as I did end up crying continously while reading it after it had reached the middle.

For a story based on it's illustrations I wouldn't say that the character designs or the way the artist draws their figures is the strong point of it's art.Rather,it is the amazing backrounds,the panelling,the use of big and vast spaces and the coloring of them and most incredibly,how the art style switches in these crazed pen strokes,mad scribbles and lines to convey intensity,hopelessness or sadness that really manages to strike a cord in your heart.The message is absolutely direct and scarily raw emotion is brought by those images.

It is a very short read,it took me about two hours.One that I recommend wholeheartedly,while always being aware of it's themes.

personal rating 9.5/10

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simoneashleydaily · 2 years

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Simone Ashley in Tatler Asia

‘Bridgerton’: Jonathan Bailey & Simone Ashley Play Enemies Turned Lovers in Season 2

By Brian Cheong

The male and female leads of the Netflix series share juicy details from the set and their characters' volatile relationship

Bodacious. Scandalous. Sexy.

These are just some of the adjectives fans have used to describe Bridgerton. A massive streaming hit when it premiered on Netflix on Christmas Day in 2020—and in the process, making our lockdown lives immeasurably more bearable—the first season of the Regency-set drama introduced us to the Bridgerton family comprising matriarch Violet and her eight children including eldest son Lord Anthony Bridgerton.

But at the heart of it all was the love story of Daphne (Phoebe Dynevor), the eldest Bridgerton daughter, and the Duke of Hastings Simon Basset portrayed by the dishy Regé-Jean Page who became an overnight star through the series.

Based on the novels of Julia Quinn, the Shondaland production is also a lush spectacle filled with a cast so diverse, it's like nothing we've ever seen before—certainly not for a British period drama. The eagerly awaited Season 2 promises more of the same, only this time, the central love story revolves around Anthony (Jonathan Bailey) and Kate Sharma (Simone Ashley who is new to the cast).

Kate arrives in London with her sister Edwina (Charithra Chandran) to help the latter find a suitable husband. Anthony, who is ready to end his single life though perhaps not his rakish ways, is also looking for a suitable match and has his eyes set on Edwina, much to the disapproval of Kate who thinks him unworthy of Edwina's affections.

Bailey and Ashley Zoomed from London to fill Tatler in on Season 2.

Jonathan, how did it feel to come back to Season 2?

Jonathan Bailey (JB): It was kind of wild because it was this extraordinary thing that happened at a time when the world was in absolute crisis. It was a sort of love letter to the world when there wasn't much light. I'm just beginning to adjust to the understanding of how Bridgerton has impacted people.

I always knew that it was going to be Anthony's story but it was complicated and weird leading up to it. The first time I left the flat since lockdown was to go and meet Simone for the first time. I don't think anyone knew that it would be quite as good as what Simone had brought. The moment I met her, we instantly felt like we knew what we were going to do.

What was it like to go from being the antagonist in Season 1 to the romantic lead in this season?

JB: It's complicated. Both Anthony and Kate are heads of their families, and they are all about pragmatism. Anthony himself has such a high level of perfectionism, whether for himself or for his family. You can probably count on one hand the number of times what he says is aligned with what he feels. He's in need of someone to show him that he is worth something outside his role in the family and in the society. He's a compelling character, and it's brilliant to be able to play him.

Simone, how did it feel to join the cast of Bridgerton?

Simone Ashley (SA): I was nervous and excited. What made it so easy was Jonny who was so welcoming, and made me feel comfortable and heard. We were in the middle of a pandemic, and entering this world in which the cast and crew are very much a family, and the huge fanbase... it was just wild. I really can't think of a better word.

What can you tell us about Kate Sharma?

SA: When we first meet Kate, she wants to blend into the background. She doesn't want to be on the marriage market and is completely focused on her plan to find her sister a suitor. And then she meets Anthony who is this ginormous obstacle, physically and emotionally.

Anthony and Kate are quite similar in that they are so distracted by the responsibilities and duties in their lives that they don't get a second to listen to their hearts. And when they are alone together, they are very present and have to deal with their feelings.

Did you enjoy playing her?

SA: She's smart and emotionally intelligent. She prioritises her family and sister. And she has a lot of patience. That was fun to play.

You mentioned that the both of you hit it off right away. What was the chemistry like on set?

SA: It was a strong partnership from the get-go. There were moments when we would just look at each other and we would understand each other. It's such a gift to have a scene partner like Jonny; he gave me so much to react off.

JB: I realise that it might never be the same again, the uniqueness of such an intimate and complex partnership, an alchemy and magical bubble that we existed together. For both of us, it was a massive experience.

What was it like to shoot during the pandemic what with all the social restrictions?

JB: Netflix and Shondaland smashed it (with Covid SOPs). Everyone felt incredibly safe. We were tested to an inch of our lives!

SA: It was bizarre for everyone but as a community we all knew just how privileged we were to be working during the pandemic.

What are you most excited for fans to see in Season 2?

JB: There are so many great moments that I don't know where to start. I'm thrilled for fans to experience Kate and her coming into the family and how much she dislodges Anthony that he's become even more of a stranger to his family.

SA: Bridgerton is all about family and you want to be a part of these families—the banter, the inside jokes, and everything in between. It's what everyone has been waiting for. It will be like seeing someone you love for the first time in a long time.

JB: And there's no other show like it where you get a robust sweeping love story that's different from the last.

'Bridgerton 2' premieres on Netflix on March 25, 2022.

#simone ashley #jonathan bailey #kate sharma #anthony bridgerton #kate sheffield #bridgerton #bridgerton netfix #kathony #kate x anthony #anthony x kate #tatler #tatler asia #interview

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gaiuswrites · 3 years

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King of Cups || Chapter 1

Chapter 1: The Tower

Archive: ao3 | masterlist | two

Pairing: Din Djarin x fem!Reader

Summary: You’re apart of the Refugee Relief Movement, an intergalactic organization providing aid throughout the systems, and you find yourself assisting at a resettlement camp in Lothal when disaster strikes, changing your life forever, intertwining your path with that of a certain Mandalorian bounty hunter.

Word count: 3.7k~

Rated: Mature

Warnings: descriptive violence, blood/injury mentioning, danger, mature language

Notes: Hi y'all, welcome. This fic is going to be set during Season 2 of The Mandalorian, and will be what I like to call ‘canon adjacent’. ALSo, this chapter is very much so Reader focused, setting up the scene and the general pacing of the story, but naturally, Din will be more and more featured as things progress. I’m a sucker for backstory and a slow burn, so ye be warned. Please feel free to reach out to me. :) I’d love to hear from you lovely little beans. Be safe out there, friends.

Lothal was a planet all too familiar with occupation.

You remember seeing a quote somewhere that read ‘Look no further than Lothal if you want to see what happens when the Empire takes control of an entire world’; and although the Imperial chokehold had loosened when the Empire fell, the planet, even all these years later, still found itself gasping for breath.

Off world migration from the Core Worlds had been popularized since the expansion of the Imperial government bureaucracy, which brought booming business opportunities for the fortunate few, but as the rich became richer, the poor grew poorer. The Lothalites were forced out of their homes, off their own lands—refugees on their own planet; forced to resettle and relocate with nothing but the clothes on their back and the possessions they could cram into their pockets. The only heirlooms passed on from generation to generation were that of poverty, tall tales of former splendor, and the greatest of ancestral traumas: disillusionment.

The truly desperate turned to crime, and what couldn’t be solved by back-dealings and blaster fire was managed with fear mongering and the bitter flair of xenophobia. There was always a species to blame, and it was always the one who seemed to be doing better off, no matter how slight the margin.

Greed. Fear. Despair. These are the currencies in which the galaxy trades.

And so it was then, and continued to be, cycle after cycle. History, always finding clever ways to repeat itself.

On bad days, pollution still loomed heavy over the atmosphere—remnants of the fires from the Imperial occupation still clinging on to Lothal’s weary bones. She had been stripped during that time; gutted and strung up by her feet to dangle from the Empire’s meat hook, exsanguinated slowly, drop by drop, until she had nothing left to give. Her resources and minerals and ore and water and seed, robbed. Pillaged.

She’s free from it now, but the scars remain— the planet remembers. Her people do not forget. Like muscle memory, they all ungulate to this synthesized rhythm they can’t seem to shake, day in and day out, wandering. Forever unsettled.

The planet had always had a diverse population and had become something of a safe haven for other abandoned people fleeing their home worlds, determined to find somewhere - anywhere - for them to survive. Lothal provided that for them. It wasn’t rich or bountiful by any stretch, but it was simple and safe—safe in the way hidden things in plain sight are. One could blend into the crowd of many, unique faces, of all races and backgrounds; you could be anonymous, if you wanted. You could be free.

That’s how you’ve found yourself here in Jortho. You had been with the Refugee Relief Movement for the better part of what felt like forever, and they had transferred you to this planet not six weeks ago. You were out on rotation; the RRM sends someone new twice a cycle for the span of a month or two to varying locations to supply rations, aid with the influx of refugees, organize resettlement lodgings, and generally be of assistance when and where you could. However, your tenure on this temperate planet was coming to a close, and soon you’d be flying back to the headquarters on Coruscant before being bounced to another post somewhere out among the stars.

You love your job. You know it’s unpopular to say, but you do. It’s fulfilling and impactful and indescribably special. The individuals you meet, the stories you hear, they’re invaluable— priceless and precious, like handmade trinkets crafted by the fingers of a child; you press them all to your heart, holding them there. You’d be lying if you said it didn’t get to you— the weight of it; the plights of all of these people, all of these lives, burdening your conscience. It isn’t always painless— you aren’t immune to it. Even so, on most nights you manage to sleep easy, tucked away aboard the transport freighter you flew in on with the batch of settlers newly assimilated into town knowing Maker, at least you were doing something— anything— everything you could.

And really, to call Jortho a town would be an insult to all towns everywhere—but ‘town’ has a certain charm to it that ‘refugee camp’ simply did not, and it gave the people hope. Pride, even. That they belonged somewhere.

You suppose that’s all anyone wants. To belong.

A feather soft gust of wind tickles the golden blades of prairie grass as the sun, bleary and tired, starts dipping from the sky. The crickbeets begin their song early, trilling, sensing Lothal’s moons still coyly tucked away, hiding somewhere along the horizon. A smile adorns your face, private and serene, as you bring a bowl of broth up to your lips, humming when the warm liquid meets your tongue. You sigh, contented, taking in the sights before you; how the dusk blurs the aromatic air, making it opaque, the shuttles docked across the way from you casting long purple shadows onto the flat plains, the snowcapped mountains in the distance bordering the cant of the planet’s surface, nestling Jortho in a shallow valley.

You feel calm, at peace, and take another sip.

An easy moment passes, and it’s the last one you get before silence stalks up from behind you.

You don’t notice it at first, like any patient predator, it goes undetected: the white noise, the nothingness— until finally, you do and then suddenly it’s everywhere. On top of you. Smothering you. Goosebumps stipple your skin and you bristle. The insects have stopped chirping. The breeze has stilled. The air hangs dead.

And then—

Chaos.

You’re hit with a blast of crushing heat, the sheer power of it picking you up off your feet and onto your side, sending your body careening into a nearby structure. Your shoulder takes most of the blow, but your neck still snaps backwards unnaturally, the back of your head colliding with the stone wall behind you with a dull thwack. You let out a groaned cry at the impact, the wind knocked out of your lungs as you crumple to the ground.

For an instant, your vision goes white, stars popping and fusing out in front of your pupils, and it’s like you can feel everything and nothing all at once, hollow but overwhelmed, and all you want to do is close your eyes and drift asleep— Maker that would feel like a luxury, just right here on the damn dirt. And you almost do, you almost let yourself slip under and sink— until you hear a piercing scream from somewhere close.

Immediately your eyes shoot open, desperately blinking away the blurriness that threatens to over take them, and you try pushing yourself up by the heels of your scraped hands, failing once - twice - before finding your footing. You’re shaky at first, uncoordinated and dizzy and redownloading bipedalism, before that sweet drug of adrenaline starts to course through your veins and finally, finally, you take in your surroundings.

The ships that once stood across the field are gone, obliterated, and in their place only metal ribcages remain—empty carcasses like dead birds splayed on their backsides, imploded from the inside out, their bits strewn all around you.

Your breathing comes hard and heavy, fighting down panic, and cloudy eyes search through the thick black smoke billowing up in stacks, trying to pin point the source of the scream you’d heard just moments ago. You cough a strained wheeze, sputtering against the charred air, and wade your way through the debris— it’s only then that you realize the magnitude of the explosion. It’s not just the landing bay, it’s half the kriffing village. The buildings that neighbored the airfield had been decimated, burning roofs and crumbling fixtures, homes collapsing onto themselves, scorch marks and shrapnel branding the outsides of the shanties left standing.

It looks like a battlefield. You’ve seen holovids of this—what war can look like, how it can ruin a people… But you’ve never had to stand in the middle of it, head on.

Your heart drums against your chest as you break into a hobbled run, desperately scanning the area for any signs of life, up and down, left and right, straining against the waning daylight. It’s then that you hear your name, urgent and frantic, and you whip your head in it’s direction, knees nearly buckling in relief. You immediately recognize your friend Hareem, brandishing her arms at you, waving you over to her.

“Thank the Maker, you’re alright!” the Balosar cries out, trembling hands finding purchase on your shoulders, bracing you. You don’t know if its for your benefit or her own, but either way you’re grateful for the grounding pressure; for the first time since the initial blast, you feel solid, like you won’t just float away, atomized and weightless. Worried, you look her over. A sliver of fresh scarlet blooms from her scalp, a small line trickling down past her temple, but she otherwise looks relatively unharmed. You grasp onto her wrist, squeezing firmly.

“What the hell happened?” You ask, voice low and pitched, wide fearful eyes drilling into her.

“T-There was a man-” And she shakes her head, mouth clamping shut, deep wrinkles framing her face.

“Hareem,” you reassure, giving her another squeeze. I’m right here. I’m not going anywhere.

She tries again with a steadying inhale, “I-I saw him. A-a man. He had a device with him, and he set charges, and Maker I don’t know— I don’t know— it went off a-and he ran towards the center of town!” The Balosar is in hysterics, tears spilling down her dirty cheeks, and it takes your brain a moment to catch up, to wrap your mind around the words she’s stuttering out.

A man.

Device.

Charges.

A bomb. This wasn’t an accident; this was an attack—and he’s still kriffing here. You cup her cheeks, thumbs rubbing against the pale skin, smearing away the blood that’s nearly dripped to her chin. Your friend’s gaze is flighty, everywhere and nowhere, and you try giving her a smile, but you’re not quite sure you manage it.

“Hareem? Hareem. Hey, shh, you’re okay. You’re alright…” You peel your eyes off her to glance around hurriedly. “We need to find cover.”

///

You’re holed up in one of the few remaining homes on this side of the encampment, crowded into the small space with three other survivors. All four of you, packed in and silent and petrified. Unsure of any further threat, you stay completely still. Helpless. Laying here, idle, for whatever awaits you behind that feeble, wooden door. You feel like prey for the wicked, just passing the time.

Minutes inch along like this—or maybe its hours; time moves eerily different when you’re attempting to become invisible—and eventually, you almost begin to relax.

Almost.

But a new sound breaks the din, hard to recognize at first, indistinct from all the commotion outside their hut, but you hear it. You all do. The youngest of you, a teenaged Devaronian, grips onto the hem of your shirt, knuckles creasing with anticipation. You tense, spine going rigid. Footsteps. They’re slow, guarded, but they’re getting closer. You bring an arm up, for all the good it’ll do, creating a human shield in front of the boy at your side. Closer. Someone behind you muffles a whimper. Closer. A Bardottan you hadn’t even met until today let’s out the faint whisper of a prayer, lips barely ghosting over the phrases. Closer-

and then, nothing.

They’re here. You can sense him, see his shadow sweep across the gaps in the entryway. You all hold your breath, as if the air is being syphoned out of the space… And the door is flung open, nearly breaking off it’s hinges as it slams into the inside of the house, shuttering the rickety walls with a jarring bang.

You don’t know who looks more astonished: you four, or the Mandalorian before you, dripping head to toe in silver plated armor, pointing a blaster directly at your head.

“Where is he?” He asks, hard edged and modulated, and it’s more of a demand than a question—but he lowers his weapon all the same, holstering it at his side. You gape at him, guppying wordlessly. “Volcur X’elo. The bomber. Where?” He hasn’t moved an inch out of the doorframe but he’s still managing to loom over you, completely filling up the archway, shoulders set and impossibly intimidating.

You gulp, finally finding your voice. “In town, i-in the center of town…” Kriff, you had not idea if that intel was good or not, but it’s all you think to say. Seeming satisfied with your answer he turns on his booted heel, cape whipping behind him, leaving just as soon as he arrived. The dust barely has time to settle as the door teeter’s on its hinge, its rusty squeaks filling the void in the Mandalorian’s wake.

“Fuck,” you hiss, exhaling a breath you didn’t realize you were holding, doubling forward, propping your palms up on your knees.

///

After deliberating it with your group, you all come to the agreement of braving it outside. Better to be out under the open sky than die under a concaving apartment, clambering over each other to get to the exit. After all this, at least your dignity was still partially in tact— normally, you reckon you’d chuckle dryly at that. But you don’t.

Can’t.

You lead the pack through the mazelike streets. The sights that once seemed so familiar after weeks of living here become like strangers to you, and you sleepwalk through Jortho, snaking down paths marred by rubble and fallen wreckage— you haven’t seen any bodies, but maybe that isn’t true. Maybe you’re just too scared to notice them. Maybe they’re there, hovering just outside of your peripherals, haunting the corners of your vision…

You keep your head fixed forward, jaw clenched.

Your feet move on their own like this, only vaguely aware that the red-skinned boy still hadn’t let go of your tunic. You forge on. Have to. You have to. Your only purpose on this kriffing planet was to help these people, to bring them aid, and if that means simply planting one foot in front of the other, then so be it. You take side alleys, double backing here and there, ducking under canopies, looping around yourself, only stopping when you catch a glimpse of beskar, the orange setting sun glinting off the surface of his helmet.

And he’s not alone.

You freeze suddenly, as do the rest, and the Devaronian bumps into you, stumbling under his lanky legs. Some paces in front of you, the bounty hunter has the other man, this Volcur X’elo, by a punishing grip on his shoulders, shoving him forcefully out in front of him; his wrists are bound and he’s fitful without the stabilization of his arms, his feet staccatoed and flailing wildly beneath him as the Mandalorian marches him forward.

The wind shifts, and on it you can hear the bomber rant madly, only catching snippets of the vile nonsense that spews from him.“- like swine, they are a plague to the system! And they must be purged from this planet, and the next, and the next— every last filthy one!” You spare a glance to Hareem, to find her watching the scene in hypnotized horror, but your eyes snap back at the sound of something maniacal, drawing your attention. It’s laughter. The zealot begins to laugh a twisted, mocking cry that makes you want to vomit. “You might have me in binders Mandalorian, but you’re too late. You’re too late. This isn’t over!” He’s practically giggling, gleeful and demented. Disturbed. “You’ve only found one.”

Your blood runs cold.

Only one? Oneoneoneone, one what-

The realization hits you with a punch to your gut. He’s only detonated one of his bombs. Somewhere, nearby, there must be another.

Without another word, the Mandalorian whips the smaller man around, pulling him sharply by his collar to collide with his breastplate, completely dwarfing him with his beskar frame. “Where is it, X’elo?” Nothing. Only laughter. High pitched, terrible roars. He tries again, patience ebbing. “The bomb. Now.” X’elo’s head tilts back and he howls another crowing shriek, keeping private his own sick joke, as if clutching a secret to his chest with slimy hands.

The bounty hunter had heard enough. He clearly wasn’t getting anything more out of him, and with a quick strike, he rears his blaster and pistol whips the terrorist with it. The body drops. Volcur X’elo crumples, unconscious, blood streaming from where he was struck. You hear the Bardottan behind you stifle a cry with her fist.

And with that, Lothal’s sun disappears completely, stealing away the last of it’s light as it furls into itself, shrinking out of sight. The dark ushers a new wave of dread, creeping over Jortho like a miasma, poisoning the very air.

The Mandalorian wheels around, searching for his heading in the labyrinth of the town. Others have gathered now, poking their heads around corners, stealing glimpses through windows. He turns, his head on a swivel. “Where is your power generator?” he demands, addressing the small crowd, but you’re all too stunned to speak. “Anybody. Generator. Now.” There’s something new in his voice, something muddled, and it takes you a moment to interpret it. It’s desperation, you realize, tinny and deep through his vocoder, and with a surge of adrenaline you move forward, furthering yourself from your group. You swallow. “I-Its this way.” Upon hearing your voice, he spins around, his visor latching on to you, and with a nod you both set out.

“Watch him,” the Mandalorian growls past his shoulder, stepping over the bounty’s limp body.

///

You’re still not really sure how he knew where it’d be, you wonder to yourself, gravel crunching under foot as you both trudge on, an eery quiet settling over them. You’d say it was a lucky hunch, but judging by the way the Mandalorian carries himself, you doubt luck had much to do with it.

You had led him to the power generator hub on the other side of the sad excuse for a city, traveling in tense silence, and when you came upon that tall, bulky machine he sprang into action, circling it until he found what he was looking for. The bomb. You stood back, rooted there, and after some grunting and rewiring— or maybe he just hacked at it with a vibroblade, you had no idea; his wide frame engulfed his work and you couldn’t tell what he was up to, all you knew was that his methods proved successful— the man managed to disarm the second device. You had thought you noticed his shoulders release, slumping with relief, after the red flashing lights on the rudimentary interface flickered and then went dark.

And so here you are. The two of you, bathed in the bright light of Lothal’s twin moons, their bellies hanging full in the blue-black night, illuminating the trail of blood staining the dirt beneath your boots as the Mandalorian roughly drags the body by his ankle behind him— through the exploded rubble, through the fragmented lives of the people around you, already displaced and estranged. They’ll all have to move, you think, pack up their lives, or what little is left of them, and relocate. Again. The thought sinks in you like a stone, sobering you.

Even with the weight of a fully grown man to lug, the bounty hunter is still a few long strides in front of you and your eyes are trained on the unconscious form, taking in the way his mouth lolls open like an animal, his hair matted with thick blood, eyes rolled back into his head. You’re talking out loud before you even realize it.

“How sick do you have to be,” you mumble, transfixed. Your voice, it’s not angry; no, shock has effectively robbed you of that— it’s not anger, but bewilderment. Quivering, broken bewilderment.

“H-How hoodwinked and warped you’d have to be, how disturbed... For you to think like that. To do all... all this...”

“Hey,” his gruff voice shakes you from your trance, and you blink up at him, tearing your eyes off the body. “Focus,” he urges, and you can only nod dumbly back at him, suddenly feeling a ripple of nausea slither through you.

The ramp to his ship is lowering as they come upon it and you plant yourself at the base, feet seeming to stop on their own accord, and frankly you’re not really sure why you’ve even followed him this far in the first place— always a step behind him as he hauled his bounty all the way through the vestiges of Jortho, across the arid prairie to where he first touched down. Maybe it’s because you feel untethered, unmoored, and all of his steeled surety is like a lighthouse, a beacon, guiding you away from the rocks.

He heaves X’elo up the ramp and you’re left standing there, staring unseeingly into the durasteel, becoming more and more aware of the ringing in your ears. The longer time passes, the more it’s as if you’re underwater, the background blurring into the foreground, sound gargled and far away. A high pitched buzz pinches your ear drums, and it takes you a moment to realize the Mandalorian is calling out to you, trying to get your attention.

“— Dala.”

Does he sound annoyed? Kriff, you think he might... If you had your wits about you, you might be able to recognize it. But as it stands, you don’t. You’re not here, not all of you. You’re splintered. Suspended.

“Hmm? Sorry, what..?” Your mouth is as dry as Jakku— parched desert tongue darting across your cracked lip, tasting soot and ash and something metallic. Brow furrowed, you touch a shaky finger to the flesh and when you pull it back, crimson red dots your skin.

Oh, you think, numb. Huh.

Your eyes skitter back up to the Mandalorian, towering over you, nearly at the apex of the incline, and his stance is broad and his fists are clenched. You’re almost positive he’s glaring down at you through his visor, and you don’t even know the man, can’t even see his damn face, but you can tell he’s peeved— Maker, just how long had you been ignoring him?

A scratched noise comes through his helmet’s vocoder and his next words are clipped, punctuated. “I said, do you have a way off this skug hole?”

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b00ket · 3 years

Text

Just ate some shitty chocolate and mulling over my growing dislike of the arcana

Like the characters in the game, fandom (ie. like 5 people), fanartist are cool and sexy

But I feel like I would’ve enjoyed the game more if Nix Hydra actually wanted to portray POC and weren’t such vague and lazy writers

Disclaimer: I talk about Asra but I haven’t finished their route so take this grain of salt

Taking a step back and looking at this game... i don’t like it. Here’s the main reasons why:

They claim to have a diverse story and world but honestly you could change all the characters to look white and nothing would change.

They are so fucking ambiguous it drives me insane. The world in this game is never built up at ALL and neither is the magic system. They have left hints and details of a bigger complex world but never elaborate on it even when it could be relevant to the story.

Magic

Details from some stories aren’t even in others. When explaining magic to my boyfriend I was making a-lot of assumptions about how magic works because everything is so vague.

For example, magic limits are brought up maybe twice. Herbal magic exists (Mazelinka practices it I believe), runes and charms are a thing, glyphs are a thing. All these things are great details for magic that could have been explored as other forms of magic other characters have. Julian using glyph magic was never explored further, Muriel using charms and herbal magic would have been great.

The fact that these are never revisited or expanded upon digs at me. It feels like lost potential.

The minor arcana is a world detail that is only prevalent in the weekly card reading when the concept of another set of arcana is super fucking cool? Even mentioning any form of the minor arcana in the major arcana realms would be a nice tie in. But no its never even mentioned.

The world

Reading the arcana, Vesuvia feels more like a symbol than a place. It lacks a sense of life ehich is strange considering how much time we spend there. Nadia, Portia, Julian and Asra are all people who have a knowledge and understanding of Vesuvia but exploring with them is so focused on romance they lose the chance of building this world.

The outside world follows suit. Aside from names you can’t really tell me anything from outside kingdoms. Anything said about Prakra and Nevivon is vague and broad, even when Julian and Nadia are speaking about it.

The assumptions I’ve made about this world and how it functions are doing a lot of heavy lifting in giving the world life. I’ll make a post about each place in the arcana world about these assumptions just because of how important they are to my interpretations of the characters race. Ill touch on them here.

Race and Culture

This is my biggest gripe with Nix claiming to be diverse. Sure the characters have different skin tones but you could make them white and it wouldn’t affect the plot.

Everyone in this cast is some form of racially ambiguous or their culture is not in anyway important to the plot if mentioned at all.

I cannot speak on Asra’s portion but they’re not from Vesuvia. Their mom wears a headscarf but its never shown whether this is a fashion piece or religious outfit. (The fact that no other person wears a headscarf and it looks like a hijab implies muslim faith exists but its never explained) Asra themself is a magical person in tune with themself. Having them show us some of their culture would have been nice.

Nadia, despite her arc being that of family, never shows any sign of the cultural aspects of Prakra. A nice character touch would be her growing distant from her culture while with Lucio in the palace (spurred on my Lucio’s lack of care and her apathy) and later in the story doing something significant and unique to her culture. Whether it be dressing in a way that’s distinct from Vesuvian citizens to praying or making a Prakran dish with their family.

Muriel’s cultural exploration is the best out of all of the characters as it’s a main plot point. Unfortunately not enough focus is placed on it. A great touch would have been language differences, perhaps even reclaiming the fading language of his tribe after its destruction.

Both Julian and Portia being from Nevivon and having lived on a pirate ship, I expected a deeper look into pirate culture and the life of Nevivon. None are elaborated on so Julian becoming a pirate in his upright ending feels empty as I’m not invested in pirate life at all.

Not doing the bare minimum to flesh out these characters culture means the world feels flat and the characters don’t feel like true representation. A hollow attempt at giving us diverse characters in what should be a living breathing world.

Race and Design

Again, everything is ambiguous.

The smallest gripe I have is that clearly the artists are not people of color. Granted I did get this impression from the fact that the palms of the hands arent lighter than the skin tone. Its a subtle thing but doing it shows a care for detail and it makes my melanin self very happy when it’s shown.

Another smaller gripe is how ambiguous Muriel and Asra look. I had assumed Muriel was just a white guy until the name of his tribe and seeing cultural wear gave a different impression. But I can’t fault anyone fir thinking he was white. Just like I can’t really fault people for thinking Asra is also white.

Why do the lighter skin characters have natural hair colors but as soon as Nadia and Asra are shown they have fantasy hair. While having colorful hair isn’t a crime, its a tactic often used to separate people of color from truly looking like people of color. It was a wall I had from connecting with these characters.

There’s not a single black person in this game. The more I think on it the more it bugs me. So many side characters and yet none of them are black. If the devs hadn’t said the baker is black you could make a strong argument that black or Afro-centric features don’t exist in this world. There is no kinky or very curly hair. Not a wide nose to be seen. Seeing an Asra design that was inspired by African culture and saw it fit the aesthetic so well made me even more confused why there wasn’t any.

It makes me sad truly. You can’t call your game diverse when it isn’t. The Arcana is not a diverse game. It’s a lazy game with a hollow attempt at representation.

I am open to discussion on this as it’s something I’m passionate about. So if you have any insights or want to voice your own opinion I’d be happy to hear it!

#art #the arcana #the arcana julian #muriel the arcana #reverse ending muriel #muriel #julian devorak #asra #asra alnazar #asra route #portia devorak #portia fanart #nadia #nadia satrinava #the arcana nadia #lucio montag #the arcana game lucio #vent

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forasecondtherewedwon · 3 years

Photo

Hex Life

Fandom: WandaVision Pairing: Darcy Lewis/Jimmy Woo Rating: E Chapters: 10/10 Word Count: 34k

Summary: Guest starring Agent James E. Woo as himself and introducing Dr. Darcy Lewis as Mrs. Darcy Woo!

Or: Darcy and Jimmy are sent into the Hex to retrieve Captain Monica Rambeau. Finding out Westview has cast them as a married couple is only the first of the surprises that await them.

read ch. 1 one / 2 two / 3 three / 4 four / 5 five 6 six / 7 seven / 8 eight / 9 nine / 10 ten

this fic is now complete!

Jimmy’s going to be a dad. He was going to be a dad in a black-and-white sitcom world and now he’s going to be a dad in a world on the regular spectrum, so the colours really aren’t as big a deal as his impending fatherhood. Possible fatherhood. As much as he’s always secretly wanted his own little Jimmy Woo Jr., he didn’t know if it would be in the cards for him—pun obviously intended—and the last thing he wants to do is influence Darcy either way, especially since he’s only known her a couple days and doesn’t have a clue if a baby was really part of her life plan.

It can’t just be rose-coloured glasses making him see his wife warming to the idea though; when she continues down the hall ahead of Jimmy and Monica, he spots her careful cradling of the baby bump. He can barely stand not touching her. The instinct to shelter others has always been one of his strongest and now he feels it intensely. He longs to protect Darcy, to hold Darcy, to love— Well. Jimmy clears his throat at the very thought and Monica gives him a suspicious side-eyed glance.

“Dry throat,” he lies, tapping his neck in a probably highly unconvincing gesture.

“Uh huh.”

Yeah, she doesn’t sound convinced.

He’s rescued by a burst of sound from the bedroom and dashes ahead of Monica in case Darcy’s in trouble. When he bangs the bedroom door fully open, she’s fine. She’s laughing. He sighs and looks where she points. The queen-sized mattress they shared has changed back to a pair of narrower beds.

“Seriously,” Jimmy says flatly.

“Well, the big bed worked its magic,” Darcy concedes. She pats her rounded stomach. “Mission accomplished.”

“Aw jeeze.”

Ignoring his distress, she sits on the end of the closest bed.

“What I like is that they’re magically made. I didn’t end up having to change the sheets. This is really the next step in home technology.”

“Honey, don’t encourage the magical forces that control our home décor,” he pleads, beckoning until Darcy rises and takes his outstretched hand.

“Better than getting on their bad side. In the AI uprising, you wanna make sure you’re friends with the robots.”

This is an outrageous statement coming from a credible scientist, so Jimmy squints down at her for a minute before saying, “Thanks, house,” aloud, just in case appeasing the Hex now saves him from being closed into a room with no door later, if the walls rearrange to form the ’70s model of their current home.

“You did the smart thing,” Darcy assures him.

As they leave the room, she keeps hold of his hand. He shoots adoring glances at her.

“Hey, Monica,” she says, calling to their guest, who seems to have gone to investigate the walk-in closet. “Accommodations aren’t going to be a problem. I can give you some pajamas too because I think I own at least a dozen pairs, as I’m sure you��ve already discovered…”

But when they look in the closet it’s… not a closet.

“Or maybe the Hex destroyed all my pajamas and I should take back my overtures of friendship,” Darcy corrects.

“Welcome to your nursery,” Monica says. “I’m guessing from the look on Jimmy’s face that this is new.”

It’s spartan, but there’s no doubt in Jimmy’s mind that the room is now intended to be exactly what Monica said. There’s a crib in pieces on the carpet and a rocking chair in the corner. Though he can’t remember this room having even one window, there are now two. The blinds are drawn against the night and curtains patterned with stars and streaking comets hang from a rod mounted above the window. Automatically, he pulls Darcy into his side. He feels her rest her head on his shoulder.

“Man, the Hex is really giving us the hard sell,” she comments.

Just like that, he’s guiding her around by her upper arms and propelling her from the room. He glances over his shoulder to see Monica following with an amused smile. At his nod, she pulls the door shut.

“Ignore it,” Jimmy tells Darcy. “Don’t let that room influence you.”

“Oh, like that’s easy.” She rolls her eyes.

“I know it’s hard not to picture reading Jimmy Junior to sleep in his crib, or watching him learn to roll himself over on the carpet, or cuddling him in your arms in the rocking chair as the morning light—”

“Jimmy Junior?” Darcy asks, interrupting Jimmy’s rapidly solidifying daydream.

“You know what? I’m starving,” Monica announces, putting a hand on each of their shoulders to head off the awkward pause. “How about you two show me some hospitality? I’ve had a long day of being mind-controlled.”

“How ’bout some comfort food?” he asks. “I make a mean bowl of chili.”

“Sounds great.”

So, Jimmy cooks for them. His attention is unequally divided between the simmering pot, Monica leaning against the counter next to him as she recounts the scene at the meeting when Wanda went to take his call, and Darcy sifting pickily through the contents of their fridge. He glances over after putting the lid on the pot to let the chili finish cooking and sees his wife contemplatively holding an egg like it’s Yorick’s skull. Ok, well, he’s just going to leave her to her thoughts.

He sets bowls of chili for himself and Monica on the dining room table. Darcy, justifiably finnicky, takes longer to decide what she’ll be able to stomach, reflexively rubbing the baby bump as she plunders their kitchen. Finally, she comes to sit down. She’s brought a spoon. That’s it. Jimmy’s going to ask, but Darcy just scoots her chair close to his and takes intermittent mouthfuls of his serving while the conversation continues on. He sighs in unannoyed exasperation and alternates dips of his spoon with hers.

It’s just another weird routine they’ve settled into, and like everything else, it didn’t take long.

“You two didn’t know each other before this assignment, right?” Monica checks, motioning between Darcy and Jimmy with a slice of buttered toast.

“No, why?” Darcy asks, dropping a chunk of tomato from her spoon onto his. (Apparently, she doesn’t like tomatoes.)

Monica smiles and says, “No reason.”

She seems ready to accept them as they are, whatever they are. She goes back over the events of this afternoon for Darcy’s benefit—who was zoned out staring at an egg at the time—then the three of them turn to talk of tomorrow. What does Monica feel she needs to try before she’s willing to concede and leave the Hex with them? What can she try? How can Jimmy and Darcy assist her? They talk themselves in a circle of possibilities, limitations, and Monica’s unswerving negative answer to suggestions of her leaving the Hex without getting through to Wanda. Eventually, they decide that the best plan may be no plan, since they’re up against Westview’s ever-shifting magical properties.

“We’ll get up in the morning and see what the world looks like,” Monica says.

Jimmy’s going to reply when the Captain’s expression alters.

“Are you remembering?” Darcy asks her astutely. Monica stares at her. “I don’t want to pry, I’ve just seen that look on a lot of people’s faces lately. People who came back.”

“This isn’t dissimilar,” Monica admits. “When I get anywhere near Wanda or the other characters with speaking parts and start to lose control to… Geraldine—” Jimmy thinks the look on her face is both disgusted and deeply hurt. “—I do get this feeling like the world is going on without me. Only I’m there. I’m right there. I haven’t made up my mind yet if it’s worse than being gone entirely then coming back to find nothing’s the same.”

“Yeah,” Darcy says, soft, sympathetic.

“I don’t know what else the members of this community have been through, but I know I don’t want them to have to keep going through this too. I can’t imagine how tight Wanda’s grip is on the people who were here when she started this. Not sure I’m qualified to be the one to tell her how to let go of her grief and move on.”

Monica blinks quickly and gives a forced smile.

“That was good chili, Jimmy.”

He nods in thanks because he can’t find the right words to say.

They’re all carrying something and Jimmy thinks about that as the three of them clean up, then splinter off to get ready for bed, tired for different and shared reasons. (He changes into his pajamas in the nursery—they found their clothing in a new, regular-sized closet in the bedroom—while Monica and Darcy take the bathrooms.) The Captain’s carrying her recent bereavement and the unignorable sense of responsibility she feels to help Wanda and the Westviewers, possibly precisely because she isn’t ready to confront her own loss. Darcy’s doing some literal carrying with the baby bump her pajama top is buttoned over when she steps out of the en suite bathroom to let Jimmy in to brush his teeth. She’s an astrophysicist who, while studying a television diversion from reality, was brought rudely back to earth by circumstances as real as they come.

What Jimmy’s carrying is actually carrying him: his hope. It’s a good thing to have in his line of work, but a tough thing to keep when the world’s been through what it has. A baby is the least likely and most longed-for thing he would’ve confessed to wanting if someone asked him what was missing from his life.

When it’s acknowledged through awkward glances that, yes, Monica’s taking one of the beds and Jimmy and Darcy will share the other, he climbs under the covers his wife holds open for him. She rolls away from him to lie on her side and he gets comfortable on his back. The Hex has definitely eased up on what it wants for their romantic development because this is the first time he’s been in bed with Darcy and not felt himself caving to the need to have sex with her. Oh, the desire to touch her is as powerful as ever, but the kind of touching he craves is as tender as the flesh of that peach he brought her earlier in the day.

But he doesn’t want to crowd her. Figuratively or literally. Between finding Monica and calling Wanda, making love to Darcy all afternoon and being presented with her pregnant belly in the evening, it’s been a dog’s breakfast of a day. The mission abruptly became just the second most daunting thing he needs to pull off. Now, he’s driven by the impulse to be near Darcy. She doesn’t know it, but she’s drawing him in like gravity and he can only cross his fingers for a soft landing.

Jimmy almost jumps when she reaches for him in the dark, hand feeling behind her until it finds his. She drags his arm over her and he flips onto his side to make it easier. Though Darcy lets him go when his arm’s around her, he doesn’t know where to rest his hand. Tentatively, he places it over her belly and she wriggles back into him. Heart bursting, he holds her more securely to his body, smooths his hand over the bump, and soon falls asleep.

—

The floor wakes him up. He’s just fallen out of bed.

Disoriented, Jimmy sits up in a tangle of comforter and squints at his bed companion in the morning light. They must’ve repositioned while they slept, but that alone wasn’t what forced him to and over the edge—he can see the shape of Darcy’s belly beneath the sheet. It’s noticeably larger than it was yesterday.

He’s still trying to come to terms with that when she sleepily grasps the comforter and yanks it back over her body. Jimmy chuckles and rises into a stretch. Monica’s bed is empty and neatly made, so she must be up already. Before entering the Hex, his internal clock was strict too. Since, he bends to the needs of his subconscious, which seems happiest when it’s allowed to sleep in, particularly if Darcy’s warming the sheets next to him. This is only their third day in Westview and the second time waking up here, but it feels wonderfully routine. As satisfying as completing his consistently-timed morning run or pouring exactly the right amount of milk into his cereal.

Although he’d like to let Darcy sleep, it’s weird now because he’s staring. Anyway, they need to tighten up their operations even further today if they’re going to get out of here soon. Monica requires either success or closure with Wanda, so Jimmy’s determined to help with that. And if Darcy’s pregnancy takes another leap forward, well… that’s another time crunch to consider.

She’s lying on her side, facing him, belly in the space where he fell asleep. Gently, he brushes hair out of her face and strokes lightly up and down her arm.

Darcy gives him a murmured “Hi” with her eyes still shut.

“You gonna get up?”

“Inaminute,” she promises, words running together.

“Alright.”

Jimmy hovers for a second, then darts down to kiss her forehead. She pats his shoulder clumsily in response.

He might as well have had his own eyes shut, blind to everything but Darcy, because it takes opening his wardrobe to realize Monica was correct—everything’s changed again. WandaVision has embraced the ’70s. The shirts and suits he was pretty comfortable with have been traded out. Those items still exist, but now they’re aggressively patterned. There are flared pant legs. There is so much corduroy. Out of the row of shoes tucked into the bottom on his side of the closet, half have platform heels.

“Oh god,” Jimmy groans softly, sifting through for something that won’t feel too much like a cheesy costume.

He ends up with jeans—his only pair of pants without a pattern—and a striped shirt with wide lapels. The Hex’s makeover of his closet has him so beaten down that he doesn’t even pick out a jacket. He doesn’t have the heart for business casual. At the sight of a long-sleeved jumpsuit, Jimmy closes the closet door securely. They have to get out of here. This will be the thing that breaks him.

Slouching into the bathroom, he drops his selections on the counter and takes a shower. As he washes his hair, his fingers slow their scrubbing. Is his hair… longer? He finishes quickly and steps out to find the mirror fogged with steam. He wipes it clean with his forearm, examining his reflection. This place isn’t through with him yet: the Hex has given him a mustache.

Jimmy screams.

“Fine!” Darcy shouts back to his wordless noise of dismay. “I’m up! God, you could’ve just set an alarm and OH MY GOD, HAVE YOU SEEN THE SIZE OF THIS BABY BUMP?!”

He sighs on behalf of himself and his wife, slicks his too-long wet hair back with a comb, then starts in on shaving off the mustache. It immediately grows back.

“Come on,” he complains, cursing the Hex. “Why’d you give me a razor then?!”

Luckily, his annoyance fades the minute he sees Darcy. She’s swearing up a storm about needing to pee and her head looking too small for her body because the Hex has straightened her hair, but he takes all of her restless irritation in with a dazed smile on his face. Adjusting her glasses—now almost circular, with rounded off corners—she catches sight of his new look and erupts into laughter. Whatever the Hex does to mess with their appearance, at least they’re each other’s best medicine to combat it.

“I don’t want to be insensitive,” Monica starts when they walk into the kitchen hand in hand, “but are you significantly more pregnant than you were yesterday?”

Jimmy watches Darcy nod and slips away from her to throw some more bread in the toaster from the bag Monica’s left out on the counter for them.

“You’d think it’s just this big, shapeless dress,” Darcy says, “but no.” She pulls the fabric taut over her stomach to show the size of her belly more accurately. “I don’t want to say it, but the size of this thing makes me think the Hex is leaving me room to grow.”

“And if that dress is only for today…” Monica says.

“Jeepers,” Jimmy concludes.

They eat together in their reconfigured living room. It’s not until Monica’s kicked back in one of their low chairs, ankle propped on her opposite knee, that Jimmy notices her patterned pants.

“Those aren’t from Darcy’s closet are they?”

“No. I’m assuming they’re my clothes from yesterday with the matter recycled for a new decade. Believe me, this outfit wouldn’t have been my choice if I had anything else to pick from.”

“I wouldn’t be too sure. I had a whole closet and still ended up with this,” Jimmy says, motioning to himself.

“My retro Secret Agent Man,” Darcy states admiringly, leaning her head over to bump against his shoulder. Ok, he thinks, smiling at her, I can be alright with this for her.

When Monica rises to turn on the television, Jimmy realizes this is the first time they’ve had one in the house. He remembers seeing a set in the Vision residence when he and Darcy were watching an episode on the S.W.O.R.D. base, but he didn’t notice the lack once they got here. Probably because that first night was taken up with flirting, and then yesterday was split between scouring the downtown for Monica and holing up in the bedroom with Darcy. Watching the screen buzz to life now is like witnessing something truly futuristic and spectacular.

“Well, whaddaya know,” he says as the opening sequence of WandaVision begins.

“You think the TVs in here play anything else?” Darcy wonders aloud.

“Maybe not,” Monica says distractedly as they all turn their attention to Wanda and Vision’s adorable antics—the ice cream, the tandem bicycle. “It’s a pretty big coincidence that this show started right when I turned it on.”

“I can see an even bigger coincidence.”

There’s no need to guess what Darcy means. Wanda’s baby bump is obvious in nearly every shot of the introduction, particularly emphasized when she and Vision dance together, his hand on her belly. It’s all maternity clothes and Vision reading pregnancy books and while it’s wholesome, it’s also chilling.

“We’re doing the same plot,” Jimmy says.

“It’s like we’re… their understudies,” Darcy agrees, shrinking back into the cushions.

“Maybe Wanda figured, if you two wanted to be in the show so bad, she’d put you in the show,” Monica theorizes. “Her show. Exactly the way she’s living it.”

“So she’s teaching us a lesson? On what? Abstinence?”

“Could be a misguided attempt to gain your sympathy.”

“Or it really is all about control,” Jimmy suggests, cynical after the reveal that the pregnancy that’s upended his entire life isn’t really theirs. It’s not original. They’re following a Newlywed Couple template.

“Hey,” Darcy says, grabbing his arm, “this wasn’t all Wanda. She might’ve set the scene and, yeah, maybe we were more the goatherd puppets than we were Fraulein Maria and Captain von Trapp, but we did this.” She pulls his hand to her belly. “Wanda doesn’t decide what we do next.”

“What I suggest you not do next is consult Dr. Misogyny over here,” Monica says, gesturing at the television.

The doctor is condescending to Wanda and Vision about the facts of life during a checkup (in their living room?). He lowers himself even further in Jimmy’s regard when he refers to expectant mothers as “little ladies” and implies that the changes in their own bodies are beyond their understanding.

“What a quack,” he decides. “We’re not going to see that guy.” He’s startled to recall his promise to Darcy the previous evening, about options, his intention not to make up her own mind for her. Lowering his voice, he tilts his head close to hers. “I mean, we’ll do whatever you want. Including…”

Jimmy trails off and casts his eyes down. He still means it, wants Darcy on board with this 100% or not at all, but the whole thing’s been a roller coaster and he’s not great at pretending not to feel anything. With his wife so much further into her pregnancy today, it’s obvious that this baby will be born and they’ll need to decide who’s raising it. He thinks the two of them together could rear a pretty incredible kid, but if she wants out, is he prepared to be a single parent? The other option besides her, him, or both of them raising the baby is adoption. They’d need to leave the Hex before taking those steps (it’s not like he’s going to encourage Darcy to hand the baby over to a mind-controlled Westviewer), and just thinking about it, with everything he already feels for the baby, makes him certain that he’d rather rearrange his entire life than pass on this chance at a family. However unorthodox their beginnings.

“Don’t worry,” Darcy says calmly, pulling him from his spiral. “That guy will never get the chance to compare my uterus to a vegetable garden.”

“Fruit,” Monica corrects without looking away from the television.

“Right. Fruit. He’ll have no say about any of it. And he definitely won’t get the opportunity to be patronizing as fuck while he tries to give us the sex talk.” She looks Jimmy right in the eye and says, “I won’t let the asshole doctor-man say a word about your banana.”

Chuckling, he looks back to the screen. The doctor has departed and Vision’s currently baffled over Wanda’s newly expanded stomach. Uh oh. He jerks his head around to check and, yep, Darcy’s baby bump appears to be keeping up with the sitcom star’s.

“You two stay here,” Monica instructs, on her feet when Jimmy glances over.

“Where are you going?” he asks.

“To Wanda’s. If things continue at this rate, she could give birth in this episode. That’s going to make her even more protective of her family and her space and I’ll have an even harder time getting near her.”

“Are you sure you want to interrupt?”

They both glance at the television for a moment to observe Wanda and Vision debating baby names in the nursery. There’s nothing distressing about the scene—in fact, the couple looks as much at ease as Jimmy’s seen them on the show—but that doesn’t mean it couldn’t change, and quickly, if Monica inserted herself. He just isn’t sure how that would go and he doesn’t like any plan where he can’t foresee all the possible outcomes.

“Guess I just have a feeling,” Monica says, looking unsettled.

“Well,” Darcy pipes up, “in the world of science, having a feeling is forming a theory, and in this place… I think having a feeling you should do something might be Wanda giving you your cue.”

“You’re not beyond her control,” Jimmy tells Monica, “just farther away from it. What if Darcy’s right?”

“If Wanda wants me there, I’m not going to resist,” she replies firmly. “She’s the key and we need her cooperation.”

“Good luck,” Darcy bids her.

With a nod to them both, Monica strides across the living room and opens the front door.

“Speaking of keys,” Jimmy recalls, but the door shuts before he can offer to let her borrow their car to get to Wanda’s.

Maybe the Captain has a different plan. Maybe she’s just bending to Wanda’s influence. Whichever it is, he can’t go after her. Monica was right—he has to stay here with Darcy today, especially because her belly seems larger when he looks again. He glances at her face with a question on his and she nods.

“And I felt a kick,” she says.

“Really? Could I…? Do you think I could…?”

Darcy rolls her eyes at his reticence and guides both his hands to the bump. When he feels something nudge his palm, Jimmy tears up.

“That’s our baby,” Darcy confirms.

“Feels like they have my softball windup,” he murmurs.

“Or my pre-coffee restlessness.”

“Our baby,” Jimmy repeats, staring into her eyes—finally blue for the first time in days, give or take a decade.

They’re having a marvelous family moment until the power goes out. Lights, TV, the hum of the fridge in the kitchen, everything. Seconds later, it all comes back.

“That was strange.”

“I wondered what Wanda’s magic was doing to the power grid,” Darcy says. “I’m still curious about the finer points of what happens when electricity meets power generated by an Infinity Stone. Really, I’d expect Wanda to have this kinda thing under control, but I guess if she’s— Ugh!”

Her pained noise has Jimmy cupping her face, pushing back her hair, trying to figure out what happened.

“She’s distracted,” she says.

“By what?”

“Labour.”

“What? No.”

Sure enough, when Darcy stands (with Jimmy leaping to his feet to support her) and stretches her back, her bump looks big enough to contain a baby that’s almost ready to be born. Ready to be born?! Jimmy thinks. In our house? With no doctor? Just because the one on TV rubbed him the wrong way doesn’t mean he’s prepared to write off every doctor, nurse, and midwife in Westview. He would very much like to place responsibility for this delivery in the hands of a medical professional, not his own!

Even as the TV’s flickering back to life, he helps Darcy away from it. That just shows how serious things are. He knows how quickly she became invested in the sitcom when they reviewed the ’50s episode at the base.

After some frantic thought, he’s thinking the bathtub is going to have to do. People do that right? With home births? Although he attempts to guide Darcy in that direction, she doesn’t even want to sit down on the edge, let alone climb in. No, she wants to pace, and as she paces, she rubs at her lower back, wincing.

“We could look at the nursery,” he proposes. “Might take your mind off it.”

Jimmy knows it could be a weak suggestion, an insult to imply that anything could take Darcy’s mind off whatever discomfort she’s currently feeling, but the Hex, with its radioactive walls, smiles down on them for once. With his arm around her to take some of her weight, they hobble into the baby’s room and it’s… perfect.

The walls are dark blue near the ceiling, almost black, fading to periwinkle halfway down the wall. The lower portion transitions from blue to pale yellow, then a blazing orange right before the baseboard.

“It’s a sunrise,” he comprehends.

“Yeah,” Darcy says softly.

Though he feels like he got slightly ripped off by not being allowed a chance to do any of the decorating, he does admire the Hex’s choices. At last, his wife’s been represented in this space, in this house, and it’s beautiful. There’s a shelf full of space-themed board books, a plastic jumble of play versions of scientific tools like telescopes. A dangling mobile of the planets. After easing his wife into the rocking chair, Jimmy holds up a pack of glow-in-the-dark stars.

“Should I put these up?”

She smiles.

“I would be all over that shit if I could, but I trust you to do a good job.”

“Oh no. Do you want me to do real constellations?”

“The baby’s not gonna know the difference. Make it look however you want.”

She rocks, assuring him something about the motion is helping her manage the intensifying pain of her contractions, and Jimmy finds a small stepping stool to help him reach the ceiling. The sway of the chair in the corner of his eye, the morning light through the curtains, and the sound of Darcy breathing are things he already knows he’ll never forget.

Before he’s stuck all the stars in the pack to the ceiling’s white paint, she calls him down from the stool.

“I need to walk again.”

Darcy says it with grit and Jimmy doesn’t argue, even when walking appears to put her in even more distress; she groans and pushes her free hand against the wall as they stroll out of the nursery and down the hallway.

“Let’s check in with Wanda,” Jimmy says helplessly.

This is who he is now: a husband in over his head, desperate to gain tips about delivering a baby from a TV sitcom. An overwhelmed real estate agent. A man with a mustache.

They return to the living room and the TV playing WandaVision in time for Monica’s entrance. Based on her free use of ’70s slang and the general discord between the Captain Rambeau Jimmy’s been getting to know and the woman on the screen, he knows they’re looking at Geraldine. Wanda’s back in control of her character alright, and Jimmy wants to know who it’s helping. The scene’s centered around some joke about Wanda attempting to hide her pregnancy, which is no good for him. He needs a step-by-step guide, not a magic-resistant stork!

“There better not be a fucking bird in here,” Darcy gripes, alternately crouching and standing as every position fails to make her comfortable. “If I see a fucking, goddamn, sonofabitch, motherfucking—”

“I know, sweetie, I know,” Jimmy assures her, rubbing circles between her shoulder blades with the flat of his hand.

“The betrayal,” she mutters when Wanda elects to lie down behind a couch.

It completely blocks their view. If this were a regular show, Jimmy would understand that. Sitcom viewers would definitely appreciate a little TV magic over graphic, up-close-and-personal birth footage, but here at the Woo residence, one FBI agent and his astrophysicist wife really just want the truth! If Monica had agency, he’s sure she’d shove the couch aside to help them out, but with Geraldine at the helm, he’s confronting the fact that he and Darcy are on their own.

“Let’s go, Darcy,” he says, steering her towards the bathroom. “We don’t need her.”

“Are you sure?”

He’s never heard Darcy sound so uncertain and knows he’ll have to bluff his way through this. When the Avengers aren’t around, the regular people must step up. Reminding himself of that has gotten Jimmy through more than one tough day on the job and he tells himself it’ll get them both through this.

“Of course.”

In the bathroom, Darcy kicks out of her underwear and uses Jimmy as a crutch to climb into the tub. Her face is scrunched up severely and her hands are braced against the walls of the bathtub, so he tries to watch and understand what she needs. When all the tension in her face and body burst out in a shout, he grabs her hand. Her fingers curl around his palm in a death grip.

“How about some nice warm water? Water, Darcy?”

She nods rapidly, eyes clenched shut, and he turns on the facet, then quickly reaches behind her to plug the drain. The stream wets his sleeve and, when he withdraws his arm, hits her hair around the level of her shoulders and begins to soak the back of her dress. Between contractions, Darcy sighs in what sounds like relief.

“That feels good,” she acknowledges.

“Good,” is all Jimmy can say back. He kisses her face and squeezes her hand in his. “Good.”

He’s back to scrambling for a solution soon enough when the warm flow of water down her back stops being enough to soothe her. He helps her out of her sodden dress, tossing it behind him to splat on the tile floor.

“What do you need?” he asks wildly, leaning over the tub.

“Earplugs,” Darcy tells him before emitting a scream shrill enough to probably be heard by their neighbour’s dog, Dipper, down the street.

Jimmy doesn’t think, he just does. Snatching a towel off the rail, bracing his wife’s foot against his shoulder as her leg spasms, reaching into the water to collect their baby when the Hex (he assumes) does them the favour of letting one long push be sufficient to expel him. Him. Jimmy and Darcy’s son.

He’s beaming through the happy tears, delicately wiping at the wailing baby with the towel and passing him into Darcy’s outstretched arms as she shakes with astonished laughter, hair wet, head resting back against the jut of the faucet.

“That wasn’t so hard,” he jokes.

Darcy sits up, sending a splash of water over the side of the bathtub to slap the floor, and he knows the Hex is interfering again to make her capable of anything besides exhaustion after what she just accomplished. She twists sideways in the tub until she’s closer to Jimmy. He wraps an arm around her wet shoulders and peers down at the face of their boy, already drowsy after exercising his tiny lungs. Jimmy can feel Darcy studying his face.

“Jimmy Woo Junior?” she asks.

And he knows the rest is going to be gravy.

—

Inside the Hex, the magic of television is real. They didn’t need to fake Darcy’s pregnancy with a cushion to make her belly, round and taut as a beach ball, disappear entirely only minutes after giving birth. They didn’t need a set of twins or triplets playing Jimmy Woo Jr. to swap in a quiet baby for one that starts to cry. There’s no trick lighting or fudged angles, just Darcy sitting on the couch (in dry, non-maternity clothes) catching their amazingly calm, less than an hour-old son up on the details of his origin story—Darcy’s wording.

It’s shaping up to be a nice, if highly unusual, family day in, until the tension starts to mount on-screen. Probably something Jimmy could’ve caught sooner if he weren’t spending 50 seconds out of every minute stroking the baby’s teeny-weeny hands while he hopes Jimmy Jr. retains zero memory of his dad’s mustache. When he hears Monica mention Wanda’s brother by name, he’s fully alert to the episode and knows he has to act. That close to Wanda, Monica’s control should be fully suppressed beneath the character of Geraldine. If she’s breaking through to ask Wanda person questions, questions that are almost definitely going to provoke an emotional response, Monica must be fighting like crazy to surface. Jimmy decides that’s his signal to get over there and help bring this thing to a satisfying conclusion so they can all leave the Hex.

“You’re not going to Wanda’s without me,” Darcy informs him, planted in front of the door when Jimmy returns from grabbing his keys.

“Darcy, you can’t. The baby. I’d stay with him and let you go, but I’ve never heard you mention particular skill in hand-to-hand combat and I can’t guarantee things won’t turn violent.”

She snorts.

“Liar. I could be the world’s biggest hand-to-hand badass and you’d still be trying to protect me right now.”

He stares at her and Darcy stubbornly lifts her chin as she holds his eyes.

“Ok,” Jimmy concedes, “yes, I would.”

“Please don’t leave us here,” she says, cheek pressed to the baby’s. No, no, no, he can already feel himself wanting to surrender, to have them with him. Darcy kisses their son’s face, then holds his hand to gesture while she pitches her voice higher, pretending to speak for Jimmy Jr. “I want to meet Auntie Monica.”

He gives her a look and reaches past her to open the door. Instead of trying to exit around his family, he waves Darcy through ahead of him. (She looks down at the baby in her arms and goes “Yaaaay! Isn’t Daddy a soft touch?”)

“You didn’t persuade me,” he says, leading them to the car and holding the door for Darcy while she climbs into the back seat with the baby. “This is strategic.”

“Is the strategy common sense? I feel like you should’ve gone with that from the beginning. Bringing a scientist to a magic fight is good thinking, for, like, balance and shit.”

Jimmy backs down the driveway as gently as he can. Their car’s been modernized (well, for the latest decade) and while it now has seatbelts, it wasn’t equipped with a car seat for their son. He’s going to have to drive with the utmost care.

“Hopefully, there won’t be a fight,” he reminds Darcy, “but if there is, you won’t be anywhere near it. You and Jimmy Junior are staying in the car. Alright?”

When he darts his gaze to the rear-view mirror, he sees his wife looking out her window, making a show of not listening to him. Jimmy sighs.

Without thinking, he navigates back to the street where they dropped Monica off yesterday. Wanda’s house is just down from Dottie’s; he remembers the number from watching WandaVision. Jimmy draws up to the curb and parks. He glances back at Darcy, but she’s still ignoring him.

“I’ll try to be right back,” he tells her anyway, eyes dropping longingly to the serene face of his sleeping son. He’s heard that about babies and car rides.

Jogging up the driveway, he does a doubletake of a ragged slash in the wall between Wanda’s property and her neighbour’s. There’s not exactly anything wrong with a damaged cinderblock or an amateur handyman job, but the crevice in the stone stands out in a world so aggressively styled and manicured.

Wishing for the reassurance of his gun at his hip in case things go south (it’s the first time he’s even thought about the gun since the night he and Darcy arrived), Jimmy enters the Vision residence without knocking.

Orienting himself to what he was just watching on TV in a house less than a mile from here, he walks across the entryway, attracting the attention of both Wanda and Monica. They’re standing across from each other in the living room. Raising his hands to show he intends no harm, Jimmy sweeps his eyes over the scene in assessment, like he has a hundred times before. Monica’s expression is alarmed under superficial friendliness—the look of someone trying to placate an attacker. With her aggressive, forward-leaning posture and the way she’s positioned herself between Monica and the cribs (he’s surprised to see more than one, but he did miss some of the episode while he was delivering his son in their bathtub), Wanda fits that role.

“Wanda,” he says, taking a step towards the seating area, “you don’t want to hurt her.”

“Are you working with her?” Wanda demands. “Who are you? I’ve never seen you before.”

“James Woo. I’m not here to hurt you. Neither is Geraldine.”

“You don’t want to hurt me? Then why do you come asking questions? Saying things—” He can see her chin wobble from here as she teeters on the edge of tears. “—about Pietro. You didn’t know my brother.”

Her statement is directed at Monica, but Jimmy tries to bring her focus back to him. Of himself and the Captain, he’s the one with an exit at his back, whereas Monica’s hemmed in by a large bookcase.

“I didn’t know your brother,” Jimmy agrees. “I do know about him, but we don’t need to talk about that. I don’t want to upset you, Wanda, I just want you to let me leave with Geraldine.”

“Oh, I’ll let you leave,” Wanda says, cocking her head as she raises her hands. This motion conveys the opposite meaning to Jimmy’s—she does intend them harm.

He’s contemplating what’ll happen if he tries to rush her when Darcy charges through the front door he left open.

“Don’t!” Jimmy gasps, making a grab for her, but his body is tense with caution and Darcy has the momentum to dodge him, stepping down the level into the living room.

“Look,” Darcy demands of Wanda, whose expression is torn as she chooses between facing Monica and this new intruder.

Jimmy’s mentally composing and rejecting ideas of how to proceed when their unwelcoming host lowers her hands. She’s looking where Darcy directed her to, at the baby in Darcy’s arms.

“He was born less than an hour ago, and I only found out I was pregnant yesterday, but that doesn’t matter. I know it’s the same for you, the circumstances and the… yeah, whatever. You know about the Big Bang, right?” she continues, jumping to the next thought.

“Yes,” Wanda says carefully.

Jimmy’s terrified to move closer and set Wanda on the offensive again. He glances at Monica, who seems to be thinking the same thing, frozen in place.

“From nothing to so much, in an instant,” Darcy’s saying in her condensed history of the universe. “Science is supposed to be full of all these rules. Like, every scientist dude important enough to remember had some law or formula or method that we map everything on top of when we’re pretending we understand all this. Being in science isn’t a goal I’ve had for a long time—I mean, I probably wouldn’t be in it now if the world hadn’t more or less ended—and if all I ever heard about the workings of the universe was rules, I would’ve stayed away. Who likes rules, right? Who wants to be told that things are the way they are because something outside of your control says so? My point is…”

She takes a deep breath, then another one, shifting until she’s blocking Wanda’s expression from Jimmy’s view.

“Sorry, I just gave birth, you know how it is,” Darcy says when she goes on. Jimmy’s stricken with exasperation, adoration, fear, and pride. “My point is that I love science because, while science is laws and rules and equations, science is also standing outside at night and staring up at the dark. There are explanations for every light that’s up there and why, even when you’re away from big cities and the sky seems so black and close, you don’t fall up into it, although it kinda feels like you could. Science can tell me why, and it still feels like magic when I look at the stars. And we’ve all been traveling out here in space together, getting made and unmade and made again because the right ingredients needed to create something as precious as a planet, or a baby, or the clay that’ll make the bricks that’ll make the house never disappear. Suns explode, asteroids collide and get chipped away… things can separate down to their smallest part, life can…”

“End?” Wanda asks.

Jimmy’s stunned to hear the word come out choked. Cautiously, he leans to get a glimpse of Wanda’s face. It’s covered in tears. Darcy’s nodding.

“But everything’s valuable. All matter gets reused.” Jimmy wants to grab her and pull her to safety when she takes a step closer to Wanda. “I get it if you’re sad and you’re not ready to talk about it. I’m not gonna say it’s ok, because I’ve heard Monica’s testimonial on exactly how much it sucks to have you in her head, but I do think you should let us leave now so you have a few friends out there when you inevitably need people on your side.”

“You can go,” Wanda agrees, swiping at her nose. “I won’t hurt your baby.”

“You’re not going to hurt my friend either,” Darcy says, beckoning for Monica to cross the room behind her. “Or my husband.”

“No,” Wanda says.

Monica reaches Jimmy and they wait for Darcy in the entryway.

“I bet all that control feel really good,” Darcy theorizes. “Taking it into your own hands. But I think you know that focusing on the beautiful, magical stuff doesn’t mean the rules no longer exist. Maybe you can find a way to accept them both.”

“It’s time for you to leave,” Wanda says, firmer now.

“Not looking for a life coach, got it.”

She joins Jimmy and Monica, bouncing the baby lightly in her arms. Wanda ushers them out of the house ahead of her. Jimmy glances back to see her close the door after herself with a twist and red glow of her hands.

“What about waiting in the car?” he mutters to Darcy as they stride down the lawn.

His self-proclaimed wife stares at him.

“I’m not the kind of person who waits in the car. Would the kind of person who waits in the car give a speech like that?”

Jimmy’s at an honest-to-goodness loss for words.

She gets into the car willingly enough now, Jimmy in the passenger’s seat while Monica slides behind the wheel.

“Wanda’s told me how to stand, how to move, how to walk since I got in here,” Monica says, turning the key in the ignition. “I’m driving myself out.”

“It’ll part for you when you get there,” Wanda calls to them from the lawn. “The barrier. I suggest you do not attempt to enter again.”

“I think we’ve all had our fill,” Jimmy informs her cheerfully through his rolled-down window.

She doesn’t respond to this, so Monica executes a three-point turn and takes them back up the street the way they came. From there, they turn out of the subdivision, but Jimmy snags a last look at Wanda through the back window. There’s a light breeze blowing her dress and hair and she looks like she could be anyone. A suburban mom of twins? Why not. He doesn’t know if he’ll ever see her again in person, but he has plans to catch her show.

“Wanda’s changed the roads,” Monica says as she drives. For his son’s sake, Jimmy’s grateful that she isn’t speeding, though he wouldn’t blame her for trying to get out of here as quickly as possible. “None of them lead out of town.”

“Literal tourist trap. Brilliant,” Darcy declares from the back seat. Jimmy reaches an arm back blindly and feels her close her hand around his.

“But,” Monica adds, “I remember Ellis Avenue being the closest cross street to the edge of town. We find that, then drive over the grass. Things may get a little bumpy.”

“We’ll survive.”

Jimmy twists around to look at Darcy. He nods. They will. They’ll survive.

They cross Ellis and take the car off-road. The barrier remains invisible, but…

“I can feel it,” Darcy says.

“Like we did the day we came in,” Jimmy recalls.

“It still wants us out,” Monica interprets. He sees her staring uneasily ahead. “Was I naïve to think I could change anything by coming in here?”

“No, Captain. It was brave.”

“Didn’t work though. We aren’t leaving with Wanda.”

“It could work,” Darcy says. “We left her with a few things to think about. We’ll watch WandaVision and see.”

“That’ll be strange after being a part of it.”

“You think so?” Jimmy wonders. He takes a deep breath, enjoying the fresh air and the sunshine, playing with Darcy’s fingers laced through his. “I think it’s returning to regular life that’s going to feel strange. Out there, it’s easy to see all this as a TV show, but everything in here is real.”

“We’ll make Hayward understand that.”

“I’m bringing back some compelling evidence,” Darcy says, followed by kissy sounds directed at Jimmy Jr.

The air just a couple of car lengths ahead of them abruptly glows red as Wanda reveals the wall of the Hex. Jimmy and Monica exchange a look, but she doesn’t slow down. They pass through without resistance. All of a sudden, it’s night. Monica lets out a relieved sigh.

The S.W.O.R.D. base is looming, exterior lights ablaze, but Jimmy looks backwards, checking that Darcy and the baby are alright.

“Same as you left us,” she says, pulling back the blanket to show him the face of his son.

He gives her a slightly melancholic smile.

“Not quite, Dr. Lewis.”

“I’ll have a lot of work to do,” Darcy notes thoughtfully, “but time for you and me to go on dates will be on my list of demands.”

“You have a list of demands?” Monica asks, laughter in her voice.

“After being forced into the Hex, where I could’ve lost my life? Fuck yes, I have a list.”

“What else are you asking for?”

“The coffee I requested on day one and a desk in a better spot so there’s room next to it for the crib that will also be on my list.”

Monica laughs aloud now.

“Is this a benefits negotiation or a baby shower registry?”

“Let’s get back to the part where we’re going on dates,” Jimmy says. “How’s that going to work?”

“Jimmy, darlin’,” Darcy begins, “will you go out with me?”

He leans to look around his seat at her.

“Darcy, we were married. We have a baby. Don’t you think we can—”

“Answer the question, Agent Woo.”

“Of course I’ll go out with you,” he says.

“And that’s how it works. Easy-peasy.”

She gives his hand a squeeze before releasing it to hold Jimmy Jr. more securely as Monica pulls up to a building and brakes. Already, S.W.O.R.D. agents are rushing out to meet them, but Jimmy drops back against his seat and smiles to himself.

“‘Easy-peasy.’”

#my writing #Hex Life #wandavision #wandavision spoilers #Darcy Lewis #Jimmy Woo #Darcy Lewis x Jimmy Woo #Darcy x Jimmy

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captainkurosolaire · 3 years

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I challenge you to pick five Tumblrs in your social circle and tell them something you admire about their blog!

Only 5? I could probably do 500. However, that's determined by what's considered my social circle. I'm often in my head being incredibly social continuously is really a challenge of mine. I'm always actively marching to something, my flame of passion when I have it, I can do some crazy stuff but it diminishes relatively quickly, so I try to cling. But I'll up your thing and list 25 of my fave people. Ask me this same thing in a Month, I'll keep doing 25, until I do all the people. How about that? (If anyone wants to be taken off mention let me know.)

@eligos-venator

- Has one of the most intelligent and sophisticated minds, I've had the pleasure to know. Literally admire all his aesthetics, work, head-cannons, ideas. It's only a benefit that the dude shares some OC characteristics to my own (Winning features). I really enjoyed the short-thread we did. It was incomplete, mainly because of my faults. I want to actually be better to give him a proper delivery and RP worth his time, but he's incredibly worth the investment of eyes.

@mischiefandmystics

- If there was a Mount Rushmoore of writers who kept me in this endeavor, encouraged me. Sun'ra is one of them. His characterization skills, writing, the delivery and how believable his character is, they're masterful acts.

@mishivymendi

- I wouldn't be nearly tamed or as creatively freed if it wasn't for this gem. She broke my shell, I really didn't at a time ever see myself being anything really beyond a smut writer, but Mishi not only saw potential in me, but brought it out. Her stories and world's she brings to life are so majestically colorful.

@asymphonyofash

- My go-to. He's another pillar individual who saw things in me past just the obvious perception, (Probably second longest XIV RPer I know.) Taught me a lot of the lore, I shot him up and he's sort of become my stapled rock. He's right aside Sun'ra met them about the same, both took me under their wing's as I quietly observed and absorbed.

@lavender-hemlock

- We're always up and front with each other, never feeling like I couldn't say anything around, extremely rare to share that these days. Her gif's are legendary, something on my own terms I want to soar in quality. The writing she does is astounding. Character has so many mysterious pages that are quite addictive to want to explore and learn them. (Encore 20 below-cut)

@under-the-blood-moonlight - Her sweetness and artwork and overall is just a friendly presence to be around. I cherish them so much. One I can jive with more darker undertones with. She's one the most hardworking and ambitiously creative people. I'd mail them infinite hugs if could. Thanks for being you! @roxinova - I owe a lot of credit to her. She's constantly OOC and everything was nudging me too be more inclusive to things and involved heavenly. It's rare for me. I'm really horrible about that my autism sets me back socially, I constantly will be drowned by the next day and be reverted back to better off alone, that's my major crux and weakness. But her thoughtfulness, these things, aren't ever foreign to me, I do pay attention probably better than any would ever give me credit. She's a beacon model to have as a friend. @corpse-dancer - Haven't ran into many words with them, but her character, screenshot game, expressiveness, they're all a marvel to constantly see, alongside her attitude and bringing life character. I do think if I were better, we would click quite splendidly. They've recently reminded and motivated me to pick-up my daily-practice, or try too. Keep being a rockstar. @fair-fae - Few who wouldn't know who she is in this community. She's been in my opinion a huge core. I'm certain she's inspired many who weren't even RPers too try it by seeing her at the Quicksands or elsewhere, a tyme ago. Making no exception, I was even one of those. I used to be in QS every-single day and was often doing my shameless stuff. Though her presence first did show me there's a lot more. I admire her in all fields. Also appreciate her adopting me to the FC and her always thinking of others and giving events, or her aesthetics and portrayal, its the epitome of swan elegance. @thorcat - One of my most treasured friends. Been RPing with them for a longtime. There's never anything complicated between us or a rift of drama, it's just let's go and have fun. We really mesh well, I've welcomed nearly ever character and got the privilege to RP with nearly all them. They always open up envelope and help me, settle on back and just laugh. Whether used to be waking up to their characters humping my afk one or use randomly having a hardcore banter between Ufah and Captain and capturing them as a voidal pet. Memories with them isn't something I'd ever want to lose. I love ya! Never stop enjoying life for anything. @lukawarrioroflight - I get in the gutter find myself lacking motivation or writing, discouraged even... But I never have felt, I could ever do any wrong with this person, they bring the light out of me. So no matter what, how many hospital-beds I yearly visit, it's because of this rare nature, that I come back, even if they're the only one's ever to read my stuff. I would do it for them alone. @scholarlybreadbun - I've only been back recently and they've so much warmth. Their presence is the sun of inviting. The couple and posing all the shipping that stuff makes me even melt. I'm not particularly talented in regards to posing couples, but I took notice of them along time ago and set on quietly improving. Really like them for them, wouldn't ever want them to change that. Ideally look forward to be in their orbit longer so I can bask in them. @seascrapes - Been mutual with them for a while. Their aesthetics and character is all S+ level. I appreciate throwing back tagged prompts with them, one of many people I really think would be enjoyable to collab with any other seafarers. The artwork and pieces of Tal Brook, are breathtaking as ever exceptionally too, not to mention. Love your stuff matey, you're a king. @mai-takeda - Is a myth. Her absolutely sheer friendliness and her attitude, are so positive influencing, I was so thrilled to be welcomed with her and boosted by them early on. I couldn't see myself, wanting to exist where they didn't have happiness like the same she always delivers by just doing so many soft-things. Not to mention her writing... She's a whole world to throw yourself gazes

under. @zhauric - It doesn't go far either without the same breath of Mai, I could say about Zhauric. He's someone worthy to look-up and also recognize they're passionate and inviting, hoisting up literally everything. Could easily find any of their characters comrades with my own, or jiving alongside. Not to mention last XIVWrite, they slaughtered it. So enjoyable to read them all. I like how organized their blog is too, motivated me recently to redux my entire thing. @cadrenebula - They have so many diverse characters and their entire roster is vibrant and is imbued with a massive flux of life. They are able to encapsulate so many character's voices and portray them so effectively too, I really admire that greatly. They've made me think bigger and try myself recently at actually undertaking a huge roster of characters too. I've taken many breaks, but I always am so graciously returned often with them close-by and that's so incredibly sacred. I've seen a lot of people get discouraged or quit, leave, departure, etc. But they always seem to have a bigger house then they had last I took a break and I enjoy peaking in. @silvernsteel - Her artist and gif-work are awe-aspiring, there's little unrecognizable by her photo-sets and edits. They helped me even tip-toe into uncharted with giving me the recipes to try incorporating gifs into my arsenal. Plus so delightfully pleasant to actually talk with and just chill. I want nothing less in life, than the beauty they give, to be returned to them for eternity in all their glorious air. If ever needed anything of me, they've got me. @spotofmummery - We talk about passion or friendliness or overall a person to even remotely try to be, I got to include them. Their web-series and writing, screen-work, everything they do is fantastic. And that's furthered back nearly any I've met showcase or immortalize how just genuine of stellar person they are. I wish them always the energy to create and sparks. @snow-covered-moon - They've never been anything less but absolutely a diamond to know. I enjoy their character, their almost always abundant of energy that's very rub inducing. Their WoL character stories, writing, screen-shots, everyday they open up a new pandora box of joy, there's no mistaken love behind their character and that's infectiously easy to also enjoy something when the author does too. Always healthy to be around, I never feel short of vitality when they're close-by. @letheofthelost - Always cheerful or least encapsulates with me, they're a carnival ride. Just pure epic story-telling and engaging equally as passionate, constantly writing characters, not looking for anything outside of RP or anything really just being their selves, they fade all others. I love their presence, them as a person. Enjoy any character they'll ever come and throw under me, or a change of pace. Always feels easily understandable between one another. @crow-iv - Together we're an unfiltered, unstoppable wake of pure passionate writers and art. But I would say they're far ahead of me, in every regard. Already able to portray multiple characters in a scene and do such in-depth thinking, alongside even sketch or draw right afterwards or a scene. They're so talented, huge reason I set-out on giving them a Crew of cast and actual stories to-tell when I'm actually caught up and if they interested and we both have the room, I really think if further myself, I can be better and supply more for them to draw and I want to see them soar. I want to give them all my improvements and effectiveness. @trishelle - They've such a reinforcing personality and aura around them that easily bolsters anything that dares thinking they're about to be depleted so energizing. Aesthetics, characters, all them are so lively that further compliment their own mun's great welcoming presence. Worth hundreds of smiles and stars, keep high. Wish I had more time to dedicate to learning you! But I do notice and appreciate you. @fracturedfantasia - One of my people, I like to retreat and just talk my full

head-cannons with or learn, share insightful and inquisitive thoughts about philosophies and multi-culture things. Or plotting and in-general, they're a well of information and brimming ideas, they are every making of what makes a quality friend. When you can generally be open-about-all that's a real one right there. Their characters and tarot readings, I always would implore if they're offering. Thanks for giving me any-time. You're truly a treasure. @violet-warder - Never have even came to words with them yet unfortunately but didn't mean as a mutual, I haven't admired all their screenies, writing, or the aesthetics they bring of their character. Glamours is real end-game, I like all what you've done and put together. I care strictly about what represent and give, I don't want to see them ever think anyone want's them gone, they are abundantly so talented and possess things only they can deliver. I think recently came back too, and I'm glad to share, hopefully, overtime I can build you better up. Or eventually even talk, but I'm certain you are a busy-body person too, so we're relatable. @layla-grey - I have a lot of underline issues that set me back as a flawed person, but I've never not been anything but someone who's open, it's why I always do include my f-list in anything or etc. I'm not here to present this facade, and really don't care to be an image crafted by another. No one as of recently or now, am I close with as an RP partner or friend with then this stunning masterpiece. I never let-up on story-telling or anything so I can eventually use my Crew or other Characters, to give them anytime a master entertaining day, they push me to not be short-changed. IC and OOC I would devote my full attention too cause they've never shed from me. Didn't ever matter how much silence or anything, they're always around. And don't expect anything out of me or pressure. Just accept me and I equally share that sentiment, I want you to have everything in this world has to offer. ----- This is just a fraction of people, I've paid attention, noticed or know. I've been around in this Community for many years. There's a lot of things I could say about it, more probably then anyone else. But what matters to me, is recognizing the people who are here, that work hard, build others up, support, constantly are a beam. I don't need to interact with everyone, to know when someone is generally out for good. Or they're out for bad I've learned inquisitiveness longtime ago, I had to survive and remain afloat. I just go out and be me, and along the way, I get to find people like these, who help bring out the best me. I am nothing without these people, creators, writers, artist. I'm a terrible friend, horrible person, I don't have the energy to interact NEARLY with as much as I'd like with you all, If I could clone myself, or if things were different, I would drop it all to be in your orbits more if could. But, do know I appreciate you. And even if you ever do depart from this whole community or anything, know that anything you share, or give, that stuff does matter, somewhere, someone was aspired, if nothing else, by me. ONLY you can give the worlds you see and I am thankful. Do love yourself.

#I acknowledge you #Love you #Keep doing you #Asks answered #I'm the one guy who's never not going to be filtered or unspoken #To many people have left or been broken #Don't you ever think about it.#There's so many many more #But I'll recharge for next time

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itoldsunset · 3 years

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rewatching ipytm episode 2: thoughts

apologies in advance for this very messy, very long bullet scene-by-scene commentary!

summary: this was a very hard episode to watch and rewatch. the frustration with teh is real, the hurt for oh-aew is real. but the fear of change and abandonment, and the fear of admitting your own insecurities, is SO coming of age and i love that we get to see teh grappling with what happens when the idealistic vision you had for your life slowly starts to crumble.

also, this episode (and possibly the entirety of part 2) was 100% the writers' and p'meen's love letter to comm arts students/graduates, and even though i am a total outsider to that world, it really touched my heart to see the diversity of experiences and struggles reflected here.

i love that we see how much closer teh has become with jai and khim!! this doesn't translate in the subs, but i thought it was interesting how teh used respectful pronouns with them when he was a first-year and now for the most part uses rude (familiar) pronouns with them as a second-year, even though they're still technically his seniors. i think it goes to show how close they've become since he first joined the drama club.

goy was so fucking CUTE in that scene when she said "oh, lots of boys are peeking at me, i'm shy" i think i'm in love 😭 also the cinematography of that scene!!

this episode does such a great job at making you feel uncomfortable along with the characters. i hated how uncomfortable teh was at the birthday party, and i could feel how out of place he felt there.

when mangpong talks about how easy it is for celebrities to make money and teh is clearly offended by that and speaks up against it (which results in yet another awkward uncomfortable moment), i feel like he's speaking up on behalf of khim who we later realize is basically his idol and the person he identifies the most with. i feel like p'meen and the writing team are really trying to represent the lives of people who go into communication arts, especially those who go in with an interest in performing arts. and for me that scene with mangpong communicates two things: 1) the defensiveness that comes with having your chosen career path misunderstood or reduced into something that's easy money, and 2) how close-knit and protective the drama club is of each other, because teh speaking up in defense of actors to me feels like he's defending this identity they all share as people who are struggling to make it in the industry.

oh-aew is SO sweet. getting a tattoo that resembles your partner's name gives me so much anxiety, but i guess he's 19 and has always been sure of his feelings so it does make sense for him. at first glance teh's reaction really just makes it sound like he's against tattoos, drinking, all that, like he's super old-fashioned, but it's not REALLY about the tattoo and we learn that later when they have their big fight and he blows up with all the nitpicky little things he's noticed about all the ways oh-aew has changed. i thought it was so cute how au basically showed off his tattoo to open the conversation for oh-aew to show teh his tattoo though. we love a supportive friend group!!!

"this tattoo is pretty. thank you." this is teh being as genuine as he can, as someone who is seriously not in touch with his own feelings and can't understand why he's so upset at oh-aew getting a tattoo. because again it's not the tattoo itself that's the problem, but what it represents for teh, which is oh-aew's world slowly expanding to include people and things that are foreign to teh, and he worries that one day that world won't have a place for him anymore.

drunk oh-aew speaking mandarin, and teh taking care of him!!! the only fluff we got all episode and i will cherish it forever and ever, like the aquarium scene from episode one. the fact that teh brought over the stuffed animal, kissed oh-aew on the forehead, and then decided to sleep over on the floor next to him? making him kimchi jjigae? so soft!! our boy has got a lot of issues to work through but he loves oh-aew for sure.

the scene where oh-aew is receiving feedback on his performance from his professor is so... oof. the fact that his classmate got positive feedback for portraying a gay man in a way that isn't stereotypical (read: masculine? i wonder?) and the fact that oh-aew was critiqued for unsuccessfully portraying the tone and mannerisms of a man who doesn't understand gay people? it's a bit subtler than what we hear from the casting director but i swear it's the same shit. and it really doesn't surprise me at all to see oh-aew not believe in himself and his ability to perform because of it.

teh saying "both of us" and being so excited about their casting opportunity!! 😭 and also, khim being such a sweetheart and helping them get this opportunity in the first place!

the contrast with how happy oh-aew looked when the advertising professor told him he had the right answer, compared to how torn down he looked after being critiqued and told he got a C by his acting professor (in front of the whole class!!). which tbh for me is subtle commentary on how much influence professors have on students' self-confidence and whether they believe in their own ability to succeed in their field.

the commentary on sexism and homophobia in the thai entertainment industry!! khim being told she looked too old, not smart enough, not believable, honestly all coded ways of saying she didn't fit in with the beauty standard they were going for. and while khim is saying this we see oh-aew is already getting nervous, because he's already had his confidence shaken by his experiences in class. and then when we get to the scene where the casting director says he's too girly and asks him to act more manly, we see oh-aew's mood shift completely, and honestly it hurts to watch. pp did such an amazing job here because i felt it, like the way oh-aew's eyes change, and then he swallows right after, and how unsettled he sounds trying to deliver the line again after hearing that critique.

oh-aew listening to khim tell teh about how hard it's been for her to break into the industry is so impactful, because you can already tell what he's thinking. is this really worth it? do i want this enough to endure people telling me over and over again i'm not masculine enough for them? is that going to be me in the future, being rejected from hundreds of castings and still not making it?

when teh hugs khim and says "we will get through this together," it's so clear that he identifies with her struggle. teh is someone who has worked his ass off to get to where he is (remember his fight with his mom where she said he lost sleep and was getting sick from all the studying he did?), and he sees himself in khim and her passion and ambition. meanwhile, we see oh-aew really doubting whether this is the right path for him.

i love how teh immediately asked if oh-aew was okay after oh-aew told him about what the casting director said, and how teh reassured him that he liked oh-aew the way he is. it's like, he so clearly cares for oh-aew and loves him so much and sometimes knows how to show it well, and then other times just fucks it up. it's so real??

oh-aew deciding to change majors three months into it is a very oh-aew thing to do, and what i mean by that is, this is a character who is super in touch with himself and his feelings and trusts in himself to make the right decisions. he's not afraid to change his mind (remember when he was testing out his feelings for bas and teh and then turned down bas once he knew?), he's bold and goes for what he wants. and i envy that about his character so much. but it makes me sad to know that the thing that was making him nervous during this scene was the fact that he was worried about how teh would react. like he went through all that questioning and critique himself, to finally discover his answer, only to now have to worry about whether his partner will accept him.

teh, on the other hand, has had his whole life planned out since forever. he feels the need to know and control everything. he has so much fear and insecurity. and he is stubborn and doesn't believe in giving up, which he believes is what oh-aew is doing. and on top of that, he sees this as another way in which he is losing oh-aew. one more thing oh-aew has in common with his friend group that doesn't include him. one more way that he's becoming a smaller part of oh-aew's world. oh-aew looked so small in the bathtub scene and i just wanted to hold him 😔

the 8 month time skip is a little jarring because of all the things we don't get to see, but i guess it makes sense if teh has been bottling up his insecurities about their relationship that it would all blow up in everyone's face in the way that it did at the dinner scene.

it was interesting to me how teh hesitated when oh-aew texted that he would join them for dinner, like teh didn't want oh-aew to come along with his drama club. and then once oh-aew arrives at the restaurant, we see that teh isn't totally happy either. it's like as much as teh feels like an outsider in oh-aew's world, he seems to also see oh-aew as an outsider in his own world too. and when top says he wanted to get into comm arts at anantasart but he didn't get in, we see teh's expression and it's like, a reminder that he gave up that spot for oh-aew, that teh didn't pass the admissions exam either, and that oh-aew who did pass has now "given up" on it (in teh's eyes) to pursue another major. it's like teh also feels betrayed on behalf of all the performing arts kids who are struggling to make their passion into a career.

i feel like i sort of get why teh said all that shit about oh-aew at the dinner table now. i'm not excusing it at all, that was super shitty of him. but i wonder if it's like, this is a thing they deal with in the performing arts, people giving up because it's so hard to make it in the industry. and you watch your friends leave one by one, and it keeps causing more and more doubt in yourself about whether you can make it. and now that teh sees oh-aew as someone who's given up, he doesn't want that energy at the dinner table with his drama friends, like he wants to protect them from that and keep up with this "we can get through this together" mentality that he keeps saying. so it's easier for him to try to dismiss it as oh-aew's personality flaw, rather than a legitimate change in career path, because he's worried about how it might affect his own friends in the drama club. and we see how protective teh is of khim, when he says "what the fuck did you just say?" like he really shares an identity with his drama club and it's clear he thinks oh-aew doesn't understand it or belong there.

needless to say, i was extremely stressed that entire dinner scene which i think means the writers, p'meen, and the actors did an excellent job.

their fight scene was really amazingly done and i am just stunned by teh's response when oh-aew asks him "what if this is who i really am, would you not like me anymore?" and teh thinks about it for a bit, and says "maybe." that's him being genuine, he's not trying to hurt oh-aew in saying that, and we can see him internally asking himself that question. but he doesn't know the answer, because he can't even be honest with himself about why he's upset at oh-aew. so he says the first thing he thinks which is an honest "maybe," and then he immediately regrets his words, and at some point he's going to have to learn that he can't just say the first thing that comes to mind, when other people's feelings are at stake. also, the fucking piano that plays? the violin? goddamn.

khim's character is really here to teach teh, and all of us, some life lessons. she is so real. her struggles are so real. life is fucking hard, and it's not fair, and no matter how hard you work or try you can't have it all. "the conditions for our lives are not the same" holy shit yes. she wants to take care of her family and her dog, she can't just think of herself. i feel like teh, who comes from a relatively modest background but has always had hoon as a father figure to support his mom, probably doesn't feel that same burden.

teh being frustrated and going to the bridge was beautiful. the crying hug scene at the dorm was so beautiful.

i love that in the end, teh finally owns up to his own insecurities and apologizes and admits he was wrong. of course, this was after oh-aew reached out to him first. i think it's totally realistic that we see his growth happening kind of slowly, but before the series ends he's going to need to be the first one to reach out, because oh-aew can't hold all of that on his own.

the last score when they hug under the moonlight, i love it!!

#ipytm #i promised you the moon #ipytm spoilers #textpost #i hope someone sees this lmao i know it's 3am dfslkjghfgjlk

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visionaxry · 3 years

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TOP 10 TV SHOWS I WATCHED IN 2020

1. Dear White People

This show goes on the top tier of my favorite shows ever. It’s been around since 2017 (after the eponymous movie of 2014) but only this year I finally got the chance to watch it. Truly one of the best written shows I’ve ever seen, with such compelling characters and story. While I love to watch series with hard hitting social topics, it’s usually very emotionally exhausting for me. However, DWP manages to balance the gravity of its plot with a bright outlook. Besides, I always love to see different characters’ perspectives so the format of DWP is extremely engaging.

2. Grand Army

Grand Army is not your typical teen drama. It’s very raw and real. Five protagonists pull you into the story, and whether you hate them or love them, they don’t let you go. All characters feel like actual people you could know in real life. The show talks about racism, terrorism, sexual assault, white feminism, poverty, homophobia, bullying and more. I also love the way the show uses phones and social media, which you rarely get to see in teen shows. It doesn’t feel glossy or over dramatic. It does get graphic and dark, but it makes you care about the fate of its characters. Here, we also get to see five different perspectives. That and the rawness reminded me of SKAM, although GA is way less cheerful. It could also be compared to Euphoria with it’s portrayal of real issues, but I feel like GA hits the spot much better (and has more diversity).

Finding out that the creator is racist, upon finishing the binge, left me shocked and quite conflicted. I hope they will change the showrunner for season 2 (if it gets renewed).

3. The Great

I’m not much of a period drama fan but this one’s no typical historical shows. It plays around historical figures, but you shouldn’t take that too seriously, just like the show itself. It’s a great (haha get it) fun to watch. The combination of comedy with the actual life or death peril creates a unique experience. Each episode the tables turn, you feel both, betrayed and enticed. Not to mention, Elle Fanning and Nicholas Hoult’s chemistry and performances are phenomenal. Overall, it feels like a strawberry blew up in your mouth (take it however you want).

4. Dickinson

Dickinson is similar to The Great in a sense of historical accuracy. And I’m grateful for it, because seeing the 19th century nobility twerking at a party was something that brought me an immense amount of joy. Of course, you get to see Emily Dickinson’s poetic and original inner world, which is handled quite creatively.

5. The Queen’s Gambit

This is just a very well written, portrayed and produced story. Even if you feel like it wouldn’t be your cup of tea (I mean a period piece about chess? Come on), chances are once you put the show, you won’t be able to stop. It’s a limited series with a star struck cast which pretty much reads like a prolonged film. It’s also pretty suitable to watch with your family, if usually you struggle to find a common interest.

6. Julie and the Phantoms

This show certainly exceeded everyone’s expectations. It may seem like a typical kids show, but it’s smart, deep and entertaining. The music is incredible and it’s impossible not to fall in love with characters. Also, here’s the proof that your show doesn’t need to have graphic scenes and oversexualized underaged characters to be good.

7. Saved By the Bell: the reboot

So I didn’t watch the original show, but the reboot caught my attention mostly because of Josie Totah, and because the vibe of the show just felt like something I would like. And I was absolutely right. Perhaps it’s not everyone’s cup of tea (and what is?) but to me it’s hilarious. A sort of heart-warming witty little show with gen z humor and interesting diverse characters. Definitely my new comfort show. And Lexi’s my queen.

8. Outer Banks

Released during self-isolation it became a way for the viewers to live vicariously through the risky outdoor adventures. Perhaps, that’s why it’s such a hit and a bit overrated. Don’t get me wrong, I really liked (why do you think it’s on this list). It’s not an outstanding show, might be cheesy and raise some questions (like how can they all be teenagers looking like that?) but it’s entertaining and engaging, and sometimes that’s all you need.

9. I am not okay with this

Let’s take a moment of silence for this amazing show being cancelled. Do you like Teotfw or Stranger Things, or better yet both? This show’s for you! It’s unique, dynamic, feels like you’re reading a comic book. Has a certain mystery to it and its own distinct voice. It also feels retro and nostalgic, even though it’s set in modern day.

10. Love, Victor [SPOILERS]

There’s a lot of things I wish I could change about the show to make it better: For starters, more representation. I mean you’re making a show, not exclusively, but primarily for the lgbtq+ community and you only have two main gay characters? What’s that about? There are so many possibilities to make other characters not straight. E.g. Mia and Lake could be couple goals, Pilar being bi, Andrew – definite bi energy. Secondly, the cheating trope is so exhausting and overdone in gay storylines. It doesn’t add drama, it just makes the couple and the characters hard to root for. Also, making the love interest so obvious was so underwhelming after everything we went through in Love, Simon. I was kind of hoping for a surprise love interest until the end.

Regardless of all that, no matter how far from teenage reality this show is, it was cute. And even though I rooted for the secondary characters way more than the main one, I’m still excited to see what they come up with for S2.

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magic-and-moonlit-wings · 3 years

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Chapter 57: Gatto’s Keep

Becoming The Mask

Trollish and -text messages-

I hope we all enjoy the movie when it comes out this Wednesday! Remember, today’s the last day to start binge-watching and still have enough time to watch every episode of all three shows before the movie airs!

+=+

Four humans, one Changeling, and two unaltered trolls were scatted around an underground library, researching notable locations around the world.

"Whoa, listen to this," said Jim. "Surrounding the Hero's Forge of Heartstone Trollmarket is a chasm known as The Deep, which was enchanted through unknown means by the Trollhunter Kanjigar the Courageous."

They were hoping to find notable mountains, in particular, but 'caverns deep' had also been mentioned in the riddle, and hey, maybe Strickler had been wrong about where the Eye was before the Changelings got it.

"Anyone cast into The Deep will suffer death at the hands of their greatest fear. It has since been used as a means of execution for particularly heinous criminals. No troll is known to have entered The Deep and lived."

Jim frowned and traced over that last sentence with his fingertip.

"How does anybody know it works if no one has ever come back?" he said. "Maybe they just die on impact after getting dropped off a cliff. Or maybe there's, like, a little society down there now and they're just choosing not to leave."

"I saw a cartoon like that once," said Toby.

"Also," Jim continued, "I understand why, if you think somebody deserves to be tortured to death, you would use magical means to get them to come up with a customized torture for themselves to maximize their suffering; but why would you kill someone, who you definitely want executed, in a way that makes it impossible to check and confirm they're dead?"

"Isn't that how oubliettes work?" said Mary.

"Good point."

"You understand torturing people to death?" said Darci.

"I understand trying to do a thing a thoroughly as it can possibly be done."

"Maybe Kanjigar pretended to enchant the place so he could have a spot no one would bother him if he wanted to get away from his job for a while," said Toby.

"Surrounded by the bodies of executed criminals?" said Darci.

"Depending on how hard they landed, they might already be gravel," said Jim. "It's a little unsettling when you know that used to be a troll, but you get used to it. Besides, Kanjigar was only Trollhunter for … what, just under a hundred and seventy years? How many 'particularly heinous criminals' could there have been down here in that time?" He turned to Blinky. "No, really, I'm asking."

"Offhand I can only think of three cases, all involving treason. Perhaps Kanjigar can explain the enchantment next time you visit the Void. Ah!"

Blinky turned his book so everyone else could see the illustrated mountain.

"Gatto's Keep! Deep in the realm of the Volcanic Trolls, in what you humans call 'Argentina', under the volcano Ojos del Salado."

"The eye of the salty?" said Claire.

"Believed to be named for the many salt deposits found on its glaciers, forming eye-like lagoons of meltwater," said Blinky, brushing the interruption off.

"Salt gets expelled through volcanic ash," said Toby. "Or chlorine gas that fuses to nitrogen later. Underwater volcanic activity is part of why the ocean is salty."

"Fortunately, this particular site is not underwater," said Blinky. "Gatto's Keep, a vault of treasures untold – treasures deemed too powerful for the underworld to possess, and kept locked up by Gatto himself."

"Have you ever met this Gatto?" asked Jim.

"Uh … no. Truth be told, I've done everything in my power to avoid him. Very few ever return from his keep."

"I see." Jim frowned down at the book in his lap. "Then maybe you guys shouldn't come."

"What?"

"Are you kidding?"

"The last time we went on a Triumbric Stone quest, a supposedly mostly safe quest, we ended up in the middle of a violent revolution!" Jim reminded them. "I'm not leading a bunch of kids somewhere I know in advance is going to be dangerous!"

"He makes a fair point," conceded Blinky.

"But you can't just go on your own!" Toby protested.

"Of course I won't. Blinky's got to drive the Gyre, and I'll bring Draal for muscle, and –" Jim cut himself off, looking quickly around the room. "Maybe someone else, but I'll have to ask. And if she can, it'll have to work around her schedule."

"You're bringing your mom?" Darci asked.

"No!" Jim recoiled from the idea. "I – Look, there's a Changeling I know who might be able and willing to help, especially for a chance at a legendary vault of forbidden treasure, but I have to ask."

Toby got out his phone and texted Jim rather than asking out loud.

-It's the museum lady, isn't it?-

Jim just glared at him. Both boys deleted the message.

+=+

"Have you ever heard of Gatto's Keep?"

Nomura raised her eyebrow at the Trollhunter.

"Not much. It was one of the places we suspected a piece of the Bridge might be hidden, but considering it had a reputation of no one ever coming back from it, we weren't actually sure if it was real."

It was just as likely to have been an old story that got passed down until it became a figure of speech. The Janus Order’s references to it were all from before Nomura was even stationed on the surface – she'd happened upon them while on archive duty decades ago.

"Blinky says it's real." Jim shrugged. "Or at least Gatto is real, and lives in Argentina. We're planning to go see him about an artifact he might have."

"You're not looking for the Triumphant Stones, are you?" she asked. "Draal's told me that story." Years ago, back when he'd first tried to convince her to change sides. It was the closest he'd ever been to philosophical. "Building a weapon is one thing, but chasing prophecies is another."

Jim shrugged again. "If I'm going to do this, I might as well take every advantage I can. The Triumbric Stones might not be the key their reputation says, but they'll still help."

"Assuming the stones aren't just a trap that will put the Amulet under Gunmar's control."

He snorted. "Oh, come on. If they worked that way, Bular would've been the one to bring them up."

"Not if the conspiracy went deep enough." She snorted as well. "Sure, I'll help loot the place."

"If diplomacy fails," said Jim insistently. "I want to at least try cutting a deal first. When do you have time?"

"I don't work Wednesday or Thursday."

"Great. I'll text. Oh, also," he suddenly looked much more shy, "this comes with a risk of a human or several finding out about you. Still in?"

Nomura leveled a glare at Jim, letting him squirm while she thought it over. (He didn't squirm at all, the shameless wretch. Just looked at her with that stupid timid hopeful expression.)

"For a chance at a legendary treasure trove like that, I might transform in public."

Human public, where they could make up some excuse about hidden cameras and movie costumes and practical special effects, not Trollmarket public, but most Changelings wouldn't need to clarify that.

+=+

Nomura had a duffle bag slung over her shoulder and was wearing a wide-brimmed brown fedora.

"Isn't that Stricklander's hat?"

"It's traditional garb for archeological expeditions."

"You stole it, didn't you?" His inflection made it clear this was not really a question.

"I'm going to send him a selfie and see how long it takes him to realize it's his." Nomura held her phone out and snapped a picture.

"Hi, museum lady!" Toby greeted. They were meeting in the canal. "I brought tacos!"

"… Why are we bringing him?"

Jim sighed. He hadn't wanted to, but Toby made a good argument.

"Diversity of perspective. A human might notice something a troll or Changeling would miss, just like vice versa. We don't know how organized this Gatto guy's collection is. We might have to go looking for the Birthstone."

Thankfully Claire had a 'family thing', Darci had an 'extracurricular commitment', and Mary had a date, all on Wednesday, and he had been able to get that information without revealing Thursday was also an option.

Inside, Nomura shifted to her troll form, keeping the hat showing. Toby gasped.

"You're so tall …"

"Toby, Nomura," introduced Jim. They started climbing down the glowing staircase. "Officially, she's one of Draal's old sparring buddies who's agreed to come on this mission for extra muscle."

So please do not address her as 'museum lady' where anyone can hear you.

"Isn't Draal coming too?" asked Toby.

"Which is how she got invited."

"I don't get it."

"She's going to meet Draal while you and I go to the library, and then we're all meeting up at the Gyre station."

"Why didn't she just –" Toby stopped and readdressed the question to Nomura. "Why didn't you just meet up with Draal at Jim's place?"

"I'm avoiding the chance Barbara will try asking me for life advice again," said Nomura lightly.

Jim's eyebrows went up. He hadn't questioned her suggestion to meet in the canal, but now he really wanted the story there …

"When did that happen?" asked Toby.

"We're in the same krav maga class."

Which did not completely answer the question, but Toby seemed to think it did, and Jim didn't want to push when Nomura was arguably doing him a favour.

On the one hand, he could claim to be doing her a favour, taking her along on a treasure hunt where she could sneak out an artifact or two for herself, but on the other hand, she was loaning her experience in identifying and handling ancient artifacts and dealing with stuffy curators. The situation was roughly neutral and Jim didn't want to tip it.

The walk to the library, and to the Gyre station after that, were peaceful. AAARRRGGHH accompanied them as far as the station entrance.

"Good luck," he said, tapping his horns against Blinky's, rubbing the top of Jim's helmeted head like he was fluffing his hair, and giving Toby a very gentle pat on the back.

"I will look after them," Draal promised, arriving with Nomura. "We will all return from Gatto's Keep."

"Well, now that you've said that," Nomura teased.

+=+

Jim's first impression was that Ojos del Salado looked like a construction project was underway. Or, maybe a mining operation? The mountain was hollowed out, with another mountain inside, and the inner mountain was covered with ladders and scaffolding.

"Ugh, it's so hot," Toby complained. "I know it's a volcano, but still." He pulled at his sweater vest but didn't take it off.

The local trolls wore what looked like welding masks over their faces, and had faintly glowing orange lines carved into their skin. Two appeared to be standing guard near the Gyre station – but facing in, towards the complex, rather than outwards to new arrivals.

Very few ever return, rang loudly through Jim's mind.

"Excuse me," said Blinky to one of the sentries. "We would most graciously request an audience with Gatto."

The troll wordlessly pointed them to the top.

"Ah … thank you, kind friend."

Toby was groaning after the first few ladders. By the time they neared the top, he had stopped, probably to conserve energy – but he managed another when they realized the platform was empty.

"Where is he? They pointed 'up' but there's no more 'up' to go … Did he leave while we were climbing up here?"

Jim eyed the stone the scaffold was built by. It might be climbable. There was a long but narrow ledge about level with the platform, and a tall, V-shaped protrusion probably taller than AAARRRGGHH, and – the ledge split apart. It glowed inside.

"Who has awakened Gatto?"

The mountain-in-a-mountain opened two glowing yellow eyes. A chuckle made the platform shake.

"A human Trollhunter?" the mountain-in-a-mountain said. "How interesting. How … unique. To what do I owe this … pleasure?"

Jim cleared his throat and leaned back a little so he could look Gatto in the eye. "We've come to ask –"

One of the masked trolls arrived, pushing a wooden cart of rocks. The delivery-troll darted away just in time to avoid a massive tongue, and ran back off the platform into the lower scaffolding. Jim reflexively summoned his knives. It was difficult to will them away.

"You must excuse me," said Gatto. "I never talk business without something to eat. Go on."

"We've come for the Birthstone."

"Birthstone of Gunmar?" The mountain troll chuckled again. "Very powerful. Tell me … why should I give it to you?"

"Of course we don't expect you to just give it to us."

Jim ignored Draal's quiet, "We don't?" He took off his backpack, handed it to Blinky, and unzipped the top.

"We've come prepared to trade."

"We did?"

The first thing Jim got out was black and rectangular. Its cord was plugged into a crystal array which some trolls used to substitute for electrical outlets, to power the neon signs and Christmas lights and televisions down in Trollmarket. Blinky had one for his phone charger.

"This is an uncommon human device. You activate and deactivate it with this button here." Jim pushed the button twice, demonstrating. "By turning these knobs, it's possible to generate a custom frequency of audible static."

He put the white noise generator back in his bag, and got out a lumpy object wrapped in a towel. He draped the cloth over his shoulder and held the item where Gatto could see it.

"This is the head of Bular, son of Gunmar, taken as proof that he was slain. Proof that Gunmar's line is not unkillable."

Gatto looked intrigued. Jim rewrapped the head in the towel and switched it for a book. Blinky grimaced during the exchange.

"And this is a document stolen from a Janus Order base; an unfinished medical study of foods that provide nutrition to both humans and trolls."

He flipped through a few pages so the text was visible, proof he wasn't scamming Gatto with a blank notebook, and put it away.

"Seller's choice. Rare artifacts that carry entertainment, power, and knowledge. Which of those would you accept as payment for the Birthstone?"

"Hmm …" The mountain troll pondered the selection. "I think I will have all three. Along with the answer to a little riddle. Answer it correctly – the Birthstone is yours. Answer it incorrectly – I eat you all."

"WHAT?" Toby yelped. "Did I understand that right? Did he say 'eat'? He said 'eat'!"

"Breathe, Tobes." The Sword of Daylight was in Jim's hand. His first instinct was to pick Toby up and bolt for the Gyre. He should be strong enough for that if he switched to troll form, right?

But they needed the Birthstone …

"Master Jim, we must not enter into this binding agreement," Blinky hissed in English. "I'm beginning to catch on why so few trolls ever leave this domicile."

"We'll play!"

"Nomura?!"

"It's simple – either we figure out the riddle and he gives us the stone, or we refuse to answer, which is not technically answering incorrectly, and fight our way out."

"… When you're right, you're right," Jim agreed.

"You think you are clever," said Gatto. "So answer me this. What begins and has no end, and ends all that which begins?"

Blinky blinked, in full unison for once, all six eyes together. "… I have absolutely no idea. Those words mean nothing! Indecipherable!"

"Begins and has no end," Jim repeated to himself quietly, "and ends all that begins."

"I … don't think I can help," said Draal reluctantly. "Rocks for brains, remember?"

"Well, that attitude's not helping, for sure. Begins with no end, ends what begins …"

"School bus?" Toby guessed, switching back to English. "Uh, meatloaf? Hair?"

"Let's think logically," said Nomura, also in English. "In these situations, the answer is almost always one of four things: death, nothing, eternity, or a riddle itself." She counted them off on her fingers. "The answer to a riddle is its end. Eternity by definition doesn't have a beginning or an end. So it's either death or nothing."

"Ten more seconds," said Gatto ominously.

"You didn't tell us we were on the clock!" Blinky protested.

"What begins and has no end, but doesn't end when it begins –?" Jim punched his hand. "Shoot, that's not it! Could you repeat the question?"

"Kangaroo! Golf! Socks! Magic! Warhammer! Baby deer!"

"DEATH!" shouted Nomura. "The answer is death!"

"What?" Gatto gasped. "No one has ever answered that before … and lived to tell about it."

The celebration at getting the correct answer ended immediately.

"And that's the hazard of riddle games where the answer is death," said Nomura. "Most riddle-givers pick that answer because it's what they plan to give the riddle-solvers anyway."

The group was surrounded by four masked trolls, all armed with axes about twice the size of the hammer Toby carried.

"Your entire keep is a trap!" Blinky accused Gatto. "You hoard treasures as nothing but bait!"

"Oh, come now. A mountain has to eat, you know." He opened his mouth, like he expected them to just obediently walk in.

Jim summoned Daylight. The volcano trolls all flinched back from the burst of light.

Nomura lunged at the guard nearest to the ladder. She caught the axe between her swords and twisted it out of the masked troll's grip, flinging the weapon into Gatto's mouth – he yelped when it caught his tongue – and in the same spin she kicked the masked troll off the platform.

Draal punched a masked troll, then grabbed them and another one and bashed their heads together.

Blinky swung Jim's backpack like a flail at anyone who got too close to him. Jim heard a cracking noise, either from the head or the white noise generator, but that wasn't important.

Jim swiped a masked troll across the belly, leaving a shallow cut and causing them to bellow in pain. He threw a knife at another one that was going after Toby, who was doing his best to parry their axe strikes.

Nomura kicked another one off the platform, and Draal threw a third, but more were climbing up, and driving the group back towards Gatto's mouth.

"Get them!" Gatto egged the smaller trolls on. "Prepare the chimichurri!"

A masked troll landed a punch on Nomura and knocked her backwards into Toby. Gatto's tongue flicked out and tossed them both into his mouth.

"I don't want to be food!" Toby howled, before Gatto's jaws snapped shut around them and the mountain gulped.

"Toby! Nomura!" Jim screamed. "TOBY!"

"RAH!" Draal charged Gatto –

"Draal, no!" Blinky shouted.

– and Gatto simply opened his mouth again and swallowed the rolling troll.

Jim's helmet sealed as he switched to troll shape. He threw a volley of knives at their attackers, who backed off for the few seconds he needed to shove Blinky to the ladder.

"Get to the Gyre!" he roared. At one level down, below that horrid mouth, he turned and lunged at Gatto.

Swallowing wasn't instant. If he could get the throat open, he could still save them. He didn't know if he could gut a mountain but he'd find out if that was what it took to get Toby back –

Daylight was a sword, not a pickaxe. Jim slashed and stabbed, and scratched with his now-clawed gauntlets and boots, and made barely any headway.

"Jim!" Blinky was now several levels of scaffolding lower, and fending off more of the smaller volcano trolls with an axe he must have grabbed from one of them. "Were we not attempting to vacate?"

Jim let go of Gatto and slid down the mountainside, and with another roar he stabbed the troll nearest to Blinky through the eye with one of his daggers, shattering the lens on that side. The troll bellowed in pain and clutched their face, dropping their axe. The dagger vanished, leaving an open wound, and reappeared in Jim's hand. He sliced into the arm of another attacker.

The troll with the injured eye staggered and, between the pain and the sudden loss of depth perception, knocked the other masked trolls off the platform. Blinky threw the ladder after them, reducing pursuit from above.

Jim turned to start burrowing through Gatto's hide again.

"Jim!" said Blinky again. "We must leave!"

He barely heard Blinky. He certainly didn't hear his phone, chiming the alert for an incoming text.

+=+

The stomach was even hotter than the 'outside' had been. Toby had gone through both his water bottles during the climb up to meet Gatto and didn't have any left. Not that this was his primary concern at the moment, considering –

"We just got eaten!"

"I noticed," said Nomura scathingly.

"Ohmygosh, ohmygosh, ohmygosh, this isn't happening, this isn't happening –"

"Do you have an international plan?" she said, interrupting his entirely justified freak-out.

"What?" asked Toby. "What does that have to do with anything? We're in a stomach! It doesn't matter what country the stomach's in!"

"Ugh. I'll take that as a no." She got her phone out of the duffle bag she carried and shoved the device into Toby's hand. "Text Jim. We're alive, Gatto's Keep is Gatto's gut," gesturing at the gold and artefacts around them, "and we're going for the Birthstone."

Assuming the lava-acid, which was rising, didn't get them first.

Draal came down the tunnel, fast enough he shot over their heads and over pool of lava-acid, skipping once (with a roar of pain) and landing on the other side.

"Draal! Are you okay?" It was a stupid question that Toby asked without any conscious thought.

Draal uncurled and growled. He gingerly touched his right arm, which looked shinier than usual and must have been what touched the lava.

"Where are we?"

"Gatto's Keep," said Nomura. "I guess that's one way to deter theft. Find the Birthstone. And be careful what else you touch, some of this might be cursed." She put a triangular thing with green gems on it into her bag. "We'll crawl up his throat and choke him or something once we've got it."

Wow, Nomura was not a detailed texter. Toby saw the last few messages she'd exchanged with Jim while he was typing.

Jim: -Today still works to check that collection?-

Nomura: -16:30- -canal-

Jim: -Okay, see you there!-

Toby, on Nomura's phone: -still alive- -gatto's keep in stomach- -going for birthstone-

Toby put her phone in his pocket and started digging through the piles of gold.

Curses or no curses, if Nomura got to take souvenirs, Toby was totally stealing some of these gold coins.

And maybe that glowy purple rock –

Wait –

"I think I found it!"

+=+

Jim – Jim couldn't do it, he couldn't stab deep enough to cut Gatto open and protect himself and Blinky at the same time –

He kept having to abandon his spot and climb down a few levels, and start over at an even thicker part of the mountain's hide –

Blinky kept urging him to the Gyre, but they couldn't leave, not yet, they had to get Toby back, they had to get Nomura and Draal, they couldn't just leave them behind –

Jim drew one of his poisoned knives. He carried more varieties on him than just Creeper's Sun. Gatto couldn't get away with this. Jim was the Trollhunter, he wasn't going to let some troll eat a human right in front of him. He wasn't going to let some troll eat Toby and live.

He drove the knife into a cut he'd already started with his sword, and left it there while fending off the masked trolls again, then ripped it out.

If Jim didn't manage to kill Gatto today, the troll would suffer a much slower death.

+=+

Draal had been favouring his burned arm. He looked up the steep tunnel of Gatto's throat and tried to lift his burned arm, and grunted in pain.

"I … I can't climb out. You'll have to leave me behind."

"What is wrong with you today?" Nomura demanded. "You've never been this – this fatalistic before."

"Guys," Toby interrupted. "There's another way out, but you're not gonna like it. If this is his stomach, then there's a 'back door', and if we upset the stomach," he tossed a nearby crystal into the acid, where it dissolved with a flatulent sound, "then we might have a chance to be passed through."

Nomura grimaced. "We're going out that way eventually." She started tossing things into the acid as well. "I'd rather go out alive."

"What are you both –? Oh." Draal's eyes widened and he looked like he might have an upset stomach himself. "That's – ugh. The shame of being remembered for that."

"There's no shame in survival," said Nomura.

Draal grabbed an entire shelving unit of bottles and threw it into the acid, where the potions exploded with blue light. He fell back and began coughing.

"Draal?!" Toby cried.

"I'm alright, I'm – is that my voice? Is that my" – he coughed again – "voice?" The high squeak had gone back to its normal gravelly depth. Draal shook his head and helped Nomura shove a heavy crate into the acid.

Toby started coughing too. It was so hot and smoky …

The troll, the Changeling, and the human climbed onto a boulder that hadn't melted yet. The lava continued to rise. They balanced precariously. Draal and Nomura were both forced to duck as they got closer to the ceiling.

"I guess this is my last chance to eat these," Toby lamented, taking out a taco. Nomura's eyes widened. Toby had only taken a single bite when she snatched the food and the bag out of his hands and threw them into the gut-lava. "What –? No! Those were Diablo Maximus!"

"And if this doesn't work, you'll die with that taste in your mouth."

The acid level started to drop – spiraling like it was going down a drain. Draal wrapped his arms tight around his two smaller companions.

"The back door!" cried Toby. "It's open! I gotta text Jimbo!"

All three of them screamed as they surfed on the boulder through Gatto's volcanic intestines.

+=+

Blinky kept an eye on Jim as they climbed and ran and fought and climbed some more. It had taken until they were nearly halfway down Gatto's sides to convince Jim to flee instead of continuing to attack. Blinky was ready to physically pull the boy along if he tried it again.

This was awful. Horrible. And all Blinky's fault, besides. Coming to Gatto's Keep had been his suggestion, and it had cost three lives already, and if they died here as well, the Amulet would become another part of Gatto's collection, no good to anyone.

But there would be time for blame and grief and stewing over what else might have gone wrong once Jim and Blinky were out of there and no longer in mortal peril.

Gatto tried to grab them with his craggy hand. Jim roared and nearly deprived the mountain troll of a finger.

Gatto said something, but his head was too far away now for Blinky to make it out. It might have been 'nachos'?

Another taunt about how he intended to eat them, no doubt.

"No more guards?" said Jim. They were off the scaffolding now, and it looked like a straight shot to the Gyre station.

The ground started to crack and rumble ominously. There were spurts of lava, and a smell Blinky hadn't expected but regretfully recognized. They ran faster.

Someone screamed behind them.

"Start it up! Start it up! START IT UP!"

"Toby!" Jim yelled.

Tobias, Nomura, and Draal erupted out of a rock wall nearby. They all cried out when they crash landed, and then ran for the Gyre just as Blinky and Jim were doing. Draal grabbed the Gyre's outer wheel and, with a bellow, set it spinning to jumpstart the vehicle. They piled in, and zoomed away.

It was a miraculous escape. Blinky would have to record this for the history books.

"I am – so sorry," he said to them all. Even at the Gyre's speed, it would take some time to get to Arcadia from Ojos del Salado. "If I had realized the nature of Gatto's Keep, I never would have brought us there."

"He did have the Birthstone," said Nomura. Blinky turned just enough to see her with his outermost eye. She seemed unscathed, and was still wearing a hat. Her bag was now bulging with whatever else she'd … claimed as recompense for the trauma of today's experience.

Blinky turned the other way to check as best he could on Jim and Toby. Draal was in the centre of the Gyre bench and hardest to see without turning around, though Blinky could at least tell he was there.

Jim was wrapped around Toby. His helmet was open again, and his eyes were glowing. Toby was clinging to Jim as well, and breathing hard.

"I saved us," Tobias bragged. "My tacos were the key to our grand escape." Jim tightened his grip.

He didn't let go of Toby until they reached Trollmarket. AAARRRGGHH was waiting for them at the Gyre station. (And oh, that made Blinky's gut twist, to think AAARRRGGHH had been sitting there awaiting their return and they might not have come back because Blinky had led them into danger.) AAARRRGGHH reached into the basket to help Toby and Jim disembark.

Jim let go of Tobias and swiped at AAARRRGGHH with Daylight.

AAARRRGGHH recoiled, unhurt physically – Blinky had seen the distance between his hand and the sword – but wounded all the same.

"Jim?" said Toby. "Dude, calm down."

"Red eyes," said AAARRRGGHH. Jim's eyes were still glowing. "Hurt?"

Draal, who had been climbing down the other side of the Gyre, grunted and lost his balance. When he got up, Blinky finally got a proper look at him.

"Great Gronka Morka, Draal, what's happened to your arm?!"

His right arm was half grey, with pits starting to form where the dead stone had cracked, and the patches that were still blue were far glossier than was natural, like he'd spent a month buffing and polishing his hide.

"Gut-lava," said Draal. His eyes were out of focus. "And straining. And that fall, just now."

"He used his arms to shield us while we were – getting out," said Toby, giving a sideways look to Jim before finishing that sentence. "And he landed badly coming in."

"Need Vendel," AAARRRGGHH decided. He offered his open hand to Jim and Toby again. Jim growled and readied his sword.

"You two take him," Nomura said. "Jim can't go through the market with his eyes like that, and he's not going to calm down until he stops thinking he has to protect his human from another troll any second."

Blinky and AAARRRGGHH looked at each other. Blinky split his focus to look at AAARRRGGHH, Jim, and Draal at the same time. AAARRRGGHH looked from Blinky, to Jim, to Draal, then back to Blinky, and nodded.

AAARRRGGHH moved to stand on Draal's injured side. Blinky climbed out of the Gyre – Jim turned the sword towards him for the moment it took to get to the steps, moving closer to the human and Changeling than he'd been whilst at the controls – and stood at Draal's other side.

He was loath to leave, but Draal needed medical attention, and Nomura was right that proximity to larger trolls seem to be increasing Jim's distress.

Blinky turned an eye back to Nomura.

"What about you?"

"I'll stand guard and make sure no one else walks in on this." She sat on the floor and opened the bag she'd been carrying. "I can get started on cataloguing while I wait."

"And will you be alright, Tobias?" Blinky asked.

"I think so?" The boy looked at Jim uncertainly. "Dude, it's Blinky and AAARRRGGHH. They're not gonna hurt us. Shouldn't it be my turn to be freaking out right now?"

+=+

"I'm sorry," said Vendel to Draal, as gently as the brusque elder was able. "The damage is … severe. I suspect your arm cannot be saved. I advise that we amputate, to keep the cracks from spreading higher, so your shoulder can be fitted with a prosthetic."

Draal grimaced. He stared at his cracked, pitted arm and flexed his fingers with a wince. A few more chips came loose. He touched one of the worst with his uninjured hand.

For the examination, the leather strip that usually wrapped around his right wrist was removed, showing the scarred crack that extended onto his hand. Vendel remembered treating that wound – he'd been worried Draal would lose his hand then as well.

"What if we used metal packing?" asked Draal.

"You lost some mobility in your wrist last time," Vendel reminded him. "If we tried that now, with your more extensive injuries, the amount of metal necessary and immobilization while you healed would likely lock the joints in place for good. And we would need to clear out the dead stone before we begin. Depending on the depth of damage," which was already and obviously deep, "your arm might come off in any case."

"… Can I have some time to think about it?"

In a sense, no, because the longer he went without treatment (beyond the painkillers Vendel had already given him), the worse his injuries would get, and the more likely it was the decision would be made for him.

"If you can remain still while you decide, I can give you a few hours."

"Thank you."

Vendel was not a prayerful troll, but he prayed he wasn't just giving Draal false hope.

+=+

"Hey, your eyes are blue again!" Toby cheered. "That's a good sign, right?"

"Maybe."

"And you're using words!" He patted Jim on the shoulder. "Think maybe we can get off the Gyre now?"

Jim looked at Nomura, still sitting on the station floor in troll form with her stolen treasures spread around her, and shook his head.

Early on in her sorting process, she'd propped up one of her treasures next to the Gyre – a trident with a red gem set on a ring below the fork. The red gem had started glowing when she'd turned the ring and seemed to be sucking all the heat from the room, which was an incredible relief for Toby's overheated skin.

"Dude, come on. I thought she was, like, your friend?"

Nomura laughed. "Oh, we go way back."

"… I can't tell if that was sarcasm or not."

"It wasn't," said Jim.

"So why is she scary to you?"

"Excuse me, are you not intimidated by me?" she asked, casually running her finger along the length of one of her cool swords. Which seemed like kind of the opposite of helping Jim calm down.

"You helped us," Toby reminded her.

"And we're all richer for it," she agreed.

Seriously, was she being sarcastic or not? Or, maybe not sarcastic, but … teasing? Was that it?

"You got eaten," said Jim, as though Toby could possibly have forgotten this. "By a troll. You getting eaten by a troll is literally one of my worst nightmares. I can't … I can't let you be in Trollmarket right now. There's too many trolls I don't know. I probably shouldn't fight them all, but I'm going to want to."

Toby sighed and turned back to his phone. He loved Go-Go Sushi, but there were only so many times he could play it in a day.

Oh, hey, wait, phones.

"Here, you should take your phone back." He put it as far down the Gyre's foldaway steps as he could reach without getting off the boat and having Jim grab him again. Nomura waited until he was back in the boat before standing to get it.

"Why do you have Nomura's phone?"

"From when we texted you we were alive. She's got an international plan and I don't."

"I didn't notice the text come in," Jim admitted.

"That's fair. You would've been pretty distracted."

+=+

Draal didn't want to lose his arm.

He had no regrets about what he'd done – if he hadn't been there, Nomura or Tobias would have been the ones hurt, or might even have fallen off the boulder and died – but he would rather have been able to save them without ending up in this position.

Draal liked his body. He liked his arms. He liked his strength and agility, and his reach, and how easy most weapons were to use, and how easy it was to switch between going on two legs, all fours, or a roll.

Whatever happened now would change that. Patch job or prosthetic, he'd have to restart his training to compensate for the change in balance. He wouldn't have the same reach or flexibility anymore. His grip on two-handed weapons would change.

It would have been easier, in a way, if he'd been hurt badly enough for the arm to come off on its own. Then at least he wouldn't have to decide whether to have what was left of it cut off, or to try and salvage it and risk seeing it crumble away in any case.

He wished his mother still lived in Trollmarket. Ballustra was a weaponsmith, but she had done prosthetic work as well, and helped with injuries that needed metal packing. He trusted Vendel to give him good advice, but … Draal wanted his mother.

(She'd gone back to the Old World a few centuries ago, after she and Kanjigar had divorced. Draal hadn't actually seen her in person for almost twenty years now. He hadn't realized how much he missed her until he started thinking about her.)

He sighed heavily. The movement of his chest caused his arm to move on the table. A few more pieces flaked off. Had they been already broken and sitting there, or had they just broken away? Was it his imagination, or did some of the cracks just get a little bit longer?

With the depth and spread of the fissures, metal packing would noticeably increase the weight of his arm. Draal would be fit to return to the field far sooner if he accepted a prosthetic, which could be graded to a compatible weight. He'd have use of two hands again more quickly, too.

Draal's blue hide had been nearly seared off in some places, exposing the veins of purplish crystal underneath. He couldn't stop himself from rubbing some of it. So smooth; a bit itchy at the edges.

Vendel had not simply left him alone. The Elder was looking through his supplies, giving Draal an illusion of privacy while keeping an eye on him to make sure he didn't aggravate his wounds.

"Vendel. If … If we try to save it. What are the odds it'll work?"

"Very low, I'm afraid. We can keep it attached, if that's your wish, but it would likely not be functional."

"Meaning?"

"In the worst case scenario, it would be like an immobile prosthesis with bits of your living stone embedded in it. In the best case, you would recover about half the mobility you had before."

Draal grimaced. He studied what was left of his arm again. Gorgus, some of the pits were so deep they nearly went halfway through.

"Cut it off."

+=+

"Then we all reached the Gyre, and Draal worsened his injuries to start the mechanism."

They were waiting outside the Gyre station. Blinky had just finished reciting the day's events to AAARRRGGHH.

"This is my doing. I knew Gatto held a place on the Tribunal, but never even thought to ask Vendel's assessment of his character. So now Jim is terrified of us all, Tobias is probably also mentally scarred, and Draal is grievously injured for my failure as a researcher."

AAARRRGGHH, always a troll of few words, had no words that could make Blinky feel less responsible for what had happened. He tried anyway.

"Attacking was Gatto's choice, not Blinky's."

"He didn't attack us, AAARRRGGHH! He made his terms clear, and I knew better than to accept but I did anyway, and now –" He flailed his arms. "I can only be thankful Jim didn't actually hurt you, and no one actually died."

"I'm sorry about that."

They both jumped, and turned to see Jim and Toby. Jim's helmet was sealed, and he was between them and Toby, but he was unarmed.

"I shouldn't have agreed to the riddle game either," said Jim. "That was a stupid gamble. I should've just stabbed him in the face the second he started talking about eating us."

"I feel like that's not the lesson we should take from this, but at the same time I can't argue," said Toby.

"I wanted to say, I'm sorry. I shouldn't have let my fears get the better of me when I – I trust you. I know you would never."

"Forgiven," AAARRRGGHH assured him at once.

Blinky looked passed the boys, into the Gyre station. It stood empty.

"Where has Nomura gone?" And how had he not noticed her leaving? She would have had to go right past them.

"She wanted to see Draal before we left," said Jim.

+=+

"Hey," said Nomura.

"Hey." Draal lifted his new prosthetic hand in greeting. It made a faint clanking sound.

"… I came to show off all the stuff I took," she claimed, rather than admit she'd been concerned and wanted to check on him. Draal leaned forward.

"Show me."

+=+

Previous Chapter (Otto keeps unintentionally sabotaging his own coup.)

Table of Contents

Next Chapter (As though Draal hasn’t been through enough, he turns human.)

This was the longest chapter yet! Helped along by how I had a few hundred words already prepped from the early days of fic writing, back when I thought they would be doing to search for the Triumbric Stones in canonical order and Blinky was still going to be the troll who turned human. How far we've come, eh?

There are two non-Tales of Arcadia cartoon references in this chapter, one to a show and one to a movie. Spot them for imaginary prizes! I'll reveal them in the notes for the next chapter.

I do not know what regular lava would do to a troll, but since Gatto digests that poor unfortunate troll in his introductory episode (seen sinking into the gut-lava when Toby and Blinky arrive in the stomach), I assume that particular type of lava can mess stone-flesh up. The term 'gut-lava' was used in one of the spinoff comics.

Out of curiosity, I looked up 'Ojos del Salado', which is a real place. Some fun facts: It is the highest active volcano in the world, and the second-highest mountain in both the Western Hemisphere and the Southern Hemisphere. It's actually on the Argentina-Chile border, and the mountain has two summits, one in each country. There is a crater lake on the eastern side that is believed to be the highest lake in the world.

Draal's mom Ballustra was named in the spinoff novels. I have not yet decided how much of the novels' depiction I will use, beyond the name and the job and the bit about her and Kanjigar being divorced. Or separated? The novel does not actually use the word 'divorced', but it does say they were married when Draal was born, and heavily implies they were not married anymore by the time Kanjigar died without providing a word for how the end of a marriage is described in troll society.

#Trollhunters #Changeling Jim #Becoming The Mask chapters #Tales of Arcadia #canon divergence #tw: loss of limb #Draal #Nomura #Tobias Domzalski #Blinkous Galadrigal #Vendel #AAARRRGGHH #Claire Nuñez #Darci Scott #Mary Wang #My Fanfiction #Monday is fanfic day!

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vexedtonightmares · 3 years

Note

hey :) do you mind sharing some more about the skam austin panel today?

yeah for sure!! i’ll put what i remember under the keep reading tab for ppl who wanna hear about it :) i only went to the panel, not the rewatch (bc money lmao) so there are probably some other things they talked about that i missed, but i’m sure there are other ppl on here that can fill you in on any gaps that i miss!

it was valeria (jo), julie (megan), and lakeisha* (shay), and pedro (p jo) on the panel (he was the moderator, the other three did most of the talking), though they did mention other castmates throughout :,)

*lakeisha was the name they went by on the panel, and in the info before the panel it said they use they/them pronouns, so that’s how i’ll be referring to them throughout this

all of them started out by talking about what they’re doing currently, julie said she’s dropping out of school because her therapist told her “you as a person matters more than you as a student” which i thought was a great sentiment as well

lakeisha said they’ve been making a lot of clothes and music (also throughout the whole thing they kept showing us their shoes and they left to pee like halfway through something they were answering one time hfjskaj)

they then talked about their audition processes (val had the most chaotic series of audtions omg i would love to see her audition tapes)

val originally read for either jo or megan, and she had literally just moved there like right before casting and almost didn’t go to her audition

she said that she decided to be the loudest person in the room so that they couldn’t ignore her, and that carried her through most of the rounds of auditioning

she said that at the end she said “if you don’t choose me, which you should choose me, but if you don’t, please choose another latinx actress because you have no idea how much it means to see someone who looks like you on screen”

julie auditioned because she was hoping julie (andem) would bring lisa and tarjei and she basically wanted a free meet and greet djkfshk

she found out about skam og on tumblr !! she’s one of us 😌

she thinks julie andem is the coolest person in the world

they told her that she was pretty much everything they envisioned megan to be, so they cast her fairly early on and then had her partner with the marlon prospects

giovanni, who eventually played tyler, auditioned for marlon and they kissed during their audition even though they weren’t supposed to

julie went to high school with till who ended up playing marlon and people would always ask her what it was like to get to make out with him and she was just like .... we just working bruh

lakeisha found the ad to audition on instagram and decided why not because it said it was a paid job

they looked up a bunch of improv games the night before because they had no experience and had no idea what they were doing

in the audition julie asked what the tattoos on their hand meant (and also the one thing lakeisha was excited about being out of contract was that they could get as many tattoos as they wanted without asking for permission)

they all had a lot of love for julie andem and loved working with her

val said that she’d always try to make julie laugh and she said that julie is the reason og and austin are so good, because it’s her story and her vision

they roasted the shit out of fb too (as they should)

basically fb ghosted them and never renewed the show but also never cancelled it so technically they don’t even know if anyone else could get the rights to reboot the show somewhere else (lakeisha said ‘skam austin onlyfans’ lmao)

i don’t remember which one of them said it but they said fb is like an inconsistent dad lollll

they also think that fb sort of finessed julie/her team because they were under the impression that it would be like og where they had their own website for the show and everything, but then it ended up just being a facebook page

they also filmed promo for season 1 that never ended up being used but they don’t know why

lakeisha felt super disrespected by the fact that not only did they not get their season, but also the fact that they just dropped the show like it was nothing and none of them even found out that they probably weren’t getting more seasons until they saw that their instagram accounts were gone

everyone was upset about the igs getting deleted too because they put so much work into the content on there for it all to just disappear

val said “no one tells a story like the one that was about to be told” and everyone agreed

val said that if the show would have continued, jo would have been undocumented and they would have shown her trying to navigate college (not only were we robbed of a jo season, we were robbed of college seasons 😤)

jo x jo were definitely going to be a thing

val said that when they wrapped s2 she was like finally!!! because now they could get into the stories that they really wanted to tell and really knew would make a difference (everyone vehemently agreed)

they were proud of the fact that they’re the most diverse cast and that they don’t just treat the characters of color like sidekicks like the other remakes do

julie talked about how skam france was the only remake to have jonas not accept isak right away when he was coming out and how it was suspicious that he happened to be the only non white jonas and that was the choice they made

val said that druck is the only remake she’s watched but she likes it

they also talked about how, even though it’s great that the cast was so diverse, practically everyone behind the scenes was white

val said that she didn’t really think about it much at the time because she found it hard to speak up since she was very young and inexperienced but looking back she wishes jo’s body wasn’t so fetishized as a latina (she didn’t clarify whether she was talking on a production level or within the fandom, but she talked about costuming so i assumed she meant more on a production level)

they all wished there was more representation off screen as well as on

shay x megan was brought up and julie said that shay was going to have her own love interest (am!even !!!!) come season three, and that it wouldn’t have been megan

she also said that megan was mostly just confused and like ‘haha i kiss girls when i’m drunk’ but then she also said that megan and shay never had feelings for each other at the same time so 👀

she was upset that they made megan and marlon get back together at the end of season 2 because she wasn’t a fan of them together, but she said it also makes sense because a lot of teen girls go back to their toxic exes even when they know it’s not good for them

lakeisha said that they hated shay’s acrylic nails because it didn’t make sense to them for her to have them (especially since shay was a musician)

they also said that they’ve been pretty confident and open with their sexuality since they were around 12, and that one time in middle school they dated a boy because he had an xbox and then they were like oh no is this toxic am i using him because he actually has feelings for me?? hdskafja

they also said that the cfgc music happened because they heard that the boys from og also had a song and at first i was like wtf are they talking about but now i think they meant the penetrator song 💀💀

julie has a cfgc shirt :,) and they all stole a bunch of clothes and stuff from set, val said she took a bunch of outfits that jo never wore which makes her sad to think about now

val’s favorite scene to film was the car scene in s1 before the party (she said it was one of the best moments of her life) and julie said she liked that one as well (val said there’s a shot of her looking into the camera and flipping it off but they didn’t include it in the show, i feel robbed)

people asked how it felt for lakeisha to be the first lesbian isak and they said that they didn’t feel like they were, because they didn’t really get the chance :(( but they also said that the idea itself was very intimidating and there was a lot of pressure around it

they also said that they and gio were very very close both on screen and off, they said it wasn’t even like they were an extension of one person, that’s how close they got

there were a lot of improvised scenes, particularly with val, and she also said that incorporating spanish into jo’s dialogue was mostly improvised

julie, val, and pedro also all talked about how they’re all mexican, and how each of their life experiences vary so much from one another, on the show and off and julie said megan’s upbringing was a lot like hers

they all also said that they liked the music the show used and a lot of them have emotional attachments to a lot of the songs

val said she wishes they used more frank ocean and i agree

they also said they’re not sure if there are bloopers or anything, but they’d love to see them if there are

i’m trying to think of anything i missed ahhh i feel like they talked about so much but i think i’ve got the key points soooo

that’s all !!! hope this was interesting to ppl who still care about austin like i do :,))

#skam austin #asks

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unpopularwiththepopulace · 3 years

Text

Here Lies Jenny: Bebe Neuwirth’s under-remembered masterpiece?

While Bebe Neuwirth is often remembered foremost for her presence in worlds like Chicago, Cheers or Fosse, there’s another piece in the tapestry of her work that brings many notable threads together and is equally significant to her.

Here Lies Jenny is the somewhat under-discussed piece of theatre that in fact has connections to all three of these aforementioned things, because of the people she worked herself on creating it with, and deserves to be brought up with slightly more comparable frequency.

A moment then to explore some of the history of this elusive but important show.

Here Lies Jenny, recalled as a “surprise off Broadway hit”, opened at the Zipper Theatre in downtown Manhattan in May 2004 and ran there for five months.

The show was an interpretive revue of the music of German composer, Kurt Weill, born out of an idea Bebe had herself. It was shaped by collaboration with close friends – with its initial genesis assisted by Leslie Stifelman (the show’s pianist, who she’d worked with on Chicago), direction by Roger Rees (who she’d long known and worked with since their time on Cheers together), and choreography by Ann Reinking (who was Bebe’s closest dance companion in the Fosse universe).

Set in a dark and shadowy looking barroom, the piece followed Bebe as the central, amorphous female figure named ‘Jenny’, supported by three male cast members and a pianist, through an evening of carefully selected Weill songs. Alongside Bebe and Leslie on stage were Gregory Butler and Shawn Emamjomeh, as two rough denizens of the bar, and Ed Dixon as the general proprietor.

There was no linear storyline to the show and no spoken dialogue, but Bebe described how the evening unfolded “in a very logical and emotional, fulfilling way.” All of the songs presented “[described] the interaction between these five people there, that make it necessary to sing the next song.” Rather than taking a group of songs by a particular composer and imposing a narrative on them, the songs were interwoven together to create an “impressionistic and realistic painting of this person’s life.”

To give a summary of the show’s arc, Jenny initially descends the wire staircase into the bar, with little more than a frightened expression and a small bag of wordly possessions. Accosted by the two forceful patrons, she’s flattened down both physically and emotionally. The men depart and return throughout, and the emotional core of the piece fluctuates from song to song as each number evokes a different picture and interpretation of a circumstance or feeling. As reviewers put it, “she’s sometimes bold, sometimes reticent, until she leaves…with what seems like a modicum of self-possession and hope,” and “climbs that long staircase on her way into the world again.”

The idea for creating Here Lies Jenny came out of Bebe’s own desire to put together a piece of theatre and an evening of performance of her own. It was a notion intensified by growing external interest, or as she recalled, “people have always said to me ‘Do a show, do a show, do a one woman show!’”

But for a while the form the piece would take was unclear. Bebe knew she “didn’t want to do a revue”, and she didn’t want “the usual cabaret thing… [or] ‘Bebe and Her Boys.’”

“I generally hate one women shows,” she would remark, “unless it’s Elaine Stritch or Chita Rivera or, you know, Patti LuPone.”

According to Bebe, she’s “much more comfortable as a character doing something. I'm not comfortable just being myself and singing in front of people.”

On and off for around two and a half years then, Bebe had been considering how to approach this matter while putting together some music, predominantly that of Kurt Weill, with musician, conductor and friend from Chicago, Leslie Stifelman.

Leslie suggested bringing in a director, so Bebe turned to Roger Rees – a person she regards as “not just a great actor,” but also “a fantastic director”, with a “very interesting creative mind.” Showing Roger the songs, he “realised that they all described women, or aspects of women, or different times in women’s lives.”

Roger thought it would be interesting then to combine all of these varied sentiments and have them channelled through one specific woman, in one specific location, to present a complex but diversely applicable tapestry centred around the emotional interiority of one tangible female force.

The show is “fragmented, prismatic…less narrative than poetic,” according to Roger. It’s not prescriptive. Rather, it evokes strong feelings and allows the audience to interpret them into their own individual and personal narrative for this woman. It poses questions and provokes thoughts. Who is this woman? Why is she here? Why is she here now? Is that a child? Or is that just a wish for a child? What did she have in this life before we meet her and what has she now lost?

It is indeed an unusual entity, and atypical from other more standard revues, cabaret acts, or works of theatre. A “self-described Japanophile”, Bebe explained how it played in the “Japanese aesthetic concept known as wabi sabi.” Of this she would elaborate, “There’s no direct translation, but it’s about the beauty of things as they age, embracing what’s painful in life as well as what’s joyful.”

It is certainly a piece that contains beauty as well as pain, which itself is a complexity and dichotomy often ascribed to Kurt Weill’s music.

When initially finding and working on songs for what was to become Here Lies Jenny, Bebe noticed being drawn to the work of one composer most strongly.

Like Bernadette Peters talking about how she gravitates to selecting Stephen Sondheim’s material for her concerts, Bebe would say simply, “all of the music that I loved the most was Kurt Weill music.”

A revue in 1991 called Cabaret Verboten (also with Roger Rees), that sought to recreate a Weimar Republic cabaret and re-conjure some of the decadence of pre-Nazi Germany, increased Bebe’s exposure to Kurt Weill’s music and was where she “first became captivated by the composer”. Building on this strong connection and deep appreciation in the years since then, Bebe would assert of his music, “it resonates for me.”

“Neuwirth knows Weill’s music isn’t for everyone,” one reviewer wrote, “but she won’t apologize for it.” She sees its capacity to be “appreciated on many different levels,” and has described it on varying occasions as “unflinchingly honest”, “very fulfilling to perform”, not just “arch and angular and Germanic…[as] many people think”, but as having “great lyricism and tenderness”.

Bebe feels a strong affinity for Weill’s music in part because of its “ability to convey the truth completely and fearlessly and without artifice”. For example, “If you're talking about heartbreak, [his music] goes to the absolute nth degree of what that really means. The way he shows that is with fearless lyrics and the bravery to make the music as beautiful as it can be.”

“Maybe the way I appreciate it speaks to the kind of person I am,” she would say. “I’m very bright but not an intellectual. I like things in a visceral, passionate and spiritual way.” And to Bebe, Weill’s music certainly provides that – which was why devising this show was of such importance and significance to her.

Bebe said also that “the show offers the broad range of Weill's songwriting talents.” This is indeed a truism, with the work of no fewer than ten different lyrists being showcased across the nearly two dozen songs during the evening, including Berthold Brecht, Ira Gershwin, Alan Jay Lerner, Langston Hughes, and Ogden Nash.

The different styles and languages of Kurt Weill’s music mirror Weill’s own history and geographic progression through the world. Born in Germany, “Weill, a Jew, had to flee the Nazis at the height of his popularity. He fled to France and then to the United States, where he became a citizen in 1943.”

His songs reflect the world in which he was living. For instance, ‘The Bilbao Song’ is a tale of sometimes gleeful, sometimes regretful nostalgia and comes from a collaboration with Berthold Brecht in German. It is performed here only in English through the use of “Michael Feingold's now-accepted translation”. The Brechtian-ism is a feature of this production as a whole that was remarked on at the time, being appraised there was “more than a dash of an alienation effect at play,” with material being sung for example behind grilled windows or facing away from the audience.

His French material is alternately reflective of the musical identity Weill tried to devise while having to reinvent himself from scratch in France. Bebe performs one of these French numbers here, entitled ‘Je ne t'aime pas’, which has its own poetic lyricism, and indeed mournful significance, given the translation of the title as ‘I don’t love you’.

Alternately, jazzy, Broadway glamour is comparatively evident in some songs like ‘The Saga of Jenny’ from musicals that arose in America on the Great White Way out of the era of Golden Age of the American musical in the ‘40s to the 60’s.

This show was ambitious then, in its mission of exploring a wide range of the composer’s musical contributions across multiple decades, countries, styles of music, and lyrical collaborations.

Beyond his own musicals, Kurt Weill’s music has been notably seen elsewhere on Broadway or in the theatre world via interpretations such as songs in concerts with Betty Buckley, Patti LuPone, Ute Lemper; or full stage productions with Donna Murphy as Lotte Lenya in Hal Prince’s 2007 Lovemusik; or Lenya’s recordings herself.

Much of Kurt Weill’s legacy lives on through his wife, Lotte Lenya, who was seen as his “chief interpreter… [and] largely responsible for reviving interest in the composer” after his death.

Like Lotte with her “whisky baritone”, Bebe is able to convey meaningful interpretations of Weill’s music through her vocal richness and skilled acting choices, carefully controlling factors like timing, pronunciation and syllabic stress.

An example. Bebe does the most satisfying version of ‘The Bilbao Song’ I have heard. There’s a line in this song that states: “Four guys from ‘frisco came with sacks of gold dust,” in which the last portion of the phrase is repeated a further two times. Bebe emphasises the third “SACKS, of gold dust?!” in the dramatic manner stylised through my punctuation in attempts at recreating its phonology, which contrasts against the two previous readings. This gives the line a salient narrative purpose. It conveys not just an observation, but a tale of surprise and incredulity – who on earth would walk into a bar carrying entire sacks of gold dust?

It may be seemingly just one small detail, but it has a large impact. Other versions that intonate all three repetitions of this line the same miss this engaging variation and feel flat in comparison.

This song would justly so later become a staple of her concert material – along with others like ‘Surabaya Johnny’ and ‘Susan’s Dream’.

But there is unfamiliar territory traversed in Here Lies Jenny too. The rendition of Ogden Nash’s lyrics with ‘I'm a Stranger Here Myself’ is ‘new’ – and it’s exquisite, in its melodic, lilting and playful but darkly seductive swirling sentiment.

Another notable number in need of individual mention would be ‘The Saga of Jenny’. There are two Kurt Weill songs most strongly associated with the ‘Jenny’ moniker – this, and the also well-known ��Pirate Jenny’ from The Threepenny Opera, which Bebe had done a production of in 1999. The latter was trialled in early versions of the show but ultimately didn’t “serve the piece as well as other…moments could,” so was taken out. Fortunately, Bebe would later work it into her concerts.

The former made it in, and provides the exciting opportunity to get to hear Bebe’s take on this song as made well-known by a number of respected performers. ‘The Saga of Jenny’ appeared initially in Weill & Gershwin’s collaboration for the musical Lady in the Dark in 1941, starring Gertrude Lawrence. The song has since gone through innumerable reiterations, such as via Ginger Rogers in the 1944 film adaptation of the same name; Julie Andrews’ big-production performance in the Gertrude Lawrence biopic Star! in 1968; and other high-profile concert performances like via Ruthie Henshall, Christine Ebersole, Lynn Redgrave and Ute Lemper; along with Lotte Lenya’s own recordings.

Further extending the song’s life was ‘The Saga of Lenny’ – a version devised with new lyrics by Stephen Sondheim, performed by Lauren Bacall for Leonard Bernstein’s 70th Birthday in 1988. All of these are on YouTube and I would testify are worth a watch.

In this show, Bebe performs the number with the bravado of a war-time songbird. She strides around with an old-school 1940s microphone back and forth across the stage as she progresses through the song’s distinct chronological sections, grounding the show centrally back to its identifying moniker and characterising an eponymous, engaging and multiply varied ‘Jenny’.

When not bound to microphones, Here Lies Jenny also involved the use of Ann Reinking’s “minimal but inventive” choreography to create striking visual images. Though perhaps not resembling the fast-paced, razzle-dazzle of Chicago, these patterns of movement are at times no less impactful. Bebe is dragged fluidly across a countertop, rolled sinuously down pairs of legs, centred in a dark tango (that one review likened as a potential metaphor for a ménage à trois), or spun backwards upside down onto Emamjomeh’s shoulder in the air – to name a few notable moments.

Not a dance show by any strict sense, all of these demands are nonetheless physically taxing. This is a matter of importance given the timing of the show.

What Bebe had long deemed a “peculiar” hip from her early twenties, begun causing notable pain when it “went from peculiar to downright bad in 2001” during Fosse on Broadway. It was recorded the “pain continued during [this] high-concept Kurt Weill revue” in 2004, such that performing this manner of movement in the show can have been no trivial feat. The next three years brought subsequent arthroscopic surgery for cartilage removal, and then total hip replacement.

That being considered, the show was able to run in the highly demanding manner it did for five months straight because of Ann Reinking’s assiduously crafted choreography.

The Zipper Theatre was the “funky downtown Manhattan space” that housed the show for that time. The timing of the production and the nature of the theatre played integral parts in the piece’s characterisation.

Roger took Bebe to see the theatre when they were devising the show, and to Bebe, it felt right. “There is this creative gesture that we are making and the gesture is completed if it’s in this place.” Not in some new, shiny theatre; but here, with a darkness and sense of history that created an evocative mood similar to the tone of the whole show “as soon as you walked into the building.” This was aided by the show beginning at 11pm each night – “absolutely an artistic choice” – given that what “happens between these five people, happens very late at night”, in a shadowy time of day filled by darkness and secrets.

Here Lies Jenny ended its run in New York in October 2004. But this did not mark the end of the piece. Bebe and her troupe took the show to San Francisco in the Spring the following year – after a seven month interim that included filming thirteen episodes of Law and Order: Trial by Jury, the aforementioned hip cartilage removal, and subsequent recovery.

The show was not deemed flawless by everyone who reviewed it. Some thought it too dark or wished for less abstraction and ambiguity. But as one article would conclude, “Faults aside, it’s hard not to recommend a show devoted to Kurt Weill,” ultimately providing a “unique and polished evening at the theatre.”

Roger Rees would reflect on the show, “Weill & Neuwirth work so well together” because Bebe’s “high standard of performance” means she is able to “delve deeply and go on forever” into material he likened to being as complex as Shakespeare.

It “demands a great deal from a performer, and she is equal to it,” Roger said. “She’s very deep in herself. There’s nothing made up about [her], which is a rare and beautiful thing. The match between performer and material is exquisite.”

This would likely mean a lot to Bebe, as the show itself meant a lot to Bebe. And still does several years later. She would cite it in 2012 as the “role she wish[ed] more people had seen”, as to her, it “was a beautiful, unusual piece of theatre”. Altogether, it was something ineffable and “bigger than the sum of its parts”.

“It’s something I've wanted to do, and I did instigate it,” she said, of putting the show together. But that’s not to say it was easy to helm matters. “For me to be in charge, makes me very uncomfortable.”

That the show got made at all then Bebe would recognise as “a testament to how deeply I love the material and how inspired it makes me.” Her trust in people like Leslie, Annie and Roger enabled the creation of such a project from the ground up that wouldn’t have otherwise existed. Thus, to borrow a phrase from Stephen Sondheim, it was the combination of both personal drive, and also the shared collaboration of four people who all “love each other very much” that ultimately ‘made a hat where there never was a hat.’

It was even further an important show to her, because it was “a very private thing.” She’d describe Jenny as a very physical and emotional role – “the most personal of anything I've done.”

It clearly holds a special place in Bebe’s own heart. Undoubtedly, it would be poignant to revisit again. As we look to the near future of theatre with shows that could feasibly be staged as events start coming back, in tandem with the publicly expressed desire of people wanting to see Bebe back on stage again, this pre-existing, modestly-sized, inventive piece would be no bad suggestion.

How about a Here Lies Jenny reprise when theatre returns?

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