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lazynotbored · 4 years

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On the latest episode of gracie thinks she’s an rph i’ve created a MASTERLIST OF LATINE FIRST NAMES. This is just my preference but i like naming my characters something based in reality so these are pulled from my high school yearbook (i live in a majority hispanic city) so it’s less about origins and more about what hispanic parents were naming their kids during 1996-2000 and honestly the baseline is really if it sounds nice with spanish vowels it goes.

FEMININE

Adriana, Albany, Alejandra, Alex, Alexandra, Alexis, Aliyah/Alia, Alyssa, Amanda, Amelia, Ana, Anais, Analiette, Andrea, Angelica, Arelis, Arlettys, Ariana, Ashley/Ashly

Beatrice, Bernice, Bianca, Brenda, Brianna, Brittany

Camila, Carissa, Carolina, Celine, Christina, Claudia

Daniella, Deborah, Dessire, Diana, Diandra

Elizabeth, Emily, Emmeline, Eva, Evelyn

Fatima, Francesca

Gabriella, Gianelle, Ginelle, Giselle

Irene, Isabella

Jasmine, Jaqueline, Jennifer, Jessica, Jocelyne, Julia, Juliana, Julieta

Kaelyn, Kaitlyn, Karla, Katherina, Katherine, Karina, Katryna, Kristal

Laura, Lauren, Leidy, Lianna/Leanna, Lidiana, Lourdes, Lysandra

Maria, Mariana, Mariam, Maribel, Marla, Melanie, Melissa, Millennia

Natalie, Natalia, Natasha, Nathaly, Nayeli, Nicole, Nicolette, Nina

Paola, Patricia

Raiza, Rebecca, Romy, Roxana, Ruby

Sabrina, Sahily, Samantha, Sarai, Selene, Shantal, Shalamar, Skye

Thalia

Valentina, Valeria, Vanessa, Veronica, Victoria, Vivian

Yazmin, Yesenia, Yessica,

MASCULINE

Adrian, Agustin, Alan, Albert, Alec, Alexander, Andres, Angel, Anthony, Antonio

Benjamin, Bradley, Brandon, Bryan/Brian/Brianel

Bruno

Carlos, Christopher, Christian

Daniel, Damian, David

Eddiel, Eduardo, Emmanuel, Enrique, Eric/Erik, Ernesto

Fabian, Francisco

Gabriel, Giancarlo/Gian, Giovanni, Guillermo

Hansel, Hanibal (silent h), Hector

Isaiah

Jonathan, Jorge, Joshua, Jose/Joseangel, Josue, Juan, Julian/Julen, Justin

Lazaro, Leander, Lucas, Luis

Manuel, Marcel/Marcelo, Marco/Marcos, Mateo, Matias/Mathias, Matthew, Mauro/Mauricio, Michael, Miguel/Miguelangel

Nicholas/Nicolas, Nelson

Oniel, Oscar

Rafael/Raphael, Rene, Roberto, Roniel/Rony, Ryan

Sabian, Samuel, Santiago, Sebastian, Sergio

Wanderly, William

Xadier

Xander

Yamil

Yunior

#name masterlist #latine names #first names #character names #latine character names

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eddycurrents · 6 years

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For the week of 6 August 2018

Quick Bits:

Black Badge #1 is a wonderful start to this new series from the team behind Grass Kings. Matt Kindt, Tyler & Hilary Jenkins set up a new story featuring a troop of kids engaging in black ops operations as a pretty neat premise. The characters so far are somewhat unlikable, but that seems partially to be the point.

| Published by BOOM! Studios

Bloodshot Salvation #12 closes out this series and with it Jeff Lemire’s tenure with the characters. Amidst all of the crazy government organizations, experiments, and far-flung future assassinations, this has at heart been a story about family and the lengths people will go to in order to protect their own and there’s a wonderful sense of closure at the end here. We know it won’t last as Bloodshot: Rising Spirit is coming, but it’s still nice while it lasts. Also some very nice art from Doug Braithwaite and Jordie Bellaire.

| Published by Valiant

Clankillers #2 is pretty much made by the art from Antonio Fuso and Stefano Simeone. That’s not to take away from the story of family, betrayal, and Irish mythology with Sean Lewis, which is excellent, but Fuso’s art is just so perfectly suited to this. His style reminds me a lot of early Sean Phillips and a bit of Duncan Fegredo.

| Published by AfterShock

Daredevil #606 begins the next chapter for the series and it is ridiculously good. Interspersed with a main narrative of Daredevil tackling a band robbery by Hammerhead, Charles Soule and Phil Noto build up the pieces for the next stage in taking down Kingpin, bringing back two-thirds of Daredevil’s task force from Hunt for Wolverine. They’re a weird group, but it’s obvious that Soule likes writing these characters. Also, the art from Noto is just phenomenal.

| Published by Marvel

Death or Glory #4 is just more brilliance from Rick Remender and Bengal. The art is seriously god tier. The car chase this issue alone is incredible, not to mention the tension of Glory and her charges attempting to escape the abattoir. This is just astoundingly great comics.

| Published by Image / Giant Generator

Exiles #6 takes a little bit of downtime to figure out the new direction for the team to take before immediately dumping them in a new alternate reality. The artwork from Rod Reis is absolutely gorgeous and I really like how Saladin Ahmed seems to be building the team more as a family.

| Published by Marvel

Fantastic Four #1 is a very welcome and long overdue return, but thankfully this is a great issue. Sure, the team technically isn’t back yet, but in the main feature Dan Slott, Sara Pichelli, Elisabetta D’Amico, and Marte Gracia focus on one of the core tenets of these characters: family. And when combined with a sweet and funny flashback of the Four trying to find their way home, this is a good start, with beautiful artwork. That goes also for the back-up Doom story from Slott, Simone Bianchi, and Marco Russo, that gives us a more primal Doom. One that reminds me a bit of the Doom who was trapped on the Heroes Reborn counter-Earth. After his turn as Iron Man, I don’t want to see Doom slide back into outright villainy, but what comes next remains to be seen. Overall, I loved this, and am anxious to see what’s around the corner.

| Published by Marvel

Farmhand #2 is as good as the first issue, as Rob Guillory begins to flesh out the Jenkins family and hint that more strange shenanigans are going on in the town and at the family farm. Great art from Guillory and Taylor Wells.

| Published by Image

Her Infernal Descent #4 takes a few more interesting turns as Lynn takes a walk through “heaven” and then we get the ultimate cliffhanger. This entire series so far has shown a lot of inventiveness from the entire creative team, with Lonnie Nadler, Zac Thompson, Kyle Charles, and Dee Cunniffe all delivering some impressive work. This one kind of ups that with the depiction of Circle H and the angels constructing the condos. Also, the wood of suicides with Hunter S. Thompson is brilliant.

| Published by AfterShock

Hot Lunch Special #1 is a very solid debut for this crime drama from Eliot Rahal and Jorge Fornés. Comparisons to Fargo will probably abound, due to location, but this is much more serious in tone and execution, with some very evocative art from Fornés.

| Published by AfterShock

Hunt for Wolverine: The Adamantium Agenda #4 concludes the second of these minis, where the end result is seemingly all going to be “We didn’t find Logan, but we all found the true Wolverine that resides in our hearts.” I poke fun, but these have been enjoyable, especially this one from Tom Taylor, RB Silva, Adriano di Benedetto, and Guru eFX. Nice humour throughout as Taylor shows he really gets Spider-Man, Luke Cage, and Jessica Jones, leading me to hope that somewhere down the line he gets a New Avengers title going. Also some really big revelations that should have both personal and broad implications for the X-Men.

| Published by Marvel

Maestros #7 concludes what has been a funny, irreverent take on magic and fantasy from Steve Skroce and Dave Stewart. For a series that has had some interesting setbacks for our lead, this one’s actually pretty straight-forward, even as it gives us a sympathetic flashback for Mardok’s story.

| Published by Image

Medieval Spawn & Witchblade #4 is a decent conclusion to the series. I’ve liked the story that Brian Holguin and Brian Haberlin have been telling, even as the Spawn’s backstory does indeed reveal itself a take on the Arthurian myth. I’ve really enjoyed the art from Haberlin and Geirrod Van Dyke.

| Published by Image

Nancy Drew #3 has some really nice character moments as the crew tries to put the pieces together of Pete’s mother’s murder and some shady history. The art from Jenn St-Onge and Triona Farrell is perfect for the story.

| Published by Dynamite

Oblivion Song #6 claims to be an end to a story arc, but this book doesn’t really seem to work like that, instead with each issue being a series of transitions in a larger serial narrative. Changes occur and questions abound, but there’s no definitive conclusion to anything, just more story. And it works, because what Robert Kirkman, Lorenzo de Felici, and Annalisa Leoni are creating here is very compelling.

| Published by Image / Skybound

Optimus Prime #22 begins its tie-in to the Unicron event and the march to the end of IDW’s Hasbroverse. Like pretty much all IDW crossovers, it’s woefully out of sync with the event as a whole due to lateness, but it is still entertaining. This gives some of the much-needed back story for how the pieces got to where they were in the early parts of Transformers: Unicron and fleshes out more of the political machinations going on behind the scenes. Great art from Sara Pitre-Durocher and Josh Burcham.

| Published by IDW

Outpost Zero #2 is not really at all the direction I expected this series to take, but it’s very good. Sean McKeever, Alexandre Tefenkgi, and Jean-Francois Beaulieu have some interesting teen drama on their hands here and a nice mystery to boot.

| Published by Image / Skybound

Port of Earth #8 concludes the second arc, with some fairly frightening implications and revelations that we’ve kind of suspected since the first issue. Zack Kaplan, Andrea Mutti, and Vladimir Popov are telling a very interesting story here.

| Published by Image / Top Cow

Predator: Hunters II #1 begins a second series of these new Predator Hunters from Chris Warner, capturing a similar tone and approach as the original Predator film. Nice art from Agustin Padilla and Neeraj Menon.

| Published by Dark Horse

Relay #2 spotlights the dark side of the Relay and what they’re doing to the universe. Some very interesting moral and ethical issues are raised this issue by Zac Thompson and it looks like more to come between the team. Beautiful artwork from Andy Clarke and José Villarrubia.

| Published by AfterShock

Shadow Roads #2 is another captivating instalment of this series. I love that Cullen Bunn and Brian Hurtt are back exploring the world of the Sixth Gun and expanding on the weird aspects of that world, with some very impressive artwork from AC Zamudio and Carlos N Zamudio.

| Published by Oni Press

She Could Fly #2 is more strangeness, even as the story comes together in some very interesting ways. I absolutely love the artwork from Martín Morazzo and Miroslav Mrva.

| Published by Dark Horse / Berger Books

Transformers: Lost Light #22 is another issue to do your head in as James Roberts crashes together the threads from the past several years of More Than Meets the Eye and Lost Light. It’s fairly impressive how all of this is coming together and still maintaining the wonderful humour that is always included in the scripts.

| Published by IDW

Transformers: Unicron #3 begins fleshing out some of the Transformers mythology and tying it together with some of the expanded Hasbroverse. It’s nice to see John Barber putting some of the pieces together here even as it heralds the end. Also, this is some of the best art of Alex Milne’s career, really stepping it up a notch, beautifully coloured by Sebastian Cheng and David Garcia Cruz.

| Published by IDW

X-Men Blue #33 explores the future that Magneto was transported to in order to escape Bastion and the Mothervine mutants. Great art from Marcus To and Matt Milla as it really feels like Cullen Bunn is working towards his Magneto endgame.

| Published by Marvel

Other Highlights: Accell #13, Amazing Spider-Man #3, Amazing Spider-Man: Renew Your Vows #22, Animosity: Evolution #7, The Beauty #22, Champions #23, Charlie’s Angels #3, The Dead Hand #5, Dejah Thoris #7, Dissonance #4, Domino #5, Dungeons & Dragons: Evil at Baldur’s Gate #4, Eternal Empire #10, Invader Zim #33, Lumberjanes: A Midsummer Night’s Scheme #1, Mech Cadet Yu #11, Nancy Drew #3, Old Man Logan #45, Quicksilver: No Surrender #4, Spider-Man Annual #1, Spider-Man vs. Deadpool #37, Star Wars: Darth Vader #19, Strangers in Paradise XXV #5, TMNT: Bebop & Rocksteady Hit the Road #2, Tomb Raider: Inferno #3, The Unbeatable Squirrel Girl #35, Unnatural #2, World of Tanks: Citadel #4, Xena: Warrior Princess #7

Recommended Collections: Champions - Volume 3: Champion for a Day, Outcast - Volume 6, Spider-Man: Kraven’s Last Hunt, Star Trek: Discovery - The Light of Kahless, Star Wars - Volume 8: Mutiny at Mon Cala, Thicker Than Blood, Vs. - Volume 1

d. emerson eddy is wondering why there isn’t an even larger size cup of coffee. It should also come in jugs. Mugs and jugs.

#This Week in Comics

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jenellehinay-artworks · 3 years

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Art Journal Entry XI: Philippine Art History

ETHNIC ART (PRE HISTORIC AD 13)

The Manunggul Jar

The Manunggul Jar is a secondary burial jar excavated from a Neolithic burial site in the Manunggul cave of the Tabon Caves at Lipuun Point in Palawan, Philippines. It dates from 890–710 B.C. and the two prominent figures at the top handle of its cover represent the journey of the soul to the afterlife.

Period: 890-710 B.C.

Artist: found by Dr. Robert B. Fox and Miguel Antonio

Type: Burial Jar

Medium: Clay

Location: National Museum of Anthropology, Manila

Dimension: 66.5 cm (26.2 in); 51 cm diameter (20 in)

Resource/s: https://g.co/kgs/GnZomA

Islamic Art (AD 13-1521)

Malong

The Malong is a large, wrap-around tubular garment. They are used by the Maranao and Maguindanao from Southern Philippines. It can be worn by women as a dress and men over trousers as a formal wear. Traditionally, the malong is handwoven by women using a back strap loom.

Period: 1521

Artists: Fernando Zobel

Medium: Cotton

Location: Mindanao

Dimension: 165 x 165 cm.

Resource/s: https://artsandculture.google.com/exhibit/the-art-of-the-malong-ayala-museum/owKCDBBzFibtIg?hl=en

Spanish Era (1591-1898)

San Agustin Church of Paoay

The Paoay Church history began in the 17th century. What started as Paoay Church drawing turned into reality. The construction of the Simabhan ng Paoay in Ilocos Norte was spread over a century beginning from 1604: the cornerstone of the church was laid in 1704; the convent in 1707; and the belltower in 1793. Even while still unfinished, Paoay Church was already used by parishioners. In 1896, it was finally inaugurated. But in 1706 and 1927, it was damaged by earthquakes. Its scars made it more beautiful and worth visiting. Because of San Agustin Church Paoay’s historical and artistic significance, it was designated as a National Cultural Treasure by the Philippine government in 1973 and a UNESCO World Heritage Site among the country’s baroque churches in 1993.

Period: 1593

Artist: Padre Antonio Estavillo

Medium: Brick

Location: Paoay, Ilocos Norte

Heritage Designation: National Cultural Treasure, UNESCO World Heritage Site

Dimension: 110 metres (360 ft) 40 metres (130 ft)

Resource/s: https://www.google.com/amp/s/www.zenrooms.com/blog/post/paoay-church/amp/

American Era (1898-1941)

Women Working in a Rice Field

Fabián de la Rosa was born in Paco, Manila to husband and wife Marcos de la Rosa and Gorgonia Cueto. Born to a family of artists, he was exposed to art at an early age and learned to draw well before he could write. He was trained to sketch portraits and landscapes by his aunt, Marciana de la Rosa, when he was ten years old. He also apprenticed under his uncle, Simón Flores y de la Rosa, a well-known painter of portraits and church interiors from the nineteenth century.

Period: 1902

Artist: Fabian Dela Rosa

Medium: Oil on Canvas

Location: Unknown

Dimension: 65 x 96 cm. (25.6 x 37.8 in.)

Resource/s: http://www.artnet.com/artists/fabian-de-la-rosa/women-working-in-a-rice-field-wqGqWn0oZ1trVqGmV0TaxQ2

Japanese Era (1941-1945)

The Rape of Manila

With rape on the streets and everywhere else, the Bayview Hotel became Manila’s rape center. After the dirty deed was done, nipples were sliced off, and bodies bayoneted open from the neck down. The devastation of Manila was one of the great tragedies of World War II. Seventy percent of the utilities, 72 percent of the factories, 80 percent of the southern residential district, and 100 percent of the business district were razed…Hospitals were set afire after their patients had been strapped to their beds. The corpses of males were mutilated, females of all ages were raped before they were slain, and babies’ eyeballs gouged out and smeared on walls like jelly.

Period: 1945

Artist: Fernando Amorsolo

Medium: Oil on canvas

Location: Manila, Philippines

Resource/s: https://www.google.com/amp/s/globalnation.inquirer.net/99054/february-1945-the-rape-of-manila/amp

Modern Art (1946-1969)

Granadean Arabesque

National artist Jose Joya was a pioneer modern and abstract artist who was active as a painter, printmaker, mixed-media artist and ceramicist. It has been said that it was Joya who “spearheaded the birth, growth and flowering of absract expressionism” in the Philippines.

Period: 1958

Artist: Jose Joya

Medium: Oil on canvas

Collection: Ateneo Art Gallery Collection

Dimension: 305 cm by 118 cm

Resource/s: https://ncca.gov.ph/about-culture-and-arts/culture-profile/national-artists-of-the-philippines/jose-joya/#:~:text=His%201958%20landmark%20painting%20Granadean,modern%20art%20in%20the%20country.

Contemporary (1970-present)

Little Monster

Ronald Ventura was born in the Philippines in 1973. He earned a BFA in painting from the oldest university in Asia – University of Santo Tomas – and was invited to stay as an instructor for his academic excellence. He is acclaimed for his boundless imagination and mindful observations on reality； there are many layers to his work that veil his acute perceptions on art history, surrealism and society. He was named “Artist of the Year” by Art Manila in 2001, and was awarded the prestigious Ateno Art Awards – given to the most promising local emerging artist – for his 2005 series Human Series by Ateno de Manila University in the same year.

Period: 2011

Artist: Ronald Ventura

Medium: Oil on paper

Location: Asian 20th Century and Contemporary Art

Dimension: 119×152 cm. 46 7/8×59 7/8 in

Resource/s: https://www.cguardian.com.hk/en/auction/auction-details.php?id=168603

April 7, 2021

11:57 am

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