you'd think being an offline chatter is cool and all, unless you ask your friends something and then streamer shows up

the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.

sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.

you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.

it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.

but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.

they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.

they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.

barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.

and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.

but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.

they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!

this horrible world they live in. disgusted and also obsessed.

This always got me laughing for three whole years straight since I first read it

The Fenton "Boor"

The Fentons have always been famous for their legal sale of weapons, usually based on ectoplasm and used to hunt ghosts. That's where they got most of their funds, whether it was to finance new inventions, their laboratory, or their children's education.

The problem began when they found out that Phantom was their son. Because of that revelation they accepted that they couldn't continue on the "weapon creator" path, how could they continue to create and sell weapons that help hunt down their baby? Even if they didn't trust all the ghosts Danny changed their perspective of the Infinite Realms and they were more or less at peace.

That is why they debated for hours on what to do to make money again, until they noticed something curious: Most of the people in Amity couldn't get drunk. It was a silly thing to focus on, but thanks to a quick investigation they noticed that after the portal opened no one had made it.

That's the reason they created a new brand of beer "Boor", which affected both ghosts and humans contaminated with ectoplasm. Their business quickly became a success and the beer was exported elsewhere (with many care and prevention labels).

When Jason Todd noticed "Boor" on the shelf at the bar he frequented, he snorted. The beer had a small ghost on the bottle, which caught his attention, he ordered it out of curiosity and when the waiter told him that the brand claimed "the product was capable of making even the dead drunk" Jason almost laughed.

Big was his surprise the next day when he woke up on one of Gotham's rooftops with a severe hangover. He had at least 8 missed calls from Nightwing and a bottle with a cartoon ghost in his hand.

Escaped clone au

You know all those fics where Danny and Damian are twins but everyone first assumes Danny must be a clone? How about an au where Danny is Damian's clone who escaped the League after he was assumed dead. Damian could even have been the one to have "killed" him, back when Danny was a newly created, fully brainwashed clone minion and trying to kill Damian himself.

Danny gets adopted by the Fentons and canon goes on as normal, until Dan. Witnessing what would happen to the world should he turn evil really drove home to Danny how dangerous he is.

Even if he was confident he could be trusted with his absurd amount of power (which he isn't), what if the League of Assassins found out about him? Does he still have programming triggers from his evil assassin clone conditioning?

So, Danny does the responsible thing: he goes to Batman to turn himself in.

Cue Danny showing up on Bruce's doorstep with ghost hunting equipment, intel on the afterlife, and an almost unbelievable backstory. Somehow he still managed to be more well-adjusted than Damian.

More thoughts under the read more

Here's how I'm thinking Danny leaving the League went down:

After surviving his wounds but failing his mission, Danny (then an unnamed potential Damian replacement) knew there was no point in returning to the League. As a failure, he was meant to be disposed of. He even thought of simply allowing himself to perish, since that was what the League would do.

But he couldn't help but feel as though that would be a waste of a resource. Surely he could be of more use to the League alive than dead?

That tiny bit of rebellious logic is what caused Danny to go into hiding, only living on based on the off chance he would find opportunities to further the League's goals. Obviously, that mentality didn't last long after being exposed to the real world and meeting one Jazz Fenton.

Being adopted by the Fentons was the best cover Danny could have asked for, since any odd behavior he couldn't hide while he was learning how to be "normal" was totally overshadowed by the sheer bizarre eccentricity of his new parents. He was still the neighborhood weird kid, but even that was a major upgrade from disposable tool, so Danny considered it a win.

Anyway, if anyone likes this idea, please feel free to have at it! Interpret it as you please :)

eleven is fascinating to me because he came right off the back of tens horrible traumatic breakdown after he lost everything and he immediately tried to establish himself as the opposite of that. he is funny and goofy and almost childlike, and he bulldozes on in his adventures with amy like nothing happened at all. but then something happens and his masks slips and it's like oh! the core of this man is still anger. he is so so angry all of the time and this façade is the only thing stopping him from being consumed by it. he isn't over any of it and he hasn't moved on. he is wearing a fez and laughing but under that all that exists is age old anger and grief and it is going to consume him

i wonder how many more people would've vehemently hated gale right off the bat on full release if his introduction conversation had stayed like this or something similar

[ID: A digital comic of Sam and Celia from The Magnus Protocol and Danny from The Magnus Archives on a gray background. Everyone is colored in a single color. Sam is red, Celia is green, and Danny is yellow. Sam is a fat Arab man with short curly dark hair, a mustache, and a small goatee, and he is wearing small black earrings, a cardigan, a turtleneck, trousers and loafers. Celia is a slim Korean woman with short dark hair and she is wearing rectangular glasses, piercings including an industrial piercing, an x-shaped earring, and snakebites, a button-down shirt with the sleeves rolled up, a vest, trousers, and black wrist cuffs. Danny is a tall, beefy Latino man with short hair, a cut in his brow, and a "cat mouth" and he is wearing small hoop earrings and a waiter uniform including an apron and name tag.

Sam and Celia sit at a table looking tired. Sam is resting his chin on his hand and Celia has her fingers steepled.

Sam: We'll NEVER get what we need without this specific thing and/or connection. WHATEVER will we DO?

Danny appears holding a notepad and pen, shrugging sheepishly and smiling with flowers around his head. Sam and Celia sit up, smiling at him excitedly with their hands in the air

Danny: UM, I might just know a guy! Sam: Our regular waiter, Danny Stoker! Celia: You ALWAYS have what we need! Danny: HAHA, what can I say?

end ID]

~~~~

rusty quill i have a suggestion

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

HE WAS SO MAD

rough day?

open for better quality | no reposts

Hello, yes, I need more cards where the characters interact with their younger selves.

I want more of this please:

Okay but Gojo raised two children at 17/18 alone with like zero experience on how to be a good parent while he was training to become the strongest and shortly after loosing his best friend who had also been the one he had been in love with in one of the most horrendous and cruel ways possible all while keeping up an incredibly cheerful and carefree personality.

You can't tell me that this man wasn't emotionally, mentally and probably also physically exhausted during that time.

thinking about how people who watch the emperor's new groove and somehow come out of it shipping pacha and kuzco, or thinking yzma only became evil when kuzco fired her and that she would've been a better ruler than him, are both so wrong in so many different ways and are also missing one of the things that i absolutely love about the movie. which is that, the way i see it, pacha and yzma are counterparts. as parental figures to kuzco.

like, just to get this out of the way first, yzma was a dismissive asshole to a peasant whose family was starving. and yeah, if kuzco had been in her place he definitely would've also done that, which... is why she would not be a better ruler than him. she'd just be the same because they're both horrible people in the exact same ways. her reaction to being fired is to plot murder, and as soon as his funeral is over she sets everyone to work on replacing paintings of kuzco with paintings of herself and covering the palace with imagery that makes it clear that it's all about her now. i'm not even sure why this is a discussion tbh.

and also, kuzco is literally a teenager. he's barely 18 years old. source: in the movie, yzma says at his funeral that kuzco was "taken from us so tragically on the very eve of his eighteenth birthday." she also claims in the movie to have "practically raised" him, to which kronk replies "yeah, you'd think he would've turned out better". and sure, she could be exaggerating, but what evidence do we have that she is? we learn absolutely nothing of his parents, who are never mentioned even once in the movie, or of anyone else who could've raised him, and she's his advisor who for some reason sees no problem with attending to royal duties in his place. most likely because she's his regent. also, i'm not exactly a fan of the sequel tv series "the emperor's new school" but it does have something that backs up my point: kuzco is revealed to be an orphan and just before his father went and got lost at sea, he asked yzma (who was also his advisor) to take care of kuzco if anything happened to him. so, yeah, the writers who worked on the series clearly thought that yzma genuinely did raise kuzco, and nothing in the movie contradicts this.

and i find the idea of her being his only parental figure for pretty much his whole childhood incredibly interesting because, and this also goes back into why she wouldn't be a better ruler than him--she mirrors him as a reflection of what would've become of him if he'd never met pacha. they're both incredibly arrogant, power-hungry, selfish, and cruel, with a tendency to blame their problems on everyone but themselves. yzma was even originally going to have her own reprise of kuzco's theme song "perfect world", which i really wish had been kept:

[ID: Lyrics that read:

I'Il be the sovereign queen of the nation And the chicest chick in creation I'm the cat with all the cream and ooh-la-la This deadly concentration Will put an end to my frustration Now this perfect world begins and ends with moi

What's my name? Yzma, Yzma, Yzma Yzma (what's my name?) Yzma, Yzma (What'd you say?) Yzma (Ha ha ha ha ha ha ha ha ha!) Yzma. End ID]

(this song can be fully heard in "the sweatbox", the documentary about the making of the movie, and is also on youtube btw)

anyway, i'm sure yzma would not exactly have been the most nurturing or hands-on guardian, especially given that she and kuzco don't exactly treat each other like family. but it makes a lot of sense to think that her behavior influened kuzco's throughout the years. and for the entire movie, she remains determined to kill him. when he tries to reason with her and admits that he should've been nicer, she says the same thing to him that he originally said when he fired her. she never grows or changes and in the end, she hurts the one person who was willing to stand by her (and even then, kronk had never fully been on board with her plan) and he ends up trying to crush her with a chandelier. kuzco on the other hand is able to realize the error of his ways, come to regret who he was in the past, and start taking steps toward being a better person. his theme song gets a reprise where it's changed from a song about one person being the center of the world to a Power Of Friendship song. why? because, as i've already mentioned, he has pacha.

pacha, who similarly to both yzma and kuzco is in a position of authority as the leader of the village but unlike either of them is gentle and humble. who isn't afraid to stand up to kuzco and be honest with him even though he's the emperor, who agrees to take him back to the palace but has no obligation to be so helpful, kind, and caring toward him--and just about every reason not to be--and still chooses to be anyway. pacha who is 45 years old (also stated in the sweatbox documentary) and can see that kuzco is practically still a kid, not a single day over 18, who has time to grow and change. pacha, who already has a wife and two kids with another on the way, but practically treats kuzco like one of his own. who acknowledges that if kuzco dies all his problems will be gone and then still worries about him and goes out of his way to rescue him after he wanders into the jungle. who sees kuzco shivering at night and covers him with his poncho, who carries him when he's genuinely too weak to keep walking, who refuses to give up on him even after repeatedly being betrayed by him because he believes there's good in everyone.

also, while yzma ends up repeating kuzco's harsh words of dismissal as she tells him of her plans to kill him, kuzco had previously repeated pacha's words that "nobody's that heartless" after he saved pacha's life. and as the movie progresses kuzco and pacha's relationship becomes more and more equal and is constantly contrasted by moments of yzma being cruel and unappreciative of kronk's kindness. a good example of this is how kronk is constantly being forced to carry yzma everywhere on his back while yzma literally walks all over him and steps on his hands when she gets down, whereas when pacha briefly carries kuzco after the latter collapses he tells him he'll have to walk the rest of the way later and kuzco doesn't even protest.

idk if i'm even explaining well what i'm trying to say here. but basically, if yzma actually raised kuzco and contributed to his current behavior, then she and pacha both are figures who guided him and helped him grow. only yzma helped him become the tyrant that he was at the start of the movie, who was selfish and callous and saw everyone else as beneath him. whereas pacha helped him see the value in being selfless and considerate of others. and in the end, yzma is stuck as a cat and nobody is concerned about her. kronk has found a new job that makes him genuinely happy, while kuzco has decided to build a hut on the hill next to pacha's and effectively joined his family. in the sweatbox documentary it's even mentioned that chicha and the kids were at risk of being removed from the film, but it was decided that they needed to be there because having just pacha as a single guy who lived alone wasn't interesting enough--kuzco needed to go from having basically an empty world where he had nobody to being able to come together with pacha's whole family. and i just think that's incredibly satisfying and beautiful. it also leads up to one of the few things i really do enjoy about the emperor's new school, which is the fact that during the show kuzco moves in with pacha and chicha and pretty explicitly thinks of them as basically his parents while he's like a son to them.

idk. i feel like my mind went in a million different directions while i was writing all this. but i guess i just think that for all of the praise the emperor's new groove gets for its comedy and for how hilarious yzma and kronk in particular are as a duo, the movie also has a lot of genuine heart that gets overlooked. kuzco's character growth and his unique dynamic with pacha is, for me, really what elevates the movie from just a funny movie that i like to one of my favorite disney movies. and i wish more people appreciated that aspect of it and saw it as a found family story in the same way that treasure planet, brother bear, and lilo and stitch are all found family stories.

The List

Danny knew he couldn't keep the existence of the ghosts a secret forever. The GIW was a clear example of that, they had managed to disband the organization but there were always traces left behind that made him anxious.

Times had changed, and while Amity was hiding behind his "small town" reputation, the world was changing. New protectors, heroes, as well as new threats were appearing. And as much as the halfa wanted to, he couldn't transport his entire town to the Realms on every occasion of danger, that would definitely be suspicious.

So he made a list. He gathered information on the heroes that had come forward and categorized them according to how easy they were to approach, or how open they would be to the existence of ghosts.

Unfortunately his "safest" choice was John Constantine, someone he wouldn't touch with a ten-foot pole, so he decided to settle for the second one: The Flash.

Danny had weighed the pros and cons, but as he walked through Central City he wondered if it had been a mistake. Although it was probably too late to regret it, the speedster had already noticed him.

idk if it's been talked about before but suzanne collins never misses a BEAT when it came to names, specifically coriolanus snow and dr volumnia gaul. just from their first names alone you can already guess what type of role might play between them (well... if you've read shakespeare's coriolanus that is. i do recommend it btw).

a lot of bits were taken from shakespeare's play for tbosas like the motif with scars / wounds / the body as being a microcosm of the nation, the common people fighting up against the government, coriolanus' hatred of the common people wanting to be "equal" to him, the rebel arc etc etc but i'm soooo so so interested in the fact that dr gaul was named volumnia and coriolanus is coriolanus because in the play, coriolanus' mother's name is volumnia!

volumnia is arguably the only female character in the play that has any depth (i am so sorry virgilia). his mother shapes her son into the warrior he is. she reminds him at every turn that he is nothing more than a weapon to be wielded. in fact, she's the one who gets her son to come back from his "revolt" against rome which ultimately lead to his demise. this parallels tbosas in the same way because dr gaul took coriolanus and molded him into the villain you would see in thg trilogy. she brought him back from d12 and then brought about the end of his humanity (a death, so to speak—at the end of the book he said something similar to this to try to save himself from lucy gray's suspicions but he was right because he did kill a part of himself to be where he is)! coriolanus snow's mother is present but off-page. her ghost haunts him, comforts him, but the 'mother' figure is the ever-present, all-knowing dr gaul.

UGH! like with just their names you could map out where they end up at the end of the story and that's literally insane. like the caliber of writing is literally next to none fr