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#A good straightforward starting point
daisyachain · 4 months
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Restorative or Transformative?: Homoerotic Subtext, The Closet, and Ciphers in Pop Culture. The nature of commercial art is that it’s sometimes bad and inconsistent. Notably it’s also misogynistic. One way in which audiences try to reconcile massive plot holes or gaps in character motivation is by reading secrets or hidden information into a plot.
Commonly, male characters are interpreted as closeted gay or bisexual to reconcile the absence of women from commercial narratives with the generally stunted and poorly-written male characters that form the focus on said texts. This reading has become especially common among a non-heterosexual milieu. Rather than transforming the original text into some radically different new form, this closeted interpretation seeks to make the original text stand on its own as a story rather than a Swiss cheese of dumb writing decisions.
This interpretation only works for a specific type of pop, usually genre fiction. Any story in which tortured male leads eschew women in favour of male-male bonds (because female characters are constantly killed off, written sparsely, or written out, because the production team keeps casting their male buddies, because actors demand to keep having scenes with their bros, whatever) can become a sounder structure if you put one of them in a closet.
The gay interpretation is the natural consequence of shoddy misogynistic writing from ventures like Supernatural, Naruto, all the biggest hits. It’s also the natural consequence of more benignly misogynistic writing like The Adventures of Sherlock Holmes or The Lord of the Rings, where women aren’t necessarily rejected but are simply absent from the worlds of the protagonists. When the emotional crux of the story falls on male-male interactions, this reads as romantic because society at large priorities (definitively heterosexual) romance as the pinnacle of human connection. Two forces are in conflict, the primacy of heterosexuality (read as: romance) and the primacy of men.
Anyway. All that is to say that the typical gay or bisexual reading of male characters in pop fiction comes from a very real place. But, in some places, that’s the default interpretation. Angst, insecurity, secrets, double lives, fatigue, disappointment, restrained passion, stunted personal growth, anyone living in the closet can tell you that it impacts and defines your whole life to know that you live in a way fundamentally incompatible with The Proper Way that life is structured around down to tax law and superstore prices (which assume a heterosexual nuclear family unit). Characters in fiction also tend to have personal problems because that makes them interesting and tasty.
If you’ve grown up on stories with the specific type of misogyny that can be papered over with a closeted interpretation of the male leads, carrying this interpretation over to any male character will make sense more often than not. Even a bit of angst or insecurity? Well of course that makes sense if a character is closeted.
Except that’s hurt a normal part of fiction, and sometimes the closeted interpretation takes away from the point of a character. If a male character is on another axis of marginalization, the closeted interpretation imposed by the slash reading community downplays or trivializes the effects of that marginalization in the plot by overwriting it with another type of marginalization. Alternately, sometimes a character’s heterosexuality is a part of the story. There are some sorts of critiques or investigations of misogyny or masculinity that don’t work if the character has an ‘opt out’ of the cisheteropatriarchal perspective. Not that gay/bisexual men aren’t except from misogyny, but misogyny masculinity and heterosexuality are so tightly linked that it sort of defeats the point if you interpret that character outside of heterosexuality.
All that is to say—the closet interpretation is a quick and easy spice to apply to the weaker parts of action-adventure genre fiction to make it taste better. It draws from a large enough sample of art that it’s pretty widely applicable. Because of that, it’s part of some people’s [my] default interpretation package just because the semi-dull macho show at least gets less dull if you imagine there’s a reason for there to be no girls besides simple hatred. That then forms its own problem where the interpretation that works with your average genre work gets then blanket-applied to all genre works and obscures the places where the closet interpretation doesn’t fix the work, and actually makes it less interesting.
#kelsey rambles#I’m as guilty of it as anyone.#just thinking about Johnny Storm and like. bisexual ass character. deeply bi guy. but.#what IF he’s just heterosexual. what then. wouldn’t that almost be…more interesting#if he’s Like That and not closeted? what twisty gnarled psychological torments would a good comic have to explain him#and on the other hand. that one post I saw about how miles/hobie totally misses the point that their relationship is about solidarity#spider-punk and spider-byte’s alliance with miles are the same thing and to read it as romantic erases the important part#and on a third hand. when speaking of miles’ story. the stupid fucked Bendis running joke/subtext with Ganke#to have Miles be gay would possibly take away from the messy and interesting part of his character that is being a person with nothing#to hide. a totally honest genuine straightforward kid who is forced to start a double life by an outside actor#but at the same time it’s dumb and a cop-out to throw in that much bait and that much of a genuinely charged tense friendship#and then go ‘lol jk. nothing to see here’#the other thing is the semi joke in atsv about ‘coming out’ as spider-man#the most important thing about Miles having to hide is his relatively precarious position as a black kid. he’s not afforded the leniency#that Peter Parker would expect if he got unmasked. Miles is more cautious because he is in more danger because he’s Black#so to paint that struggle with the gay brush is to disregard the character’s raison d’être. while also#using that sort of language and structure deliberately puts a gay lens over that character and ignoring that or kicking it to the side#feels a bit cheap. to borrow the look and not the substance#way too many tags and it’s past my bedtime. thesis statement is:#miles morales is a character whose history is fraught with plenty of real gay subtext and whose character struggles are entirely divorced#from any sense of gender performance. he’s subtextually bi but that’s got so little to do with his story that it feels almost wrong to read#that into him because there is so much other interesting stuff going on with him
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golvio · 2 years
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the-busy-ghost · 5 days
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Warning- this is a very petty post, but I think I'm entitled to at least one petty, pissed-off reaction every time I finish a classic novel that hit harder than I expected so take this as my quota for the year.
Also spoiler warning for a book that came out over a century ago but still, I didn't know the plot going in so don't want to ruin it for anyone else, if you haven't read it shut your eyes. (Also Local Tumblr User Going Wild Over Book Published a Hundred Years Ago That Everybody Else Already Read should probably be categorised as akey part of indigenous tumblr culture at this point).
Anyway I just finished the War of the Worlds and in between studying I've thinking about Themes and Motifs as you do, and idly looking for further analysis. I then accidentally ran into an article called 'A Quiet Place II Succeeds Where the War of the Worlds Failed' and:
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Now I haven't seen any of the Quiet Place films, this is not a rant against them and of course everyone is entitled to their own opinions. But re: the ending of The War of the Worlds, I have to ask, did this guy somehow miss, uh, the entire point of the book or am I just utterly insane?
#You're right it's not very satisfying for humanity that the invaders are foiled by a bacteria and not human action! Maybe that's the point!#Maybe it's supposed to be FRIGHTENING and make you ask questions about what humans will do under extreme stress#Not be a morally uplifting tale about Humanity Heroically Defeating the Martians in a Glorious Hollywood Ending#Maybe it's MEANT to be unsatisfying because this is not a straightforward fairytale#I mean I've only read it once and don't know much about Wells' work so I might have misunderstood the point of the book too#But at places it is a very pessimistic view of the human condition and that's partly WHY IT'S SO POWERFUL#That doesn't mean there aren't moments of individual acts of heroism (the Thunderchild for example)#But the question is not just 'how will humanity beat the Martians and prove that we're still the masters of the universe'#Rather 'a) why is humanity so confident that it's ultimately in control of its own destiny#And b) here's lots of scenes of societal collapse and of people pushed to the brink and what would YOU do in those circumstances?#Would YOU feel remorse about silencing the curate even if it did lead to his death?#What if it rather than a foolish adult it had been a small child?#And even if they were weak did they DESERVE it? Yes it might have been necessary but should it be policy going forward?#Would you also be attracted briefly by the certainties that the artilleryman's (rather fascist) plan seems to offer so humanity survives?#But what sort of humanity would that be if it DID survive and is it worth it? The narrator feels he needs to justify the curate's death#The artilleryman would have probably never have thought it was anything OTHER than justifiable or indeed laudable#Under strain and stress would you start to turn against even your loved ones and become brutal?#Is that the only hope for human survival beyond complete surrender? And was the destruction of London maybe even 'cleansing'#In the eugenics sense or in the sense of a natural horror of dirt and germs?#And the vast exodus of six million people fleeing headlong in panic - we might not have seen that exact phenomenon#But didn't the twentieth century subsequently go on to show us unprecedented scale of slaughter and refugee movements and communal strife?#At the end of the day what really separates humanity from other animals? And what separates us from the Martians?#It's not an uncontroversial book- it was written over a hundred years ago for goodness sake and there are questions worth asking#about the way imperialism and arguments about eugenics and population control and all sorts of other dodgy areas operated on Wells' mind#But dear God I really don't think the problem with the book is that 'Humanity didn't save the day!'#Unsatisfying ending? Yes. A FAILURE? No not in my opinion- looks like it was exactly what Wells set out to do#Humanity didn't win the war of the worlds they had a narrow escape and though it might not be martians next time#Why wouldn't disaster return in the future? Sure we've studied their flying machines and even preserved a martian in a jar#But for all our science what have we ACTUALLY learned that will enable us to avert future human catastrophes? Ethically or socially?#Alright rant over- as usual my opinion is not universal nor necessarily well-informed this take just really got my goat
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sortanonymous · 2 months
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Listening to Nick Crowley is weird because I always get invested by the storytelling, but I always get so worried about the stories told, that I tend to just look up how the story ends. It's basically hearing the tension in the first minute or two and just going, "Alright, how bad is this one just so I don't have a heart attack."
And in all honesty, I'm so much more shocked on the occasion that they have a happy ending.
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eelhound · 9 months
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"The idea of reforming Omelas is a pleasant idea, to be sure, but it is one that Le Guin herself specifically tells us is not an option. No reform of Omelas is possible — at least, not without destroying Omelas itself:
If the child were brought up into the sunlight out of that vile place, if it were cleaned and fed and comforted, that would be a good thing, indeed; but if it were done, in that day and hour all the prosperity and beauty and delight of Omelas would wither and be destroyed. Those are the terms.
'Those are the terms', indeed. Le Guin’s original story is careful to cast the underlying evil of Omelas as un-addressable — not, as some have suggested, to 'cheat' or create a false dilemma, but as an intentionally insurmountable challenge to the reader. The premise of Omelas feels unfair because it is meant to be unfair. Instead of racing to find a clever solution ('Free the child! Replace it with a robot! Have everyone suffer a little bit instead of one person all at once!'), the reader is forced to consider how they might cope with moral injustice that is so foundational to their very way of life that it cannot be undone. Confronted with the choice to give up your entire way of life or allow someone else to suffer, what do you do? Do you stay and enjoy the fruits of their pain? Or do you reject this devil’s compromise at your own expense, even knowing that it may not even help? And through implication, we are then forced to consider whether we are — at this very moment! — already in exactly this situation. At what cost does our happiness come? And, even more significantly, at whose expense? And what, in fact, can be done? Can anything?
This is the essential and agonizing question that Le Guin poses, and we avoid it at our peril. It’s easy, but thoroughly besides the point, to say — as the narrator of 'The Ones Who Don’t Walk Away' does — that you would simply keep the nice things about Omelas, and work to address the bad. You might as well say that you would solve the trolley problem by putting rockets on the trolley and having it jump over the people tied to the tracks. Le Guin’s challenge is one that can only be resolved by introspection, because the challenge is one levied against the discomforting awareness of our own complicity; to 'reject the premise' is to reject this (all too real) discomfort in favor of empty wish fulfillment. A happy fairytale about the nobility of our imagined efforts against a hypothetical evil profits no one but ourselves (and I would argue that in the long run it robs us as well).
But in addition to being morally evasive, treating Omelas as a puzzle to be solved (or as a piece of straightforward didactic moralism) also flattens the depth of the original story. We are not really meant to understand Le Guin’s 'walking away' as a literal abandonment of a problem, nor as a self-satisfied 'Sounds bad, but I’m outta here', the way Vivier’s response piece or others of its ilk do; rather, it is framed as a rejection of complacency. This is why those who leave are shown not as triumphant heroes, but as harried and desperate fools; hopeless, troubled souls setting forth on a journey that may well be doomed from the start — because isn’t that the fate of most people who set out to fight the injustices they see, and that they cannot help but see once they have been made aware of it? The story is a metaphor, not a math problem, and 'walking away' might just as easily encompass any form of sincere and fully committed struggle against injustice: a lonely, often thankless journey, yet one which is no less essential for its difficulty."
- Kurt Schiller, from "Omelas, Je T'aime." Blood Knife, 8 July 2022.
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Went to a therapist today. I’ve never said two sentences about myself and had someone peg me so thoroughly. “You’re a people-pleaser” and “In order to feel loved you have to feel needed.” I mean, true, but damn.
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kumawaii · 3 months
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BETTER THAN YOU, ALWAYS | JWW
cw - yandere themes, possessiveness, manipulation, cheating, cucking kink, recording, oral sex (m), unprotected sex, creampie, cockwarming
– original request
∘₊✧─── 𝓶𝓲𝓷𝓸𝓻𝓼 𝓭𝓸 𝓷𝓸𝓽 𝓲𝓷𝓽𝓮𝓻𝓪𝓬𝓽 ───✧₊∘
bestie!wonwoo is someone who can pull. even when he doesn’t try, both men and women flock to him like bees on honey. it gets even worse when people get to know him because he’s just so likable and handsome that no one can ever stay away. so many people love and admire him, and your boyfriend is no exception.
you’ve never thought anything about how much your boyfriend admires bestie!wonwoo because you get it. god, do you get it. aside from being good looking, he’s smart and kind and gentle. even though you would never admit it out loud, you had a small crush on him when you two first met. so, yeah. you know better than anyone why your boyfriend is so starstruck by your best friend.
bestie!wonwoo finds it cute. your boyfriend is always so happy to see him and is so eager for his approval. he’s a good guy despite being a little clumsy and inattentive. but it was fine because he made you happy. well, for the most part.
another one of bestie!wonwoo’s wonderful traits is his attention to detail. he had noticed a long time ago that something is off about your relationship. not in a toxic or concerning way, but enough for him to wonder if there was something lacking between you two. he doesn’t push the subject with you, and you’re grateful. because telling him would be downright humiliating.
but you should’ve known that there’s no such things as keeping secrets from bestie!wonwoo.
you’re over at his house playing video games when you realize that his head isn’t really in it. this isn’t like him because he has this insatiable need to win at everything he does. especially video games. so after you beat him for the second time, you have to pause and look at him seriously.
“what’s wrong?”
bestie!wonwoo is usually straightforward which is why you feel concerned over seeing him hesitate. he sighs and pulls out his phone. wordlessly, he hands it to you.
his phone is open to a text thread — one between him and your boyfriend. you don’t think anything of it until you start reading the messages. apparently, your boyfriend was playing around with the idea of letting bestie!wonwoo fuck you. in the texts, he reveals how he had never made you cum and maybe learning how to properly fuck a woman would help him achieve that.
you’re absolutely mortified as you hand your friend his phone back. it’s absolutely humiliating that your boyfriend admitted to being a cuck who’s never made you cum before. in the messages he sounded so eager to watch bestie!wonwoo fuck you since he has this apparent sex god reputation. it’s worse because your boyfriend had gone on to say that you would be just as eager to have your best friend fuck you.
“i have to go.” you rush out, wanting nothing more than the earth to open up and swallow you.
bestie!wonwoo gently grabs your wrist, gentle eyes pleading and understanding. “don’t be embarrassed. he’s just trying to be a good boyfriend.”
it kills you that he’s being so cool about this. your boyfriend was an embarrassing fool who didn’t know any boundaries, yet bestie!wonwoo was still being the kind guy you know and love. you slowly deflate, skin burning with humiliation.
“this is so embarrassing!” you mumble, just wanting to curl up into a ball. “i’m so mad right now i could kill him!”
your best friend shifts closer to you until your thighs are touching. wonwoo’s gently caressing your wrist now, eyes looking at you with something you can’t place.
“what if you did something else?”
you don’t care that you’re betraying your boyfriend in the worst possible way as you lick up and down bestie!wonwoo’s big cock. he’s making the hottest faces and prettiest sounds as you deep throat him. his weeping tip is hitting the back of your throat as look up at the camera being pointed at you.
“fuck. just like that, baby.” wonwoo groans as he pets your head. “you’re so fucking hot.”
you’re slobbering all over his cock, chocking and gagging a bit as you take as much of him as you can. wonwoo cries out in pleasure when you hum around his cock, feeling the sensation all the way up his spine. you smirk around his thickness. if your boyfriend thought he could slut you out like you meant nothing, then that’s what you would do. but not for him. never for him.
you don’t think bestie!wonwoo can look any hotter but you’re proven wrong when he cums in your mouth. pretty moans bounce off the walls as you swallow every drop of his seed. you release his cock with a pop, opening your mouth to show the camera that you swallowed everything. he tosses the phone on your bed and pulls you up to smash lips on yours.
his lips are addicting. you can’t get enough as you fall back on his bed, giggling and moaning into his mouth. bestie!wonwoo sets up his phone on his nightstand so it’s pointing directly at you two. he folds your legs against your chest and shoves his thick cock into you with one harsh thrust.
you cry out for him, feeling so full. wonwoo’s dick is so bit that you feel him splitting you open, molding your hot cunt into the shape of him as he fucks you. he’s already found the spot inside you that makes you cream around his cock until all he can see is your arousal covering him.
“god damn.” wonwoo groans, loving how he can see and smell your arousal so clearly. “my pretty girl was just waiting for a real man to fuck her, huh?”
“yes!” you cry out wantonly. “fuck, nonu. your dick is so big!”
it feels like he’s fucking every coherent thought out of you. his cock is reaching spots inside you that you never thought anyone could touch. your eyes roll back as you let him stretch you open and use you exactly how he wants.
“tight little pussy’s all mine now.” wonwoo sounds ravenous. “that fool doesn’t know what to do with it, doesn’t deserve it.”
bestie!wonwoo smirks when your hot cunt grips him tighter and stains him with more of your arousal. he keeps fucking into you, already obsessed with the sight of you trembling and moaning under him. the moment your lips touched his cock, he was never going to let you go. you cuck of a boyfriend just didn’t realize it yet.
“feel so fucking good. make me cum, wonwoo. please, please, please!”
bestie!wonwoo smirks with a fucked out groan as you plead like you’re life depends on it. he slams his cock into you, juices completely coating his throbbing length and heavy balls. skin slapping and your moans mix in together, all captured perfectly by his camera.
“let go for me, baby. show him what it looks like when a real man makes you cum.” wonwoo growls, drilling his cock deep into you with insatiable desire.
you do as you’re told, cumming with a loud yell of your best friend’s name. it doesn’t take long for his orgasm to follow. bestie!wonwoo groans your name as he spills his hot cum inside you. he swoops down to capture your lips in a messy, sloppy kiss. you’re swallowing each other’s moans as he gently fucks his cum deeper into you.
your boyfriend replays the video over and over again, fucking his hand an embarrassing amount of times to the sight of your best friend fucking you. it’s not surprising that you made noises and faces he was never able to get out of you, and for some sick reason it just turns him on.
after pulling himself together, he sends you a text. he’s a little mad that you didn’t tell him you were going to follow through with the idea bestie!wonwoo had suggested to him last week, but he knew you’d done it for your relationship.
when he sends the text it doesn’t go through. he tries again but the result is the same. when he tries to call you, it goes straight to voicemail. his heart sinks as he goes to call the man he knows you’re with.
bestie!wonwoo picks up on the third ring.
“hey, man. i was trying to get a hold of y/n—”
“she doesn’t want to speak to you.” wonwoo says in that calm tone that always used to seem so cool to him. now it just sounds condescending. “you should know that she’s done with you. don’t call again.”
“but—”
your best friend hangs up the phone and tosses it aside before pulling you closer to his naked chest. you nuzzle against him, mewling in your sleep as his cock slips further inside you. bestie!wonwoo feels his heart and cock swell at the adorable sight. he was never going to let this or you go. your idiot ex had fallen into his trap perfectly, and now the only one who would have you this way was him.
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charliemwrites · 4 months
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Mafia!Price warm up because I am… so tired. I’ve had back-to-back events the last few days and ya bitch canNOT hang. So, while I rehydrate and wait for caffeine to work it’s magic, here’s this:
Part 1 here
Mr. Price is the best boss you’ve ever had. He’s straightforward and blunt, but unfalteringly courteous. Likes things a certain way — his own way — but that’s nothing you’re unfamiliar with from rich men responsible for billions. At very least, he seems to respect when you challenge him.
“We’ve always done records this way,” he says.
“Yes, sir,” you answer serenely, “but that was before you had me.”
He stares you down and you beam right back, tablet balanced on your forearm. One beat, two. In the corner of your eye, you see Gaz shift. You tilt your head at your boss.
He sits back in his big office chair, thumb swiping over his index and middle fingers. A gesture you’ve been mentally cataloguing as “contemplative” — perhaps deciding if he’s annoyed or amused. You don’t let yourself get nervous seeing it; you’re good at your job and you know it. He’s going to know it too, by god.
“And what do you have to do with it, luv?”
Your smile stretches wider as you take that as an invitation to round his desk. He turns and shifts a bit to make room for you, eyebrows ticking up as you set a neatly paper-clipped report in front of him, highlighted for convenience.
“See here?” You point at one section, a list of finance records. “Inconsistencies that the accountants took two months to notice. Two!”
He grunts as you set it aside, face up, for further perusal and then show him the next set. Different highlighter (and a smiley face in the corner).
“And look here, doing it this way, we noticed the discrepancies within a week,” you explain.
He picks up the page, eyes scanning over it thoroughly before setting it down. Taps his index finger over the discrepancy (circled in bright red) twice.
“Would you happen to have the account — ah, thank you.”
You hum, smoothing the sticky note (hot pink, shaped like a heart) onto the page. “So what do you think, sir?”
He runs a hand down his face, palm rasping over his beard. But there is a grateful note to his gaze as he glances at you.
“We’ll be doing it this way from now on, then.”
“Thrilling, sir. I’ll send out a memo.”
He waves you off, frown already forming on his face. You politely leave his office, stop by the break room to make a fresh cup of tea (a dollop of cream only, no sugar) and knock on the closed door. It’s Gaz that opens it.
“For the boss,” you say. “Before heads start rolling.”
“You’re a doll,” he breathes, accepting the cup and slipping back inside.
You happily toddle back to your desk and begin calling appointment confirmations. You’ve got about a million emails and a hundred calls to make.
Working for Price also comes with some… eccentricities. For one, you have a driver now.
Usually Farah, sometimes her partner Alex. On the rare occasion it’s Gaz. They always usher you into the backseat. On rainy days (so, most days in the UK) they hold an umbrella over your head while you scurry into the luxury leather interior of whatever stupidly expensive ride you’re taking.
That was a non-negotiable when you and Mr. Price discussed the details of your employment contract with him. Something about safety…? You feel silly being driven to work as an assistant, but it was your first encounter with the Steel Gaze of Decision and it was unfortunately effective.
Not that you mind the rides! All three of your usual drivers are wonderful. So friendly and chatty. You love hearing about Alex’s niece and Farah’s hobbies, Gaz’s little “spats” with Soap. You spoil them with extra treats from whatever bakery you make them stop at for morning breakfast. (Always local, you love supporting small businesses and strong arm Price into doing so as well).
There’s the gun as well. You’ve only seen it once or twice, always discreetly hidden under his suit jacket. A shoulder holster, all black. Pretend that you don’t see it because… well, you’re not entirely sure it’s legal and you’d rather live in the blissful cloud of plausible deniability.
And speaking of — there’s his bodyguard. To be fair, bodyguards aren’t a new or weird presence with your bosses. Expensive men, they need protection. Ghost is a different kind though.
He always covers the lower half of his face — actually, he’s covered head to toe. Usually in black, sometimes with little skeleton or skull motifs. And he’s fucking big, which is saying something because Mr. Price isn’t a small man either.
Ghost hardly interacts with you, but he’s unfailingly polite when he does. Not talkative, but he holds doors for you, has walked you down to the car. Even once attitude-checked a guest that decided to be rude to you. Didn’t even say anything, just walked into the guy’s personal bubble and stared him down until he subsided. Then he turned, gave you a nod, and you squeezed his arm before toddling off to let Price know his appointment had arrived.
All around the vibes in the office are pleasant, if sometimes stuffy. A little odd. All of his employees are polite if not kind to you, and Price himself is a fair and reasonable man — at least with you.
(The first time you heard him raise his voice through the closed office door nearly scared the daylights out of you. He always uses a low, even tone when speaking to you, so to hear his voice booming like that was something of a shock. Even more shocking was when he opened the door — damn near throwing his “guest” out — before turning to you.
“Call Farah when you have a mo’, would you?” He asked, calm as you please.
You blinked, still having war flashbacks of your last boss. “Yes, sir.”
“Cheers, luv.”)
There’s also the “field trips” as you call them.
Mr. Price is something of a very “hands on” businessman (“micromanager” you tease when he’s in a good mood) who has a hand in several industries. One of them is shipping. Which means that sometimes you find yourself standing beside him in warehouses or at loading docks. And of course you have to go, you’re his assistant! You take meeting notes, provide information or report details. Basically act as his second brain while he reams out idiots or organizes plans.
You suck it up, but you rather hate the smell of low tide. And the occasional gusts of blood on the sea breeze from fishermen gutting their catches. Price catches you looking ill once or twice and at least makes an effort to keep things short after that.
“Poor thing,” Soap teases when you’re in the back of the car, fussing at your wind-swept hair. “Get a bit blown, did you?”
“MacTavish,” Price snaps.
That’s the other thing. Even the slightest hint of suggestive or inappropriate words at your expense are met with firm, almost harsh, reprimand from your boss. It does wonders for you nerves and your respect for him.
“Wish I’d known we were going to the docks,” you sigh, carefully picking at pins to fix your hair. “I would have used more hairspray.”
“Thought I told you?” Price says.
“No, sir, you did not,” you answer, long-suffering. “You know you can put it into the scheduling app, right?”
He blinks. “Scheduling app.”
You blink back at him. “Oh, dear. Here, look at this.”
You spend the entire ride back to the office showing him how your scheduling software works so that you don’t have to deal with any more surprise dock visits.
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iicarused · 3 months
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##you are so divine
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alastor x reader / vox x reader
synopsis: general love interest headcanons
beware: obsession, yandere aspects , implications of manipulation
envelope from the author: i love them. man i feel like dating alastor would feel like being roommates instead of a lover💀
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ALASTOR
old fashion, but something to expect from him. you sit your pretty face down and let him do everything. all you have to do is make a meal and make the house a home. it’s funny because you barely get to do that either, as he would often take over and just spoil you.
though, you are not allowed to touch him. it comes slowly and naturally, so you often have to wait for him to initiate it. even then, it’s quite rare. you catch him hovering over your shoulder so often that it became normal.
his love language is words of affirmation and gift giving — but he started to stick around you like a lost dog much more these days
while you aren’t shown off to the world, he will talk about you to anyone who would listen. you are his most prized possession after all. quite frankly, that’s all you are, a trophy to show off and not a lover. he just enjoys the sound of calling you his.
this man gives you mixed signals while being straightforward, and you tried to leave but he insists that you are a lover. a kiss on the lips and a trip to the bed is all it takes to have you melting under his eyes again
“my dear, can you bring me my coat?” my dear. alastor never forgets to add the first word while addressing you. “it’s over on the couch — i have to hurry on out in a minute.”
“are you going back to that hotel?” you asked while fetching his coat. you remember the day when he first asked you to get his coat, and it was like a goal to reach after months of dating. while being the partner alastor is quite slow, you almost appreciate that he is still by your side.
“where else, my dear?” he asked in return when you handed him his coat. “the hotel is —“
“— is your finest project, i know, al.” you shared a look of question before he nodded at what he knew you were beckoning to do; dust off his vest and fix up his tie. it was like clockwork at this point. “you have a good day.”
“not a good day — a great day.”
VOX
while his relationship was never established with valentino, everyone knew not to ask. you came to the vee’s under the wing of velvette, and my, what a catch you were! eye candy, a prize, something the public would love to see around vox’s arm
began to whisk you away from modelling for velvette, but instead brought you in for interviews and made you the face of future designs (velvette was not very keen of the idea of vox doing that without permission.) introduced you to the world of fame
your pretty face next to his was all it took for hell to go crazy. everyone was all about the new power couple that streamed on every tv and the affection he publicly shown. an overlord? in love? everyone was gossiping
you were all he needed to overshadow alastor and make the radio demons “yesterdays news.”
public affection, public pda, you were public. he showered you in front of the camera, he spoiled you in riches where every paparazzi could see! often gushed about it inside the penthouse and the fame you both were receiving. praised you for doing so good in front of the camera
“doll, you were a natural! the press were eating you up!” a hand came under your chin, his fingers squishing your cheeks so gently. “keep doing what you do and i might make it to the top.”
“our story will put lucifer and lilith’s to shame!” you chirped. oh, how delusional you were to think that it was a love story that vox was writing. “maybe we’ll even have our own castle like a proper overlord of hell.”
“yeah, maybe we’ll even be the new rulers.” the emphasis of “we” always seemed to make you happy, and maybe he used it to keep you under his arm. that’s where you belong after all.
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humanpurposes · 5 months
Text
Mine All Mine
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Michael doesn't have a lot of friends, nor does he want them. Now he thinks he might have found his perfect match, and he has no intentions of letting her slip away
Main Masterlist
Michael Gavey x unnamed female character
Warnings: 18+, smut, Michael Gavey being a little shit (affectionately), possessive behaviour (yk the drill here)
Words: 7k
A/n: This ended up leaning into more of a cuter side, I definitely wanna do something creepier with him at some point! Also available to read on AO3.
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He gets to the room early, before the tutor has even arrived. It’s his first tutorial of the year and his first ever at Oxford. He stands straight with his head up and his hands unmoving, a picture of neutrality. He has his problem sheet in his satchel and runs through the questions in his head, not because he needs to, not because he doubts himself, but simply because he can.
He doesn’t even like maths all that much, but he’s always been good at it. He had considered doing something a little less straightforward, physics or economics, but then what would be the point in getting into Oxford to be anything less than perfect?
He knows his tutor’s name from his schedule, Stephen Breyer. He arrives only a few minutes later and they go inside. The tutorial room is small, with three of the four walls covered in bookshelves. In the centre of the room there is a table, an armchair on one side and a small sofa on the other. 
Michael takes the seat closest to the door. It puts him in a slightly more direct line of sight with Stephen. It also means his tutorial partner will inevitably have to climb over his legs to sit down and the thought amuses him.
“How are you finding it so far?” Stephen asks, unpacking a thermos flask and a notebook from his bag.
“It?” Michael repeats.
Stephen pauses and looks at him, slightly bewildered. “Well, the course, the college, Oxford. All of it.”
“Right,” Michael says. He takes his time taking out a pencil and his problem sheet before placing them on the table. He sits back against the sofa and rubs his lips together in thought. 
He supposes it’s been exactly as he had expected. Lectures have been fairly straightforward, Lincoln college looks the same as it had in the prospectus, and so far, most of the people seem insufferable. So many of them have no sense of urgency, no drive to truly succeed because to them, Oxford is a rite of passage rather than an earned privilege. He’s met maybe one person he’d consider worthy of his time, and even then, Oliver Quick is only a literature student. He might as well get a degree in overthinking.
Stephen is looking at him like he is still expecting an answer. Michael stares back. He’s never been one to bother with smalltalk. 
“Alright then,” Stephen says, then nods to the empty place on the sofa. “Do you know if–”
The door opens and a girl walks in, closing it gently behind her. “Sorry I’m late,” she says, eyes flickering around the room and settling on the space beside Michael. 
He’s seen her before, in lectures, in the dining hall, walking around the college with her little group of friends. He wouldn’t be surprised if they were all Cheltenham girls by the way they talk and dress in the stupid outfits rich girls wear to make themselves seem like normal people.
He watches her as she walks towards him, the awkward little smile she gives him before she steps over his legs. 
“Sorry,” she says again, falling onto the sofa. Michael almost winces at the sudden jolt of movement and the faint scent of a sweet perfume drifting from his left. “Had some trouble finding the room.”
“You’re right on time,” Stephen says, “we haven’t started yet.”
She’s better at the smalltalk than he is. She has a constant smile on her face and a bright look in her eyes, already having plenty of humorous anecdotes to share, despite the fact it’s only their second week. 
As they go through the questions on the sheet, comparing calculations and answers, Michael is horrified to find that he’s a little nervous. His throat feels dry and he can feel his heart pulsing in his chest. It’s her fault, he thinks. Everything about her is distracting, the sound of her voice, the satisfied little hum she makes when she realises she’s got another question right. Her black tights, the way her skirt rides up her thigh when she crosses her legs.
He wants to think she’s vapid, a pretty face dressed up in black boots and a denim jacket, but to his dismay, all of their answers are the same, down to every detail in their calculations.
That is until they reach the last question. It’s terribly complex and he had almost struggled with it. Almost.
He steals a quick glance at her sheet and notices their answers are different. Because she’s missed a step, he realises. He feels a smile creeping across his lips.
He proudly goes through his working out, delighted at the surprised look on her face as she goes over her own sheet.
“I got something different,” she says with a shrug.
Stephen invites her to talk through her answer. Her voice is quieter and softer than it was before, but not as defeated as he’d like.
“She has you beat there, Mr Gavey,” Stephen says.
It’s like being punched in the gut. “What?”
“Overextend yourself a little,” he explains, drawing a line through the last few calculations on his paper. “Make sure to read what the question asks of you.”
His blood is boiling and his fists are clenched. He doesn’t remember the last time he’s ever been wrong. A dangerous impulse in the back of his mind wants to scream his throat raw and tear his paper to pieces.
Then he feels a warmth settle over his knuckles. She’s placed her hand over his.
“It’s a compliment, really,” she says to him.
He looks up at her, only more infuriated by the gentle expression on her face. But he knows better than to let anger get the better of him. It will only leave him feeling ashamed. So he forces a smile and nods. “Thank you.”
She smiles too, sweet and reassuring. 
He can’t bear the humiliation. Once they’re dismissed he packs up quickly, practically storming out of the room before she even has a chance to stand up. 
He spends the rest of the day in his dorm, looking over the same problem and pulling at his hair, because now his mistake seems glaringly obvious. How could he be so useless? So careless as to not even read the fucking question properly?
His room is on the second floor, overlooking the quad. There are always people around, walking between classes, sitting on the grass, their voices and the smell of cigarette smoke rising and drifting in through his window. He hates it. He hates the noise, the distraction.
But as he goes to close the open window he spots her. It’s only for a moment. She’s walking towards the library with her hands in the pocket of her jacket and her backpack slung over one shoulder. She’s not with any of her preppy friends, in fact she looks rather solemn. 
He feels a slight twinge of guilt in his gut. Perhaps he had been a little unfair to her in their tutorial.
He keeps noticing her, especially at meal times and during lectures. Whenever he enters a room he finds himself searching for her, and if he cannot find her, he waits for her to appear. He plays guessing games with himself, waiting to see what outfit she’ll wear, the pretty mini skirt or a pair of faded blue baggy jeans. If she’ll be with her friends or if she’ll be alone.
He never approaches her. He waits for her to look at him, and once they’ve made eye contact she’ll smile at him.
He likes watching her, and comes to the conclusion that she is charming and polite, but not overbearing, and that’s what's so intriguing about her. She knows how to talk to people, even the most insufferable of their peers, but she’s not nearly entitled enough to truly be one of them.
It’s a Friday evening the next time they actually speak. The library tends to be quieter at this time and he has a textbook to look over before his next lecture. Only, when he goes to find the book, he discovers the last copy has been checked out a matter of minutes ago. Fucking typical.
He goes to stalk out of the library, debating whether or not he can be bothered to ask Oliver if he wants to grab a drink in The King’s Arms, when he sees her.
She’s alone, with her chin in her palm, writing in a notebook as she looks at the textbook open in front of her. He’s willing to bet that’s exactly the book he needs.
He approaches her slowly, waiting for her to look up and notice him, but she seems utterly absorbed in what she’s doing. Only when he puts a hand on the back of her chair and leans over her shoulder does she react to him.
He sees her jump when he gets too close. “Jesus Christ!” she hisses, clutching her hand over her chest.
“Sorry,” he mutters, still hovering over her. “Did I frighten you?”
She hums a laugh but composes herself quite quickly. She turns her head to look at him. “I’m guessing you want the book?” she says, her breath fluttering over his cheek.
He straightens his back so he can look down at her. “Will you have it for long? Only I think I’ll get through the reading quite quickly.”
“Oh yes of course, you’re a genius, right?” she says with a grin.
Irritation scratches under the surface of his skin, hot and restless. That’s how he usually introduces himself, but it’s the truth. 
“We could just share,” she says, gesturing to the empty seat beside her, “that is, unless you don’t think I’ll be able to keep up.”
There’s something exciting about the way she holds his gaze, the hint of a smile on her lips.
She offers to go back a page so he can catch up and admittedly, he skims through, only writing down a few notes before he tells her to move on. He can find the book again if he really needs to.
He has to lean over his left arm rather significantly to read the book properly. She notices this, and pushing it closer to him, shuffling her chair over to follow. They’re close enough that he can smell her perfume again.
“None of your little friends around then?” he asks quietly, so as not to disturb the other students.
“What?”
“That group of girls,” he says, “I’ve seen you sitting with them in the dining hall.”
She brings her chin back to her palm but doesn’t look up from her notes. “They live on my floor. I don’t need to spend every waking moment with them.”
“Touchy subject?” he asks, perhaps a little too hopefully.
His heart leaps in triumph when she looks up at him. “No. I’m just not sure I’d count them as friends, necessarily.”
“Why not?” he asks.
“Not my kind of people,” she says.
“Why not?”
She frowns briefly. He thinks she might scold him for being so direct, for asking so many questions, for being too intrusive. But she doesn’t.
The textbook is forgotten. She tells him about the village where she grew up, a sad little place by the sounds of it. She spent most of her schooling surrounded by the same twenty or so kids.
“For a long time, I knew there was something people didn’t like about me,” she says. “I didn’t understand why. I was never rude or cruel, I just kept my head down and did my work. The other girls told me I was a freak, the boys used to tease me, pull my hair, tear pages out of my books. Mum said people hated me because I was clever. Dad said I should stop complaining. So I did.” 
He can’t help but draw a comparison to himself. He can feel it when he meets someone new, the inherent distrust, the sense that there is something inherently unlikeable about him. In a way he likes that people are unnerved by him because at least it’s something he can control. He has never been one for friends or common ground, a consequence of being the smartest person in every room.
He watches her intently as she tells him about a private school a few miles outside of her village, a proper posh place, Victorian buildings and sprawling estates. For her, it was her one chance of escape, and while her parents worked hard to make ends meet, the only way she was going to get in was with a scholarship. So she worked for it, got all A*s in her GCSEs, started at the posh school, and from there, set her sights on Oxford.
“You’re rather deceptive,” he says.
She smiles at him. “It’s not like I lied. Were you expecting a daddy’s money brat?”
“There’s enough of them about,” he says.
She huffs a laugh and rolls her eyes. “Fucking tell me about it.”
They start to make a habit of studying together, at first it’s by coincidence, and then she gives him her number so they can organise themselves more effectively. They meet at the library every Friday to share a textbook or go over problem sheets, in preparation for their lectures. They even start to meet before their tutorials together, to compare answers and make sure neither of them are left out. Sometimes they go for coffee after their classes, and branch off to chat about things that aren’t maths.
He tells her about the grammar school he went to, that most of the boys there were rugby playing morons. He tells her about his family, his mum, his dad, the family cat that’s been around longer than he has. He tells her about his summer, running numbers for his uncle’s accountancy firm.
She tells him about the posh school, that starting at a boarding school was like being thrown into a different universe. Sure, she had been the odd one out and got the odd “povo” comment, but it was the first place where she had felt like she didn’t have to be ashamed of her own intelligence. She learnt how to fit in, to the point where he can’t tell if she actually likes her preppy friends or if she just puts up with them for the sake of it.
He starts to wonder if he could consider her a friend. He likes that she’s smart and sharp, the slight air of competition when they compare notes or go through a problem together. He likes challenging her, making her second guess herself, watching the way she squirms and tries to hide that she’s flustered. Just once, he thinks it would be fun to one-up her, but of course, she never slips up, and she never makes a mistake.
On Halloween she mentions a party at Magdalene College being hosted by one of her old school friends. Of course he’s sceptical. Hanging around a bunch of stuck up posh kids, who no doubt will all be in slutty costumes and getting off on each other’s egos, isn’t exactly his idea of fun. Although, part of him is intrigued to see her in a different setting.
So he agrees to meet her outside her dorm at 10pm exactly. He doesn’t bother with fancy dress, opting for jeans and a black jumper so that he can just fade into the background. 
She appears with some of her preppy friends. They’re all in pastel dresses of differing colours, matching wings strung on their backs, glitter on their cheeks, a little pack of fairies. She’s in white mini dress that floats around her thighs as she moves, more like an angel.
She introduces him enthusiastically to the girls, already giddy from their pre-drinks, pink gin and rosé. None of them seem that interested by his presence and he grunts in response. 
She links her arm through his as they walk over the cobbles, through the maze of ancient buildings to the dorm where the party is being held. She talks about everything and nothing. She tells him who’s going to be there, who’s been uninvited but might show up just to stir shit, how many girls are going to be there and that they’re all going to be trying to get into Felix Catton’s Calvin Kleins.
“Are you going to get with anyone?” she asks.
He makes a sound of disgust.
“Come on, Michael, live a little!” 
He shakes his head. “I don’t think– I don’t know–”
She puts her hands on his shoulders and turns him to face her. “Have you kissed anyone before?”
He swallows thickly. It’s not something he’s ever been ashamed of before, now it feels like a weight crushing down on his chest. “No,” he says, simply, determined to remain indifferent.
“Get with someone tonight!” she says excitedly, “just for the fun of it, we’ll find you someone good.”
He hates the idea, but he doesn’t have the heart to tell her. Perhaps it seems like fun to her, but to him it seems like an impossibility, and he thinks he’d rather have the consistency of being unwanted.
The party itself is loud and sparsely lit by neon lights. He starts off on bottles of beer to ease himself into it, but seeing everyone else is doing pills and white lines, he thinks he might need something stronger to get through the night, especially when she keeps getting distracted. The angel is quite the social butterfly and insists on saying hello to everyone, even the people she’s never met. 
He finds himself in a common room and reaches for a bottle of whisky and a cup when he spots her. She’s leaning against a wall, wings discarded on the floor beside her. A tall boy, wearing nothing but jeans, a pair of feathery costume wings and a horrible Carpe Diem tattoo on his forearm, has his hands on her waist. She’s smiling and giggling into his neck every time he goes in to kiss her. Of all the girls Felix could go after.
His skin feels tight. He fears if he keeps having to watch this little display he’ll retch his guts up, and yet he’s utterly hypnotised by it, the way she had her arms around his shoulders, the way her fingertips trace the base of his neck. And fuck, he’s never seen her look so beautiful.
He ends up downing the rest of the whisky straight from the bottle and most of the night becomes a blur after that. At some point he thinks he starts trying to talk to one of her pastel fairy friends. He doesn’t catch her name, and he wouldn’t care to remember it anyway. She plays with his glasses, tries them on and giggles hysterically. He thinks she must be completely off her face, considering the look of utter disgust she had given him at the start of the night.
Somewhere in the noise of the party she throws her arms around his neck and they sway clumsily to the overwhelming bass of the music. He thinks he feels her lips graze his cheek, his jaw, his neck, but where he can help it, he keeps his eyes on his angel. Felix has one of her legs around his waist and his hands halfway up her skirt. 
Fuck this.
He pushes the nameless girl off him and storms over to put an end to the scene before him. He grips Felix by his shoulders to pull him off her, grabs her by the arm and drags her out of the dorm. He doesn’t look back to see if Felix protests, he’ll probably find some other throat to stick his tongue down. 
She tries to shout over the music. “Where are we–”
“I’m tired,” he snaps, bringing his face in close to hers. He gets closer than he means to, pressing his nose and his forehead against hers. He’s breathing fiercely, he realises, desperate to contain the full extent of his anger, his jealousy. “I want to leave.”
She stares back at him with parted lips, and nods.
He feels better the moment they’re outside, away from the disorientation of the party. He takes deep breaths of the night air, cold and sharp in his lungs. He snatches off his glasses, runs his hands over his face and his hair to find himself drenched in sweat.
His angel tucks herself in against him, under his arm, huddling her arms around herself and shivering.
“Do you want my jumper?” he says. His voice and the words on his tongue feel strange. His limbs feel weightless as he pulls it off and helps her into it. 
“Hmm, thank you,” she says dreamily, clinging onto his arm as they stumble back to Lincoln College. He burns where she touches him, her fingertips digging into his skin. He loves it, and hates that her hands were on someone else before him.
“You were getting rather cozy with Miranda,” she says.
“Who?”
“Lilac fairy costume,” she says, playfully hitting his arm. “Did you kiss her?”
His heart sinks. He presses his lips together but she doesn’t seem to pick up on his annoyance. “No,” he says with a tight jaw.
“Oh no,” she says, looking up at him with a comically sad pout. 
“It’s not important,” he says.
“It’s your first kiss! Or should have been your first kiss. It’s important. Did you at least have a good time before you got tired?”
“No,” he says, “your friends are all imbeciles.”
They walk the rest of the way back to her dorm in silence. He makes sure she has her keys, holds her face between his hands and tells her to drink a whole glass of water before she falls asleep. 
She leans into his touch with a sleepy smile. “Yes, yes, I will,” she whines.
The sound stirs a wanting in his stomach. Suddenly his heart is beating faster than it ever has before.
“And call me if you need anything–”
“Would you want to kiss me?” she asks.
His eyes flicker down to her lips. His hands are still cupping her cheeks. “What?”
Her eyes are wide and alert. “I just mean, I could be your first kiss, if you wanted to.” She places her hands on his wrists, tracing her fingertips over his skin, along his forearms. It’s such a simple touch, and yet he can feel it driving him slowly insane. 
He imagines her hands running over the rest of his body, down his chest, his stomach, teasing over the growing hardness in his jeans.
“You’re drunk,” he whispers, terrified of how desperate his voice might sound.
She rises onto her toes, inching her face closer to his, drawing her nose over his cheek. “So?” she says, lips brushing over his skin, “I promise it’ll feel good.”
Their lips find each other in a simple movement. It’s easier than he thought it would be, following the movements of her mouth, letting his hands fall from her face and rest on her waist. He can feel her breathing, the little hums she makes as she kisses him and runs her hands through his hair.
He decides, in that moment, that she is perfect. She is bright and beautiful, passionate and kind, soft and sharp, everything he wants for himself, the only person he has ever felt a need for. That need burns through his bloodstream, goes straight to his head and makes his mind hazy. It tightens in his gut and only makes that wanting feeling in his chest feel emptier. His heart races, his trembling hands graze over the thin, silky material of her dress.
His glasses come askew. He feels her smile against his lips and it feels good. Really fucking good.
His hands clench into a firmer grip on her waist. He needs to keep her close, to touch her, feel her, know she wants this as much as he does.
Only she’s slipping away.
Her hands come away from his neck and the cold night air stings his skin in her absence. She pulls her head away, not abruptly, but that’s the pain of it. He leans forward to chase her lips but he has no choice but to let her go in the end.
She looks up at him with a vague smile. “See? It’s nice, isn’t it?”
Nice in the moment. Pure torture that he’ll have to spend the rest of the night clinging onto the memory, only able to imagine how good it felt.
After that night he cannot escape the thought of her, when he’s in his lectures, when he’s in the library, when he’s walking between classes, when he’s in the dining hall. If he’s with her he cannot help but notice every little detail about her, her clothes, her hands, the colour of her nail polish, every micro expression, every word, every laugh, every sigh.
And when he’s alone, he can’t help but picture her in that white dress, the sound of her voice, the feel of her lips. He can’t help but imagine what it would be like to run his hands over every inch of her skin and make her a breathless, whining mess. When he’s in his dorm, it’s inevitable that his hand will end up dipping into his boxers, stroking himself until he spills over his knuckles with a grunt or a whisper of her name.
He’s never known himself to be so distracted.
Worst of all is the rage that comes with the wanting. He hates walking into the lecture hall to see her chatting to someone else, seeing her with her preppy friends around the college or drinking with that old school friend in the King’s Arms. None of them deserve her. None of them. Does she even realise it? How long before she loses herself, before she decides she doesn’t need him?
He knows he’s not a sentimental person. He doesn’t have a lot of friends nor does he want them. People have come in and out of his life, but this girl is different. He feels a draw to her, a hunger that he can’t satiate with his own imagination. She is everything he wants for himself, and he has no intentions of letting her slip away.
As Michaelmas terms comes to an end, the colleges and libraries are covered with garlands and wreaths. Despite the lingering worry in the back of his mind, Michael is rather happy with his collection of outcasts, though poor Oliver Quick seems rather unhappy at being a designated Norman-No Mates. 
He finds it easier to get her attention as the term and the workload progresses. They’ve had tutorials and summative assignments, and she’s finally starting to struggle. 
And then there was the incident about the scholarship. One of the preppy friends let slip that she wasn’t paying for her tuition fees or her accommodation, likely done out of jealousy after she’d gotten close to Felix at the Halloween party. He was there for her with a perfectly good shoulder to cry on when half the girls in her dorm started teasing her for it.
He tells her that she doesn’t have time to get distracted with parties or friends who won’t help her succeed. 
He’s sitting at a table in the library, ready for one of their Friday evening study dates. She’s late but soon hurries in, pulling off the thick red scarf she has wrapped around her neck and shrugging off her denim jacket.
He has the textbook open at the right page and places a Crunchie in front of her when she sits down.
“Did you know there was a college Christmas party tonight?” Michael asks as she takes down her notes. “We’re NFI, apparently. Not fucking invited.” He’d checked his pigeonhole, and Oliver’s for good measure. 
In the corner of his eye, he sees her look up from her notebook. 
“As if we’d actually want to hang out with those vapid cunts,” he says, laughing to himself. He turns his head to check if she’s laughing too.
She doesn’t look very amused. “Actually, I was going to ask if you wanted to come with me,” she says.
He pauses, hovering his pencil over his worksheet. “You got an invitation?” he says quietly.
“Yeah,” she says, “I was chatting with some of the literature guys the other day, you know Farleigh Start–”
“What the fuck were you talking to him for?” He asks in a voice like ice.
She stares at him with wide, almost accusing eyes. “What, am I not allowed to talk to anyone besides you?”
“They’re not worth your time so stop acting like a fucking bootlicker” he hisses. “They’re all self-obsessed and cruel, and I don’t know why you’re so desperate for their approval.”
“Desperate,” she echoes.
The silence of the library is screaming at him. He has an awful feeling in his stomach, like he’s done something wrong, like he’s pushed a little too far.
It’s Halloween all over again. He can feel her slipping away, and he can’t reach out for her, can’t hold onto her and make her stay where he wants her. He curls his fists as he feels his body start to tremble.
“I guess I won’t waste any more of your precious time then,” she says sharply as she starts to pack up her things.
“No,” Michael utters. He reaches his hand up as if to stop her but she stands up, out of his reach. “I didn’t mean it like that.”
She throws on her jacket, wraps her scarf around her neck and turns around, glaring down at him with sad, glassy eyes. “I need to get ready,” she says. “Enjoy the rest of your night.” Then she sweeps out of the hall with a cold rush of air and a slam of the doors.
Michael groans and lets his head fall into his hands. How had he managed to fuck up that badly? 
He can’t think about the problems on the sheet in front of him, or think about the reading from the textbook. All he can picture is her in some skimpy dress, letting some sick trust fund baby put his hands all over her. It makes him want to tear his hair out. 
He stays there until the evening has turned to night, until any other stragglers have left the library, to attend this stupid Christmas party or to make their own fun.
He can’t understand why she keeps trying to befriend the people who would abandon her the moment they got bored of her, the very same people who shamed her for her scholarship. 
He’d never leave her, never let her feel anything less than worshipped.
When he finally packs up his bag he finds himself walking to her dorm. A few girls are leaving as he arrives at the building and he easily slips in while they’re busy chatting. He knows which floor she’s on, and then all he has to do is find her name on one of the doors… and there it is, under the number 205. Perfect.
He glances up and down the hall. It’s deathly quiet. He wonders how many students have already cleared out of their rooms, how many will be at this party, at the pub with their friends.
He can hear music on the other side of the door, a voice singing softly to a song he doesn’t know.
He brings his knuckles up and taps four times against the wood.
She seems happy when she opens the door, but her face falls when she realises it’s him.
He buries his hands in his pockets, keeps his chin down as he looks up at her. “I need to talk to you,” he says.
She sighs and purses her lips, but steps aside enough for him to come into her room. 
It’s not as neat as he imagined, but it’s cosy. There are photos and posters all over the walls, clothes strewn everywhere, an opened makeup bag on the floor by the mirror, pieces of paper and used mugs on the desk. His eyes are drawn to her bed, to the colourful comforter tossed carelessly over the duvet and the pile of mismatched pillows. It smells like her perfume, and something else that is distinctly her.
A red dress hangs on the front of her wardrobe, her outfit for the party, he guesses. For now she’s dressed in her favourite pair of baggy jeans and a tank top, her hair slightly damp and her skin dewy.
She sits on the edge of her bed with her legs crossed. She doesn’t prompt him, but he knows what she wants to hear.
He stands in front of her, his knees almost touching the bed. He tries not to look at the cut of her tank top, the way it clings to her torso and teases the swell of her breasts.
“I’m sorry,” he mumbles. “You were right, I was being unfair.”
She looks up at him, furrowing her brows and catching her lip between her teeth, like she always does when she’s thinking. It makes his stomach drop. 
“You can be cruel too, you know that?” she says, “and so full of yourself, but you hold it against everyone else you meet.”
“But I’d never lie to you,” he says, “and I’ve never pretended to be someone I’m not.”
She keeps frowning. “Neither have I.”
He hums a laugh. He can’t help but reach for her, taking her chin between his fingers. She doesn’t flinch away, doesn’t question it when he gently strokes his index finger over her cheek. “Silly girl,” he says, “you care too much about what people think of you. You’re smarter than that, but you’re happy to hide it.”
Her breath hitches as tilts her head further back and lets his thumb drag over her lower lip.
“Michael,” she utters, pressing her palms against his chest, but not enough to push him away. Her hands grip at the collar of his jumper and she nudges her nose against his.
He doesn’t know where the sudden recklessness comes from. Perhaps it’s in the way she said his name, the way her eyes are gazing up at him, but every part of him feels hollow. 
He leans in closer. “Why bother? Why do you want to dumb yourself down when I could just fuck you stupid?” 
She leans in to kiss him and he indulges her, letting his hand settle against her cheek as they clash together in a mess of lips and tongues. It’s more frantic than the night of the Halloween party, wetter, clumsier.
She comes up onto her knees, snaking one of her hands down to the hem of his jumper.
“Have you fucked a girl before, Gavey?” she says between their kisses. He can feel her smiling.
“No,” he says, practically tearing his jumper and his shirt off, “but I’ve thought about it a lot.”
“Anyone in particular?” she says, palming over the bulge in his jeans.
“Who do you fucking think?”
His hands are on the buttons of her jeans, ripping them open, dragging them down her legs before she’s on her knees again. He slips his hand between her legs, against her clothed centre and she ruts against him like a bitch in heat.
With his other hand he grabs at her waist, impatiently pulling her tank top over her head to reveal a lacy black bra underneath. He can’t stop himself, planting firm, desperate kisses over the flesh of her chest as he undoes the clasp.
He tosses her bra aside and takes one of her nipples in his mouth, sucking and circling his tongue over the sensitive bud. He loves how she whines for him, how she runs her fingers through his hair and pulls when it feels good.
And then her phone rings.
She sighs in frustration before she shoves Michael away and crawls over to the table by her bed. 
Michael groans at the loss, wanting nothing more than to grab her and pull her back across the bed. “Who is it?” he asks, adjusting his glasses.
“Could be Farleigh, or one of the girls, I said I’d meet them before the party–”
That’s all he needs to hear. In an instant he’s on top of her, pinning her wrist to the mattress so she can’t reach her phone, legs on either side of her body as he presses her down.
She writhes underneath him, unintentionally grinding her rear into his crotch. She tries to turn her head over her shoulder, but it’s hard when she’s caged in underneath him. “Michael! What the fuck are you–”
“When are you going to get it into that pretty little head that you don’t need them?” he says, letting his lips brush against the shell of her ear. He feels her shudder, feels her heartbeat racing against his chest.
“I know I don’t need them,” she says.
“Hmm,” he says, leaning back to undo his jeans enough to free his hard and eager cock. I’m not convinced.”
He takes his time pulling her panties down her legs, kneads at her thighs and her ass, pulls her hips up and parts her legs so he can get a look at her slick, glistening cunt. He’s almost fascinated by it, drawing his thumb through her folds, noticing how she reacts to his touch, the sounds she makes, the way she fists the bedsheets when he gets close to her clit, but just enough to keep her on edge.
“I could be so good to you,” he says, leaning down to press a kiss to her shoulder, “so fucking good, so why do you act like you don’t need me?”
“I do,” she breathes, interrupting herself with a light moan when he presses firmly against her clit. “I do need you.”
“There you go, you’re starting to get it,” he coos, circling over her most sensitive spot with the pads of his fingers. He may not have the practice but he has the knowledge, and he needs this to feel good for her.
She responds beautifully, sighing and rocking her hips against him, and she just melts when he presses the tip of his cock against her entrance.
He has to push harder than he expects, pausing when she gives a little yelp of what sounds like pain, but she assures him she’s fine.
He grabs her hip for leverage, hissing through his teeth as he pushes in deeper. She’s so tight, so wet, so warm.
“You can move,” she says, letting her head fall against her arm. “Please, I need it.”
He starts slowly, focuses on the drag of his cock through her, the way she stretches around him, but he can’t hold back for long. Once he finds a rhythm he gets a little more reckless, snapping his hips against her rear, keeping his harsh grasp on her flesh as he fucks her into the mattress.
Her moans are heavenly and obscene. She’s given up struggling but she’s trying to look at him, trying to touch him but she can’t. She calls his name and it sounds so pathetic but so endearing.
He chuckles lowly to himself. “Silly little slut, didn’t know what she was missing, did she?”
“No,” she whines. He can feel her clenching around him and he doesn’t know how much longer he’ll be able to last. “Fuck, Michael, it feels so good…”
He pulls out of her, only to turn her back and slam back in. Suddenly she’s all over him, running her hands down his torso, wrapping her arms around his neck. She has her face buried into the crook of his neck, grazing her lips, tongue and teeth over his skin. 
It feels good to have her close, but he’s still not entirely satisfied. 
He pulls away to hold her down again, one hand on her throat, the other on her stomach. “Mine.” he huffs as he picks up the pace of his thrusts. “All mine. Fucking say it.”
She places her hands over his, urging him to hold her tighter, press harder. “Yours,” she utters, “all yours.”
“Good fucking girl,” he groans, and feels her respond to his voice, cunt fluttering, back arching, another whine sounding in her throat— maybe she likes that. “My clever little girl.”
He feels her come undone around him, back arching as he lets out a breathless moan, practically squeezing him to his own release.
He pulls out and with a few strokes of his hand, paints her belly and her thighs with his spend.
She’s trembling, smiling, reaching out to touch him again, grabbing at his wrists and pulling herself up. She guides him to lay back in the bed and straddles him, tracing her finger over his lips, his jaw, along his nose to push his glasses up for him. He can hardly see through them, the lenses fogged up and smeared with sweat.
“That was fun, wasn’t it?” she says.
“Yeah,” he breathes, pawing at her hips, watching his cum as it drips down her body. He can feel a sense of pride swelling in his chest, the arousal in his gut starting to tighten again.
He gasps when she drags her wet cunt over his already hardening cock. “You.. want to go again?”
She tilts her head, looking down at him with that familiar excited look in her eyes as her mouth spreads into an eager grin. “You’re adorable,” she says, tracing her fingertips over his chest, down the lines of his abs, to the trail of thin hair on his navel.
She leans down, reaching between them to take his cock in her hand, moving with agonisingly slow strokes. When he tries to protest she silences him with little more than a peck on his lips, before she trails down to his throat. “I stand by what I said, Gavey, and you’re not leaving this bed until we’ve taken that ego of yours down a notch.”
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Tags (comment to be added)
General taglist: @randomdragonfires @jamespotterismydaddy @theoneeyedprince @tsujifreya @dreamsofoldvalyria
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walpu · 2 months
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I've got those requests almost at the same time jsrfwwxewe also I fucked up big time and accidentally deleted them but thanks god I've made the screenshots
I've been looking forward to writing something nsfw for him lmao
nsfw headcanons w/Aventurine
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characters - Aventurine notes - gn!reader, nsfw, subby!Aven. Somehow turned into a character study. Somewhat angsty but with a turn for hurt/comfort. No beta.
Okay, first of all, he's no virgin. But he's NOT a manwhore either. Like for some reason when it comes to the cunning characters it's always either he's a dickrider-pussydestroyer-900 or he's actually a fragile innocent virgin baby. Not the case with Aventurine, not on my watch at least.
I mean it's pretty much canon that the only moment he feels truly alive is when he's gambling so he won't seek sex for the purpose of filling up the hole in his heart. And I don't see him as a lustful person in general.
He has one-night stands from time to time though. Not particularly often but once in a while he feels a certain level of frustration and stress budling up in him so in order to distress without losing his cool he seeks sexual relief. For him it's a safe way to relax a bit without actually taking off the mask of a frivolous and confident man.
Also. He's very touch starved. Not even in a lustful way, he just wants to feel someone's touch. Someone on twitter pointed out that he's practically hugging himself on his e6 and I haven't been the same ever since.
And now look at his body language in almost every cutscene. He has his arms crossed and is generally pretty reversed. I think he doesn't trust people around enough to be in his personal space but when it's a part of the sexual act, it's just natural. He doesn't have to feel exposed. So yeah. This is another reason why he seeks sex.
Now do you remember what Sparkle said to him? About stripping himself naked for Sunday and all that? Yeah I feel like he gets comments like that a lot due to people's prejudice against Avgins. People are usually not this straightforward butttt the idea behind their comments is the same.
He may act unaffected as long as he wants to but I do think it messed him up quite a bit.
Due to his fucked up views on his own value and his sexuality he doesn't have a healthy set of boundaries with his partners, allowing them to be as mean and rough as they want. And I don't mean just kinky stuff, I mean genuinely uncaring partners who really don't give a shit about Aven's comfort. I think subconsciously he seeks people like this. In his eyes, it's better this way, otherwise he may crumble from a gently and caring touch.
So yeah. His sexual encounters usually leave him sore and exhausted. The initial feeling of relief washes away in the morning, leaving him more empty than before.
Okay now to the happier part because we are 466 words in and I still didn't say anything good or sexy.
If the two of you started your relationship as a fling then initially he would be surprised because of how observant and attentive you are.
"My, my, how caring you are. But don't worry about me, you're free to use me as you wish" he says in the same flirty tone as usual. And you just. Stare.
He acts like he's bored while you literally pry the information out of him and, well, he doesn't give you anything specific anyway so you have to ask questions during the whole prosses to make sure he's doing fine. Orrr you just set for something very vanilla just in case.
In reality he's a bit confused. Has mixed feeling about this. Being treated with such care makes it harder for him to hide behind his mask but it feels so nice.
And when he realizes that he has actual feelings for you he just. Stops sleeping with you lmao. If you have questions about this he'll find 2134144 excuses but in reality he just tries to figure out his own feelings.
If you started off as friends then he would not try to sleep with you until you start dating. At first he just doesn't want to mix up this dynamics. And when he catches feelings, he just tries to make sense of it. Plus since sex is not something entirely positive for him, he's just kind of... unsure how it may affect your relationship even if it's obvious that the two of you want each other.
Okay now the real talk. When the two of you are officially lovers be prepared to face his messed up views on his own sexuality. Will probably need a lot of reassurance, attention and aftercare to realize the importance of his own safety and comfort. Learns to value himself through you.
A very good lover, knows how to please you and wants to please you. His previous sex partners weren't important to him so he didn't go out of his way to make them feel good but with you it's a different story. Literally worships your body, pressing kisses everywhere. Especially likes your thighs. Kisses them, bites them, leaves marks all over them. Loooooves teasing them while keeping eye contact with you right before giving you oral.
I feel like he's a switch but leans towards being a sub. May dom if you want him to or, rarely, if he feels like it.
May look like a brat but is not actually a brat. Well, most of the time. He's a tease but still does pretty much everything you want without making you work for it. However, if he's in a playful mood, may get all cheeky with you. Says stuff like: "Oh, that's all? I know you can do better" or "My dearest, don't disappoint me, okay? You know I don't make deals that don't pay off" just to rile you up. He loves being tamed okay. He knows you won't hurt him so him being all cheeky and disobedient is actually a huge sign that he's comfortable with you and trusts you fully.
Worship his body and he'll melt. Like. He'll genuinely crumble.
Goes all worked up and needy and soft and completely submissive in your arms.
Loves loves loves edging you. And fucking hate being edged. And by "hates" I mean he will whine and sulk and beg you to let him cum already. Secretly loves it but won't admit. You know it anyway since he never tries to stop you, obeying your every command, like a good boy he is. If you tell him that you'll stop doing that if he actually wants you to he'll huff and admit that he's not actually against you being a meanie.
Loves marking your body and loves when you mark his. HOWEVER would prefer to leave/have hickeys on the parts of your bodies that are usually covered. Doesn't want to create any rumors and doesn't want to make you uncomfortable. However, if you're into this, he'll gladly cover your entire neck with hickeys.
Is actually very sensitive pretty much everywhere so it's quite easy to overstimulate him. Once again, he'll whine but would never be against it.
Has the pretties moans and is very loud as well.
Doesn't have a lot of stamina so if he tops and you're still not satisfied after he cums, he'll use toys to entertain you up until he is ready for another round. If he bottoms then please give him some time to rest. Andddd kiss all over his body so he would get worked up again as soon as possible.
Has a praise kink. And a bit of a degradation kink too actually. Don't just insult him, mix it up with a praise and boom he's ready to cum.
Loves aftercare. Both giving and receiving it. He feels extremely vulnerable after a sensual lovemaking session so please just hold him and tell him he did great.
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honkytonk-hangman · 7 months
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Good In Bed
Jake 'Hangman' Seresin x Reader
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Summary: Jake has made it crystal clear to you that you're only friends with benefits, so why did he go and delete your dating apps?
Warnings: brief mentions of smut but not smutty, jake kinda being an asshole, reader getting upset and yelling at him, fluff ending all the way baybay
Notes: u have no clue how much i love u @roleycoleyland for literally being the reason this got finished &lt;;3 <;3 <3 title from Good In Bed by Dua Lipa <3
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Jake pumps his hips hard into yours one final time, before he at last collapses beside you, chest sweaty and heaving, his eyes closed and his face raised to the ceiling. Your position had shifted from the pure force of your fucking, and somehow your head had fallen off the side of his bed, leaving you hanging slightly as you too try to catch your breath.
“Damn, I’ve missed this,” he says a short time later, shifting himself fully out from between your legs, and tucking his hands behind his head, the afterglow of a good lay lingering on him beautifully. Once upon a time his words might’ve sparked pride or even joy, but now they’re just one more cut that stings painfully before being swallowed up. You note sourly he doesn’t say he’s missed you, despite the fact he’s been gone ten weeks now, and against your better judgement you missed him.
You lay there on his bed in the late evening and regret every moment that led you to this point. You shouldn't have picked up when he called tonight, you shouldn't have come over for drinks, and you definitely shouldn't have had sex with him again.
It’s not that Jake isn't a nice guy, well, he isn’t always, but for the most part he was a mile more decent than most of the guys you’d actually dated in the past. From the start he was straightforward and blunt with you about what this thing between you would be, how much he was offering you, and to his credit, he rarely seemed to step outside of that. And like an idiot, you’d gone and gotten feelings for him anyway.
You should have stopped seeing him long before his most recent deployment, and you shouldn't have been there the night before he left for him to hit you with another straightforward and blunt assertion that you were only fuck buddies, nothing more.
The thing is, you and Jake got on well, so well in fact most people assumed that you were an item, and at this point maybe you were blinded by your feelings, but you couldn’t exactly see why you shouldn't be, aside form the fact that Jake didn’t seem to be interested in any sort of commitment, despite what that offered was basically what you had now, only he didn’t have to go out of his way to break your heart once a week.
After the last time, before he’d left for ten weeks, you’d sworn off him for good. You put his name in your phone as ‘DO NOT CALL’, you downloaded a few dating apps, you’d even been on a few dates… and then Jake had sauntered back into your life, invited you over for the night and just like none of your progress existed in the first place, you’d come at his beck and call.
You lay there feeling pathetic as it sinks in what you’ve done, but swallow back your emotions for now. You were an adult, you chose to do this with him tonight, you knew what it would do. Warm fingers make you jump as they wrap around your wrist, and you glance up to watch as Jake effortlessly tugs you back onto the bed, closer to him, never letting his hand leave your skin as he releases you to skim his fingers up and over your shoulder, drawing you even closer until you’re almost cuddling. You nearly pull away.
Jake wasn’t a post-sex cuddler, not really anyway. Aftercare? No problem, but this wasn’t exactly the sort of session that required aftercare, so you’re more than a little surprised by his continued affections, staying still as he curls himself onto his side to face you, hand dropping to grab at your thigh, which he hikes over his, as if this was something you normally did.
“You may need to give me a few before we go again,” you tell him, realising this position was probably just him gearing up for round two. Jake peeks an eye open at you, and lifts an eyebrow as though what you’ve said is very funny.
“I don’t think I’ve got more to give tonight,” he says, adjusting your leg around him again, pulling you in even more. You refrain from frowning, if only to avoid explaining to him why. Jake closes his eyes again and lets out a contented sigh. His hand stays curled around your leg, though he begins rhythmically smoothing his thumb back and forth over your skin after a few moments, and you begin to wonder at what point he’s going to withdraw from you like he usually does.
Luckily you’re saved from the dreaded wait, your phone buzzing loud and distractingly. You use it as the perfect excuse to extract yourself from him, instead moving to a sitting up cross-legged position as you reach for your phone, and draw the screen closer to your chest when you see who it’s from. Jake seems only a little disgruntled by your movement, though gets over it quickly, replacing his hand almost exactly where it once was around your thigh.
“What's going on?” he asks casually, eyes closed again as you tap out a reply. You spare him half a glance, but don’t feel much point in lying to him about things, seeing as he’d never done so with you.
“Just this guy I met on Tinder a while back.” you tell him lightly, completely missing how his eyes pop open immediately and he stares up at you with an unreadable expression.
“You’re on Tinder?” he asks, voice blank, finally making you look down at him properly. You blink and shrug, before going back to your phone.
“Sure, I mean, I don’t know how else to meet people these days, I kinda don’t get out much when Dagger’s not around,” you inform him, shifting in your place slightly as he withdraws his hand from your thigh to lay over his sternum instead.
Feeling the mood shift, but unsure as to why, you force out a laugh and shrug.
“It’s been sorta nice, trying to get back out there again properly, not just, you know, settling or whatever.” that makes Jake react clearly, frowning at you while pushing himself into an upright position. “Settling?!” he repeats, though it’s not really a question. You stare at him in confusion.
“I don’t know, I guess I’m getting past the point in my life where I wanna be doing this,” you getsure between the two of you. “All the time.”
Jake blinks at you in clear offence, before quickly his entire demeanour seems to change all at once, and his expression falls into a somewhat familiar cocky grin.
“Alright, I get it,” he says, only further confusing you and you’re caught off guard enough that when he reaches out and plucks your phone from your hands, you don’t have time to react.
“Hey! Jake!” you protest, suddenly a little panicked as he very easily plays keep-away from you, using one of his hands to do something on your screen, while the other easily bats away you various attempts to swipe your phone back.
“You don’t need any of this shit, alright?” Jake tells you almost condescendingly.
“Jake!” you warn, your voice growing less calm by the moment.
“There, gone. Deleted.” he says proudly, before at last turning your phone screen around to face you, and letting you take it back off him, which you do hurriedly, snatching it away and standing up from the bed.
“What the fuck?!” you demand, looking agape between your now tinder-less phone, and Jake. The blond looks more relaxed now, and all of a sudden any thought of keeping your brooding and your feelings to yourself goes out the window. Your eyes prickle.
“What the fuck is wrong with you? Why would you do that?!” you shout. Jake has the smarts to at least drop his smug grin, but now he stares up at you in even more annoying surprise.
“I was just–” he starts, but you don’t even care what he has to say anymore.
“You don’t get to leave for ten weeks after, especially after reminding me that you don’t want me, and then just show up again and ruin my chances at finding someone who actually does!” your raised voice wobbles, and you don’t bother trying to hide your sniffling as you continue to lay into him. “That’s not fair! You’re being unfair!” you cry. “How many girls did you take home while you were away, huh?”
Jake blinks at you, a shade of indignance colouring his features now.
“None.” he tells you, but you can only scoff.
“Right. And how many did you flirt with? How many did you buy drinks for?” he stays silent at those questions, either not wanting to answer or no longer seeing the point in the face of your tirade. You stare at him until your eyesight blurs completely before at last you reel back from him.
Gasping a little at the state you’ve worked yourself into, you turn half away from him and wipe desperately at your eyes.
“Baby–” Jake starts, his fingers brushing your wrist, but you jerk away this time, pulling your hand and your phone to your chest.
“I need to go. I shouldn’t have come,” you tell him, collecting your clothes quickly before escaping into his bathroom.
You can't help but feel a little pathetic as you cry harder once you’re in the relative privacy of his ensuite, a strange but familiar disappointment lancing through you when he doesn't come after you. However upon swinging the door back open once you’re dressed, you find Jake standing in front of his bed, sweatpants now fastened around his hips, and a determined expression on his features.
“I’m not letting you leave like this,” he tells you firmly, as if he has any say in what you do. You scoff at him, but don’t cover up your still dripping eyes. If anything, his resolve seems to strengthen.
“Look, be pissed at me, I deserve it, but I’m not letting you drive home when you’ve been drinking,” his voice leaves little room for argument, and even though in the back of your mind you know he’s actually being the decent version of himself right now, you can’t help but snarl at him in disgust.
“Fine! Then I’ll call an uber. I’m not staying here.'' You're aware you sound a little childish, and you feel a small pang of regret when Jake’s face flashes with hurt that is quickly covered up by sternness. Going against all the signs you’re putting out to him right now, Jake moves forward and stops your movements to find your shoes by laying both hands on your shoulders. When you look up at him, eyes still blinking away tears, he seems sincere and pleading.
“Just… just stay here, I’ll sleep in the lounge, alright? Just don’t go home like this.”
You want to snap at him that he has no right to ask that of you, but somehow you think he already knows that, and is still asking anyway. You realise dully, that just like you always wanted, Jake was chasing you now, though, you aren’t sure you really want it anymore.
“I wasn’t trying to upset you–” he cuts himself off, just as you shrug out of his hold.
“Please do not talk to me right now.” is all you can manage by way of agreeing to his terms.
You can barely bring yourself to look at him as he goes about collecting up his pillow and a spare blanket, and a part of you feels cruel, but the bigger part of you is proud that you’ve finally put your foot down. Maybe at some other time you’d let him talk, but right now all you can think about or hear is every moment prior to this night when he’s hurt you.
You’d hoped you’d at least be able to fall asleep somewhat fast, but the longer you lay there, the longer you go over and over every little detail of your night until you find yourself downstairs, wrapped up in the throw blanket from Jake’s bed, and standing a few feet away from him on the couch. He sits up immediately when he noticed you, chucking his phone down and focusing intently on you. You note he doesn’t open his mouth, or attempt to speak yet, and you almost regret telling him not to earlier.
You stare at one another hard, until you have to suppress a small hiccup, at which point you frustratedly wipe your face with the back of your hand and cross your arms in front of you.
“Why did you do that?” You ask, amazed your voice sounds as firm as it does. Jake stares up at you with a mixture of uncertainty and something you want to say is remorse but you can’t bring yourself to believe right now that he would be.
“I���m not good at this stu—”
“—No, tell me why you did it.” You cut him off, not willing to listen to his self-pity right now. Jake closes his mouth and blinks up at you, staring intently for a few moments before he shifts in his seat. “Did you miss me?” You prompt after he continues to stare, eyes somewhat pleading. You understand relationships and vulnerability are hard for him, you’re willing to give him this olive branch for now. To his credit, Jake immediately nods, his hands coming together across his spread thighs to wring anxiously.
“Yes. I’m sorry—”
“—If you ever try any of that shit again, I’m kicking your ass,” you tell him. Jake blinks, then straightens up, and nods again. Your lip wobbles and this time when he reaches a hand out for you, he doesn’t grab you, but waits for you to shuffle forward toward him before pulling you in.
He tugs you forward to come stand between his legs, and bows his forehead to rest against your abdomen, his hands anchored at your hips.
“I don’t want you to think I don’t want you,” Jake mumbles, loud enough for you to hear, and you know this is a big admission for him.
“I know it probably doesn’t feel like it, but you can just, you know, tell me that…” you reply, letting your hands fall into his hair where you begin to smooth down some of the mess you made of it earlier. “I want you,” you say, realising while he may subconsciously know that, you’ve also never told him before. “I would never have let you mess me around if I didn’t,” you add with a short laugh, and flick his ear gently. Jake huffs, and lifts his head so he’s looking up at you now, chin resting on your belly.
“I don’t want you to date anyone else. I should have told you that back when I realised it…” he says softly, looking for the first time since you’ve known him like holding your eye contact is uncomfortable for him. “Is that okay?” He asks even quieter.
“Only if you don’t half ass it,” you peer down at him with playful scepticism.
Jake’s fingers at your hips tighten and his eyes narrow.
“I don’t half-ass anything,” he tells you sourly, before making a face. “Tonight notwithstanding.” he adds after a moment. You can’t help it then, you chortle, and hold the sides of his face. Jake smiles, seemingly proud of himself for making you laugh, and he adjusts his hold on you, moving his hands down to tug you into him, so your knees buckle and you’re forced to catch yourself on his shoulders just as he manoeuvres you to sit on his thigh.
“I’m sorry,” he says, far more seriously, leaning his forehead against yours now that you’re face to face. You cup his cheeks again, and dip forward to press a chaste kiss to his lips.
“You will be out on the curb so fast if you fuck me around again,” you tell him cheerfully, making him laugh this time.
“Noted,” he says, before he steals another kiss, longer this time.
When he pulls back at last, you feel yourself relax fully against him, and move to rest your head in the crook of his neck.
“Can we go to bed now?” he asks after a few seconds. You nod, stifling a suspiciously timed yawn, and yelp a little when he scoops your legs under his arm and stands, grinning smugly all the way back upstairs.
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redroomreflections · 6 days
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Silver Lining
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Wanda Maximoff x Fem!Reader
Summary: After Natasha dies, Wanda helps reader with raising her baby. They didn't know they would fall in love
W/c: 4.2k
Ellie needs diapers.
It’s a simple text. A message you’re used to these days. It’s straightforward and to the point. Ellie needs diapers. Though there’s no other meaning behind the simple sentence it's a bit unsettling. You stare at the message watching as the text bubble for typing appears. You wait with a finger over your cursor for the sender to say something else. Just as quick as it appeared it leaves your screen.
Are you okay?
You want to send it back. You quickly delete the message and tuck the phone into your pocket. Guess you’ll be going to get diapers. You start the engine of your car, glancing to the bar in front of you, before pulling out of the parking lot. Wanda’s been weird lately. Distant.Cold. a little testy. You have a bit of an inkling of what it could be but your mind won’t let you go there. You’ve just come from a pretty awesome late-night dinner with your coworker, Danny. It’s the second time she’s asked you out and you accepted. It’s about time you hang out with someone other than Ellie these days. Not that Wanda isn’t a good company but You’d be an idiot to say no. Danny is kind, sweet, smart, and so damn sexy. She’s tall, runway model tall, with legs that never seemed to end. Most of all she listened. She’s the only one in the office that understands a bit of what you’ve been through so you go to her for things. It was only a matter of time for your relationship to progress. Right?
You can’t help the deep-seated guilt at leaving Wanda in the dark. She takes care of Ellie as if she’s her own. She helps whenever you need it and despite her own grief and pain, she’s always there for you. This is why you are unsure of her recent behavior. It must be something you did. Maybe she’s not comfortable with you leaving her with Ellie to go on dates? If so you’d be happy to find a babysitter to relieve her. Was she upset that you forgot to put the laundry in the dryer? Did you forget her birthday? No, that can’t be it. Wanda was so gracious and plentiful with her forgiveness. Which is why you are so confused.
The only thing open right now is the 24 hour CVS. Simple enough. You step into the store with a purpose. You find the baby aisle with ease. You’ve been here plenty of times before. The Honest Company brand is the first you spot. You’re not too keen on being loyal to a specific brand but Wanda always insists that it’s really good. You grab a pack of diapers in Ellie’s size and tuck it under your arms. You pull out your phone again to check if Wanda has messaged about anything else. You’re the only one in the store beside the cashier so you’re not in much of a rush. You step around to the second aisle where there are trashy magazines and other assortments of books on display. You grab a crossword puzzle book for you and Wanda to finish together. Maybe then she’ll tell you what’s been on her mind. You make your way to the front where you spot her favorite candy. You’re not intentionally trying to make her feel better, you technically haven’t done anything wrong, and yet you can’t help but feel that you need to make things right with her. You grab the turtle's candy from the shelf and hand it to the cashier. She bags with boredom ready to clock out of work herself. You give her thanks before taking the items and leaving the store.
It doesn’t take long for you to get home. You sit in the driveway with the lights off for a minute. You’re looking up at the house. It’s beautiful. Two-story, brick, a white picket fence. It’s everything you’ve wanted in a home. Everything Natasha wanted. It’s been a little over a year since she’s died. A little longer than that since you’ve seen her face. Ellie never got to meet her. You were eight months pregnant when Natasha and the rest of the team decided to do the mission to reverse what Thanos messed up. Your wife, a natural leader and a true hero sacrificed her own life for the greater good. Natasha was always good. Which is why you resent her so much. In her haste to save the rest of the world she left you with a baby who would never know her name, never know her smile, and never feel her arms around them.
A life you planned together was over before you could start it. You’re here with the house that you chose together and sometimes you can’t make yourself go in. It hurts to see Ellie smile and laugh knowing Natasha would never get to see that. It’s a silhouette in the front window that breaks you from your thoughts. Wanda seems to be cleaning. She hasn’t closed the curtains which you have to remind her to do often. She moved in after you had given birth to Ellie. She was no longer Avenging. She wanted something else for herself. Wanda is your rock and you’re incredibly thankful for everything she does for you and Ellie. Suddenly, as if she senses you’re home, she turns to the window to peer out. She finds you easily and gives you a small wave. You wave back.
You unbuckle your seat belt and grab your items from CVS along with your briefcase. You take slow steps up the walkway. Wanda’s planted new flowers in the garden. They’re beautiful. She opens the front door for you and takes your briefcase just as she does every day.
You plant a kiss on her cheek in hello before stepping over to allow her to close the door. Briefly you think about how domestic the greeting is. She’s your best friend. It’s always been like this.
“Hey,” Wanda greets. She rubs her arms to warm herself. It’s the middle of August. It’s not too warm but Wanda always seems to be freezing. “How was work?”
“Work was work,” You shrug. Wanda lowers her hands to take the diapers. She places them on the front steps. “I need a long vacation. What do you say about taking Ellie to Montana or something?”
“Montana?” Wanda questions. She raises a brow.
“I know there’s nothing there but that’s the point.” You say. You follow her into the kitchen. Wanda rolls up her sleeves to get started on cleaning Ellie’s dishes. She’s sleeping by now with it being way past her bedtime. The eleven-month-old is full of energy. You find yourself missing her whenever you’re away. “How was she today?”
“She was great. She has another tooth coming in so she was a bit fussy before bedtime but a bath and a song fixed all of that.” Wanda scrubs a bottle with care and precision.
“How were you today?”
She pauses to look up at you. “I’m fine.” She drops her head back to the dishes.
“Her first birthday is soon,” Wanda begins another conversation.
“Yes, I can’t believe it,” You smile. “I think we should have a small party. Nothing too flashy. Danny thinks we should do a princess theme. I’ll probably ask her to plan it since she’s good with those things.” There it is. Wanda’s frown appears and she doesn’t try to hide it this time. “Is that not a good idea?” You lean against the counter to wait for her answer.
“No, no, it’s a great idea.” Wanda shakes her head. “I was just thinking that we would plan that together. Danny doesn’t know Ellie. I mean she’s never met her and you’re not dating.” Oh. There it is. She’s upset about you spending time with Danny.
“We can plan it together.” You placate her. “I didn’t think you would want to considering you’re already so generous with your time.”
“Are you kidding? I’d love to.” Wanda sets the last cup aside. “Ellie has been the highlight of my life for a while now. I can’t believe you’d think I wouldn’t want to help with such a milestone.”
“Okay then, we can plan it next week.” Wanda nods.
“I brought these.” You hold up the bag with the crossword puzzle and candy. Wanda eyes it before rolling her eyes.
“I’m going to have cavities because of you.” There’s no real malice in her tone. You grin before shaking the bag.
“Go change and I’ll make us tea.” Wanda takes the bag before waving you off. You plant another kiss on her cheek before running up the stairs to your bedroom. You make a pit stop at Ellie’s bedroom. Her door is cracked and the light from her night light castes the room in a light blue glow. You push it open gently. You tiptoe over to the bed where you take a second to look at her. She’s on her stomach with her hand resting near her face. Her favorite plushie, Boris the monkey, is inches away. You’re sure she fell asleep with it in her arms.
Sometimes you wonder how life with Natasha would be. How different would it be raising Ellie together? If you let yourself think too long you’ll become depressed. Natasha was the love of your life and you’d probably never be over her death. Does one ever get over that? Looking at Ellie, you’re constantly reminded of how much is being missed. You reach down to brush a hand over her head. You lean to press a kiss to her head. She twitches in her sleep before settling again.
You leave the room, closing the door behind you, before making your way to your bedroom. Deciding that a quick shower would feel amazing you step into the bathroom with that purpose. You don’t even bat an eye at Wanda’s towel resting beside yours. You take your time in the shower, allowing all of your stressors to melt away, before stepping out feeling refreshed. Wanda would be ready with the tea by now. You quickly dress and make your way downstairs to meet her in the living room. She’s already tucked under a throw blanket and she’s added a cardigan to her outfit.
“It’s amazing how you’re always so cold,” You say before joining her under the blanket. She adjusts it so that it’s covering both of your legs.
“If you kept the house at a reasonable temperature maybe I wouldn’t be.” She quips. She takes a sip of her tea before setting it on the coffee table. She grabs a pen and the crossword puzzle. She doesn’t hesitate to lean further into you so that you both can see the page. Despite her being cold, her warmth is comforting. She smells amazing. Clean. It sounds weird but it’s Wanda.
“Okay this one is literary lingo,” Wanda begins. She tucks the pen against her bottom lip as she reads across the page. “Two across says an exaggerated statement not to be taken literally.” She glances to you for help before turning back to the page.
“Hyperbole.” You answer. Piece of cake. She scribbles the answer onto the page before going to the next question. This is how much of the night goes until you finish the entire page. Wanda sets the book down in triumph. She picks up the turtle’s package and rips open the paper. She hands you one before biting into one herself. The candy is sticky and tough but delicious.
“Have you been back to the compound recently?” She asks you.
“Not really, I can’t bring myself to.” You shake your head. Going back there would only remind you of Natasha and Vision. She nods her head. She feels that way too. She chews before swallowing thickly.
“I think I want to start volunteering somewhere,” She says and you sit up a bit straighter in interest. Wanda adjusts herself so that she’s fully facing you. “I know I spend a lot of time with Ellie and I love her but I need some adult human interaction.”
“Wanda, if it’s too much please tell me, I can bring her to work with me some days and-”
“No,” She cuts you off. “It’s not that. I just want to do something good. I want to help other orphans maybe. Growing up in Sokovia without parents and then joined Hydra. I know it probably won’t be as dramatic here in America but I want to help them onto the right path. Whether with homework or reading.” Wanda’s hands move excitedly as she speaks. She’s passionate about this and you can’t help but smile seeing her so happy. She notices your look and smiles back. “What?”
“You’re a good person, Wanda Maximoff.” You reply. Her smile widens. It’s all she’s ever wanted to hear.
“Thank you, y/n. I think you’re pretty good too.” She grins cheekily. “So you think I should do it?”
“I think you should. I can get Steve or Peter and MJ to watch Ellie and I’ll come with you some days.” You suggest. NYC is only a train away so you figure it won’t be too bad.
“Yeah?”
“Yeah.” You nod. Suddenly your arms are full of Wanda as she hugs you in gratitude. You think you're a bit touch-deprived as the feeling of Wanda in your arms is heaven-like.
“You’re the best.” Wanda smiles as she pulls back. “Are you too tired for a show?” She tilts her head towards the tv.
“No, put it on.” You watch as she grabs the remote, settling into your side again, as she finds her favorite episode of BEWITCHED.
**************************
The next few days are weekend days so you and Wanda attend a play date with another mom from the neighborhood. Her son, Tyler, is a month older than Ellie and they’re still a bit young for any real play but it’s more of a social thing. Tyler’s mom, Terry, is serving you and Wanda finger food as she talks about a new committee that’s happening in the neighborhood. They want to plan events for the coming year.
“I know things are hectic but it may be fun,” Terry shrugs as she sits across from you. “Mike probably won’t enjoy it but I’d figure us wives will.” She waves a hand dismissively. “Gives us something to do being stay-at-home moms.” This time she looks to Wanda. You don’t bother to correct her. This wouldn’t be the first time someone mistook you two for a couple since moving here.
Wanda nods, she might be considering the idea. You don’t think it sounds bad either. You’re just about to ask Terry about the type of events when Ellie crawls over to you with a toy block in one of her hands. She uses your knees to stand on her own feet. Her eyes are wide and trusting as she shows off the toy.
“It’s so nice,” You feign interest. You wonder if this is like a parent requirement. To give praise or encouragement to something your child wants to show you.
“Mama!” Ellie pushes the toy into Wanda’s lap. There’s a gasp but you can’t quite tell who it’s from. Wanda looks to you for the next step. “Mama!” Ellie is insistent as she pushes the toy further into Wanda’s lap.
“Go ahead, Mama.” You find your voice. You emphasize the title with a gesture to Ellie. Wanda swallows thickly before nodding. She looks down at Ellie before pulling her into her lap. The slipup was forgotten as she inspects the toy and puts on a voice for the toddler.
“Is this her first time saying it?” Terry asks with a smile noting your reactions.
“It’s the first time she’s directed it towards either of us.” You inform her. It’s true. Ellie has said Mama before in passing but she was never so indicative about whom she was talking to. Seeing her direct it to Wanda was startling but heartwarming. It brings tears to your eyes. Seeing the other woman respond and play with Ellie with such care. Wanda looks over to you with a smile before turning her attention back to Ellie.
Whoa. What was that you’re feeling? Butterflies. You haven't felt those in a while. Suddenly you feel as if you’re suffocating. The room feels smaller and you need space. You stand, excusing yourself from the room, to find a bathroom. You go to the one Terry directs you to. Wanda watches as you leave with a frown. Did something happen? You push the door closed leaning your head against it as you take harsh, breaths.
Wanda. Wanda Maximoff. Your best friend. You’re in love with her. It’s a thought that makes you want to puke. You don’t know how it has happened or when it’s happened but suddenly all of your feelings make sense. How happy you are to see her. Even on your date with Danny, all you could think about was Wanda. Coming home to Wanda. Spending time with Wanda. Kissing Wanda. Making love to her.
You gasp. This can’t be. You shake your head hoping it will rid you of the thoughts. Wanda lost the love of her life. You lost yours. It could be nothing more than what it was. She probably didn’t even feel the same way.
Life is crazy.
The car ride home is ridden in silence. Ellie has fallen asleep after the playdate. You glance at Wanda every few minutes. You don’t realize she’s looking at you too. You park in the driveway, helping her with Ellie’s bag when your hand brushes against hers. You pull away hiding the effect it has on you as you walk into the house. You put Ellie to bed on your own while Wanda does god knows what downstairs. You take your time dressing in a t-shirt and shorts before sitting on the bottom step to tie your shoes.
Wanda steps into the foyer to ask where you’re going. You both only just got home. She didn’t know you had plans to do anything.
“For a run,” This surprises her even further. You don’t like running. You despise it and yet here you are gearing up to run.
“You hate running,” Wanda points out. “In fact, the last time Steve suggested you run you told him you would rather have crows poke your eyes out and eat them for breakfast.”
Damn. You did say that.
“I’m trying something different,” You shrug. You stand to stretch before heading for the front door.
Wanda follows after you. Before you turn the knob she calls out to you.
“I’m sorry if I overstepped,” You pause and turn back to her.
“Overstep? Why would you think that?” You question her.
“Well, Ellie called me Mama and I know that’s what she would have called Nat. I’m not her mother.” Wanda folds her arms under her chest. A nervous move. “I thought you might be uncomfortable with that.”
“No, Wanda, that’s not it at all,” You assure her. “I’m so happy that Ellie views you as her Mama. There’s no one I would rather have that title. You are her Mama.” Wanda nods with tears in her eyes. Maybe she’s wanted that without really knowing. You find yourself wanting to kiss her tears away. Again. Whoa.
“Okay,” She gives you a small smile. “Have fun on your run.” She tells you and you nod. She watches you exit the front door. You do a few final stretches before you plug your headphones into your ear. Guess it was time to run.
It’s been two hours the next time you walk through the front door. The lights off save for the foyer. You kick off your shoes, rubbing your forehead with your sweaty shirt before you make your way upstairs. Wanda must be asleep. You check on Ellie as you do every night. She’s sound asleep. You hop into the shower and allow yourself to stand under the scalding hot water. You’re going to regret running so much in the morning. Your thoughts are riddled with Wanda as you shower, when you dry off, and when you dress. You can’t stop thinking of her. You don’t know what prompts you to do it but you suddenly find yourself in front of her bedroom door. Her lights are off but you knock anyway. No answer.
You twist the knob to find the door unlocked. You open the door and call her. She’s on her side facing away from the door. Her posture is a bit stiff.
“Wanda?” You question.
“Yeah?” She whispers into the darkness. She turns over just as you climb into the bed. You’re under the covers now and briefly you think about how comfortable her bed is. You can see her through the light emanating from her window. Her cheeks are stained with dry tear tracks. She’s been crying. “Y/n?” She tries to hide the shake in her voice as you look at her. It’s now or never.
Your eyes fly down to her lips then back to her eyes. You lift a hand to caress her cheek as you lean to plant a chaste kiss against her lips. She gasps, quickly recovering, before kissing you back. You pull back keeping your eyes closed. If you open them to her being angry with you, you don’t know if you’ll forgive yourself.
“Y/n,” Wanda asks.
“Wanda,” You whimper.
“Open your eyes, Malysh.” She raises her hand to rub her thumb against your hand still caressing your face. She takes hold of it before lowering it to lie on the covers between you. She never let's go. You open your eyes slowly to find nothing that you were afraid of.
“I wasn’t mad that Ellie called you Mama,” You repeat your sentiment from earlier. “I was confused. Her calling you Mama made me realize a few things.” Wanda listens. “You’ve been here through it all and yet I’ve never seen you for you until now. My selfless, sweet, Wanda.” You don’t know what you’re saying at this point. All you know is you want Wanda to know how much she means to you.
“I feel the same,” She doesn’t need to you say the words. She knows.
“I can’t believe I didn’t realize all of this time what was right in front of me,” You frown. “I can’t believe how long I wanted to kiss you and I didn’t see it as anything other than platonic.”
“I realized a couple of weeks ago.” You lift your head to rest on your elbows. “When you went out with Danny for the first time. I couldn’t figure out why I was so angry about it. Then I knew why. I wanted it to be me.”
“Wanda, why didn’t you say something?” You ask. “If I knew I wouldn’t have gone out with her.”
“I didn’t want to stand in the way of you finding love again,” Wanda shrugs.
“I don’t love Danny,”
“But you could,” Wanda points out.
“No, I couldn’t.” You say firmly. “Not when I love you.” It’s the first time you’re verbalizing this. “Don’t be a martyr when it comes to your heart, Wanda. Even with me.” You squeeze her hand. “It took me some time but I want you.”
“How do you know that after only a couple of hours?” She asks.
“It hasn’t been a couple of hours,” You shoot back. “It’s been months. The late nights with Ellie. The dinners we have. Our crossword nights. I enjoy them. I look forward to them. We’ve been spending a life together without us even realizing it. I want more with you. If you want it too.”
Wanda surges forward pushing you onto your back as she kisses you with a passion that has you moaning against her lips. The weight of her on top of you is pure bliss. All you can think, feel, and smell is Wanda. Reluctantly she pulls back to take in a deep breath.
“I want it too.” She doesn’t wait for you to answer as she kisses you again.
Five years later
“Mama, Mama, we got ice cream.” Ellie races across the park with your golden retriever, Max, in tow. She’s hanging onto the leash very loosely as she waves around the popsicles she has in her hand. Wanda looks up from her book to inspect the items as Ellie pushes them into her hands. You’re a few feet behind watching as Wanda interacts with the little girl.
“Do you think the baby likes fudgesicles?” Ellie asks as she drops down on the picnic blanket.
“I don’t know, Kiddo, you have to ask him.” You say as you sit next to Max. You watch with pure adoration as Ellie takes it upon herself to lift Wanda’s shirt to expose her swollen belly. Wanda looks over to you with amusement in her eyes.
“Hi baby brother or sister,” Ellie begins. “Mommy told me to ask you if you like Fudgesicles. I bought some for you.” Ellie waits as if she’s truly expecting an answer. “Baby says yes.” She looks up at Wanda for confirmation. Wanda takes the Fudgesicle with gratitude as she licks into it.
“I think baby made a good choice,” Wanda grins. She runs her free hands over Ellie’s brown ringlets to smooth it down a bit.
“Me too,” Ellie says in between licks.
“I think I made a good choice,” You say and Wanda nods. Her too.
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gojoux · 7 months
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𝐖𝐇𝐄𝐍 𝐘𝐎𝐔 𝐒𝐀𝐘 “𝐖𝐄 𝐍𝐄𝐄𝐃 𝐓𝐎 𝐓𝐀𝐋𝐊” 𝐓𝐎 𝐇𝐈𝐌
Gojo. Geto. Sukuna. Nanami. Choso. Toji. Megumi. Itadori. Yuta. Inumaki.
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◈ — 𝐆𝐎𝐉𝐎
He’d raise his eyebrows at you, “Huh? What do we need to talk about? Am I in trouble?” He bombards you with lots of questions and guesses, also an attempt to distract you from whatever you want to talk about. You end up getting annoyed by his nonstop talking and decide to drop it. “Anyways, what is it that you want to talk about?” He grins unapologetically.
◈ — 𝐆𝐄𝐓𝐎
He looks at you in curiosity, up to whatever you want to talk about to him. “What is it, love? Come closer, let’s talk about what you have in mind.” He pats a seat beside him, waiting for you to speak up. He’s ready to listen to you with his ears open. When he finds out you’re just messing around with him, he’ll lean back with a soft chuckle, “Ah, I should have known.”
◈ — 𝐒𝐔𝐊𝐔𝐍𝐀
He’s unbothered, leaning back on his seat. “We have to talk? About what, exactly? Are you trying to mess with me, hm?” He rests his head on his hand, the usual smug smile still on his face. He waits for you surprisingly patient, urging you to go on. He’d also pat his lap, not saying a word, ordering you to sit down with him. “Well? Speak up, dear. I want to hear what you have to say.”
◈ — 𝐍𝐀𝐍𝐀𝐌𝐈
His attention is fully on you, setting aside what he’s doing, saying, “What do you want to talk about? Come, sit down,” before nodding for you to continue. “You can talk to me about anything that’s on your mind. Just let me know what you want to say.” He’ll listen to you in silence, ready to remember every word you have to say before he gives his own opinion once you’re finished.
◈ — 𝐂𝐇𝐎𝐒𝐎
He keeps himself relaxed, listening to you intently with his eyes looking straight to yours. “You want to talk? Fine. Let's talk about it. What do you wish to speak of? Is it regarding something personal? Is something wrong? Or is it something else?” He’s ready to listen to whatever you want to talk about, not a single word out of his mouth until you say something.
◈ — 𝐓𝐎𝐉𝐈
He just sat there, looking at you with a raised brow, “Huh? What is it? Something’s wrong? What did I do now?” He asks, already assuming that it’s something he did or didn’t do or whatever his doing that you want to talk about. “What is it? Just tell me to the point.” Despite his uninterested display and straightforwardness, he’d listen to you once you started talking.
◈ — 𝐌𝐄𝐆𝐔𝐌𝐈
He immediately looks up from the book he’s reading, placing it down on his lap with his eyes on you. “You need to talk about something with me? It must be important then.” Even though he looks at you with that blank face of his, he’s all ears to listen carefully for what you have to say, encouraging you to speak up, “Just tell me anything you want.”
◈ — 𝐈𝐓𝐀𝐃𝐎𝐑𝐈
He'd look at you for a minute before speaking to you in confusion and curiosity, “Huh? Do we need to talk? Why? Did I do something wrong? I didn’t do anything terrible, right? What’s going on? Is everything okay?” He’d ask many questions to make sure it’s not that serious, because he’d have to prepare his heart for that. But his attention is all on you though.
◈ — 𝐘𝐔𝐓𝐀
He’d look at you with surprise, not understanding what was going on with the change of mood. “What’s wrong? Let’s talk then, I’ll listen.” He waits for any response from you to move this conversation in the right direction. He’d sigh in relief when it’s nothing serious, smiling at you when he realizes you just want to joke around, “I thought I did something that upset you… I’m glad you’re okay.”
◈ — 𝐈𝐍𝐔𝐌𝐀𝐊𝐈 🍙
He’ll look at you with a question mark all over his face, confused about why you’ve gotten serious all of the sudden with this ‘want to talk with him’ thing. “Takana?” He’d ask, wondering what’s wrong. “Mentaiko.” He’s a good listener, and he gives you his undivided attention for what you want to talk about. He plays along with you when he realizes you’re just joking with him.
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Yikes, not my best one since I’m feeling unwell, but I hope you enjoy this regardless 🥹🥹🥹
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help-itrappedmyself · 2 months
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Summoning Game Show Part 5
Masterpost
I just spent an unnecessarily long time making A Quiz so I would have questions and answers ready to go, only to not put any of them in. And spend a ridiculously long time doing math because I had to redo it like three times. Numbers are not my strong suit. In any case I now have a fully functional Jeopardy game and the next part.
~~~~~
It’s a close race. They were equal on the mountain track and neither really got sidetracked by Skulker on such a straightforward route. They made it to Zone Two almost even, but Jason almost immediately falls behind as Skulker hits him with a paintball. Being shot at shocked him more than anything, but realizing it was paint, he stopped trying to avoid it and just kept going, letting his armor deal with most of it. Skulker got bored and quickly went after Johnny instead, who got irritated and started a shouting match with Skulker as he drove. The different terrains meant they had to keep slowing down and speeding up, and Skulker got bored with the paintballs and started throwing water balloons instead. This was more annoying for the drivers because the water made the sand and mud trickier to drive on. Both Johnny and Jason both got their bikes temporarily stuck in mud and had to drag them back out while Skulker cackled above them. 
Zone three allowed Jason to catch back up to Johnny. This was what he was used to and he was able to go faster with more confidence. Johnny and Jason separated after Skulker shot a net at them both. And they found each other again on a straightaway leading to the finish line. It was close at the end, but Jason managed to pull out ahead. 
They shook hands at the finish line, walking back into the main room together. They separated when Johnny left to go back to the stands, followed closely by Skulker. 
“Wonderful race, very intense, great driving all around.” Danny says, very entertained. “Well earned win, Jason. I’ll remind you this is what you have currently.”
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“What letter would you like to guess?”
“I’ll take I.”
“Another vowel, very good.” Danny waves his hand again. “There are two I’s!
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“The next challenge is trivia, which will be played by Red Robin as he is the only one who has yet to participate in a challenge.”
A new podium appears on stage as Danny’s podium rotates so the two are facing each other. Red Robin walks up to the new podium.
“ The theme is SPACE!” Danny is so excited he is practically bouncing. A jeopardy-looking game board appears on the screen. “ You have 6 categories, all space themed, they are:  Earth, Other Planets, Space Numbers, Stars, Other Space Entities, and Spacecrafts! There are 9,000 possible points, you need to get at least 7,500 in order to win! The game can stop as soon as we’ve reached that number.”
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Red, being Red, decides to do all the hardest questions first. He starts at the bottom left corner, gets the first question right. Tim thinks since he got the hardest one he could probably finish out the Earth category pretty easily, so he goes down the list and gets them all correct. 
With 1,500 points he decides to start the next category with the hardest question as well. This is his first wrong answer. He starts going up the list, and gets the 400 incorrect for this category as well. Danny is disappointed. The rest of the boys are infinitely relieved that Tim is the one doing the trivia part. They probably would have lost already. 
Tim does get the rest of the ‘Other Planets’ category correct and moves on with 2,100 points and 6,000 points left on the board. He decides to start ‘Space Numbers’ with the 100 point question and keeps going, acing the whole category. He now has 3,600 points. With 4,500 points left on the board he needs 3,900 more points. This means he can only lose 600 more points. He aces the ‘Stars” category, then moves on to ‘Other Space Entities’. He misses the last question, leaving him with 6,100 points and 1,500 left on the board. Tim can only afford to miss the 100 point question, so he decides to start at 500 and get it over with.
He continues until he reaches the 200 point question. If Tim answers this one he will win, and he does so correctly the screen changes to shoots of confetti.
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felikatze · 5 months
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ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool
Or: How Siffrin is stuck in the endgame grind, forever
Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.
Spoilers for.... all of ISAT! Especially Act 5!
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(image to show how i feel posting this and as an attention grabber over my wall of text)
To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:
Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).
It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.
So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.
Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.
Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.
To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.
Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.
Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"
Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.
Siffrin's skills are all puns.
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You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.
This is only the baseline of the way the combat system feeds into the story, though.
The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).
You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).
At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.
Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.
I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.
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Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.
(Is it still fun? Playing it over, and over, and over again? Is it?)
You and Siffrin are in sync, your experience making everything trivial.
As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.
It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.
(Just attack.)
No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).
Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.
Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.
The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.
The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.
I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.
What do I even need to say, really.
Your party doesn't stay static forever, though.
By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.
These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.
But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?
Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!
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I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.
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Siffrin also has one skill with associated art.
Yeah, you guessed it, it's (Just attack.)
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At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.
Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.
As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."
The final boss just takes that one up a notch.
Spoilers for Act 5 ahead boys!
In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.
This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)
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To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.
Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!
...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.
In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.
Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.
And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.
So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.
First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.
You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.
(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)
This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.
And, then, a void.
Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.
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Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.
Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.
You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.
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But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!
and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.
So of course this ends with Siffrin giving up. What else can you do?
And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:
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A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin
B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music
C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.
It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.
At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.
Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.
Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.
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Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.
Siffrin goes totally ballistic, to say the least.
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As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.
Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.
Siffrin is the final boss.
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In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"
This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.
You have two options for combat: Attack your friends, or attack yourself.
And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?
Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...
(Your friends don't know what to do.)
None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.
Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.
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It's a happy ending. But... what does it mean?
Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?
After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.
And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.
Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.
The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.
For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.
There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?
Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.
Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.
All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.
In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.
But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.
Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.
A circle within a circle indeed.
To summarize:
The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.
Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.
Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.
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